#divine perspective
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thinkingonscripture · 28 days ago
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Mastering Focus as We Walk by Faith
Living by faith is both a science and an art due to the interplay between objective truths and subjective experiences that characterize the faith journey. Faith is grounded in the objective truths of Scripture. Just as science relies on established laws and principles, living by faith involves understanding and applying biblical truths. This includes doctrines such as God’s character (i.e., He is…
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igate777 · 1 year ago
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(via SEEING AND ENTERING WHAT IS AHEAD OF YOU. PART 6)
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wardensantoineandevka · 4 months ago
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it's kind of funny that we're back at the start, as it was known from the very beginning, as the story always was, the old lore: "the Divine Gate was built in response to the destruction and suffering of the Calamity as the Prime Deities realized was far too much and, as such, they needed to also remove themselves from Exandria to protect it from the ruin that the gods dwelling here brings"
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direquail · 8 months ago
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One of the many things I find funny and irritating is the slant of a lot of interpretations of Alecto's name (that it's about feminine rage)--on this here wlw internet in the year of our lord 2024, it's easily made to figure as rage against God, or rage against patriarchy, or religious oppression, and therefore an allusion to the idea that she's going to get her vengeance on John for betraying and oppressing her somehow, but like
John is the one who named her Alecto. He's the one who named her that. So, naming her "Alecto" is alluding to the embodiment of John's rage--their rage, since they are joined inseparably (John even explicitly says that when he first perceives her: "You wouldn't stop screaming. You were so scared. You were so goddamn mad").
He says of Alecto to Harrow, "In a very real way, you are [Alecto's] children". At a very surface level, Alecto is (depending on the text or tradition), one of the Furies--famously, in several surviving Greek tragedies, who punish Orestes for the crime of killing his mother. In fact, in Aeschylus' Oresteia, they declare that they are specifically bound to avenge matricide.
So the name "Alecto" alludes to the nature of John's mission and how he sees it.
It also implies that his divine rage, the rage that gives him power, the power that makes him divine, that he either represents or wants to represent, is feminine rage. He was chosen by Earth (which, Furies are sometimes the daughters of Gaia); he is her champion, however he's managed to fuck that up. Once the truth of that comes out, it becomes clear that all of his power comes from her.
And that's why you get statements from Tamsyn Muir like:
“[T]he God of the Locked Tomb IS a man; he IS the Father and the Teacher; it’s an inherently masc role played by someone who has an uneasy relationship himself to playing a Biblical patriarch. John falls back on hierarchies and roles because they’re familiar even when he’s struggling not to. Even he identifies himself as the God who became man and the man who became God. But the divine in the Locked Tomb is essentially feminine on multiple axes – I think Nona will illuminate that a little bit more."
So yes, he plays the role of Emperor and God and Teacher, with all of the things that implies. And I don't think it should be discounted. But he also is (and partly sees himself as) the chosen champion of a goddess, or what is for all intents & purposes for a human like him a goddess. He is her avenger, and while she sleeps, her avatar.
And I don't think we're meant to read him purely as a parasite who's taking advantage of her to gain power for himself, either. Or an oppressive, Kronos-like figure. Especially if you consider Palamedes' theory of the Grand Lysis, even if he was purely motivated by desire for power before (which I really doubt), there are parts of each in the other, now. What was clear and separate before is uncertain and interpenetrated. Is his rage his own, or hers? Is his mission of revenge his, or hers? If he wants power, is that his own selfishness, or her desire to survive?
And does it matter?
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rnelodyy · 2 months ago
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guys please im literally begging yall to understand that "the gods should have interfered when i was a hurt and scared little kid begging them for help" and "the gods shouldnt be forcing themselves onto mortals by way of colonial incursion" are not contradictory statements. ashton's perspective is flawed and biased due to their own experiences sure but its not hypocritical.
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lotus-pear · 10 months ago
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i love causing discourse so i want EVERYONE who sees this to comment which bsd character has the best character design and WHY. i want to see some analysis in the tags or simply why u think ur blorbo is on top in terms of fashion taste
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eliseliedl · 5 months ago
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3rd run party! (Fane, The Red Prince, Ifan Ben Mezd and Lohse) Divinity Original Sin II 32 / ?
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witch--tips · 10 months ago
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you NEVER need to wait “until you have the money” to start practicing witchcraft. you do not need ANY money for witchcraft. you can have all the money in the world and practice witchcraft every single day without spending a single cent on it. everything you need you already have, inside of you and around you as well.
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crownedinmarigolds · 2 months ago
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Sometimes a take about a character is so bad and so widely accepted by the fandom at large... it drives you crazy sometimes...
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dottyistired · 6 months ago
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i don't think you can criticize aa6's colonialism in good faith if you haven't. played or watched the game yourself
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thinkingonscripture · 1 year ago
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The Cross & Crucifixion of Jesus
The cross overshadowed the life of Jesus, and He knew dying for lost sinners was the ultimate purpose of the Father. When facing the cross, Jesus said, “Now My soul has become troubled; and what shall I say, ‘Father, save Me from this hour ‘? But for this purpose I came to this hour” (John 12:27). For lost sinners, the cross of Christ is both personal and purposeful. It is personal, because…
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maliro-t · 4 months ago
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just going on the record that the last scene with pelor and asmodeus last night where ayden finally drops away into his divine form is like. top 10 scenes in any actual play show ever for me. whew
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gingermintpepper · 4 days ago
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I don't want to bother you while you're in your art challenge, take your time to answer! I just loved your analysis and opinion of Branchus, and i saw in the post you said we could ask you for others Apollo's lovers... I want to know (they're not lovers, they're grandfather and grandmother lol, but i would like to see your thoughts) of Koios and Phoebe 👀 Not in relationship with Apollo, just your opinion of them...
We don't know so much about Koios, we know a bit more about Phoebe because of her tie to Delphi and the Oracle.
Oh, how sweet! Thank you so much for the consideration and hey, no worries at all on asking about his grandparents rather than a lover, I'm always ready to ramble about Apollo's genealogical line since I find it extremely interesting!
Since information on a lot of the older Titans in terms of how they were worshipped and seen is scarce (Phoebe does have mentions in her mantic right but very little is mentioned in reference to Koios or her daughters apart from establishing genealogy and Koios himself seems to have been more of an abstract establishment, the way a lot of Hesiod's old gods were) I won't go out of my way to quote or base my opinions here in any literature that I've been exposed to, so just keep in mind that what I'm going to say is very much my own opinions mixed with things I understand and very influenced by my own love of familial and romantic parallels in god-pairs being symbolic of various natural and abstract relationships!
I see Koios and Phoebe, like a lot of the older Titan pairs, as abstractions of the original pair of Gaia and Uranus. Power often originates with and is exerted by women in these older pairs while glory is what is passed on, and consequently fought over, by the men - in Gaia and Uranus' case, it is Gaia who is older and it is from Gaia that Uranus is born. Uranus is her match but is also her subservient and so when Uranus is unable to love his children and seeks their destruction, it's Gaia who bestows the power and means by which to silence him. This 'equal but subservient' dynamic is definitely alive and well with Koios and Phoebe and I even think they mirror their parents from a symbolic standpoint as well.
Koios and Phoebe are the knowledge duo. They represent the two sources of knowledge/wisdom in the old world - that of heavenly (male) knowledge which pertains to the nature of the physical world and its realities and earthly (female) knowledge which pertains to the nature of intangible and unobservable reality such as time and space. I like having them mirror each other; what with them both being associated with their respective world axes (Koios as the heavenly axis if you syncretise him with the Roman Polos, Phoebe as the earthly axis if you take Delphi as the centerpoint of the world), having serpent symbolism (Koios with the hundred-headed star-serpent Drakon who guards the Hesperides which is sometimes said to be located in the land of the Hyperboreans and Phoebe with Python who guards the fount of knowledge at Delphi) and splitting their essence equally across their descendants (Their children and grandchildren perfectly embody one half of their partnership - Asteria with her heavenly magic and night-prophecies and Leto with her earthly power and wisdom and their grandchildren following likewise; Hecate who works beneath her grandfather's skies and has her grandmother's wisdom but who has chosen to reside neither in the sky nor on the earth, Artemis who could not be more of a daughter of the soil and Apollo who has his place among the brightest of stars).
It all leads back to that really fun dichotomy of equal but subservient honestly! Knowledge (and wisdom/intelligence) in general in Greek myths are female in nature so already that kind of puts Koios in an interesting position as a direct male descendent of Gaia and Uranus who didn't represent some physical, tangible element (in contrast his brothers all had some level of physicality to them - Oceanus the oceans, Cronus the harvest, Crius the winds, Hyperion the light, so on and so forth) but there's also that element of Koios' glory also being female! After all, his only male descendent is two generations removed and what should be his seat of power - Hyperborea - became Leto's the moment she was born there.
In this way, I admittedly find that a lot of comfort in Koios and Phoebe's partnership. There's a lot of respect both ways between them with Koios' respect and regard of Phoebe reminding me a lot of Uranus' original adoration of Gaia (and his return to said quiet, constant adoration after his castration) while Phoebe's overseeing of her mantle being very reminiscent of Gaia's own kingmaking both for Cronus and later for Zeus. For me, theirs is a pair without ego. A lot of the friction and instability in the younger generation of gods comes from the battle between intelligence and power - toes are constantly stepped on, glory is constantly being sought and the efforts made to counteract these moves results in conflict. Koios and Phoebe seem to have it all figured out by comparison. They've both handily passed their mantles down to their children, they've both overseen and instructed them and can rest easy knowing that they will not misuse said mantles and they've both just kind of retired now, content to spend their time in the evergreen Hyperborea, wrapped up in each other's arms like their father and mother before them and like, honestly? Good for them.
#ginger rambles#ginger chats about greek myths#pursuing daybreak posting#This was a lot of fun to put into words ngl!#I really love thinking about Koios and Phoebe because I genuinely just imagine that they're stupidly powerful#stupidly in love old people who are just living out their days peacefully after millenia of nonsense#It helps that their grandchildren genuinely have shit so under control all the time - they legit never have to step in or squabble over#politics or power. Like grandma and grandpabbie are straight vibing and you love to see it#Considering Drakon and Python - I also really like paralleling them as implements of Koios and Phoebe#Because Apollo slays Python and in doing so transitions from child to man as he claims his birthright while Heracles#slays Drakon for the golden apples as the last step before his metaphorical apotheosis; his trip into death and his glorious return#No I will never stop talking about Apollo and Heracles as a sibling and divine pair you can't stop me#But yeah no - Koios and Phoebe are super cool I love them a lot and I genuinely think the femininity of the mantic line is something#worth exploring not just from an academic perspective but from a literary perspective because female power in Greek myths is extremely#and distressingly underrated like it's actually crazy. Apollo's whole family line is nothing but powerful ass women#Anyway I'm not gonna get onto that soapbox here but just think about it#Hope you enjoyed reading this anon <33#Coeus#Phoebe#Apollo#Artemis#Leto#Asteria#greek mythology
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fobosfear · 1 year ago
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Moment from "The Silence and the Storm" by @ghostinthegallery
I really love this fanfic, everyone should read it!
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Version without all those pretentious cinematic filters lmao.
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uncanny-tranny · 1 year ago
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Honestly, attachment to sex rather than gender as a social construction won't create a utopia without the subjugation of one's presentation, background, or experience from existing. Recognizing that sex and gender are both socially constructed and while they sometimes inform one another, they won't always, and that trans people absolutely can attest to this and are integral to making change for a better world are insurmountably important. If your desire for a "better world" coincidentally doesn't include us, what you desire isn't a better world where people are free - it is subjugation by a different name.
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strawberrytallcakee · 2 months ago
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sometimes I feel like a lily blooming in the meadows soft mornings, when the sun is just about to rise. other times when the full moon is high and shines bright; I bloom again, alone in the heaviness of the night.
an escapable love I have for the ability to balance in my soul, both darkness & light.
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