#do I have a god complex

[poorly-drawn-mdzs]

Have you seen my little lad?

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[im-really-confused121]

my job is complete when i become irrelevant

[shit-talker]

I want a Dead Boy Detectives rewrite fic, except Edwin and Charles have been dating for about 20 years, but absolutely nobody can tell, and every damn chapter they have to explain that Yes, we are dating, No, this isn't a new thing, catch up.

[queerofthedagger]

fingon, who was left behind and abandonend by just about anyone in his family at some point, who died alone because maedhros did not return to him in time either. how many times can you be second choice no matter how little it is about you and not have that fester into bitter, bitter anger. how much worse does it get, at some point, that it isn't even about you but you simply matter less than whatever else was more important just then. how long can you cling to the rationale before you always see everyone with one foot already out of the door. how long can you keep loving and loving and loving despite,until there is nothing left to give. and then keep giving anyway because, after all, you know what it's like to be abandonend

[sagelessichor]

Okay, so Apollo? We all know him, right? God of the sun, light, poetry, and one too many other fucking things? Including truth, knowledge, logic, and education?

Yeah, how are we all forgetting who the God of fucking Education and Logic is? Please, for the love of everything holy, stop characterizing Apollo as a dumb blond who can’t do shit on his own and whose only traits are pride, vanity, anger issues, and being horny because he is so much more than that and this is really getting out of hand. I’ve read too many damned fics and posts where everyone treats and characterizes Apollo as an immature teenager and I am just so fucking over it. He is such a complex character and we all really need to stop reducing him to a blond dumb-dumb.

[poisonheiress]

Someone needs to say it: The "Heaven is actually bad" plot line that Hazbin is based around is useless when you spend more then 2 minutes thinking about Vivzie's Hell and her characters.

Besides it being much too early for this idea, the revelation that Heaven or at least the beings running it aren't good people has little to no impact when the people who are being harmed by this are all horrible people. Stay with me here. None of these people are people who were unfairly brought into hell and we are never ever introduced to someone who was either. Why should we care that Heaven is "evil" and blocking redemption when all the sinners in hell we see are the worst of the worst who would have never gotten in even if it was fair.

For the "Heaven is bad" plot line to actually work, you need people who were just one sin away from Heaven, who would've gotten into Heaven if circumstance hadn't forced them down a path that stole it from them. You need characters who aren't comedic villains but land in the middle of morally grey. Those who deserved to be in Heaven but because Heaven refused to consider their circumstances, they were tossed to burn with people much worse than them. Those are the people who should be your main cast cause those are the people who would actually be impacted by Heaven being bad/ Heaven lying.

Angel dust, for all his trauma, was still part of the mafia and likely had killed people before (showing to almost take joy in it). Husk became an overlord and gambled souls, so he had to have had blood on his hands before hell. Alastor is a serial killer, and the list goes on and on. Sure, these characters are (somewhat) interesting, but they don't make for good characters to have when the key plot line is that Heaven is a scam. Even if that fact is true, none of them were ever going to get there in the first place and this is something we also se in every single background sinner shown in Hell too. They were never close to getting there, so why would they or we care that Heaven is bad when all sinners are shown to be horrific people who are at best in the dark grey area of morality.

If you look at it from the "angel's are unfairly killing sinners" route, it still doesn't work. If the angels are killing them, what makes it different then the sinner on sinner violence that hell is full off? Why is them dying by angels this bad thing when they are just as likely if not 10x times more likely to get knifed in the back by other sinners in hell the other 364 days, especially when everyone here apparently is just as horrible as the next person. You cannot condemn the angels for killing demons and then make a joke of out sinners killing each other and never show sinners who doesn't want to kill people. Life either matters or it doesn't and when the main cast doesn't even show a care for life (outside of Charlie's who's entire flaw is her naivety), why should the audience.

On top of that, Vivzie's whole overpopulation aspect and the Heaven plot line would connect better if she actually had people like those I mentioned above, people who stole to survive but got tossed out cause stealing is technically wrong, people who killed another to protect someone else but were still sent to hell because even though they saved that person's life that person wasn't supposed to be saved, people who passively engaged in sins but never really did anything harmful under them. This would add into how Hell is so overpopulated and highlight why its so important that Heaven is evil/ why Charlie's plan isn't just a naive pathetic fever dream.

In the end, Vivzie should have never made Heaven the central plot of this show nor tried to assign this blatant good vs evil to that conflict. Neither her characters nor her writing choices are able to respond to this conflict in a way that will end or even tell the story in a satisfactory manner.

[ivanttakethis]

And where THE FUCK were Y’ALL????

[critical-rolewithit]

[shiveringsoldier]

Lawrence of Arabia (1962) dir. David Lean

[k8lynjoy]

I genuinely want to know what show the people who say that Aang never respected Katara are watching. "Aang never let Katara feel anything other than what he wanted her to feel" "He idealized her" "He didn't care about her feelings" "He didn't support her the way she supported him". WHERE ARE YOU GETTING THIS FROM??? That's a rhetorical question because I already know what episodes/moments they're using to make those assertions (The Southern Raiders and the kiss in Ember Island Players), and even then, THEY'RE WRONG.

Let's start with TSR. This episode gets so misinterpreted it's not even funny. First off, Aang was never even upset with Katara in this episode, he's just warning her against killing someone??? He never gets mad at her or berates her. He just talks to her with a level head??? He openly acknowledges that he knows and understands how much rage and pain Katara is in, and he never tells her that she shouldn't feel it, he just advises her not to act rashly because of it??? Where is the lack of respect? Where is he ignoring her feelings or getting upset with her for not acting the way he wants her to? He lets her take Appa and even tells her that he understands that this is a journey she needs to take and supports her doing so, he just doesn't want her to kill someone. Honestly Aang shows more respect for Katara by knowing who she is as a person and not enabling her in her revenge than Zuko who is only going on this trip with her so that she'll forgive him, not because he actually cares that she's upset over the death of her mother (and this is not Zuko slander before people take it as such, I love Zuko, but it's not even subtext that his motivations in this episode are selfish and not about Katara).

As for the kiss in EIP, yes, it was not okay. Yes, it was a mistake. Yes, he shouldn't have done it after Katara laid a clear boundary, but he recognizes that immediately. After Katara- rightfully- gets upset with him, he gets upset with himself. We also see that he never repeats that mistake again and is fully okay with letting Katara lead after that. Which is why it's Katara who initiates the final kiss on the balcony. And if you still don't think he learned anything from it, he starts to ask for her consent in the comics before kissing her, showing that he absolutely DID grow from that mistake. So, we're really going to let one moment where a 12-year-old boy made a mistake dictate the entire show and negate everything that came before it??? That's coocoo banana's behavior.

I also think that those assertions are completely baseless because when does Aang idealize Katara? When does he hate her rage? When does he not support her? Is it when he laughed with her after she stole from pirates? Or in that same episode where he constantly reaffirms her skills as a waterbender- first by saying that he's able to pick it up so easily because she's a great teacher and then later when he refers to her as a waterbender which makes her so fucking happy? Is it when he gets so upset that Pakku refuses to teach Katara how to waterbend that he tries to walk away from his own waterbending training? Is it when he goes behind Pakku's back to teach her anyway? Or when he stands by actively cheering her on when she's raging against the patriarchy and fights Pakku? Is it when he calls her Sifu Katara because she expressed that he referred to Toph that way but not her? Is it when he helped her commit ecoterrorism and told her she was a hero for helping the people in that Fire Nation village? Is it when he holds her after she breaks down because she learned how to bloodbend? Is it when he comforts her after Jet's death? Is it... you get the point, don't you?

Aang recognizing Katara as someone who is strong and capable is not him idealizing her. Him not enabling her committing murder is not him hating when she feels rage. Aang actively supports Katara's rage on multiple occasions, he just doesn't enable her when he knows she's acting out of character. If you don't ship Kataang, that's fine, but please don't make up baseless accusations to try and tear them down just because you're mad that a ship that had no basis in canon (potential is not evidence) wasn't canon.

[thejasontoddarchives]

Gotham War is really playing out like God’s plan, ain’t it now

Task Force Z #4 (2022)

[poorly-drawn-mdzs]

Down To Fish with the boys!

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[flydinom]

He's very fun at parties..

inspired by @okultraoldmanyaoi 's (and someone else I think but I can't remember their username) take on gary's breakdowns (i cant stop thinking about that since i saw that post)

[necrotic-nephilim]

jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.

even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.

so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.

and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.

[bite-the-bloody-hand]

Setting aside the knee-jerk 'eeeeew you're in love with your cousin' reaction to Daeran's illusion in Areelu's Lab, I need to talk a second about what a profoundly telling character moment that is for both Daeran and Galfrey.

Daeran refers to Galfrey as the 'Queen of his dreams' and mentions it being twisted by demon logic when questioned. It makes sense that demons would immediately latch on to a psychosexual implication, but it's not about having a crush on her.

The desire to have Galfrey 'out of her armor' is the desire to reconnect with the last member of his family.

He mentions when you ask about his Mother that she was a 'real' mother as opposed to a 'Countess' mother, implying that she was less interested in raising him to be a Proper Noble and more interested in just being present as his only parent. This is indicated in the glimpses we see of his younger self at the party, and in his often-stated resentment towards the necessities of 'proper comportment.'

Galfrey also mentions how close she was to Silaena, referring to her as a 'real' family member, the only person she was truly close to. From the way both of them speak about her, Silaena Arendae was a central, stabilizing part of both of their lives. Galfrey also mentions what a sweet boy Daeran was as a small child, implying a much closer relationship than the current mutual polite revulsion. @thedosianexplorer surmised to me that it's likely Galfrey was once a beloved, comforting figure in young Daeran's life, and I agree. How could she be anything else to the son of someone she so loved? And how awful must it have been to both of them to have that taken away?

Losing the rest of their noble family was certainly a blow, but neither of them even mention their names. The moment Silaena died, however, that was when they were both orphaned. What makes it all the more tragic is the grief that could have brought them closer only served to completely sever their familial connection.

Galfrey has no clue about the true reason Daeran clings so desperately to enjoying life; all she knows is that he may have physically survived but the child she loved was very much dead with the rest of them - in its place an irresponsible, flippant, spoiled brat unwilling to fill the space Silaena left behind. Daeran has no way of communicating the truth to Galfrey, and acts resentfully towards who or whatever else she puts her attention towards, while flaunting his lifestyle at every opportunity.

His lifestyle, as such, is an Emperor's Wardrobe of red flags, but it's hard to see those flags through tunnel vision stained with demon blood. Neither of them are allowed to mourn, but at least Daeran can try to be happy. But as for Galfrey, thedosianexplorer put it best in this hypothetical line:

'How dare you let yourself be happy, I haven't let myself be happy since your mother died.'

The tragedy is that Daeran's need for secrecy and Galfrey's state- and self- imposed martyrdom has created an impenetrable armor between them, and I think is at the heart of the loneliness they both feel. The cruelty of that moment, where the dream of connection is twisted into a mean joke, still sits with me.

[atalienart]

Being yelled at by some clerk as if you're a twelve year old who didn't do her homework while you're a grown woman is a surreal experience.