#do u guys remember when Cas's powers were actually cool?

[castiels-undercoat]

Thinking abt Jack bringing Cas back but making him fully powered +some so Cas is just at the bunker fully mojoed out, and Dean really really forgot how hot Cas being scary and all powerful was.

[420technoblazeit]

anyway. masterpost for my thoughts on my spn 8x12 rewatch bc i forgot to liveblog it. this is the one where their grandfather time travels to the future by accident. it's also the introduction of the men of letters and abaddon

funny that sam and dean are still confused about time travel given that theyve BOTH time traveled on more than one occasion at this point. dean's literally traveled into the future and the past. why the fuck are u so confused about this

i ENTIRELY forgot that a cupid ensured that john and mary would get together i love that there's continuity on this

DEAN'S DADDY ISSUES ARE BACK BABEY!!!! AND THIS TIME HE'S PROJECTING THEM ONTO HIS GRANDFATHER LET'S FUCKING GOOOOOOOOOOOOOO

the men of letters always going UGH hunters. theyre always shoot first ask questions later what violent morons is so funny bc like. to be fair. the average hunter IS really trigger happy and aggressive. we saw a really good example of that literally like 3 episodes ago. that's a completely fair assessment tbh. sam and dean are supposed to be good hunters and their first instinct was to push henry up against the wall and start yelling at him, hunters suck ass dude

it's such a shame that abaddon ended up being a kind of forgettable big bad bc i remember thinking that her original 50s aesthetic and memory stealing powers were really cool. idk they dropped the ball with her she couldve been really cool

abaddon's introduction here as a knight of hell is TECHNICALLY an expansion of the worldbuilding in terms of hell's hierarchy but i feel like it works here. theyre just below the princes but imbued with some kind of power by lucifer ig? it is a little questionable that they cant be killed by usual demon killing means though. azazel got killed by a fuckass gun and he outranked abaddon but ok i guess

random goth girl at the comic book store u will be missed. sorry ur 'the devil made me do it' shirt was so sick that abaddon killed u for it

i like that they didnt want to put cas in this episode so they were like yeah uhhhhhhhhhhhhh there's just one of his angel feathers in the impala somewhere henry steals it. can you imagine if this guy met cas his brain would fucking explode. can you imagine if they told him they met all the archangels??????? god that's so funny to think about

abaddon looks exactly like how i imagined war good omens when i originally read the book and i stand by that tbh

FIRST USE OF THE DEVIL'S TRAP BULLET LET'S GOOOO. this trick makes no fucking sense with the laws of physics but ykw i dont care it's so fun to me. shoot a demon with a really fucking tiny devil's trap and theyre just like. stuck to the floor. it's hilarious

rip henry u were like. actually wait he was still kind of a shitty dad tbh he was like yeah i was forced into being a men of letters by my father and i felt really burdened by the duty of hunting monsters im really excited to do the same to my son though :} like alright. ok i guess man

[tonyglowheart]

Trying to semi-organize my thoughts on what exactly I am wanting out of spn fic and hm let's see. If I remember this post in the future, I may update it as I think of/on things and use this for reference so I, also, don't forget lol

Okay so, wants/likes:

Cas prominent. He is my, as I believe the kpop kids say, bias, so he is kind of non-negotiable. Sorry I am just not interested in fics where he is not prominent

Destiel not required but a good plus. Slight preference for intricate courtship rituals over ones where they figure things out ridiculously easy, unless it is established relationship. If the revelation comes too quick and easy then I get taken out of the moment :')

Optional: Angels treating Cas like their baby brother :3 Cas can be somewhat put out by it or not. Actually maybe bonus if he IS, bc they are all angels of the lord and relative by rank and experience, And Yet [whoever] just cannot help but be *points* Baby

canonverse is plus. canon divergence is okay but idk how close to canon I'm looking for, if it's too close to an episode rewrite I may not be into that either

casefics are cool. If it's got that canon-typical vaguely racist sht then pls warn me going in 😔

Found family. Family don't end in blood!!! Spn may forget this but I never will!!!

Any exploration of the whole fucky destiel thematic dichotomies, the whole free will vs destiny shit, stuff like words of prophets are written on subway walls, like.. idk, something that is intricate-rituals-gay and also makes me think of the philosophy of thehuman condition

corollary: slow burns ig?? or like mutual pining? canon typical thinking they are not worthy or that it is something they cannot have? canon typical did not realize until later but even then they have their individual canon-typical reasons for not acting on it, until they do bc it's fic so they can get together for realsies?

trope: Cas and/or Destiel being parents. I read one recently where it was like single dad Cas (to Claire and Jack) and then Dean came (back) into his life recently and I rly liked it

AUs are fine but highly subject to mood so we'll see. I did read a Star Trek-y AU I liked

I'm down for a lot of various other kinds of plot tropes and stuff, tho I want stuff that's more character and plot and less, like, pwp or fuck or die or that kinda thing

trope: curses maybe? I've found a couple curse-focused fics which were interesting

trope: Hurt/Comfort of the Cas whump kind but not necessarily have to be just Cas. But like.. u know when Uriel is beating him up and he looks all bloody and beautiful, or when he flexes his sexy angel powers and transports the Winchesters to the past but then collapses bc he overtaxed himself, or when he had that blanket on when he was suffering from the attack dog spell.... yeah,,,

trope: Anything with like the Winchesters caring about and caring for Cas. I just rly like Cas being taken care of :') pls wrap him in a blanket and pat his shoulder brusque-softly in ur emotionally repressed way Dean

bottom line my emphasis tends to be more on character and plot. I can't do plot without character, the relationships - whether ship or gen - are important to my enjoyment of a fic. I can sit thru a lot if the characters/character dynamics are good and chewy lmao like u can rly sink ur teeth into it

Bonus features:

eldritch horror angels are a bonus. Give me unfathomable trueform angels, I feel like I don't see that enough

wings* but.... caveat I like my spn wings more metaphysical than literal unless they're literal for a point, but this isn't set in stone either. I'm just... slightly tired of the physicality of the wings I guess. Like it's not the physicality that's the issue, ig, but when it's not treated as metaphysical (as well)

wouldn't mind some good endverse fics to chew on altho that might also make me sad

Cas being cute, a la crazy!Cas (who is.... so soft.... his innocence.. *clutches chest*) or like when Cas and Dean went to talk to that police guy and Cas was like you tell them it's angels and demons warring and he will tell you what he knows, or when Cas was like I'm gonna become a hunter :3, or interrogating the cat, or this is his serious face, yes

Powerful af Cas?? I miss season 4/5 Cas, when he was powerful and self-assured and wasn't "mentally deficient puppy" as Metatron meanly put it Cas. I feel like we get less of that as the seasons go on... I miss Cas being powerful and exuding energy that I'm sure is what had ppl assigning him as top energy. Like yes flex ur sexy sexy angel powers pls. There's one ep where my notes just say "ANGEL SMITE ANGEL SMITE / HEAAALING." Season 6 Cas where he is more out of touch with humanity and more brusque was also intriguing even tho he was like that bc of extenuating circumstances. But him flexing his sexy angel powers sure was sexy

Do not wants :(

Endgame human!Cas. Sorry I like short-lived Cassidy am more into feathered Cas than human!Cas. endgame human!Cas just isn't a good solution/happy ending to me, I don't think Cas needs to change to be able to live happily, and also I like to chew on the like philosophical underpinnings of an immortal/mortal pairing if that does get called into question lol

Human AU* but like asterisk bc I will take human AU if the plot is compelling and/or the characterization still manages to capture that je nais se quoi of canonverse. If they are, like, middle age dads being domestic, as an example, tho, then I can probs do that, I just like.. have limited capacity for career-based AUs for the sake of it, if that makes sense... But character/character dynamics trumps all, like I said lmao.. I've sat thru scenarios/setups that lowkey dealt me psychic damage bc of the nature of the set dressing, bc I checked it out out of morbid curiosity but the way they did the characterization ended up working for me

A/B/O - I am not seeking A/B/O at the moment

Hurt no Comfort - it would make me too sad :(

fics that treat angels like literal physical feathered beings. Idk I just like... want the whole angel thing to be treated more metaphysically. They are multidimensional wavelengths of celestial intent in holy corporate/business attire visages but they are still very much multidimensional wavelengths of celestial intent the ballpark size of our Chrysler building. If the wings are treated too literally I find I start getting bored, ironically. This is ironic bc I'm a slut for wingfic. But with spn I find that a conventional kind of wingfic/angel conception where the wings are just limbs with maybe some slight handwaved dimension-shifting stowing is.. slightly passe for my tastes. Unless it's like a forced manifestation or sth. Just like.. get the metaphysics involved, tie it to angelic grace. Something. Make is racy. But not too racy, the whole wings-as-erogenous-zones thing I'm a bit over too, xenobiology to humans would just be biology to these beings, it doesn't make sense to me to be like "oh they have a tail and it's EXTRA sensitive," like are you suggesting your arm/armpit is an extra special species-typical erogenous zone too?

deaging unless it ties to some other kinda plotty deal somehow ig? Like... I got invested in this fandom for them as they are now I'm not too interesting in unseasoned nibling vers

this maybe goes with the human aus tho that's a slight asterisk but hard line no high school aus. pls I cannot take the psychic damage that would deal to me personal

I have no conclusion even tho I feel like I need one. here's wonderwall? ig I can stumble around looking for reclists and see if anything sticks out, trawling thru tags so far has been a mixed bag

Anyway haha lol, stand-up-style-tone I mean I'm not asking for a lot amirite. Just a nebulously specific set of intricate rituals wrapped around a plot and also found family or something, like you know, just a trifling

[blackkudos]

M. C. Hammer

Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American rapper, dancer, record producer and entrepreneur. He had his greatest commercial success and popularity from the late 1980s until the early 1990s. Remembered for his rapid rise to fame, Hammer is known for hit records (such as "U Can't Touch This" and "2 Legit 2 Quit"), flashy dance movements, choreography and eponymous Hammer pants.

A multi-award winner, M.C. Hammer is considered a "forefather/pioneer" and innovator of pop-rap (incorporating elements of freestyle music), and is the first hip hop artist to achieve diamond status for an album. BET ranked Hammer as the No. 7 "Best Dancer Of All Time". Vibe's "The Best Rapper Ever Tournament" declared him the 17th favorite of all-time during the first round.

Burrell became a preacher during the late 1990s with a Christian ministry program on TBN called M.C. Hammer and Friends. Additionally, he starred in a Saturday-morning cartoon called Hammerman in 1991, and was executive producer of his own reality show called Hammertime, which aired on the A&E Network during the summer of 2009. Hammer was also a television show host and dance judge on Dance Fever in 2003, was co-creator of a dance website called DanceJam.com, and is a record label CEO while still performing concerts at music venues and assisting with other social media, ministry and outreach functions. Prior to becoming ordained, Hammer signed with Suge Knight's Death Row Records by 1995.

Throughout his career, Hammer has managed his own recording business. As a result, he has created and produced his own acts including Ho Frat Hoo!, Oaktown's 3.5.7, Special Generation, Analise, DRS, B Angie B, and Gentry Kozia. A part of additional record labels, he has associated, collaborated and recorded with Psy, VMF, Tupac Shakur, Teddy Riley, Felton Pilate, Tha Dogg Pound, The Whole 9, The Hines Brother, Deion Sanders, Big Daddy Kane, BeBe & CeCe Winans and Jon Gibson.

Early life and education

Stanley Kirk Burrell was born on March 30, 1962 in Oakland, California. His father was a professional poker player and gambling casino manager (at Oaks Card Club's cardroom), as well as warehouse supervisor. He grew up poor with his mother (a secretary) and eight siblings in a small apartment in East Oakland. He recalled that six children were crammed into a three-bedroom housing project apartment. The Burrells would also frequent thoroughbred horse races, eventually becoming owners and winners of several graded stakes.

In the Oakland Coliseum parking lot the young Burrell would sell stray baseballs and dance accompanied by a beatboxer. Oakland A's team owner Charles O. Finley saw the 11-year-old doing splits and hired him as a clubhouse assistant and batboy as a result of his energy and flair. Burrell served as a "batboy" with the team from 1973 to 1980. In 2010, Hammer discussed his lifelong involvement with athletes on ESPN's First Take as well as explained that his brother Louis Burrell Jr. (who would later become Hammer's business manager) was actually the batboy while his job was to take calls and do "play-by-plays" for the A's absentee owner during every summer game. The colorful Finley, who lived in Chicago, used the child as his "eyes and ears." Reggie Jackson, in describing Burrell's role for Finley, took credit for his nickname:

Hell, our chief executive, the guy that ran our team, uh, that communicated [with] Charlie Finley, the top man there, was a 13-year old kid. I nicknamed him "Hammer," because he looked like Hank Aaron [whose nickname was "The Hammer"].

Team players, including Milwaukee Brewers second baseman Pedro Garcia, also dubbed Burrell "Little Hammer" due to his resemblance to Aaron. Ron Bergman, at the time an Oakland Tribune writer who covered the A's, recalled that:

He was an informant in the clubhouse, an informant for Charlie, and he got the nickname "Pipeline."

According to Hammer:

Charlie said, "I'm getting you a new hat. I don't want you to have a hat that says "A's" on it. I'm getting you a hat that says 'Ex VP,' that says 'Executive Vice President.' You're running the joint around here." ... Every time I come down to the clubhouse, you know, Rollie would yell out "Oh, everybody be quiet! Here comes Pipeline!"

He acquired the nickname "M.C." for being a "Master of Ceremonies" which he used when he began performing at various clubs while on the road with the A's, and eventually in the military. Hammer, who played second base in high school, dreamed of being a professional baseball player but did not make the final cut at a San Francisco Giants tryout. However, he has been a participant/player in the annual Taco Bell All-Star Legends and Celebrity Softball Game wearing an A's cap to represent Oakland (American League).

Burrell went on to graduate from McClymonds High School in Oakland and took undergraduate classes in communications. Discouraged by his studies at a local college and failing to win a place in a professional baseball organization. He joined the United States Navy for three years, serving with PATRON (Patrol Squadron) FOUR SEVEN (VP-47) of NAS Moffett Field in Mountain View, CA as a Petty Officer Third Class Aviation Store Keeper (AK3) until his honorable discharge.

Music and entertainment career

Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).

With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and Full Blast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.

At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.

Feel My Power (1986)

In the mid-1980s while rapping in small venues and after a record deal went sour, Hammer borrowed US$20,000 each from former Oakland A's players Mike Davis and Dwayne Murphy to start a record label business called Bust It Productions. He kept the company going by selling records from his basement and car. Bust It spawned Bustin' Records, the independent label of which Hammer was CEO. Together, the companies had more than 100 employees. Recording singles and selling them out of the trunk of his car, he marketed himself relentlessly. Coupled with his dance abilities, Hammer's style was unique at the time.

Now billing himself as "M.C. Hammer", he recorded his debut album, Feel My Power, which was produced between 1986 and 1987 and released independently in 1987 on his Oaktown Records label (Bustin'). It was produced by Felton Pilate (of Con Funk Shun). It sold over 60,000 copies and was distributed by City Hall Records. In the spring of 1988, Tony Valera, a 107.7 KSOL Radio DJ, played the track "Let's Get It Started" in his mix-shows—a song in which Hammer declared he was "second to none, from Doug E. Fresh, LL Cool J, or DJ Run"—after which the track began to gain popularity in clubs. (He would continue to call out other East Coast rappers in future projects as well.)

Hammer also released a single called "Ring 'Em", and largely on the strength of tireless street marketing by Hammer and his wife, plus continued radio mix-show play, it achieved considerable popularity at dance clubs in the San Francisco Bay Area. Heartened by his rising prospects, Hammer launched into seven-day-a-week rehearsals with the growing troupe of dancers, musicians, and backup vocalists he had hired. It was Hammer's stage show, and his infectious stage presence, that led to his big break in 1988 while performing in an Oakland club. There he impressed a record executive who "didn't know who he was, but knew he was somebody", according to the New Rolling Stone Encyclopedia of Rock & Roll.

M.C.Hammer had received several offers from major record labels before (which he initially declined due to his personal success), but after the successful release of this independent album and elaborate live dance show amazed the Capitol Records executive, Hammer agreed to sign a record deal soon after. Hammer took home a US$1,750,000 advance and a multi-album contract. It didn't take long for Capitol to recoup its investment.

Let's Get It Started (1988)

Once signed to Capitol Records, Hammer re-issued his first record (a revised version of Feel My Power) with additional tracks added and sold over 2 million copies. "Pump It Up" (also performed during Showtime at the Apollo on September 16, 1989), "Turn This Mutha Out", "Let's Get It Started" and "They Put Me in the Mix" were the most popular singles from this album, all of which charted. Not entirely satisfied with this first multi-platinum success, Hammer's music underwent a metamorphosis, shifting from the standard rap format in his upcoming album. "I decided the next album would be more musical," he says. Purists chastised him for being more dancer than rapper. Sitting in a leopard-print bodysuit before a concert, he defended his style: "People were ready for something different from the traditional rap style. The fact that the record has reached this level indicates the genre is growing."

M.C. Hammer was very good friends with Arsenio Hall (as well as a then-unknown teen named Robert Van Winkle, aka Vanilla Ice, despite later rumors that there was a "beef" between the two rappers which was addressed during the height of both their careers on Hall's show, and who he would later reunite with in a 2009 concert in Salt Lake City, Utah), and as such, Hammer was first invited to perform the song "U Can't Touch This", prior to its release, on The Arsenio Hall Show in 1989. He also performed "Dancing Machine" in a version that appeared in the same-titled movie.

Hammer used some of the proceeds from this album to install a rolling recording studio in the back of his tour bus, where he recorded much of his second album.

In 1989, Hammer was featured on "You've Got Me Dancing" (with Glen Goldsmith), which appeared on the Glen Goldsmith album Don't Turn This Groove Around (RCA Records). The track was Hammer's first release in the UK. Hammer also appeared in Glen Goldsmith's music video for this song. The single failed to chart.

Please Hammer, Don't Hurt 'Em (1990)

Notorious for dissing rappers in his previous recordings, Hammer appropriately titled his third album (and second major-label release) Please Hammer, Don't Hurt 'Em, which was released February 12, 1990 (with an original release date of January 1, 1990). It included the successful single "U Can't Touch This" (which sampled Rick James' "Super Freak"). It was produced, recorded, and mixed by Felton Pilate and James Earley on a modified tour bus while on tour in 1989. Despite heavy airplay and a No. 27 chart debut, "U Can't Touch This" stopped at No. 8 on the Billboard Hot 100 chart because it was released only as a twelve-inch single. However, the album was a No. 1 success for 21 weeks, due primarily to this single, the first time ever for a recording on the pop charts. The song has been and continues to be used in many filmmaking and television shows to date, and appears on soundtrack/compilation albums as well.

Follow-up successes included a cover of the Chi-Lites' "Have You Seen Her" and "Pray" (a beat sampled from Prince's "When Doves Cry" and Faith No More's "We Care a Lot"), which was his biggest hit in the US, peaking at No. 2. "Pray" was also a major UK success, peaking at No. 8. The album went on to become the first hip-hop album to earn diamond status, selling more than 18 million units to date. During 1990, Hammer toured extensively in Europe which included a sold-out concert at the National Exhibition Centre in Birmingham. With the sponsorship of PepsiCo International, Pepsi CEO Christopher A. Sinclair went on tour with him during 1991.

The album was notable for sampling other high-profile artists and gave some of these artists a new fanbase. "Dancin' Machine" sampled The Jackson 5, "Help the Children" (also the name of an outreach foundation Hammer started) interpolates Marvin Gaye's "Mercy Mercy Me (The Ecology)", and "She's Soft and Wet" also sampled Prince's "Soft and Wet". All of these songs proved to be successful on radio and video television, with "U Can't Touch This," "Pray" (most successful), "Have You Seen Her," "Here Comes the Hammer," and "Yo!! Sweetness" (UK only) all charting. The album increased the popularity of hip-hop music. It remains the genre's all-time best-selling album.

A movie also accompanied the album and was produced in 1990, called Please Hammer, Don't Hurt 'Em: The Movie (with portions of his music videos included within the movie). At the same time, he also appeared in The West Coast Rap All-Stars posse cut "We're All in the Same Gang." Music videos from this album and the previous albums began to receive much airplay on MTV and VH1.

M.C. Hammer also contributed a track, "This is What We Do", on the 1990 Teenage Mutant Ninja Turtles movie soundtrack on SBK Records.

A critical backlash began over the repetitive nature of his lyrics, his clean-cut image, and his perceived over-reliance on sampling others' entire hooks for the basis of his singles—criticisms also directed to his contemporary, Vanilla Ice. He was mocked in music videos by 3rd Bass (including a rap battle with MC Serch), The D.O.C., DJ Debranz, and Ice Cube. Oakland hip-hop group Digital Underground criticized him in the CD insert of their Sex Packets album by placing Hammer's picture in it and referring to him as an unknown derelict. Q Tip criticized him in "Check the Rhyme," asking, "What you say Hammer? Proper. Rap is not pop, if you call it that then stop." LL Cool J dissed him in "To tha Break of Dawn" (from the Mama Said Knock You Out album), calling Hammer an "amateur, swinging a Hammer from a bodybag [his pants]," and saying, "My old gym teacher ain't supposed to rap.", though this could have been seen as a response to Hammer calling him out in "Let's Get it Started", when he was mentioned along with Run-DMC and Doug E. Fresh as rappers that Hammer claimed to be better than. (LL Cool J would later compliment and commend Hammer's abilities/talents on VH-1's 100 Greatest Songs of Hip Hop, which aired in 2008). However, Ice-T came to his defense on his 1991 album O.G. Original Gangster: "A special shout out to my man M.C. Hammer: a lot of people dis you, man, but they just jealous." Ice-T later explained that he had nothing against people who were pop-rap from the start, as Hammer had been, but only against emcees who switch from being hardcore or dirty to being pop-rap so that they can sell more records.

Despite the criticisms, Hammer's career continued to be highly successful including tours in Asia, Europe, Australia, and Russia. Soon after, M.C. Hammer Mattel dolls, lunchboxes, and other merchandise were marketed. He was also given his own Saturday morning cartoon, called Hammerman, which he hosted and voiced.

Too Legit to Quit (1991)

After publicly dropping the "M.C." from his stage name, Hammer released Too Legit to Quit (also produced by Felton Pilate) in 1991. Hammer answered his critics within certain songs from the album. Sales were strong (over five million copies), with the title track being the biggest hit single from this record. The album peaked in the Top 5 of the Billboard 200. Another hit came soon after, with "Addams Groove" (which appeared on both The Addams Family motion picture soundtrack and the vinyl and cassette versions of 2 Legit 2 Quit), reaching No. 7 in the U.S. and No. 4 in the UK. His video for the song appeared after the movie.

Hammer set out on a tour for this album, with a stage show which had become as grandiose and lavish as his lifestyle ⁠— ⁠loaded with singers, dancers, and backup musicians, the supporting concert tour was too expensive for the album's sales to finance, and it was canceled partway through. In 1992, Boyz II Men joined Hammer's high-profile 2 Legit 2 Quit tour as an opening act. While traveling the country, their tour manager Khalil Roundtree was murdered in Chicago, and the group's future performances of "It's So Hard to Say Goodbye to Yesterday" were dedicated to him. As a result of this unfortunate experience, the song would help advance their success.

Music videos were produced for all four singles released from this album (including "Do Not Pass Me By" and "This Is The Way We Roll"), all which charted.The "2 Legit 2 Quit" video featured many celebrity appearances. It's been ranked as one of the most expensive videos ever made. The hand motions used within the song and video also became very popular. The song proved to be successful in the U.S., peaking in the Top 10 of the Billboard Hot 100, at #5. Despite the album's multi-platinum certification, the sales were one-third of Please Hammer, Don't Hurt 'Em.

At the end of the "2 Legit 2 Quit" video, after James Brown enlists Hammer to get the famous glove of Michael Jackson, a silver-white sequined glove is shown on the hand of a Michael Jackson look-alike doing the "2 Legit 2 Quit" hand gesture. In a related story, M.C. Hammer appeared on The Wendy Williams Show (July 27, 2009) and talked about his hit reality show Hammertime on A&E, his marriage, his role as a dad and the reasons he eventually went bankrupt. He told an amusing story about a phone call he received from "M.J.", regarding the portion of the "2 Legit 2 Quit" video that included a fake Michael Jackson, giving his approval and inclusion of it. He explained how Michael had seen the video and liked it, and both expressed they were fans of one another. Hammer and Jackson would later appear, speak and/or perform at the funeral service for James Brown in 2006.

The artwork featured in the album was created by James B. Young and accompanying studios.

During 1991, Hammer was featured on the single "The Blood" from the BeBe & CeCe Winans album, Different Lifestyles. In 1992, the song peaked at No. 8 on the Christian charts.

New venture with Oaktown/Giant Records (1992–1993)

In 1992, after a four-year hiatus, Doug E. Fresh signed with Hammer's label, Bust It Records and issued one album, Doin' What I Gotta Do, which (despite some minor acclaim for his single "Bustin' Out (On Funk)" which sampled the Rick James 1979 single "Bustin' Out") was a commercial failure.

Prior to Hammer's next album, The Funky Headhunter, rumors from critics and fans began claiming Hammer had quit the music/entertainment business or had suffered a financial downfall (since a couple of years were passing between his two records), which Hammer denied. Hammer claimed rumors falsely heralded his downfall were most likely a result of the fact he turned over his "trimmed-down" Bust It Records to his brother and manager Louis Burrell Jr., and his horse racing interests to his brother Chris and their father, Louis Burrell Sr.

During his hiatus between albums, Hammer consequently signed a multimillion-dollar deal with a new record company. He said there were a lot of bidders, but "not too many of them could afford Hammer". Therefore, Hammer parted ways with Felton Pilate (who had previously worked with the successful vocal group Con Funk Shun) and switched record labels to Giant Records, taking his Oaktown label with him. Hammer was eventually sued by Pilate. Additionally, Hammer launched a new enterprise, called Roll Wit It Entertainment & Sports Management, with clients such as Evander Holyfield, Deion Sanders and Reggie Brooks. In 1993, his production company released a hit rap song by DRS.

By this time, he also parted ways with his only female executive, music business administration consultant and songwriter, Linda Lou McCall (who previously worked with The Delfonics and her husband Louis A. McCall, Sr.'s band Con Funk Shun). She went on to work with artists such as Puff Daddy, Faith Evans, Notorious B.I.G., Mýa, Black Eyed Peas and Eminem. A music industry vet who attended Howard University's College of Fine Arts and the University of California-Davis School of Law, McCall was hired by Hammer's brother and manager, Louis K. Burrell, in 1990 to help set up his corporate operations and administration at Bust It Management and Productions Inc. in Oakland, California. She later became Vice President of Hammer's talent management company, overseeing artists like Heavy D, B Angie B and Ralph Tresvant. While at Bust It, she and her husband Louis A. McCall, Sr. brought their artist Keith Martin to Felton's attention who hired him as a backup musician and vocalist for Hammer's Please Hammer, Don't Hurt 'Em and Too Legit to Quit world tours. In 1993 and 1994, Linda Lou was also involved in several lawsuits against Hammer which were eventually settled out of court.

With a new home and daughter, a new record soon to be released, and his new business, Hammer claimed he was happy and far from being broke during a tour of his mansion for Ebony. "Today there is a more aggressive Hammer, because the '90s require you to be more aggressive", Hammer said of his music style. "There is a harder edge, but I'm no gang member. Hammer in the '90s is on the offense, on the move, on the attack. And it's all good".

The Funky Headhunter and Prime Time (1994)

In 1993, Hammer began recording his fifth official album. To adapt to the changing landscape of hip-hop, this album was a more aggressive sounding album entitled The Funky Headhunter. He co-produced this record with funky rapper and producer, Stefan Adamek. While Hammer's appearance changed to keep up with the gangsta rap audience, his lyrics still remained honest and somewhat clean with minor profanity. Yet, as with previous records, Hammer would continue to call out and disrespect other rappers on this album. As with some earlier songs such as "Crime Story" (from the album Please Hammer, Don't Hurt 'Em), the content and reality about "street life" remained somewhat the same, but the sound was different, resulting in Hammer losing favor with fans. Nonetheless, this harder-edged, more aggressive record went gold, but failed to win him a new audience among hardcore hip-hop fans.

In another appearance on The Arsenio Hall Show during the mid-1990s, Hammer debuted the video for "Pumps and a Bump". Talk show host Arsenio Hall said to M.C. Hammer, "Women in the audience want to know, what's in your speedos in the 'Pumps and a Bump' video?" A clip from the video was then shown, to much approval from the audience. Hammer didn't give a direct answer, but instead laughed. Arsenio then said, "I guess that's why they call you 'Hammer.' It ain't got nothin' to do with Hank Aaron."

The accompanying video to the album's first single, "Pumps and a Bump", was banned from heavy rotation on MTV with censors claiming that the depiction of Hammer in Speedos (and with what appeared to be an erection) was too graphic. This led to an alternative video being filmed (with Hammer fully clothed) that was directed by Bay Area native Craig S. Brooks.

"It's All Good" was the second single released, which would become a pop culture phrase as a result of its success. It was also the most successful song by this title.Within this album, Hammer disses rappers such as A Tribe Called Quest (Q-Tip), Redman and Run DMC for previous attacks they made against him on wax. This quite possibly led to a decrease in his popularity after this record responded to his critics.

On December 20, 1994, Deion Sanders released Prime Time, a rap album on Hammer's Bust It Records label which featured the minor hit "Must Be The Money". "Prime Time Keeps on Tickin'" was also released as a single. Sanders, a friend of Hammer's, had previously appeared in his "Too Legit to Quit" music video, and his alter-ego "Prime Time" is also used in Hammer's "Pumps and a Bump" video.

The song "Help Lord (Won't You Come)" appeared in Kingdom Come.This album peaked at number two on the R&B charts and remained in the Top 30 midway through the year. To date, it has managed to become certified platinum.

Inside Out, Death Row Records and Too Tight (1995–1996)

In 1995, Hammer released the album Inside Out V (or inside out V). The album sold poorly compared to previous records (peaking at 119 on the Billboard Charts) and Giant Records dropped him and Oaktown Records from their roster. Songs "Going Up Yonder" and "Sultry Funk" managed to get moderate radio play (even charting on national radio station countdowns).

Along with a fickle public, Hammer would go on to explain in this album that he felt many of his so-called friends he helped staff, used and betrayed him which contributed to a majority of his financial loss (best explained in the song "Keep On" and the bio from this album). He would also hint about this again in interviews, including The Ellen DeGeneres Show in 2009.

In 1995, Hammer released "Straight to My Feet" (with Deion Sanders) from the Street Fighter soundtrack (released in December 1994). The song charted No. 57 in the UK.

Hammer's relationship with Suge Knight dates back to 1988. Hammer signed with Death Row Records by 1995, then home to Snoop Dogg and his close friend, Tupac Shakur. The label did not release the album of Hammer's music (titled Too Tight) while he had a career with them, although he did release versions of some tracks on his next album. However, Burrell did record tracks with Shakur and others, most notably the song "Too Late Playa" (along with Big Daddy Kane and Danny Boy). After the death of Shakur in 1996, Burrell left the record company. He later explained his concern about this circumstance in an interview on Trinity Broadcasting Network since he was in Las Vegas with Tupac the night of his death.

Return to EMI and Family Affair (1996–1998)

In October 1996, Burrell and Oaktown signed with EMI, which saw the release of a compilation album of Hammer's chart topping songs prior to The Funky Headhunter. The album, titled Greatest Hits, featured 12 former hits. In 1998, another "greatest hits" album, called Back 2 Back Hits, was produced and released by CEMA. (Another compilation version of Back 2 Back was later released by Capitol Records in 2006.) As Hammer's empire began to collapse when his last album failed to match the sales of its predecessors, and since he unsuccessfully attempted to recast himself in the "streetwise/hardcore rap" mold of the day, Hammer turned to a gospel-friendly audience.

In 1998, MC Hammer released his first album in his new deal with EMI, titled Family Affair, because it was to introduce the world to the artists he had signed to his Oaktown Records (Geeman, Teabag, and Common Unity) as they made their recording debut. Technically his seventh album since his debut EP, this record was highly promoted on Trinity Broadcasting Network (performing a more gospel version of "Keep On" from his album Inside Out V), yet featured no charting singles and selling about 1,000 copies worldwide.

The album also features a song written for Hammer by 2Pac called "Unconditional Love". Hammer would later dance and read the lyrics to this song on the first VH1 Hip Hop Honors in 2004.

A double album mostly about faith and family values, additional tracks from Family Affair are: "Put It Down", "Put Some Stop in Your Game", "Big Man", "Set Me Free", "Our God", "Responsible Father Shout", "He Brought Me Out", (Geeman Intro), "Eye's Like Mine", "Never Without You", "Praise Dance Theme Song", "Shame of the Name", (Smoothout Intro), (Teabag Intro), "Silly Heart", "I Wish U Were Free", (Common Unity Intro), "Someone to Hold to You", "Pray" (1998), "Let's Get It Started" (1998), and with "Hammer Music/Shouts/Tour Info" announcements between songs. The compact disks are also "PC Ready" with interactive features.

After this album, new projects were rumored to be in the works, including an album (War Chest: Turn of the Century) and a soundtrack to the film Return to Glory: The Powerful Stirring of the Black Man, but neither appeared.

The Hits and Active Duty (2000–2001)

In 2000, another compilation album was released, titled The Hits. It contains 17 tracks from his first four albums.

Following the September 11, 2001 attacks, M.C. Hammer released his 8th studio album, Active Duty, on his own World Hit Music Group label (the musical enterprise under his Hammertime Holdings Inc. umbrella) to pay homage to the ones lost in the terrorist attacks. The album followed that theme, and featured two singles (with accompanying videos), "No Stoppin' Us (USA)" and "Pop Yo Collar" (featuring Wee Wee) which demonstrates "The Phat Daddy Pop", "In Pop Nito", "River Pop", "Deliver The Pop" and "Pop'n It Up" dance moves. The album, like its predecessor, failed to chart and would not sell as many copies as previous projects. Hammer did however promote it on such shows as The View and produced a video for both singles.

This patriotic album, originally planned to be titled The Autobiography Of M.C. Hammer, donated portions of the proceeds to 9/11 charities. Hammer shot a video for the anthem "No Stoppin' Us (USA)" in Washington, D.C., with several members of the United States Congress, who sang in the song and danced in the video. Present members of the United States House of Representatives included J. C. Watts, Eddie Bernice Johnson, Thomas M. Davis, Earl Hilliard, Alcee Hastings, Rep. Diane Watson (D-Calif.), Rep. Corrine Brown (D-Fla.) and Jesse Jackson, Jr.

Full Blast (2004)

After leaving Capitol Records and EMI for the second time in his career, M.C. Hammer decided to move his Oaktown imprint to an independent distributor and released his ninth studio album, Full Blast (which was completed in late 2003 and released as a complete album in early 2004). The album would feature no charting singles and was not certified by the RIAA. A video was produced for "Full Blast", a song that attacks Eminem and Busta Rhymes for previous disrespect towards him.

Some of the original songs didn't end up making the final album release. Guest artists included The Stooge Playaz, Pleasure, Rain, JD Greer and DasIt.

Look Look Look and Platinum MC Hammer (2006–2008)

After going independent, Hammer decided to create a digital label to release his tenth studio album, Look Look Look. The album was released in February 2006 and featured production from Scott Storch. The album featured the title-track single (Look Look Look) and a music video. It would sell much better than his previous release (300,000 copies worldwide).

"YAY" was produced by Lil Jon. "What Happened to Our Hood?" (featuring Sam Logan) was originally from Active Duty. "I Got It From The Town" was used in the movie but is only present in one scene instead of the originally planned two on The Fast and the Furious: Tokyo Drift (soundtrack).

Between 2006 and 2007, Hammer released a military-inspired rap song with a political message to President George W. Bush about sending American troops back home from war, called "Bring Our Brothers Home". The video was filmed at the Santa Monica Pier.

In 2008, Platinum MC Hammer was released by EMI Records. The compilation consists of 12 tracks from Hammer's previous albums, with a similar playlist as former "greatest hits" records (with the exception of including a remix of "Hammer Hammer, They Put Me In A Mix" which includes rap lyrics that "They Put Me In A Mix" originally did not). An import was released by Capitol Records.

DanceJamtheMusic (2008–2009)

Since his 2006 album, Hammer continued to produce music and released several other raps that appeared on his social websites (such as Myspace and Dancejam.com) or in commercials, with another album announced to be launched in late 2008 (via his own record label Fullblast Playhouse). Talks of the tour and a new album were expected in 2009.

"Getting Back to Hetton" was made public in 2008 as a digital single. It was a departure for Hammer, bringing in funky deep soul and mixing it with a more house style. Released through licence on Whippet Digital Recordings, media reviews were said to be "disappointing". However, the song "I Got Gigs" from this album was used in a 2009 ESPN commercial and performed during Hammertime (as well as played while he danced just prior to introducing Soulja Boy during YouTube Live on November 22, 2008).

Other tracks and videos from the album included: "I Go" (produced by Lil Jon), "Keep It In Vegas", "Lookin' Out The Window", "Dem Jeans" (by DASIT), "Stooge Karma Sutra" (by The Stooge Playaz) and "Tried to Luv U" (by DASIT featuring Pleasure Ellis).

In March 2009, M.C. Hammer and Vanilla Ice had a one-off concert at the McKay Events Center in Orem, Utah. This concert aided in the promotion of Hammer's new music and television show. During the concert (as shown during an episode of Hammertime), it was mentioned between the two rappers that this was their first headline show together in nearly 20 years, since the time when they were touring together at the peak of their hip-hop careers. Hammer said: "Contrary to popular belief, Ice and I are not only cool with each other, we are like long lost friends. I've known him since he was 16, before he had a record contract and before I had a record contract. It is a great reunion." Vanilla Ice, real name Robert Van Winkle, said: "It's like no time has passed at all. We set the world on fire back in the day - it gives me goose bumps to think about. The concert wouldn't have been so packed if it wasn't us together. I'm so happy right now, the magic is here."

Most recent releases (2010–present)

Hammer has occasionally released singles over the past few years. Below are the most publicized:

"Better Run Run" (2010)

M.C. Hammer promised to release a track (expected on October 31, 2010) responding to a song by Kanye West featuring Jay-Z which attacked him. On the "So Appalled" track, which features Swizz Beatz and RZA, Jay-Z raps a verse targeting Hammer about his financial dilemma in the 1990s. On it Jay says: 'Hammer went broke so you know I'm more focused / I lost 30 mil' so I spent another 30 / 'Cause unlike Hammer 30 million can't hurt me'. Hammer addressed his displeasure about the diss on Twitter, claiming he will react to Jay-Z on Halloween.

Hammer released a sample of his "beef" with Jay-Z (aka 'Hell Boy' according to Hammer) in a brief teaser trailer called "Better Run Run" by 'King Hammer'. At one point, it was uncertain if his reaction would be a film video, a music video or a combination of both. Regardless, he claimed he would show evidence that 'Jigga worships the devil'. It's possible that Jay-Z was offended by an analogy Hammer was conveying in an earlier interview in response to "D.O.A. (Death of Auto-Tune)" on AllHipHop.

On November 1, Hammer's song with video called "Better Run Run!" hit the web in retaliation to Jay-Z's September 2010 diss towards him. M.C. accuses Jigga of being in league (and in the studio) with Satan—and then Hammer defeats the devil and forces Jay to be baptized. Speaking on the video, Jacob O'Gara of Ethos Magazine wrote: "What's more likely is that this feud is the last chapter in the tragic cautionary tale of M.C. Hammer, a tale that serves as a warning to all present and future kings of hip-hop. Keep your balance on the pedestal and wear the crown strong or you'll have the Devil to pay."

In an interview with BBC's DJ Semtex, Jay said he didn't mean the verses as a personal attack. "I didn't know that [Hammer's financial status] wasn't on the table for discussion!" he said. "I didn't know I was the first person ever to say that..." He continued, "When I say things, I think people believe me so much that they take it a different way — it's, like, not rap anymore at that point. I say some great things about him in the book I have coming out [Decoded] — that wasn't a cheap plug," he laughed. "He's gonna be embarrassed, I said some really great things about him and people's perception of him. But it is what it is, he took it that wrong way, and I didn't know I said anything wrong!"

"See Her Face" (2011)

On February 3, 2011, M.C. Hammer appeared on The Oprah Winfrey Show premiering the track "See Her Face" via Flipboard. It was the first time Flipboard included music in the application.

"Raider Nation" and "All In My Mind" (2013–2014)

Among other singles, Hammer released "Raider Nation (Oakland Raiders Anthem)" along with a video in late 2013 and "All In My Mind" (which samples "Summer Breeze" by The Isley Brothers) in early 2014 with his newly formed group called Oakland Fight Club featuring Mistah F.A.B.

"Help the Children" (2017)

Hammer released an updated version of his 1990 charting song with a short film video in late 2017.

Additional business ventures

In 1991, M.C. Hammer established Oaktown Stable that would eventually have nineteen Thoroughbred racehorses. That year, his outstanding filly Lite Light won several Grade I stakes races including the prestigious Kentucky Oaks. His D. Wayne Lukas-trained colt Dance Floor won the Grade II Kentucky Jockey Club Stakes and the Breeders' Futurity Stakes in 1991, then the following year won the Fountain of Youth Stakes and finished 3rd in the 1992 Kentucky Derby. He continues to attend shows as well as many sporting events alongside celebrities.

In the late 1990s into the early 2000s, along with a new clothing line called "J Slick", Hammer began creating and working on M.C. Hammer USA, an interactive online portal.

In 2002, Hammer signed a book contract with publishing company Simon & Schuster which called for a release the following year. However, a manuscript for an inspirational book called Enemies of the Father: Messages from the Heart on Being a Family Man (addressing the situation of African American men), for which Hammer received advance money to write, was never submitted in 2003. This resulted in Hammer being sued by the book company over claims that he never finished the book as promised. The company's March 2009 lawsuit sought return of the US$61,000 advance given to Hammer for the unwritten book about fatherhood.

Hammer was a popular web mogul and activist, becoming involved in several Internet projects (including TechCrunch40 conferences). In 2007, Hammer was co-founder and chief strategy officer of Menlo Park-based (Silicon Valley) DanceJam.com along with Geoffrey Arone. The community site (valued at $4.5 million) was exclusively dedicated to dancing video competitions, techniques and styles which Hammer sometimes judged or rated. After receiving $4.5 million in total equity funding, the site closed on January 1, 2011.

In July 2010, Hammer started a mixed martial arts management company to manage, market, promote, and brand-build for fighters such as Nate Marquardt, Tim F. Kennedy, and Vladimir Matyushenko, among others. According to MMAWeekly.com and Bizjournals, his new company is Alchemist Management in Los Angeles. It now manages 10 fighters. That same month, Hammer also announced his latest venture called Alchemist Clothing. The brand described as a colorful new lifestyle clothing line debuted during an Ultimate Fighting Championship fight in Austin. Middleweight fighter Nate "The Great" Marquardt wore an Alchemist shirt as he walked out to the ring. Hammer has shown an interest in boxing throughout his career.

On September 28, 2010, M.C. Hammer headlined at the TechCrunch Disrupt conference for an official after-hours party.

Hammer appeared on The Oprah Winfrey Show in February 2011 to discuss his tech-media-mogul status, as well as his creation, demonstration and consulting of social applications/sites/media (such as having an involvement with the Internet since 1994 including YouTube and Twitter), and devices such as iPad and ZAGGmate. He also explained how employing/helping so many people in the past never really caused him to be broke in terms of the average person, as the media made it seem, nor would he have changed any experiences that has led him to where he is today. During the "Whatever Happened to M.C. Hammer" episode, he discussed his current home, family and work life as well.

In October 2011, Hammer announced a new internet venture called WireDoo - a "deep search engine" that planned to compete with the major search engines including Google and Bing. With the motto, "Search once and see what's related", Hammer's team planned to eventually open up the site to a select number of beta testers. Wiredoo failed, having never left beta testing, and officially went offline in early 2012.

Television and film career

M.C. Hammer produced and starred in his own movie, Please Hammer, Don't Hurt 'Em: The Movie (1990). The film is about a rapper returning to his hometown who defeats a drug lord using kids to traffic his product. For this project, Hammer earned a Grammy Award for Best Long Form Music Video at the 33rd Grammy Awards (having been nominated for two). He later produced MC Hammer: 2 Legit (The Videos), which included many actors and athletes.

Hammer appeared in major marketing campaigns for companies such as Pepsi, KFC, Toshiba, British Knights and Taco Bell during the height of his career.

In 1991, Hammer hosted, sang/rapped and voiced a Saturday-morning cartoon called Hammerman. That same year, he and Bust It Productions (including B Angie B, Special Generation and Ho Frat Hoo!) appeared in concert from New Orleans on BET

Hammer has made cameos and/or performed on many television shows such as Saturday Night Live (as host and musical guest), Amen and Martin. He also made a cameo in the 1993 Arnold Schwarzenegger film Last Action Hero. Hammer would also go on to appear as himself on The History of Rock 'N' Roll, Vol. 5 (1995). Additionally, he has been involved in movies as an actor such as, One Tough Bastard (1996), Reggie's Prayer (1996), the Showtime film The Right Connections (1997), Deadly Rhapsody (2001), Finishing the Game (2007) and 1040 (2010), as well as a television and movie producer.

Despite public attacks about his financial status, after meeting at the National Association of Broadcasters convention in Las Vegas in April 2001, it was Hammer (credited as a producer) who provided the much needed funding to filmmaker Justin Lin for Better Luck Tomorrow (2002). In its first ever film acquisition, MTV Films eventually acquired Better Luck Tomorrow after it debuted at The Sundance Film Festival. The director said, "Out of desperation, I called up MC Hammer because he had read the script and liked it. Two hours later, he wired the money we needed into a bank account and saved us."

Hammer appeared in two cable television movies. At the age of 39, he was one of the producers for the VH1 movie Too Legit: The M.C. Hammer Story, starring Romany Malco and Tangi Miller as his wife, which aired on December 19, 2001. The film is a biopic which chronicles the rise and fall of the artist. "2 Legit To Quit: The Life Story of M.C. Hammer" became the second highest-rated original movie in the history of VH1 and broadcast simultaneously on BET. "The whole script came from me," says Hammer, "I sat down with a writer and gave him all the information."

In 2003, Hammer appeared on The WB's first season of The Surreal Life, a reality show known for assembling an eclectic mix of celebrities to live together. He was also a dance judge on the 2003 ABC Family TV series Dance Fever. Additionally, he appeared on VH1's And You Don't Stop: 30 Years of Hip-Hop (2004) as well as in 100 Greatest Songs of the 90s (2008), a countdown which he was also commentator on. His eldest child, A'Keiba Burrell, was a contestant on MTV's Rock the Cradle in April 2008 (which Hammer also made appearances on).

Hammer had shown an interest in having his own reality show with specific television networks at one point. Already being a part of shows for VH1 and The WB (I Married... M.C. Hammer and The Surreal Life), it was later confirmed he would appear in Hammertime on A&E Network in the summer of 2009. This reality show was about his personal, business and family life. The following year, Hammer appeared on Live with Regis and Kelly June 3, 2009 to promote his show which began June 14, 2009 at 10 PM EST.

In August 2008, a new ESPN ad featured Hammer in it, showcasing his single "I Got Gigs'" (from his DanceJamtheMusic album). The commercial was for Monday Night Football's upcoming football season. This is not the first commercial in more recent years that Hammer has been in, or his songs/raps/dancing was used for and included in such as Lay's, Hallmark Cards, Purell, Lysol, Nationwide Mutual Insurance Company, Citibank, etc. On February 1, 2009, Hammer and Ed McMahon were featured in a Super Bowl XLIII commercial for Cash4Gold.

In addition to appearing in television commercials, M.C. Hammer's music has also been used in television shows and movies, especially "U Can't Touch This" during The Fresh Prince of Bel-Air (1990), Hot Shots! (1990), The Super (1991), Doogie Howser, M.D. (1992), Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996), Charlie's Angels: Full Throttle (2003), Into the Wild (2007), Tropic Thunder (2008), Dancing with the Stars (2009), Glee (2010) and many more. Additionally, "This Is What We Do" was a 1990 track by Hammer (featuring B Angie B) for the Teenage Mutant Ninja Turtles film and soundtrack. Tracks "That's What I Said" and "Feel My Power" were used for the Rocky V film and soundtrack. Some examples of other raps by Hammer used in movies and television were "Addams Groove" (The Addams Family), "Pray" (License to Wed), "2 Legit 2 Quit" (Hot Rod), "I Got It From The Town" (The Fast and the Furious: Tokyo Drift), "Help Lord, Won't You Come" (Kingdom Come), "Let's Go Deeper" (Beverly Hills, 90210) and "Straight to My Feet" (Street Fighter), among others.

Along with Betty White, Hammer was a voice actor on the September 17, 2010 episode of Glenn Martin, DDS called "Step-brother". In 2016, MC Hammer appeared as himself in an episode of Uncle Grandpa on Cartoon Network.

Hammer has most recently been a spokesman for 3M Command Strips and Starburst.

Dancer, choreographer and entertainer

M.C. Hammer's dance style not only helped pave the way for the Bay Area movement called Hyphy, but also helped to bring hip-hop and rap to the Bay Area. His dancing skills are still taught to this day. With his popular trademark Hammer Pants, one phenomenal difference from Hammer versus other performers during his heyday was that he was an entertainer, both during live shows and in music videos. His flamboyant dancing was as much a part of his performances as rapping and musical instruments were. With high-energy dance routines, he is often considered one of the greatest dancers. While adding his own techniques, Hammer adopted styles from James Brown and The Nicholas Brothers such as the splits, and feverish choreographed dance routines including leaps and slides, most notably. His creation of such dances as "Hammer Dance" (or the "Typewriter Dance"), "The Bump" (from "U Can't Touch This") and the use of "The Running Man" and the "Butterfly," among others, made his flashy and creative dance skills unlike any others at the time.

Hammer's showmanship and elaborate stage choreography, involving fifteen dancers, twelve backup singers, seven live musicians and two disc jockeys, gave him a powerful visual appeal. Hammer was the first rap artist to put together a choreographed show of this type, and his visual flair attracted heavy airplay for his videos on MTV, which at the time had a predominantly white viewership that had aired little rap music before Hammer.

During a 1990 visit from M.C. Hammer (accompanied by his friend Fab Five Freddy) on Yo! MTV Raps, one of the dancers whom Hammer was holding auditions for was a then-unknown Jennifer Lopez.

At the height of his career, Hammer had his legs insured for a substantial amount of money (into the millions), as mentioned in an interview by Maria Shriver in the early 1990s. He later suffered an injury to his knee that halted his dancing career for a period of time. Eventually, BET ranked Hammer as the 7th Best Dancer Of All Time. Some of Hammer's entourage, or "posse" as he called them, were also trained/skilled dancers (including Tiffany Patterson). They participated in videos and at concerts, yet too many dancers and band members eventually contributed to Hammer's downfall, proving to be too much for him to finance.

Hammer stayed active in the dance media/genre, both on television shows and as co-founder of DanceJam.com (which showcased dance competitions and instructional videos on all the latest dance styles) until he and his partner Geoffrey Arone sold it to Grind Networks. Well known for bringing choreography to hip-hop, many of his dancing skills can still be seen on dance-focused and social networking sites. "Dance is unlike any other social medium. It's the core of our culture", Burrell told Wired News.

In addition to his websites and other Internet appearances, Hammer has also appeared demonstrating much of his dancing abilities on talk shows such as The Arsenio Hall Show, Soul Train, Late Night with Conan O'Brien (performing O'Brien's famous "string dance" together as well), The Ellen DeGeneres Show, The View and was a dance judge on Dance Fever. On June 3, 2009, he performed the "Hammer dance" on Live with Regis and Kelly with Will Ferrell as co-host.

While Hammer may have challenged and competed with Michael Jackson during the height of his career, they were friends, proven by a phone call Hammer had with Jackson about his "Too Legit to Quit" video which he shared on The Wendy Williams Show (July 2009). Hammer wanted to ensure he was not offended by the ending of the video where a purported Michael Jackson (seen only from behind) does the "2 Legit 2 Quit" hand gesture with his famous glove. They also appeared together at the funeral service for James Brown in 2006, where Hammer danced in honor of The Godfather of Soul. After Jackson's death, Hammer posted his remembrance and sympathy of the superstar on Twitter. Michael's friend and fellow pop culture icon Hammer told Spinner that, "now that the King of Pop has passed, it's the duty of his fans and loved ones to carry Jackson's creative torch." He went on to say, "Michael Jackson lit the fuse that ignited the spirit of dance in us all. He gave us a song and a sweet melody that will never die. Now we all carry his legacy with joy and pride."

Personal life

At the time of his first album, M.C. Hammer opened his own music management firm. As a result of the success of his third album, Please Hammer, Don't Hurt 'Em, Hammer had amassed approximately US$33 million. US$12 million was used to build his Xanadu-like home in Fremont, California, 30 miles (50 km) south of where he grew up. Jet reported Hammer once employed 200 people, with an annual payroll of US$6.8 million. The estate was sold for $5.3 million after Hammer lived in it for six years.

Hammer currently resides in a large ranch-style abode situated on a two-acre corner lot in Tracy, California with his wife Stephanie of over 30 years (whom he met at a church revival meeting and married December 21, 1985). They have five children: three boys (Bobby, Jeremiah, Sammy) and two girls (Sarah, A'keiba), along with a nephew (Jamaris) and cousin (Marv) having lived with them. It was reported in July 2012, that Hammer was encouraged to marry Whitney Houston by her father at the Super Bowl in 1991.

Hammer frequently posts about his life and activities on his blog "Look Look Look", as well as other social websites such as Facebook, Myspace and Twitter (being one of the earliest celebrities to contribute and join). A self-described "super geek" who's presently consulting for or investing in eight technology companies, Hammer claims to spend 10–12 hours daily working on his technology projects, and tweets 30-40 times a day.

Hammer was an endorser of the SAFE California Act, which if passed in November 2012, would have replaced the death penalty. However, the proposition was defeated.

Bankruptcy, lawsuits and media reaction

Contrary to public rumor, Hammer claimed he was really never "down-and-out" as reported by the media (eventually expressed on The Opie & Anthony Show and The Ellen DeGeneres Show in 2009). Originally having an estimated net worth of over $33 million according to Forbes magazine, speculations about Hammer's status first emerged during delays between albums Too Legit to Quit and The Funky Headhunter, with Hammer having spent much of his money on staff and personal luxuries. In addition to excessive spending while supporting friends and family, Hammer ultimately became $13 million in debt. With dwindling album sales, unpaid loans, a large payroll, and a lavish lifestyle, Hammer eventually filed for Chapter 11 bankruptcy in the U.S. Bankruptcy Court in Oakland, California on April 1, 1996. The case was converted to Chapter 7 on September 23, 1998, but Hammer was denied a bankruptcy discharge on April 23, 2002.

Hammer's mansion was sold for a fraction of its former price. "My priorities were out of order," he told Ebony. He claimed, "My priorities should have always been God, family, community, and then business. Instead they had been business, business, and business." Along with Felton Pilate and other group members, Rick James sued Hammer for infringement of copyright, but the suit was settled out of court when Hammer agreed to credit James as co-composer, effectively cutting James in on the millions of dollars the record was earning. By the late 1990s, though, Hammer seemed to stabilize himself and made himself ready to undertake new projects.

In 1992, Hammer had admitted in depositions and court documents to getting the idea for the song "Here Comes the Hammer" from a Christian recording artist in Dallas named Kevin Christian. Christian had filed a 16 million dollar lawsuit against Hammer for copyright infringement of his song entitled "Oh-Oh, You Got the Shing". This fact, compounded with witness testimony from both Hammer's and Christian's entourages, and other evidence (including photos), brought about a settlement with Capitol Records in 1994. The terms of the settlement remain sealed. Hammer settled with Christian the following year.

In 1997, just prior to beginning his ministry, M.C. Hammer (who by that time had re-adopted "M.C.") was the subject of an episode of The Oprah Winfrey Show and the VH1 series Behind the Music (music from his album Inside Out V was featured in this documentary). In these appearances, Burrell admitted "that [he] had already used up most of [his] fortune of over $20 million, proving that money is nothing if it doesn't bring peace and if priorities are wrong". He would go on to express a similar point in other interviews as well.

During numerous interviews on radio stations and television channels throughout the years, Hammer was constantly questioned about his bankruptcy. During an interview by WKQI-FM (95.5) for the promotion of his "Pioneers Of Hip Hop 2009" gig at the Fox Theatre in Detroit, which featured 2 Live Crew, Naughty by Nature, Too Short, Biz Markie, and Roxanne Shanté, Hammer was asked about his finances by the Mojo in the Morning host. Hammer responded on Twitter that Mojo was a "coward" and threatened to cancel commercials for his upcoming show.

On November 21, 2011, the U.S. government filed a lawsuit in Federal District Court in California against Hammer to obtain a court judgment on his unpaid taxes for years 1996 and 1997. In December 2011, this litigation was reported in the media. Hammer owed $779,585 in back taxes from his earnings dating back to 1996–1997 - during the years Hammer was believed to be facing his worst financial problems. After years of public and media ridicule regarding his financial problem, Hammer tried to assure fans and "naysayers" via Twitter, claiming that he had proof he had already taken care of his debt with the IRS. "700k … Don't get too excited .. I paid them already and kept my receipt. Stamped by a US Federal Judge", Hammer tweeted from his account @MCHammer. However, the District Court ruled against Hammer. He appealed but, on December 17, 2015, the United States Court of Appeals for the Ninth Circuit rejected Hammer's argument that because the government had not listed those taxes in the government's proof of claim filed with the Bankruptcy Court, the government should be stopped from collecting the taxes. According to a 2017 episode of the Reelz TV series Broke & Famous, the situation was eventually resolved. As of the making of the aforementioned Broke & Famous episode, Hammer had a reported net worth of $1.5 million.

Obstruction charges

M.C. Hammer was arrested in 2013 in Dublin, California for allegedly obstructing an officer in the performance of his duties and resisting an officer (according to "stop and identify" statutes). Hammer claims he was a victim of racial profiling by the police, stating an officer pulled out his gun and randomly asked him: "Are you on parole or probation?" Hammer stated that as he handed over his ID, the officer reached inside the car and tried to pull him out. Police in Dublin, east of Oakland, said Hammer was "blasting music" in a vehicle with expired registration and he was not the registered owner. "After asking Hammer who the registered owner was, he became very argumentative and refused to answer the officer's questions," police spokesman Herb Walters typed in an e-mail to CNN. Hammer was booked and released from Santa Rita Jail in Dublin. A court date was scheduled, however, all charges were dropped in early March. Hammer tweeted that he was not bitter and considered what happened "a teachable moment."

Christian beliefs and pastoral ministry

In 1984, Burrell began attending Bible studies, joined a street ministry and formed a gospel rap group known as Holy Ghost Boys featuring Jon Gibson. In 1986, Burrell along with Tramaine Hawkins, performed with Gibson's band doing several concerts at various venues such as the Beverly Theatre in Beverly Hills and recorded several rap songs. They collaborated on a song for Gibson's 1988 album (Change of Heart) called "The Wall", prior to M.C. Hammer's mainstream success. This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album.

Raised Pentecostal, Hammer strayed from his Christian faith during his success, before returning to ministry. His awareness of this can be found in a film he wrote and starred in called Please Hammer, Don't Hurt 'Em: The Movie (1990), in which he also plays the charismatic preacher character named "Reverend Pressure". Nonetheless, as a tribute to his faith, Hammer vowed/promised to dedicate at least one song on each album to God.

During 1991, Hammer was featured on the single "The Blood" from the BeBe & CeCe Winans album, Different Lifestyles. In 1992, the song peaked at No. 8 on the Christian charts.

Hammer later reaffirmed his beliefs in October 1997, and began a television ministry called M.C. Hammer and Friends on the Trinity Broadcasting Network, as well as appearing on Praise the Lord programs where he went public about his devotion to ministry as an ordained minister. Hammer officiated at the celebrity weddings of actor Corey Feldman and Susie Sprague on October 30, 2002 (as seen on VH1's The Surreal Life), and also at Mötley Crüe's Vince Neil and Lia Gerardini's wedding in January 2005.

During an interview on TBN (between 1997 and 1998), Hammer claimed he adopted the "M.C." back into his name which now stood for 'Man of Christ'. Hammer continued to preach while still making music, running a social media business and television show, and devotes time to prison and youth ministries.

From 2009 to 2010, Hammer joined Jaeson Ma at a crusade in Asia. Minister and mentor to Ma for more than a decade, Hammer assisted and co-starred in his documentary film 1040, which explores the spread of Christianity throughout Asia.

Legacy and pop culture fame

Widely considered the first "mainstream" rapper, Hammer continues to entertain while sharing his legacy with other rappers (as cited on BET.com). Hammer became a fixture of the television airwaves and the big screen, with his music being used in many popular shows, movies and commercials still to this day. Hammer appeared in major marketing campaigns for companies to the point that he was criticized as a "sellout", including commercials for British Knights during the height of his career. The shoe company signed him to a $138 million deal.

Hammer's impression on the music industry appeared almost instantaneous, as Digital Underground's rap "The Humpty Dance," which was released when Hammer was still early in his career, included the lyrics "People say ya look like M.C. Hammer on crack, Humpty!", boasting about Hammer's showmanship versus Humpty Hump (Shock G)'s inability to match it in dance. Additionally, Hammer had several costly videos, two in particular were "Too Legit to Quit" or "2 Legit 2 Quit" (in which many celebrities appeared) and "Here Comes the Hammer".

Hammer is well-known for his fashion style during the late 80s and early 90s. Hammer would tour, perform and record with his hype man 2 Bigg MC or Too Big (releasing a song in which he claimed "He's the King of the Hype"). This duo introduced the "shiny suit" and popularized Hammer pants to mainstream America, as seen in videos such as "(Hammer Hammer) They Put Me In A Mix", in which Hammer also claimed Too Big was the "King of Hype" and in an unspoken competition with Flavor Flav (hype man for Public Enemy) during the height of their careers.

Hammer also established a children's foundation, which first started in Hammer's own community, called Help The Children (HTC was named after and based on his song by the same name which included a music video with a storyline from his film Please Hammer, Don't Hurt 'Em: The Movie).

A Sesame Street segment features Elmo taking on the persona of MC Hammer; nicknaming himself "MC Elmo" and along with two backup singers they rap a song about the number five called "Five Jive".

In 1994, British TV presenter Mark Lamarr interrupted Hammer repeatedly with Hammer's catch phrase ("Stop! Hammer Time!") in an interview filmed for The Word, which he took in good humour. He claimed Hammer was a "living legend". It was also within this interview that Hammer explained the truth about his relationship with "gangsta rap" and that he was merely changing with the times, not holding onto his old image nor becoming a "hardcore gangsta". By some accounts, this change contributed to his decline in popularity.

In 2005, Hammer appeared in a commercial for Nationwide Mutual Insurance Company which made a humorous reference to his career. First he is shown in his distinctive clothing with his dance troupe performing "U Can't Touch This" in front of a mansion representative of his former house with a monogram H on the gable. Then there is silence and a screen card saying "Fifteen Minutes Later" appears with a view of Hammer sadly sitting on the curb in front of the same house as a crane removes the monogram H and tow trucks pull away sports cars that were parked in front. After a large "Foreclosed" sign appears, the voiceover said "Life comes at you fast. Be ready with Nationwide!"

In 2006, M.C. Hammer's music catalog (approximately 40,000 songs) was sold to the music company Evergreen/BMG for nearly $3 million. Evergreen explained that the collection was "some of the best-selling and most popular rap songs of all time." Speaking for Evergreen Copyrights, David Schulhof stated the songs "will emerge as a perfect fit for licensing in movies, television shows, and corporate advertising." According to VH1, "Hammer was on the money. Hit singles and videos like "U Can't Touch This" and "Too Legit To Quit" created a template of lavish performance values that many rap artists still follow today."

In March 2009, Ellen DeGeneres made plans for Hammer to be on her show (The Ellen DeGeneres Show) after he contacted her via Twitter.

Hammer continues to give media interviews, such as being a guest on Chelsea Lately (June 16, 2009), where he discussed his relationship with Vanilla Ice, his stint on The Surreal Life, his show Hammertime, his family, his mansion, about him being in shape, his positive financial status and other "colorful topics" (subliminal jokes) regarding his baggy pants.

In 2010, Rick Ross released "MC Hammer" from the Teflon Don album which samples Hammer's "2 Legit 2 Quit".

To celebrate Hammer's 50th birthday, San Francisco game maker Zynga offered up some recent player's Draw Something drawings from his fans. Other sources/services offered "props" on behalf of his special occasion and to show appreciation for his memorable persona/gimmicks used during the peak of his career.

In 2012, Slaughterhouse released a single called "Hammer Dance", along with a video. "Hammer Dance" was the lead single from the Welcome to: Our House album.

During the 2013 Oakland Athletics season, the "2 Legit 2 Quit" music video played on the Diamond Vision in between innings, usually during the middle of the 8th inning. The video featured prominent players from the San Francisco Bay Area's sports championships, such as former A's players Jose Canseco and hall of fame inductee Rickey Henderson.

Influences and effect

M.C. Hammer's career in rap and entertainment has influenced and been influenced by such artists as: Kool Moe Dee, Big Daddy Kane, James Brown, Prince, Michael Jackson, Kurtis Blow, Earth, Wind & Fire, Rick James, Doug E. Fresh (who joined Hammer's Bust It Records label in 1992 and issued the album Doin' What I Gotta Do with the track "Bustin' Out (On Funk)" sampling the Rick James single "Bustin' Out") & The Get Fresh Crew (Barry Bee and Chill Will), Run-DMC and Grandmaster Flash and the Furious Five.

Hammer was followed by related musicians: Will Smith, dc Talk, BB Jay, Diddy (aka "Puffy" or "Puff Daddy"), Young MC, B Angie B, M.C. Brains, MC Breed, Marky Mark and the Funky Bunch, C+C Music Factory, Mystikal, Bell Biv DeVoe, Kris Kross, Ho Frat Hoo! and Oaktown's 357.

Hammer also influenced the music industry with pop culture catchphrases and slang.

Some critics complained of a lack of originality in Hammer's early productions. Entertainment Weekly described "U Can't Touch This" as 'shamelessly copying its propulsive riff from Rick James ("Super Freak"). Hammer admits, "When I look at Puffy with a choir, I say, 'Sure that's a take-off of what I do."

Notable feuds/beefs Hammer had with other rappers include: LL Cool J, Vanilla Ice, Too Short, Redman, 3rd Bass, Jay-Z, Eminem, A Tribe Called Quest and Run-DMC. Several diss tracks were featured on The Funky Headhunter.

Award recipient, appearances and recognition

Throughout the years, Hammer has been awarded for his music, videos and choreography. He has sold more than 50 million records worldwide. He has won three Grammy Awards (one with Rick James and Alonzo Miller) for Best Rhythm and Blues Song (1990), Best Rap Solo (1990) and Best Music Video: Long Form (1990) taken from Please Hammer, Don't Hurt 'Em: The Movie. He also received eight American Music Awards, a People's Choice Award, an NAACP Image Awards and the Billboard Diamond Award (the first for a hip hop artist).

The International Album of the Year validated Hammer's talent as a world-class entertainer. Additionally, Hammer was also honored with a Soul Train Music Award (Sammy Davis, Jr. Award for Entertainer of the Year) in 1991. He has also been a presenter/performer at Soul Train's Music Awards several times, including The 5th Annual Soul Train Music Awards (1991), The 9th Annual Soul Train Music Awards (1995) and Soul Train's 25th Anniversary (1995).

Hammer appeared on gospel music's Stellar Awards show in 1997 and spoke of his renewed commitment to God. In the same interview, he promised to unveil the "second leg" of his career.

In the 2005 MTV Video Music Awards, Hammer made a surprise appearance in the middle of the show with best friend Jermaine Jackson.

On June 12, 2008, Hammer gave his support to Warren Beatty by attending the 36th AFI Life Achievement Awards. In August 2008, at the World Hip Hop Dance Championships, Hammer won a Living Legends of Hip Hop Award from Hip Hop International in Las Vegas.

Hammer, Gary Vaynerchuk, Shaquille O'Neal and Rick Sanchez (host) celebrated the Best of Twitter in Brooklyn at the first Shorty Awards on February 11, 2009, which honored the top short-form content creators on Twitter. In September 2009, Hammer made the "accomplishment appearance" in Zombie Apocalypse for the downloadable Smash TV/Left 4 Dead hybrid for the Xbox 360. Hammer attended the 2009 Soul Train Music Awards which aired on BET November 29, 2009.

On January 5, 2010, Hammer (along with Alyssa Milano and others) was a member of panel judges for the Real-Time Academy of Short Form Arts & Sciences at the Second Annual Shorty Awards. On October 2 (televised October 12), Hammer opened the 2010 BET Hip Hop Awards performing "2 Legit 2 Quit" in Atlanta along with Rick Ross, Diddy and DJ Khaled (all performing together during "MC Hammer" from the Teflon Don album as well).

With over 2.6 million Twitter followers in 2010, his contribution to social media and as a co-founder of his own Internet businesses (such as DanceJam.com), Hammer was announced as the recipient of the first Gravity Summit Social Media Marketer of the Year Award. The award was presented to him at the 3rd Annual Gravity Summit on February 22, 2011 at the UCLA Covel Commons.

At the 40th American Music Awards in November 2012, Hammer danced to a mashup of "Gangnam Style" and "2 Legit 2 Quit" along with South Korean pop star Psy, both wearing his signature Hammer pants. The collaboration was released on iTunes. The performance idea with Hammer came from Psy's management. They both performed it together again on December 31, 2012 during Dick Clark's New Year's Rockin' Eve with Ryan Seacrest.

Hammer received the George and Ira Gershwin Award for Lifetime Musical Achievement (not to be mistaken for the Gershwin Prize), presented during the UCLA Spring Sing in Pauley Pavilion on May 17, 2013.

Tours and concerts

Notable tours and concerts include: A Spring Affair Tour (1989), Summer Jam '89 (1989), Please Hammer, Don't Hurt 'Em World Tour (1990 & 1991), Lawlor Events Center at University of Nevada, Reno (1990-2017), Too Legit World Tour (1992), Red, White, and Boom (2003), The Bamboozle Festival (2007), Hardly Strictly Bluegrass (2008–2013), McKay Events Center with Vanilla Ice (2009), Illinois State Fair with Boyz II Men (2011), MusicFest (2012), Jack's Seventh Show at Verizon Wireless Amphitheatre (2012), Kool & the Gang Superjam at Outside Lands (2014) and Hammer's All-star House Party Tour (2019).

Discography

Feel My Power (1986)

Let's Get It Started (1988)

Please Hammer, Don't Hurt 'Em (1990)

Too Legit to Quit (1991)

The Funky Headhunter (1994)

Inside Out (1995)

Family Affair (1998)

Active Duty (2001)

Full Blast (2004)

Look Look Look (2006)

DanceJamtheMusic (2009)

[themanicgalaxy]

SPN 4X14 Sex and Violence

I love watching this in Quiet and Dark with my sister in the same room because we're in the middle of "Nowhere"

hey look thematic

listen Bad Reaction to vaccine, so silently watching it is the way to go

I love the game of "which of these is gonna be the bloody bloody way of Death in the beginning

these fuckers r NOT making it

he just fucking....goes apeshit on his wife

I do not like

the title gives me bad vibes

also lol remember the two episodes ago plot I don't

heh before Gen and Jared were married, her last name's still Cortese

gank his wife wheee

boy the subtitles are just...in the worst place possible

huh not possession

he was hiding purchases from his wife?

a stripper...whee

"you pay enough, anyone will be anything" boy I like that line, and u can tell whoever wrote it liked it too

like you can tell when an author REALLY likes a line, and wanted it In There

like it Looks like a pat on the back, yknow?

So like...making men believe they deserve death is like...objectively bad. But if the lesson is "this was Never your fault, it was the Woman"...that's also bad

doctor, interesting , and I missed the explanation other than she has another job

heh she doesn't trust him

aw the flirting

AGENT MURDOCK

Dean u just got hardcore rejected oof

I love how Sam gives her hangover advice, that's fun

...does it end up being the doctor

...siren...OH MY GOD SIREN WAIT NO I FIGURED IT OUT SIREN

Let me have this

...gratuitous....stripper scene

hey they're named after Disney princesses

Also worth noting Jensen Ackles's eyebags are always just a Bit more prominent than Sam's, is it cuz Sam is protagonist boi?

to mention: writers like Dean more, but Sam is main character thing

HA SIREN I KNEW IT let me have this

ODYSEEY NAME DROP NO THAT DOESN'T HURT ME

the singing Dean says welcome to the jungle and cherry pie and yes both good songs

...what you want most wuhoh

Belle

takes care of his mom, huh

well I mean predictably that is a very pretty lady

the pan to the jesus and the mom is....

OH GOD THE SIREN TRUEFORM IS OH GOD

boy that's fucked

no please don't tell me he kills his mom because of this

ah she plants the seed, but what is benefit? what is?benefit?

jeez his poor mother, that's so fucked

does she leave? do they not remember her?

oho the phone thing

boy Dean's gotta have a Thing with phones at this point

ha he figures out it's Ruby boy that didn't take long

woman he was closest to oop

BOBBYYYYYYY

huh manchurian candidate, second Manly thing to mention it

ah war movie ok that makes sense

it's the Actual FBI uh oh

Stiles and Murdock are references to "Route 66" heh

BOBBYYY IS THE ONE THAT THEY MESS UP THE FBI WITH AND HE'S COOKING I LOVE BOBBY SO MUCH

HIS LIKE 700 phones, all labeled I LOVE BOBBY

Lone Wolves

"no complaining about the tunes" pfftttttt

...if this is the siren...I...

if this is Dean's siren

and he just met Castiel

what the fuck what the fuck what the fuck

I- they're bonding about music...I-

WHAT DID THEY THINK WOULD BE READ INTO THIS

ok so Sam's flirting with Doctor Lady

something something she split up from her husband

ok tuning out the weird makeup thing, tuning out, tune Out

yadayada sex scene OH SHE HAS THE WEIRD FLOWER OOOP

ah the hyacinths

guys please I don't have time to google the references today

Dean don't shame your brother for being a monsterfucker

why are both of you so angry all the time

I really hate that "I'm with you on this one" is like...the only thing this guy had to hear, Dean please get therapy

aHAHAHA THE REVEAL HIS FACE AHAHAHAH

AHAHAAH WHAT THE FUCK DID YOU THINK WAS GOING TO HAPPEN

"you can't trust your brother" ope

lookI understand the basic idea of they needed the brother confrontation, but...but they...they accidentally queer coded Dean...I..how

I gave him a little brother

look I get that w*nc*esties might like this episode, but it's...it's also someone who emotionally connects with him and Sam's not that it's [gunshot]

at least they FINALLY talk about their feelings, and it took a literal double mind whammy

he just watches things explode

"you're holding me back" oh god "I'm a better hunter than you are" ah boy

Sam did you go to Literal Hell for forty years did you??

ah jeez Sam you validated like All of his Issues

BOBBY! BOBBYBOBBY! FUCK YEAH

and then they Never Talk About it Again

the fucking beers at the end of the episode

HE GIVES THEM SODA GOD I LOVE BOBBY

Dean's wearing the jacket again oh god

Bobby: listen we all take L's, it's fine guys

Sam+Dean: we're going to take this personally

god fuckingDAMN YOU BOTH JUST FUCKING COMMUNICATE FOR ONCE IN YOUR GODDAMN LIVES

ok well. Wrap up:

1. Bobby. I love Bobby. We got more world building into how he runs his life, and other than the like. Metric Ton of research he does, he has the labeled phones(for hunters to use as a resource), comes snaps the boys out of it(and gives them soda to make them drink responsibly, that was fucking adorable), and tries to reassure them that it'll be ok. I love him, he's so good, best Dad, GoodGOOD!

2. Dean. Look I get the whole thing was "He wants someone who he can trust by his side, and that should be his brother" but based on Siren Lore, Siren's are romantic(even if the connection they're trying to break isn't)(and they set this up with the goddamn mother). And..siren presents to Dean as a man. Like maybe it would have gone for Sam, but I don't think it would have worked because Dean wants connection(and apparently with a man??) and it's also the same season they introduce Cas, and he's in the next episode and-

I think this was unintentional. I think here, in this case, they did it on accident to try and force a brother confrontation. But BOY did it BACKFIRE how are we supposed to READ THAT??

3. Sam Protagonist but Dean tho. Ok so I feel like I can kinda tell that(at least now) that the writers figure out that Dean's more fun to write with. Not just stories, but he gets to say the cool lines, he gets to make the references more. Basically, he's whatever the writers are projecting onto him. Dean's Made of projection, and it makes him complex. But Sam's the main protagonist(and I have this whole thing about how you can see Dean's eyebags every now and then, Sam's are invisible, and Castiel's are Super Prominent, and like maybe I'm reading into this too much but) and they have to write stuff for him to do and just. Damn.

4. their Sad Boi issues. Look. They have a point? I think Sam ends up shaking into a better hunter than Dean(or at least that's his trajectory) but that's because Dean never really wanted this in the first place, and never got to be-

I'm getting off topic here. The point is that Sam has more Power than Dean, and Dean just wants his family to stay together and to trust them. And like. Idk it was messed up and they REFUSE TO TALK ABOUT IT

I feel like maybe it's because Family Confrontations didn't go well before(thanks John) but just..guys just because you talk about it doesn't mean people will hate you what the fuck.

idk

[hekate1308]

The Not-So-Friendly Ghost

Basically, this is pure wish fulfillment. Also, no Beta this time around, because I want to see the reviews coming in whether I’ve gotten over my bitterness before I inflict my typos on anyone again. 

Anyway, enjoy!

@dmsilvisart  @shaonharryandpannisim

Things actually calm down for a while.

Maybe that is the very thing that puts Dean on edge, but anyway, he is the first of them to notice something’s up.

His things start... moving around. Only slightly, just a tick to the left and the right, but he was brought up to notice these things, so how can he not?

Still, he might just be paranoid, so he doesn’t bring it up to Sam or Cas, who just recently moved into the bunker once and for all. No reason to start the alarm just because he’s a little jumpy.

After all, why should the bunker be haunted of all places?

Only that it’s more than him being jumpy, because on the next hunt, he gets knocked around by a ghost who in turns gets thrown across the room.

What the hell?

At first he has no idea what is going on.

And then he remembers a samurai sword sliding into his hand.

There’s a ghost around. Has to be. It’s the only explanation. But why, and how? 

He pretty soon figures out that it’s only around him anything remotely spooky happens, and never when he’s with anyone. Aside from when he’s hunting and his new... bodyguard decides to act.

Dean can’t really say why he doesn’t mention it to Sam or Cas; maybe, he’ll late think, he felt from the first this wasn’t an evil power.

How ironic, all things considered. But that’s for later, when he’s gotten used to this new normal.

For now, he’s curious enough to try an Ouija board one night.

“Hey” he says, feeling as silly as when he did his own ghosting around in a hospital so long ago, “You there?”

Before he can say another word, the arrow slitters over to Yes. If he was talking to a human, he’d say it was an impatient gesture.

“Okay. Next question. Do I know you?”

The cursor flies of the board, makes a circle through the room, and lands on Yes again.

“No need to be so dramatic, jeez. Just can you maybe give me a hint? Most people I know don’t have much of a life span...”

The arrow starts moving fast. He can barely keep track.

“Now, slow down – “ he stops talking because of the three letters he just read.

S-Q-U-I-R-

There are barely any words that start with this combo. There are barely any words that have this combo to begin with.

No. It can’t be. He wasn’t – he wouldn’t come back as a ghost –

“No way in Hell. If you really are who you say you are, tell me something only I would know.”

The cursor moves again.

T-H-E-T-R-I-P-L-E-T-S-W-E-R-E-B-L-O-N-D-E-S

Fair enough, but that’s easy to guess –

M-A-L-E-S

He swallows. “Crowley? Is it really you?”

The arrow draws circles around the word yes, then proceeds to hop up and down the board.

“Hey, I get it.” Dean blinks. Truth is, he has no idea what to do. So Crowley’s a ghost now. Should he help him move on? But that would certainly mean him landing back in hell, and why should they just repeat that? Crowley was- is – a friend. Kind of.

Also there’s the fact that Dean is so freaking happy he feels like bursting into song. He missed the damn demon, alright? Maybe a bit more than he let on when Sam and Cas commented on his bad mood. Repeatedly.

“You feel particularly vengeful? More than you used to be, I mean?”

The arrow skitters over to No.

“So basically you’re just... hanging out?”

Yes.

“Okay. Cool.”

He’s definitely not going back to sleep tonight. Remembering Bobby, he asks, “So if I... pour out a drink for you, you can actually sip it?”

Yes.

And that’s how he ends up sharing a drink with Crowley once more, if a bit more quietly than he’s used to, if he ignores the Ouija board, because the demon – ghost – whatever is apparently ecstatic about being able to communicate.

That last motel was god awful –

You needed way too long to figure out it was a tulpa three months ago in Miami –

That ghost was so pathetically weak –

It all runs together after a while, but Dean doesn’t mind in the slightest.

“Dean?” Sam asks the next morning.

“Yeah?”

“Is everything alright?”

“Sure” he says, looking from him to Cas, who looks as confused as Dean himself feels at the question.

“You were just humming while making me a spinach omelette.”

“So? Can’t a guy just be in a good mood for once?”

Because he is. He really is. Somehow, their team feels more complete now that Crowley’s returned to them – even if only in spirit form.

The Ouija board gets tiresome after a while, so Dean takes a pencil and notebook and it turns out Crowley can write things down. Awesome. He just has to be careful that the others don’t see it, because Crowley’s handwriting is pretty distinct. Seriously, did he practice calligraphy when he was alive?

He still hasn’t told Sam and Cas. Crowley is obviously haunting him specifically anyway, and he’s not doing anything evil, so what’s the damage?

He also knows exactly what they would say and do, and he’s not the least ready to say goodbye, he admits to himself a week after they first communicated.

Turns out he missed the demon more than even he realized.

Thing is, Dean gets that being haunted is supposed to be awful and scary and whatnot, especially if the one who’s haunting you was kind of a friend back when he was alive.

But truth is, it’s not. Sure, it can be a tad annoying when Crowley is bored, but it’s Crowley. Things could be way worse.

One morning, he stumbles into the kitchen. Next thing he knows, a cup of coffee drifts over, exactly how he likes it. “Thanks, man.”

It’s surprisingly easy to get used to it. It helps that Crowley’s bored out of his mind, apparently, because Dean simply stops dropping things, even when he’s had a few drinks; truth is, they just keep getting caught just in time by his helpful spirit pal, as he calls him in his head but never to his not-face.

“Hey!” he complains one afternoon when Crowley switches the channel. “That’s Doctor Sexy!”

I am dead and I can feel my brain cells evaporating, the notepad declares.

He rolls his eyes.

“What do you want to watch, your Highness?”

Huh. The 1995 version of Pride and Prejudice. He doesn’t even have that bad a taste.

It’s then and there that Dean admits to himself that he’s clinically insane, but can’t bring himself to care, especially because soon afterwards a bowl of popcorn comes drifting his way.

And then comes the night when Crowley decides to have an opinion. Dean’s about to reach for the bottle of jack to refill his glass when –

It skitters away.

“Hey!”

It skitters further. “What do you think you are doing – “

And with that, the bottle takes flight. “Oh no you don’t – “

Thing is, both Dean and Crowley were pretty sure Sam’s asleep and Cas in his room.

They aren’t. In fact, they’re just coming down the hallway and the bottle hits Sam straight in the face.

“What – “

And so Dean has no other choice but to confess.

Sam is incredulous at first. “A ghost demon? Dean, you’re not so gullible.”

“Do you really think I can’t tell? Crowley, write something down for Sam to make him see.”

Crowley complies. He usually does, unless Dean asks for really stupid stuff.

I am dead, Moose. Thought you’d be happy. You were the one who wanted to kill me dead, remember?

Sam stares at the paper. “That sounds like him.”

“Told you.”

“How long has this been going on?”

Dean shrugs. “A while.”

“A while?”

“He’s not doing any harm, is he?”

“Harm – Dean it’s Crowley as a ghost. God knows what he gets up to.”

That’s what you get for being a helping hand, the ghost writes.

Dean snorts.

“Dean – “

“Come on, Sam, we’re good. There’s no danger. Do you feel anything, Cas?”

“Now that I know a spirit’s here, I can feel it, but it’s definitely not vengeful.”

“There you have it, Sammy.”

He leaves them there, wishing that this could be all... Only it’s Sam, and if he knows one thing about his brother, it’s that he doesn’t know when to leave him alone.

And so a few days later, he tries again.

“Dean...” Sam trails off when he sees the chess board in front of him. “What are you doing?”

“Playing chess. Just try doing anything else with him; he’ll cheat every time.”

His king falls down. “Oh, don’t you start, you know you do.”

“Dean, can we talk?” his brother asks. “Alone?”

“Sure. Crowley, stay put, alright? And don’t even think about it. I know exactly where each piece is standing.”

He follows Sam into the library.

“So” his brother begins. “You were just playing chess. With a ghost who used to be a demon”.

“Yep. We were bored.”

“You were – Dean, don’t you realize this is a little bit crazy?”

“Compared to what? God’s sister?”

His brother sighs. “Alright I – look I’m a little nervous, that’s all.”

“Why? It’s Crowley.”

“Exactly!”

“If you’re worried he’s going to get crazy, don’t be. I think it has something to do with him not being human before he was a ghost, but – “

“Fine” Sam mutters and leaves.

Dean shrugs and returns to the game. “Alright, that bishop was not standing on E3 – ”

Crowley puts it back. “That’s better.”

He gets that most people would consider what he’s doing insane. On a case, they meet some other hunters, and while they’re discussing the options, he asks his notebook, “Any ideas?”

Rachel, the hunter, jumps when the pen gets taken up. “What’s that? Some Harry Potter horcrux thing?”

“Nah, just Caspar the helpful ghost” Dean simply replies, reading Crowley’s answer. “ A wraith? Could be. And you know you’re helpful, shut up.”

When Rachel looks at Sam, he shrugs.

It’s a wraith after all, and they deal with it soon enough.

That night, he gets woken by all of his books being thrown off their shelves.

“What the – Crowley, what are you – “

The Blade he used to fight through Purgatory flies across the room.

“Are you trying to kill someone, stop – “

His closet bursts open and his flannel shirts fall out.

“Crowley – “

The answer is just more chaos, and he would think his demon-slash-ghost-kind-of-friend has finally snapped, only...

Nothing has hit Dean yet. Sure, he’ll have to fix his room, but that’s just a small inconvenience.

Which means that this is not an angry ghost out to hurt him.

No, this is a ghost crying out in panic. But what can possible be the matter? If Dean or the others were in danger, Crowley would act rationally to prevent things from happening; so what –

Unless – if –

Dean sprints out of the bed. “Don’t worry, I got this.”

When he reaches the war room, he hears Cas. “Sam, I don’t think this is a good idea.”

“Cas, it’s getting out of hand. I caught him playing chess with the ghost in the war room.”

“It’s not just “a ghost””. Now Cas sounds decidedly bitter. “I know you want to help your brother, but sometimes you forget – “

“Cas, he was playing games with a demon turned ghost.”

“Chess is a highly interesting strategy game that involves – “

“For the last time: I am doing this. You can either stay or go.”

For one moment Dean is frozen, unable to breathe. For once things have calmed down, they have been hunting quietly, he actually feels pretty good about his life, and his brother wants to –

“Sam” Cas suddenly says, sounding serious, “I don’t think I – “

And that is all Dean needs to storm in and snatch the bowl out of Sam’s hands. “What the hell do you think you are doing?”

“What we always do, help spirits move on!”

“Move on to where? Do you know he’d end up in Heaven, for sure? No you don’t! And can’t you imagine how many demons would be glad to see him back in Hell?” Dean snarls, holding up the bowl, which is violently knocked out of his hands by Crowley.

“Look what you’re doing! What you’re turning into!”

“What do you mean!?”

“The old Dean would never have tolerated a ghost hanging around! We even helped Bobby go to Heaven – “

“When he went berserk, Sam. Crowley will never become a vicious spirit, because he already was – as a demon.”

“We don’t know that for sure!”

“No we don’t, but do you think I wouldn’t be able to tell?”

“We know ghosts can possess people” Sam argues.

Dean looks at him. Finally he says, “Sometimes I think you don’t know me at all.”

He turned and leaves.

He half-expects Cas to follow him, and he does. “Dean, I want you to know – “

“I heard you. You weren’t completely on board. Got it.”

Then, unexpectedly, Cas looks up and say, “Crowley, I apologize to you as well.”

A pillow flies from Dean’s bed and hits Cas on the head. “Pretty sure that was him patting you.”

“I can easily believe that” the angel deadpans.

Dean grins.

The next few days are tense. Sam is silent, Dean is still a bit angry with him, and Cas is... well, Cas.

At least Dean thinks so until he hears the angel talking to himself one day.

“No, no, that would make it worse, I think. Dean’s so happy you’re back. He would probably think it was Sam’s fault.”

Dean listens but doesn’t hear a thing. “Yes, I know. But you and Dean were closer when you were alive.”

He’s talking to Crowley. Dean really shouldn’t eavesdrop but can’t help it.

“Crowley, you must know that... Dean has considered you part of team free will for a while now. He once – I know he has faith in you.” After a pause he adds, “As do I.”

Next thing Dean hears sounds like the notebook being thrown against a wall.

“Crowley?” Cas asks but apparently gets no answer and Dean steals away.

He returns to his room and a piece of paper with the word EAVESDROPER and a caricature of him being painted on it. He chuckles. “Come on.”

He still keeps the drawing.

After another few days during which he pointedly asks Crowley for the most mundane stuff when Sam is around to show he’s not a goddamn monster, his brother appears to be relenting; but he only truly learns what it means to have a ghost on their side during another hunt, when a werewolf who just threw off Cas is about to rip Sam’s throat.

Because he suddenly throws his head back and yowls in pain, giving Sam time to scramble away and Dean to shoot him.

On the way home, Sam’s silent for a long time. Then, he says, “Thanks, Crowley.”

The lights go on and off three times.

“I agree” Dean says, and the world rights itself.

Over the next few months, Sam and Cas start to address Crowley randomly too.

“I don’t recognize that word” the angel explains one day when they’re working on a script in Ancient Greek, “but then, as you would say, it has been a while. Crowley, could you – “

He’s already scribbling down the translation.

On another occasion, Dean finds Sam in the library. “You looking for something?”

“I know there was this one book about Egypt spells, but – “

It falls down in front of Sam. “Thank you, Crowley.” He blinks. “Good God, I just realized I’ve gotten used to this.”

“Join the club” is all Dean replies.

And this seems to be the way things are, until they stumble across an old witch. She hasn’t done anything wrong, but Cas feels her powers on their trip through town, so they decide to check it out.

They didn’t realize how old she is.

Some of the pictures on her wall are drawings from Egypt, around three thousand years ago.

And because she’s so old, she has a few tricks up her sleeve.

Esmeralda (“Call me Esme”) has been nothing but friendly and even made them tea. Dean has put his notebook on the table out of pure habit by this point, but Crowley’s been remarkably silent.

Completely silent.

In fact...

“Oh don’t worry” Esme says, “I performed the spell while I was in the kitchen, he’s resting by now.”

And suddenly Dean knows exactly how Crowley felt that night because – because –

“Did you – you haven’t – “

God damnit, he’s a hunter, he’s not going to have a panic attack in some witch’s living room –

“Oh no – no dearie, of course not. I would never send him to Hell. He seems like such a sweetheart, and he’s so attached to all of you. I don’t think he realized what I was going to do, but honestly I didn’t even try to get in contact with him, because his wishes were rather clear.”

“His wishes? What – “

“Dean – “ Cas says, resting a hand on his arm. “Please, let her speak.”

“So he’s alright?” Sam asks at the same time.

“Oh yes. In fact, I think he’ll be a little bit more in a while... There are some perks to being the only witch who knew the ways of Ancient Egypt and there life after death spells...”

Dean has no idea what she even means, but he decides to wait. He can always put a bullet through her later.

It turns out to be the farthest from his mind when Crowley comes stumbling in from the kitchen, rubbing his eyes.

“Witches – all the same” he grumbles to himself. “Have to tell the boys that – “

“Crowley!?” Dean gets up an d walks over to him. “You made him visible?”

Esme actually looks scandalized. “What do you take me for? I’m not just a witch.”

Dean doesn’t understand until he’s close enough to realize –

Crowley is breathing.

He grabs his wrist.

“Squirrel, what? I’ve been trying for months to – “

“He has a pulse” Dean announces. “Crowley, you’re alive.”

“Human, of course, like his soul has been since he died” Esme says. “But I trust it’s enough.”

“Dean?” Sam asks, “Is that really him?”

“You bet” Dean replies while Crowley is busy figuring out how he came back to life and that now that he’s human, thanks are probably in order.

Sam nods. “Cas?”

“It’s as Esme says” he announces.

Thank God. Thank Esme. Whatever.

“We’ll have to clean out a room for you” he muses when they’re back in the Impala.

Like they did for Cas, months ago.

Crowley, who has until now been pretty silent, replies, “Oh how I’ll miss watching you sleep.”

“Dean doesn’t like that” Cas informs him.

“You really think I wasn’t aware?”

Dean catches Crowley’s eyes in the rear view mirror. Yep, still Crowley. Still a sarcastic bastard, still annoying, but human.

He finds he can live with that very well.

[themanicgalaxy]

SPN 4X7 It’s the Great Pumpkin, Sam Winchester

wow working off of....a very fun...adrenaline crash

I’m so tired, panicking is a bad vibe 

let’s do this, I hear Sam meets Cas in this episode

wow look at this nice and lovely family, can’t wait to see how they FUCKING DIE

why is the candy shot like this, what happens to the candy

WHY IS THE RAZOR LODGED IN HIS THROAT

WHY IS IT BLEEDING

WHAT THE FUCK

HE’S COUGHING UP RAZORS WHAT THE

just my luck it’s a scary one and on the big screen

the *holds up spell bag and then hides it once Sam sees and starts questioning* was smooth, I like when they do the teamwork thing

Dean why are you eating candy, there are razors in the halloween

oh lovely that’s a Cursed Hex Bag

“he made vanilla look spicy” is a funny line

These people look so young 

OH GOD NO DON’T BOB FOR APPLES

STUPID FRAMING DEVICE

ah I see love triangle or something

oh mY GOD SHE’S STUCK

IT’S BOILING THIS IS HORRIFIC

they’re high schoolers ah 

because the hail bait comment wheeee

Sam does the hold up this time!

AGENT SEGER

Samhain! Halloween origin! that’s kinda neat

600 years! “and the next cycle is” “Tomorrow” “naturally”

so it raises All the Supernatural that’s fun

DEAN STOP EATING CANDY WHY

aH THE TEENAGER!

Of course her name is Tracy

never heard of Luke Wallace my ass

“if you could pick any costume to come back in, wouldn’t you pick a hot cheerleader? I would”

DEAN WHAT THE F U C K DOES THAT MEAN THAT’S DEFINITELY NOT HOW OBJECTIFICATION WORKS

ooo flashbacks to hell in the mask!

Sam asks if it brings back memories of being a teenager, Dean interprets Hell

...what...brings back memories?? DEAN?

huh the Occult Drawings that’s interesting

“emancipated teen” DID NO ONE FUCKING CHECK THAT

“Trick or treat” “This is a motel”

Dean just wants to eat candy

Dean stop antagonizing the kid

CAS CAS CAS!

SAM IS SO STARSTRUCK THAT’S SO CUTE

Castiel what the actual fuck you’re adorable but fucking terrible at communication 

“we’re working on it” “that’s unfortunate” KILLED ME

That was a Significant Look of Uriel 

of course it’s a seal

“purified a city” aka kill 1000 people wheee

“you’re bigger picture kind of guys” oooo interesting

“have faith” 

OOO CAS BLINDLY FOLLOWS ORDERS

heh puts it in context of his daddy issues but Dean’s been growing past that

Uses his own life as a bargaining chip AGAIN DEAN

Although to be fair, that works

Castiel takes! chance! on DEAN!!!

Angels are assholes, time to figure ir out

“they are righteous that’s the problem”

“there’s nothing more dangerous than some asshole who thinks he’s on a mission from God” OHHHH COME ON THAT’S SO LOADED YOU CAN’T JUST LEAVE THAT THERE

“This is what I’ve been praying to” OH M Y G O D I HAVE THING ABOUT THE FAITH AND SIBLINGS AND AHHHH

“bad apples” SERIOUSLY THIS LOADED ASS CONVERSATION

DEAN WANTS HIS BROTHER TO BELIEVE IN SOMETHING STILL O W 

Sam figures out where to go based on the burning of the bone wow!

Sam being smart Sam being smart!!!

“you shouldn’t call them that” Castiel #1 human stan

Why stand and then sit, why stand and then-

disobey orders oho

ah so Tracy’s the sacrifice, and Don’s the Evil One and used her as a scapegoat? ?

of course the perving on the teenager why wouldn’t we god fuckign dammit kripke

...that’s her brother? what the fuck?

ok the eye glitter/lighting was neat

no ok but Magic Witch Lady is kinda a fun character too bad she’s gonna die

Sam do ur magic

Dunks them in blood? Sam what are you doing?

kills her? I feel like kills her?

bro that’s your brother’s body technically

yep

...whore...

Still kinda funny tho

heh they play dead

OH THE MASKS! THE MASKS CALLBACK!

SMART SAM SMART SAM SMART S A M 

“you gave it a shot” god i love that, I love when Sam just tries Wack Shit 

“BeCauSe thE aNgEl SaiD so”

Angst Teen Sam

bUT DEANNN Why can’t I use my POWERSSSS

just gonna kill the teenagers and trap them with the corpses

oh sweet jesus

oooo CLASSIC horror iconography

IT JUST DOESN’T FUCKING WORK ON SAM OH HELL YEAH

And then they graduate to fistfight but still

Dean’s just going on the Murder Train

GOOD YES DO IT SAM!

FCUK EM UP BABE HEAVEN’S A PIECE OF SHIT ANYWAY

OOO THE ANTICHRIST IMAGERY, THE HORROR IMAGERY, THAT’s SO COOL

AND THE STAND IN FRONT OF STAINED CLASS AND DEAN IN FRONT OF LIGHTS WITH LIKE THE “OH SHIT AM I GONNA HAVE TO KILL MY BROTHER”

November 2nd is the day AZAZEL killed Jess and Mary, making the day before, day after, day of, two days before thing Neat

“you were told” THAT’S NOT COMPELLING H E A V E N 

~wing flap~

“ask Dean what he remembers of hell” oof

CASCASCAS CAS AND DEAN CAS AND DEAN CAS AND DEAN

ordered to follow Sam and Dean?? what?

the ripped jeans by the way, good

“I don’t know what’s gonna happen tomorrow” he never knows, that’s why-

THE KIDS! THE K I D S 

the angel that loves humanity ~too much, the way God told them to 

Aziraphale and Cas should hang

“I’m not a hammer” “daddy’s blunt little instrument” DAOFIHADSPIASFSIP

RIGHT AND WRONG RIGHT AND WRONG RIGHT AND WRONG

DID THEY PASS? WE DON’T KNOW AHAHHH

MEANINGFUL STARES

and then just the Disappear is so good

ok uh first

1. Sam praying. I don’t really know why this one got me, but the fact that Sam believes in a higher power, or tried to believe with his entire soul, and Dean desperately tries to get his brother to believe in something(unbroken? tries to make sure he’s ok because Dean never will be? Something like that?) feels important? Or maybe it’s that for Dean, Dad’s Orders and Consequence hit as the Ultimate Punishment, whereas Sam got to relax about it a bit

Look am I directly finding parallels to my own experience now? yes of course, it’s my unparalleled media experience and I can project if I want to. I’m WAY more scared of my parents/dad and what they do than I am of any higher power(crying while driving home as Vibe Music that I generally enjoy vs the Season 3 finale scene wheeee), whereas my sister actually tried to give religion a fair shot and used to pray. It’s not a direct parallel, but it’s been a bad day, I wanna put that in there somewhere

(also if it genuinely wasn’t my fault and I just assumed that I would never be able to explain my way out of anything so I shouldn’t try, leading me wishing to never be perceived so I don’t get punished for things that weren’t my fault. If true then Pain)

*insert Paws Meme*

2. Smart Sam. I liked Sam being smart, doing shit for the case in interesting ways, and I really like his powers plot line! Like you’re right dude! Heaven has no compelling reasoning other than “because I told you so” and it’s way more practical to just do it! His mom and girlfriend are already dead there’s nothing else to be done now! Like! Sam’s Antichrist arc is actually interesting! And I like him getting to be a character! The mask Idea was SO NEAT!!

3. bad apples+mission from God. I. Ok. Listen. This is just that one loaded conversation with “bad apple”(I’d like to point out that at some point it shows Cas as the Only Good One, right? dismantle the institution type thing, right? Is that what they were going for?) and also that “people who believe they have a mission from God do bad thing” LIKE SO CLOSE ! To SO MANY! lOADED THINGS! A G H

Look I’m too tired to type out all my thoughts to this, but I think you get the point that this is shit I wish they’d explored more

4. I entirely forgot that whole thing where they tried to show Dean objectifying teen girls and accidentally made Dean sound like he wanted to be a girl. Like even if that’s simply sexuality, or both gender and sexuality...like that’s. how did you do this. How did you accidentally make him like this.

5. Cas/Cas+Dean. Ok first off, having him desperately try to save humanity(reminds me of aziraphale) is so interesting! like It feels like Dean(who's working on not taking orders blindly anymore following that demon deal) doesn’t like seeing Castiel and Heaven because it reminds him of that part of himself he’s worthing through! and that one scene where Cas said “I’m not a hammer”(Directly parallel to “Daddy’s blunt little instrument”) is like. Dean started that journey in Cas. Getting him to question things. 

that whole thing about “I know this was a test, but we don’t know if you failed it or not” because I don’t know what God would want because God’s the ever present father figure for Cas, and Dean’s lack of faith in God, and Cas’s lack of faith in God and

ok they have an INCREDIBLY compelling story currently, and I am kinda excited to see where they go with it.

yknow before the queer bait REALLY sets in

6. I was ready to write this episode off with the horror but the iconography at the end with the seal/witch/Sam and Dean scene was rEAlly fucking cool and I loved it.

7. the beginning of the stares

[themanicgalaxy]

SPN 5X13 The Song Remains the Same

aw nuts I'm still one behind

ah well I'm severely burned and prom is tomorrow

god I hope Cas is in this one

HEY! CHERRY PIE!

Listen I actually like this song

He's dreaming isn't he

HI ANNA

this is a nice set

Ah right when Cas was Conflicted I see

ok so meeting

I still think Angel Anna popping in to say hi and shit was fun man

thE FUCKING LIGHTS ARE THE ENTRANCE

wait no I see Cas is lamp and where that came from I see it now

they told Cas, Cas didn't let them

'no on escapes' oh?

sAM WINCHESTER HAS TO DIE?

that was a cool scene why don't we have more

just...disembowlement

"another way" here we go

"you've changed" "maybe too late" : (

"come near Sam Winchester and I kill you"

are...are they even friends though?

"who's glenn close" aw

oH THE GREASE POSTER

MA GIC

no give me more Sam and Cas too goDAMIT

yes I know why leave me alone

the Exasperated "I don't understand that reference" and Dean's "my cool guy-ness doesn't work on him" IS SO FUNNY

also cas looks FUCKEd

ohGOD HE LOOKS F U C K ED

ah way back when things weren't horrible and not disillusioned

LITTLE NERDY DUDE WITH WINGS OH MY GOD

the fucking trench coat

did they steal a car off screen lmao?

THOSE MOVIES HAVEN'T EVEN COME OUT YET LMAO

Dean please chill

oh this is gonna be fun

THE LITTLE GLANCE AT MARY NO THAT WAS SO GOOD

"you look familiar" *Dean and Mary exchange a panicked look*

oH MYGOD

Sam is not taking this well

Sam and Dean, Sam and Deanna

Sam is just staring at his mom :(

oh sHIT HE NEVER RLY GOT TO MEET HER

Dean DESPERATELY TRYING TO BACKPEDAL

Dean you little shit

HearT Attack Huh Mary

I LIKE MARY AND DEAN'S LITTLE FACE OFFS THEY'RE FUN

ANNA! SHE CAN DO VOICES?

the little half smile before he says "not exactly"

shit..SHIT HE'S GONE UH OH

she'S SO SHORT COMPARED TO THEM

MR WOODSEN IS FUCKING DEAD THE ANGELS GOT HIM

the like...half power, but half not is COOL

were times tough? was it Anna projecting?

"you too Dean" HER VOICE SHOOK :(

KNIFE FIGHT MARY KNIFE FIGHT M A R Y

tHAY BLOODY SHOT WAS COOL

B L O O D S I G I L

oh good time to explain it to John he's gonna take it well

THE IMPALA

"OR SO HELP ME I WILL TURN THIS CAR AROUND" IT'S THE MOST DAD THING HE'S EVER SAID

AWKWARD FAMILY ROAD TRIP

Dean explaining hunter things to his dad has to be fucking weird

Well...John doesn't seem like an ass, he wants to help

just cuts his hand ok then

"how big"

"you remind me of my dad" HE LOOKS SO FUCKING SAD

he's also so much more subdued

"my dad raised me in it"

John: proceeds to trash talk himself for like...a whole minute

"your father was supposed to protect you" SPOKEN BY THEIR FATHER IS

fuck it I'm tearing up

"I get it" Sam and John are super similar ok I see you

HE COULD HAVE DONE BETTER, HE COULD HAVE BEEN LIKE BOBBY FUCKING CHRIST SAM

no what happened is that John made Mary this martyr that didn't exist, this exalted thing

HE COULD HAVE BEEN MORE PRODUCTIVE

"I understand" SAM I S W E A R TO FUCKING G O D

OH THIS IS YONG URIEL

"I'm still your superior" ooo?

"They will kill you uriel" THAT WAS YOU AND CAS

"you're just gonna have to trust me" D E A N

"i'm your son" oh my god Dean

oh this.scene.

I'm crying again

"I raised my kids to be hunters, I did that to you?" aofs'

yeah I'm like...actively crying fuck me

that date is...burned into his brain isn't it

god Mary's reaction of "no not this, not again" oh my god no no no no I'm crying

This is not hyperbole I was actually sobbing

"leave John" IS YOUR PLAN

Sam...

"you can't have that normal life" oh Sam :(

'your children will be cursed' jesus Christ

oh god she's pregnant that's why she reacted like that

shit both of them

I cannot see ANYTHING

SAM GOT IMPALED?

JOHN IS?///DEAD??

MICHAEL POSSESSED JOHN??

IS ANNA DEAD FOR REAL? WHAT THE FUCk?

bloodline, like novak

CAIN AND FUCKING ABEL

THEY DIDN'T EVEN CAST A B E -

"well get some therapy pal" dean...dean you can't say that it just looks funny if you say that

"I practically raised him" oof

"you're gonna do whatever god says' "yes because I am a good son" OHHHHHHHHHH

Dean: that is a dead end street

holY SHIT GET FUCKED

"I got to believe I choose what I do with my unimportant little life" HOYLS HIT YHES

SMACK HIM WITH THE DESTINY HAMMER

you...planned it..oh my god

free will's an illusion NOT IF CAS HAS ANYTHING TO SAY ABOUT IT

ah he scrubs their minds so she can't remember

ah fuck he's failed this plan twice now it's gotta HURT

the arranging the jacket was so fucking sinister

"you made it" "I did? I'm very surprised"

I love him

TEAM FREE WILL!

"one ex blood junkie, one dropout with 6 bucks to his name and mr. comatose over there"

"i'm not laughing"

you guys fucking suck at making objective decisions

thE FUCKING ANGEL THING

" i can't even put my finger on why I like it" I hate this

"angels are watching over you" I'm going to eat glass I love the glass it's so crunchy

1. hunting. FUCKING- BOTH OF THEIR PARENTS WERE LIKE "HeY whoever got you into hunting probably fucked both of you up" AND THEY'RE LIKE NAH It'S FINE. THIS IS THE SAME ENERGY AS LIKE...several people staging an intervention and you still not getting it. Young!John is great! He's rightfully concerned! Mary is badass! with knife fight

2. free will. The EXPLICIT free will vs destiny thing, the basically dragging free will into existence despite everyone telling you that's not how it goes, the subtle reinforcement with the angels at the beginning, Michael coming into the bloodline, the whole thing with hunting, how they still ended up hunters it's just. Fuck me.

3. Sam's giving up, that's not good. Like you can see it in the "I forgive my dad," you can see it in the "just give up, I don't want to exist anymore" thing. Like...he's tired of fighting, he wants it to stop? I think is what I'm getting.

4. I FUCKING LOVE CASTIEL. He doesn't get the pop cultural references, just kinda does HORRIBLY bad shit that's bad for him, and in the end just kinda is Out of It. I love him. He makes every scene he's in better. Also I'm seeing the more...Sam thing? like I see potential, and they're both the Weird Kids of their crowds?

5. I like the sets. Like the art direction for the sets was nice, and the costuming felt especially on point this episode? Like they changed Anna's look a lil, and I thought it worked really well.

6. ANNA. She seemed so remorseful, and she had this whole thing going on, and she was still their superior and she was great. Also, she's trying to execute free will too! like it's in an entirely different manner than Sam and Dean's but still? This better not be her last appearance.

It FUCKING IS? I HATE THIS WHAT THE HELL

7. For posterity, that scene where they're talking to their mom and Dean just kinda...breaks down instantly and says "you're my mom" and both of them say "leave our dad, no more existence," and the "I'm pregnant" and the "I raised you to be hunters, I did that to you?" and the "no john did." fucking broke me. Like so much pain is happening there and it broke me