#dj rudy

[dustedmagazine]

Dust, Volume 10, Number 12

Olivia Tremor Control

Another year of Dust goes into the books with this final edition. We’ve relished the chance to work in short form, covering small label releases and chart-toppers, new music and worthy reissues, across a lot of genres but leaning heavily on jazz, folk, punk and experimental music. We hope you’ve enjoyed it, too, Here’s to continuing that, at least, in 2025.

This month’s contributors include: Bill Meyer, Patrick Masterson, Tim Clarke, Ian Mathers, Alex Johnson, Jennifer Kelly, Jonathan Shaw, Christian Carey and Bryon Hayes. 

Abdou / Gouband / Warelis — Hammer, Roll and Leaf (Relative Pitch)

When applied to improvising musicians, residency usually refers to a sequence of gigs at the same club. This session, a first-time encounter for the trio but not for its component parts, takes another tack. The hour of music on Hammer, Roll and Leaf was tracked in alto and tenor saxophonist Sakina Abdou’s home over the course of four days, two of which were taken up with gigs elsewhere. So, we should we call it a residential residency? At any rate, one supposes that the shared time in close quarters contributed to the music’s charge. It has a feeling of excitement in becoming. They’re not just improvising; they’re figuring out who they are as a trio. Each musician brings both flexibility and a strong individual presence. Martha Warelis is as comfortable inside the piano as she is at the keys, and she uses that combination of hardware rumble and high-wire line-tracing to give the music shape, motion and space. Toma Gouband’s penchant for playing with stones and branches filters the conventional spectrum-filling function of his drum kit, and his astute placement of small sounds invites one to listen for the details. Abdou thrives in their company, find a complementary stance for whatever her fellows throw at her. Great stuff.

Bill Meyer

Barker / Parker / Irabagon — Bakunawa (Out of Our Heads)

Andrew Barker is a drummer, improviser and composer based in New York whose cv includes Gold Sparkle Band, Acid Birds and a host of endeavors that blur the line between solo and collaborative. Take this one, for example. Barker put the date together, but when you call on William Parker (heard here on bass, B flat pocket tuba, and a Catalan double reed instrument called a gralla) and Jon Irabagon (tenor and sopranino saxophone), you don’t do so in order to shove music stands under their noses. Each musician adds such personality and imagination to their parts that the shared compositional credits make perfect sense. Each of the LP’s four (five on the download) tracks explores a different tributary off the free jazz stream, pushing back the mapped zone of exploration just a bit.“Fly Anew,” for example, swings with burly muscularity, while “Morgan Avenue Second Line” fractures and scrambles said line into an expression of confrontationally dancing sound, like martial arts sparring match between three choreographers.

Bill Meyer

Batu & Nick León — Yiu EP (A Long Strange Dream)

Bristol’s Batu and Miami’s Nick León are both club vets at this point — the former via numerous late UK bass singles and ownership of both the Timedance and A Long Strange Dream imprints, the latter an adventurous remix workhorse whose 2024 highlight ended up being an Erika de Casier collaboration. Closing out the year with their first EP together, Yiu thrives on the tension between Bristolian bass weight and the lighter, faster beats of Miami’s Latin scene. The eponymous track, originally heard in León’s Dekmantel mix, is the highlight, snagging a reggaeton rhythm and marrying it to swirling, dissonant (but not unpleasant) synths. Don’t miss the bubbly “Tuvan” (yes, there is throat singing incorporated) or the dashing “Palo,” either, though. For just four tracks, a great deal of ground is covered; let’s hope this just scratches the surface of their potential together.

Patrick Masterson

“Deadly” Headley Bennett—35 Years from Alpha (On-U Sound)

If you listen to Studio One reggae, you know Headley Bennett’s playing, even if you don’t know that you know. As part of the core session crew, his spreadably rich alto saxophone is all over the label’s discography, but as a consummate sideman he managed to make it to the age of 50 without making a solo record. When he stuck around London after a tour with Prince Far I, Adrian Sherwood recognized an opportunity to right a cosmic wrong and put him in the studio with drummer Style Scott, singer Bim Sherman and a posse of creatively named On-U Sound regulars. The combination of Bennett’s fluid melodies and Sherwood’s muscularly dubby, percussion-forward production is inspired. Every boingy syndrum, ardently crooned lyric and echoing beat has a reflective surface that points attention to the saxophonist.

Bill Meyer

Blawan — BouQ EP (Temesc)

The longer South Yorkshire producer Jamie Roberts is left to his own devices, the weirder his songs get. Using his literal voice more than ever and letting in a lot more light than his typically aggro, industrial-leaning productions account for, BouQ covers considerable post-dubstep ground for him on the big room highlight “Fires” alone. Lest it be misunderstood, Blawan isn’t going James Blake singer-songwriter mode or getting confessional instead of confrontational, but the more discernibly human touches and melodies of this four-tracker are a distinctive step to the left. It suits him; more than another Persher album or even an extended hardware-only Karenn set, BouQ is the sound of an opportunity, of fresh potential from a guy who’s lived through club trends of the last decade and a half and still has something left to give.

Patrick Masterson

Bursting — Bursting EP (No Sabes)

Bursting cites Jawbox, No Knife, Drive like Jehu and Shiner as musical reference points for its debut six-song EP, but even with that and pedigrees of bands including Coliseum, Stress Positions and Thou, the thing “Trade in Time” reminded me of most immediately was early Foo Fighters. There’s a subtle multitracked quality to Kortland Chase’s higher register that recalls Dave Grohl in his first years after Nirvana and the music never feels too heavy — but far from a negative thing, this just paints Bursting as distinct from its creators’ biggest projects. There’s no question you can hear Jehu’s most driving Yank crimes on “Play It Nice,” but taken as a whole, this is a solid slab of 1990s-indebted indie-rock skirting the perimeter of knotty post-hardcore as it was then delivered. Put another way: It’s easy to imagine a 1995 where “Dark Phase Manager” is an alt-rock radio staple (complementary).

Patrick Masterson

DJ Sabrina the Teenage DJ — Sorcery (Spells on the Telly)

It’s unnerving how prolific DJ Sabrina the Teenage DJ is. The still-anonymous London producer properly broke through with the three-hour odyssey Destiny, a mind-bending 41-track melange of sunny, psychedelic, sample-heavy house the likes of which most people hadn’t heard since the Avalanches’ Since I Left You heyday. That was August 2023. Normally, you’d take a moment after that to make a victory lap, catch your breath and see where you’re at artistically, assess what you want to do next. But that’s you, a mortal; what Sabrina did instead was release two singles and three albums, one of which (Hex) has two companion albums unto itself. The latest (though only a fool would bet on it being the last) 2024 release is the 14-track Sorcery from early December, which fails to dip in the quality we’ve come to expect. Despite oft-straightforward 4/4 rhythms, the sheer density of these productions — which have to look like a nightmare in ProTools, incidentally — boggles the mind. What does her process look like? When does she sleep? How the fuck is this possible? The answer has to be right there in the title; nothing else seems plausible.

Patrick Masterson

The Green Child — Look Familiar (Hobbies Galore / Upset the Rhythm)

The self-titled 2018 debut by the duo of Mikey Young (Eddie Current Suppression Ring, Total Control) and Raven Mahon (Grass Widow) was an uncanny gem. Its deadpan space-pop felt like the soundtrack to an odd, dated nature documentary. On album three, Look Familiar, the duo are joined by Alex Macfarlane (The Stevens, Twerps) on guitars and synths, and Shaun Gionis (Boomgates) on drums. The resulting sound is much fuller and more propulsive, with a motorik bent and a twist of glam swagger. The title feels like a nod to the fact that several of the songs have elements that are reminders of a diverse range of other songs, such as Fleetwood Mac’s “Tusk” (“Easy Window”), Boards of Canada’s “A Beautiful Place Out In the Country” (“A Long Beautiful Flowing Cape”), and even Wang Chung’s “Dance Hall Days” (opener “Wow Factor”). The eclecticism in these reference points is a good indicator of this album’s tunefulness and likeability.

Tim Clarke

Haptic — Sensitive Dependence on Initial Conditions (Line)

One could accurately characterize the entire timeline of the Chicago-identified trio Haptic as a shift between the poles of outreach and interiority. Originally formed expressly to perform live, with guests, extended episodes of geographic separation brought out their latent tendencies towards audience-free interaction. The title tips the hand of this recording, which can be considered an experiential confrontation with destiny. For while the musicians added to, subtracted from, processed and otherwise manipulated sourced from a one-day session at Chicago’s Experimental Sound Studio, they kept coming back to the original sounds. Which is not to say that it sounds like what they played; rather, what you hear was fileted from the original sound capture, dredged through field recordings and room sounds, and then shaken until only a light dusting of influence remained. There are long stretches where it sounds like a rank of long electronic tones tucked behind a cloud bank of room sound, and this immateriality makes the choice to release it only as a digital download feel like an artistic choice to make format congruent with content.

Bill Meyer

Hirsch Swell Clouse Parker — Out on a Limb (Soul City Sounds)

To spell it out, that’s Steve Hirsch on drums, Steve Swell on trombone, William Parker on bass and Jim Clouse on soprano and tenor saxophones. All of them save Minneapolitan Hirsch are New Yorkers who spend a lot of time in Clouse’s Park West Studio, and there’s a rapport between them that contributes to this music’s apparent effortlessness. The horns glide and tangle, then stop and smear textures as one; the bass and drums have a leap-frogging dynamic that keeps the music moving even when one of them temporarily plunges into space and then pops back up, gleefully gravity-defiant. Soulful and free-flying, his is free jazz that inhabits the moment and makes you want to live in it too.

Bill Meyer

Hypnodrone Ensemble — The Problem Is in the Sender—Do Not Tamper With the Receiver (WV Sorcerer Productions)

About all you can count on with a release from this group led by Aidan Baker (Nadja) and Eric Quach (thisquietarmy) is that those two will play guitar, there will be at least three drummers (here Fiona McKenzie, Angela Martinez Muñoz, and Sara Neidorf), and that things are indeed going to drone hypnotically. On this outing, in addition to past contributor Gareth Sweeney returning on bass, there’s a first: vocals, by Lane Shi Otayonii (Dent, Elizabeth Colour Wheel). Otayonii’s wailing vocals are equally entranced and entrancing and fit surprisingly well with the roiling boil the rest of the Ensemble can whip up seemingly on command. The result is just as easy to get lost in as their other LPs, but in a whole new head spinning way.

Ian Mathers

Licklash — Big Smile (Roolette)

Here’s hoping you have at least 12 minutes for punk rock today. Listen just one time through Big Smile, the debut EP from Melbourne duo Licklash, and you’ll have gotten a satisfying pummel from these four furious, bouncy polemics. The pleasures of the blurted but flowing last verse of “Party Line” or the pounding, angular rhythm guitar on “Battleship,” for example, are immediate. But leave Big Smile on for another round and you’ll find a carefully constructed, complex record that, despite its four-year formation, never sounds over-thought or precious.

Big Smile was entirely and admirably produced by the band    — guitarist and vocalist Kahlia Parker and bassist Carsten Bruhn. The mix is clean and balanced and spotlights the subtleties: the crinkled buzz of Parker’s lead riff on “Battleship” or the high, bent notes that orchestrate the music into intervals of calm, of form meeting content, however briefly, on “Control.” Achievements in production noted and appreciated, you’ll keep coming back to Big Smile for the polemics and the pummeling; for Parker’s sharp, indignant delivery of the group’s frantic, funny-until-dead-serious lyrics and headlong, hard struck instrumentation that manages both hardcore intensity and a bumping groove.

Alex Johnson

Low Animal — Bedlam Hiss EP (Decapitator)

I’m not saying it’s Low Animal’s fault my tinnitus is beyond repair — you’re talking to a guy who saw My Bloody Valentine without earplugs in his younger, dumber years — but I’m also not saying they helped at a recent gig in support of Flint grunge staples Greet Death. The flamboyant Chicago quintet knows where their bread is buttered, and on recent three-tracker Bedlam Hiss, they put that noise-rock know-how to tape with a screeching, smashing, soaringly irrepressible pummel. There are a not-unnoticeable number of bands, led by Chat Pile, currently out there demonstrating what they’ve learned from The Jesus Lizard … but I can assure you that few of them match the sonic intensity of Low Animal. The EP doesn’t quite do the live experience justice, so take it from one who learned that too late: Do not leave those earplugs at home.

Patrick Masterson

Lunar Noon — A Circle’s Round (self-released)

Michelle Zheng was reading works by the Vietnamese Buddhist and peace activist Thich Nhat Hanh when she started composing A Circle’s Round, and his thinkings on action, inter-being and connection to all living things permeates the expansive contours of this art-song cycle. The sounds of nature weave through sophisticated, large ensemble arrangements. Indeed, the very first sound you hear is running water. Yet this is no meditation-inducing drone. Zheng constructs shimmering, multi-layered compositions out of choral vocals, strings, piano and other instruments, and enlivens them with constant interlocking motion. Her core band includes half a chamber quartet in violinist Brian Lach and Christopher Healy, plus drummer Théo Auclair, and she herself sings and plays piano and synths.  Some cuts like “Forgettable Consequences” swagger with jazzy urbanity. Others, such as the closer, “The Other Shore,” billow with lively voices at play. “A Circle’s Round” percolates and shivers, approaching Jon Hopkins electronic ambiences. Lovely and complicated.

Jennifer Kelly

Mahall / Stoffner / Griener — Die Exorzistin (Wide Ear)

Give this record’s sleeve a good look. The artists have gone to the trouble of packaging the CD in a 7” single sleeve, thereby guaranteeing two things; it won’t get lost in the same stack as the other slimline CD sleeves, and fading jazz-head eyesight stands a better chance of registering the details of the dense, irreverent collage on its sleeve. Neither the image nor the music it encases seeks to provide comfort. Drummer Michael Griener and clarinetist Rudi Mahall have a partnership that has endured since they were both teens, and they are as jointly fluent in mid-20th century swing as they are in elbows-out free improvisation. They zero in on the latter end of the spectrum through this album’s 17 spiky and generally pithy tracks. Mercurial and agile, they make music like a pair of swordsmen who are just itching for a chance to evade the rules and poke holes in each other’s favorite smoking jackets. Electric guitarist Florian Stoffner is equally nimble, but he brings a clanking sonic ballast to the proceedings.

Bill Meyer

Anne Malin — Strange Power! (Dear Life)

North Carolina poet and songwriter Anne Malin brings an extended ensemble to her fifth full-length, moving away from the ghostly tremors of 2020’s Waiting Song (“These songs have a fey, otherworldly quality,” said Dusted.) towards a surer, more communal sound. There’s nothing spectral about “North Carolina,” for instance. The tune pays tribute to the white sand beaches of Malin’s home state, trace-like percussion, pedal steel and piano flourishing around her warm, twining melodies, while “River” undulates with the warmth of Lily Honigberg’s violin. Still, “Lilac Bloom” is as delicate as the blossoms it celebrates, and wavery washes of surf guitar arise around its slow lament. And edging back into goth, “The Visionary” quotes a poem by Emily Brontë, Malin’s voice echoing the novelist’s 19th century, death-haunted romanticism. Strange Power! builds a narrow bridge between this world and the next.

Jennifer Kelly

Nate Mercereau — Sundays (How So)

Nate Mercereau is a guitarist, sampler and composer who has worked with a long list of high profile musicians, from pop icons like Lizzo, Shawn Mendez and Andre3000, to jazz innovators like Idris Ackamoore and Kamasi Washington. For Sundays, Mercereau pairs with avant percussionist/synthesizer whiz Carlos Niño for a set of radiant, synth-heavy dreamscapes that however somewhere between prog and fusion jazz. Mercereau infuses his music with light and air and nature. When birds twitter in the interstices of “Every Moment Is the First and Last,” and you can almost feel the sunshine pouring in. “Absolute Sensitivity” sits cross-legged in a meditation garden, letting the long tones vibrate, mutate and fade without forcing them into melody. On the downside, these cuts can feel disembodied and imaginary, an unreal landscape too pretty to buy into. However, bits of organic music—alto flights from saxophonist Josh Johnson, kit drums from Jamire Williams—provide some grounding.

Jennifer Kelly

Non Bruises — II (Just Because)

Ohioan Mike Uva returns to his electrified Non Bruises project for a second round, cutting back on the lyrics-focused song structure and zooming in on guitar tone. Thus, “Silent Partner” cuts back to the words to a recorded (and uncredited) inspirational speech, building a slow bloom of post-rock guitar and drums around it. “Moto Rick” is a sharper vamp, all driving guitar/bass/drums for a long time before picking up some thready vocals. Standout “Evelyn Martin,” credited to guitarist Andy Stibora, has a bit more of the first record’s lo-fi GBV-into-Pavement grace, but most of these cuts groove rather than hook. “Taster,” a Grandaddy cover near the end, looms and hazes and resolves, a reminder that the fuzz has to have a center somewhere. We liked the first Non Bruises a lot here at Dusted (“an album that could take its place in your small rack of favorites”) and this one a bit less.

Jennifer Kelly

The Olivia Tremor Control — “Garden of Light” / “The Same Place” (Elephant 6 Recording Co.)

Two new songs by legendary psych-pop band The Olivia Tremor Control were recently released as part of the soundtrack to the Elephant 6 Recording Co. documentary. Then, a matter of hours later, news circulated that Will Cullen Hart had died of a heart attack following a decades-long struggle with multiple sclerosis. The experience of listening to these two songs is not only colored by the news of Hart’s passing, and that of Bill Doss before him, but also the sinking realization that the long-gestating third OTC LP may never see the light of day without Hart or Doss at the helm. Having said that, the strength of the E6 musical community, so beautifully depicted in the documentary, may work miracles once the sting of Hart’s passing has begun to fade. For now, these two songs are premium, essential OTC. “Garden of Light” is classic Doss, full of bright, major-key jangle, harmonized vocals, and Beatles-esque guitar breaks, while Hart’s “The Same Place” could have come straight off the first Circulatory System LP with its mournful cellos and dreamy sway.

Tim Clarke

Ploughshare — Second Wound (I, Voidhanger)

Angular and dissonant, Canberra-based black metal band Ploughshare makes music that seems like it would be more at home in Norway or Northern France. But black metal is global, and always has been; the Scandi bands get the most buzz for breaking the form open, but Brazil and England were likely more important sites of early articulations of the genre’s visual style and unslakable need for infernal speed. Ploughshare plays a much headier, avant-garde rendition of black metal (as the band’s current label suggests), and it’s demanding stuff. This reviewer really digs “Thorns Pressed into His Head,” which achieves a propulsion that is both dementedly downhill in its abandon and deeply dizzying; there’s a churn in your gut if you really dig in and engage. On some of the longer compositions, the desire for atmospherics and rhythmic complexity can drain the music of some of its bloody-minded heat; see “The Mockery of the Demons.” Wish this talented band would devote a little more of their intensity to keeping the music grounded, where its capacity to gouge and pummel has maximum material force. But Second Wound is a mostly satisfying record. If it cuts into you once, you’ll go back.

Jonathan Shaw

Primitive Art Group — 1981-1986 (Amish)

1981-1986 by Primitive Art Group

These New Zealand improvisers used jazz instruments in their work, with some unorthodox inclusions like bass banjo, bass drum, and guitar preparations. Their two albums are collected here. Multiple reeds in tandem create howling dissonance on “Swingin’ in the Rain.” On the live track “Cecil Likes to Dance,” the group channels raucous free jazz from the United States circa 1970, with a central section that thins out to harmonics, drum rolls, and altissimo call and response, and a return to the opening demeanor. “Lannie’s Revenge” has more organized horn charts that are periodically interrupted by spacy organ and angular drumming. Solos from saxophone and organ provide an Arkestra ambience. “Macho Groove” is rife with syncopation and juxtaposes multiple saxophones playing sustained lines and emphatic short motives. 1981-1986 is an eclectic pastiche of free play that embodies the energy of New Zealand’s fertile creative music scene in the 1980s.

Christian Carey

Maeve Schallert — The Etching (cow: music/Astral Spirits)

The Etching by Maeve Schallert

Scratched into a solid but capable of suggesting all manner of active perceptions, etchings have a lot in common with LPs. The Etching may be cut into plastic (or, if you fail to find one of its 100-small micro-pressing, coded into your favorite file format), but it certainly evokes movement. It is performed by Maeve Schallert, a violinist based in Kingston NY who is too young to have known a world without delays and canny enough to spin elusive gold from the collision of architecturally and electronically generated echoes. They created each of the album’s two pieces by feeding phrases into a ten-second delay MaxMSP whilst playing in a stairwell, which generates the impression of violin strokes circling the space like a vortex of bats, then flying up and out towards every possible horizon.

Bill Meyer

Pat Thomas / Dominic Lash /Tony Orell — Bleyschool: Where? (577 Records)

BleySchool: Where by Pat Thomas and Bleyschool

Bleyschool is another in Pat Thomas’ bulging bag of musical tricks. Like Ahmed, which had a banner year in 2024, it deals with history on the English keyboardist’s terms. Accompanied by bassist Dominic Lash and drummer Tony Orell, Thomas sticks to piano and deals mainly with material associated with (but not written by) Paul Bley. The centerpiece is a 16:40 version of Carla Bley’s “Ida Lupino” that melts the original’s melody into a churning textural mass, and then slowly reassembles it. On another Carla Bley composition, “King Korn,” an iridescent bowed bass clears space for a Thomas’ leaping clusters, and “Monk’s Mood” magnifies the tune’s chasmic gaps and springy, wandering rhythms. Mid-20th century jazz often got compared to Cubism; the way that Bleyschool magnifies and distorts their material’s angles and shapes feels very true to that model without sounding like it’s of that time.

Bill Meyer

Vernal Scuzz — Vernal Scuzz (Sweet Wreath)

Vernal Scuzz by Vernal Scuzz

Jasper Lee birthed Vernal Scuzz after Silica Gel dissolved, and this new group’s debut shows off a darker and murkier side of the Sweet Wreath ecosystem. They’re collecting mutant spores from the sooty catacombs of 1980s Manchester rather than grass clippings from medieval pastures. Tight, punchy post-punk rhythms bathe in a fizzy stew of broken circuitry and rangy structures that the band intersperse with arcane rites and translucent melodies. Album opener “La Durée” fools us into thinking we’re in for turn of the millennium post-punk revivalism, but the rest of the songs are steeped in a simmering chaos akin to Liars’ They Were Wrong, So We Drowned. The odd swatch of spoken word finds Lee looking back at the folky leanings of his previous outfit, but Vernal Scuzz would rather rock out than revisit the songs of our ancestors. Their dank, punky energy certainly tingles the eardrums.

Bryon Hayes

[somewhere-in-a-microwave]

Just imagine

Just imagine an interaction between these guys...

[fragmentosdebelem]

Rude e o estoque, 1998 ~ Haroldo Baleixe

São escassos os relatos sobre Rudy Star, famoso produtor dos shows do Lapinha e ele mesmo uma das atrações da casa. Lendo os comentários em uma postagem sobre ele no Nostalgia Belém, há este pequeno relato biográfico do DJ Chocolate:

"Rudy começou sua carreira na sua cidade natal que era Salvador, o mesmo era baiano, chegou em Belém nos anos 70 e conheceu José de Alencar [dono do Lapinha], o mesmo ao ver seu trabalho o contratou ficando como diretor artístico da casa por muitos anos, todas as garotas eram escolhidas a dedo pelo Rudy, as mesmas tinham que ter um corpo perfeito, ser de maior e ter experiência em shows de strip tease. Rudy participou várias vezes no quadro de transformismo do programa do Sílvio Santos, passava meses em São Paulo se apresentando em várias casas de shows da cidade. O Alencar, o rei da noite, ficava chateado com essas viagens dele pois a alma da casa era o Rudy, os clientes perguntavam pela boneca baiana, era como o Alencar chamava ele carinhosamente. Grande profissional, uma pessoa ímpar que fazia a arte de dublar e dançar como ninguém, tenho orgulho de ter trabalhado com esse profissional por 15 anos. Ele apresentava todos os shows da casa, mas na sua ausência, dos quatro DJs da casa, era eu que apresentava por ter ainda uma boa dicção. Mas [Rudy] tinha seus defeitos como todo mundo tem. Gostava de amanhecer com os amigos e amigas em frente ao bar do Bitorro, na frente do Lapinha, quem lembra sabe. Além da bebida, infelizmente veio a maldita droga que levou o mesmo, veio a falecer. Mas isso nunca vai tirar seu brilho, seu profissionalismo e sua personalidade. Seu corpo está enterrado no cemitério Max Domini ao lado do seu patrão José de Alencar que também está descansando lá. Saudades sim, tristeza não, descanse em paz Rudy Star".

Sobre a morte de Rudy Star, Raimundo Eliezer Oliveira de Lemos, o DJ Chocolate, acrescenta:

"Estava esperando o Rudy na frente do Lapinha [do Jurunas] para irmos ao Lapinha do Outeiro com as meninas que iriam participar de alguns shows na casa, por conta das 10 da manhã o Rudy sofreu uma parada cardíaca fulminante e o mesmo veio a óbito".

Rudival Ferreira teria trabalhado por treze anos em Belém, desde que chegou à cidade em 1982, falecendo em julho de 1995. Foi dançarino, coreógrafo e produtor. A Folha de São Paulo publicou uma nota sobre o veto da Câmara de Belém a uma proposta do vereador Raul Meireles, este pretendia conceder honra ao mérito ao artista performático.

[simon-says-lots-of-things]

I'm glad you liked them ^-^

The hands gave me difficulty but they turned out good

I made a lil goober of my own SB oc and wanted to make another so I attempted to make Rudy

Enjoy :]

SCREAMING AWWWW🥺🥺😭😭😭💕

This is so precious!!!!

Tiny lil guy🥺

Lil baby

Thank you so much 😁 for drawing my silly guy

You drew them perfectly 😁

[multifandomimagin3s]

It's your birthday - 141, Los Vaqueros + König

A/N: Since it's my birthday today, thought I'd indulge myself so hope you guys enjoy :))

Summary: It's your birthday and the guys find out.

Simon "Ghost" Riley

Depends on if he's close to you or not.

Mans has the emotional range of a sock, so realistically the most you'd probably get out of him is a gruff "Happy Birthday."

And that's only if he somewhat likes you - if he doesn't then he'd probably just say "You're getting old now, cunt." *Affectionately? Who knows.*

If you were part of the Team, he'd probably take the piss out of you for it.

Would definitely be the one who would tell the waiters that it was your birthday - even if it wasn't - just to embarrass you.

Nonetheless, despite all his teasing, you came back to your room that night to find a little gift on top of your bed spread; there was no name on it, but scrawled across the tag said "Happy Birthday, (Y/N)."

It was a hunting knife with your initials carved into the base of the handle.

You never questioned it but whenever he saw you use it, a small glint briefly sparkled in his eyes.

Johnny "Soap" MacTavish

He's lowkey annoyed that you never told him when your birthday was.

Would absolutely rope you and some of the Team into going out clubbing - Ghost refused but ended up turning up anyways; "Wanted to watch you make arses of yourselves."

I can just imagine him going to the bar and coming back with a tray of shots - the people who carry and sell the shots in clubs know to carry extra because he buys them all each time.

Would honestly have spent most, if not all, of his money if it hadn't been for Price being the voice of reason.

Would also be the type that would be telling anyone and everyone that it was your birthday so you guys could get free shots.

Orders you whatever food you want on the way back home aswell - kebab? Got it. Pizza? Done. Whatever you want, he'll stumble into the shop and get it.

Your birthday would be absolutely chaotic but it would be one to remember.

Captain John Price

He knew it was your birthday, he's seen your file - the fact that you hadn't mentioned it to anyone meant that you probably had a reason not to, so he didn't say anything.

Would probably wish you a casual 'happy birthday' on a passing, in his normal formal tone.

When Soap invites all the team out on your behalf for clubbing, he's reluctant to go - claims he's "too old for that shit."

But ends up going anyways, purely because he knows that when Soap gets drunk he's a bit of a liability and can easily spend way more than he should (and honestly, same).

Would buy you a drink - whatever you wanted, alcoholic or not.

And maybe, just maybe, if he's had a bit to drink and or is in a good mood, he'd let you wear his hat. Just this once.

But then Soap tried to put it on and said he was keeping it...

So he took the hat back like >:(

Kyle "Gaz" Garrick

He also knew when your birthday was - it came up in a conversation ages ago, and he has a great memory.

Also gets roped into your birthday night out by Soap.

He'd probably get just as drunk as Johnny but he'd be taking photos and posting onto his Snapchat Story, basically vlogging the whole night.

I can also see him surprising you with a cupcake, placing a birthday candle in it with a sheepish smile.

Would also buy you drinks but unlike Soap, he wouldn't be killing his bank account - self-control and all that.

Would get the DJ to play a birthday song for you - not the traditional cheesy one, but either 'It's My Birthday' by Will.I.Am or maybe 'Birthday' by Anne-Marie.

Alejandro Vargas

"Ah, feliz cumple!" *idk if this is correct, using this article for reference*

Like Soap, he wants to go all out for your birthday - if both teams were together at the time, it'd be one big chaotic night out.

He's a big flirt, regardless of what age you are he's complimenting you nonstop.

If he and Rudy get roped into the Night Out by Soap, Rudy and Price end up having to the be the voices of reason - Soap, Gaz, and Alejandro keep ordering shots; they managed to convince you into doing that challenge of getting a drink of everything from one end of the bar to the other.

Needless to say, you're all legless by the end of the night - well, Alejandro's still vertical but his alcohol tolerance is insane.

Would definitely want to spoil you - takes you shopping and tells you to pick anything that you want, don't worry about the price.

Honestly this is making me think of what Sugar Daddy! Alejandro would be like and it's giving me ideas...

Rudy Parra

This sweet guy would absolutely go out and get you a cake, maybe a balloon, and a card.

How did he know it was your birthday? He's a good listener, you'd been talking about your life outside of the military and had flippantly mentioned when your birthday was, which he noted.

Like Alejandro, he would honestly spoil you rotten.

If you both weren't deployed, he'd plan a trip away somewhere, surprising you with the tickets.

If he gets roped into going out by Alejandro - who was roped in by Soap's enthusiasm - he's practically glued to your side for most of the night.

Takes a bunch of candid pictures of you - they're honestly really good, he should be a photographer.

He'd probably have to stop Alejandro from feeding you and the others stronger shots - the jump from sambuca to jagerbombs to tequila was not a good idea.

He'd listen to your drunk ramblings with a smile on his face, letting you feed him your pizza.

He always remembers your birthday and makes each year memorable.

König

Finds out it's your birthday when your Superiors wish you a brief 'Happy Birthday' during training.

Straight away, he feels so guilty for not knowing but you reassured him that you hadn't really told anyone so he needn't worry.

Nonetheless, he'd still try and make the most of the rest of your birthday.

He'd cook for you - a traditional meal that his Mother taught him, and she used to make it for him on his birthday.

He'd run you a bath, give you a massage, and pamper you - he'd dote on you even more than usual, if that's even possible.

If you wanted to go out and do something, he'd do it - even with his social anxiety, he wants to see you happy so he'd bite the bullet and go for it.

If you wanted to stay in for a chill night and watch a movie, he's game for that too - lets you choose whatever film you want to watch, gets all your favourite snacks and gets all the fluffy blankets and pillows he can find to make a comfy spot on the couch.

He'd also secretly set a reminder on his phone for next year, so he never forgets.

He's honestly just so sweet.

[pankowperfection]

For Rudy or Drew, you pick. You and him are best friends. He takes you to all the premiers and parties because he loves you so much and wants you to have the time of your life, but he always ends up taking someone else home afterward. One night, you decide you're sick of waiting for him to finally see you, so you decide to hook up with some random at the party. His own hookup doesn't go well (girl is too sloppy drunk or something) and he goes looking for you to go home. He finds you making out with some guy, becomes enraged and jealous, takes you home, and shows you in the most unholy way who you really belong to.

Tired of Waiting

warnings: smut, 18+, oral (fem receiving), slight choking

Another night, another party at some upscale club in downtown Los Angeles. You'd almost grown tired of this routine, Rudy inviting you to every event, even going as far as buying you outfits to wear. No matter what you did or how hard you tried to get him to see you as more than a friend or the "good time girl", he always ended up leaving with someone else. Tonight would be no different it seemed.

The laser lights bounce off of every reflective surface, almost making it hard to see as you wind your hips to the beat of the song the DJ is playing. As if your body can sense his presence, you turn around and spot the tall blonde man in the corner. Anger simmers in your system when you see a long legged brunette approaching him, quickly pulling him into a kiss while his hands slide to her ass.

You march your way over to the bar, ordering a double shot of tequila and catching the attention of an attractive stranger in the process. His eyes descend over your body, warming your skin from the inside out as his gaze lingers on your cleavage spilling from the top of your dress before sliding lower, taking his time to admire your bare legs.

"Damn sweetheart, you're this beautiful and you love tequila? Where have you been all my life?"

You laugh for the first time that night, enjoying the fact that someone can appreciate you.

"Well thank you. You look pretty hot yourself."

He's almost the opposite of Rudy. Short, brown hair. An intricate sleeve of tattoos working its way from his muscled forearm up until it disappears under his stylish button down shirt. He definitely works out, biceps threatening to rip the material to shreds if he moves the wrong way. His confidence is sexy, you can't quite put your finger on it but something about him screams dangerous and you are loving it. Your heart kicks into overdrive when he grabs your hand and pulls you onto the dance floor.

His hands make a new home on your hips, pulling your back flush against his front as you start to grind against him. His hot breath fans over your neck and tickles your ear, an involuntary shiver shooting through your body at the sensations. Without overthinking it you spin in his arms, placing your hands behind his neck and pulling him into a heated kiss.

If he was surprised he doesn't show it. One hand slides into your hair, angling your head before his tongue pushes into your mouth. The other moves to cup your ass, grabbing a handful before landing a soft spank that makes you gasp. You're so caught up in the moment you don't even notice Rudy emerging from the back hallway, the girl from earlier already forgotten as she was too drunk to even stand up.

He rudely interrupts the moment, clearly pissed about not getting a hookup tonight. "Come on y/n, time to go."

You jump at the sound of his voice, feeling guilty for a second before it disappears. "No thanks Rudy, I think I'll stay."

You give him your back, about to start kissing your new mystery man again before being pulled back by your wrist.

"I said let's go. Don't make me tell you again."

Something in his eyes tells you he isn't kidding. You mutter a quick apology to your date before being dragged out of the club, struggling to keep up with Rudy's long strides in your heels.

The ride home is deathly quiet, the tension between the two of you so thick you can taste it. When he takes a turn that leads to his place rather than yours your anxiety kicks up a notch.

"What are you doing Ru? You know this isn't the way to my apartment."

"Shut up y/n. Don't push me right now."

You've never seen him like this, eyes wild with you weren't sure what. His grip on the steering wheel tight enough to make his knuckles white. As soon as you pull up to his house he's out of the car, slamming the door behind him as you try to catch up.

"What the fuck is your problem today? You take home a different girl every time we go out and the ONE time I find a guy who is interested in me, you ruin it."

The words are barely out of your mouth before you're shoved against the front door that just shut behind you, hands easily pinned above your head with just one of his.

"You want to know what my problem is sweetheart? News flash, it's you. How can you not see that I've been trying to keep myself in control around you since the day we met?"

He cages you in, leaning his forehead against yours until he's so close that each word from his mouth brushes against your lips. The hard lines of his body somehow feel just right pressed against your soft curves, heat settling low in your belly at the feeling of his semi hard cock laying against your stomach.

"Everything about you drives me crazy. Do you know how many times I've had to take care of myself after being around you in a tiny excuse for a bikini or a super short dress? How many nights I've imagined what you taste like? How you sound when you moan? If you want me as badly as I want you?"

Pleasure replaces your initial shock, hot lust swirling through your veins as his words sink in.

"If all that is true, then what are you going to do about it? Hmm?"

You want to tease him, make him wait like he has you but the truth is you are tired of waiting, desperate to see if the rumors are true about how good he is in bed.

"I'm going to show you what you always should have known, you're mine sweetheart."

He doesn't waste anymore time, capturing you in a passionate kiss that you feel all the way to your toes. He moans at the taste of you and you take advantage, plunging your tongue into his mouth. Without breaking the kiss he easily picks you up, wrapping your legs around his torso before carrying you to the couch.

He gets your dress off in record time, hungry eyes taking in every inch of your exposed flesh. Your mouth dries when he pulls off his shirt and pants, leaving him in only his tight boxers with a very large tent in the front.

"Like what you see baby?" he taunts, pulling you back into his embrace before pushing you onto the plush cushions of the couch. The weight of his body on tops of yours feels so good, his sinful mouth making a path from your jaw down your neck, biting and sucking deep bruises into your skin.

Satisfied with his work he moves further south, eagerly licking and nibbling each of your nipples until they stiffen into hard peaks. Each flick of his tongue over your sensitive flesh sends bolts of pleasure straight to your clit, almost like an imaginary wire is connecting the two.

"God Rudy, feels so good."

You feel him smirk against your skin, your fingers winding their way into his hair while he trails kisses down your torso. You hold your breath in anticipation when he gets closer to your aching pussy, a small whine leaving your lips when he starts his torture over again, working his way from your knee up to the inside of your thigh, avoiding where you need him most.

"Such a pretty pussy," he murmurs, finally sliding two fingers through your slit, gathering wetness while he situates himself between your thighs, one leg over each of his shoulders. "Be a good girl for me and let me make you forget all about that guy at the bar."

You don't have time to respond before he's on you, tongue diving deep, teasing around your soaking hole before gliding up and over your clit. He devours you like a starved man, no inch of your sensitive flesh untouched by his skilled tongue. In no time at all you feel your high building, shameless grinding into his face while you tug harshly on his hair.

"That's it sweetheart, take what you need. You taste fucking amazing, want you to soak my face baby."

His dirty words do nothing to help the flames of desire scorching through your system. Two of his thick fingers sink into your wet heat and your back arches off the couch, loud moans echoing off the walls when he curls them just right to stroke your sweet spot.

He doubles his efforts, quickly flicking your sensitive clit up and down with his tongue while his fingers slowly pump in and out. Your orgasm hits you like a train, whole body shaking as you cum with his name spilling from your lips. He laps up every last drop of your release, your thighs trembling from the incredible pleasure before you finally push him away.

Before you can process what's happened he's all the way naked, stroking his huge cock through your wetness while his eyes stay glued to your face.

"Tell me you want this y/n. I need to hear you say it."

Your breath catches in your throat when the tip catches on your entrance, desperation taking over at just how badly you need him inside of you.

"I want you Rudy. Please fuck me."

You barely finish your sentence before he buries himself inside you to the hilt in one, hard thrust. You both are breathing heavy, a sexy groan leaving his lips at how good you feel wrapped around him.

"Shit, I'm never gonna be able to get enough. This pussy was made for me."

All you can do is nod, too drunk on the feeling of him filling you over and over to form a coherent thought. He sets a brutal rhythm, one hand wrapping around your throat while the other grips tightly on your hips, forcing you to remain in place.

Your hands circle his muscular biceps, nails leaving crescent moon indents in his skin. You start to clench around him, a second orgasm building quickly. His lips trail up your neck before melding with yours, his tongue thrusting into your mouth and making you moan.

"Come on baby, cum for me." Sweat glistens on his brow, making him look so irresistible you can't help but imagine licking every inch of his skin. The hand on your throat skates down your body to rub your clit in smooth circles, his other hand coming up to play with your nipples.

The extra stimulation is all you needed. You fall apart with a scream, clenching around him so hard he can't resist, filling you up with his warm release while continuing to give you soft thrusts. He reaches up to push your hair out of your face, leaning down to give you a sweet kiss while still buried inside of you.

"You realize there is no going back from this right? You're mine now y/n, I mean it."

You laugh, pulling his face back down to give him another slow kiss. "Of course you idiot, I've always been yours."

@adventuresinobx @starkeyobx @paradisehamilton @ailee-celeste @pankhoeforlife @outerbankspov @houseofperfecttaste @faithforgottenlxnd @maybankslover @maybanks-luver @blueicequeen19 @toystory2wasjustokay @onmykneesforrafe @penny4yourthoughts @maddie-routledge @ilovetheavenger143

[eeclare]

Bobby Burgers headcannons that I will not argue about

Teddy is autistic and that’s why he feels so attached to the Belchers and why he has literal meltdowns whenever is routine is interrupted (i.e. when the belchers close the restaurant for a day)

Marshmallow takes Gene under her wing when he gets older and introduces him to the underground music world

And as a result Gene becomes a DJ by night and works at the restaurant by day

Even as an adult Gene lives at home with Bob and Linda

AND Gene becomes a drag queen on occasion, his stage name is Misty Gish

Gene is also Gederfluid but prefers He/Him pronouns (aged up)

I get queer vibes from Louise, especially because of how enamoured she is with Nat (seeing an out and proud lesbian is probably really euphoric for her as a young closeted queer girl

Louise is a K-pop stan! Season 8 episode 2 “The Silence of the Louise” Louise is seen singing K-pop with Millie and it just makes sense for her

In addition to that, Millie is Louise’s best friend aside from Tina and Gene

Teddy and Kathleen get married and Bob is the caterer

Mr. Fishoeder takes Louise under his wing as an adult and shows her the ropes of running a successful business

And as a result Louise takes over the restaurant

Tina becomes a kind of popular novelist/ghostwriter, especially in the romance department

I know that this is cannon but Tina writes fanfiction and posts it on the internet. She becomes a popular fanfic author

Tina is a true 2015 tumblr girly

Jimmy Pesto has depression, which is why he seems so bitter and aggressive all the time

He also secretly likes when Andy and Ollie give him hugs and J-ju’s dancing too

Bob has depression too. I mean come on, you can just tell that’s basically just cannon

The belcher kids learn sign language to have secret kid meetings in front of their parents

Tina and Zeke are end game

Zeke starts working at the restaurant in the later years of high school

Tammy has a major crush on Jocelyn but doesn’t know how to express it so it comes out as passive aggression and standoffish

Gayle is probably Autistic lol but she’s actually diagnosed

Tina is a swifty I don’t make the rules

SO IS GENE SO IS GENE

Gene and Courtney figure things out and they date all through high school

They break up after graduation and Gene takes it HARD. He doesn’t date anyone else for years afterwards

Maybe they get back together a few years later maybe they don’t I don’t have my heart set on anything

Rudy asks Louise out at some point in their lives and Louise says no. They remain friends but it’s never really the same after that

Mr. Fishoeder is bi and super into dudes

Ron is gay and in love with Hugo

(Maybe Hugo kinda reciprocates)

[aconites]

hello!  i’m loving all the threads i have going on right now and i would love to add more to the mix so this is a plotting call for those who might be interested in writing with me!  if you want to do threads with someone who will literally message you at 3am with random headcanons, musings and create graphics (manips, gifs manips, crackships, etc​ )  for our characters — look no further. i also have no triggers, am sm.ut friendly and i love to do multiple plots with the same partner. bellow the cut you’ll find a list of wanted faceclaims, opposites, ships and plots that i would love to do and if anything catches your interest please give this post a like and i’ll message you. this is for mutuals & non mutuals, so feel free to like this even if we have threads/plots happening already!

faceclaims i’d love to play!

* ana de armas** * greta onieogou* * melissa barrera* * phoebe tonkin* * margot robbie* * camila queiroz* * sydney sweeney* * ayca aysin turan * hande ercel * alycia debnam-carey * zoey deutch* * simone ashley * melisa pamuk* * adria arjona * anya chalotra * olivia cooke * kristine froseth * grace van dien * grace van patten * jessica alexander* * madelyn cline* * madison bailey * priscilla quintana* * meghann fahy * benedetta porcaroli * camila morrone * riley keough * suki waterhouse* * adelaide kane* * florence pugh* * crystal reed * sophia bush * ester exposito * lily james * lily collins * gabriella wilde* * sofia carson * josephine langford * danielle rose russell * danielle campbell * abigail cowen* * halston sage * camila mendes * brianne howey * gemma chan * eiza gonzalez * lindsey morgan * zendaya * sabrina carpenter * candice swanepoel * elsa hosk * jasmine tookes * emily ratajkowski

faceclaims i’d love to play against!

* all the ladies above * pedro pascal** * ben barnes* * joseph quinn* * joe keery* *christopher briney* * henry cavill * ricky whittle * casey deidrick* * jd pardo * jamie dornan * adam demos * richard madden * sam clafflin * scott eastwood * garrett hedlund * drew starkey * clayton cardenas * jonathan bailey * jeffrey dean morgan * rudy pankow * felix mallard * dj cotrona* * charlie hunnam* * sebastian stan* * alex fitzalan * dylan o’brien* * nick robinson * manny montana  * chris evans* * harry styles * jacob elordi * boyd holbrook

some ships i’d love to do!

* any of the above fcs combined tbh. ( m/f or f/f ) * pedro pascal & ana de armas* * pedro pascal & phoebe tonkin* ( bonus points for an apocalypse plot ) * pedro pascal & alycia debnam-carey ( bonus points for an apocalypse plot ) * pedro pascal & adria arjona * pedro pascal & melisa pamuk * pedro pascal & margot robbie * ben barnes & phoebe tonkin* * ben barnes & ana de armas* * ben barnes & camila queiroz* * ben barnes & adelaide kane * ben barnes & margot robbie * ben barnes & alicia vikander * ben barnes & sydney sweeney* * christopher briney & josephine langford* * christopher briney & madelyn cline* * christopher briney & kristine froseth * christopher briney & sydney sweeney* * manny montana & camila queiroz  ( especially in a crime based plot ) * manny montana & ester exposito * manny montana & camila mendes * manny montana & eiza gonzalez * dylan o’brien & danielle rose russell * dylan o’brien & camila queiroz ( especially in a crime based plot ) * dylan o'brien & kristine froseth * dylan o'brien & alycia debnam-carey * ana de armas & margot robbie* * suki waterhouse & camila morrone* * casey deidrick & danielle campbell* * casey deidrick & priscilla quintana * casey deidrick & ana de armas * casey deidrick & phoebe tonkin* * casey deidrick & sydney sweeney* * camila mendes & jessica alexander * charlie hunnam & margot robbie * charlie hunnam & lily james * charlie hunnam & sophia bush * charlie hunnam & ana de armas * charlie hunnam & phoebe tonkin* * charlie hunnam & sydney sweeney * ben barnes & adelaide kane ( royal/bridgerton era plot )* * ben barnes & bruna marquezine  ( royal/bridgerton era plot ) * ben barnes & anya chalotra  ( royal/bridgerton era plot )* * rege jean-page  & anya taylor joy  ( royal/bridgerton era plot )* * rege jean-page  & lily james ( royal/bridgerton era plot )* * jonathan bailey & lily james  ( royal/bridgerton era plot )* * henry cavil & florence pugh ( royal/bridgerton era plot ) * * henry cavill & adelaide kane  ( royal/bridgerton era plot )* * henry cavill & lily james  ( royal/bridgerton era plot )* * daniel charman & adelaide kane  ( royal/bridgerton era plot )* * daniel sharman & jodie comer  ( royal/bridgerton era plot ) plots id love to do! * single dad/nanny plots! give me something cute and angsty. * * escort/client plot where she breaks the most important rule… don’t fall for your client* * this unhappily married dad/babysitter plot. * * grumpy ceo/soft assistant plots.* * royal plots! bridgerton esqued plots! * * f/f socialites plot… blair/selena/upper east side inspired muses but make it gay* * college professor/teacher’s assistant plot.  ( everyone 23+ tho ) * * college professor/student plot. ( everyone 23+ tho ) * * this zombie apocalypse/last of us inspired plot* but also any za plot. * celeb plots! especially this one. something like two super famous actors hiding their relationship or famous person/non famous plots?* * crimey plots? sons of anarchy inspired? or maybe m.afia/m.ob/gang stuff?* * bodyguard/client plots bc i’m a sucker for them* * soulmates plot. i have a whole lore i’ve been wanting to write out for ages so * sugar b.aby / sugar d.addy plots ( everyone 23+ tho ) *  * best friends to lovers plots ( gimme angst) CLICK HERE FOR MORE BC TUMBLR HAS A TEXT LIMIT.

[jimmy-j-james]

MASTERLIST/REQUESTS

- Second account, for rambles and headcanons, is @dj-slim-jim.

- My MasterList for all my COD works!! Only because I wanted to be more organized… You are free to request for any characters below.

- Also my request rules, which are to be followed if you plan to request anything from me.

REQUESTS: OPEN

REQUESTS RULES

- No NSFW/18+ work will be posted here

- No Feminine/Female readers (she/her/she/they), nor gender neutral readers (they/them). My focus is male readers.

- I will write angst (character death > breakups/cheating)

- I will write gore (As descriptive as wanted, with the addition of warnings)

- I will write polyamory, though I’m very picky on the relationships when it comes to such.

════════════════

DNI LIST

- DNI, feminine/female presenting (she/her)(she/they)

- DNI, blogs involving possible discriminatory terms in their bios and names. It makes me uncomfortable, and you will be blocked no matter the case.

- I’m hesitant on blogs without customization, it gives the impression they could be bots.

- DNI, antis, this is a safe place for everyone.

CAPTAIN JOHNATHON PRICE

- PARASITE (Venom!reader x Price)

- PAPA BEAR (M!reader x Price) +18

════════════════

LIEUTENANT SIMON ‘GHOST’ RILEY

- JITTERS (M!reader x Ghost)

- WHERE THE WILD THINGS GO (M!reader x Ghost)

- VENOM AU (Symbiote!reader x Ghost)

════════════════

SERGEANT JOHN ‘SOAP’ MACTAVISH

- REPLACEMENT (M!reader x Soap)

- IRREPLACEABLE (M!reader x Soap)

- VENOM AU (Symbiote!reader x Soap)

════════════════

SERGEANT KYLE ‘GAZ’ GARRICK

- KISS FOR LUCK (M!reader x Gaz)

- SMITTEN (M!reader x Gaz)

- HOUSE-HUSBAND (M!reader x Gaz)

- CAPTAIN SAVE A HOE (M!reader x Gaz)

- AMNESIA WAS HER NAME (M!reader x Gaz)

-

════════════════

SERGEANT GARY ‘ROACH’ SANDERSON

- BUG BOY (M!reader x Roach)

-

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COLONEL ALEJANDRO VARGAS

-

-

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SERGEANT MAJOR RODOLFO ‘RUDY’ PARRA

-

-

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COLONEL KÖNIG

- SWEET BOY (Werewolf!reader x König)

-

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KIM ‘HORANGI’ HONG-JIN

-

-

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VALERIA ‘EL SIN NOMBRE’ GARZA

- GUARD DOG (M!reader x Valeria) [Remastered]

-

════════════════

ALEX KELLER

-

-

[changingplumbob]

Come meet the neighbours!

Keira and Marta have moved to San Sequoia, and live in a residential rental. There are six units so I thought I would introduce who lives where. Keep in mind, the Romero household is the only one I will be actively playing. I'll reblog this when I end up playing them this rotation but wanted to share what I've been working on the past few days.

I'm only showing the living spaces for all of them but they have 1 to 3 bedrooms and 1 to 2 bathrooms.

1 Dockyard Way Units - The Hanks Unit

Dr Xander Hanks and fiance Marissa Montgomery

Guess who? I finally got around to putting Dr Hanks in the world. I gave him a fiance who is as profession focused as him. She's in the business career so will be Eliza's coworker. They are engaged but not in a rush to marry, and don't plan on kids anytime soon. Good thing to as the unit is a 1 bedroom.

2 Dockyard Way Units - The Romero Household

Keira Foster and Marta Romero

Here are my happily engaged girlies. No interior shots until their rotation though because spoilers. If you are unaware Keira is moving here to work at the Marine Life Institute as a marine biologist. Marta is a part time barista and is working on planning their wedding.

3 Dockyard Way Units - The Staples' Unit

Stefan and Margarita Staples with their twin boys Oli and Vernon

Oh look it's my For Rent testing family! I missed y'all, couldn't leave you behind! Have fun in the background my darlings. Stefan is a gym trainer while Margarita works from home as an accounting assistant. The infants are of course infants.

4 Dockyard Way Units - The Wiley Unit

Wyatt Wiley and his wife Tianna

Two sims uploaded to the gallery by SimzZilla, aged up to elders. Wyatt and Tianna have been married for so long that they don't bother wearing their rings anymore. Deciding not to have kids the couple spent their life between work and travel. Now retired they are ready to forge some connections.

5 Dockyard Way Units - The Bolton's Unit

Marjorie Bolton with her husbands Sergio and Joaquin, and their cat Ginger

Yes you did read that right, it was not a typo. These sims were part of my rotations at the start, way before I even dreamed of posting the story anywhere, but I was finding the guys careers boring so moved them to the back benches. Marjorie is a 2 star techie, in the same career path as Joey. She fell for both Joaquin and Sergio and luckily for her, the men ended up falling for each other along the way. Joaquin is a 3 star celeb DJ while Sergio is a style influencer. Ginger the cat is basically their child but with a 3 bedroom unit they're not opposed to expanding their family with either humans or more cats.

6 Dockyard Way Units - The Ali's Unit

Harper and Lawrence Ali with son Roger, daughter Paola and cats Rudy and Minnie

I had these sims for testing... well I've tested a bunch of stuff with them. The blurb below them says MagicBlueDragon but I'm looking through my library and can't see them individually. We'll just say Harper and Lawrence were originally made by MagicBlueDragon to be safe.

Haven't set up too much here but I will say Kelly will find an enemy in Roger despite him not appearing on screen for this chapter. You'll read why tomorrow, or your today depending on timezones.

[omegaremix]

Autumn 2015 Mixtape:

JK Flesh Nothing Is Free

David K. Ginn “Bad Boy”

Alan Parker & Alan Hawkshaw “Difference, The”

Ethel Beatty “It’s Your Love”

Dan Deacon “Drinking Out Of Cups”

Major Mackerel “Dutty Bungle”

Shaggs, The “Who Are Parents”

Tiger “Ram Dance Hall”

DJ Bass “Take A Lick”

…And The Native Hipsters “There’s Goes Concorde Again”

Kap Bambino “Zero Life”

Dalhous “A Communion With These People”

Cobra Killer “Mund Auf Augen Zu”

Hooded Fang “Ode To Subterrania”

Quintron “Dirtbag”

G.L.O.S.S. Girls Living Outside Society’s Shit

Sylvano Santorio “Waves”

Looper “Farfisa Song”

William Onyeabor “Better Change Your Mind”

Plaitum “Let Me Hold You”

Hasil Adkins “Ha Ha Cat Walk Baby”

Killing Joke “Euphoria”

Dreamcrusher “Suicide Deluxe”

Keith Droste “When You Come Around”

Soul Vibrations “The Dump”

Dum Dum Girls “Jail La La”

DOM “Bochicha”

Jonathan Richman & The Modern Lovers “Roadrunner”

Kissing The Pink “Big Man Restless”

Liaisons Dangereuses “Los Ninos Del Parque”

Specials, The “A Message To You Rudy”

Alan Parker & Mike Moran “Your Smile”

Phil Western “Endless”

Bug, The ft. Spaceape “At War With Time”

Ojeda Penn “Happiness Is Having You Near”

Vatican Shadow “Enter Paradise”

Bobbi Humphrey “Jealousy”

Chromatics “Just Like You” (Hazy Mountains RMX)

Bug, The “Diss Me Army”

Etant Donnes ft. Alan Vega, Lydia Lunch & Genesis P-Orridge “Brutal Piss Roads”

[stillsmine]

sniffles … since i'm trash </3 like for a wee starter from either:

montana    clarke    .    madelyn    cline    ,    ranch    hand    .   jasmine    trevino    .    madison    bailey    ,    babysitter    . vea    azan    .    carlacia    grant    ,    personal    assistant    . vanessa    arellano    .    fiona    palomo    ,    journalist    . chloé    gerber    .    madelyn    cline    ,  �� undecided    .  

van    abernach    .    drew    starkey    ,    dj/producer    . eliot    cleef    .    drew    starkey    ,    heir    . finch    burnes    .    rudy    pankow    ,    odd-jobber    .     silas    chanler    .    jonathan    daviss    ,    nepo    baby    .

[somewhere-in-a-microwave]

...

(EDIT: I've realised I've forgotten to state that this is from the IGN Guidebook's wacky description of Beat, meaning it might *not* be canon, but I still believe there is a possibility that Fukowoka does exist in the Jsr universe.)

So assuming that Beat got on a train to get to Shibuya...

WHAT THE HECK MUST HE BE DOING FOR THOSE DARN 10 HOURS AND 35 MINUTES?

Bro would have been so tired having to sit on the train for THAT LONG!

I kinda wonder about Beat and the GG's relationship w/ DJ Professor K. How did he meet Professor K.

EDIT(continued~): here's the link from the wiki, to IGN's backstory for Beat.

[dailyoyo]

ok so like i manifest theese thoughts in the form of like dj k x gouji yaoi jokes but for real gouji WANTS what dj k has so bad he practically wants to BE him i think.

though really that's just an extension i think of Wanting rudie culture all to himself. like he is not a part of it he CANNOT be a part of it because he is the enemy it is fighting against but he wants it and he does not just want to be included he wants The Whole Thing. (worlds most realistically written rich guy tbh) and like. some random pirate radio station should not be his business. but dj k is lionized among rudies he is a figurehead of this subculture and gouji WANTS that. he wants to be the dj everybody thinks is so cool. none of the other rokkaku group guys are like street themed this is JUST a him thing but he has them dedicating all their time to dealing with graffiti gangs and like putting up their own graffiti and shit.

He fucking steals the physical jet set radio station in future? You want to fuck be dj professor k so bad it makes you look stupid man

[ssj2hindudude]

The Fresh Prince of Naga-loka

Now, this is a story of someone great

Of an epic, royal, cool half-snake

And I'll dive right in

You're gonna get soaked

I'll tell you how I became the prince of the land of Naga-loka

Aiden: Rudy, what are you doing? This is so cringe!

Aru: I know right? XD Brynne, whatever you do, don't stop the beat!

*Brynne the DJ gives a thumbs up*

In the Underwater Kingdom born and raised

The Coral Garden's where I spent most of my days

Livin in luxury, swimmin in mah pool

And making mah music with mah magic jewels

When a couple of nags who just had a bad week

Started calling me a colorblind freak

I got in one little fight and my dad took a stern tone

He said, "You're movin' with your Grandpa 'til you're ready for the throne"

I begged and pleaded with him to let me stay

But mom packed my bags and sent me on my way

She gave me a kiss and then she gave me my shades

Then dad said, "You're gonna make a fine ruler someday"

Aiden: Ok, I'll admit, that part was pretty sad.

Aru: Yeah, ngl, his childhood was pretty rough for a rich kid

Meeting Gramps, yo this is bad

Burns and scars all over like a nuclear blast

Is this what the people of Naga-loka living like?

This just gave me one thought, YIKES

But wait, I hear they're judgy, snobs, all that

Is this the type of place to just give me the welcome mat?

No idea

I'll just go for broke

I hope they're prepared for the prince of Naga-loka

Aiden: I had no idea he was this scared when he first-

Aru: Shh, Wifey I think this is where we come in!

One day, in the library, I heard someone shout

There was a chick dressed like Spidey fighting gramps with a pout

I knew I just got here, but gramps was a jerk

And was that the chick who kissed a pole when I winked with a smirk?!?

I threw a bhangra rock, didn't even think

Without a clue of the adventures I was gonna head in

I even got to move in with my emo cuzzy

And now I've got a queen out here making me feel fuzzy

Aiden: Is Mini wearing a crown made of black snakes?

Nikita: They custom-ordered it. Took me forever to find enough obsidian, but it was worth it.

Aru: Shh, big finish!

I pulled up to the war with an army of snakes

And I yelled to the Sleeper, "Yo holmes, smell ya late"

Now look at my kingdom

This ain't no joke

To sit on my throne as the prince of Naga-loka

Aiden: Now we just have to wait for him to go on stage and smack someone in the face.

Aru: Only if they insult Mini first

[mechanical-magician]

Ok listen I KNOW I'm supposed to be writing the CUE.mp4 x Pluto fic but I promise I did this as an aside.

Consider this something to hold you over until I finish!

I really want to concentrate and think out the ship fic, and so I'm waiting until I get a day off to work on it. I have maybe about a third of it done?

Anyway, I wrote this short fic after seeing a conversation unfold in a BRC fan discord server hee hee. This is going to be a part of some short fics designed around DJ Cyber psychoanalyzing his fellow writers/rudies, so please enjoy chapter 1 of this. I'm going to update this fic moreso as ideas come to me, so stay tuned for that!

Thank you all for being patient with content dryness!