Parn 🌴 | Bi/Demi |Whatever I am obsessed with at the moment
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"So, hold onto it."
THE ON1Y ONE (2024). EPISODE SIX.
#truer words have never been spoken#To hold on to this moment and the people around you#Because that eternity starts with you enveloped in a membrane of its own making#Replaying those moments in a loop#The passing of time only makes it more potent#As you are reminded with each situation and encounter the importance of those times#And why it became an eternity in the first place#I hate this drama for reminding me everything yet again#And I love it for allowing me to relive those moments again#the on1y one
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"[Closed] [Grand Opening]."
THE ON1Y ONE (2024). EPISODE SIX.
#I just ... have no words#These two are so attentive to each others moods/ reactions/ feelings#And their banter is just ..... I can't#I love it to the point that I hate it#I need the time skip#I need them to not see/talk to each other for like ten years and meet each other again#And for them to unconsciously act the same as ten years ago#I need them to give me hope 😭#I neeeeeed the angsttttttt#And the yearning ofc#The on1y one
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HAPPY OF THE END Sawamura Rei as Keito / Haore Episode 1
#Why is he so beautiful though#Ngl I have a weak spot for short dominant semes and lanky smitten ukes so these two fit right in#I'm so tempted to read the manga and bathe in the glory of toxic yaoi#Hmm choices and choices#Also Isn't it haoren?#happy of the end
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That's how I felt back then, always.
HAPPY OF THE END | EP. 1
#Finally some good toxic yaoi manga come to life#I want this to mess me up the way kyuuso wa cheese no yume wo miru did#Was getting bored of fluffy BL#Tbh this story is like 90% of toxic yaoi manga I've read so it feels so familiar in the best way possible#This scene grounds it beautifully#happy of the end
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The On1y One Episode 4
#I am not okay#So not okay#I am far too obsessed with this#Literally kill me now#I hate how this reminds me of everything from back then#I am far too gone#Tomorrow cannot come soon enough#the on1y one
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"At this moment, I completely forgot what the English teacher said about the difference between "up to you" and "down to you". Later, I realized, the moment Jiang Tian said that, my world was upside down. My world has been completely changed."
THE ON1Y ONE (2024). EPISODE THREE.
#Kill me#And give me what they have#We always see Jiang Tiangs 'moment' at the end of each episode#But that's because the show is technically in Shen Wangs perspective#But it's like these moments that we get to see Shen Wangs 'moment' that I effin love#Not to mention it captures that time over ten years ago so well#I'm going to die when these two confirm their feelings for each other and get together#Also Shen Wangs babygirlism#The actors do such a good job portraying each character#this show has me in a chokehold rn#Also loving all the songs in the OST#So so good#the on1y one
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Walk a straight line to me.
#I swear to god Taiwanese BLs always have something that I can't pinpoint in them#Like some weirdly tasty spice blend that you can't pinpoint running through each of their shows#This is no exception#I am so effin addicted to this show#I love both the main characters#They work so damn well and when Jang Tiang just joined the fight dissecting the situation in less than a second#I fell in love#I love when that happens#When characters are both proactive in their morals#the on1y one
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"I might misunderstand you."
#Such a beautiful curation OP#I'm holding off watching the last episode again#It feels like this part of me will disappear after the drama ends so I'm holding on to her#I love how this drama just gives characters space to just be sometimes and explore#There is that cohesive unity found in families with shared trauma that is so relatable#Once I finish the episode today I will say goodbye to it once again#Call it love#❤️ to ✖️ queue
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I don’t like it. You being around my family.
CALL IT LOVE (2023) dir. Lee Kwang Young
#How are they opposites yet the same#Rewatching this and it is so impactful yet again#It felt like he finally managed to stand up for himself even if it is small#These two have my heart#Call it love
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Yes to all of this!! Thanks so much for writing this because I feel we lack this perspective in this space or get drowned out.
Maya is so much more aware and attuned to the discriminations she face as a person who is hard of hearing. She doesn't like to brush them off and accept it as given like Kouhei who is quite passive. Her defiance and coloured view come as a result of the subtle/overt discrimination she faces that results in that very justifiable anger. She will definitely ease up especially after understanding Taichi more and interacting with him more. Also through interactions with others such as Yasu and those in the sign language class who are kind to her and accepts her which she needs.
As much as I love Taichi, he is very flawed. I hope when he starts working for the sign company he can mature his perspective and gain knowledge. Because I think a part of what the company director said is true. In reality the adjustments needed for those who are completely deaf and hard of hearing are different. If you don't acknowledge that then it is harder to provide the actual support needed for them. We need to accept the differences and not discriminate as a result of it. Taichi's idealism regarding deaf people should be treated as the same borders on ignorance and can actually hurt people as well as save people. Not to mention actually realising his own feelings towards Kouhei.
I for one am glad we get to see these characters in the wider world and how they grow instead of just focusing on solely on the romance because it makes it all feel so much more grounded which is what I love the most about Japanese dramas in general!
I do not like the hate Maya's character gets. Is she annoying? Yes. But she's so much more than a love interest. Infact she's not even Kohei's love interest at all. She's a very well written character. This writer always introduces new characters to bring a new perspective to the main characters life to bring a new conflict not to create drama but because these conflicts have always been there but because Kohei and Taichi are both people who'd rather not talk about them, they need outsiders to intervene and ask what their relationship means to them . This is very much important for the narrative. Infact this is the reason why I love this story. Because it gives the characters, even the side characters time to understand things. To communicate properly.
No one's perfect. Maya has a different coping mechanism. She's trying to protect Kohei from Taichi because she thinks Taichi is just using him and will throw him away soon. Is that assumption wrong ? Yes. But we cannot blame her for thinking so because, first she doesn't know Taichi well and second her life experiences have proved this assumption right. We cannot deny that most people do that. Maya brings a perspective from the partially dead community which is very much needed in the story to question things and to compare her life style with Kohei. Kohei used to be at a worse state when we began, due to Taichi's presence he now has a healthier way to deal with his deafness.
Sai and the company who's profits from sign language also brings an important perspective. Kohei has been feeling isolated his whole life from the hearing and the deaf community because he's inbetween, doesn't fit anywhere. It also portrays how capitalism takes advantage of everything but this company itself will give a much needed job to Taichi but his sole reason to do the job is because he wants to do something for Kohei and people like him. Not because he pities him but because he loves him that much. So much that he cannot not do anything. But that itself will make Kohei feel used . As if, Taichi befriended him just to climb the ladder.
This story is full of misunderstandings and will continue to be that way. Are misunderstandings annoying? Yes. But they are very humane. I love the way this story continues to handle them because humans miscommunicate and this is a story of how Taichi and Kohei grow as people through their support for one another and their presence in each other's life that brings the sunlight. I do not like the complains that they don't spend time that much together nowadays. Yes because this story is about them falling in love while growing as individuals. Their love helps them through it which is why I love this story. It's not just a BL. It's not just a story of a deaf person finding love as salvation. It's so much more than that. It's about Kohei and Taichi. And they are so much more than just some gay deaf-hearing men in love. They have complexities and opposite personalities which clash and cause misunderstandings but how they deal with it is what's the story is about. Because they are different, they love each other. Because they love each other they try to understand one another. Because of that, they continue to again and again and again chose to love one another.
#I low-key want Yasu and Maya together#I feel like he would be able to unconditionally be kind to her like how Taichi was to Kouhei#So more interactions between them would be so nice#Hidamari ga kikoeru
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I HEAR THE SUNSPOT ひだまりが聴こえる (2024) EPISODE 09
#The amount of people seeing this scene as Maya being mean to Taichi when this is just her teasing Taichi because of his reactions#Is insane#It's remarkable to me how people can't read characters in more than one dimension#Taichi is also very flawed but people will only see Maya's flaws#Cos god forbid a female character that is not unconditionally shipping the BL couple in a drama#Then she is seen as a romantic rival automatically even when she just wants her friend to be with someone not exploitative#Like what even#Because Taichi deffo can be seen like that from a third person perspective#This is to say I adore Maya#Taichi also needs to mature a lot#Hidamari ga kikoeru
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KIM YOUNG KWANG as Han Dong Jin CALL IT LOVE (2023), ep. 5
#Listening to Roy Kim songs and flower started playing and I started crying#I remember I absolutely loved this drama last year#It was so beautifully done#I loved every character and their stories were just so relatable#For me Han Dong Jin was the most relatable#I feel like I should just rewatch it#I haven't watch a kdrama since last year that wasn't a BL because I couldn't find one I could get into#That wasn't a cliche kdrama where everything was ever so predictable and boring#사랑이라 말해요#Call it love
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All the Long Nights (2024) ‘夜明けのすべて’ dir. Sho Miyake
#なんか、これ見てたとき、世界がちょっと静かになった#私自身も落ち着くになって、一人じゃないと感じていた#仲間があるなんてそんなに心強いものだとまた確認しました#Sometimes it is knowing that someone else is suffering just like you is enough to reassure you#And to help each other and gain acceptance from those around you#I have been wanting to see this movie since I saw the trailer and it was beautiful#Definitely something to rewatch when I feel this way again#Yoake no subete#All the long nights#夜明けのすべて
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In this soba eating scene, the gaga subtitles were off regarding the subject/meaning of Hiroko's thoughts.
そうそう ... 本来はこういう反応だよ ( Indeed, Normally that's how people would react )
危うく間違えるとくだった ( I almost misunderstood it )
This is important because it is essential to how Hiroko has been acting throughout this entire episode! From the moment Ayaka declared to pursure Hiroko infront of everyone, she has been gauging everyone's reaction to Ayaka's confession/actions. When the coworkers had a positive attitude towards it, it enabled Hiroko to answer positively to Ayaka's advancements and let her guard down momentarily. When confronted with a coworker?/business partner? who framed Ayaka's confession as a type of identity exploration of the youth "before they eventually settle down", Hiroko felt that familiar/what she had been expecting as the reaction to all of this from her experience in the past. This reinforced her mindset as it fed to her own biases that ultimately the world has not changed afterall and she nearly misunderstood that it was okay to be open about it and be accepted.
Ayaka on the other hand is almost blind/indifferent to everyone's reaction/opinion to her feelings as she bulldozes ahead to the detriment of Hiroko. They are both polar opposites. Hiroko cares far too much about what others think of her and subsequently of Lesbian relationships (either romanticing it through works of Yuri or not taking it seriously at all) that she has not even considered what she should do/want now that she can't avoid it anymore. Ayaka can't seem to understand why would Hiroko withdraw from acting on her feelings when she likes her and definitely needs help understanding Hiroko's worries. Even after Risa questioned her whether it was okay to say it infront of everyone after knowing what happened in the past, Ayaka did not get it.
Again, I dont think any character is particularly wrong in their actions (apart from that old man) they are all approaching it from their own insecurities or lack of it in the case of Ayaka. Not everyone will think about the major consequences of their actions before acting and some will only think of that and I love how this episode depicted it.
#this reminds me of my only coworker who is out proudly and basically established the lgbtq+ society in our organisation#he unbashedly bulldozes through anything to do with even a slight hint of discrimination/homophobia by calling it out on it loudly#leaving everyone speechless#and I work for a very large organisation in a country that any racism/sexism/homophobia is subtly done or thrown as a curve ball#but he doesn't care about acceptance - he is more this is who I am - take it or leave it type of person#i pick up on the covert discrimination but never say anything because i am very much Hiroko 😔#i really need to grow a spine#anyway I ended up joining that society but stayed in their hidden list which only the admin knows#he is my favourite co worker for sure - he is highly passionate -easy to talk to - does not mince words on anything#still loving ayahiro though#ayaka chan wa hiroko senpai ni koishiteru#ayaka is in love with hiroko#ayahiro#yuri
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Be My Favorite | Episode 7
#Not these two affectionate idiots#The way Kawi is just doing jumping in the first gif is so cute#I kind of want to join the rewatching party#be my favorite#pisaengkawi#❤️ to ✖️ queue
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Ai no Nai Koibitotachi (2024) Episode 9
#Oh Masakazu you cute little thing#I loved him throughout and tbh I hated seeing parts of him in me#The desire to not be like his parents#The idealism and not being able to accept his honest feelings and the value of relationships conciously#When he truly likes them deep down#I really want to be able to gif so that I could gif all the memorable moments from each couple#ai no nai koibitotachi
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There is so much that I love about Ayaka chan wa Hiroko senpai ni koishiteru episode 6 but I understand other peoples concerns.
Before we judge Risa and Mama (and others in the bar) we need to understand their purposes as characters within the story as well as what their personalities are like. Because it is as much as about them as characters as well as what they represent in this story. Firstly, they are representing three generations of lesbian attitudes and behaviours. Risa and Ayaka being unabashedly confident in themselves as they don't deliberately hide their sexuality (and also in Risa's case, seeing the lying about one's identity as cowardice) representing the confidence, innocence and straight forwardness of the younger generation. Ayaka represents the middle generation in this case who has experienced that acting on their feelings/being herself has consequences in the wider society that we live in as well as to the people we love (she represents to me the that our lives are bigger than our own quote). Which results in her being more reserved and cautious navigating this world still hiding aspects of herself depending on the context. Mama represents a more older generation who has also probably seen various types of queers walk through that bar opening up to her about their experiences as well as her own. She understands both the younger and middle generation (and might've gone through a similar path herself). She is the balanced voice of reason in this series as well as everyone's confidant. Hence why it is appropriate for her to reveal to us about Hiroko's past.
Hiroko has been living a double life to her own detriment for the last ten years. She has kept a facade of a cool co-worker/manager that is extremely capable of work, reliable whilst managing interpersonal relationships in a cohesive non-judgemental way - this allows her to avoid others attention to herself as a person as that would break the facade. But she was not always like this as seen in the way she confused to Chinatsu senpai in the past (which reminded me of Ayaka haha). The facade is the manifestation of her guilt she feels towards Chinatsu senpai and she sees it as her responsibility to maintain it at all costs otherwise in her perspective senpai resigning would've become meaningless. This was the main reason she was blind to Ayaka's advances because it happened at her workplace. In her personal life she is extremely open about her sexuality and though in the first episode in the lesbian bar she comes off easy going as she flirts with others (but I have a feeling that she did not have any serious relationships after the incident as her guilt would've been too strong).
For me it makes sense why Mama would tell Hiroko's past to Ayaka and Risa (and subsequently to us as the audience). Mama knows the history of Hiroko, before the incident and after the incident to who she has become today. She also one of the few people that knows that Ayaka likes Hiroko (which I think Risa might have picked up on as well). She can see Hiroko's walls that she has built to protect herself and knows that Hiroko won't let go of that facade to even give Ayaka and herself a chance. We need to judge Mama's actions through the perspective of Hiroko not our own. She had Hiroko's best interest at heart irregardless of her actions. If Hiroko is angry at her then we would see some confrontation regarding her and Mama (and the other bar guests in future episodes). But from what we have seen of Hiroko so far, I doubt it would be like that because Hiroko herself knows she needs some intervention to breakdown the walls she barricaded herself with. I think it is unfair to judge characters actions as if there is only one "right" way of doing things because that's not true in fiction or in real life.
I still love love Risa. I was really glad that she told plainly that it is Hiroko that Ayaka likes and it is her straightforwardness that actually gets through to Hiroko. It is also consistent with Risa's personality that she did that because like Ayaka she doesn't hide her feelings when it matters. She is highly passionate and loves Ayaka that she is trying to help them get together and decided to stop her unrequited feelings because she values her friendship with Ayaka. Her actions might not be the "correct" ones but she is a good friend in her own way and I want to appreciate that.
I am looking forward to seeing how Ayaka is able to break down Hiroko's facade in the workplace to show her that it is different to ten years ago. (But also thinking in terms of how there still is no law protecting those discriminated on the basis of their sexuality in Japan, I wonder if they will portray acceptance only within the current workplace itself)
#I think slightly flawed characters are the best especially when their intentions might directly contrast their actions#there is nothing more boring than a perfect character doing everything perfectly#gap moeeeee people#I wrote this because I saw some users frustrated with these characters and I wanted to write my thoughts on this episode#I contemplated tagging them but then is that rude? what is the ettiquette of discussion in tumblr? how do I know how to socialise on the ne#hahaha I am overthinking as always#anyway if anyone think this perspective is flawed or want to write a counterpoint#you can always tag me! because I love reading other people's thoughts#anyway this show is still so so good#Hiroko my beloved#ayaka chan wa hiroko senpai ni koishiteru#ayaka is in love with hiroko
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