#divorce issue

[zaahvi]

GLORY TO THE RISEN GODS

[starheavenly]

Ratchlock/dratchet fankid stuff

[buntanteen]

cockwarming dilf!mingyu thoughts (nsfw)

summary: thoughts on reader cockwarming dilf!kim mingyu :3

contains: 18+ nsfw! mdni!!

✩ svt writing & fic rec masterlist ✩

thinking about cock warming and slow fucking dilf!mingyu

after closing the bedroom door behind him, mingyu turns to meet your gaze. the moment the two of you make eye contact, you both gravitate towards each other. the slow movements of feeling up his chest turn into rapid ones trying to undress each other.

walking backwards to mingyu bed, falling into the white sheets with him hovering about you. grazing open mouthed kisses and licks across each other's necks. nosing against each other’s skin as he slips into you. feeling so so so full as you grind down onto his pretty cock.

slow movements of mingyu's hips hitting every spot making you in absolute bliss. the pace slowing down to barely slow fucking. heavy breaths, quiet moans and slips of whimpers filling the room.

trying to keep quiet so none of his kids hear the two of you. mingyu having his arms wrapped around you and his head laying on top of your chest. you have one hand trailing down the curve of his broad back. the other hand is carding your fingers through his hair to move it away from his sweaty forehead.

the summer evening breeze cooling down your flushed skin. the sunset view illuminating his honey skin. the warmth of your and mingyu's bodies lulling the two of you to sleep.

ames note: my other mingoo writing -> bestie fwb!mingyu headcanons

author note: do not distribute my work on other platforms without my consent. if you see my writing in places other than this tumblr account, please let me know. my writings are purely fictional fantasises for fun. the people i write about are real human beings and should still be treated as such. please do not take my writings seriously or as truth.

[a-scary-lack-of-common-sense]

Mom and Dad's divorce. Neither of them wanted us.

Cardinal rule of talking to kids: if you tell them that it’s not their fault, they will think it is their fault anyways.

The twins' official lore for this AU.

Mabel and Dipper became legal "orphans" at a young age due to their parent's divorce; neither party being willing to take custody of the twins. The mother didn't want the responsibility of having children and a family anymore, and the father claimed being financially unprepared to take care of two kids.

They stayed with their only living grandparent, Sherman Pines, for a few months before he died.

Since there were no close friends or relatives who were available to take care of the two at the time, the twins were left under the jurisdiction of foster care. However eventually, after much manipulation and bribing, they were adopted by a distant "business man" who ran a big organization in a town in New Mexico: Andrew Alcatraz.

[ashpaw-is-alone]

why doesn't ashsight follow the naming scheme of their siblings? they could have been named like, kea or albatross

both of ashsight’s parents refused to name him, so lavenderstar did instead.

[kacievvbbbb]

This is so shanks coded to me. Like he just keeps losing people and he never learns how to deal with it. So much so that he becomes the abandoning parent. He literally knows nothing else all he has as a frame of reference is all the adult figures in his life leaving him and telling him it is for the best. So why exactly wouldn’t he believe that the best way to love someone is by letting go?

He does it to Luffy, he does it to Uta and in some ways he does it to Buggy and Mihawk too. Because he never just asks them to stay. He lets Buggy run out of his life even though it was pretty obvious that Buggy wanted Shanks to fight for this to take a stand a real one on a conviction for once and he…doesn’t, he just lets buggy leave.

And then he hitches his wagon to the most flighty (dude is literally a bird motif 😭) mother fucker he can find. he lets Mihawk wander in and out of his life as he pleases regardless of what is best for either of them. Because maybe Mihawk has nothing better to do 👀. Maybe he would say yes now if Shanks asks. but Shanks would rather die than ask, would cut off his other arm before he even attempted to “clip Mihawk’s wings”

And that’s like the truth of it. Shanks has been abandoned by every person that has ever loved him besides his crew and he knows they will never leave him. But Maybe he just wants someone to stay not because they call him captain.

[zondearts]

New Shizuku and Airi designs (the curse is lifted I am freeee)

[actual-changeling]

they saved the world again, they apologized, they're fine, it's all fine.

they're happy.

crowley is settling down, they both are, and aziraphale has realized there is its own special kind of joy in the affection crowley offers him now.

he brings him cups of cocoa and leaves a kiss on the crown of his head, he passes him in the kitchen and takes a second to grab his waist and press a kiss to the back of his neck. they sprawl across the couch, over each other, and crowley kisses his palm, the inside of his wrist, whatever part he can reach without spilling his wine.

aziraphale's favourite is the secret, gentle touch of lips to his temple when crowley thinks he is asleep (and it's something he does now, sleeping, with nothing to be scared of anymore and a warm body next to him).

they're happy, and he loves it, and yet he cannot help but wonder why crowley never kisses his lips, why his hands never settle anywhere close to his neck.

why he never, ever asks for anything.

"angel?"

aziraphale startles, blinking heavily as his eyes refocus on crowley.

"you're staring again. everything alright?"

he is lounging in his armchair by the window, soaking up the late-autumn sunlight streaming in. when aziraphale meets his gaze, it is almost entirely golden, his pupils thin black marks disappearing in a sea of starlight.

there's so many things aziraphale could respond to that, so much he could ask in return. are you alright? why do you never kiss me like you did back then? why do you avoid stepping on the rug above the chalk circle? why are you always looking at me like i'm about to disappear into thin air? why do you hate going to the pub now? why do you never turn the radio in the bentley on anymore?

what can i do to make you believe that i will never leave you again?

"you look pretty dozing off like that," he tells him in the end, smiling when a by now familiar gentle blush rises to his cheeks.

crowley closes his eyes again, seemingly satisfied, and tips his face back toward the sun.

"mhh, whatever you say."

swallowing a sigh, aziraphale returns to his book and wonders not for the first time if he will ever be able to fix the damage he caused.

they saved the world, they're happy, it's fine, patience is a virtue; he gives it time and prays it will be enough.

it has to be.

[neversetyoufree]

Since we'll hopefully be getting out of the VnC hiatus soon, and this new arc seems to finally be turning the spotlight back to Noé and calling out some of his more troubling traits for the first time, I've been thinking a lot about him recently.

I've talked before on this blog about Noé's inability to recognize or process bad things when they happen to him alone. He bounces back from and idealizes almost any experience as soon as it's over, even when he absolutely shouldn't. It's one of my favorite traits of his, and it's been lampshaded a couple of times in-manga. Louis calls out how weird his attitude toward his kidnapping is during the mémoire 9 flashback, and the "be a little bothered" from Vanitas and co in mémoire 57 has the same effect.

We also recently got a whole extended sequence of Vanitas and Domi complaining about how Noé also never anticipates harm before it might come to him. He waltzes into dangerous situations like it's nothing, almost as if he thinks he's unkillable. Combined with the above, this is just more of his strange brand of optimistic denial. Everything is fine in Noéland! It can't possibly not be fine! He always trusts and thinks the best of people and situations by default, never wanting to expect they may do wrong, and so long as a given event doesn't involve harm to external innocents and/or Noé's loved ones that he can't rationalize away, he compartmentalizes and denies harm once it's done. Thus he carries on in blissful ignorance, his past suffering having no effect on the blithe trust with which he treats the world.

But in addition to all that, Noé is also very notably divorced from the consequences of his own actions. It's not that he's *incapable* of considering his own effect on people, and he certainly tries to be kind and decent, but much of the time, it just doesn't seem to occur to him that people will have reactions to the things he does. He does as he sees fit, and when his deeds impact the people around him, especially if they produce a reaction that could upset him, it bounces off his mind in the same way that potential traumas do.

On the more lighthearted end of the spectrum, this leads to things like Noé never noticing when people are attracted to him. It may also have something to do with his airheaded messiness—the way he's always thoughtlessly making a mess of the hotel room and incurring Vanitas's wrath in bonus materials. On the heavier end of the spectrum, this causes a lot of genuine problems for the people around him. He's largely oblivious to the depth of Dominique's mental health problems until she's pushed to her breaking point at the amusement park, despite the fact that he's inextricably entangled in the cause of them. He also completely loses sight of Vanitas's reactions to him when he gets caught up in his protective rage at the start of the vanoé fight, and it takes an outside reminder from Jeanne and a literal mirror to make him realize that his own actions are part of why Vanitas has devolved to such a state.

This lack of self-perception on Noé's part feeds back into the other problems I laid out at the top of this post, his obliviousness toward his interactions with the rest of the world helping to facilitate his denial. It's part of the happy little insulating bubble that he interacts with the world through. And as the other side of that coin, his automatic, unthinking denial of things that could hurt him is part of what enables him to ignore his own impacts on the people around him. You can't reckon with or worry about harming other people when you live in Noéland where everything must be fine. I think the fact that he wants to be a good person that doesn't harm others actually makes it harder for him to confront the truth of how he impacts the world, because him hurting others is a Bad Thing that would cause him mental harm.

We've seen Noé mess up, understand his mistake, and apologize for it before. He apologizes to Vanitas for making assumptions about him after the bal masqué, he apologizes to Vanitas again at the end of the amusement park fight, and he apologizes to Riche for speaking with ignorance about dhampirs. However, I think the bigger a mistake of his is, the more harm it causes other people (and the more understanding would hurt him as a result), the harder it is for Noé to comprehend his wrongs. He's clearly trying to make things right with Domi, and he's told her that he values her, but I don't know if it's yet occurred to him to conceive of their mess as a situation where he's done her active wrong. He also literally passes out on her mid-conversation, leaving Domi and Vanitas to carry him back to bed when he was supposed to be comforting her.

But I think the most fascinating example, the moment where all this comes together into Noé's most feeble and blatant act of denial yet, is the first time he sees Misha after clawing up his face. The anime actually changes this detail, which is its own can of worms to get into, but in the manga, when Noé sees Misha's injuries in the light of day after attacking him, he immediately fucking turns around.

At the end of his wits at the amusement park, Noé claws a child across the face in a fit of anger and protectiveness. I'm not interested in condemning Noé for this, especially given that the child in question was actively trying to stab Vanitas at the time, but I will say that his actions are quite extreme. Given Vanitas's response and the way Misha's injuries are portrayed, I think it's clear that the manga wants us to see how Noé hurts Mikhail as something troubling and extreme. He gives that kid a pretty horrible injury, and Misha will likely have scars on his face for the rest of his life.

And regardless of how justified he may or may not have been in hurting Misha in defense of Vanitas, it's clear that Noé himself is upset by the true extent of what he does to Mikhail's face. When he looks at him in the light of day, when he sees a numb-looking child with his face wrapped in still-bloody bandages, though we only get to see a small segment of his face in that moment, he looks sick. He knows that he's done something troubling, and I'm sure he feels all kinds of heavy and unpleasant emotions.

This is one genuinely bad thing he's done that Noé cannot deny. He can't rationalize this one away and make it all copacetic. He can't conveniently forget the emotional reality of suffering and harm, because that reality is standing ten yards away from him. And he can't just apologize for things either, because apologies cannot undo physical harm, and frankly, I'm not sure he'd be able to give an honest apology for his one. Sickness at the results of his actions doesn't mean he fully regrets hurting Misha, at least not at this moment when emotions are still raw.

But Noé, confronted with this undeniable source of guilt and pain, is still ultimately unable to look the pain he's caused in the eye. A problem piercing through the happy veil of Noéland and forcing him to acknowledge it doesn't mean he's capable of reckoning with that problem. Instead he just. turns away from it.

Noé, forced to acknowledge a harm he's done and unable to employ all the many layers of automatic insulation that usually protect him, physically turns around because he cannot bear to look at the person, the child, that he's hurt. He employs the very last possible form of avoidance available to him, even though it's useless in the ways that matter. Not looking at Misha doesn't mean he gets to un-know the fact that he maimed him, but he simply cannot bring himself to look.

Noé is extremely good at playing "I do not see it" with things that hurt him. He's good enough that I think he has genuinely no idea he's doing it a vast majority of the time. Whatever mental shield he has that's protecting him is automatic enough that the badness that could hurt him doesn't ever even seem to cross his conscious mind. But no matter how automatic and subconscious, this tendency of his is still, and the end of the day, nothing more than an unhealthy coping mechanism, and this moment helps to put that to our attention.

What's the difference, really, between him cheerfully acting like Jean-Jacques and Chloé's assaults never upset him and him turning around so he doesn't have to look at the wounds he gave Mikhail? Noé can't look at pain, can't acknowledge the things he finds upsetting (at least not things that cause him alone pain, as others' pain often triggers his savior complex and spurs action). This scene with Misha throws that into the light, forcing Noé to desperately cling to his avoidance in an obvious and physical way.

Even when there's no way to deny the harsh reality of having done something he finds horrific, Noé Archiviste cannot make himself look directly at a painful truth, be it others wronging him or his own wrongdoing. It takes an external hand to step in and force him to turn his head and acknowledge/reckon with a problem. And even then, who knows if intervention can always be successful.

The start of the dham arc so far has drawn a lot of attention to this pattern of behavior, with Vanitas having to sit Noé down and explain to him in detail why his words said in well-meaning ignorance make Dante so upset. This is Noé being forced to look at a harm he caused because he couldn't or wouldn't look at and comprehend the problem (his fellow vampires' racism) in the situation he was in. But upsetting Dante is ultimately a low stakes problem for Noé. He put his foot in his mouth and offended a peer; he didn't shred Vanitas's little brother. He's able to accept his wrongs and feel his discomfort without resorting to physically turning around and avoiding the issue.

I want to know what Noé will do if/when this arc forces him to confront a source of pain he can't handle in a context that's more high stakes than a social faux pas. I want to see what he'll do when something really forces him beyond his ability to believe that everything is fine. How badly would he have to be hurt to lose his ability to filter an event/events through rose colored glasses? How badly would he have to hurt someone else? Or is his instinctive shield good enough that he'll never get out of it on his own? And if so, who else might step in to make Noé own up to reality?

Teacher and the Archivistes are becoming plot-relevant now, and our attention is being drawn to Noé's issues. I think there might be something coming soon that even Noé can't turn away from and cheerfully pretend isn't hurting him. Teacher even ends his appearance at the amusement park with a little speech about having to "wake and face reality," which makes me even more certain that a wake-up call for Noé is imminent.

Either that, or Noé's going to mess up and hurt somebody even worse than he hurt Misha later this arc, and in that case, we might get to see a feat of denial even worse than him literally turning around to avoid looking at the wounds he caused.

[hamlettheedane]

i am a firm believer that if there was ever a iwtv/hannibal crossover that hannibal would have lestat crying and whimpering on the ground in 10 minutes flat. meanwhile will graham and louis dpdl would have so much to talk about, ultimately become dawgs and be on a rowboat down on the mississip just catching crawfish in a net and bitching about the nasty bloodthirsty senior citizens they have court ordered conservatorships over

[hellspawnmotel]

Finally someone acknowledges that toriel isn't actually helping Kris and arguably making it worse by holding their hand to school despite being a teenager and distancing Kris from their father and i hope that is acknowledged

that's........ not exactly what I meant to come across lmao. it's less about either parent's direct actions hurting kris and more about them both trying their best to help but being unable to understand what kris is going through, because there's a fundamental disconnect between them.

idk why you're heaping everything on toriel either I dont think shes a perfect mom or anything and I would also love a deeper exploration of her relationship with kris but divorce just sucks for everyone involved man. not all of kris's problems are caused by her lol

[xxplastic-cubexx]

my ideal rogue & magneto dynamic is rogue and her weird slutty gay uncle that she constantly has to bail out of jail. like their relationship would have been so interesting to me if it had never been romantic

society if magneto got to be the anarchist uncle to all the x-men that they're mostly chill with until the annual dinner argument during the holidays

[matchalovertrait]

CW: Mention of divorce and parental issues

Being a sous chef is not for the weak. Caruso works tirelessly, often feeling overworked and underpaid. However, this is what he needs to do to achieve his goals. His interest in the culinary arts began in childhood, sparked by his mom's encouragement during playtime. Of course, he knew he didn't make actual edible food from crayons, but the smile on his mom's face gave him all the inspiration he needed. He would become "Chef Caruso" because of her. Over the next few years, Caruso started experimenting in the real kitchen and realized he was pretty decent at cooking. At first, it became a way to escape the heated arguments between his parents as their marriage crumbled. Cooking allowed him to block them out. Then, he remembered his mom's smile. Could food be the way to bring his parents back together? For a brief time, it seemed to work. The dinner table was a place for laughs and stories again, but it was only a temporary fix. The marriage was unsalvagable. Eventually, his parents got a divorce and his mom left Caruso with his other mom, which he refers to as "mother." It wasn't what his mom wanted, but she felt it was the best decision since his mother had more financial stability. Young Caruso was devastated. He stopped cooking and spent many days sulking and mindlessly channel surfing until he came across Diced Junior. That's it, that's the solution to everything. If he won, he could give the prize money to his mom and use the exposure from the show to kickstart his career. He got back into the kitchen and sent in applications every year, but each year he found a rejection letter in the mailbox. Disillusioned but not completely defeated, he decided he didn't need the Diced franchise in order to succeed. He could do it on his own. Now with an education from The Santoro Academy of Culinary Arts, a career as a sous chef, a growing YouTube channel, and an amazingly talented girlfriend on his side, Caruso feels unstoppable. He will become a celebrity chef and use his resources to find his mom and let her know that he holds no resentment. Plus, he'll be able to give her the life she always deserved. And if he has to be honest? He's in it for all the praise too.

Start from the beginning (Gen 2)

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[chaoticvintagelesbian]

FiddEmmaStan AU where Emma May moved to Gravity Falls around the same time Stan took Ford's identity. She divorces Fiddleford & dumps him on Stan's (newly acquired) porch. While Stan is trying to fix the portal and run the mystery shack, and a recovering Fiddleford builds lots of robots for the mystery shack & does upkeep, Emma is raising Tate & having weekly Wine Nights with Stan (she finds out the truth of him not being Ford & they kinda become best friends about it). Fiddleford & Emma May fall for Stanley separately and accidentally fall back in love with each other along the way (Stan is Tate's favourite parent during the like 3 years this takes). Emma ends up moving into the mystery shack & with no prior science knowledge takes up helping fix the portal & gives some of the tours. Stan is having huge amounts of Bi Panic cause omg he's fallen for Emma May & Fiddleford and their son now calls him Dad (Stan balled his eyes put the first time) but they seem to be working stuff out and he shouldn't get in the way of that??? Anyway Fiddleford and Emma co-seduce Stanley. It works. The relationship is surprisingly healthy. They get Poly Married (it's Gravity Falls) but it's Emma & Fidds both being married to Stanley - when Emma May is annoyed with Fiddleford she describes him as her husband-in-law.

Mabel & Dipper visit Gravity Falls for the summer and are greeted by their Grunkle Stan, Grauntie Emma May, Grunkle Fidds & Cousin Tate

[plutonicbees]

no but it's actually insane that tommy shepherd was introduced with the lore that he accidentally blew up his high school, and his first public action as Speed™️ is blowing up the UN building, and then marvel proceeded to go "so his power is just being fast, and his twin gets to fuck around with the fabric of reality, and he gets... nothing!"

[kacievvbbbb]

I think Shanks is generally comfortable to be the found one. Between the two of them and despite them both being generally nomadic and Mihawk literally having an island, Shanks is the home base he’s the constant that Mihawk seems out.

I think shanks is generally fine with letting Mihawk set the pace of their relationship. Unless they just happen to fall together on the same island (which happens a lot) Mihawk finds him when he wants/needs him and Shanks waits. Mihawk never gives him his vivre card (probably doesn’t even have one) for one and also Mihawk is just a capricious dude. His moods and whims are fickle and ever changing and he also just likes to be alone a lot of the time it’s better and leads to less volatile reactions if Mihawks’ the one doing the reaching if he has control over when his loneliness is abated. And this generally like most things especially involving Mihawk works fine for Shanks for the most part. Mihawk’s never gone too long and when he is the seas have a way of pushing them together before Shanks really starts to miss him.

And while Shanks doesn’t have Mihawks almost otherworldly innate sense of location he could definitely find him if he needed too. Follow this red string that binds them all the way back to him. (And obviously Shanks knows where kuriagina is) but aside from the occasional weekend on the island he generally doesn’t need too. Except…

I think the only day where Shanks actively seeks out Mihawk and finds him no matter whatever for it if the world he is in is the anniversary of Roger’s execution. The day where he feels most like that powerless fifteen year old boy and there’s nobody else from his past that he wants to see or wants to see him. When there isn’t enough booze in the world that will dull the sting of being left behind by everyone. When he thinks he might be consumed by his anger at it all. He crosses oceans to find Mihawk and his strange stilted, unpracticed style of comfort.