#divine command theory

[religion-is-a-mental-illness]

"Is the pious loved by the gods because it is pious, or is it pious because it is loved by the gods?" -- Euthyphro dilemma

The typical way theists attempt to rationalize this problem away is to claim that the divine will and wisdom of a god cannot be reduced down to mere human reasoning and logic. This, of course, means they can't claim that it is good or that what it wants can be known, much less that they do know what it wants.

[omegaphilosophia]

The Philosophy of Metaethics

Metaethics is a branch of philosophy that investigates the foundations, nature, and meaning of ethical concepts, judgments, and language. Unlike normative ethics, which focuses on what is morally right or wrong, and applied ethics, which applies ethical theories to specific situations, metaethics asks deeper, more abstract questions about the nature of morality itself. It explores the origins and meaning of ethical principles, the nature of moral facts, and the relationship between ethical language and the world.

Core Questions in Metaethics

What is the Nature of Moral Judgments?

Metaethics seeks to understand whether moral judgments are expressions of objective truths or merely subjective opinions. This question leads to the debate between moral realism, which posits that moral facts exist independently of human beliefs, and moral anti-realism, which denies the existence of objective moral facts.

Are Moral Values Objective or Subjective?

One of the central questions in metaethics is whether moral values are objective (existing independently of our thoughts and feelings) or subjective (dependent on individual or cultural perspectives). This debate touches on the nature of moral truth and whether it is universal or varies across different contexts.

What Do Ethical Terms Mean?

Metaethics explores the meaning of ethical language. Are terms like "good," "bad," "right," and "wrong" used to describe objective properties, or do they merely express emotions or commands? This question is central to the debate between cognitivism (the view that moral statements express beliefs that can be true or false) and non-cognitivism (the view that moral statements do not express truth-apt beliefs but rather emotions, prescriptions, or commands).

What is the Source of Moral Obligations?

Metaethics examines where moral obligations come from. Are they grounded in divine command, human reason, societal conventions, or individual preferences? This question relates to theories such as divine command theory, moral constructivism, and moral relativism.

How Do We Know Moral Truths?

Another key concern in metaethics is the epistemology of moral knowledge. How, if at all, can we know moral truths? Can moral knowledge be attained through reason, experience, intuition, or some other means? This question explores the connection between moral beliefs and other types of knowledge.

Key Theories in Metaethics

Moral Realism:

Moral realism asserts that there are objective moral facts that exist independently of our beliefs or perceptions. Realists argue that moral statements can be true or false based on these facts. Prominent moral realists include philosophers like G.E. Moore and David Brink.

Moral Anti-Realism:

Moral anti-realism denies the existence of objective moral facts. This category includes several different theories:

Moral Relativism: The view that moral truths are relative to cultures or individuals.

Emotivism: The theory that moral statements express emotional reactions and do not refer to objective facts.

Error Theory: The belief that while moral language attempts to describe objective facts, all such statements are false because no such facts exist.

Cognitivism vs. Non-Cognitivism:

Cognitivism holds that moral statements are capable of being true or false because they express beliefs about the world.

Non-Cognitivism asserts that moral statements do not express beliefs but rather emotional attitudes or prescriptions, thus they cannot be true or false.

Moral Constructivism:

Moral constructivism is the view that moral truths are constructed by procedures or practices, often within a rational or societal framework. It suggests that moral facts are not discovered but created through rational deliberation or social agreements.

Divine Command Theory:

This theory posits that moral obligations are derived from the commands of a divine being. It suggests that what is morally right or wrong is determined by God's will, making moral truth dependent on divine authority.

Moral Relativism:

Moral relativism holds that moral judgments and values are not absolute but vary depending on cultural, societal, or individual perspectives. It challenges the notion of universal moral truths and emphasizes the diversity of moral practices across different contexts.

Moral Subjectivism:

Moral subjectivism claims that moral judgments are based on individual feelings, preferences, or attitudes, making them inherently subjective. According to this view, there are no objective moral truths, only personal or societal opinions.

Importance of Metaethics

Metaethics plays a crucial role in shaping our understanding of morality. By examining the foundations of ethical thought, it helps clarify what we mean when we talk about right and wrong, good and bad. Metaethics also influences how we approach moral disagreements, ethical decision-making, and the justification of moral beliefs. It provides the tools to critically analyze the assumptions underlying various ethical theories and practices, leading to a deeper and more nuanced understanding of morality.

The philosophy of metaethics is essential for anyone interested in the deeper questions surrounding morality. It goes beyond asking what we should do and instead investigates what it means to say that something is right or wrong in the first place. By exploring the nature of moral judgments, the objectivity of moral values, and the meaning of ethical language, metaethics provides a foundation for all other ethical inquiry.

[kirbarts]

don’t have the sunny side to face this…

(read @divinecommandtheory )

[vampsbian]

VINCENT OF DCT FAME @zitboy

[devdozes]

Love me like a sailor

im sorry it was a long time anwyyas hope u like the fic ! horror, dark romance ig?, lowkey YANDERE some spoilers on 3.2 quest, and just silliness

The scent of laurel smoke curled through the air, laced with something older, bitter—like burnt parchment and hubris. You stood beneath the Sacred Tree, where philosophers carved truth into bark and left their minds to rot with honor. They called this place holy.

You called it absurd.

“Found something funny?”

His voice was a low purr, golden in timbre, venomous in rhythm. Anaxagoras—Anaxa, as he insisted you call him when no one else could hear—emerged from the columns like a specter from forgotten scripture. His robes shimmered like oil on water, reflecting knowledge too painful to bear. Eye the color of the sweet magenta-cyan ombre.

You didn’t look away.

“Only the idea that anyone here thinks they know anything at all.”

That smile. That cursed smile. He hated it. He loved it.

“Blasphemy,” he whispered, delighted. “You’ll fit right in.”

♥ ♥ ♥ ♥ ♥

The Nousporists had no scriptures, no prayers, only questions so sharp they left the mind bleeding. Anaxa led them like a messiah of madness, burning every ideal of truth to rebuild his own version—twisted and elegant, cruel and beautiful.

You should have left the Grove.

Instead, you debated him.

And that’s when the trouble began.

Because when you said, “You’re wrong,” with a laugh in your voice and not a shred of fear in your eyes, he felt something break. And Anaxa did not break.

So he followed you. He read your discarded notes. Memorized your arguments. Stole the scent of your skin from the folds of your coat when you left it unattended. Rewrote his entire doctrine to include you as a conceptual axis without you noticing.

He never touched you.

He never dared.

But every night, in the sanctum where thoughts became flame and philosophies were branded into flesh, he dreamed of flaying the world open and handing you its still-beating heart.

“You don’t get tired of chasing your own logic circles?” you asked once, after a particularly vicious debate.

Anaxa looked you dead in the eye slowly, as though the sight of your breath misting in the cold air was sacred.

“I only walk in circles because you are the center.”

You laughed.

He didn’t.

The Nousporists were not a school. They were a fever. An idea that spread like mold under gilded thought. Founded by Anaxa, born from his desire to prove that even divinity could fracture under scrutiny. To challenge the Coreflame of Reason was to challenge god itself—and so he did.

But what the others never understood was this:

The Nousporists were built for you.

His "heresies"? All mimics of your questions.

Does truth decay the longer we observe it? Is prophecy a mirror, or a command? Can love exist without misinterpretation?

You were not a lover. Not yet.

You were a problem.

Anaxa studied you like a puzzle made of void and starlight. Every time you opened your mouth, it wasn’t words—it was scripture only he could hear.

Subject Log, Entry 12 I accused her of solipsism. She laughed. She asked if I dream in color. I lied and said yes. (Note: I need to know what she dreams. Perhaps she dreams me.)

♥ ♥ ♥ ♥ ♥

The deeper your research delved into the Chrysos Lineage, the less you slept. The more Anaxa watched you not as a peer, but as a phenomenon.

Your desk was a chaos of forbidden manuscripts, old glyphs glowing faintly, and diagrams of neural decay. At the center was your theory: The chrysosis was not divine punishment, but cognitive overload—a truth so absolute the brain set itself aflame to escape it.

Anaxa began sleeping in your study. He said it was to "supervise your deductions."

He never slept.

One night, while researching on Tribios as per Anaxa's request, you fell asleep with your cheek pressed to your notes. When you stirred, hours later, Anaxa was still at your side, chin resting on his folded arms beside you. His eyes were closed. Not asleep. Just...waiting.

He whispered, "I tried to dream about you. But I couldn’t replicate you. Not even in sleep."

Your breath caught. You wanted to mock him, to defuse it—but the way he looked at you made your heart crack sideways. Like you were his last theorem. Like he would kill every scholar in the Grove if it meant you’d say his name just once with awe.

And perhaps you did. Quietly.

"Anaxa." Holy fucking shit, he felt his undead heart burst up with blood

♥ ♥ ♥ ♥ ♥

The Chrysos Heirs—beings of legend, said to carry the golden blood of the gods—were central figures in Amphorean history. Aglaea, the Goldweaver, stood as the acting leader of the Heirs, her divine authority inherited from the Titan Mnestia. Phainon, the Nameless King was undergoing the trial of the Coreflame. Hyacine, the enigmatic priest, was whispered to possess the ability to mend the celestial realm and to bear the fate of Aquila. Mydei, the Undying, bore a curse that rendered him immortal, a testament to his harrowing past. Cipher, the Fleet-footed, was a shadow that danced on the fringes of time, her allegiance and motives obscured, She was the demi-god of Zagreus.​

Together, you and Anaxa embarked on a clandestine journey to dissect the essence of these figures. Nights were spent poring over ancient manuscripts, deciphering prophecies, and constructing theories that bordered on heresy.

The question that haunted your research was profound: What was the true nature of the Coreflames, and why were these individuals deemed worthy of their inheritance?

"The Titans,"

Anaxa mused one evening, fingers tracing the faded ink of a forbidden text, "were said to have crafted the very fabric of our existence. Their Coreflames are not mere symbols of power; they are fragments of creation itself."

You nodded, the gravity of his words sinking in. "And the Chrysos Heirs are the vessels chosen to wield these fragments. But by whom? And to what end?"

Anaxa's eyes gleamed with a mixture of excitement and something deeper, more insidious.

"That, my dear, is the crux of our inquiry."

♥ ♥ ♥ ♥ ♥

Your research led you to the origins of the Titans themselves—beings born from the Coreflames, each embodying fundamental aspects of existence. Kephale, the Worldbearing Titan, had sacrificed their Coreflame to ignite the Dawn Device, creating a sanctuary amidst the chaos wrought by the Black Tide. This act of selflessness set the stage for the rise of the Chrysos Heirs.

"The Black Tide," Anaxa pondered aloud, "was the catalyst that plunged the Titans into madness. But what if it was more than a mere calamity? What if it was a deliberate act to dismantle the old order?

The notion was radical, yet it aligned with the patterns you had begun to discern. "And the Chrysos Heirs are the instruments to establish a new order—a cycle perpetuated by the acquisition of Coreflames." Anaxa's expression darkened, a shadow crossing his features.

"A cycle that demands scrutiny. For if we are to break free from the chains of predestination, we must first understand the forge in which they were crafted."

"So, in simple words, The current chrysos heirs who bear the coreflame of the deceased titans, will bear the misfortune of becoming the titan in the next cycle..?" You questioned as your eyes widened to meet his magenta-cyan eyes this time driven with something which not even you knew.

"Correct." He said as his grin widened.

You glanced up to find him sitting unnervingly still, the ink quill idle in his hand. His eyes were on you—but not in the way a scholar looked at a peer.

His gaze had slipped. Dropped. Traced the curve of your jaw, the line of your lips. He wasn’t hearing your words anymore. His lips parted as if something sat behind them—some urge, some truth trying to claw its way out.

Your throat felt dry.

“...Anaxa?”

He didn’t look away. His stare stayed heavy. Dark. Hungry in a way he’d never let surface before.You shifted in your seat, your heart thudding once in your chest, louder than it should’ve.

“Why are you looking at me like that?”

He blinked once. Slowly. And smiled with an unsettling softness, like he was indulging in something he wasn’t supposed to. “Forgive me. You said something… that caught my attention.”

“Something about the Heirs?”His eyes flicked back up to yours. “Something far more dangerous. Your breath hitched. The tension in the room was suffocating now—thick, aching.

You couldn’t explain why your pulse was racing, or why you suddenly felt like you were being studied not as a colleague, but as a mystery he was desperate to unravel.

You looked back down at your scroll, trying to focus.

“W-We should finish transcribing this section before—”

His voice was lower now. “You have no idea what you’re doing to me.”

You froze. Slowly looked back up.

Anaxa’s smile had vanished. His fingers were curled around the edge of the table, knuckles white. His pupils dilated. The madness in his gaze shimmered like oil beneath a calm sea.

“Every night I leave this chamber and I think I’ve regained my composure. And then I see you again and I—” He stopped himself, biting down on the inside of his cheek. “...This is not what I intended. I wanted truth. I wanted the the true reason of all of us, the Titans’ legacy. But now I find myself… wanting something I was not supposed to want.”

You stared. Unable to speak.

“And it infuriates me,” he said, so quietly you almost didn’t hear it. “Because it makes me weak. You make me weak.” The words hit you harder than they should’ve.

You felt hot. Flushed. You didn’t know what you were supposed to say. Was he confessing? Was he unraveling?

“Anaxa…” you started, voice shaky, unsure if it was warning or invitation. He leaned forward, slow, calculated—like a predator who didn’t want to scare its prey, but couldn’t help indulging in the thrill of it. His hand stopped just beside yours, close enough to feel the heat of his skin.

But he didn’t touch you.

He wouldn’t. Not yet.

“I won’t do anything you don’t want,” he whispered, voice dangerously soft. “But you should know this: the more we uncover, the more I realize the truth of this world is nothing compared to the truth I’ve found in you.” He said as he forcefully moves back away from you, in fear and something else

You held his gaze. Breath shallow.

The silence between you and Anaxa stretched taut—thick like honey, cloying like fate. He hadn’t moved since the moment he confessed those words.

The fire in his voice still clung to the air like smoke, and yet something in his expression had begun to flicker—falter.

His lashes lowered, eyes narrowing not with menace now, but something disturbingly fragile. Doubt. As if he expected your silence to become a knife. “I shouldn’t have said that,” he muttered suddenly, voice cracking at the edges.

“You’ll leave. You’ll run. Like all the others who called me cursed. Mad. A blasphemer…” You stood. Slowly. He didn’t flinch, but his jaw locked tight. He expected distance. Recoil. Rejection. A scholar might call it logical consequence—he called it inevitability. But you didn’t move away.

You stepped closer. He blinked, confusion warping into something far more desperate as he rose slightly tumbling backwards. “What are you—?”

You were close enough now to see the cracks in him. Not physical—no. His composure. That perfectly constructed mask he wore around the others, around even you, was splintering right at the edges.

You could see it in the twitch of his mouth. The unsteady breath.

The trembling in his fingers as he kept them clenched at his sides, refusing to reach for you. Because he didn’t dare. Because he feared touching you would shatter the only sacred thing left in his world.

You leaned forward. Brief. Barely a heartbeat’s worth of contact. Your lips brushed his. A breath. A flicker of softness. A question without words.Then you pulled back, just as fast.

Your heart thundered, panic laced in your movements as you turned to go, your voice stumbling out—“Forget that happened, we have research to—”

But you didn’t get far.

His hand was on your waist.

Gripping.

Firm.

Not rough.

Not yet. But trembling with restraint.Then he pulled you back, and suddenly he was burying his face into the crook of your neck like a man starved.

Like something had finally broken loose in him—unleashed, unstopped, unholy. You gasped softly as you felt his breath ghost across your skin.His voice was low, unsteady, wrecked.

“Why… would you do that to me?” His other hand found your back, clutching it like he was trying to make sure you were real.

Like you’d slip through his fingers otherwise.His grip tightened. And behind his calm whispering, behind the warm pressure of his body pressed into yours, his thoughts spiraled like wildfire—

She’s mine. She’s real. She kissed me. Me. Not them. Not the sages, not the heirs. Me. She chose me. She cannot leave. She cannot see the others. She cannot be claimed by anyone else. I will burn the world if it touches her. I will gut the sky itself if it looks at her wrong.

His eyes—glowing now, iridescent with the light of something not entirely sane—flickered open against your skin. He pressed his lips to your throat. Not a kiss. A mark. A claim without blood.

“You don’t know,” he whispered, trembling. “You don’t know what you’ve done to me.”

You didn’t know. But maybe… maybe you wanted to. Because you didn’t push him away .And that was enough to damn him.

Woah sorry if it's ooc and bad, I've lost my writing skills 😞

[jadeshifting]

— A GUIDE TO CLASSES AT EVER AFTER HIGH.

MYTHOLOGY. taught by Mrs. Psyche

this class delves into the legendary tales and divine histories of various magical realms, exploring the origins, powers, and legacies of gods, mythical creatures, and legendary heroes. Mrs. Psyche, an expert in ancient lore and celestial wisdom, guides students through epic sagas, divine rivalries, and the cultural significance of myths across Ever After. expect interactive lessons, dramatic reenactments, and the occasional visit from an actual deity if you’re lucky—or very unlucky

HOMEWORK. expect essays on the morals and hidden meanings in classic myths, plus creative assignments like rewriting a legend with a modern twist PLEASE THE PROFESSOR. show curiosity about myths from all cultures and always be respectful of love deities—Mrs. Psyche takes their stories very seriously AVOID MISHAPS. don’t mix up gods from different pantheons in your presentations—calling Zeus “a Norse deity” is a one-way ticket to an exasperated sigh

KINGDOM MANAGEMENT. taught by Mrs. Her Majesty, the White Queen

future rulers, nobles, and aspiring leaders learn the ins and outs of running a kingdom, from diplomacy and lawmaking to organizing grand balls and handling royal scandals. the White Queen, known for her composed yet commanding leadership, teaches strategy, ethics, and governance through real-world scenarios, often incorporating Wonderlandian logic puzzles to test students’ problem-solving skills under pressure

HOMEWORK. drafting decrees, designing economic policies, and writing conflict resolution strategies fit for ruling a kingdom PLEASE THE PROFESSOR. always address her formally, take notes in impeccable script, and never question the importance of royal protocol AVOID MISHAPS. never suggest solving political disputes with a sword—she insists that diplomacy, not duels, is the mark of a true ruler

ADVANCED ELFONOMICS. taught by the esteemed Fairy Queen

this elite course teaches students the intricate financial magic behind running a kingdom, from managing enchanted trade routes to understanding the unpredictable fluctuations of the golden bean stock market. the Fairy Queen, with her keen business acumen and ancient fae wisdom, ensures her students master the art of wealth accumulation, resource allocation, and the occasional negotiation with mischievous leprechauns

HOMEWORK. balancing enchanted budgets, predicting market trends in fairy-tale economies, and occasional field trips to enchanted banks filled with gold PLEASE THE PROFESSOR. keep your calculations accurate and your economic theories sound—Fairy Godmother investments rely on precision, not guesswork AVOID MISHAPS. don’t accept enchanted gold from leprechauns or trickster fairies—it will vanish overnight, and your grade will disappear with it

GRIMMNASTICS. taught by Coach Gingerbreadman

a fast-paced, action-packed class that combines acrobatics, endurance, and skills fit for any fairytale hero or heroine. with Coach Gingerbreadman’s lightning-fast speed and high-energy training style, students practice enchanted obstacle courses, daring escapes, and storybook stunts that would make even the most daring adventurer sweat. the class focuses on developing strength, flexibility, coordination, and agility, blending magical elements with traditional gymnastics techniques

HOMEWORK. none! ( whew ) but in class, expect daily obstacle courses, tower-climbing drills, and team challenges that involve fleeing from imaginary witches PLEASE THE PROFESSOR. keep up, move fast, and don’t complain—Coach G is all about agility and endurance, and he does’t slow down. ever AVOID MISHAPS. never eat anything left unattended in the gym—there’s a 50/50 chance it’s either an energy-boosting enchanted snack or a curse-laced trick. you never know!

CHEMYTHSTRY. taught by Professor Rumplestiltskin

a mix of potions, alchemy, and enchanted chemistry, this course teaches students how to brew everything from love potions to transformation elixirs—if they can handle Professor Rumplestiltskin’s cryptic riddles and tricky assignments. with an emphasis on magical reactions and the delicate balance of ingredients, students must be precise, or they may find themselves accidentally cursed or turned into gold

HOMEWORK. brewing potions, analyzing alchemical reactions, and testing the properties of enchanted elements PLEASE THE PROFESSOR. follow instructions to the letter—Rumplestiltskin loves precision and has a zero-tolerance patience for careless spell-mixing AVOID MISHAPS. never, under any circumstances, agree to any kind of “trade” with the professor in exchange for an easier assignment. it’s not worth it, trust me

DAMSEL - IN - DISTRESSING CLASS. taught by Madam Maid Marian

a staple for traditional storybook heroines, this class teaches the fine art of swooning at the right moment, perfecting the helpless-yet-charming gaze, and calling for help in a voice that carries across enchanted forests. Madam Maid Marian ensures her students master the delicate balance between appearing vulnerable while subtly manipulating the situation to their advantage—because even the most distressed damsels know how to work a fairytale in their favor

HOMEWORK. practicing swooning, perfecting a well-timed gasp, and composing letters of woe to imaginary rescuers PLEASE THE PROFESSOR. always act appropriately dramatic when learning proper distress techniques—anything less than peak theatrics is disappointing AVOID MISHAPS. don’t accidentally outshine the prince in a rescue simulation—nothing gets you on her bad side faster than saving yourself ( no matter how blitheringly useless your rescuer may be )

CREATIVE STORYTELLING. taught by Professor Jack B. Nimble

in this dynamic and expressive class, students learn how to craft compelling narratives, whether for written tales, theatrical performances, or enchanting oral traditions. Professor Jack B. Nimble, known for his quick wit and lively teaching style, encourages students to think outside the storybook and experiment with different genres, endings, and perspectives, ensuring their own tales are just as spellbinding as the ones that came before them

HOMEWORK. writing fairytales with unexpected endings, crafting riddles, and creating engaging oral stories to be performed in class PLEASE THE PROFESSOR. be witty, be original, and never deliver a boring story—Professor Jack lives for quick thinking and clever twists ( students still whisper about the time he literally fell asleep in the middle of a student’s story ) AVOID MISHAPS. avoid clichés at all costs—it says in the syllabus that if he hears “once upon a time” too often, he might jump out the window in protest

ADVANCED VILLAINY. taught by Mr. Badwolf

for those embracing their darker destinies ( or just wanting to understand the mind of a villain—it’s an elective, too ) this class explores the art of scheming, deception, and tactical villainy. Mr. Badwolf, with his menacing charm and years of experience causing trouble, teaches students how to craft masterful monologues, execute dramatic entrances, and plan foolproof plots—complete with an emphasis on avoiding the classic pitfalls that lead to a villain’s downfall

HOMEWORK. devising foolproof villainous schemes and identifying weak points in heroic plans. bonus points for sabotaging another student’s assignment PLEASE THE PROFESSOR. show ambition, strategy, and more than a little bit of wicked flair—Mr. Badwolf respects students who think like masterminds AVOID MISHAPS. don't act heroic in class—while he tolerates reform-minded students, he won’t hesitate to assign extra homework as punishment if he feels anyone's too generous or kindhearted

FASHION DESIGN. taught by Mrs. Fairy Godmother

a dream-come-true class for aspiring designers, where students learn to craft magical ensembles, enchant fabrics, and create garments that are both stylish and spellbinding. with Mrs. Fairy Godmother’s expertise in transformation magic, students practice stitching together gowns that change color at midnight, boots that walk on air, and accessories infused with fairy dust. bonus points for those who can design an outfit fit for a royal ball and an epic quest. the class blends traditional design principles with a touch of enchantment, encouraging students to create outfits that reflect their unique personalities and tell their own fairy tales

HOMEWORK. creating mood boards, sketching outfits, and crafting magical garments with enchanted fabrics PLEASE THE PROFESSOR. always keep your workspace neat and clean, and your designs fabulous—Mrs. Fairy Godmother has high standards for both AVOID MISHAPS. never leave unfinished projects unattended—one rogue swish of a wand, and your dress might sprout wings or turn into a pumpkin

BEAST TRAINING & CARE. taught by Professor Poppa Bear

from training fire-breathing dragons to taming mischievous talking mice, this class prepares students for handling all manner of enchanted creatures. with his warm but no-nonsense approach, Professor Poppa Bear teaches students how to communicate with beasts, provide proper magical care, and even ride or befriend some of Ever After’s most fearsome ( or snuggly ) creatures. the class emphasizes the importance of empathy, respect, and responsible stewardship when interacting with enchanted beings

HOMEWORK. taking notes on enchanted creature encounters you have outside of class, studying their habitats, and practicing magical grooming techniques. assignments are much easier for students who have their own mystic beast as a pet PLEASE THE PROFESSOR. be patient, compassionate, and firm—Professor Poppa Bear believes good beast tamers must balance kindness with authority, and he won't hesitate to crack down on students he feels aren't being tolerant and kind with the creatures AVOID MISHAPS. always double-check what you're feeding the creatures—accidentally giving a griffin a fire-breathing potion will not end well

CROWNCULUS. taught by Mrs. Her Majesty, the White Queen

a blend of advanced mathematics and royal economics, this class teaches students how to manage kingdom finances, calculate treasure values, and strategize for economic prosperity. the White Queen ensures that students grasp complex numerical concepts while also understanding the practical application of numbers in ruling a kingdom, proving that math isn’t just about numbers—it’s about power and magic, too

HOMEWORK. solving royal tax equations, balancing enchanted budgets, and calculating castle construction costs PLEASE THE PROFESSOR. always show your work neatly on your notes, respect the logic of numbers, and never bring chaos into her perfectly ordered classroom. loose fairy dust or torn paper is a one-way ticket to getting sent out to the hallway AVOID MISHAPS. never argue that "magic can just fix the math"—that’s a fast track to an exasperated glare and extra equations ( though she'll pretend you were chosen at random for them )

ADVANCED WOOING. taught by Dr. King Charming

whether it’s serenading a princess from a castle tower or sweeping a prince off his feet at a royal ball, this class covers the fine art of courtship. Dr. King Charming, an expert in chivalry and romance, teaches students how to compose love letters, master ballroom etiquette, and perfect the dramatic, wind-blown hair flip. special guest lectures from famed love interests ensure students are well-versed in only the most effective wooing techniques ever after

HOMEWORK. writing needlessly lengthy sonnets, practicing your dramatic entrance, and perfecting grand romantic gestures PLEASE THE PROFESSOR. exude confidence, use flowery language, and always demonstrate princely manners—Dr. Charming believes wooing is an art, and it helps if you act with decorum even outside of tests and assignments AVOID MISHAPS. don’t mix up your love letters—accidentally delivering the wrong one can lead to legendary levels of fairytale drama ( Dr. Charming won't admit how he knows, but he seems suspiciously adamant on it )

COOKING CLASS - IC. taught by Professor Momma Bear

a cozy yet rigorous class where students learn everything from baking enchanted pastries to brewing hearty, storybook-worthy stews. Professor Momma Bear, warm but strict, teaches students the magic of home-cooked meals and how to avoid common culinary disasters—like accidentally putting a sleeping spell in the soup ( more common than you’d think. shocking, i know. ) bonus points for anyone who can craft a meal fit for both a royal banquet and a humble woodland picnic

HOMEWORK. baking enchanted pastries, perfecting porridge temperatures, and learning potion-infused cooking in the communal kitchens—they're open late at night, which is when lots of students do their best work PLEASE THE PROFESSOR. follow the recipe to a T, respect the kitchen space, and always clean up after yourself—Professor Momma Bear runs a strict but cozy classroom, and surfaces need to be crumb-free for that to happen AVOID MISHAPS. never leave the oven unattended—one careless mistake and your muffins might gain sentience ( or explode )

DARK SORCERY. taught by Baba Yaga

for those required to ( or foolish enough to ) dabble in the shadows, this class explores the ancient and forbidden arts of dark magic. Baba Yaga, cryptic and terrifyingly wise, teaches students the ethics of wielding power, the risks of curses and hexes, and how to summon forces beyond mortal comprehension—strictly for academic purposes… of course. students who can keep up with her demanding lessons will most certainly find themselves walking the fine line between greatness and peril, just as intended

HOMEWORK. expect assignments on hexes, shadow magic, and extremely ethically questionable but highly effective spellcasting techniques PLEASE THE PROFESSOR. be respectful, but not a suck up... listen carefully, but don't hang onto her every word... and never waste her time—Baba Yaga is a fickle old witch who does not tolerate foolishness AVOID MISHAPS. don’t touch any of the professor’s personal artifacts—one single misstep, and you might find yourself cursed for a week ( or a lifetime )

WOODSHOP. taught by Mr. Geppetto

in this hands-on class, students learn the craftsmanship of enchanted carpentry, from crafting magical furniture to carving living marionettes ( though talking puppets are strictly optional. ) taught by the legendary woodcarver Geppetto, the course emphasizes precision, patience, and the importance of working with enchanted materials—because nobody wants a table that turns into a frog mid-banquet

HOMEWORK. crafting intricate wooden figures, repairing broken fairytale objects, and designing enchanted furniture to be presented to the class while Geppetto ooh-s and aah-s encouragingly and inspects it from every angle PLEASE THE PROFESSOR. pay attention to detail, measure at least twice before cutting, and never be careless with your tools ( wouldn't wanna lose a finger... or more ) AVOID MISHAPS. never bring anything to life by accident—Mr. Geppetto still has opinions about unexpected animated puppets, most of them aren't as perfect as his

DEBATE. taught by Mrs. Her Majesty, the White Queen

a battle of wits, logic, and eloquence, this class teaches students how to construct compelling arguments, navigate royal negotiations, and win verbal duels with precision. The White Queen is a master of both reason and Wonderlandian riddles, and she ensures her students can debate everything from kingdom policies to whether a dragon’s hoard should be considered taxable income. though, of course, you always have to shake your opponents hand before and after a debate—and sometimes halfway through, too ( “debate is nothing without decorum, dears” the teacher chirps. )

HOMEWORK. researching historical disputes, and crafting persuasive speeches and arguments to perform in class PLEASE THE PROFESSOR. speak clearly, argue with logic, and maintain perfect etiquette—she values reason and refinement above all else. a perfectly crafted argument could be given zero-sum marks if you use foul language while presenting it AVOID MISHAPS. don’t descend into nonsense logic—Mrs. Her Majesty and the subject of debate as a whole has no room for "because I said so" as a defense

GEOGRAFAIRY. taught by Professor Jack B. Nimble

a whirlwind tour that covers every enchanted land, hidden kingdom, and magical realm, this class ensures students can navigate their way through both real and mythical landscapes. Mr. Jack B. Nimble, quick on his feet and sharp in his knowledge, teaches students how to read enchanted maps, locate legendary landmarks, and survive the treacherous terrains of places like the Swamps of Sorrow or the shifting sands of the Ever After Desert

HOMEWORK. memorizing magical trade routes, mapping enchanted forests, and planning efficient royal journeys, especially for high-stakes travel like royal carriages or valuable trade stocks PLEASE THE PROFESSOR. stay sharp, think fast, and always be ready for pop quizzes—Professor Jack moves just as quickly as his name suggests AVOID MISHAPS. don't mistake one enchanted swamp for another—some have quicksand, others have talking alligators, and both will fail you the test

DRAGON SLAYING. taught by Dr. King Charming

an action-packed course for aspiring heroes and knights, this class covers everything from identifying dragon species to the safest techniques for confronting ( or befriending ) them. Dr. King Charming, ever the gallant warrior, teaches battle tactics, shieldwork, and the art of delivering a victorious speech while standing atop a defeated beast. students are encouraged to find creative, non-lethal ways to deal with dragons—because a slayed dragon often makes for a very angry dragon mother ( you don’t wanna deal with one of those )

HOMEWORK. designing battle strategies, practicing swordplay ( safely and with supervision ), and studying legendary dragon encounters PLEASE THE PROFESSOR. be courageous ( he hates students who cower ) and cultivate a healthy respect for dragonkind—Dr. Charming does not tolerate arrogance or killing out of malice AVOID MISHAPS. never mistake a friendly dragon for a feral one—Dr. Charming is not amused by unnecessary heroics or violence without reason

RIDDLING. taught by Professor Sphinx

a brain-twisting class that challenges students to master the art of riddles, trick questions, and mind-bending wordplay. Professor Sphinx, with her cryptic wisdom and smug amusement, pushes students to think in loops, uncover hidden meanings, and craft riddles so clever that they impress even her. only those with quick wits and sharper tongues will excel. there’s a silent booth tucked into the back of class where students can take solace in five minute time-outs if they get a riddle-induced brain-ache

HOMEWORK. solving some of the most famous and ancient riddles from fairytale history, crafting the trickiest trick questions, and debating paradoxes ( there has to be some end ) ( spoiler alert: there isn't ) PLEASE THE PROFESSOR. think outside the box and embrace the art of wordplay, she appreciates students who attempt to match her riddlish intellect ( though they never fully can. ) never give an obvious answer—she doesn't tolerate laziness AVOID MISHAPS. don't answer a riddle too quickly—Professor Sphinx loves watching students squirm in confusion, she'll snap if you think one is "too easy"

POISON FRUIT THEORY. taught by Mr. Henchman

a darkly fascinating course that delves into the study of enchanted produce, venomous flora, and the alchemy of cursed concoctions. Mr. Henchman, an expert in apple-related treachery from first-hand witnessing, ( and doing most of the dirty work himself shhhh ) teaches students how to identify, craft, and counteract, certain poisons—purely for academic purposes… of course. only the most careful and exceedingly precise students avoid an accidental nap at some point

HOMEWORK. identifying toxic ingredients, testing non-lethal potions, and studying famous fairytale poisonings—students are absolutely not permitted to handle lethal poisons outside of class time, no matter how funny Mr. Henchman thinks it would be PLEASE THE PROFESSOR. be cunning, precise, and always ask about antidotes—surprisingly enough Mr. Henchman values ambition and intelligence over blind villainy AVOID MISHAPS. this should go without saying, but don’t ever eat anything from the classroom—regardless of whether it’s an extra-credit challenge or a standard study subject, it’s all dangerous

HISTORY OF TALL TALES. taught by Professor Paul Bunyan

a larger-than-life class where students study the greatest exaggerations in folklore, from beanstalk-climbing farm boys to men who lasso tornadoes. Professor Paul Bunyan, with his booming voice and legendary stature, teaches the importance of hyperbole, embellishment, and how a good story can shape the world. except storytelling assignments where size does matter, and extra credit for every surreptitious golden object you can cram into your tale

HOMEWORK. exaggerating your own legendary feats into tall tales, researching folklore heroes, and reenacting famous larger-than-life moments PLEASE THE PROFESSOR. show enthusiasm for exaggerated storytelling and never question the truth of a tall tale—Professor Bunyan appreciates a good yarn, says puzzling into it "takes away the fun" AVOID MISHAPS. don’t get caught underestimating the size of the stories—or of Professor Bunyan’s pet blue ox, Babe

DIPLOMACY 101. taught by Mrs. Fairy Godmother

an essential course for future rulers, ambassadors, and anyone hoping to survive royal politics, this class covers the art of negotiation, conflict resolution, and fairy-tale-level etiquette. Mrs. Fairy Godmother, an expert in wish-granting diplomacy, ensures that students can turn any total pumpkin of a situation into a golden carriage of opportunity—preferably before midnight

HOMEWORK. drafting peace treaties, mediating minor disputes between friends or classmates, and practicing polite yet firm negotiation techniques PLEASE THE PROFESSOR. mind your manners, choose your words wisely, and never raise your voice—Mrs. Fairy Godmother believes in charm over conflict, and that manners always win AVOID MISHAPS. try not to use magic to solve conflicts too quickly—diplomacy requires finesse and effort, not a bibbidi-bobbidi-bandaid

CASTLE DESIGN. taught by the Three Little Pigs

a structural and aesthetic architecture class that teaches students how to design the perfect castle, from grand ballrooms to impenetrable fortresses, and everything else a benevolent ruler ( or evil sorcerer ) could need from their abode. the Three Little Pigs, having learned their lesson more than once after their own architectural mishaps, are now experts at crafting with only the pinnacle of quality materials, and they guide students through the balance of beauty and functionality, ensuring that no tower is too tall and every drawbridge is both sturdy and stylish

HOMEWORK. drafting blueprints, constructing model castles, and ensuring defenses against huffing and puffing in your structures PLEASE THE PROFESSORS. always prioritize structural integrity in your projects—they still have very, very strong opinions about weak materials AVOID MISHAPS. never, ever suggest using straw or sticks unless you want a three-pig class-long lecture on the merits of proper fortification

BEWITCHING SONG. taught by Ms. Aquata of Atlantis

a mesmerizing music class where students learn the magic of vocal enchantment, from siren songs that lure sailors to sleep, all the way to battle hymns that rally armies. Ms. Aquata, hailing from the royal family of Atlantis with her haunting voice and knowledge of forbidden harmonies, trains students in the delicate balance of melody and power—reminding them that some songs come at a price

HOMEWORK. composing enchantments through song, practicing vocal spells, and analyzing the most famous fairytale musical enchantments ( of course, the teacher is partial to songs from the tale of the Little Mermaid, though she pretends she doesn't have favorites ) PLEASE THE PROFESSOR. stay in tune and on key, embrace the magical melodies, and never mock merfolk music—Ms. Aquata takes her siren songs very seriously, even if they sound like dolphin noises to the untrained ear AVOID MISHAPS. avoid singing the wrong notes—one slip, and you might accidentally charm your classmates into an impromptu dance number ( music magic can be... fickle )

ANGER MAGICMENT. taught by Mr. Badwolf

a course designed for students with fiery tempers and villainous bloodlines, this class focuses on channeling rage productively instead of, say, blowing houses down. Mr. Badwolf ( you know… the Big Bad Wolf ) with his own history of temper issues, teaches students techniques in deep breathing, mindfulness, and how to redirect fury into something slightly less destructive—like competitive sports instead of rampaging through villages

HOMEWORK. journaling your emotional responses on the day-to-day, practicing breathing exercises, and resolving conflict without growling PLEASE THE PROFESSOR. keep your temper in check, use calming techniques, and don’t provoke classmates—Mr. Badwolf knows firsthand how bad anger issues can get, he has no tolerance for trying to set off others AVOID MISHAPS. never howl in frustration—it sets off an automatic... pack response from Mr. Badwolf, leaving him embarrassed and you in detention

EXPERIMENTAL FAIRY MATH. taught by Dr. Sandman

a mind-boggling fusion of numbers, magic, and dream logic, this class teaches students how to manipulate enchanted equations, calculate impossible probabilities, and solve numerical riddles that make reality bend. Dr. Sandman, a master of both dreamscapes and abstract concepts, guides students through numerical paradoxes and whimsical calculations that only make sense if you never think about them too hard

HOMEWORK. solving numerical paradoxes, creating reality-warping equations, and exploring mathematical dreamscapes—make sure you can get back to your dorm when you're done studying, though PLEASE THE PROFESSOR. keep an open mind, embrace dreamy logic, and don’t expect normal numbers—Dr. Sandman sees math through a magical lens, try to see things from his point of view AVOID MISHAPS. never fall asleep mid-equation—you might wake up inside a calculated alternate reality

[genderkoolaid]

expand on ur "mental asylum Marxism shit" thing about children & grief?? from what you've said im pretty sure i will relate from my own experiences as a grieving child. also it sounds interesting!!

so i was thinking about how weird it is that, when a child has to deal with the death of a loved one, they say something like "no child should have to go through this! no child should have to even think about death!" which strikes me as weird because i was a child who dealt with the deaths of multiple close family members, very close together. the first was my great-grandmother, who i lived with and who was my best friend. death was never foreign to me (my mom has always been very death-positive on top of all that). grief was just part of my life like everything else was.

but i realized that its because people think childhood should not have any flaws. you should be 100% happy and fulfilled all the time. any time a child experiences anything painful, its bad. not "children should have access to love and support," but "children should not have basic life experiences because the idea of childhood being anything other than fluffy purity scares me."

because children in society are fundamentally not people. especially in a society structured around christian beliefs in natural law theory, that what is natural = what is good, healthy, and Divinely commanded. so on top of children being the property of adults, they are also forced to be the symbols of Nature. whatever is the most useful to whoever needs them. which means we built up this idea of children as tabula rasas, pureness incarnate. like a magic mirror where if we look into it, we'll be able to catch a glimpse of the true face of humanity. every single thing children do can be scrutinized for some grand truth about humans as a whole. and then, the ways children are treated also reflect how we think humanity should interact with its own nature.

example: the idea of humanity as inherently sinful and wicked, with that urge needing to be suppressed through state violence (hello hobbes) = the idea that children are annoying and shitty on purpose and need to be forced via punishment into being Good Citizens.

this is also why children cannot be trans, even though all trans people must prove that we were trans children. being queer must be unnatural; and even if not, its inherently sexual, and sexuality is dirty and bad. so children can't be trans, and they also can't read books on puberty until their parents decide when and what exactly they are allowed to learn. child victims of sexual assault only matter to the extent that they can be used as a symbol of a cultural threat; calling Jewish or trans people pedophiles means saying that they are foreigners attacking basic human nature, and indirectly, Divine command. if you aren't the right kind of victim, or when you inevitably reveal yourself to be A Person with complicated experiences and opinions, you are no longer of use to the agenda.

it sucks that bad things happen to anyone. aspects of youth can exacerbate the pain sometimes, but sometimes it does the reverse: I wish I could have spent more time with the family members I lost, but I know other people who are glad they loss family members young, because they weren't really hurt by it. I think the main thing is that, even sometimes when we talk about our past selves, we project this cultural idea of Child As Purity and ignore the actual person having the experience. when we "empathize" with children by projecting Purity onto them, we aren't actually connecting with them.

[tiamathh]

DANCING ANGEL (37530)

Devotion

This asteroid was named after Ekaterina Pavlova, who was extremely talented in oriental dance and devoted her short life to the art. In my theory, wherever this asteroid is in your chart will show you where you're most devoted and talented.

Masterlist | Paid Readings | Tip Jar

Houses

↑ 1st: Devoted to themselves, these individuals are big on self care and are really confident in their ability to complete and start new cycles at their pace. Their talents lie in being able to find their identity early on in life and also being a bit of a shape shifter, they can be whoever they want to be whenever they want to be whilst staying true to themselves and being authentic.

↑ 2nd: They're devoted to their family and may pursue careers that will provide them stability both emotional and financial, they are usually lucky with getting money through unconventional means too. Their talents lie in being able to make a safe and secure environment for the people around them as well as being extremely resourceful and helpful individuals.

↑ 3rd: Devoted to their ideas and usually their siblings if they have any, may admire them a lot and are also very devoted to learning about new topics. Their talents lie when it comes down to competing especially in regards to the mind and their communication styles are flexible, they can change their way of speech depending on the person they are talking to and are also very convincing.

↑ 4th: Devoted to their homes, especially the ones they make in the future for themselves and are extremely connected to their roots, may be close to maternal figures in their life. Their talents lie in building foundations for later generations, and are usually great in occupations such as therapy as they can help others decipher and understand their emotions.

↑ 5th: Devoted to individuality and self-expression, they are the ones who try to be as different as possible and rebel because it makes them stand out from the crowd. Their talents lie with the performing arts, people with these placements tend to have a commanding presence which makes leads to them naturally being in the spotlight, they're also great at working with children.

↑ 6th: Devoted to what they can do for others, usually workaholics because they simply like doing as much as they can and have high self discipline. Their talents lie in being able to stay in control and rational at their place of work, as well as making great leaders; due to their competence people are willing to follow them, extremely organised and healthy, they don't get sick easily.

↑ 7th: Devoted towards and in their relationships both romantic and platonic, they are big on mutual give and take but are more often givers. Their talents lie in being a mediator, they're a pretty good judge of character and have a natural ability to diffuse tense situations, they're also great at socialising with others and are quick to form lasting and important partnerships.

↑ 8th: Devoted in general, these natives never do something without complete devotion, are the kind of people to immerse themselves into all kinds of experiences. Their talents lie in being able to balance their energies and chakras easily, some may also be good at communicating with individuals from the afterlife or talented at astrology and divination as well due to their ability to sense energies around them.

↑ 9th: Devoted to understanding the depths of the world, questions like 'why?' and 'how?' come to mind, they're also devoted to their ideals and morals. Their talent lies in pursuing careers that are related to higher education as well as being able to learn languages quickly, they're also quick at picking up information about different cultures and they often bring others luck.

↑ 10th: Devoted to their vision and long term goals, they always look at the bigger picture and are often close to paternal figures in their life. Their talents lie in being authoritive and guide people through life, usually in a professional setting. They're great at being able to maintain a high reputation and can easily mask their true selves to exhibit the sort of public image they want.

↑ 11th: Devoted to the community, are also very concerned about giving back to nature and the community, usually extremely involved with social services especially volunteering at animal shelters. Their talents lie with being original, they may also be highly intuitive and be able to predict near future events, and are also great at getting people to start community service.

↑ 12th: Devoted to their subconscious and their intuition, they always listen to their gut and and usually go with the flow, believing that there is a plan even when they can't see it. Their talents lie with having psychic abilities such as bring clairvoyant, clairaudient, etc and they're also really good with shadow work, they can help bring closure to the people around them as well.

All Rights Reserved tiamathh on tumblr. Do not steal, repost, plagiarise or reword and claim as your own!

[internalloops]

DA:TV rant … if you are of the mind that BioWare can do no wrong /its games can be criticize or if you truly enjoying the game and are loving everything that you’ve seen so far this post is not for you. Please move along and if you don’t want me showing up on your feed please block me.  I will not be engaging with any fan that will not allow me to take up space and vent my feelings on the disaster that is this fucking game.

*Also a lot of spoilers!!

.. it’s horrible, like I knew I was going to be disappointed but holy fucking shit …

I’m about to finish act one and .. they destroyed their entire lore … BioWare destroyed their ENTIRE lore /world build of Dragon Age

Minrathous has NO SLAVES !!! They are briefly talked about via shadow dragons but they’re are none visible at all in the city ( but they have the animation to give a poor person “fake money” )

The qunari who literally fought and tried to kill solas in trespasser have been turned into mindless brutes who willingly joined the evil gods … because they command dragons ?

The blight except for one mission is harmless. They purposely turned it into a bio weapon and then (besides the dark spawn spawning from it like something out of an MMO) due to *plot armor, no one actually contracts the blight ???

The black chantry minus one building that you go through in a side quest doesn’t exist? No chantry members , no talk of the black divine ..

Dalish are all engineers now and part of the veil jumpers ( which should not exist lore wise) and all elven magic has been converted into cyberpunk technology and artifacts. Very little talk about their oppression and they are all very willing to drop all their history , even their distrust of solas , to flight the old gods .

Varric Has been demoted to inspirational speaker and narrator he has no other role and the entire team acts like he died , even when he’s in the room with him ( I think BioWare actually planned to kill him but then chickened out ) and is a husk of his former self

Same with Morgan , you can’t interact with her at all and she’s given the same mysterious background as flemeth ( the theory that she carries mythal spirit is very strong right now )

Lyrim potions don’t exist, in fact lyrim doesn’t exist at all besides the dagger. All magic has turned into technology, and if you play as a mage mana just has an automatic replenish rate /cool down effect that you can level up.

Evil gods go back and forth between an actual intense adversary and threat to the world, and a typical Disney villain.

These are just the few I can think of off the top of my head, there is so much more than this …

The game can literally be summed up as Mass effect andromeda x2 with God of war animations and marvel style writing ( not the avengers I’m talking about the recent shit)

Also for the people who want to kill solas or simply dislike him, the game pushes a sympathetic view of him on you ,even your companions who outrightly want to kill him will feel sorry for him. And I’m saying this as a solavellan fan. Yes they’re options to be mean to him and antagonize him, but you won’t get anyone agreeing with your actions ,at best they’ll be neutral about it. Now this might play out differently for those who picked the “chooses to stop him “ option , but for those who’s inquisitions wanted to save him but they wanted their rooks to hate him … you’re not gonna be happy about what you get ..

The only thing that keeping me playing is the reveal of history of ancient elves and Titans and solas’s story. And Assan!! Assan can do no wrong !! Everything else is a slog to get through.

[aventurineswife]

HII AUTHOR! ARE YOU HAVING A GOOD DAY? I HAVE A QUESTION. How would the SAHSRAU react if you suddenly got bored with HSR and switched to genshin?

Oh boy... The jealousy and the angst are sure burning up...

At first, they don’t notice.

Everything is normal. The Museum of Divinity still stands. Your artworks are still there. Your music still echoes through the stars.

But then… something changes.

The paintings stop appearing. The music stops playing. The museum doors remain shut.

The characters wait for your next command. It never comes.

The Galaxy is silent.

And that’s when they realize.

“There must be an explanation.”

Welt starts running calculations, probability theories, even dimensional travel theories—anything to explain your sudden disappearance.

Himeko sips her coffee, trying to stay calm, but her hands are shaking. “They’ll be back. They always come back.”

(You in fact did not come back.)

March 7th: "Uh, guys? You might wanna look at this..."

She holds up a blurry, pixelated screenshot she managed to capture—a screenshot of Teyvat.

Himeko’s mug shatters. (Like her heart ahem)

Blade stops moving entirely. His entire reason for existing has just left him behind.

Stares blankly at the sky, gripping his sword. If you are no longer here, then what purpose does he have?

Dan Heng acts calm, but he's already in crisis mode. He's scrolling through files, trying to find any clue as to why you left.

When he sees the Teyvat screenshot, his grip tightens on his spear.

Dan Heng: “…We’ve been abandoned.” (yeah no shit, Sherlock-)

Aventurine immediately plays it cool. "Well, well, well. Looks like our dear Creator has found another plaything."

Sunday is not calm.

"BETRAYAL! TREACHERY! ABANDONMENT! I HAVE BEEN CAST ASIDE!"

He dramatically collapses on the museum floor. Aventurine just watches with amusement.

But the second he sees the Teyvat screenshot—

Aventurine: “…Oh, you’ve got to be joking.”

They both hate the idea of you playing another game more than they hate each other.

Kafka smirks, but there’s a sharp edge to it. "So, you’ve moved on, huh?"

Black Swan looks at the fading murals of your art, her expression unreadable. “All things fade… but I never expected our Creator’s gaze to turn elsewhere.”

Deep down, they wonder—were they not enough?

Luocha: "I suppose even gods grow tired of their creations."

Jing Yuan: "Hah… It seems we have been cast aside for another world."

They act philosophical about it, but they’re both lowkey miserable.

Jing Yuan tries to joke about it, but even Yanqing notices something’s off.

Luocha stares at a fading portrait of you, quietly wondering if he will ever see your light again. (Probably not but ahem)

March 7th is the first to start coping.

"It’s fine, it’s fine! Maybe they’re just… on a vacation! Yeah! They’ll be back! Right?"

Sparkle is already scheming. "If our dear Painter has found another world… then perhaps it’s time we follow them there."

(They are actively looking for ways to break into Teyvat.)

Sighs, so the list goes on...

Blade stops fighting entirely. (What's the point if you're not watching?)

Dan Heng avoids everyone. (He refuses to believe it.)

Kafka and Black Swan start theorizing. (Will you return, or is this the end?)

Sunday begins plotting. (If they cannot bring you back, they will find a way to make you remember them.)

March 7th, Sparkle, and Aventurine?

They're looking for a way to invade Genshin. (Yeah, with Silver Wolf's help)

Days turn into weeks. Weeks turn into months.

They wait.

And wait.

And then—

One day—

A new painting appears.

It's… different.

A familiar signature, but a different style.

A mural of Teyvat.

And on that day, the last hope shatters.

You are gone.

Their Creator has truly moved on.

But that doesn’t mean they’ll stop searching for you. Not ever.

My back hurts... I'm taking away your guys' SAHSRAU privilege. I need someone to write this as a fic or expand it and I'm not gonna write it, that's for you. 🫶

[joyswonderland1108]

"KEEP GOING". Okay but.. going where, exactly?

You know, i was minding my own business, lying to myself that i had emotionally recovered from "Who", when i remembered that glorious monitor shot of Jungkook's eyes, glowing like the moon itself, and right above him.. the words "KEEP GOING"

I blinked. I sniffled. I screamed internally.

But i let it slide. I said "no Joy, maybe it's just encouragement for life. For growth. For stage presence. For getting up in the morning without dissolving into tears because Park Jimin looked into a screen and saw Jeon Jungkook's face and decided that was the push he needed."

BUT THEN. THEN. THEN.

Came the "Are You Sure?" poster. And guess what's slathered across it again like some poetic whisper from the depths of the Jikook Cinematic Universe?

KEEP. GOING.

Oh. Oh Okay. So we're doing that again?

Because i thought i was hallucinating the first time. I really did. "Who" drops, and suddenly Jimin's staring at a monitor like he's receiving a divine prophecy, and who's on that screen? Jungkook. And what's floating above him like a celestial commandment from Gay God himself? "KEEP GOING".

I looked at it. It looked at me. We looked at each other. And i said "huh. Interesting. Probably just a cute little motivati-" NOPE. Shut up. No. We are not doing that rationalizing thing today.

Because fast forward to "Are You Sure?" and BAM. There it is again. That same cursed phrase. "KEEP GOING". Like a haunting. Like a secret code. Like Jikook's personal tagline for their unauthorized, unwritten, but highly televised romance.

Let me just.. hold on.

Let me put on my my conspiracy theory hat, no, my whole tinfoil bodysuit, and dive in.

(Me with my Jikookies going down that rabbit hole)

Because if we're gonna be told twice, not once, but twice, in big bold letters that we should "keep going", then i'm gonna start asking QUESTIONS.

Like:

Keep going WHERE?

Keep going with WHO?

Keep going.. HOW gay is this road exactly?

Are we talking Seasong 2 of AYS where we finally get a confession on camera, filmed like a K-drama, complete with cherry blossoms and tragic violin music?

Or maybe it's a Jikook subunit called "Keep Going", where every song, or every line, is them soft-singing each other's name while playing acoustic guitar and making eye contact?

A Jikook movie perhaps? A coming-of-age story about two boys who found each other in the chaos of idol life and clung on like they were the only real thing left?

Or, and hear me out, to coming out.. of the closet? Like, "keep going" down that rainbow brick road, boys. We've got flowers. We've got fanfiction. We've got archived live clips of you making heart eyes at each other in 4K. Let's gooooo.

And before someone in the back starts yelling "You're reading too much into it!!!" let me just say, YEAH. I AM. That's LITERALLY THE POINT.

I'm not here for logic. I'm here for pain and chaos and the fact that Park Jimin and Jeon Jungkook keep choosing the same exact three words like it's a personal mantra carved into the walls of their heart.

They could've written anything. "Stay strong". "Belive in yourself". "Do laundry" (You and i both know what a Jikook laundry is but we're not gonna there lol) But no. They said "KEEP GOING". And not once. TWICE. Publicly. Boldly. With full chest.

So here i am. I will keep going. Right into madness. Right into emotional bankruptcy. Right into the group chat like "guys i saw another Jikook sign and i need someone to tranquilize me" (@mimiskookie @kkhluvsbts @kanmom51 Just be patient with me lol)

Because maybe, just maybe, the real meaning of "Keep going" was the delulu we made along the way.

And whatever they're doing, wherever they're going, i wanna go too. Even if it's straight to clown camp with no chance of parole.

[And just as i was about to hit "post" i remembered.. the "KEEP GOING" in BT21. Taped to the wall. Behind Chimmy and Cooky. Like the phrase itself is now following them across universes. So actually, it's not even two times anymore. It's three. No, FOUR. Jikook said keep going and i'm about to keep spiraling.]

[omegaphilosophia]

The Philosophy of the Euthyphro Dilemma

The Euthyphro Dilemma, originating from Plato's dialogue "Euthyphro," presents a significant philosophical problem regarding the nature of morality and its relationship to divine command. This dilemma poses a fundamental question about whether moral values are commanded by gods because they are inherently good, or whether they are good because they are commanded by gods. This issue remains relevant in contemporary discussions about the foundations of ethics and the intersection of religion and morality.

The Dilemma Explained

In Plato's dialogue, Socrates encounters Euthyphro, who claims to have a deep understanding of piety and impiety. Socrates asks Euthyphro to define piety, leading to the famous question: "Is the pious loved by the gods because it is pious, or is it pious because it is loved by the gods?"

This question can be reformulated as:

Divine Command Theory: Are moral actions good because they are commanded by the gods?

Moral Realism: Are moral actions commanded by the gods because they are inherently good?

Each horn of the dilemma presents challenges:

If moral actions are good because they are commanded by the gods (Divine Command Theory), then morality appears arbitrary. Anything could be deemed morally right or wrong based solely on divine will, potentially leading to morally questionable commands being seen as good.

If moral actions are commanded by the gods because they are inherently good (Moral Realism), then morality exists independently of the gods. This implies that there is a standard of goodness that even the gods must adhere to, challenging the notion of their omnipotence and moral authority.

Implications of the Euthyphro Dilemma

The Nature of Morality: The dilemma forces a reconsideration of the origins and nature of moral values. If morality is independent of divine command, then ethical principles must be grounded in something other than religious authority, such as reason, human nature, or societal consensus.

Divine Omnipotence and Omnibenevolence: The dilemma raises questions about the attributes of gods, particularly their omnipotence and omnibenevolence. If gods are bound by an external standard of goodness, their power and moral perfection might be seen as limited.

Secular Ethics: The Euthyphro Dilemma supports the development of secular ethical theories that do not rely on divine command. Philosophers such as Immanuel Kant and John Stuart Mill have proposed ethical systems based on reason, human well-being, and utilitarian principles.

Theological Responses: The dilemma has prompted various theological responses. Some theologians argue for a modified Divine Command Theory, suggesting that God's nature is inherently good and that divine commands naturally align with this goodness. Others propose that God's will and moral truths are identical, thus avoiding the arbitrariness problem.

The Euthyphro Dilemma remains a cornerstone in the study of moral philosophy and theology, provoking ongoing debate about the foundations of ethical principles and the role of divine authority in determining what is right and wrong. By challenging both Divine Command Theory and the independence of morality from divine will, the dilemma encourages deeper exploration of the sources and nature of moral values.

[kirbarts]

flcl inspired Zerbinetta from @divinecommandtheory

[eeriepromis]

CALEB'S LIMITED MYTH - THE SIX-WINGED ANGEL

(source)

I felt like I just had to share this theory. I came across it on xhs by chance and just had to look further into it so here is what I found:

“I once soared with six wings, but now only the weight of my sins keeps me grounded."

"If I was made to serve, then tell me - why does my heart still yearn for freedom?"

The Symbolism of a Six-Winged Angel (Seraphim)

The six-winged angel, or seraph, is deeply symbolic in various mythologies, religious traditions, and fantasy settings. It often represents divine power, judgment, enlightenment, and transformation, but when fallen, it carries themes of rebellion, loss, and tragic defiance. 

Divine Power & High Rank in Celestial Hierarchy

In many religious traditions, Seraphim are the highest-ranking angels, standing closest to the divine.

Two wings to cover the face → Humility before God’s presence

Two wings to cover the feet → Modesty and reverence

Two wings to fly → Active service and divine duty

The Fallen Seraph: Rebellion and Tragedy

If a six-winged angel falls from grace, it carries themes of rebellion, defiance, and sorrowful wisdom. Lucifer is often depicted as a fallen seraph - a being of immense power who rejected divine order, falling from light to darkness. This could represent:

Losing faith in a higher power (or in one’s purpose)

Breaking away from imposed destiny

A shift from order to chaos, or from purity to corruption

The burden of forbidden knowledge (knowing things mortals or even angels should not)

A fallen six-winged angel is no longer just a servant of light -it becomes a wanderer, an exile, or even a tragic antihero who carries the weight of its former divinity. (Guys, this would parallel Zayne's lore as well since he also served a god.

"If I am to fall, let it be by your hand."

The Name "Caleb" - Meaning & Symbolism

Hebrew Origin: Caleb is a biblical name that means "devotion to God" or "wholehearted" - which is very ironic if he represents a fallen seraph or a rebel figure.

Symbolism in a Mythological Context

If Caleb was once "devoted" but fell from grace, it parallels a Seraph who defied the divine order.

His "wholehearted" nature could reflect his unwavering, obsessive devotion - either to MC or to some cause he once believed in but now questions.

Biblical & Mythological Parallels to Caleb's Role

Caleb as a Fallen Warrior (Lucifer Archetype): In biblical texts, Lucifer was often described as a bright, high-ranking angel before he rebelled. If Caleb mirrors this, he could have been a perfect soldier, an elite warrior - until he defied orders. (Reminds me too much of Zayne's lore though)

Caleb as a Tragic Guardian (Michael or Abaddon Archetype): The Archangel Michael was a protector, but also a warrior who cast others down. The name Abaddon (sometimes associated with fallen angels) means "destruction" or "the abyss." Caleb could have once been an enforcer of fate, only to become a rogue force when he realized the truth. (I kinda like the Abaddon route?? Imagine Sylus being accused of being the reason the world will end, but it was actually Caleb all along?)

Abaddon: The Angel of the Abyss

The name Abaddon comes from biblical and apocalyptic literature, often meaning:

“Destruction” or “Doom.”

“The Angel of the Abyss.”

A being tied to the end of the world, chaos, and divine judgment.

A fallen angel, cast into the Abyss for defying divine law.

The commander of fallen souls or destroyer of civilizations.

A force of judgment who isn’t inherently evil but rather a necessary aspect of destruction and rebirth.

“I loved you before the fall. I will love you even after oblivion takes me.”

If Caleb as Abaddon, the Fallen Seraph of the Abyss:

He is not just a lost warrior - he is a force that should not exist.

His love for MC is forbidden, consuming, and tragic.

He is both protector and destroyer, standing at the edge of oblivion.

His myth would be one of rebellion, exile, and devotion that never fades - no matter how many times he falls.

Angel Sanctuary Parallel

Caleb's Forbidden Love & the Adam/Lilith Parallel

Similarly, Caleb’s themes in Love and Deepspace involve temptation, knowledge, and a forbidden love.

Angel Sanctuary incorporates Adam & Lilith symbolism, where Lilith represents rebellion, defiance, and temptation.

Caleb’s myth theories also tie him to Lilith and the White Snake, suggesting his love for MC might be both fated and doomed.

If Caleb mirrors Lilith, then his love for MC could be seen as a rebellion against fate - a love that shouldn’t exist but does anyway.

Setsuna/Alexiel & Sara's Love

Alexiel was a powerful angel who rebelled against Heaven and was punished by having her soul reincarnated endlessly into human lives.

Every time she is reborn, she lives in suffering, forgetting who she once was.

Setsuna is her latest incarnation, but he is not aware of his past identity.

He falls in love with Sara his sister and reincarnation of Gabriel

Angel Sanctuary takes this idea of fated love and self-destruction to an extreme: -- The past and present selves are in conflict. -- Love and destiny are intertwined in ways that are painful and inescapable.

For more amazing Fallen Angel Myth theories pay a visit to this post by @starmocha. <3

[trappedinafantasy37]

Let's talk a little bit about Minthara and her oath real quick. Now, a question that I have seen pop-up in a few places between Reddit, Tiktok, and even Tumblr, is how the in the hells Minthara isn't already an oathbreaker. Well, I have 3 potential theories as to why that is.

Because it is merely a game mechanic and Larian did not want your only potential paladin to be an oathbreaker upon recruitment.

Her original oath to Lolth never broke because she never willingly joined the Absolute and her oath to the Absolute was made under false pretenses.

When she joins your group, she makes a new oath in your name instead.

Personally, I think that Minthara's oath is actually a mixture of 2 and 3. Yes, it is possible for a paladin to have multiple oaths at the same time. It just isn't a recommended practice in tabletop DnD because they can sometimes contradict each other, some oaths will straight up break other oaths, or the players just are unable to manage them properly. In this case, I do believe that Minthara has two oaths, one to Lolth and one to you.

I have not been able to find any reference to how paladin oaths work when the paladin is being coerced or mind controlled. But from what I have read in DnD lore, when a paladin makes an oath they have to do so willingly, deliberately, and consciously. None of those things occurred for Minthara when she took up her oath to the Absolute which is why it did not break her oath to Lolth (because it otherwise would have as she would have been sworn to destroy the Absolute for Lolth). And, technically speaking, the god that the oath is sworn to cannot go in and break the oath. Only the paladin can break their own oath. I only think gods can revoke divinity from their clerics. So, even if Lolth was truly pissed at Minthara, Lolth herself cannot just break Minthara's oath. That is something only Minthara can do. Minthara's original oath to Lolth still being intact is not necessarily indicative that she still has Lolth's favor, it just means she hasn't yet broken the terms of that oath. Even a crisis of faith (which Minthara is going through) won't break the paladin's oath either.

Another thing that is important to note is that as of 5e, a paladin actually does not need to make their oaths in the name of a god or before a god as their divinity is powered solely by the oath itself. Paladins are able to just summon divine smites and other holy based powers by sheer force of will and conviction (which is pretty damn sexy if you ask me). I mean, oathbreaker paladins still have access to divinity as well. Of course, paladins can still make an oath in the name of a god and most typically do, it's just that gods are not the source of power behind that oath. An oath is nothing but a vow, a promise that the paladin makes *to* a god, not the other way around. It does not even need that gods approval. So Lolth abandoning Minthara will also not break Minthara's oath either because Lolth is not the one who made an oath to Minthara.

So, it is very much possible that when Minthara joins your group, she does make a new oath in your name as oaths don't need gods. But, Minthara herself does not actually know how to live her life without having some kind of god figure so she just kinda puts you in that spot for the time being. I mean, she literally prayed to multiple gods and you were the one that answered. Which is also one of the many reasons why she does to along with what you want to do (even if she disagrees) because the oath she made to you would keep herself in check and keep her from acting against you. Minthara already is a very loyal person, but if you have any doubts on Minthara's loyalty, just keep in mind that she is quite literally oath bound to do whatever you tell her to do and will not betray you.

Minthara also never goes out of her way to become an oathbreaker, even after you free her from the Absolute. To be precise, you have to command her to break her oath. And of course, she will do so willingly knowing the consequences. Despite her oath being broken, she will still abide by the tenants of that oath. But she does enjoy the freedom that comes with being an oathbreaker and now nothing will hold her back from achieving her goals. However, she also says she does not know if her oath will still stand when all the nonsense with the Absolute is resolved and she even implies that if you do take the Absolute, she will no longer have an Oath of Vengeance, but an Oath of Conquest (which I think fits her better than vengeance if I'm being honest).

Minthara also makes quite a few suggestions to you that would actually break you oath if you are a paladin. Such as making an oath to Gortash, or making certain choices in regards to the vampire spawn. But, Minthara never does any of these things herself and I think that is purposeful. She knows these actions are oathbreaking type of actions. She attempts to orchestrate a fight between Dame Aylin and the wizard knowing fully well that it will break Aylin's oath. And she really wants you to go snitch on the wizard (although I just think it's because of her disdain for wizards rather than her being a little scoundrel to mess with Aylin's oath).

She is very very careful to keep herself in the position that she is because she doesn't want to be an oathbreaker initially. She is also very careful to tell you to do all these things. The language that she uses in regards to her oaths are also very important. Her original oath to Lolth would have her sworn to destroy the Absolute. But, we also know that Minthara very much has other ideas for the Absolute that do not involve destroying it (but oaths only break from oath breaking actions, not oath breaking thoughts). And her oath to you, she very specifically says that she is sworn to destroy all those who serve the Absolute, which is not exactly the same kind of oath she has with Lolth.

But, there is only one instance in this game in which Minthara will willingly become an oathbreaker and you do not have to command her to be one and that is if and only if you claim the brain. Her choosing not to destroy the brain when she had the opportunity to breaks her oath to Lolth. Now, the oath that she makes to you is where it becomes very very tricky. The oath she made to you, she specifically uses the language to "destroy all those who serve the Absolute". Her oath gets broken to you because she has become someone who serves the Absolute. But, there's more than that. If you become the Absolute, you also enthrall all your other companions which would make them servants of the Absolute and she also does not destroy them. Ironically, her choosing to serve you as the Absolute, breaks the oath she made to you because she has gone back on what she said she was going to do in your name. But most importantly, she chose not to get vengeance for herself.

Her oath to you was never to help you become the Absolute. Her oath was specifically to assist you with destroying the Absolute and all those who serve it. Her choosing not to destroy the Absolute and everyone who serves it, breaks both of her oaths. So, the Minthara that greets you at the gallows is now an oathbreaker. But, as I mentioned earlier, Minthara has already expressed the notion of taking up a completely different oath if you were to claim the Absolute. She helped you become the Absolute, knowing it was going to break her oath, and she had the intention of immediately replacing it with an Oath of Conquest, making her the first official paladin of the Absolute.

The fact that she wants you to become Absolute at all and that she prefers being an oathbreaker is why I read her as a canon oathbreaker. But she will never break her oath out of betrayal, but because of loyalty and devotion. She breaks her oath trying to make you as powerful as you can be. I have also discussed previously that her devotion is her fatal flaw and her choosing to remain devoted to you could potentially get her back in the same position you found her (that is if you betray her and choose to use the Absolute to reenthrall her). Her becoming solely devoted to you officially removes any and all ties she has to Lolth. But it causes Minthara to remain stagnant in which she doesn't learn anything, she doesn't change at all, and she doesn't grow.

She will live the rest of her life devoted to someone that isn't herself and act in the name of someone that isn't herself. She will live the rest of her life helping you achieve your goals and ambitions and what she wants is kinda secondary to all that because she has propped you up on a pedestal. She has always lived her life in service of a god and she does not know how not to. Many of the things that she has done in her life are not because she wanted to do them, but because she had the burden of expectations either from Lolth, from her family, or from Menzoberranzan culture and her oath kept her bound to these expectations. And she is falling back into that cycle with you because you failed to show her that there was another way and that she could be devoted to herself. You failed to show her that she does not need a god and she can indeed choose for herself.

[venussaidso]

I think “Bow Down Bitches” was very Ashwini of Beyoncé. Ketu, because of the natural submission of so-called peasants. And Mars, because of the audacity, the hubris, the claim of power over others. This being the exaltation of the Sun speaks to its desire for authority and leadership.

Ashwini ASC Beyoncé.

“Bow Down Bitches” embodies the pure, unfiltered, and impulsive confidence in Ashwini, as this nakshatra has raw instinct, possessing a primal force which can cause controversy, resistance, conflict — but it makes people so drawn to the energy that they can abandon their natural instincts or rationality. Her being the Queen of the Illuminati in a lot of conspiracy theories highlights the intimidating yet mysterious distortion of Ashwini.

The song emphasizes the natural detachment in having command over others. Not needing approval or respect, comfortable with letting everyone know that she’s already moved past them. It isn’t about competing, it’s about reminding. And of course, this Martian audaciousness rubs people off the wrong way.

Ashwini Moons Tom Hiddleston* (possibly) & Cate Blanchett as Loki and Hela.

Sun is sovereignty — representing divine kingship/queenship. The Sun feels most at home in Ashwini, which tells us volumes about this nakshatra's nature.

It is a very self-propelling nakshatra with an unshakable inner primal drive.

The Mars energy with Ketu gives pure, untouched authority. This can explain why people can perceive the natives as too commanding, self-centered and over-confident. Ashwini also rises the competitive instincts in others. Ashwinis, being pioneers, make others try harder, do better, just from existing. As I've said before, as much as Ketu will humble you, it is a force of growth. But this makes it a total disruptor nakshatra. It will bring in change, force new standards — as it represents new beginnings. And so, the natives unconsciously cause others to instinctually compete.

Ashwini Moon Cillian Murphy* (likely) as Thomas Shelby.