#didn't know i had it in me tbh

[micamone]

hewwo

[krysmcscience]

The Lamb is malicious in a funny way and the Goat is funny in a malicious way. No, I will not elaborate.

Anyway, everyone give thanks to the Lamb for interrupting what was sure to be a very boring and patronizing PSA from their grouchy cat hubby. Truly, they are doing God's work. Granted, the Lamb canonically is God now, so, uh. Mostly they're just doing their own work.

Speaking of their grouchy cat hubby, yes this is absolutely still Narilamb, Narinder is 100% into his goofy-ass spouse always no matter what and we all know it, he just wasn't expecting his brand new adopted kid to share the same single goofy-ass brain cell as the Lamb. :)

[yangjeongin]

6 YEARS WITH STRAY KIDS — #Youtiful6YearsOfSKZ

[dreamingpartone]

[ ᴛʜᴇ ᴡᴏʀʟᴅ ʜᴀꜱ ʙᴇᴇɴ ᴄʜᴀɴɢᴇᴅ ʙᴇᴄᴀᴜꜱᴇ ᴏꜰ ʏᴏᴜ. ]

[chocobje]

Would you guys mind if I start posting small quick doodles of my DWFR AU.. Sometimes I tend to just mindlessly doodle but they're not significant lore stuff.. Mostly me messing around or just scrapped concepts.

Same goes for ramble posts(with no art), don't wanna clutter my blog too much for the sake of people scrolling lol.

[quirkedupkicks]

pretty risky plan, but yeah ..

panel redraw/ode to the hero killer arc 💙 no shade version + the ref pic that saved me ->

[andy-clutterbuck]

Bye | 1x03 | The Ones Who Live

[angrybatart]

BEHOLD! THE DUMBEST ABOMINATION FANART/COMIC I'VE EVER DRAWN!!!

Not there yet.

Ugh. Here we go...it gets worse...

And there you have it. Catboy Gabriel. Enjoy.

Based on this:

[ghosty-schnibibit]

my opinion about the watcher news basically boils down to this:

watcher is screwing over a huge portion of its fanbase with this move considering how many people within it are teenagers who may not have access to streaming services, low-income adults who can't afford yet another streaming service (if any), and international fans who couldn't sign up for a US based streaming service even if they wanted to. it's okay to be angry about this, especially if you're one of those people who now can't support shows you loved or will be unable to see any of those shows going forward because of it.

and

youtube's payout to creators has dwindled in recent years to the point that it is impossible to fund the kind of productions watcher makes purely through it, and in order to sustain a company of 40+ people they need a more stable source of income not reliant on ads from outside companies and patreon, which, in this case, means a pivot to streaming. it's okay to be upset that creators you like have to turn to such methods to continue funding their work, whether you have the means to support them through these avenues or not.

and

if the early reactions to this move are any indication, watcher will probably not get the fan buy-in they anticipated and in all likelihood the new streaming site will either fail within a year or two because it isn't making enough money and take the company with it or they'll be bought out by a larger company and have their shows archived or deleted for tax purposes like what's happened to roosterteeth. it is okay to be scared by that potential future and seek to preserve as much content as you can before that happens.

are all statements that can and should coexist

[elijasz]

"Okay, I'm going to romance Lucanis this run. I romanced Davrin on the first run but now its time for the cute broody assassin."

2 hours later

"Hello Assan, my son!!! And heyyyyy Davrin :) :) :)"

[feydrautha]

The more you think about it, the most pressing question about Fenoglio's Inkheart isn't "who in the hell was the protagonist of it?" (it's either Cosimo, the Prince, or, y'know, the guy the literal title refers to - or all three of them), but rather "what in the raging hell was the Shadow's deal?" considering he was immortal, implied to be invincible, could only be destroyed by being rewritten, and as much of an asshole as his boss to the point where you wonder how this guy was dealt with in-story unless the ending saw Capricorn not just get away with everything but also win

[murdockhawkeye]

this is *maybe* a bit of a stretch but i still find interesting to think about? don't know if i have everything right

but

i feel like with the elemental opposite duos - emma & rikki, cleo & bella - you could reasonably say their arcs'd mirror each other in a way

like

emma and rikki have issues with responsibility/expectations but on opposite ends of the spectrum

emma was a gifted child, everyone had high expectations for her and she tried to meet those expectations the best she could. she’s responsible emma, who makes sure everyone is looked after, and everyone “knew” was going to become a top athlete, because look at all those trophies on her shelf

and then rikki on the other hand, was alone for “her own good.” she admitted to elliot that no one really liked her growing up, so when somebody did, it made her feel weird and she pushed them away. she stayed away from other people, made sure they never had any expectations of her

they both avoided disappointing others, by going to opposite extreme lengths

and then they overcame these issues, with emma facing a sudden change in her life (becoming a mermaid) that meant she had to give up her swimming dreams and disappoint the people in her life (that had to suck for her, honestly.) she had to come to terms with that - but then, she also found a whole new world that she’d never have been a part of, if things had gone the way she planned

and as for rikki - her biggest change wasn't the tail, but becoming friends with emma and cleo. had she'd her way and zane’d never gotten cleo stuck on that boat, she’d never become friends with them. rikki had to learn the hurdles of friendship and of keeping them, like when she mistook the different kinds of fish, when cleo and emma didn't support her relationship with zane, etc. they had their issues - but in the end, they were there for rikki, and rikki was there for them back. she'd have never gotten that kind of solidarity, had things gone the way she thought it would

and then there’s cleo and bella

bella - unfortunately, didn’t have much in terms of development, since the writers prioritized will’s relationship with her over expanding her character background+ for some reason ??

so i'm just mostly going to talk about cleo here first - but i'll get to bella in a second

cleo by s3 is a very confident and self-assured person; but she didn't start out that way. she was insecure, somewhat naive. she grew up overshadowed by her two best friends, the both of them being gifted in their own rights - emma, the young up and rising athlete, and lewis the science genius, they were sure to go places. cleo, on the other hand, was overlooked. she didn't have much going for her - except for adequate grades and a love of the marine life that was hindered by her fear of water

and then cleo became a *literal* mermaid. either she was going to avoid it or overcome it. in the end, she didn't just overcome her fear of water, but she also took a risk by taking that job at the marine park, where she'd be working right by the marine animals. she let her fear control her before, and she wasn't going to let it stop her from wanting to pursue things anymore

(funny, she started out with a fear of water, then became a mermaid. she struggled with her grades, then became a science genius)

bella, much like cleo - had her own issues when it came to the kind of attention she got, but the other way around. her first appearance, she was being catcalled. same ep, nate is drooling over her. they've made her beauty a point throughout s3. even cleo and rikki's brought it up. it. could not have been easy for her to deal with that, especially with her secret in mind

seeing that, even with the different issues when it came to attention, i think they'd still have had the same feelings about it. a younger bella, probably would've been similarly insecure/anxious as cleo had been - until she learned to be more sure about herself and grew into the bella we know and love today

(we should've gotten way more lore and background about bella, agh)

tldr; emma and rikki have same feelings but opposite reactions (people pleasing and people avoiding.) cleo and bella opposite situations but same feelings (overshadowed and center of attention)

yk, rikki was right in a way i think about the "universal law," but like, more about keeping in balance and not about trios. emma and rikki balance each other out, cleo and bella were *meant* to balance each other out. but in s2, bella wasn't there - charlotte was

do i blame the antagonizing of charlotte and cleo's out of characterness on the writers, or do i blame it on some magical semi-canon mermaid universal law about balance

blaming it on a mermaid universal law sounds more fun, and could have interesting implications. (though the writing grates me, still)

[gnomeantics]

STARKID TRENDING CATEGORY 5 AUTISM EVENT

[revvethasmythh]

So I went and watched all the possible endings, and it confirmed something I had been thinking, which is that the redemption ending choice is, perhaps, the most immediately regretful one--but that they all come with some form of regret. In the redemption ending, Rook has to knowingly deny themselves the catharsis of retribution (should they desire it, which, at least for me it felt difficult not to) in order to offer Solas one last, painful chance to do the right thing. That willful denial of your own catharsis feels like an immediate regret. Giving Solas the opportunity to pursue atonement might very well be the best choice all around, but it is also incredibly painful to offer that to someone who has done so many terrible things (not a small amount to you personally). Why does he deserve another chance? Especially when so many dead (including a beloved mentor) lie in his wake? Which, I suppose, is the point: he doesn't. But you offer it anyway and it SUCKS ASS, because how could it not?

I don't know how this plays with other story choices (a sacrificed Davrin or a Harding who embraced her anger, for example), but within the context of my own choices, I can imagine an immediate satisfaction to either tricking or fighting him--especially the trick ending, where you can actively name drop Varric--but it feels like the sort of thing that would feel worse as more time passes. Once you've calmed down and are able to ask yourself if that's what the people you've lost really wanted. Varric, in Regret Superhell, didn't want vengeance. He just wanted his friend to walk a better path. And Harding always believed there was another chance for anyone, so long as you kept reaching a hand out for them--even when it sucked ass. So the redemption ending feels like a sort of indignance, an instant regret for not doing worse, for not getting comeuppance, for being forced to eschew satisfaction (related: I wonder if the Inquisitor feels those things as well coming out of this ending, considering how long they've lived under the shadow of Solas' actions). Conversely, the other two endings feel like an immediate satisfaction, because you got to trick the trickster with all the wits Varric taught you, or because you finally got to punch him in the face and it felt really good. But I feel like those endings would come with a creeping regret, something that sneaks up on you later, especially when remembering the fallen and what they would have wanted you to do. Ultimately, because of that, it feels like no ending is devoid of regret. Which I suppose, is rather thematic.

[greyedian]

MAN I'm seriously so sad about season 2. Bc I wish act 2 had the same emotional impact on me as it appears to have on so many others. But rn I'm just somewhere between unable to care and actively annoyed by some of those writing decisions. Seriously the more I think about it the less I like it.

[humblemooncat]

I swear, sometimes I'm glad I watch prog videos before going in to do it myself, because I get so nervous going in to a new fight, only to be reminded a LOT of prog is going immediately from

"Okay, I know this"

to

And it makes me feel more prepared for some reason.