#distinctive enough

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[a-most-beloved-fool]

There's a fic I've been (slowly) working on that features Kirk being just about the Only person on the ship who can read Spock's expressions, simply because he Likes Spock (not even romantically at first, he just sees Spock and goes, 'friend-shaped <3'.) and therefore pays attention, where he winds up being like. a Spock-interpreter for everyone else. (Captain, is he mad at me?? Captain, are my questions annoying him? Captain, did he like my joke? Captain, I feel like Spock hates me. etc.)

and the reason I bring this up is because I think there's a lot of potential in a Different version of this, where Kirk is still the only one who can read Spock's emotions, but this time, it's because they managed to spontaneously bond like. immediately. and neither of them realize this for a good while, because what are the odds that you're So Compatible with someone that your minds just Instantly glue themselves together? They're astronomical, that's what they are.

Except, a year or three into the mission, Spock discovers the bond. and panics. and blocks it. Of course he does! It's an egregious breach of telepathic etiquette! (Or, it would be, if he'd done it on purpose.) He has No Idea how long it's been there - he assumes it must be new. And, once the bond is blocked, by a Spock who is absolutely swamped with shame that he could let that happen to his own captain and dear friend, Kirk suddenly. cannot read Spock's emotions. And then he panics, because ohmigod i can't read him is he mad at me what did i do does he hate me???? (everyone else on this ship is baffled. they're like 'his face has literally not changed?? what do you mean you can't read him now??)

and eventually, they figure out what happened, and that they love each other, and then restore the bond to its original state and kiss and what not. but they angst about it for a bit first, and possibly have to get their heads slammed together by bones before that happens.

[cangrellesteponme]

wife

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[stars-obsession-pit]

Danny Phantom was not used to fighting magic users. Ghosts, yes. But humans with powers? No.

So when a cult managed to successfully summon and bind him, he lacked the knowledge of how to stop them.

And they tore him apart.

His core was broken into pieces, each one then implanted into one of the most loyal cult members (or potentially sold off to another person to use…) to grant them a portion of Phantom’s many powers.

However, the cult didn’t entirely know what they were doing either. You see, it turns out that shattering Danny’s core in that manner didn’t truly end him. His soul still persisted, still refused to die even as it was trapped amongst the disparate shards. Though each individual piece lacked the strength of mind or power to affect their hosts, they would gradually forge themselves together anew should they ever be gathered back together.

And after Red Hood killed several of the cult’s members, that process began. Their shards, now freed, transferred to the vigilante, instinctively latching onto his proto-core. Though still not yet whole enough to form a truly conscious fragment of Danny, they are enough to start to nudge Hood in the right direction (bolstered in effectiveness by Jason’s connection to death)

Jason can feel it deep within his soul. There’s something more to this cult’s powers than just normal magic, and he has a growing need to find out what that is. To stop them. To burn them all down and dig their secrets from the ashes.

[serpentface]

Some qilik variation

Qilik are the most phenotypically diverse sophont and have a massive degree of variation in coloration and feathering across and within populations. This is partly due to being composed of at least three ancestral species and multiple subspecies (mostly interfertile and widely hybridized), partly due to their extremely wide range and often isolated populations, and partly due to the significance of color and display features in mate selection (and varying and ever-changing cultural conventions of attractiveness).

(A few here display body modifications, namely clipped brow feathers and selective plucking. The most vivid orange and pink shades require carotenoid pigments derived from the diet)

[forgetful-nerd]

Objectively, the 2012 tmnt boys are the most turtle-like versions compared to the other cartoons.

They all can retract into their shells,

They all have that third eye lid,

They have literal turtle feet,

They ate nothing but worms and algae for FIFTEEN YEARS,

And some of them, *cough* *cough* Raph *cough* have been known to growl and bite at their enemies during fights.

What I’m trying to say is I think more fan fictions should depict them as the feral ones.

[macchitea]

more monkeys :)

[time-slink]

left eyes not the weird one.. pt two :]

[thethespacecoyote]

contemplating what exactly it was about ford that made bill feel important now

[yuseirra]

been listening to her songs lately!! they're a blessing

[onehundredfallenpetals]

This utena quote really felt like it fit them, so I had to redraw it as shuake

[moomeecore]

Its officially official! I have a store now!!

Very excited to announce that I'm finally selling some of my art! People have asked about it before, and I began my "start selling art online" project in....early 2022. Its taken a while....

My store includes prints, magnets, and stickers!

I built my own site, partially because I just wanted a website anyway, so I'd have a portfolio to showcase my art - since previously the only place I had my art online was my tumblr (not great for showing real life people) and partially because etsy pissed me off when i tried to use it

Check out my store here!!

[izzyspussy]

the fact that they made it illegal to make ads louder than programs on tv in 2010 but haven't updated it to apply the same regulation to streaming. who do i have to call.

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[xxplastic-cubexx]

one thing i love about 97 magneto's design is how much his younger self looks like quicksilver

every time i see a pic of the flashback scene i think "oh that's pietro"

in comicverse specifically it's so funny to me how even though it was retconned that they're related (which is a stupid retcon imo) they still look absolutely identical

once upon a time i saw someone describe erik as pietro and wanda's part-time father and i aint gonna even lie i burst a lung reading that

like for Part Time Father it is incredibly convenient yall look similar ....