#do you have any shame?
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I think the reason us helluva boss/hazbin hotel fans get so defensive about criticism is because a lot of the "critics" just hate vivzie and the shows themselves. It's come to the point that any criticism for this show feels like an angry mob. In any other fandom I'm fine with criticism, but the fact that "critics" have said that they can't wait for viv's downfall + even wished that she died has made me hostile towards it. Haters have taken over the critique part of the fandom and turned it into a cesspool of disgusting rage. That level of hate towards a creator is unfathomable. Why do they think this is okay?
#helluva boss#hazbin hotel#vivziepop#fuck off antis#they are literally laughing at the episode being leaked#do you have any shame?#i get it if you don't respect vivziepop#but what about the animators#the people who spent hundreds of hours on this?#you cant say you care about the animators#then turn around and laugh at their hard work being stolen#you disgust me#antis dni
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Wow Rimmer actually does flirt with young!lister in timeslides i thought that was just me misremembering
#slightly hyperbolic perhaps…however…#‘do you have a CD?’#do you have any SHAME?#red dwarf#rimmer/lister#anyway I’m doing a slow rewatch and it’s nice to spend a while focusing on each episode in the most insane way I can
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the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
#this shifts gender so much bc it actually affects everyone#yes it's a gendered phenomenon. i have written a LOT about how different genders experience it. that's for a different post.#writeblr#ps my comments about seeing someone cry -- this is not to shame any person#and on this blog we support workers.#at the same time it's a really hard experience to see someone that looks like you. clearly in agony. and have them forced to keep going.#when you're young it doesn't necessarily look like acting. it looks scary. and that's what this is about - the fact that teens#have likely already been exposed to that definition of things. because the internet exists#and without the context of healthy education. THAT is the image burned into their minds about what it looks like.#it's also just one of those personal nuanced biases -#at 19 i thought it was normal to be in pain. to cry. to not-like-it. that it should be perfunctory.#it was what i had seen.#and it didn't help that my religious upbringing was like . 'yeah that's what you get for premarital. but also for the reference#we do think you should never actually enjoy it lol'#so like the point im making is that ppl get exposed to that stuff without the context of something more tender#and assume .... 'oh. so it's fine i am not enjoying myself'. and i know they do because I DID.#he was my first boyfriend. how was i supposed to know any different#i didn't even have the mental wherewithal to realize im a lesbian . like THAT used to suffering.
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Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.
Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?
Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.
The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.
Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.
It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.
I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.
He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.
#gravity falls#grunkle stan#stanley pines#STANLEYYYYYY#STANLEY THEY COULD NEVER MAKE ME HATE YOU STANLEY!!!!!!!!!!!!!!#sharky rants#Just. Imagine the fucking shame you have to live with#the shame that you can never be yourself. That anything you were is unwanted and forgotten#The shame of just BEING- Of taking space of- of /breathing-/#Imagine the world; your friend; your family; your colleagues being so ashamed of having known you#that you feel more comfortable with a persona to present.#You feel more comfortable stealing the identity of someone you care for deeply if only to help#If only to feel capable for once. To feel like you belong- Like youre doing something good for once#Imagine the shame that brings you to be comfortable not being yourself for 40 years.#ALL CASE YOU BROKE ONE FUCKING PROJECT??????? COME ON#I mean- the deeprooted shame was started from earlier. He was 'the stupid twin“; 'the troublemaker”; “the cheat and thief”#This was a long time coming#But those werent MISTAKES- The one time he genuinely made a Mistake he lost everything#Like he really mattered so little to the people around him#and he cant really blame them.#My cousin is a genius. Hes smart and academically achieved since I was a baby.#The only thing I had that he didnt was my ability to draw. to be creative. The guy for the longest time had a better social life then me too#I used to get brought to tears seeing his accomplishments- seeing people praise him. The shame lived in me any time I had to see him#The shame that I was the black sheep of the family next to the golden standard for a son- for a student- for a friend.#when I was none of those things#And Im lucky he was my cousin- cause if he was my brother that would have haunted me EVERY DAY rather then once or twice a year#Im better with it now; Im more content with who I am- But trauma dump aside-#I very very very much understand Stans shame in being the stupid one. The unachieved one in a family full of achieved people#the shame thats angry at him for being better. at the family for treating him special. and most of all at yourself that you cant be better#its a visceral feeling that I sadly understand
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
#blue eye samurai#mizu blue eye samurai#akemi blue eye samurai#blue eye samurai meta#just in case... im gonna tag this as#mizukemicritical#akemizucritical#though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters#for that reason lemme also tag this as#wank.mp3#feel free to disagree of course but please be civil#and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3#fandom.rtf#meta dissertations.pdf#shut up haydar#edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun!#it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it#it's a shame too because i was very open and even eager for some mizu/akemi romance in the future#but out-of-character fanon + the rudeness of certain fans has definitely soured it for me#but that doesn't mean people can't enjoy it obviously! ship and let ship!!!#plus it has its appeal which i DO STILL see and enjoy!!!!#i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!!#but. yeah. my gradual distaste for this ship is indeed very unfortunate.
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Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
#This is about traditional publishing but there’s pretty privilege and ageism in self publishing too#I can’t think of the last time I saw an up and coming author recording videos who was over thirty#And frankly that’s a shame#It could be that I’m not looking hard enough#but it’s more likely that algorithms are trained the way they are#truly I don’t think they should have to do any of that at all#And forgive me but (and I know it’s rich because I’m an artist on a platform) but art shouldn’t be at the mercy of an algorithm#Now there’s also something to be said about self publishing becoming easier and easier to achieve success in#And doors opening because of influencer status is real and makes publishing wider in a way#But that doesn’t mean it’s accessible#I’m not gonna plaster my health issues over the wall but that life is certainly not accessible to me!#are you healthy enough to write and make sure people on social media still want to like your stuff#are you mentally well enough to be your own pr#I’m sure people who have studied this have more to say and have said it better but this is what I’ve observed#writing#publishing#publishing industry
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perhaps the most important question i’ve ever asked:
does anyone have tips for people trying to stop being chronically late to everything in the world that aren’t weirdly judgmental and aggressive or flat out lies
#when i tell you every single resource i’ve ever found or tried to get through or anyone i’ve ever asked#has been just so. mean about it#not even intentionally#not always at least#but there’s so much inherent shame tied to being late to things or being a person who used to be late to things#that i don’t think people can untie that from their ‘helpful tips’#it’s all ‘i used to also be a lazy uncaring piece of shit! you don’t have to be a horrible wretched loser anymore!’ and it’s like. okay.#you see how that’s not helping. right.#making me feel worse about it is NEVER helpful. i promise you i already have tortured myself over it FARRR more than any ‘on time’ person#ever had#this has been a comic i’ve been stewing on for ages as well but. well there’s of course the shame#idk it’s something that people are always despicably mean about bc fundamentally people who have never struggled with it#see it as a personal choice to be late#and as something one needs to just ‘try harder’ to fix. and that if you don’t#you inherently don’t care about other people’s time or even other people in general#and that feels horrible! it feels really bad!!#i mean i’ve got it from EVERYONE. disability allies. other adhd folks. disability resource offices#it’s something that nobody ever cares to acknowledge or try to accommodate for#bc time blindness and exec dysfunction are NEVER taken seriously as disabilities. they’re always always viewed as a personal failing#and i’m sick and tired of it. bc all this does is make people struggling with this Hate themselves#and worry endlessly that maybe they Are selfish and actually Don’t care about anyone else#there’s a bit too much here to keep in the tags i should really do the comic for adhd awareness month
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(totk rewritten)
finally, all the arm and spirit abilities- for the first half of the game (rauru) and for the second half with the shiekah arm replacing links arms instead and the spirit abilities gained through ganondorf
(please excuse my handwriting and sometimes repeated info on the first two, i lost motivation/patience at the end and couldnt get myself to basically redo it all from scratch just to make it a bit more cleaner)
note, the camera rune is unconnected to the arm, its the shiekah stone copy link has (zelda carries the one from botw, a copy was attempted to be made for link but it lacks all runes except the camera, the map and its teleportation, and journal/archive)
note for the heal effects of some spirit abilities- im also reworking the healing system, making it more like the older games, so healing isnt as easy and much more restricted, thus making those effects of spirit abilities more valuable ( lil potion icon on the d pad will act a little bit like in skyward sword, opens your limited selection of healing items and if chosen link switches to holding it and letting you consume it with -a- while walking around in real time- to avoid more pausing and mass healing on regular items while in menu)
additional note, the automatic recharging of the magic meter depending on the environment gives you a reliable but less abusable way of using abilities and allows for even more creative dungeon/challenge design by using it effectively- it works by absorbing magic from its surroundings, so if its an area with little magic it recharges slower, if its a very spiritual or healthy place it will recharge faster, it can be used to make things more challenging and also as subtle storytelling (example, theres a graveyard with the magic energy around being off the charts, even if there are no spirits to see, it could hint at the people buried not having died peacefully, no matter what their gravestone says...)
the usage of magic and how much the different abilities cost also allows for a much more dynamic fighting style for players to choose and try out, balancing them all out with their cost instead of a fixed timer, and the recharging beign affected by the environment perhaps forcing players that favor high cost magic abilities to use the lower cost ones for example, or not being able to charge one up bc the enemy is too fast and doesnt give you enough time to charge it
about half of the small overworld dungeons (not shrines) are also locked/inaccessible for the first half and new quests appear as the second half commences- together with the additional changes raurus return brings with it (sonau buildings, enemies being mostly cosntructs that he summoned etc) and whole set of new abilities giving you a fresh new way to play while (hopefully) not making you feel too restricted for the first half
... making these detailed concepts took me longer than id like to admit q-q
#ganondoodles#zelda#ganondoodles rewrites totk#tloz#art#concept art#loz#ok im gonna play some games now#might do future concepts more with clean text#so i dont even get into the situation of having to redo everything jkdfkd#also im not a game designer so if i got any game designers following me id love to hear what you think#THOUGH theres alot of other mechanics missign here#like the weapon repair system- the new healing system in detail- the mini dungeons that arent shrines again- the pockets to find to-#-expand your inventory instead of krog poop- etc etc#ngl so nervous about posting this bc i know its less appealing than the full art pieces#but how am i gonna get mechanics across if not like this#i dont even know what to tackle next lol#everything plays into each reworked system so theres always gonna be soemthing that seems off on its own#but i cant put it all into one post bc that would put the colors of the sky post to shame how long it would be kjbgvkdbngkk
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[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
#rottmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#rise karai#rise leo#rottmnt karai#rottmnt leo#I think a lot about these two in particular#and how that dynamic could have flourished#the way it was depicted in the finale is so purposefully unique and painful like#that hug man#can you imagine how much more heartbreaking that would have been if we knew her longer#not that it wasn’t already sad but we just simply didn’t know her long enough to be completely attached#also imo having more episodes with her and in general would have presented something I’ve been thinking about since the finale#so like - I like to think each bro kinda immediately leans more toward certain family members#Mikey has Draxum#Donnie has April#Raph has Splinter because this is another one that would be SO GOOD and make the finale moment where Raph sees his memories hit harder#if they had an ep or two more of Splinter and Raph together bc I really do feel like Raph respects Splinter most of the four#and finally- Leo has Karai#and then he loses her#imo? this would align with the movie even more#because it was the act of heroism that kinda killed her in a way - makes sense that Leo would initially be leaning away from that#and yet he ends up exactly like her anyway#haha sorry for rambling I just really love the interesting dynamic these two tend to have#and it’s a shame we didn’t get to see it really explored in rise#but yeah make no mistake while I’m focusing on Leo here I wanted more for all the boys and karai#Mikey’s little moments with her were so sweet and we already know how much he yearns for more family#Karai being from an age long gone would mean she’d be super impressed by literally any invention Donnie has (adult validation!!)#and could you imagine her training with Raph - with this training being referenced in the finale?
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Look all I'm saying is if that a shadow game can work THAT well and be so well designed story wise and gameplay wise
HE can work
#sonic#silver the hedgehog#sonic the hedgehog#silver right now is such a open canvas of a character#story wise and gameplay wise#he's been a side character for so long and in the one time he was a main character his whole story was basically axed from canon#he's definitely been explored since then but not to extent we've probably wanted with this character-#and I'm talking mostly game silver cause obviously in IDW and archie he got some LOVE there#even if we never saw idw silver actually explore his good future#which i still think is a shame but also apparently if sega doesn't want that to be explored in a comic and saved for the games then#THEY BETTER EXPLORE IT SOON#and honestly gameplay wise he needs another shot as well#like C'MON his psychic's just needed better...well...PSYCHIC'S TO WORK#can you imagine what cool and fun movement he'd have now that sega is now slowy understanding what kinda stuff they wanna do with#the sonic franchise again and how it should play#i don't know if i should fully expect a silver game at any point#but he should ATLEAST be a second main character in a new game so people can be reintroduced to him and they can cook with him#IM TIRED OF SEEING MY SON GETTING HATED ON OR CALLED LAME#I WANT PEOPLE TO BE REMINDED OR SHOWN HOW COOL AND FUN HE CAN BE WHEN GIVEN THE SPOTLIGHT#archie and idw are the best examples of him as a character#he is a lovable friend and ally#but serious when he can be character#and his powers are literally so COOL AND INHERENTLY UNIQUE AND POWERFUL COMPARED TO OTHER'S IN THE CAST#like when surge saw silver come in casually carrying a large object and she got nervous THAT'S WHAT IM TALKING ABOUT#THIS MAN CAN BE A THREAT.#okay rant over DHDNDNDB
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Help a college student graduate by answering a survey!!
Hey!! Are you over 18 and in the miraculous fandom? Then this is for you!!
Hi everyone, this is my last semester of uni, and one of my final projects to be able to graduate is to write a scientific paper. I'm writing an article about adult fans of children's animation, specifically Miraculous Ladybug. My goal is to understand what makes adults (like us) want to join fandoms centered around shows aimed primarily at children, and to do that I'd love to hear directly from the source! The survey takes around 10 minutes to answer, it's 100% anonymous and it would help me immensely!
>>Click here for the survey<<
I need at least 30 people to answer, but honestly the more the merrier! I've also made a little thank you gif at the end, so if you see it let me know! If you have any questions feel free to send me an ask, as well!
Please reblog so it can reach more people! Thank you so much!
#what do we love (or hate!! I know people are here bc they dont like the show as much too) abt miraculous that#makes us want to spend so much time thinking and creating things for and about it?#miraculous ladybug#i am once again asking for your support#insert bernie sanders meme here#alskdjasd#no but really if you answer this it would help me so so much#and i'll be so thankful#i will reblog this post a bit frequently so please be patient with me 😭😭#also the point of this is not to shame anyone for watching kid's shows in any shape or form#i just love animation and kids cartoons too#my first intentions with this research were to ask why do we mostly view animation as a kid's genre instead of a technique to tell stories#in the west at least#but it was too broad of a question and I dont have enough time to dedicate myself to it#so i narrowed it down to something i'm familiar with#which is why i went for#so uh anyway#pls reblog#and answer my survey#thank you so much
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Day One: Casual Kidnapping
#lego monkie kid#lego monkie kid fanart#monkie kid#monkie kid fanart#lmk#lmk fanart#lmk mayor#monkie kid mayor#lmk macaque#monkie kid macaque#lmk shadowpuppet#shadowpuppet#can't believe I'm doing my own prompt list smh#do I have any shame? no- I just need an excuse to draw shadowpuppet#its all for the shadowpuppet agenda guys- pursuit of toxiv gay co-worker yaoi content#I will thank myself later#also none of you should feel bad for Macaque- he probably does this all the time with Mayor too#they kidnap each other on the regular basis- probably#shadowpuppetweek
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'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
#this quote always moves me almost to tears when i remember it#i'm not a trans woman and i don't share the author's specific experiences with transition#but it really moves me that she frame transition as joyfully giving yourself permission to approach your body#not as something that has to be disciplined and deprived and made small in all these various ways#but as a means for experiencing pleasure and joy and delight and for insisting that our feelings and desires are worth#valuing and exploring and treasuring#i always used to think of prioritizing those things for myself as selfish and irresponsible#but who does it harm to want to experience pleasure in your own body?#it's such a beautifully simple and powerful switch to have flip in your head#and equally why are we forced to deny our own pleasure in transition and anything else related to our bodies in the name of moral rectitude#this is why i get so confused and pissed off when other trans people are fatphobic for example#like why are you so invested in politics of shame and disgust that never had any purpose other than#violently disciplining people as if they've violated moral codes by existing in a body#to say nothing of white people being racist in gay and trans communities#like again this system of violence is foundational to homophobia and transphobia#so why are you acting like it has nothing to do with you#even if you are unmoved by the urgency of other people's suffering which btw you should be moved by#what do you hope to gain by acting a collaborator and handmaiden to those systems#Casey Plett#she really is one of my favorite authors i wish more non-canadians read her#this quote is from a series of columns she did ont transition and every single one is a banger#i love when she talks about the people-pleasing elements of dysphoria and transition denial#she's so sharp about noting how many of us deny our own dysphoria on the grounds that others like and validate our bodies#that's how i always felt during my cis conventionally feminine era#it pleased other people so much and also that reception felt so hollow and joyless to me because i hated it#i get less of that positive feedback but that feels so unimportant next to the joy and pleasure i get to experience#said with the understanding that i'm very privileged in being able to prioritize those things without fear. but it was a switch flip#personal nonsense
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i will never understand how or why the httyd movies did the books such an injustice.
the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.
the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.
and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.
hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.
and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.
and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.
and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.
and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.
that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.
i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.
if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.
#corey talks:)#this has been in my drafts forever but i saw something that made me have feelings and so i finished it and here take this iuygfcvghuij#i justgod the books are SO GOOD and barely anyone knows theyexist#and i think that's what makes me the kost upset#or some [people chose to ignore they exist or don't give them a chance bc... i don't even know why. ppl are just so quick to dismiss them#the books are so important to me (literally got a httyd book tattoo) and i get most book fans also like the movies#but it sucks bc i can't go through the httyd tag without being bombarded with movie stuff#i'll even look up 'httyd books' and half of it is still about the movies.#i'll look up snotface snotlout and only finds movie stuff even tho ig they changed his last name in the movies???#i'll look up camicazi and find it filled with astr*d. WHAT.#i'll look u toothless and only see the freaking nightfury. not the original.#like god movie enjoyers at least tag correctly. i get you want ppl to see your posts but the more i see movie stuff in the book tag the mor#i hate the movies lol like the movies are so much more popular than the books let us have our tags okay#sorry if any of this sounds bitter also i hope it doesn't sound like i want to argue or fight#this is just my opinion and i have feelings and i just want ppl to know there are books#also i am not shaming anyone who likes the movies like i already said you do you boo just don't come at me for doing me#bc yes that has happened to me multiple times :) which is one reason why i get so upset :)#i just personally cannot separate the two. i know some ppl can and i'm glad! but i can't and that's okay too#httyd#httyd books
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Sometimes I wish that people would learn the difference between sex-repulsion and sex-negativity
#sex-negativity (hating sex as a concept and shaming others for liking it)#sex-repulsion (being disgusted by the idea of having sex yourself)#i'm tired of seeing sex-repulsed 'positivity' posts where they confuse these concepts#newsflash buddy; you can be sex-repulsed AND sex-positive.#i do agree that shaming others for liking sex is bad but at least inform the right people#but there are barely any sex-repulsion positivity posts that don't go 'it's okay to be sex-repulsed as long as you aren't sex-negative!'#every time i go to the sex-repulsed tags whenever i need positivity for my internalised aphobia these are the types of posts i see#lgbtq+#lgbt#asexuality#asexual#asexual pride#ace pride#ace#sex repulsed#sex repulsed pride#sex repulsed positivity#sex repulsed asexual#the insomniac archives
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So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.
First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.
It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.
Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.
Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.
And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.
I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.
This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.
Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.
It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"
"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"
... They don't pass a lot.
It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.
Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.
Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.
Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*
#dean talks to himself#detroit become human#dbh connor#markus dbh#Kara dbh#and it's not like i don't know there's racism and sexism in fandom and in production. obviously Connor is a white man. i didn't forget#and there's the insanity that happened with GR and creating all that personality for an asshole with four appearances throughout the game#which makes you wonder why didn't the fandom do the same for Markus and Kara bc wtf#But honestly the logic kind of tracks. GR showed so much personality and he has the benefit of being human so we can more easily extrapolat#we know what humans tend to do with their time and what they act like and we barely get to see any androids actually doing the whole#becoming human thing.#I've tried building them up in my head but I'll admit it's kind of hard. they're more blank slate than sandbox#GR is a human and Hank's foil and that's easy to extrapolate on. 900 is Connor but Better and that's easy to extrapolate on#i think we somehow see too much and not enough of Markus and Kara and it has us pressing the brake and the gas at the same time#just trying to figure them out around these points. it's like a damn maze and a lot of speculation that doesn't have anything to grab onto#it's just a damn crying fucking shame because there was so much time to spend on them and it just doesn't get spent on them#anyway rant over hope you didn't hate it
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