#different vacuum

[punk-lucifer]

something im really appreciating, watching the olympics, is that while all the athletes are demigods that are absolutely at their physical peaks for each sport NONE OF THEM have instagram face. despite the homogenous nature of social media that’s been creeping into all media since the late 2000s all the athletes look so different. noses! jawlines! lips! eyes! everyone i see on tv looks like a real person and i am LOVING IT

[homoqueerjewhobbit]

I'm allowed to make this joke, but I love that Jewish death rituals are like:

"Pfeh, for what should I spend $12,000 on a big fekakte box they see only for five minutes before they cover it with dirt?"

"Don't waste my good suit what might fit my nephew Lev if the bum should ever even try to get a real job!"

"Embalming? Don't mind me, I'll rot in the dark."

[weirdfishy]

John “oh my nephew gave me this thermos that souped your ghost problem” Constantine

vs

Tim “what the fuck do you MEAN your nephew gave you a ghost-eradicating thermos why have i never heard of this gimme the tech” Drake

[professor-doc-emeritus]

I love the dichotomy we get between jinshi and the emperor that shows off how the traits that make jinshi a great prince, boss, friend (husband 👀👀👀👀) are the very same traits that will make him a terrible emperor.

His hard working streak that lets him handle his weird assignments with grace and manage the clashing egos of the inner palace is what will get him killed by overwork as emperor since he has no real head for delegation. It took 11 volumes and the intervention of most of his immediate family just to get jinshi to hire a secretary. The emperor always being free to host parties, sleep with the consorts, and bust jinshis balls in-between it all is, much like lakan always being free to annoy maomao, actually a sign of him being god-like at delegation and organizational management.

His lack of ego and willingness to look the fool if it gets the job done is great for avoiding political snafus and getting to the truth of things. It's genuinely the thing that makes all his expeditions to the western capital so wildly successful: he really doesn't gaf about how he's seen by the public, so long as the job gets done and his friends aren't in immediate danger. It's also the exact opposite of what you need from a head of state who's legitimacy is not-insignificantly based on the public perceiving you as an instrument of the will of heaven. The emperor being willing to kill people and their families over slights jinshi (and most sane human beings) would be willing to let slide is cruel and inhuman, but it's also what keeps the populace at large from being able to organize against him and challenge the imperial power.

Jinshis compassionate streak, his urge to save as many people he can and find the best solution for everyone possible, makes him great to work for. He'll give you assignments that match your hyper fixation, work around your crippling social anxiety, give you a post that just-so-happens to involve you staying with the love of your life for a few months. More over, he isn't gonna risk his life and your position over petty ego or greed when he can find a peaceful solution instead. But the hesitation he feels at using people like tools, and his unwillingness to act if it means throwing people under the bus, is what will lead to death and destruction if he's the emperor. Especially in a time of war. The current emperor is willing to ruin lives and crush nations if it reaches a goal, advances an agenda.

Finally, jinshis loyalty, I'd say even more than his looks, is what draws people to him. He loves his toys, can't stand to give them up. It makes him a great romantic figure. But when you're the emperor, and you need to be willing and able to marry someone for political ends, produce as many heirs as possible regardless of who with, and set aside the feelings of those women for your own sake, that loyalty is poison.

Idk, so often in stories with these systems they sorta follow the logic of "if he's a good person he'll be a good leader." I think it's cool to have a series talk about how being a leader involves being EXTREMELY comfortable with being an asshole, for a myriad of reasons, and how someone being pleasant to work for wouldn't make them an effect monarch.

[sunshine-zenith]

Random thing that just hit me — wouldn’t Peri’s birth year actually be 2002 in universe, not 2001?

(Not to apply a coherent timeline to a franchise that literally has two of its main characters go on a ten thousand year long vacation, casually has dinosaurs be electricians, and had that one seemingly controversial episode dedicated to using magic to hand wave the floating timeline in universe, but the ANW did it first by having Cosmo canonize 2001 as when he and Wanda became Timmy’s fairies)

There was that entire special in the original series where the entire plot was kicked off by Timmy having Cosmo and Wanda for an entire year — Abra-Catastrophe. If Timmy got them in 2001, had a fairy-versary, and a hand wavey amount of time later wished Cosmo and Wanda could have a baby, that would logically put Peri’s birth in 2002, even with the timeline breaking/fixing magic the from later in the series

Putting aside the in universe weird ways fairies age and time passes in Fairy World and going off in universe birth year to in universe current year, that means Peri is 22, not 23. Not a big difference at all, but still neat to think about

[clownsuu]

Dusty moments plus doodle KDJDDJ

I do absolutely nothing with my “Shiddy dating sim au”, but it’s fun to doodle things for it every blue moon smhh

[the-tortured-fangirl-department]

Pre Lester Apollo is not one dimensional and is already complicated and I’m tiered of parts of the fandom pretending he’s just selfish, self-centred and loves himself more than anything (this things are true but also not it’s complicated ok?)

[louthestarspeaker]

There's like this one genre of post and video essay I keep seeing from people who say they aren't upset about the HTTYD casting for racist reasons, they're upset because they don't like the characters they love to change. They're attached to their appearance, and they'd be uncomfortable with any deviation.

I am going to give these people the benefit of the doubt and assume this is true. But, like, so? Why do you think your discomfort should be prioritized over representation?

You realize that's what you're saying right. They shouldn't have cast Astrid as a black girl to protect your comfort.

And you can say it's not about race and you'd be just as upset with any changes, but when you do that you're ignoring a larger context that I don't have the privilege to. This franchise (that I do love) has had a long acknowledged racism problem. People put the idea of a "faithful" adaptation on some kind of pedestal but HTTYD was not perfect, and I'm not interested in preserving that aspect of it.

And I can hear the original character defense coming from a mile and away and yes. Absolutely there should be original characters of color being written with intention from the very start. But if Dreamworks is going to thrust HTTYD right back into the center of the cultural zeitgeist again, then I am glad as hell they're doing it with POC included this time.

Do you know what it's like to be excluded so often you don't even think to look for yourself anymore? I grew up writing stories with only white protagonists because I, in the most literal sense possible, did not realize you could write stories a different way (and this wasn't a long time ago I'm young, you guys).

And the absolute joy that comes with seeing yourself represented in media you love? Do you know how much it changes you? I swear to God it alters your trajectory.

You don't get to put your comfort above others knowing they're accepted. Above little black girls all over the world watching this movie with a new kind of magic in their eyes because now black girls can ride dragons too.

It's not some great, egregious thing to you that Nico Parker is playing Astrid. It's not some mortal wound that you can never recover from. If you're so attached to one version of the character, then watch the version with her in it, it's not hard. The film isn't being force fed to you, if it makes you unhappy, act like a mature human being and don't interact with it.

But you don't get to exclude people of color again just because it makes you feel better that we're not there.

[commsroom]

there's an interesting statement being made about identity if you accept all of the wolf 359 characters are equally themselves as of the finale: eiffel is form without memory; hera is memory without form; lovelace is both, but without continuity of experience; minkowski is both with continuity - and she's still not the same person that goddard recruited. if we're never the same people we were, but we're always ourselves, then the only way the self can be defined is through its own assertion - and maybe it can be argued that "my name is-" (and later, being able to say "my name is hera" reintroducing herself to pryce) and "i am captain isabel lovelace. no matter how hard you try, you are not taking that away from me" and "without me, who are you?" / "renée minkowski, and that is more than enough to kick your ass" are all the set up for (and part of the answer to) "am i still doug eiffel?"

[witchofthesouls]

Unicron being earth also explains why cybertronians can't handle earth cold but are okay with Space cold

Unicron a fridge comfimed

Cybertronians and humans enjoy snipping at each other because of that.

"Oh, I'm sorry who's the one that can't survive Anartica even with proper provisions?"

"My species had been traveling stars before your own ancestors crawled out of the primordial soup!"

"At least my people aren't a walking, talking version of the Titanic! Boom, iceberg dead ahead!"

"At least, my people aren't blobfish when taken off their planet!"

[georgieluz]

masters of the air, episode five: when the silence is louder than the noise that it replaced

[cupidswurld]

‘bloodlust’ supernatural s2 ep3 / david hume / c.s. lewis / ‘braciole’ the bear s1 ep8 / anne carson / ‘motion sickness’ phobie bridgers

[velvet-games]

viktor what did they do to you

[leahthedreamer]

My hope for next season and leading into the Olympic season is that the ISU somehow revives womens skating cause yes it’s beautiful yes it’s lovely but is it exciting? Ehhhh.

In my personal opinion it’s the discipline that’s stagnated the most post Covid. You can argue that the crown goes to ice dance in that regard but even though the judging is shitty and the ISU insists on ridiculous themes for the rhythm dance we’re still getting quality and creativity through the bouts of corruption.

I just feel like women’s choreography has plateaued, it’s become uninteresting, very little memorable programs. Same elements same ordering same music like it’s becoming a by bland to watch. And my honest wish for the future is to reignite the spark it once had.

[xylophone888]

thinking about how rincewind went from thinking that the world must abide by some unknown rules cause how can it not (his whole "trees don't talk" thing despite trees very noticeably talking both to him and others) to being able to accept literally anything as normal and expected (shapeshifting kangaroos? space travel on a flimsy wooden plane-rocket-wtf else thing? a huge magical sentient supercomputer? ok idc whats for lunch)

[menlove]

okay actually no I'm NOT done bc so many people on here will hear someone say "men are an oppressive class who hold social power and privilege" and SCREAM bioessentialism but literally no part of that is bioessentialism in fact it's LITERALLY the opposite. like no men ARENT biologically oppressive and evil or whatever. they aren't biologically superior or stronger or more violent or anything. SOCIETY put them in a position of power and based all our gender norms around that. this is such basic shit it's actually exhausting.

everyone wants to parrot "gender is a social construct" until you actually start talking about what that means and who that construct is benefitting and why