#directly contrasted with

[egophiliac]

I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?

I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.

[radiance1]

Damian was going to live with his father.

He was... Pleased, of course. Of course he was, why wouldn't he be? He was the Heir to the Demon, son of Talia Al Ghul, true blood of the Batman and the rightful inheritor of the Robin title.

So of course, he was pleased.

And yet.

"Stay close to me." He whispered, a small and barely noticeable weight settling on his shoulders that made untense the slightest amount. "Don't reveal yourself, don't do anything that I can't cover up and stay invisible."

He reached up towards his shoulder, closing his hand around the smaller, unseen one and gave it a reassuring Squeeze.

Either for himself, or the one he had slain. He didn't know.

Damian had more than enough information on his father, yet not enough for him to trust him with his most well kept secret.

That of his younger brother's existence after death.

Not from the Lazarus Pits, no. Damian had slain Danny himself and watched his body be disposed of. He knew not why Danny persisted, nor stuck around him, but he made the best of the situation as he could.

He loved his mother.

But he could not trust her with this.

He knew of and had expectations of his father.

Yet he also, could not trust him with this.

He respected his grandfather, but he could trust him even less with something like this.

No, Danny was his secret and his alone. One that he managed to keep years since his death, with added help from his younger brother's powers.

(Danny was always too soft, too kind, too emotional and all of the things that would have failed him in this organization.)

(It was a mercy kill, rather than a duel in Damian's eyes.)

(He did not regret killing Danny, but he regretted that he wasn't strong enough to not have to.)

Damian was his older brother.

Damian had a responsibility.

Damian would keep this secret, from the entire world- no. The universe, if he had to.

(He wasn't able to protect him then.)

(So he will protect him now.)

(Just a small edit for those interested if this continued or not: 2)

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[honestlyvan]

Even more so when creating statues/icons of gods is the main prerequisite for worship and one of Hua Cheng's first acts on page is creating the icon for Puqi Temple. His whole thing is disrespecting Heaven in Xie Lian's name with Heaven's own language, and both the offense to Heaven and communication of devotion to Xie Lian are the point. Even more so in the case of the thousand god statue cave, because arguably there wasn't even a point of offense to offer there other than in a surreptitious, everything-is-connected-to-everything-else kind of way.

Something poetic about Hua Cheng playing Heaven's stupid games better than Heaven and everyone getting mad at him and telling him he's doing it wrong, lmao.

Honestly baffling to me that people side with FX and MQ in the thousand god cave scene and call Hua Cheng a creep when is not improper to create statues of a god and more importantly, that's a scene where XL states his intentions to hear HC out since he has only ever helped him and deserve some good faith while FX and MQ completely ignore his wishes and violate his bodily autonomy to force their choice onto him and get him out of there

[roscoehamiltons]

having some insomniac thoughts about how the public perception of the george vs max fight is affected by their PR personas, how much people value authenticity (or the appearance of being authentic) now in celeb culture, and how max uses that to his advantage….

[tokyo-daaaamn-ji-gang]

Adding warmth to Kazutora's life one fire at a time

Before

After

[psychopomp-namine]

the way everyone has a dislike in their profile that actually says something integral about their character. lu guang doesn't like plans getting messed up, cheng xiaoshi dislikes loneliness, xia fei with owing favors, vein with lying...

and then you have liu xiao, who dislikes... cilantro. and fish mint.

(shakes fist) (putting him in a glass jar and shaking vigorously) learn to be vulnerable!! tell me something about yourself!! I guess him liking movies lines up with the theater metaphors, and there's him liking chess, but that. doesn't count methinks

[sunflowerdigs]

The only thing better than Tommy being completely unhelpful and freaked out by Buck's behavior would be Eddie, in the same scene, actively matching Buck's freak and calmly planning out the next steps for whatever unhinged idea Buck has come up with

[gumy-shark]

thinkin about how much i love ritsu and teru’s friendship again. bc the thing is they don’t have any actual Conversations in the show and only really see each other during life threatening crises. it just also so happens that “several months of no contact punctuated by extreme life threatening crises and fighting on the same side against psychic terrorists” is probably enough on its own to land teru in the spot of ritsu’s second best non-brother-friend. they don’t work together often but the way they did for shimazaki still sticks with me bc they just Knew what the other was going for. and then ofc confession arc where we get the Parallels of teru being stripped and shaved again. the first time it happened he lost everything- his lackeys, his status, his image- and nobody helped him. but then the second time he wasn’t DOING it for any of those things, he was doing it to genuinely help someone, and when ritsu saw him, even though he was trying to find mob ASAP, he still took the time to move teru somewhere safer and cover him up with ritsu’s jacket. and there’s something important to me there in that. neither of these boys seem to have significant friendships in their lives (YES mob is there i am setting him aside for now), so that brief connection to me is just. i like it :)

[skunkes]

[coquelicoq]

natsume about masakiyo-san: i'm sure he felt he couldn't force her to bear the burdens he did, but he couldn't abandon his family.

[less than two minutes later]

natori to matoba: to inherit something, and bear its burdens…the true weight of such a thing is greater than i can know. but for now, this is what i think: a heavy burden can be shared.

[nenoname]

still love how the book starts out with stan beating up the statue and taking ford's discarded one dollar bills and then ends with stan completely destroying bill and ripping up money just to spite him

[stone-stars]

Transcript:

Jake: Wow, that is 285 damage. Caldwell: (high pitched, laughing) Wha-haha--what? [Emily squeaks in laughter.] Murph: (incredulous) What? [Emily and Caldwell laughing.] Murph: Is that correct? Jake: I mean… Emily: I mean if you roll eight-- if you attack eight times and crit three, when, like-- what are you doing? You're doing a d-- Jake: And I'm adding an extra 10 every single time-- Emily: An extra 10 for each! Jake: --because I'm minusing 5. Caldwell: Wow. Murph: Thiala looks hurt. (laughs) Jake and Caldwell: Wow! Murph: The actual god looks… hurt. She's upset. I'm upset. [Emily and Caldwell laugh.]

[fusionfanatic]

Research for an au fic I’m working on: how would Azula act and behave in a modern setting? And I don’t mean re-imagine her character within a modern context and stories. This isn’t Azula, but she’s an overachieving American high schooler with strict and overbearing parents, or Azula, but she’s the soon-to-be CEO of her father’s multinational conglomerate based in Japan or something. No, I mean how would Azula as she is in canon, Fire nation princess and all, act and behave if you simply just took her from her world and plopped her into [insert current year you’re reading this]?

[freddyloyd]

[infinstar]

There is so much that I love about Ayaka chan wa Hiroko senpai ni koishiteru episode 6 but I understand other peoples concerns.

Before we judge Risa and Mama (and others in the bar) we need to understand their purposes as characters within the story as well as what their personalities are like. Because it is as much as about them as characters as well as what they represent in this story. Firstly, they are representing three generations of lesbian attitudes and behaviours. Risa and Ayaka being unabashedly confident in themselves as they don't deliberately hide their sexuality (and also in Risa's case, seeing the lying about one's identity as cowardice) representing the confidence, innocence and straight forwardness of the younger generation. Ayaka represents the middle generation in this case who has experienced that acting on their feelings/being herself has consequences in the wider society that we live in as well as to the people we love (she represents to me the that our lives are bigger than our own quote). Which results in her being more reserved and cautious navigating this world still hiding aspects of herself depending on the context. Mama represents a more older generation who has also probably seen various types of queers walk through that bar opening up to her about their experiences as well as her own. She understands both the younger and middle generation (and might've gone through a similar path herself). She is the balanced voice of reason in this series as well as everyone's confidant. Hence why it is appropriate for her to reveal to us about Hiroko's past.

Hiroko has been living a double life to her own detriment for the last ten years. She has kept a facade of a cool co-worker/manager that is extremely capable of work, reliable whilst managing interpersonal relationships in a cohesive non-judgemental way - this allows her to avoid others attention to herself as a person as that would break the facade. But she was not always like this as seen in the way she confused to Chinatsu senpai in the past (which reminded me of Ayaka haha). The facade is the manifestation of her guilt she feels towards Chinatsu senpai and she sees it as her responsibility to maintain it at all costs otherwise in her perspective senpai resigning would've become meaningless. This was the main reason she was blind to Ayaka's advances because it happened at her workplace. In her personal life she is extremely open about her sexuality and though in the first episode in the lesbian bar she comes off easy going as she flirts with others (but I have a feeling that she did not have any serious relationships after the incident as her guilt would've been too strong).

For me it makes sense why Mama would tell Hiroko's past to Ayaka and Risa (and subsequently to us as the audience). Mama knows the history of Hiroko, before the incident and after the incident to who she has become today. She also one of the few people that knows that Ayaka likes Hiroko (which I think Risa might have picked up on as well). She can see Hiroko's walls that she has built to protect herself and knows that Hiroko won't let go of that facade to even give Ayaka and herself a chance. We need to judge Mama's actions through the perspective of Hiroko not our own. She had Hiroko's best interest at heart irregardless of her actions. If Hiroko is angry at her then we would see some confrontation regarding her and Mama (and the other bar guests in future episodes). But from what we have seen of Hiroko so far, I doubt it would be like that because Hiroko herself knows she needs some intervention to breakdown the walls she barricaded herself with. I think it is unfair to judge characters actions as if there is only one "right" way of doing things because that's not true in fiction or in real life.

I still love love Risa. I was really glad that she told plainly that it is Hiroko that Ayaka likes and it is her straightforwardness that actually gets through to Hiroko. It is also consistent with Risa's personality that she did that because like Ayaka she doesn't hide her feelings when it matters. She is highly passionate and loves Ayaka that she is trying to help them get together and decided to stop her unrequited feelings because she values her friendship with Ayaka. Her actions might not be the "correct" ones but she is a good friend in her own way and I want to appreciate that.

I am looking forward to seeing how Ayaka is able to break down Hiroko's facade in the workplace to show her that it is different to ten years ago. (But also thinking in terms of how there still is no law protecting those discriminated on the basis of their sexuality in Japan, I wonder if they will portray acceptance only within the current workplace itself)