#do they empath?

[idolomantises]

If Monsters and Girls ever gets a tv show my only request is that it doesn’t become that kind of show where a male character with a small role somehow overshadows the female cast.

And you WILL draw Yuri

[allynabie]

Talked to someone and halfway through he paused, pull up a hand and asked "are you neurodivergent?" How does one answer such question?

[byjove]

Bittersweet adorable news: Philomena HATES when I cry. I’ve never had a cat get up on me and try to calm me down while I was having a breakdown, usually that’s only a dog thing and cats try to steer clear of you when they see you in hysterics. Not Mena. She kept running up to me and plaintively mewing and trying to climb on me and gently pawing at my face. It was so sweet. She wasn’t scared, she was just concerned.

She has ascended from being a very good cat to an extraordinary cat, in my opinion.

[justanotherpjofan]

You know most of the time people get angry at Cale because he can't for the life of him communicate things as they are, specifically regarding his health and seems to be unable to register his family worries for him.

And to that I said, of fucking course, his whole life on earth was horrible and he didn't develop emotionally because let's do a quick recap:

His parents died.

His abusive uncle took him in

He ended up in an orphanage.

When he was twenty the world collapsed.

He was bullied because he didn't have abilities.

Then the shelter he was in was destroyed

Once again he was alone until he met with LSH and CJS and let's not forget he was already 20 something.

Not long after they died as well.

Then he closed off with everyone because he didn't want to get attached just to lose them again.

He woke up in a novel

GoD confirmed he was supposed to die not CJS nor LSH.

He had to face his past again due to SG test.

...Well you get my point by now he was a little too busy surviving for him to actually develop self worth, most of his life he learned he wasn't someone who deserves affection or care and unfortunately no one said otherwise and if they did they die leaving him worse than before.

So it is no wonder he keeps things to himself all the time, after all why would others worry about him it makes no sense? At least from his pov.

That's why he is so detached at the beginning, still he can't help but try fixing things because it is the only action he knows

Surviving and saving others is so deeply engrained in him that unknowingly he keeps getting in a bigger mess. He got attached against his best efforts and gives more than he can take because he is not used to getting, the people who ever gave him anything always ended up dying before he could understand being emotional or plainly having emotions is normal.

[mercutio-the-velaryon]

You would think Mel Medarda died in the season one finale the way the only discourse about her that gets popular in the wider fandom is about not only her actions in season 1 but a very specific scene in a very specific context like did y'all see her in season two or do you only care when she's a device for Jayce and Viktor's character arcs?

[vampv0id]

Will still being new to killing with Hannibal and slipping and falling on a blood puddle. He just stares up at the ceiling for few moments thinking about how this is the cannibal equivalent of slipping on a banana peel you threw in Mario Kart.

[starcurtain]

What do you think about Sunday and Aventurine? and their interaction in 2.1, I know Sunday did what he had to do but I just have a strong dislike for him ever since. He is an interesting character though.

I mentioned on a previous ask that I wanted to talk about narrative foils/character parallels, and that ask mentioned Aventurine being similar to Robin and a little to Sunday. But I thought I'd combine that character foils idea with this post about Sunday because...

Aventurine and Sunday are Near Perfect Character Parallels

(Also sorry to Youtuber Fayato who I screencapped this image from; I literally couldn't find a single other good image of Aventurine and Sunday in the same frame!)

In media, the concept of the narrative foil refers to a character who contrasts another character; by setting the two characters and their plots side by side, the audience is better able to understand the traits of the central character.

And by setting two surprisingly similar characters in opposition to each other, it becomes very clear how even those facing similar circumstances can take diametrically opposed paths in life.

First, let's start with the basics:

Aventurine and Sunday are both characters whose real fathers were never in the picture, and who lost their mothers right in front of their eyes to traumatizing events.

They both experienced the violent deaths ("death" in Sunday's case) of their sisters.

They both were "rescued" by people who intended to use them by growing them ("grooming them" in Sunday's case) into a figure of authority.

They were both told they were "chosen ones" growing up. And yet ultimately this status as the chosen one is in doubt: Aventurine isn't sure if his family's faith is real, while Gopher Wood tells Sunday that Penacony's chosen should have been Robin all along.

They both became self-sacrificial, Aventurine through his obvious willingness to throw his life away, and Sunday through his plan to remain outside the sweet dream to be its keeper while everyone else got to live in "paradise."

They both are trapped by their situations, Sunday by his inability to leave the cage, Aventurine by his inability to accept the life he isn't able to throw away.

They both became the "villain" of their respective patches and both faced "death."

Personality-wise, they both strongly favor being in control, to the point that their scene together is an aggressive power struggle over each other.

This is how the "future" Aventurine describes himself:

Does it sound familiar? It should, since that's exactly how people describe Sunday.

But they also both prioritize their families, and they are equally altruistic at the core while seemingly self-centered on the exterior.

They both, of course, have the blessing of an aeon.

And here's where I'm going to take a massive tangent, but it's important: I do tend to be among those who think there is at least some connection between Ena, the Order, and Gaiathra.

I've heard all sorts of reasons that they can't be two different concepts for the same being, from the whole "Gaiathra is a goddess of trickery and that's not related to order" to the whole "the Order's followers worship with song while Gaiathra's followers specifically don't," but I think something that has been missing from the discussion of Ena and Gaiathra's possible connection is that "Order" as a concept has entirely different definitions depending on which cultural context you approach it from.

The most mainstream modern concept of "Order" is something that is imposed: A power from on high descends to quell the chaos of the mortal world, to "bring order" through guidance to humanity. This is very Abrahamic, very modern Christian, and that is reflected in the imagery surrounding Sunday. Sunday, as a manifestation of the Order's power, believes he will be able to uplift Penacony from the mire, free people from their unfulfilled desires and confusion, and bring about perpetual peace by enforcing his understanding of harmony on the populace trapped in the dream.

Sunday's Order is not the natural state of the world but something that must be carefully cultivated and maintained, a constant battle against the chaotic forces of life and its temptations. This type of "Order" promises an idyllic future, but at the cost of the present freedom of everyone who submits to the law, who must surrender their original fate for a structured sweet dream.

We understand this concept of "Order" because at its core, it's the one that modern societies largely embrace--ruling authorities establish laws that must be followed at all costs, even when they risk the freedoms of individuals, because they ultimately (supposedly) support a greater good. A majority of society adheres to the laws handed down from on-high, and life functions relatively stably.

Yet this conception of "Order" is predicated on the idea that the course of people's lives is decided first and foremost by the people themselves--which is why they can make mistakes, go astray, and need to be shepherded in the first place.

Without imposing structure through authoritarian power, this type of "Order" will crumble away in an instant, because this view assumes that rightness can only created by humanity, and that chaos--not order--is the natural state of existence.

Ena, who holds worlds tidily contained in her hands, who is tangled in puppet strings, who wears a hood like a nun or the Virgin Mary, and who is haloed like a Christian angel, clearly represents this definition of "Order" to a T.

But... this is not how humanity has always defined "Order."

It was not always taken for granted that people had the power of self-determination, and in fact, for many centuries and across many cultures, the concept of "the order of the world" was tied directly to the concept of destiny. Whether a volcano would explode and destroy your entire civilization, whether floods would swallow your city, whether the crops would grow or fail all depended on the pre-made decisions of supernatural powers, who were in turn often personified concepts of the natural world itself. What happened to any given individual, what twists and turns their life would take, whether they would achieve their dreams or not--all these aspects were also predetermined, decided not by the actions of the individual but by fate itself.

Thus, the world and everything in it has a natural order. Things may seem chaotic, they may even seem unbelievably horrible, but all events in existence unfold as they should. We may not understand why, but everything occurs in due course, woven into an endlessly repeating pattern on the fates' loom--spring becomes summer, life becomes death, disasters happen and are healed from, children are born and grow old. If it is your fate to die, you will. If it is your fate to fight and live, you will. To reject this natural order would be as futile as telling the sun not to rise.

The words "order" and "ordained" have the same origin.

Enter Gaiathra. First of all, she is the Star Rail equivalent of a pagan goddess--her worship exists separate of the confirmed existence of aeons, by an uncontacted and non-space-faring race. Even her description, being triple-eyed, evokes other "triple goddess" figures across history, both in modern interpretations (the triple goddess of Neopaganism) and in ancient mythologies (the three fates of Greece, the Tridevi of Hindu culture, etc.).

She is strongly associated with the natural world: The planet of Sigonia is said to be a manifestation of her very body, the rain is her blessing and acknowledgment, and she goes through a yearly cycle of death and rebirth (calling the cycle of the seasons to mind). She is said to be a goddess of both fertility and travel (likely in the sense of nomadic wandering by the time Aventurine was born). Avgin worship of the goddess manifests in the form of sacrificial cyclic knots.

Which might call to mind another pagan culture well-known for their cyclic knots: the Celts, whose famous Celtic knots represent cycles of eternity, unity, and the interconnected nature of life itself.

The Avgin prayer to Gaiathra focuses on elements of a person's life that all might be determined by "fate"--will your blood keep flowing, will your journey be peaceful, will your schemes stay hidden? It hopes that things will be as they should, that the future ahead of you is predetermined to be a good one, and that the cycle of life decided by the goddess will be in one's favor.

But while the Avgin hope for good things, they also strongly espouse embracing the reality of one's life, with suffering and hardships seen as manifestations of fate that should be accepted as facts of life. It is said that any society blessed by the Order ultimately falls--is it not the natural fate of all societies to one day fall? For mankind to return to the dust and be reborn anew?

Whatever will be, will be.

There is a reason--a logic--an order--to everything that happens.

I hope you can see where I'm going with this: While Sunday and Ena represent the concept of "Order" as a result of self-determination, a power "the strong" can wield to overcome the inherent chaos of reality, Aventurine and Gaiathra represent a different, older concept of "Order" (I can't help but see the entirely separate eye lurking behind Ena?): existence is not inherently chaotic but instead is foreordained, following endless orderly cycles life and death, weal and woe, rise and fall.

PHEW! Okay, so all of that to say Aventurine and Sunday make perfect parallels through a mirror darkly, even when it comes to the blessings they've been granted: One imposes order from on high; one continually rolls the dice despite knowing the inevitable outcome.

Both of their stories are entirely intertwined with the concept of fate, whether by opposing it...

Or accepting it.

And even at the end of Penacony, we leave both Sunday and Aventurine in precarious positions. Aventurine, while ostensibly "victorious," faces another roll of the dice immediately after Penacony, when his future as a Stoneheart is called into question. Yet "fate" comes through for him again--his bet, as always, comes true. His future isn't in question--it is the question itself. What's next? He finally wants to live to find out.

Sunday, meanwhile, ends Penacony's arc in a truly difficult place. He's virtually exiled from the only home he's ever known, a flightless bird tossed out of his cage into cold hard reality. He has to find an entirely new way forward and may even be forced to reckon with an entirely new definition of "Order" itself.

The parallels between these two characters are entirely intentional and very, very blatant, and I am exceedingly interested in seeing whether their paths diverge or continue to reflect similar fates moving forward.

So uhhh... that's what I think of Sunday? 😂

[casstelli]

do usamerican leftists think that if they don’t vote the government will spontaneously collapse to make way for their socialist utopia

[share-the-damn-bed]

(potential) JANCY PARALLELS | guilt and grief

✨ requested by anonymous based on this tweet "I wonder what this will mean for Jonathan and Nancy as a couple, it has so much potential. Will Nancy understand where Jonathan's fears about leaving his family come from? Will Jonathan see Nancy blame herself and realize that he's not responsible for Will being kidnapped just like Nancy isn't to blame for what Vecna did to her family?"

[puppetmaster13u]

Prompt 121

There’s several de-aged Danny prompts, but what about de-aged Jazz. Most agree she’s very liminal after all, so who's to say ghost things won’t affect her too? 

So imagine with me, Jazz gets hit with something, and she is now child; maybe even baby. Danny panics, flees with his emergency bag alongside the other three in Team Phantom. So now they’re four teens with a very small child on the run. Four teens and a small child who have run into several heroes. 

Heroes who are all very concerned. 

[invidiatechdemo]

did you forget?

that your sister is a human being?

that she's capable of being mad? mad at You, even?

[dwightschrute11]

canon event when calypso first met all the MCs she did this to try and flirt with her like 50 crushes LMAO

[poorly-drawn-mdzs]

End of Empathy (time for violence)

[First] Prev <–-> Next

[angelellipsis-devilofdots]

sometimes i dont realize the true meaning of certain the amazing devil lyrics and then i pay really close attention to it. and then the weight sets in of what something like “i look at those secret worlds you call eyes” means and i just melt. that shit is profound

[about-faces]

Last night, I was once again struggling to actually write smut for a Harvey/Bruce/Gilda fic, when I noticed a very timely new guest comment on my Gilda fic, Bust. It was the first truly critical response I’ve gotten so far, and while that sort of thing would normally send me into a depressive tizzy, I actually found it really interesting!

So instead of actually writing the ship, as I should have been, I wanted to take this opportunity to think about just why the heck I shipped them in the first place.

Here’s how I responded, with added scans to hopefully better illustrate my point, plus some additions that occurred to me upon drafting this post:

I’m actually glad you raised this point, because I would have felt the exact same as you just a few years ago!

I’m gray-asexual, and I used to be a bit bothered by the rise of Bruce/Harvey shippers, because it was their canonical platonic FRIENDSHIP that mattered so much to me. I gradually warmed up to the shippers, because 1.) I realized I was ace and they probably weren’t, and 2.) they at least understood the importance of Bruce and Harvey’s bond, which is more than I can say for LOTS of official DC media.

Still, something bugged me about the ship, and I realized what it was: the lack of Gilda from the equation. She’s always been deeply important to me, especially her scant older appearances, and erasing her for a Bruce/Harvey ship (even one I’d come to appreciate) didn’t sit right with me.

But like you said, it’s not canon, and I’ve always been deeply invested in canon, even the stuff that’s frustrating and contradictory. So yeah, the throuple would have bugged me too.

Except! It all depends on WHICH canon you’re talking about!

So over the past 15 years, I’ve been obsessed with tracking down the entirety of the obscure, forgotten Batman newspaper comic strip from 1989-1991. I’ve posted the entire thing at @batman-daily, and I strongly encourage you to check it out. A couple years ago, I reread it and noticed something really interesting: the remarkable relationship between Bruce, Harvey, and the latter’s wife, Alice, who is Gilda in every way but name. They are all mutual friends, with Alice even going to visit Bruce alone to help/bully him to take care of himself.

It all reads like a perfect long-game setup for a love triangle, or for Harvey—having become Two-Face—to go after his loved ones in a jealous rage, like he did in Paul Dini’s “Two-Timer,” a story which notably showed that Grace had feelings for Bruce.

With that in mind, consider the final story arc of the newspaper strip, wherein Bruce acknowledges his OWN feelings for Alice and PASSIONATELY KISSES HER, all in a hilariously roundabout way to save her marriage to Harvey! It makes sense in context and is frankly hilarious.

And it works! Because Harvey isn’t jealous! The love triangle conflict you expect NEVER HAPPENS! Because they all love one another! And that love saves Harvey in the very end!

Was it explicitly a throuple? No, but nor have Bruce and Harvey ever canonically touched dicks. And yet the love between Bruce and Harvey in canon is true and real enough that shippers who want to make it sexual are perfectly allowed to do so, because it’s the love that matters. At least, for those of us who aren’t afraid to acknowledge the love between men, platonic or otherwise. And that love is rooted in canon.

So consider this: the mutual three-way-love between Bruce, Harvey, and Alice/Gilda is ALSO canon. That comic strip has been officially accepted as DC multiverse canon in the “Crisis on Infinite Earths: Absolute Edition,” which designated it as Earth-1289.

Furthermore, there’s something else you need to consider: the fact that Harvey HAS been used in love triangles against Bruce in several stories in recent decades. I already mentioned “Two-Timer,” but there’s also Nolan’s “The Dark Knight,” the animated “Gotham By Gaslight” film, and the Telltale game. In various ways, these stories serve to throw a wedge in the friendship between Bruce (the protagonist, whose story serves him) and Harvey (the guy who is going to lose it all, the woman included). I hate that shit. I hate the contrived drama that’s meant to stir up needless added conflict between two men who love each other.

And then, on the other hand, you have Mariko Tamaki’s Gilda story from “Batman: Black and White.” Tamaki depicted Harvey and Gilda being in a distant, loveless marriage, where even on their wedding day, he was constantly ignoring her in favor of work. The only person who could actually get his attention was Bruce.

At the time, this felt an awful lot like that problem I was talking about with the Bruce/Harvey shippers: raising up the gay ship while throwing the woman under the bus. In this case, for the purpose of doing an avenging girlboss take on Gilda. I hated that too, especially when Tamaki didn’t even follow through with the gay subtext in her next, miserable Two-Face comic.

You know that meme of a bride, groom, and best man all kissing one another, while the bride flips off the cameraman in the end? @whipbogard redrew the Tamaki wedding scene as that meme, right around the time I reread the comic strip. And suddenly, everything clicked into place for me.

After a lifetime of never, ever having any serious fandom ships, I fell in love with the idea of Bruce/Harvey/Gilda. Take what the comic strip did and bring it into the mainstream canon I love to spite the canon I hate.

In those great old Gilda stories, she saw through Harvey’s bullshit and knew how to reach him, however temporarily. She could do the same with Bruce. She’d be a valuable third voice for the ongoing toxic relationship between Bruce and Harvey, the one who could love them both while also getting to be frustrated with how fucking stupid and fucked-up both these men are.

Before she was reduced to a ride-or-die killer housewife in "The Long Halloween" (which, I'll grant you, has its own appeal), classic Gilda would actually stand up to Harvey and tell him to cut out his shit or else. I love the idea that she can also see right through Bruce, understanding how very alike he and Harvey are, even if they don't want to admit it.

Writing Gilda this way speaks to me as a longtime fan of both men, while also wanting to try to develop her place, as a woman stuck in the middle of their decades' worth of conflict and angst. She sees these men at their best, worst, and most pathetic/ridiculous, and while she's got the nerve to stand up for herself and call them out as needed, she still loves them nonetheless. For me, Gilda has become the voice for fans just like me, who are helpless to stop Batman and Two-Face from continuing the cycle of violent, toxic friendship, but still loving them nonetheless, and always hoping for the best.

So, at this point, let’s say I’ve at least managed to make you grudgingly accept my reasoning for the relationship. Even if that’s true, I’m gonna guess that the mention of a threesome felt like it came out of left field. I can’t argue with that. I wanted to actually write that as its own smutfic but, being ace, I struggle with that. But I really liked the idea, and as I was writing this, it just really wanted to be mentioned, so I included it.

The response has been positive (until now), which indicated to me that I had been successful in introducing Gilda as a viable third into a slice of fandom which had only shipped Bruce and Harvey. This is fanfic, after all, such things are expected, even encouraged, so I leaned into it.

Now, if I were ever (un?)fortunate enough to write for DC, officially? I doubt I’d have the nerve to go that far. But I’d still want to at least embrace the polycule-coded relationship between those three that we saw in the newspaper comic strip. I think it adds a whole new, refreshing spin on their ongoing dynamics, while being rooted in relationships that were established all the way back in 1942 by Bill Finger.

Finger’s story, at its heart, was all about how love can save a life. How love is the only way to defeat the villain. For Harvey Kent’s part, Gilda’s love was every bit as important as Batman’s unwillingness to give up on his friend. So I’m just taking it one step further within the freedom allowed me by fanfic.

Sorry for the length of the reply, but as you can see, I only came to this shit after several decades of thinking about 80+ years of official material. I hope I have at least been able to lessen your feelings of being jarred out of a story you otherwise seemed to appreciate. For my part, I hope to further develop the potential of this fucked-up polycule in future stories, and maybe—just maybe—I’ll be able to get you on board too. Hope to see you then!

(art by ofossart)

[thatnarcissisticfeel]

"narcissists think they're better than everyone" no, no, that's not true. i don't THINK i'm better than everyone. i KNOW i'm better than everyone.