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redbatchedcumbermayned · 8 months ago

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It all started under a duvet held up by an oar

Not so long ago I emailed Chris Tester, the voice of Heinrix van Calox in Owlcat’s recently released CRPG Rogue Trader, and asked if he would like to sit for an interview with me. Having some experience in interviewing people I like, most famously Oscar winner and all-around sweetheart Eddie Redmayne, this was not a completely nerve-wracking endeavour. And within a day of sending my email, Chris said yes. And what a pleasure it was interviewing him: Chris was so generous with his time, that the agreed upon 30 minutes turned into 50 minutes as we brushed upon many topics from his start as a theatre actor to his first voice-over role in a video game to his recently discovered hobby of playing D&D. Of course, we also spoke about all things Warhammer 40k, his new found fame brought on by voicing Heinrix and the insights he could share about the character.

I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.

Part 2 of the interview

Part 3 of the interview

Fran: Thank you very much for taking your time.

Chris Tester: That's no problem. No problem at all.

F: So then let's start. You graduated in 2008.

CT: I did. Yes.

F: You started out as a stage actor. Did you always want to become a stage actor or an actor in general? Tell us a bit about your career.

CT: I always wanted to be a stage actor. Yes, as soon as I knew that I wanted to be an actor, which probably wasn't until I was a teenager. But yeah, my first passion was always the stage, and that was kind of borne out in my career. I would have been open to TV and film of course, if it had come along, I'm a huge fan of TV and film as well, but I never got an audition for any TV or film work.

I think I literally did about three short films in my 10, 12 years of actually professionally acting, and it is one of those industries where the more you do of one thing, the more you seem to find yourself doing the same thing to a degree. So yes, watching Shakespeare from an early age was one of my first passions.

And that was what first planted the seed of wanting to do it myself. The whole aspect of live performance is still something that I'm very passionate about. Up until 2020, when the world changed, I was trying to do two or three theatre shows a year, but since 2020, I haven't been near a stage and I doubt right now, especially with the way that the UK theatre scene is going, that I'm going to be back on stage anytime soon. I am resigned to that, but at some point in my career, I know I will be on stage again, because I can't live without it, but only for the right thing, both financially, but more importantly, creatively.

F: Your production company is currently on hiatus?

CT: I was the producer of a theatre company, which was run and was the baby of the director of the company, a guy called Ross Armstrong, who's one of the most talented writers and directors that I've ever worked with. I was helping out with a lot of the administration stuff so that he could still put me in plays. Instead of creating my own work because I'm not a very good writer or the best writer in the world, I support those people who will write me good parts. So yes, it is currently on hiatus, but never say never, we would always be looking to get back. It's difficult right now. It's difficult for all of us, because arts council subsidy, that way of being able to fund stuff, is drying up. We were doing a national tour of the UK when we were doing that [with the support of a subsidy]. There's even less money, there's even more people. I won't bore you with anything more than that, but it's kind of tough. We'd like to come back, but in the right way, and that's tricky to negotiate.

F: It's always hard as a stage actor to earn a living.

CT: Well, I've been spoiled by voice-over as well, and whereas when I was in my 20s and 30s then you're all about your art. And of course, I'm still all about my art, but I'm also about my wife and my cat and the mortgage and the bills and wanting to have nicer things to a degree as well. I've come to terms with that and voice-over does facilitate that as well as it opens you up to different roles and working with different people. So, I can't complain.

F: It's quite similar with making a living as a writer, because with a steady income you get used to a certain standard of living and once you have obligations and bills to pay, I think the stress on your mental health being creative and having all the stresses of regular life thrust upon you brings with it a challenge.

CT: It's a cliche we can very easily fall into: if I'm suffering, then it means I'm an artist. And that's not necessarily very true. It very often means that the art that we create only reflects one aspect of our lives, and it's usually a very tortured one. I am also about having wider experiences and broadening myself out. Whereas I think when I was in my twenties, I was thinking a bit more like: Oh, I'll experience the world and life through my art and just purely through my art. Whereas now necessarily I need to have a life outside of it as well, and then I can justify like I have the life so that I can feed my art or not, whatever. You know, I'll be a better artist by having a bit of a life outside of it. Maybe.

F: But that's what your twenties are for.

CT: Yeah, indeed.

F: Doing the crazy stuff, doing the band stuff

CT: Yeah, yeah, exactly. So, there was certainly an aspect of that in my twenties.

F: So, what brought you to voice acting or voice-over work initially?

CT: Money. Video game stuff is kind of sexy and cool, and I'm a gamer, so that's important. Before I was a video gamer, I was a board gamer and off the back of that, I was a voracious video gamer, partly because I wasn't very good at team sports at school. I was always the person who was picked last in the football team. So that becomes part of your identity for better or worse. But video games, I was pretty good at, not amazing, but I was pretty good at, and I enjoyed it. And it gave me a different form of escapism as well, and off the back of that I always had an interest in them.

So, the very first voiceover job was a video game: Dark Souls, which is quite a big franchise. At that time, I was your very typically jobbing actor. My acting agent came in and said: I got something for you. And so, I went in with that. But it was only in 2016, 2017 that I realised it was something that you could actually do yourself. People had recording studios at home and they were contacting people directly, not just going through agents. Because I'd basically written to the same 20 voice agents in the UK, mainly in London for like eight years in a row and not received anything. So, you keep knocking on those doors hoping.

Before I'd even graduated from drama school, I'd burnt a CD and made these cases with my headshot on it and sent them all off at what at the time felt like great personal expense and didn't get anything for eight years in a row. So, I was a bit like, I'm obviously doing something wrong, but I don't really know what, because I'm doing these workshops and getting good feedback. Then I found out through a couple of online courses, that there were ways and means of doing it myself, and that was a bit of a game changer for me, and within six months of having started, I was earning more through voice work than the bar job and the box office job that I was doing combined. Within six months, I was kind of like: “I gotta quit because I'm actually holding myself back from things.” So that was quite a big shift.

F: Somewhere you said, you started out under a duvet and with an oar.

CT: Yeah. On my website, I do have an image of it. [Dear reader, I could not locate this elusive photo] I literally had to take the duvet off my bed and put it into the living room, which was the quietest space in my then shared flat. I also had to wait until after one flat mate had watched TV and another one had used the table that had their washing on it. One of my flat mates had stolen an oar from some night out and that was perfect in order to be able to erect it over my head and the duvet as a frame.

I did probably the first four or five months of voice recording like that. Probably about 10, 15 voiceover jobs that I actually got paid for, I was using that because it worked well enough. Since then, I've gone through various different iterations of a setup in the bedroom, to a setup in the hallway, to my current setup. In 2020 we moved to our first house, and this is the spare bedroom which I've had converted into a studio, which means my cat can be here asleep on me or near me getting fur everywhere, but it's fine. I can thrash around and I've got natural light to work in at the same time, which I find quite important. [Pictured below Chris' current setup.]

F: Very pretty. That's good. Guide us through a typical day of yours, if you like.

CT: Oh, sure. I mean, there is no typical day. And yet, and yet, and yet. A typical day for me is, because I am spending the vast majority of the day sitting in this room or somewhere close to this room, because I may need to record at short notice, because the vast majority of jobs are quite short notice. My priority is exercise for mental health more than anything. I've got some weights at the bottom of the garden, and I will get up first thing, and I will go there and I will do that after breakfast. And that's my minimal routine of physical activity done.

And then I'll come back, and this is so rock and roll. Now what I do is, I spend like an hour on LinkedIn. And that's what you dreamed of as a creative person. Isn't it as an actor? I spend time on LinkedIn regularly every day, because it's a really good networking place for a lot of my types of work, and first thing in the morning, I'm a bit mentally sharper. So that's when I come up with a quick post that may be inspired by a bit of content that I've made elsewhere. That probably takes about 20 minutes and then I spend another 45 minutes to an hour engaging with people and saying hi and introducing myself and asking questions, whether that's with video producers or game developers or documentary makers or pretty much anything and everything. There are a lot of people who are active at that time. And so I do it.

And then after that, if I already have some recording lined up, then I'll prioritise mid-morning, because I've warmed up physically a bit more then, and I'm focused. So, you're going through the scripts, annotating the scripts, recording the scripts, editing the scripts. But then there could be live sessions at any time within that as well. I try to keep hours from nine till six. But occasionally, like with Rogue Trader, that was recorded at various different times of the day because we had people in New York, we had people in mainland Europe, and we had people in the UK. So all different time zones, so that can happen at any time.

And then I try to do other kinds of bits and pieces of marketing whenever I've got free time to. I do use really exciting productivity hacks, like time blocking. Again, not something that as a creative individual, I was like: Oh God, this gets me so excited, because it doesn't, but it works. It's finding a system that works for you, but still has a certain kind of flexibility and fluidity. I'm trying to make sure that I get outside of the house, and that kind of stuff.

Recently, over the last year, I’ve started doing audiobooks as well. That long form type of thing is quite nice to be able to dip into because sometimes you don't record for two, three days. You don't get the work. Nothing’s coming in. So, you’re marketing, but it kind of connects you back to the performance side of things to go: I can do a few chapters and you know, that kind of thing. So that's probably it. I try to formalise it, but you know, every voice actor’s day is radically different. There are people, some of the biggest names, going into different studios every week or every day. I very rarely, despite being based in London, I very rarely go into external studios. Like I would say 99 percent of the work I just do from home.

F: So how do you find the right voice for the specific type of voiceover work you do, maybe start with how did you find Heinrix's voice?

CT: Thankfully, Owlcat sent through quite a detailed casting breakdown. So, you get a picture, and that's pretty crucial, as well as a short bio, in terms of the background of the character, but not too much, because you have to sign an NDA, a non-disclosure agreement. But even if you do sign an NDA, I think developers are always slightly hesitant of giving you too much info about the game because things could still be changed. But I think I did get a picture of Heinrix, if not in the first audition, then certainly on the second one. From that you immediately think about the physicality and what might affect the voice, and there was also some direction in terms of what they were looking for. Anybody who has heard the character and me, they do not sound radically dissimilar. There's not a transformative process that I needed to go through, other than his sense of authority and the space that he takes up and the sureness that he has in that he has a kind of divine right from the emperor, so that level of confidence being brought through.

The other part of the audition was about the void ship [the Black Ship] that he'd been raised in and the horrors that he'd seen. And you as the actor have to do the detective work to go like this is showing another side, the more vulnerable side, the side that underpins all of his life choices up to this point. It's essentially playing the opposite to a degree. So it was kind of knowing when to let those elements bleed through a little bit. I think I had probably about a page worth of scripts, quite a lot of script actually to audition with.

But I don't like to listen back to it a lot, because I think you get into your head. My biggest thing is stage work where it's ephemeral. You say it once and it could be different the next night. The whole point is that there's no one definitive way of doing things. Not quite the same with voice acting, where it's being recorded and you've got to get used to hearing it back. But I try not to overthink it. Just like record it two or three times with different impulses and then review and go like, those two seem pretty contrasting. I'll send those along and hope and then never hear anything back unless I do.

#chris tester #heinrix van calox #rogue trader #warhammer 40k #rouge trader crpg #owlcat games

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factcheckingmclennon · 5 months ago

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banana milkshakes in paris: fact or fiction?

"John and I went to Paris on birthday money he received from a relative. He must have been fond of me to spend that money. He let me have all the banana milkshakes I wanted." -Paul McCartney

this quote goes around a lot. so...

did paul mccartney say john "let (him) have all the banana milkshakes (he) wanted?"

rating....

no, this quote is completely fake. however, there IS a real quote about the banana milkshakes. let's get into it!

first let's get into the fake part.

the oldest source of this quote online seems to be this deviantart post from 2011. it's full of other pretty bizarre quotes, including john saying him and paul had sex, and after that it's only turned up on tumblr/other forums. (disclaimer: as it's over 10 years old, i'm linking directly. if you are this user and you want me to take down this link, let me know please! and if you know this user, don't harrass them. it also has a collection of some other quotes that get passed around. i haven't deep dived into any of them, though i do know the quote about sex and love from john IS real as there's video of it, but take a gander and take the rest of these w a huge grain of salt if you see them around as well.)

so the quote itself???

but as for the real quote, it's actually still pretty similar so idk why anyone would make this up honestly. possibly just this user misremembering this quote & paraphrasing without saying they were paraphrasing? anyway.

from a 1987 interview with julia baird (john's sister):

PAUL: We went to Paris – we were supposed to be in Spain, but we couldn’t get past Paris, we enjoyed that so much – on the strength of his hundred quid [given to him] when he was twenty-one. We went hitchhiking. We kind of said, “Well, look, I mean, we can get to Spain on this,” you know, a hundred quid, and he was kind of um… I mean, I don’t think he was funding me as much as he was spending. JULIA: Yeah, yeah. PAUL: And I’d be there for the banana milkshake. [Julia and Paul laugh] You know, I’d just happen to be there while he was spending. I think I kind of paid my own way. But we hitched, we hitched out. And we used – we realised that in – hitching, in those days, was much safer, obviously, than it is to hitchhike now – and we realised that we had to have a bit of a gimmick. So we both had these leather jackets and we had bowlers, we got bowler hats. We thought that’ll take the edge of the kind of hoodie look, you know, that sort of ruffian look, in these bowlers. And you kind of go, “Hey!” and people would stop, you know, because this is just a couple of daft guys in bowler hats, they don’t look like a threat.

(source) (sidenote, yes that source is my blog, but since it's audio, that's something i'm willing to buy from blogs. same with video. there's really nothing too mclennon-y about this audio, so there'd be no reason to go through all that trouble faking it. i just saved it on archive.org for when i inevitably change my url on my main.)

so, did john buy paul banana milkshakes in paris?

(also, quick shoutout to @beatlesbabytrapping for correcting me on this one back on my main! i originally thought it was completely fake but penny came in clutch w this audio)

#mclennon #going through the easiest ones that i already have links for off the top of my head first...#trying to do one true one neutral and one fake #this one is certainly a mixed bag but overall? neutral #type: factcheck #checked: neutral #checked: fake #checked: true

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helpimstuckposting · 4 months ago

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TMAGP 30 Speculation

Now that it’s season finale time, I’ve got a LOT to say and a lot of ideas so I will ramble them here and either I’m horribly wrong or horribly right but unfortunately we have to wait to find that out

First, I can’t believe Alice had two mysterious talks with her friends saying they have something super important to say with a horrified quiver to their voices and she didn’t have time to listen to EITHER of them. Teddy and Colin are high high high on the list for ‘died off mic and we only find out next season’

Since Gwen was promoted (idiot) and Sam is… mmm… missing, it looks like the OIAR will need to fill at least one position, and I think it would be fun if Teddy came back to take his place as a main character. It’s possible that what he had to say was “This new job… it’s not exactly [working out]” and he was simply looking for a new one, and it’s no more ominous than that. If that’s the case, I can absolutely see him taking his position back next season. Colin’s probably dead, though, I’ll be shocked if he’s not tbh

Speaking of Colin, he called the system Freddy while talking to Alice. You know, the same guy that said “Don’t give it a personality. We shouldn’t even be calling it Freddy.” So the change up here is really blatant to me.

I’m still really attached to the idea that Jon and Martin (and Jonah’s) voices were stolen and they’re not actually trapped in the computers. However, I *do* think the voices are sentient, I just don’t think we’re right about who’s behind them. I think Freddy, the program itself, may be using the voices to push its own agenda and manipulate the decisions each OIAR employee is making. Alice gets a lot of JMJ errors, and is specifically the only person on staff who actively tunes the cases out and does not read into them.

OR, if it does turn out to be our guys, then I think it’s possible they’re working counter productively to Freddy, and the JMJ errors are a result of that — like they’re actively trying to work against Freddy. This could also be why Colin said he messed up, like maybe his attempts to deal with the JMJ errors made Freddy more powerful.

Either way, it seems the OIAR is in a huge bind going into season two. Colin probably did something buck wild and pissed the computer off, he’s probably dead, Sam is missing and they’ll need a new hire, Lena is gone (the only person who presumably knew anything that was going on) and Gwen just got promoted to boss despite having 1) absolutely no idea what’s going on with anything at all, 2) an inability to handle the externals and several panic attacks, and 3) no clue what Lena’s job even was, with no direction from the man who promoted her. It seems like even the PM has no real clue what the OIAR does, how it functions, or who it employs (“I’m sorry, do you hire a lot of murderers for contract and consultancy work?” - the answer is Yes, actually, several!)

Picturing the team next season as Alice, Teddy, Celia, and their boss Gwen is… a comedy of errors (or comedy of [ERROR]s? … Sorry) like that absolutely cannot go well. Although, we are pretty used to people being hired as a boss while they have no qualifications of the sort (also did not go well)

As for Sam, the Archivist, and Hilltop Road, I have a few questions about what could possibly happen. First, if the crack in reality was specifically calling for and tugging Celia toward it, we can probably assume that it’s the TMA universe on the other side, right? Which means Sam and the Archivist are now in our original beloved universe. I’m curious to see if Sam is just going to be MIA for the entirety of season two, or if we’ll get tape recordings of him at the same time as our TMagP friends, and we’ll have updates between both universes. I could see that being very interesting if some voice actors appear as two different people in the same episode (their TMA part, and their TMagP counterpart) but that would probably be really complicated to pull off in an audio format.

Also, we know the TMA fears cannot be separated, and that they’re possibly just one entity and have been one entity the whole time. That’s why they couldn’t start the apocalypse without all of them participating, and that’s why when Annabelle opened the crack in reality they all left the TMA universe. “Any attempt to separate the fears is doomed,” is what she said. She also said, “I would either travel with them, or I would die. I do not know which... Most would simply lose whatever power they have been gifted.”

So, if an archivist travels back through the crack in reality, what would happen to them? They’d be cut off from the entity that gave them power, right? So either the archivist will die, or maybe we’ll find out who Beth Eyre (the voice of [ERROR])’s character really is? Who they were before they became an archivist?

I don’t think they’d introduce [ERROR] and then just get rid of them without any resolution, which leads me to believe we will eventually find out what happened to Sam. I don’t think Sam’s just going to be dead or missing and never come back, I don’t see how there’d be any point to that. He is still the only person we know of who’s survived telling their whole statement, and even though he had a headache I feel like that must be significant. The janitor turned into a rock, I really don’t think a normal person would just walk away with a headache. Like, for all intents and purposes, Sam probably should have had his skin ripped off if we’re following the pattern of [ERROR] related deaths.

I hope next season focuses on Hilltop Road, because the lore in this episode was amazing. First of all, it was hard not to notice how each shop had a different danger. The custodian mentioned the drunk man walking into the newsagent and then he “ignored the smell of burnt hair and charred meat”. Then there was the shop that turned a woman into a mannequin, and Sam and Celia walked past the appliance shop where doors kept opening and closing, and the dentist that wanted peoples teeth. There was also the antique shop from episode 7 that almost buried the manager alive, plus the institute also used one of the units. I could be reading too much into it, but it feels like each fear from TMA has uhhhh… set up shop?

It’s also interesting to me that Annabelle said every owner on Hilltop Road in TMA was marked by the Spider, and died a grizzly death.

“So many schemers and spiders and full-throated monsters. Twisting manipulators and furtive liars. Each meeting a violent, grotesque end.” (TMA 196)

And the owner of Hilltop Center was no different.

“I found the owner dead in his office, with every blood vessel stripped from his body and strung around the room in a grim cat’s cradle.”

Not only did he die a violent and mysterious death, but his blood vessels were strung up ‘in a cats cradle’, which is pretty web-like if you ask me.

Anyway, I’m really really hoping to learn more about Hilltop Center next season, that’s the ONE thing I’m super latched on to post-finale

#super long post #if you read to the end I’m kissing you I’m hugging you I’m making you soup #I had so much to say #tmagp #the magnus protocol #tmagp spoilers #samama khalid #celia ripley #gwen bouchard #alice dyer #colin becher #lena kelley #annabelle cane #helpimstuckrambling

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heartfullofleeches · 2 years ago

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yes please dear god smile reader is baby

[Very baby. Here's how Yan Scientist and their slime formally met]

"Subject 43? Payment for yesterday's efforts."

"An apple....but you said I could go home."

Feeding day - as if their headache couldn't get any worse. Like common livestock, their possessions squealed and whined about the most senseless things. Pleading for testing to cease; begging to be returned to their families when it was their love ones who sold them to begin with. The scientist would sooner snip out their tongues if it meant a moment of peace, but they were not a tyrant - plus verbal records of their subjects experiences was easier to stomach at night than written. The audio logs had lulled them to sleep better than any pill or liquid could.

"I said it was a possibility - if you did what I asked properly. You may have killed your cellmate, but you did not bring me their eyes. A shame really. I took the time out of my day to prepare your meal by hand. Ah - well, there's someone who will appreciate my efforts more. Tell me, tuna or ham?"

A wet gurgle sounds from the scientist's pocket."

"Both? You greedy devil. I suppose you do deserve something special for putting up with the same pains that I do."

The scientist picks up two sandwiches and smushes them together as the mass in their pocket becomes denser; gooey tendrils slithering up the length of their coat and crawling onto their shoulder as they lift their hand. The blob sucks up the sandwiches into its gelatinous body, wiggling with delight as they're broken down and absorbed into its structure. The scientist pats the gel with one finger causing it to vibrate more violently resulting in a breathy laugh from its owner.

"Alright, we have more subjects to feed. Come on, You - you too."

The scientist snaps their fingers at the Henchman wheeling the cart who closes the cell door as they both exit. The slime creeps down their shirt and through their sleeve as they walk, resting in the scientist's palm. A marvel their little companion was. They wished they had the honor of creating it, but it's origins were a mystery even to them. The scientist found the creature munching away on the undissolved bones of a past test subject. From numerous experiments, the scientist discovered their new lab partner could not only breakdown organic compounds, but most non living object too and had a choice on what it consumed. It made for the perfect little helper to get rid of all the dead bodies and those who oppose them. The best part about the slime was that it had no mouth and therefore the most tolerable member of the team.

The scientist's smile melts as they enter the next cell. The stress that had fled them by the usage of their slime as a stress toy skyrocketed seeing the act of utter betrayal pointed at them. A lackey, standing over a motionless subject - gun raised at their employer. The scientist sighs.

"Please remove your mask."

The Henchman does as told. Figures - there was only one other person the scientist trusted with the codes. They supposed trying to make this a family business was a poor decision.

"Emery - this has got to stop."

A chuckle. "Does it really?"

"You won, just let him go. I know you didn't have the best upbringing, but he still your -"

Emery grits their teeth, squirming the slime so hard it slithers out of their grip. "You don't know shit. If it makes you feel any better, I haven't actually done anything to him - yet. Just locked him down here, with all the others nobody would care to miss. There is no persuading me on this. If you have nothing else to say - do it."

Their Henchman reaches for his gun, Emery rests their hand over his. Through clouded view and reasoning, the figure steadies their gun. They look away, unable to look as they pull the trigger on the once innocent child they knew. Emery doesn't flinch as it fires - a teal web covering the entirety of their chest and dissolving the bullet as soon as it hits. Their attacker looks on in horror, but before they can do anything Emery takes their henchman's gun as their own and fires back, bullet piercing their heart. Emery's head falls, expressionless eyes gazing out at the person left alive - mouthing two words.

"Your fault."

Emery exhales, placing a hand over their chest and gathering the slime into one ball. "One thing after another. Now I have to fire a new head. Eat your meal and return to me when you're done."

They lower the slime to the ground who plops out on the smooth surface - spitting an apple out that rolls at the scientist feet. They pick it up as they walk off, wiping away tears.

A picture frame shatters.

"Why would you choose him and not me. Why!?"

The picture holds a smiling, bucktooth child in the arms of their butler as they show off their award for the camera and all to see. The person who taught them everything, the only one there when they had no one. Emery throws an empty bottle at the image, sinking down at the foot of their bed - cradling their arms to their chest.

"why....."

The sound of wet suction weaves into their cries as the slime wrigglies itself beneath the crack in their bedroom door. It inches towards them, shaking violently before spitting up as locket on the floor. Emery goes to grab it, but as they do the smile shoots up their arm and spreads out, and puffs up over their shoulder like a makeshift pillow. Emery cards their fingers their hair, climbing to their feet and pocketing the trinket.

"I guess I do need some rest. Thank you, You. You seem to be the only one I can't trust."

More gurgles.

"I guess I should give you an actual name eventually." They sight - broken body collapsible on their bed and crawling under their blankets with the help of their aid. The slime hops up on their pillow as they raise their head - solidifying as they rest. "Goodnight, You."

That night - Emery had the worse night's rest they ever had in their twenty-seven years of living.

"You are my sunshine. My only sunshine. You make me happy, when skies are gray~"

Is someone ... singing?

"You'll never know, dear. How much I love you-"

The voice sounds so familiar....no... There's more than one. It's hard to remember something so sweet - when all those voices ever did was beg you to stop.

"Please don't take - my sunshine away."

Emery shoots up like a lightning bolt. Their hands search the bed for their glasses which had fallen - finding a squishy, but very real feeling hand beneath their grasp. Emery locates their glasses as the body's see through eyelids peel back.

"Goodnight, You!"

Emery screams - rolling out of the bed in a tanglement of their blankets and obscenities. The interior in the bed sits up, puzzled; bubbles floating through their translucent body as their anxiety peaks.

"Emery.....this you?" The figure points, noting the odd number of fingers on its hand as it looks at theirs. "Mmm wrong...."

Emery's eyes widen as the slime's sixth finger merges into the fifth. "Y-you?...."

The slime chirps. "Emery!"

Emery looks strength in their knees. "What? How?..."

"Ahhh.... You - eat meal... gr...ow better at shape. Too much at one time - hard to understand. Able to single out things Emery say - Emery is... the only one I can trust."

Emery clutches their head. "Ngh..."

"Help?" The slime lunges foward, reverting to its natural state as it crashes into the floor and forming back into its humanoid shell as it catches them before they stumble. It was hard to notice with half of them hanging off the bed, but the slime was massive - size their size if they had to estimate. They bury their face into their hands. "This can't be happy.

The smlie's droppy smile falters. "Wrong? Wanted to make you happy. I..will go back if it makes you happy. Sad Emery...makes me sad too."

Emery looks up at the slime. They raise out their hand, stroking the slime's cold cheek. It hums with a full body shutter - leaning into their palm until their fingers poke through the membrane. Emery retracts their hand, sliding it into their now empty pocket.

"It's fine. I guess we really need to pick a name for you now."

"Mm I pick?"

"Do you have something in mind?"

"Y/n!"

"Where'd you pick up that one?"

The slime points to their head. "Memories. I... like it the most out of them."

"I see... Y/n, it's cute. Alright, Y/n - let's go get some breakfast."

The slime spits a small bag from its stomach contents onto its hand, giving the trail mix too them. That's much more alarming when it's coming out a real mouth and tongue.

"Breakfast!"

Emery takes it with two fingers, holding the dripping bag away from their face. "Thank you, Y/n......at least I have you by my side."

#yandere #yandere x reader #yandere imagines #yandere x you #yandere headcanons #yandere insert #yandere scenarios #yandere blurb #yandere oc #yandere scenario #yandere drabble #monster reader #Slime reader

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jokeroutsubs · 6 months ago

Text

🎈🍰Nace Birthday Special🍰🎈 ENG SUB: JokerOutSubs x RADIOaktivno collab: 'Demoni' Album Presentation

Audio + CC link: https://youtu.be/4plC7TteUGw

We are once again very happy to have been able to collaborate with Boštjan Najžar from RADIOaktivno podcast (Facebook, YouTube), with whom we already worked for 'Umazane misli' subtitles. He very kindly reuploaded the deleted Demoni album presentation video on YouTube and we were able to provide subtitles for it!

Below you can find the transcription of our translation of the interview, which originally aired on 23.11.2021, on Radio Prlek/RADIOAktivno YouTube channel.

Cr: Translation by drumbeat, @varianestoroff, and another member of JOS. Proof read by TWT klamstrakur, Anastasia and @flowerlotus8

Transcript 👇

Everyone: We are Joker Out.

Bojan: And you're listening to Radioaktivno.

Host: 'Katrina' by Joker Out, all the members are with me today on Radioaktivno. New member Nace, Kris, Jure, Bojan and Jan. Hi!

Nace: Hello!

Kris: Hi, greetings.

Jure: Hi, hi.

Bojan: Good morning.

Jan: Same… also from me.

Well, even though it's already evening, I see your days are short or they turn immediately into mornings.

Jan: Yes, we usually wake up at 8pm, and stay awake for two days, and then we go to sleep.

Isn't 8pm already the end of the day, or is that when the soundchecks are over?

Bojan: We basically call it vampire rotation. So… We skip the soundchecks and then, when we wake up, we get out of our coffins and go straight to the stage.

So you don't like the light?

Bojan: No, we're not really comfortable with light, yes. Sunglasses are mandatory.

Kris: That's why we live in Ljubljana, where it's never really bright anyway.

I disagree. I was looking at some photos today, and when the sun was out over there, here it was still foggy.

Kris: See, that is why we are here today.

Bojan: Well said.

'Katrina'

Jure, we started with 'Katrina', with the single that launched your new album.

Jure: Yes, it's true. 'Katrina' is the first single we released at the end of August, before the album was out. What can I say? We also made a video for it with Mark Pirc.

Bojan: Maybe the most energetic, or one of the more energetic songs on the album. It kinda feels like this album is maybe a bit calmer compared to the first one, or more oriented towards, how should I say, yes, frustrating, restless moments. So 'Katrina' is, and let's say, 'Ne bi smel', which we will hear later, kind of represent the high point in terms of rythm, we think.

Today we also have in our company a new band member, Nace. How did you integrate into the band after a few weeks?

Nace: I will say, musically, I never doubted it, but as mates, or, rather, band-mates, we've been slowly growing into a little family, I think. We've spent quite a bit of time together now, in the span of a month, and I have to say, they've grown on me so much, like, yes, a family, right?

Have you passed all the tests, taken all the exams?

Nace: I mean, I had the last one yesterday, but, I have to say, that I didn't quite get an A, right?

Kris: And what was that test?

Nace: Well, about the history of Joker Out.

Kris: Oh, yes.

Nace: So I learned something new as well alongside the mistakes, right? But I've still got time.

I see though you have integrated into the band well, you've already got your sunglasses on.

Nace: It was a must-have, right away, as Bojan called me at the time, he said, "Do you have (sun)glasses?" I said, "I do". And that was it and he said, "I think we've found the one."

Bojan, do you have difficult admissions exams, then?

Bojan: Well, I wouldn't say we have difficult admissions exams. Rather for the reason that there are practically no admissions exams, the same thing happened with Jure and Nace. Basically, when we kind of said, we want him, it was more based on this energy that they were radiating, not so much just on musicality, or whatever you want to call it. And in both cases we made the right decision. Now, I believe that we are done deciding.

The next one will be 'Ne bi smel'.

'Ne bi smel'

Jan: Yes, 'Ne bi smel' is a song that we "should have" written, and it's actually, along with 'Katrina', quite a bit, it's the second most most energetic one. I think we had, I mean that Bojan, had maybe the most trouble with the writing of its lyrics, but…

Bojan: The most and the least trouble simultaneously.

Jan: Yes.

Jure: But I think the least work we had was with the instrumental, it got put together really quickly.

Bojan: This song is, well, good thing Jan took the microphone, because I wrote the lyrics for 'Ne bi smel' practically as they are today, crossed them out completely and Jan came into the rehersal space very upset and said to me, that I had to go back to the old lyrics, and I'm really…

Jan: You shouldn't have changed it.

Bojan: Yes, but I didn't know how else to…. So, yes, well, that song was just a big frustration for me, actually, because I've changed the lyrics so many times and ended up going back to the first version. But yes, enjoy.

'Ne bi smel' and Joker Out with their album 'Demoni' on Radioaktivno. Fresh from 'Umazane misli', you've released a new album.

Bojan: Yes, our ghostwriter was really diligent, so we were able to get the new material out very quickly. No, actually, we can't believe it ourselves how quickly the second album came to be. Especially because the first album was quite a torturous process, at least in the finishing touches, when it came to mixing, and we all thought that we got tired of making music and that there wouldn't be an album at least for a while. Then we really reached a moment when…

Jure: You know what happened? We set up the rehersal space.

Bojan: Yes.

Jure: And we announced Križanke, and then we were like, "Okay, now what? Maybe we need to go to Križanke…" Yes, we announced Križanke earlier than we started the album.

Kris: We sold it out before we started the album.

Jure: Yes, well, that too. We went to Križanke and we said, yes, well, we gotta release a new album, right, for Križanke.

Jan: But we've also sold it out promising this… the debut of a new album that hasn't even been made yet.

Jure: Yes, yes, we haven't done anything yet!

Bojan: When it hadn't even been planned yet.

Jan: Not one song, nothing.

Bojan: Nothing. We were like, "Hey, ten really sick songs, that for now don't exist yet, but we'll handle this later ."

But then these songs were created very quickly, because Križanke was in September of this year?

Kris: Yes, they were created quickly. I mean, if we're being completely honest, some have been in the making, even when we were making the first album, because, you know, you can't frustrate yourself with only ten songs, that you've been twisting for two and a half years, and Bojan in particular and I have written a few songs in between, or outlines. Then we built from that, when we started, the first draft. For the first draft.

Bojan: A first draft and an outline.

Kris: Right, a first outline.

Which means that things have been happening very fast for you lately?

Kris: Yes, things are moving quite fast, maybe, maybe even too fast for some. [someone gasps dramatically and Kris laughs] No, but in my opinion, we're all excited about it, and we're basically happy that everything can evolve so dynamically.

Can you all keep up?

Jure: I think so far yes, we have a great team around us, who really help us a lot. So, yes, we're keeping up with everything so far. A problem would arise if we didn't, right?

Bojan: And then we would break up. And in ten years' time we'll have a reunion and sell out some venues again and then break up again.

Jan: No, we must not disband now, because there's one Instagram page, a page called Joker.Out_nesmerazpadt [Joker.Out_ shouldnotbreakup]. So, let's not disappoint our fans.

Do you follow social networks well?

Jan: Yes, we must. Because, I mean, as someone who deals with social networks in the band, I feel like I spend a lot more time on my phone, doing whatever it is I'm actually doing, than making music. Which is a bit of a shame, but it's just how it is today, if the band itself promotes a brand of its own, its own image, you have to take care of the other things as well, that are not music.

Bojan: I think you should be grateful for all these references that you're going to be able to put to good use in PR and strategic management…

Jan: What, you mean if I wanted to get a job at Telekom?

Bojan: …when we break up and you'll be looking for a real job as a TikToker.

Someone: Manager.

'Plastika'

With the second one, we'll undergo surgery. It's time for 'Plastika'.

Bojan: Yes, 'Plastika' is a song that was written in the studio a few days before the album was released, basically. I didn't know what to write about, and there was an article in Delo about how 1/3 of Slovenian teenage girls want plastic surgery, and producer Žarko Pak looked at me from his chair and said, "Write a song about this." And I did.

Joker Out, 'Plastika', album 'Demoni' which we're playing today. You're not the luckiest with electricity. And if we connect this to Ormož.

Jure: Oh yes, yes, I mean, at our place we installed the wiring ourselves, so we're good electricians. But if the fuel runs out in the generator, it's not our fault, right.

Bojan: Yes, Ormož was such a lucky-unlucky situation, because we ran out of electricity during the concert, but luckily, that's the lucky part then, we were so, I would say, in the right mindset, that we went to stand on the speakers in front anyway, and sang and strummed on the acoustic guitar, until the power came back on, so it was actually one of those special little moments, and the flashlights and the lighters were on, you know, romance, people kissing, dancing, hugging, so, nice.

Does that mean you are also working on an acoustic repertoire?

Jure: Not yet.

Jan: Only in Ormož.

Jure: [laughing] Only in…

Bojan: Ormož special.

Jure: No, not yet, I think it's a bit early for acoustics. We'll do it later, in our old age, when we don't know what to do anymore.

As the older musicians say, when you go to their concerts, or like when you start playing around 5 or 7 PM at the latest.

Bojan: Yes, yes, that's it. Acoustic. Have a seat, and we'll be done at five.

Jure: Then let's go home and watch the news, you know, at seven.

Anyway, you have a lot going on right now, you sold out Križanke not long ago.

Kris: Križanke was just now, yes, actually, they seem… Even though it may be, we've been on holiday and I don't know, I think we did ten concerts in between, so Križanke seems like a long time ago. But now we're basically already heading to another bigger venue, Stožice, on October 6th, 2023. Yes, exclusively, exclusively for Radio Prlek. On the other hand, especially now with our latest single 'Demoni', we also have our eye on the Balkans and we're waiting to see if anything happens.

How do sold-out venues affect you?

Nace: I mean, I'm looking forward to Stožice for now, right, which I have no doubt will be sold out. So, anyway I don't know, I wasn't with them in Križanke, so I can't say that I've experienced it, but let's just say, that I look forward to everything that is coming.

Does this give you extra motivation to practice more?

Nace: I mean, if I may be a little cocky, I think I don't need to practice, right. But if you don't believe that, I recommend to come to a concert and listen to me play.

I see you have a good new member.

Bojan: Yes, yes.

Jure: Good at lyings, good at lying.

Bojan: Nace is a few years older than us, right, and he's…

Jan: Just by 30 years, right.

Bojan: 30 years older. …that he has quite a lot of experience. and he's a professional musician, so we're really just a bunch of amateurs compared to him, right, as far as practice is concerned, so I think, that Nace is quite right at this point, that if anybody needs a little bit of practice, it's us, and maybe me most of all, well, but let's move on.

Kris: To be completely honest, since being in the band Nace has requested to reherase the most. And even then we were like, "No, no, we don't need to", so… It's not entirely true, this facade that he's put up.

Nace, how much musical experience do you have, then? In which bands?

Nace: Me? I mean, oh… This question surprises me every time. I mean, with time, when you play so much you tend to forget people and I always find it hard to put a spotlight on people because I know, I will forget someone and I don't want for them… Well. What should I tell you?

Jan: About the cruise ship.

Nace: Oh, yes, as a fun fact, I can tell you that as an 18 year old I already went into the world, on a ship, on a cruise ship, to play where I spent half a year, I saw a bit of the world I came home and started to get a bit more involved in the Slovene music scene. So, maybe it's one of those things that most people have seen and I'm still a member of the 'Diamanti' band. RTV Slovenia programme 'Friday Evening'. And I was an accompanist for quite a lot of Slovene artists, I also recorded some things. So, I think that I've already left a mark, but it's far from final, and I think I will also leave one with the band, I'll bring something new to the band and show that… Who is, not who is Nace Jordan, but that I deserved this spot.

I almost heard, who is Nace Junkar?

Nace: You're not the first, well, but… as much… I'll say that Nace is a great person, right, as far as I got to know him, but I don't want to be mistaken for him. Jordan and Junkar, there is a slight difference

'Demoni'

The next one is 'Demoni'.

Jure: Oooh, little demons.

Bojan: Mhm.

Jure: The first one in Serbian. Bojan, I think it's best if you tell us more about it.

Bojan: Well, 'Demoni' is actually one of the first songs that I've written in Serbian in my life. The reason behind it was mostly or rather, let's say that the reason can be split into two parts. The first part is because we share the aspiration to go out of Slovenia's borders, to the Balkans, which are familiar to us. And the second part is that my roots are Serbian and I always wanted for my grandma to understand what I'm singing about because she always tells me "Yes, it's a lovely song," but if you don't understand it completely then it doesn't have that much meaning, right I've always wished for her to be able to understand so now she understands. Though she wasn't that excited about…

Jure: Right, she wasn't, I was just about to ask…

Bojan: No, that there're demons, it confused her. Why demons, is there something wrong with them, like that. But nothing is wrong, grandma, everything is all right. Everything is all right, grandma.

Demoni' from Joker Out on the Radioaktivno show. Exit was this year. A Serbian festival, world renowned, with a lot of people. Did you have fun there?

Kris: We had a lot of fun. Above all it was our first non Slovene concert experience for us. Before that we played in Poreč but more for Slovene students. So it was our first time introducing ourselves to the international crowd. And one might say that the majority of the crowd were Slovenians, but I was under the impression that a few foreigners were also impressed by our concert and that we left a mark, now we're hoping to be called back to Novi Sad because we had so much fun during those days when we were there.

Bojan (in Serbian): Brothers, call us, we would very much like to come back.

Have you then made a grand enough entrance through the doors to the Balkans?

Jan: Yes, we rang…

Bojan: With a club.

Jan: …with a hammer on the door. I don't know, I mean… I think that after a concert in Stožice the band that does it, also needs something new, something fresh. So, outside of Slovenian borders, there are many ears who want good music. So I think that Serbia is a great destination.

Nevertheless, the title of the album is after a song that is in the Serbian language.

Bojan: Well, that isn't that relevant. The title of the album was actually chosen because we thought that the word demons sums up all these elements we were surrounded with from Cvetličarna onward pretty well. Demons represent good responses bad responses, demons were sleepless nights, a lot of concerts, demons are the new songs that aren't made yet, demons were Križanke, that we sold out without having an album. Basically, a lot of demons were keeping us company we were each other's demons, because we were together all the time, maybe we were fed up with each other in some moments maybe we missed each other in some moments. So we really thought that this very short and clearly defined word that covers a broad spectrum of things that were happening to us. Not just negative but also positive, but yes.

Are you ever asked why Serbian and not English? Because the majority of artists create in English to break into the international market?

Jure: Well no, I think we aren't asked this much but I think that each one who starts working in English in Slovenia comes back to Slovene at the end.

Kris: We'll come to that. We have …

Jure: But yes.

Kris: We have a more long term tactic than most Balkan artists. First, go to the South, then through the South to the North, through the diaspora. So, first we have to conquer Serbians and Croats and all the others and so…

Bojan: and Bosnians and North Macedonia...

Kris: …and all the nationalities in between then we can go to whichever German, Swiss Austrian club to play.

Bojan: Well, no, you know what, being an author and wanting to stay authentic it's beneficial to stay in the language that suits your creative process and Serbian is my mother tongue which I think I expressed myself quite well in, right. Especially considering it's my first try. We'll see about English, I need more practice. I listened to an interview and I am pretty stiff... In English I mean.

Everyone: [laughter]

Practice makes perfect, they say.

Bojan: It wasn't planned. Yes, practice makes perfect.

Kris: You mean, have you listened to that interview yet?

Bojan: No, I haven't. I lied. But It's not like anyone can tell.

'Padam'

Next one is 'Padam'.

Kris: 'Padam' may be the first song that we envisioned for the new album to me it seemed that it defined the direction and vibe for the album very well. But when Bojan was playing it to us, it was very, very different. It was more suited to a band format than it is now. Do you remember?

Jure: Yes.

Kris: Yes, it had a demo with drums and that. Yes, I think so. I was sure then, that, that it would be, because it was a strong song lyrically and melodically and I was sure that it would be the biggest single of the album. But then, over the album making process, we somehow changed it and stripped it down and turned it into some kind of an acoustic ballad that really forces you to listen to the lyrics. Maybe it's not a banger as it used to be but it stands out more.

Bojan: So if someone says that Joker Out is a band that only wants hits it's just not true. This is a lie.

Also ballads.

Bojan: Also ballads.

Jure: That are hits, of course.

Bojan: Yes, yes. Right, that's a given, it's a given, god willing.

This time you offered us ten songs. It's interesting that you haven't released singles before but you first offered the album and 'Katrina' at the same time. Different approach than with the previous album where singles were combined in an album.

Kris: Yes, well in an ideal world we could release a few singles before the album release but we wanted to have two whole albums released in such short time that we actually didn't have time to deal with the process of releasing singles before the album release. But we'll definitely release a lot of singles from this album after it's out. So, 'Katrina' is released and 'Demoni', and then a lot of things can come. Also, for example, a song that to many didn't look like a single from the album could be released with a music video. When we released the album, there were I wouldn't say mixed responses but different people liked different songs. Now they maybe figured out which ones are more favourites and which aren't. But anyway, there's something for everyone on the album every listener can find a song or two on the album that are their favourites. And it's not as if it's so unevenly distributed.

Nace, how many times have you listened to both albums?

Nace: To both? I mean, I listened to the first one more for sure, since it has been out for longer, right. Otherwise, I listened to the second one immediately when it was released, I started listening to it in order to learn it. So I practically listened to it at least once per day for a month when the boys were vacationing. And maybe I might have gone over the guitar part as well, while driving, so, out loud, through Ljubljana, windows down, you know how it goes.

Bojan: You were driving, you were driving with a guitar in your car. Are you insane?

Nace: Look, I knew that I couldn't come there and not know, so I took advantage of every minute. I'm driving from Kranj, you know that is half an hour every day, when you go to Ljubljana, and it comes in handy. You know, a rush hour and you can… At least that bit of 'Padam' where tha bass comes in you know, I can practice it in between.

If we focus on sound, can you compare it to the debut album?

Jan: No. I mean, in some aspects, yes we're still us, the same people that also created the first album but the first album was recorded very sporadically. First, we recorded some drums, then the bass three months later, then we were recording the guitars for half a year every day, for a few hours and it dragged on, the thought process wasn't connected but it was more fragmented. So yes, I think that this album because for the most part we recorded it all together it works more coherently, in regards to sound.

Kris: If I may add, besides the whole process that influenced the sound, with this album we paid much more attention to the sound in post-production and instead of Žare who mixed the first album we found Todd Burke from LA this time who is a mixing and recording engineer there and he actually contributed a lot and he elevated the professional level of the whole product.

It means that you went from disorder to order?

Jan: We went from a mess to a blooming meadow, yes.

Who is the main author, or rather how do you create?

Bojan: Well, I'm the main author but this album was really like… What can be heard… What can be heard on the album was really a product of all of us because it was actually being made at the rehearsal space Songs were changing a lot from day to day from moment to moment. We tried a thousand and one versions for each one all ideas were welcome so I think that we truly found what everyone liked the best for each song.

As can we can see, now your rehearsal space is pretty nicely done.

Bojan: Yes, our rehearsal space is actually like our holy temple that we built ourselves. And we are immensely proud of it. Here, I think Jure is the most suitable to talk about it because he was, I'll say, the main author.

Jure: Installed the wiring and… Yes. Yes, we have a lovely space now, yes. It's nice, it's nice to come to the space and feel at home. Because it's a different energy and you can be more creative. I remember the beginnings, when we made the space when we first played there, do you remember it?

Bojan: Yes, yes.

Jure: When it was like, "Oh, sick."

Bojan: And then Maček, he thought it was so sick that he slept there for a week.

Jure: I do that even now.

Bojan: The rehearsal space influenced the album's creation a lot. Really, so I would say that a space is one of key elements for the band.

'Vse kar vem'

The second part is the lyrics, who's in charge of those?

Kris: Yes, again, for the most part, Bojan. although on this album one was written entirely by me, and one was a collaborative effort, between me and Bojan. That's actually the very next song, 'Vse kar vem', which we basically, I had an outline of the chorus, when last year, in March 2021, we went…

Jure: That's almost two years ago then.

Kris: Right, no, a year and a half. A year and a half.

Jan: Where were we?

Bojan: You've already had that in Šentjernej

Kris: I'd had it in Šentjernej already? Okay.

Bojan: Yeah, you've already revealed a bit of the chorus.

Kris: Oh, okay, interesting. Well, but we worked it out in March 2021, when we went to a hunting lodge in Lower Carniola and we took the chorus, Bojči changed the vocal melody slightly, we kept the lyrics and we made it into a whole song, which is basically based on these four chords. And he wrote segments of the lyrics, from the verses and the stanzas and the song grew spontaneously. I don't know if either of us even really knows what it means, because the stanzas are kind of in contrast to the chorus, but they come together very well.

On the album cover you are surrounded by mirrors and flowers. Except Nace, you are not there yet.

Nace: That, you asked the wrong person. It's just, when I look at the album cover, ah, the cover's pretty wicked. If you look at all the details in the background, how the guys are positioned, take your time, because I think you should dig into it at least a little bit and admire.

Kris: The album cover, if I may add, basically, if you'd like to see more details of how it was made, or what it all looked like, our new video 'Demoni', which was released a while ago, was basically shot on the same set and the same day, as we were doing the photoshoot for the album cover and it kind of visually supports the title track of the album.

Jure, is there something you wanted to add? For the album cover?

Jure: That they should buy the CD if they wish to see it.

Bojan: I would just add, that we are extremely happy and very grateful for the team, that was responsible for this creation. There was Primož Lukežič on camera along with Mark Pirc on the conceptual design, Andraž Drobnič on the graphic design and Damir, or Ponorelli, who did such a good job of styling us.

Who is in charge of your image?

Jan: Partly ourselves, for…

Bojan: Partly our parents.

Jan: Partly the parents, yes, they take us to Nama occasionally. Well, for the big concerts, for the videos and for the album cover, for the videos 'Katrina' and 'Demoni' and for the concert in Križanke, Damir Ponorelii handled the projects for us. Damir Raković Ponorelii. A good name. Well done, Damir.

Bojan: Rakičan.

Jan: Yeah, I think he, sometimes it's good to have a sixth eye. When we try to style ourselves for a concert and things don't…

Bojan: You mean the 11th and 12th eye?

Jan: Yes. Yeah, I mean, yeah. Right. He's probably got a 13th eye as well, right.

As you mentioned, you also filmed the most recent single, 'Demoni', in the same style?

Bojan: Yeah, we shot the video on the same day, as Kris said earlier, the same day that we shot the cover photo. So, it's seemed quite logical for us to make the most of this set, that's been set up in the studio, the guys have brought from the Ljubljana Marshes the whole covering, the mirrors were set up and it really kind of encapsulated the mood of the song of 'Demoni' and the album itself. And I believe we were pretty much done in two hours. Actually, the post-production was probably more complex for Mark. As you can see in the video, it took a little bit of video-shop skills as well, or whatever they're called.

Kris: Uh, if I may comment, you haven't actually heard this before. A while ago, when Jure and I were guests on the radio, the host said that when he first looked at the video, he was genuinely frightened. That he was a little bit thrown off, right, when he watched it. So in my opinion, we've achieved with the video what we set out to do.

Today, actually, video production is a necessity.

Kris: Yes, it is. Especially for the Balkan market, I believe, a song doesn't exist if it doesn't have a visualization, right, and a video is your way in if you want to. In Slovenia, we still have this way of life, where one would indeed listen to an album or buy a CD, which is nice to know, no.

'Ona'

'Ona' will be next, also in Serbian, and Bojan curses in it. How so? Or is it coincidental?

Bojan: Yeah, you know what, this cursing infiltrated itself very spontaneously in the lyrics. And I'm not the biggest fan of that kind of thing in principle, but it seems to me that in the whole context of the song, that phrase was very fitting, it's just an expression anyway. The thing that you really don't give a * for something, is just part of everyday vocabulary, including me at home. and when I showed it to my parents, they thought it was pretty amusing, not vulgar, and I don't think it's vulgar either, so yeah.

Jure: I'm interested in what your grandma said.

Bojan: But Grandma was mor… Okay, here we go. Grandma was slightly offended the first time she heard it. The deal is, she couldn't quite imagine how anyone could just put something like that it in a song, right. But she told me a month ago, that she really, really loves listening to this song now and that she thinks it is hilarious.

Jure: Yeah, well, come on.

See, now Bojan is no longer a nice little boy.

Jure: Now grandma knows what you're up to, right.

Bojan: Now he's a nice little girl.

How did the listeners respond to the second album?

Jan: According to the interactions we had with them live and through social networks, I'd say pretty good, right. I mean, maybe it wasn't what they were expecting, it definitely wasn't, they weren't expecting techno, bangers and what else we've got, yeah, the Beatles on acid, but I think we've intrigued them, that we kind of poked them, which I think is quite welcome.

The reviews are also positive, as you can read online?

Kris: Well, you know, I've read two so far. One was Croatian and one Slovenian. The Croatian one was maybe even a little bit more positive. The Slovenian one was, basically, based on it still being Shagadelic rock'n'roll or not. See, I don't know, maybe it is, maybe it isn't.

Bojan: You know, how you can ask the creator…, anyway, we invented Shagadelic rock'n'roll, right, so, whatever is made by the one who invented it, it's just it.

Jure: It just is.

Bojan: You can't…

Kris: I mean, yeah, okay, I totally agree with that, but you know, they've just based their impression of what Shagadelic rock'n'roll is on our first album, and maybe for most Shagadelic rock'n'roll is, what 'Umazane misli' was. But you have to allow for the possibility, for it to develop, because if you don't you're going to be listening to 'Umazane misli' 2, 3, 4, and 5 for the rest of your life, and we wouldn't want do that. We have decided for the morning after 'Umazane misli' and that is what 'Demoni' is.

What about the initial reactions from the Balkans?

Bojan: Last time we were backstage with Buč Kesidi, who are, let's just say that, at the moment the most active band in the Balkans from the younger generation and they were very, very, very, very, very excited about the album. And for Demoni, they said, "This, bro, is such a bomb, bro, it's gonna be a megahit, bro. I mean, literally, it's killing it, bro."

I mean, Bojan, this sounded very authentic just now and exactly as they'd say it.

Bojan: Yes, yes. That's exactly how it was, right. I didn't make a thing up.

Kris: He basically played the recording just now, since the listeners won't be able to tell.

Probably. Nace, are the listeners the main critics then, underneath the stage, in front of the stage.

Nace: I mean almost certainly. I mean, that's who this music is being made for, they're the reason we go on the road and perform. So I think it couldn't be any other way.

How have they received you as the new member? Is there more buzz around you now?

Nace: I'm not sure if I'm in the spotlight. And I think that neither they nor I, or anyone else for that matter has tried to thrust me into it. But it seems to me, just moving from concert to concert, that they're warming up to me, and so on… They're already shouting, "Nace!" and it feels really nice.

Kris: Has anyone approached you for a photo?

Nace: Yes, they have…

Bojan: They already have.

Nace: They have, they have.

Kris: Oh, great. This is a good sign.

'Tokio'

Next one up will be 'Tokio'.

Jure: Oooh, 'Tokio'. We love playing that one at concerts. I dunno, it's such a vibrant song, really. I'm lost for words…

Bojan: You're full of fun ideas…

Jure: No, you know what, it's 8 PM and my mind's blank.

Bojan: Okay, okay, yeah, we just woke up. Well, the reason is, 'Tokio' is actually… 'Tokio' because my first demo was in English, it was a bunch of gibberish, but in between was 'Dancing in the Streets of Tokyo' and Žarko insisted that this catchphrase has to stay. So, then we were making jokes a bit, about playing in Japan, and that's why I included two sentences in Japanese. And it was really cool, because when we were recording the vocals, we were like, "Okay, what's the Japanese pronunciation now?" and then we called Jan's ex-classmates who are studying Japanese studies, to tell us how to pronounce it, and we called a Japanese lady, someone Žare knew…

Kris: Some Slovenian man, married to a Japanese lady, no idea really, but, Mami Narita…

Bojan: Yes, yes, Mami Narita…

Kris: Yes, yes, yes it's not a joke at all. It's, it's, maybe you should leave this out, so it's not on record, but, it was actually her name, Mami Narita.

Bojan: Don't put this in in, please.

Jure: Yeah, well, whatever, it's a name. Whatever?

Bojan: I mean, she could be the only one in Slovenia.

Or, if you know the singer Stella, you can get in touch now, she's just gone to Japan to study.

Jure: Really?

Bojan: Well, here we go.

Jure: We've met Stella, haven't we?

Bojan: We know Stella, yes. We haven't been in touch for a while, though, but, right, Stella's a great girl. We've met Stella, but, yeah, we're probably not going to be hanging out that much, obviously, if she's going to Japan.

She's already there.

Bojan: She's already there? Maybe we'll visit.

Kris: Maybe the song is about Stella.

You've had a vacation since Križanke, was it an active one or not?

Jan: Yeah, I went to Littoral Slovenia for a week, with a tiny keyboard , among the goats and the hills above the Vipava Valley. And then Jure and I went caravanning around Germany, where our tyre blew up twice, but let's leave out the details. And we bought some new equipment, so, yeah, it was spent actively in part and in part, we did rest.

What about you Bojan?

Bojan: I've spent a few days at the seaside, a few days in Banja Luka at my grandma's, lounging on the sofa all day, eating čevapi and drinking Coca Cola. One day I literally got up from the sofa in the evening, and my grandma said, " Where are you going?" And I said "I'm going to grab something to eat." "No, I'll go!" So I literally wasn't allowed to do anything.

Jure, besides Germany?

Jure: Besides Germany, a week at the sea and afterwards we went to the seaside together, for a couple of days. I don't know, it was nice, but we haven't vacationed in so long, it was a bit weird to go on holiday, right. It's not my usual mode.

Kris?

Kris: Yeah, I've had, let's say, the least, the least laid-back kind of vacation, because on the same night after Križanke, I flew to Peru, where I spent three weeks. We hiked and travelled and basically got very little sleep. All in all, it was a good experience and it basically was the only time when I could make a trip like that possible, a kind of collective vacation, but we had a chance to relax a bit when I got back, we went to Pula for a couple of days, as the guys have already mentioned. and that was my, let's say, my actual time off.

Nace, all you did was practice?

Nace: I did, for the whole month basically, like I've mentioned, and when I didn't practice, I was driving around in the car, and then I practiced in the car.

Bojan: What about the fish?

Nace: That's it, right. And then we went to Pula together that week, that was, what, the last week? Before the first concert, we got to know each other…

Kris: That was the first week of October.

Nace: …a little bit better. The first week of October, yeah. So we had a good time. And then straight to the gig, it was well, yeah. And the fish… Actually, yeah, Bojan and I got a new hobby, we took up fishing, but we've spent a fair amount of time fishing and I have to say, so far, without success. But it's nice, so if anyone knows, a serious fisherman, Bojan and I are really looking for someone, who would take us to a place where we could catch a fish. Even if it's to an aquarium. Just so it happens.

Did you set the wrong bait?

Nace: No, we've tried every bait in the world.

Bojan: I mean, really, we Googled it, we did everything right in theory, but we really didn't catch more than two seabream, and even they were really the size of this microphone I'm talking into. And a fun-fact, just a quick one, Nace took me to a pond, to go fishing, right, because that's where you catch fish. We got to the pond and the gentleman who manages the pond said…

Jure: Fish farm.

Bojan: I mean, yeah, he said… We said, "Where do we buy a ticket?" and he said "Well, no need, there aren't any fish anyway. You can just go for free." Naturally, we didn't catch a thing.

The interview will proceed a little differently, I'm not the one asking the questions anymore, you'll get a new interviewer. Last week I hosted Slick, a rapper from Velenje, with his album 'Sveža plat' ('Fresh Side'), and he asked you four questions. The first question is:

Slick: If you could collaborate with any musician in the history, who would you choose?

Jan: Well, let's say Vivaldi.

Jure (?): Oh, that's what I was going to say…

Jan: Imagine, you know, he shreds on a violin, I shred on a guitar… brrrrrr…

Bojan: I'd say, from the top of my head, Maček, you. Tell me.

Jure: Oh, I guess The Beatles.

Kris: David Bowie.

Nace: Led Zeppelin. To be fair, I've already got Bonham in the band, I'm getting there I'm getting there.

The second question:

Slick: How often do you tell yourself that you don't have time and is that really the case?

Nace: I mean, I say that to myself every minute, but I don't know if it is true. I mean, we all like to whine a little bit sometimes, don't we.

Kris: Yeah, I say I don't have time a lot, but I know that for certain things, that you want to make time for, you take the time.

Jure: Yeah, I agree with Kris, yeah. But our profession is such, that we're not home on the weekends and when someone asks you if you wanna go to a party, or have a drink, you just say you don't have time, right. So, yeah, we don't have time. That happens a lot.

Bojan: I would say, that if … I'd say I don't have time, I'd be lying at some point. But during the summer I actually didn't have time to even think about whether I had time or not. So I am glad that the summer is over.

Jan: Yeah, sometimes you have to put your feet up, so, sometimes I use that excuse to be able to…

Jure: Lie down.

Jan: To lie down, yeah. I mean, I don't actually have much time, but not to have time at all, well, there's that. And stil.

The third question Slick asks you is who in your family has had the biggest impact on the person you are today?

Jan: Probably my mother and my brother…

Bojan: You can't name more people, hey.

Jan: Oh, just one? I guess, as far as music goes, definitely my brother, because he's also a music producer and he was the one who first introduced me to music, and without him I doubt I would be heading in this direction.

Bojan: I would say my father. He's kind of also the biggest supporter of what's going on in my musical head, and whatever's going on with us and he's actually really, really, really happy with all the success. And even when there's failure, he knows just what to say to calm me down.

Jure: You know what, I've been locked in a cellar, and my dad's always said I was made for a pick and a shovel, so…

Bojan: And he wasn't far from the truth.

Jure: Well, yeah, yeah, parents, naturally, right. That's it.

Bojan: Why parents, you have to choose one person…

Jure: Well I can't choose one.

Bojan: How come?

Jue: I can't.

Bojan: Come on.

Jure: They come together.

Bojan: Break someone's heart, won't you?

Jure: Yeah, then I'll say my sister.

Bojan: Here, good one.

Kris?

Kris: For me, I would think it would be quite hard to tell, who has influenced my musical career the most, right, but it is definitely going to be my dad, who was the first who put a guitar in my hands when I wished for one.

Nace: For me, in music, it's must be my cousin, right, because we essentially grew up as brothers. and he brought the guitar to our house, and that's what made me… And he had a band and then I wanted that too, except he's a few years older than me.

And one last question, Did you eat cheese?

Nace: I did.

Kris: I did.

Jure: Yes, I like it very much.

Bojan: I love cheese, too.

Jan: Yes, I've eaten it many times.

Then afterwards you have the same task, so you can start thinking about it, each of you will ask one question to the next guest.

'NGVOT'

The second to last one we're going to play today will be 'Ne govoriva več o tem'. also known as 'NGVOT'.

Kris: More specifically Ngvot. We have chosen that title because, I think that when I first brought the song to the rehearsals in 2018, I already had it spelled out that way. And then, when we wrote it on the setlists it was always 'NGVOT', because it's just too many words, to cram them all into one setlist. But, what's the story behind this song? Because it's a bit different in atmosphere and maybe more naive than the rest of the album. It's a song, as I said, that was made in 2018 and which we kind of, we never really liked it very, very much, but we played it because we needed to be fill our setlist. And then, fortunately or unfortunately for us, it really clicked for us in the concerts, our fans really took to it as one of their songs, and they sang along beautifully at concerts and we basically couldn't imagine doing the second album without the song. So, then we got creative, and we adapted it a little bit into a form that fit us, that was very different from what we played before the album came out. But actually, it fits very nicely now, I think, right. It comes in handy.

Joker Out, to round up this conversation, I see you have very busy days what challenges lie ahead, besides Stožice next year? It's just around the corner.

Jan: We have quite a few plans for the future, which… I don't know if I'd give them away yet, no. But it's… Maybe, at this point it looks like we're going to Hamburg to record the English versions of our songs. That's also a partial answer to the previous question, for Kris, or for anybody, why Serbian and not English. English is coming too.

Bojan: So, that we can join those bands, that go to English and then go back to Slovenian really quickly.

I see you still have CDs as a sound medium? Is that it?

Jure: Yes, and we have a LPs as well. They sell out even faster than CDs, actually, I think. They've made a comeback recently. It seems to me that you have to have this product. When you release an album you have to feel the CD in your hand to say OK, now we've got this.

Bojan: I am absolutely thrilled. I thought we were selling tea coasters all along. Bear coasters, you know?

But you don't sell ID cards.

Kris: Yeah, here we go. Yeah, buy our CD or LP.

Everything about how to get the LP on the website?

Kris: Absolutely, our website is the best guide sign you'll ever see, It's all clearly visible on it, come and have a look.

Bojan: www.allyourneedsunderoneroof.com

And there's a mention of Joker Out somewhere.

Kris:Yeah.

Bojan: Yeah, somewhere at the bottom.

Kris: In sidenotes, right.

Bojan: Yeah, yeah.

You mentioned earlier that there's going to be more singles from the album, not just the two that are already released?

Nace: I think there will be, right. It's just a question of when. Well, 'Demoni' have arrived on Halloween, and now to the next step.

Kris: Yeah, so, well, what should I say...

Jure: Something else might be released, live from Križanke.

Kris: I'm sure there'll be some more live footage, but for now we've got a couple of songs coming out as singles. For me, maybe, I'm not saying it's going to be a single, but I feel 'Ne bi smel' is very much singlelike, the second song on the album. And maybe the others should share which one they see as a single.

Nace: I mean, I also see 'Ona' as a single, right. Definitely. If nothing else, when we play it live, it's it for me. It could be.

Bojan: Honestly, I'll say it like this. Let's give it time, but I think, sooner or later, every single one of these songs is gonna have its singlelike moment. So, keep your eyes open for the videos, the video material, let's not restrict ourselves, you can also find on our website a couple of nice pieces of furniture or home accessories, so you're welcome to visit.

And then in a few more sleeps, it will be the 6th of October 2023.

Jure: Yeah, that'll be quick.

Bojan: What happens then?

Jure: Yeah, Stožice, right. That's it, quick, get the tickets, because they're going to be sold out. I don't know, I feel like we can't wait. Although, we've been waiting six months for Križanke, and it's been pretty exhausting. Now we have to wait a year, so it's only going to get more exhausting.

Bojan: Yeah. Well, the problem with Stožice is, is that truthfully they're so surreal, that, I mean, I really remember the first time we ever set foot in Stožice, when we played at Ritem mladosti (Rhythm of Youth), as an opening band at 7pm, and we said, "Wow, hey, can you imagine everyone coming here because of you, can you?" And now, like three or four years later it's going to happen and it doesn't feel real yet.

'Novi val'

I think we tie this to the last track 'Novi val'.

Bojan: 'Novi val' is one very, very special song for me, because it emerged, from one, how should I say, direct impulse from nature and that was when the fires broke out in the Karst. That's when this phrase came, "Where shall we go from here if we are already setting the horizon ablaze?" and the song was built around that. We kind of felt, that there was a generation, a few generations younger, and maybe a couple of generations older than us, entagled in it, in this preconception that maybe we don't know quite what to do with ourselves or that we are not a good enough contrib… What do you call it, a contribuator to society? I've just made up a word for that. Basically, this song is a bit like I would say an expression of any young person at the moment, who knows that they matter, who knows that their voice counts. and who wants a better tomorrow.

'Novi val' to wrap up this conversation, Jan, Bojan, Jure, Kris and Nace, thank you, for being guests on Radioaktivno and may you be successful and hard-working on your journey. And see you again in a year with the new album?

Bojan: Absolutely, thank you very much for having us, we had a great time last year as well, we remember that interview as a nice one, next year we don't know if there will be an album, but we'll be fresh out of Stožice, really.

Jan: Yeah, thanks for the invitation, we'd love to come again. I agree with what Bojan said.

Jure: I wish everybody a good night, right.

Kris: Good night everyone, the third album may not be next year, but I'm sure there'll be a lot of things to listen to and see.

Jure: But it will be the next one.

Kris: It will be the next one.

Nace: Same from me, right, see you in Stožice. I'm Nace. Still, something like that.

All: We're Joker Out,

Bojan: and you're listening to Radioaktivno.

#joker out #jokeroutsubs #nace jordan #birthday special

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theoneprecioustome · 19 days ago

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"Happiness"

In the Drama CDs Daylight & Moonlight, the original P3 devs define "Happiness" as follows:

Still, if 'happiness’ had a definite form… I guess it would be in meeting with someone very dear to you, maybe? Translation by: imaginary-numbers

Aigis wants to know what "Happiness" looks like, so she and Makoto accompany Junpei when he goes to see Chidori, and we get the following exchange:

Chidori: "That aside, tell me more about what you were talking about the other day." Junpei: "The other day?" Chidori: "Your dream... The one where you wanted to become a major leaguer." Junpei: "Ah... Oh yeah, that's right. To start with, I never did explain to you what a 'major leaguer' is, did I?" Chidori: (Voice trailing off into the background) "I know. MLB is..." Leader: (whispering) "Let's go, Aigis." Aigis: (whispering) "Yes. It seems that Junpei-san and Chidori-san are no longer aware of our presence. Is this the state known as 'happiness'? The principle composition seems to be comprised primarily of carbolic acid and ethonol." Leader: (whispering) "That's... not quite it." - SFX: [Aigis and Leader leave the hospital room, with Junpei and Chidori talking in the background] Translation by: imaginary-numbers

At the end of Moonlight, we get the exact same thing, but this time with Aikoto.

Just like Chidori wants to know Junpei's dreams, Makoto wants to know what Aigis wants to do:

Leader: “What about you, Aigis?” Aigis: “I…”[...] Leader: “What’s important here is what you want to do, Aigis.” Aigis: “What I want…? The one… The one that’s most important to me is…” Junpei: “STOP RIGHT THERE!! Don’t just create a weird atmosphere on your own, you two!!” Translation by: imaginary-numbers || AUDIO HERE

And just like Chidori and Junpei got lost in their own little world and forgot they had an audience, so do Makoto and Aigis:

Aigis: “Happiness… I, made a promise… that I would find happiness.” Leader: “Eh? With who?” Aigis: “I don’t remember. Perhaps, rather than with someone else, within myself… No, perhaps it’s a promise I made with myself.” Leader: “… You’ll definitely find it. Your happiness, that is.” Aigis: “Yes!” Junpei: “I’M BEGGING YOU, ENOUGH WITH THE WEIRD ATMOSPHERE ALREADY!” Translation by: imaginary-numbers || AUDIO HERE

The way the P3 devs paralleled both scenes is so touching. The state known as "happiness", the fact of being with those dear to you, and it's shown through Aikoto & Jundori getting lost in their own little worlds when they're together 😭

The cherry on-top is Makoto softly telling her that she will definitely find her happiness, because... meeting him was Aigis' happiness 😭

#persona 3 #makoto yuki #aigis #aikoto #drama cd #official #translations #meta #technically I'm on hiatus but my aikoto eye opened today and I had to share this immediately #there are two other things I need to get on the blog too so I'll work on those before the end of the year!

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writeforfandoms · 1 year ago

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Listening In 4

Find the series masterlist

Well, here we are. The end of this little series. This took me a lot longer to finish than I originally planned, and I apologize for that. I hope the tooth rotting fluff makes up for it.

Warnings: Fluff, cavity inducing sweetness, Feels, idiots in love, piv sex, dirty talk, and they lived happily ever after.

Word count: 4.6k

Soap and Ghost made it back to the 141 safely, and Price congratulated them on a job well done.

Life moved on. There was always another op.

But Soap kept thinking back to that op. To their little waitress.

And she most certainly was theirs, now. Just thinking about the way she'd whimpered under him was enough to get Soap riled up.

Soap texted her as often as he could, which was almost daily. Ghost, he knew, didn't text nearly as much.

But when he did… well. When Ghost wanted to, he was a right bastard.

Like the time he sent their waitress an audio recording of the two of them. That was well worth it.

Of course, it wasn't just audio recordings and the occasional video call.

Soap managed to detour to see their waitress for half a day on the way back from an op. Ghost, lucky bastard, had an entirely accidental two day layover, most of which was spent in her bed. And that wasn't all of it - the two found themselves stopping by to see her as often as possible.

It wasn't until Soap and Ghost had leave together and arranged to go see her again for a whole week that either of them thought more of it.

"Hey, Si?"

Simon grunted, cracking open one eye above his plain medical mask. That was the more plane-friendly look.

"Think we're a bit looney."

Simon barked a laugh, closing his eyes again. "Just now figuring that out?" He drawled, amused.

Johnny huffed with quiet laughter. "Maybe," he admitted. Simon's lack of distress helped put him at ease, though.

Soon, they'd be off the plane. And then they could surprise their pretty little waitress.

They had a lot of ideas they wanted to try out, after all.

–

You'd had an awful day. An opening shift rife with assholes and a few too many pinches. You were tired, achey, aggravated.

Honestly, you wanted to go home and cry and ignore the rest of the world for a while.

So when your phone rang, you almost ignored it without even checking it. Almost.

“Johnny?” you scrambled to answer it as soon as you saw who was calling. “What’s up?”

“Got a bit of a surprise for ye, gorgeous.” Johnny sounded far too pleased.

“Yeah?” You dodged an idiot who wasn’t watching where he was going, huffing softly. “And what’s that?”

“You at home?”

You didn’t quite startle at the question, but you did pause. “Not yet,” you said slowly. “Heading there, though. What did you do?”

Johnny laughed. “So little faith! It’s a good thing, promise.”

You shook your head. “Alright, if you say so. Do I need to check my mailbox or something?”

“Not exactly,” he hedged. “Ye’ll see soon, promise.”

You sighed but gave up. “Alright, sure. I need to go, it’s crowded out here today.”

“Okay. Get home safe.” Johnny paused there for a moment, like he wanted to say more, but he didn’t.

“Will do,” you agreed and hung up. A little abrupt, maybe, but you were tired. You didn’t have your normal energy for his silliness.

The walk home was too loud and too crowded, with people jostling into you. You were so tired and so done you wanted to cry by the time you finally got into the elevator.

The elevator opened onto your floor and you got three trudging steps off before you halted.

Johnny and Simon stood outside your door, facing you. Johnny was grinning, bright and a little mischievous.

You didn't let them say anything. You just walked straight into Johnny, winding your arms around him and hiding your face against his chest.

"Hey, gorgeous," Johnny cooed, one big hand rubbing your back soothingly. "Happy to see us?"

"Yeah," you agreed softly. "Also fucking tired."

"Long day?" His voice softened with sympathy.

Your laugh was dry and a little too close to tears. "Could say that."

Johnny hummed in wordless concern, holding you closer and pressing his cheek to the top of your head. "Poor gorgeous," he murmured. "C'mon, let's head inside, aye?"

You breathed in deep and let go of him, grabbing your keys. Simon plucked them from you, and you blinked. But moments later you were all inside.

Simon guided you to the couch and pushed you down to sit. You blinked at him, startled. He just motioned you to wait while he brought water.

"What's goin' on?" Johnny dropped down next to you, pulling you into his side with an arm around your shoulders.

You blew out a breath, shoulders dropping. "Just life stuff," you dismissed, or tried to. "Nothing like your shit." They'd told you some, a little, mostly that they were military and had unpredictable schedules. You didn't blame them, not at all, and it explained the odd absences.

"Tell us anyway." Johnny gave you a gentle little shake, eyes warm and focused on you.

Simon dropped down on your other side, setting water on the table in front of you, leaving you nowhere to run. Of course. These two were practiced, moving in an easy tandem in and out of the bedroom. Which they often used against you. Like right now.

You huffed, half exasperated and half amused. "Just. Work sucked today. Few too many shitty people."

"And?" Simon drawled, knowing that wasn't the end of it. You'd ranted to him about work and handsy guys before.

"And my rent is going up," you finally admitted on a sigh. "It's just enough that I'm thinking of moving or downgrading."

Johnny hummed soft sympathy, pulling you closer. "Job hunt hasn't turned up anything?"

"Not yet." You made a face. "It's just frustrating, that's all. I'll get through it."

"We'll come back to that." Johnny pressed a kiss to the side of your head, easy and affectionate as ever. "What's yer schedule, gorgeous?"

You blinked, thrown off a bit by the question. "Tomorrow I'm off, the next two days I have closing shifts, then two mid shifts, then two more days off," you said after a moment of thought. "Not sure beyond that. Why?"

"Well, we've got a week," Johnny said, grinning at you. "Was hopin' to spend a good bit of that with ye."

"You… are far too sweet." You smiled, relaxing between the two of them. "Next you're gonna say you've got a better idea about my job and apartment situation."

Silence. Damning silence. You turned slowly to look at Johnny, who was busy looking anywhere but you. Simon scoffed softly.

"You'd think he'd have learned to lie by now," Simon added conversationally, one big hand landing on your thigh.

"Ah can lie!" Johnny immediately defended himself. "Just. Not to. Well. The two o' ye."

Your heart swelled at being so blatantly lumped in with Simon, your shock plain to see. Oh, sure, you knew these two liked you - they kept visiting you, after all.

But this was something totally different.

"Nope," you decided. "We are tabling that because I cannot be a rational person right now."

Simon leaned closer to your back, his bulk bleeding warmth into the scant space between you. "Don't be rational, then," he murmured. "What're you thinking, dove?"

"Very non-feminist thoughts," you drawled, shivering briefly as Simon pressed even closer.

"Tell us." Simon scooted forward, slowly but inexorably pressing you closer to Johnny, who looked more than willing.

You groaned softly. Simon had a way of getting you to admit to things you wouldn't otherwise, something you both loved and hated. "Really?"

"Be a good girl for me." He was so close now you could feel his mask just brush the shell of your ear.

"Not fair," you complained weakly, swallowing hard. But Simon squeezed your thigh and you folded. "I was thinking I'd let you both whisk me away anywhere you wanted." You ducked your head to hide in Johnny's chest, flustered.

"There's our sweet girl," Johnny cooed, immediately pulling you closer, until you were sort of situated on his lap.

"We'll discuss that tomorrow," Simon murmured, pressing in against your back again until you were sandwiched in warmth. "We have time."

You huffed but didn't object, just relaxing between them. You were warm, you were tired, and they were very comforting. Honestly, you were tempted to just sleep between them.

"Have you eaten yet?" Simon asked, thumb rubbing your thigh slowly.

"No," you admitted, grumpy because you knew that meant he'd move.

Simon huffed a little laugh. At your attitude, undoubtedly. "We'll take care of dinner," he assured you. "You want anything in particular?"

"Don't really care," you admitted, covering his hand with yours to link your fingers through his.

"Don't fall asleep on us yet, gorgeous," Johnny huffed with amusement.

"Shut up," you grumbled, nestling in closer and relaxing. "Comfortable."

They both laughed quietly, but neither of them moved, letting you soak in the comfort you so needed.

If they kept this up, you'd do anything for them.

Finally, you released them both and squirmed away, because otherwise you really would fall asleep. And that would be bad.

Simon took charge of dinner, as promised, and you didn't have to do a thing. Johnny "helped" you change into more comfortable clothes (here meaning he shamelessly ogled you and got a little hands-on but you didn't let him totally derail you).

Simon even folded his mask up just over his nose to eat with you and Johnny, which was still new enough to be thrilling, even though it wasn't the first time.

It was very comfortable, being so domestic with them. It really was strange - you hadn't known them long, not in the overall scheme of things, but you were so comfortable with them.

Sometimes you wondered about impossible things. Dinners at dining tables and breakfasts in bed and exhausting yourself with the two of them.

"Gorgeous?" Johnny touched your hand, frowning a little.

You blinked rapidly and looked at him. "Hm?"

"Where'd ye go?" He gently closed his fingers over your hand, ducking his head a little to hold your gaze.

You smiled and shook your head. "Just thinking. Sorry. Been a long day."

The two exchanged a quick look, a world of communication in that one look. It almost made you ache to think about how long they'd been together, to have such wordless communication.

"Do ye want us here tonight?" Johnny asked, squeezing your hand gently. "Or should we go back to our hotel?"

"Stay." Your heart lurched. You'd blurted that out too fast, too earnest. Revealed too much.

But Johnny just grinned, like he'd been hoping for that. Even Simon quirked a half smile.

"Good!" Johnny leaned close to smack an intentionally loud kiss to your cheek, just to make you laugh. "Wanna watch a movie?"

And back you settled into the simple domestic bliss, letting them squish you between them on your couch, laughing at their antics, comforted by their warmth. Neither one made a move for more, both accepting easy kisses from you.

It didn't occur to you until you were settled in bed between them, Johnny already clinging to your front while Simon curled like a shield between your back and the rest of the world, that you'd do anything to keep this.

Simon was already up when you woke, Johnny taking a well-deserved lie-in with you. Breakfast was easy, relaxed.

But you remembered the promise to talk about your current situation today. Honestly, you'd rather get it over with sooner than later, or your anxiety would be out of control.

"So," you started as you washed the dishes. Johnny was drying while Simon put everything away. (And the fact that he knew without having to ask inspired feelings that you tucked away to be examined later.) "Sounded like you two had a plan for dealing with my woes."

Johnny snorted. "Something like that," he agreed.

"Had an idea," Simon corrected without looking at either of you.

"Alright, let's hear it." You glanced at them both, undeniably curious.

Johnny breathed in slowly. "Well," he started slowly. "Was thinkin' we could help ye find a place. Closer to us. If ye wanted."

"Closer to you?" You looked between the two, the dish in your hands all but forgotten. "Like, England?"

"If you want." Simon spoke quietly, finally looking at you, gaze assessing.

You nodded slowly, letting the idea sit as you scrubbed at a pan. That would be a big move for you. Very different. You didn't even know if you'd be able to find a job there, or how you'd find a job. How expensive would it be to move?

Although, really, considering how you felt about these two… maybe it was time to have another talk, too.

"I have questions first."

"'Course," Johnny murmured, his foot nudging into yours as he looked at you earnestly.

You licked your lips, debating how to proceed. Because, really, you were pretty sure you could figure out the rest of it, depending on one factor.

"Why?" You handed off the pan to Johnny and grabbed an extra towel to dry your hands. "Is this just, like, a convenience thing for you two? Or is this something more?"

Johnny blew out a breath. "Cut right to the heart of things," he muttered, a little wry. "It's not for convenience."

You didn't move, still watching him, towel held tightly in your hands, all but forgotten. "Johnny, please."

Johnny dropped his head for a moment before glancing at Simon. Simon shook his head a little, just once. Johnny swallowed, Adam's apple bobbing, and then nodded.

"Truth is, gorgeous, we wanna see ye more. All the time, if we could. We like ye. More'n we should, prob'ly. And…"

You breathed in slowly, leaning closer to him. "Johnny."

He blinked at you, setting the pan down.

"You're absolutely daft if you think I'd have let you both keep coming back if I didn't care for you deeply already." You quirked a little smile, the words coming easier now that you'd seen him near fumbling his own words.

Johnny blinked and slowly lit up, stepping right into your space. "Yeah?"

"Yes," you confirmed, amused. "Honestly. Simon knew, didn't you?"

But when you looked at him, Simon simply looked away.

You blinked, flabbergasted, jaw dropping. And then you started laughing, completely unable to stop yourself. At the near-twin disgruntled looks, you flapped a hand, trying to stifle your laughter long enough to explain.

"I've been completely gone on you two for months," you managed. "And none of us was smart enough to know it." You promptly devolved again, hand over your mouth.

They both froze completely, going quite still. Then Johnny grabbed you with a laugh, yanking your hands away from your face to kiss you thoroughly. No sooner had he released you than Simon grabbed you, mask pulled up so he could kiss the breath out of you.

Panting, you finally pulled away from him too, looking at the both of them as the enormity of what you'd said and how they'd reacted hit you.

Clearly you weren't the only one attached here.

You curled a hand into Simon's shirt, your free hand taking Johnny's wrist as you towed them both to the couch. (Only because they let you but you'd take it.)

"Tell me more about your idea." You pushed Simon down to sit on the couch and settled yourself in his lap, knees on either side of his hips. Johnny pressed up against your back, hands at your hips.

"We'd help ye find a job," Johnny murmured into your ear, squeezing your hips. "Get ye all settled."

"Doesn't have to be a flat," Simon rumbled, hands big and warm on your sides, thumbs rubbing the skin just under your breasts.

"Could do a house," Johnny agreed immediately, nipping the shell of your ear. "Big enough for the three of us."

You sucked in a breath, biting your lip. Oh now that was temptation. "Somewhere to stay during your time off?" You rolled your hips down into Simon's lap and grinned when his grip immediately tightened on you.

"And someone to come home to." Johnny bit your neck gently, humming in satisfaction at your little noise.

"Fuck." You rolled your hips again, biting your lip. "If you're not serious about this–"

"We are." Simon bumped his hips up into yours, letting you feel the growing hardness there. "Very serious."

"Give us the word, and we'll do it." Johnny nipped down your neck to your shoulder, hands still on your hips moving you to a slow, steady rhythm against Simon.

You shuddered, grinding down harder. "Let's do it," you agreed, a little breathless. "Please."

Johnny groaned softly and pressed you down harder into Simon, biting down gently on the back of your shoulder. Simon rucked your sleep shirt up and quickly pulled it off, his hands settling against your skin.

Any other time, you might tease them about how fast clothes vanished, but right now? You didn’t say a word. Partially because Johnny had tipped your head back to kiss you while Simon took over guiding your hips against his, the feeling more intense now without barriers between you two.

“Johnny,” Simon grunted, fingers tightening.

Johnny hummed into the kiss before he pulled back, eyes already gone dark with desire. “Mm?”

“Duffel bag,” was all Simon said, but Johnny seemed to understand, because he disentangled himself and stepped away.

“Really?” you half-whined, pouting at Simon. You’d been enjoying being between the two of them, dammit.

Simon had the gall to chuckle at you, one hand cupping your cheek and bringing you closer. “Just getting some supplies,” he murmured, soft and soothing. “Won’t take him a minute, dove.”

He was proven right by Johnny coming up behind you again, pressing his front to your back and dropping a condom into Simon’s hand. You warmed and ducked your head, a little embarrassed you’d forgotten about that.

“C’mere, gorgeous,” Johnny cooed in your ear, arms wrapping tight around your waist and pulling you back into his warmth. And subsequently giving Simon the space he needed to put on the condom. “Gonna let me fuck ye after, gorgeous?”

“You want to?” You didn’t look away from Simon, though, watching his hands settle on your thighs.

“Oh, aye,” Johnny agreed, low and rough. “Very much.”

You hummed softly, running your fingers over his arm still around your waist. “After, then.”

Johnny nipped the back of your shoulder and moved the two of you forward, guiding your hips up. Simon simply watched, one big hand on your thigh.

“Ready for me, dove?” Simon watched you closely, fingers rubbing against your skin.

“More than.” You started to sink down slowly, only for Johnny to tsk and guide you, controlling the pace. You swallowed hard, not entirely sure why that was so exciting… but it very much was.

“Look at you, gorgeous,” Johnny murmured once you were settled fully against Simon’s lap, hands clenched on his shoulders. “So pretty for us.”

You huffed softly at him, wiggling a little, getting used to the stretch of Simon in you. His hands smoothed up your sides to your breasts, thumbs rubbing back and forth over your nipples.

When you moved, Johnny quickly took control again, hands moving you to a rhythm he liked. Simon seemed content to let Johnny move you, head tilted back against the couch as he watched you with dark eyes, still gently teasing you. Heat built between the three of you, and you tipped your head back onto Johnny’s shoulder.

“Johnny…” You whined, just a little, trying to move faster. Johnny didn’t allow you.

“Hm? Somethin’ ye want, gorgeous?” he teased, teeth grazing the shell of your ear.

“More? Please?” Your breath caught in your throat when he bit down gently, hands tightening on you.

“What d’ye think, Si?” Johnny asked, low and teasing. “Think she’s earned it?”

“Johnny,” Simon growled, hips finally stuttering up into yours, “if you don’t, I will. And I’ll keep her.”

Johnny laughed quietly but moved you faster, until you were gasping and shivering between the two. Your hands roamed restlessly over Simon, trying to make him feel as good as you felt. Your thighs trembled, back arching.

A second set of hands joined Johnny’s at your hips, their fingers intertwining, before Simon tightened his grip and held you still. You lifted your head, confused, only for him to lift his hips up into you instead. Your lips parted, jaw dropping, eyes going hazy with pleasure.

“C’mon, gorgeous,” Johnny goaded softly in your ear. “Make a mess of him for me.”

A few more hard thrusts from Simon and you did just that, whimpering through the rolling pleasure of your orgasm.

Simon didn’t even slow down, fingers tight on your hips, chasing his own pleasure now. Your overstimulated whines only spurred him on until you leaned forward, hiding your face in the crook of his neck.

And bit down.

He swore as he came, hips stuttering, grip almost punishingly tight. He finally stilled against you, grip slowly relaxing.

“Fuckin’ beautiful,” Johnny murmured, carefully moving one hand to rub a hand up and down your back. “Both of ye.”

You huffed against Simon’s neck, an action he mirrored. You grinned, amused, and relaxed between the two for the moment.

“Still alright, gorgeous?” Johnny asked after a few moments, hand lingering at the nape of your neck.

“Haven’t forgotten you,” you assured him, sitting up again, despite the way your legs shook. “How do you…?”

Simon hummed softly, moving slowly to give you time to move with him. He situated himself longways on the couch, your knees on either side of him, one of his legs on the floor to make more room.

“I’ve got you, dove,” he murmured, taking hold of your hands and linking your fingers together. The couch dipped behind you as Johnny moved too, giving your back one more soothing stroke before there was a rip of foil.

“Could get used to this,” Johnny murmured, only half-teasing, pressing against your back. “Quite a view from here.”

“I’m sure you’ll get to see more like it,” you agreed. “After we figure out the move.”

Johnny groaned softly at the reminder. “Fuckin’ temptress, you are,” he muttered, one hand on your hip holding you steady as he slid into you. He wasn’t quite the same stretch as Simon, but he still felt divine.

He didn’t give you slow, though. He started moving hard, startling a little yelp out of you.

“Easy, dove,” Simon murmured, sweet in contrast to Johnny. “Hold on to me, yeah?”

You could do nothing but obey, holding tight to Simon’s hands even as Johnny slid one hand up to your back to the nape of your neck, gently pushing you down until your chest pressed to Simon’s.

“Doin’ so well, dove,” Simon rumbled, squeezing your hands gently. “He feel good?”

“Yes,” you managed on a gasp, as Johnny drove harder into you, hitting somehow deeper. “Fuck!”

Johnny groaned, hand squeezing your nape. “Beautiful,” he muttered again, almost worshipful. “What d’ye need, gorgeous?”

You nearly choked when Johnny did something that hit a spot that sent sparks all through you. And then he hit it again. And again. Until you needed Simon’s support, moving as best you could with Johnny, making too many noises. Johnny was little better behind you, swearing softly but vehemently.

“Close, dove?” Simon asked, eyes bright as he watched you. “Need a little more, hm?” He released one hand, sliding it down between the two of you. Two gentle fingers circled your clit and you whined, shaking. “Good fucking girl.”

You were gone. That was all it took. You shook apart between the two of them, briefly unaware of anything beyond the burning, rolling pleasure.

You slumped fully against Simon, panting, shivering still. Johnny followed close behind you, muffling his whines against the back of your shoulder, hips pressed flush to yours. He didn’t back off when he was done, staying pressed against you so the three of you were a sweaty heap.

“Up, Johnny,” Simon finally ordered, both hands now soothing up and down your sides.

Johnny groaned theatrically but got up, pressing one last kiss to the nape of your neck.

“Think you can get up?” Simon asked softly. “Or do you need a minute longer?”

You puffed out your cheeks. “Let’s find out.” You stood carefully, letting him hold one of your hands to help keep you steady. Your knees wobbled but held, at least long enough to get you to the bathroom.

Simon herded you back to bed, where water waited for all three of you, a laptop already set up with a movie. You smiled, both touched and amused at his thoughtfulness.

“I vote we do nothing the rest of the day,” you muttered, crawling into bed.

“Nothing?” Johnny asked, moving over you to box you between himself and Simon. “At all?” He pouted at you, over the top.

“Well, maybe a little something,” you gave in with an easy grin, cuddling between the two of them. “After we’ve rehydrated a bit.”

“Smart woman.” Simon settled against you, relaxed. “We’ve still got days, dove.”

The reminder made you smile, an entirely different kind of warmth bubbling away in your chest. “Yes, we do.”

–

Johnny stood at the end of the terminal, anxiously shifting his weight from foot to foot. Next to him, Simon was still as stone, gaze fixed on the steady flow of people coming out of the terminal.

Johnny checked his phone again, unable to help himself. It had been two whole minutes since he'd last checked. Still no new update from you.

Not that he was entirely surprised. You'd had a long flight, had to gather your things.

Well. Some of your things. The rest were being shipped, something Simon had arranged and paid for over your half-hearted protests.

Finally, finally, he spotted you walking towards them. You were clearly tired, dressed down, looking a little limp.

And you were still one of the lost gorgeous things he'd ever seen.

Johnny pounced as soon as you were past the last gate, picking you up in his arms and swinging you around in a hug. You yelped and laughed, clinging to him just as hard.

"Hi," you said, a little breathless, grinning up at him.

"Hi yerself." Johnny finally set you back on your feet, though he didn't release you yet.

"Flight alright?" Simon asked, putting a gentle hand against your back.

"Long and boring." You shrugged, poking Johnny until he released you so you could turn to hug Simon instead. Johnny's heart melted at the sight of you wrapped up in Simon's arms.

"You're home now," Simon murmured, almost too quiet for even Johnny to catch.

Johnny did melt at that, throwing himself into the hug and making you laugh, a little watery.

"Almost," you murmured, squeezing both of them. "Come on, I'm eager to get out of here. I didn't sleep a wink."

That was all it took for Johnny to take your backpack, Simon taking charge of your luggage, both ignoring your spluttering protests with aplomb. They loaded up the car (Simon's) and Johnny let you have the front seat.

The house they'd chosen was out of the way, at the end of a quiet neighborhood, with plenty of garden space.

And a huge master bedroom.

Simon parked, and you blinked awake again. Johnny had to resist the urge to cook at how cute you looked. He hopped out first and opened your door for you, eager to bring you inside. Simon brought your things in, letting Johnny unlock the door and usher you in.

Johnny watched with an overfull heart as you turned a slow circle, eyes huge as you looked around.

"Welcome home, sweetheart." Simon and Johnny squished you between them, trading off kissing you.

They had all the time in the world now.

#listening in #f!reader #johnny “soap” mactavish x you #simon “ghost” riley x you #simon “ghost” riley x johnny “soap” mactavish x you #simon “ghost” riley x johnny “soap” mactavish x reader

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dialovers-translations · 1 year ago

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DIABOLIK LOVERS ZERO Animate Tokuten Drama CD “A Vampire’s Late Night Snack Terror” [Reiji ver.]

Original title: 夜更かしヴァンパイアの食テロ飯 [レイジ編]

Source: Diabolik Lovers ZERO Vol. 8 Animate Tokuten CD

Audio: Here

Seiyuu: Katsuyuki Konishi

Translator’s note: Honestly, Reiji deserves so much more respect than what he gets. Not only does this man get up early to get chores done because his other five brothers won’t do jack-shit, he even goes out of his way to do extra groceries and make a first-class breakfast for his girl. I feel like most of the other Diaboys could barely even toast a piece of bread without burning it lol.

*Cling cling*

You enter the kitchen.

“...Hm? What is the matter? It is still too early to be getting up.”

You ask him why he is up already.

“Unlike the other people at this home, I happen to have an extensive to-do list, so I must get started with all of my chores early, or else I will regret it afterwards. ーー More importantly, you mentioned something about not being able to sleep? If you are feeling unwell, I can get you some medicine.”

You explain.

“Do not tell me...You cannot sleep because of the hunger? How unfortunate...I cannot believe your stomach is growling despite getting three proper meals a day. You should know better.”

You apologize.

“Well, I shall forgive you this once. I suppose it is partially my responsibility as well for not looking after you better. ーー I suppose it cannot be helped. We still have time before we have to leave to school, so I shall make you an early breakfast.”

You seem excited.

“Yes. If you have any requests, go ahead. As you should be aware, I am quite confident in my own cooking abilities. No matter how complex or luxurious of a dish, I will prepare it to perfection. Well then, what is your order?”

You make your request.

“What did you...say just now?”

You repeat it.

“You are asking me to make...tamagogake-gohan, out of all things? You crack a raw egg (1) over the rice, add some soy sauce and you’re done. You want me to go out of my way to make something so simple?”

You ask him if he won’t make it.

“No, I never said that I will not make it. ...Very well! I shall show you what a real plate of eggs over rice looks like!”

*Thud*

“In which case, we must first gathered the necessary ingredients. There is no time to lose! I shall call the limousine at once. Off we go!”

You seem surprised.

“What are you doing!? Come on, make haste!”

*TIMESKIP*

*Clatter clatter*

*Rustle*

“It is truly a blessing that there are stores which are still open in the middle of the night.”

You offer to pay for the parking fee since he has his hands full with the groceries.

“That would be a big help. This is the money. Here you go.”

You ask Reiji what is inside the bags in his arms.

“Excuse me? Can you not tell? They’re bags of rice. There’s high-quality rice inside.”

You seem surprised.

“You came along not even realizing why we took the car? Haah...You truly need to do something about how slow-witted you are. One cannot cook without the right ingredients, so we shall we going around to gather all of the necessary things. ーー The very best ones available!

Tamagogake-gohan consists of a perfectly balanced combination of eggs, soy sauce and rice with each ingredient being brought to its full potential. We cannot afford skimping on any of them. ...I happen to be a regular at this store, you see. The rice sold at this store has been selected by a rice connoisseur of which only a few exist in this country, so it is of the highest quality!”

You tilt your head to the side.

“You do not even know what a ‘rice connoisseur’ is...? Take should be common knowledge. Make sure to do your research afterwards, understood? Anyway, we are headed for the chicken farm next. I know it is quite late, but I am sure I can arrange something by using my connections.”

You frown.

“Why the hesitation? We are talking about the eggs which are the main star of the dish! I will not make any compromises!”

*Rustle*

“No more dawdling! Let’s go!”

*TIMESKIP*

The two of you return home.

*Thud*

“...Haah. That ended up taking more time than I anticipated.”

You admit being glad that you’re finally done.

“What nonsense are you spouting? We finally gathered all necessary ingredients! If we’re ‘done’, why did we get these fresh ingredients in the first place? But we must make haste, or else the others will wake up.”

*Rustle*

“To the kitchen at once! We shall start cooking!”

The two of you go to the kitchen.

“We shall start by cooking the rice. I believe that I can skip over the instructions for this one.”

Reiji gets the rice cooker started.

*Beep*

“Next we must choose which bowl to serve it in.”

You ask if that is important.

“Why of course. A high class meal is not only defined by the food itself. One must choose a plate which will truly bring the dish to life.”

*Cling cling*

“Let me think...Usually I would go for something a little more ‘art nouveau’, but how about we use this bowl today? I am glad I decided to purchase this one for moments like this.”

You note that it is quite plain.

“What are you saying? A plain bowl is a fine piece of silverware as well! Just look at the gloss and pattern, simply marvelous!”

You raise one brow.

“Why are you giving me that look? I do understand that I might sound rather out-of-character right now, but look at it like this. I even went out of my way to buy a home-style takoyaki grill to hold a takoyaki party at home, so I must keep the name of the Sakamaki household high. ...More importantly, we should finish setting the table before the rice is done cooking. Well then, please lend me a hand.”

*TIMESKIP*

Reiji opens the rice cooker.

“It turned out rather nicely. The rice looks shiny and has the right amount of fluffiness to it. As to be expected of a dish made with a product from a true rice connoisseur!”

You point out that his glasses have fogged up.

“Do not worry about my glasses being fogged up. It is only natural for this to happen when exposed to hot steam.”

*Cling cling*

“More importantly...Let us get started! ...Allow me to show you my skills! ーー I shall start by scooping the fluffy rice into the bowl. Rather than filling it to the brim, I will serve a moderate portion. This is the most elegant way to serve it. Then on top I will sprinkle some cod roe, dried seaweed and yuzu salt. ...It would be rather boring to stick to the basic recipe, no? This is my personal interpretation of the dish, do not worry. I can assure that it will taste sublime.”

He cracks an egg.

“Well then, last but not least we crack in a fresh, raw egg and pour some of this special soy sauce on top. ーー It is done. This is the Sakamaki household’s version of tamagogake-gohan!”

*Thud*

“Well then, here you go. Please dig in while it is hot.”

You take a bite.

“How is it?”

You tell him that it’s delicious.

“Why of course. It is a dish which was carefully crafted to bring out all of the aromas, flavors and textures to their fullest after all. The rich eggs and the deep flavor of the soy sauce go perfectly with the fluffy rice. However, right when you think that it might be a little blend and one-toned, the cod roe, seaweed and yuzu salt kick to add a new flavor profile so you never get tired of eating it.

This is how tamagogake-gohan should be. Do you comprehend?”

You nod.

“Pleasing your palate is child’s play. ...Well then, usually I would go wake up the others around this hour, but I suppose we can postpone it a little for today.”

You ask Reiji if he will have breakfast as well.

“Yes, I figured this was a fine opportunity for me to enjoy a meal alongside you. You could say this is my award for all the hard work I put in. You do not mind, do you?”

He joins you at the table.

“Usually there is always someone making a fuss. I rarely ever get the chance to enjoy a meal in peace. In that regard, perhaps I should be grateful to you. However, make sure to warn me before you get peckish, okay?”

You nod.

“Very well. Let us dig in then.”

*Cling*

“...Mm. I suppose having a meal together with just the two of us like this is quite enjoyable every now and then.”

ーー THE END ーー

Translation notes

(1) Raw eggs are commonly consumed in Japan since the country has no history of salmonella being found in eggs. By cracking the egg on top of steaming-hot rice and instantly mixing it together, the heat from the rice will also slightly cook the egg, so it’s not 100% raw when you eat it. Still, the consistency of the dish is quite ‘goopy’ - for lack of a better word - so I understand why a lot of people (myself included) would not find it very appetizing. :p

#diabolik lovers #dialovers #reiji sakamaki #diabolik lovers zero #diabolik lovers translation #diabolik lovers drama cd #drama cd

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swiftllama · 9 months ago

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February Compliments ☀️🔍

[Compliments Masterlist]

And we’re back! Not a lot of compliments for February but still a few so hope this will still be a fun read for you guys 😊

So let’s get into it!

February 2024

Is This Video Offensive?

So in this Flashback they reacted to the classic Molester Moon sketch 🌚 We only got one little compliment in this video but I thought I would still include it :-

They’re introducing the video dressed as moons and give each other a fist bump and saying how they’re ‘ordinary guys’.

Ian: “Anyway, um,” *turns to Anthony* “You look good.”

Another little moment I wanted to include which I just found silly :-

[talking about the pandora’s boxes that were opened with the creation of certain emojis]

Anthony: “The peach emoji…”

Ian: “Yeah, yeah, for real.”

Anthony: “The eggplant emoji.”

Ian: “Or do you think the creator was like, ‘let’s make it look a little bit like an ass’.”

Anthony: [laughs] “It’s a little bit like a huge, purple dong.”

Ian: “Dong.”

Anthony: “Yeah, I don’t know, honestly, it makes me wonder if they did know because it’s too perfectly ass-shaped. Right? I feel like it’s more ass-shaped than a peach. Peaches are not that perfectly ass-shaped.”

Ian: “I don’t know, bro.”

Anthony: “You seen some pretty good looking peaches?”

Ian: “I’ve seen some pretty tantalising peaches in my day.”

Anthony: [swallows] “Oh yeah? Do you want me to call you by my name?”

Ian: [in a low voice] “I could eat a peach for hours.”

👀 who doesn’t love Ian and Anthony flirting with each other 🤭🍑

What’s Wrong With This Soup? (Culinary Crimes)

So the boys went on Courtney’s new show and it did not disappoint with giving us some complimentary bestie moments :-

Courtney: “So the theme of this episode is foods that are vegan, gluten free, with some other twists as well.”

Ian: “So a lot of nuts, I presume.”

Anthony: “Besties with testes.”

Ian: “We are besties with testes, so.”

Silly but still quite cute, can never resist them calling each other besties even when it involves testes 😅

[First recipe they are given is soup]

Ian: “I have recently became a soup boy.”

Anthony: “Yeah.”

Courtney: “You have become a soup boy. That’s why I put you on this case.”

Ian: “Oh, is that right? Yes.”

Anthony: “I have been a good soup boy’s assistant.”

Ian: “Yeah.”

Anthony: “Ian invited me over. I was a little assistant, we made some soup.”

Ian: “We made soup together.”

Anthony: “It was really good.”

WHAT?! THEY MADE SOUP TOGETHER! IAN INVITED HIM OVER AND THEY MADE SOUP TOGETHER!!! ANTHONY WAS HIS SOUP ASSISTANT!!! 😭…. Sorry, screaming over. But that is the cutest thing ever! So after the whole moment in January where Ian dashed many of our fantasies of them making soup together, it ended up actually happening and I am one happy girl knowing it did 😊

Making Of “Would You Push This Button?”

So the BTS of the Would You Push This Button? sketch provided us with a couple moments :-

Not a compliment or anything but you know, gotta include the high-fives.

Now this other moment is complimentary but the dialogue isn’t that important so I’m just going to give a run down of what is happening :-

[Anthony filming Ian sitting recording voice audio that no longer is getting used for the main video. Ian rambles on about how only members get to hear it and how we’re getting it for free, but not really free cause we paid for membership, and how this audio was originally meant to be used as a Shut Up! intro but it wasn’t that funny, all while Ian is saying this you can hear Anthony laughing behind the camera]

Just another example of the fact that Ian is the funniest person to Anthony ☺️

Would You Push This Button? & MrBeast Copycat Watch Party

Of course to go along with the Would You Push This Button? sketch we also got the watch party livestream, along with them reacting to the previous sketch MrBeast Copycats Have Gone Too Far that they had missed.

[Earlier in the video Ian guesses that Apollo 17 was the last time humans set foot on the moon]

Ian: [reads chat comment] “Oh, I was right with Apollo 17.”

Anthony: “Damn! How did you know Apollo 17?”

Ian: “Just a good guess, I guess.”

Wee compliment from Anthony 😊

Chat comment: ‘What’s the latest soup Ian’s learned to make?’

Ian: “The last one that I learned to make was the African Peanut Stew.”

Anthony: “Oh yeah, that one sounds so good.”

Ian: “So good.”

Anthony: “I was like is that shit vegan?”

Ian: “It was so good- yeah, yeah, it’s vegan.”

Anthony: “Yeah, we got to make that one. We got to make that one next.”

Aw, soup boy’s assistant is wanting to get back in the kitchen with him 🥹

[Boys do a quiz to find out which Bratz doll they are]

Q: ‘What is a personal flaw that your friends accept you for?’

Anthony: “Probably shy and awkward. That’s true.”

Erin: “Do you agree, Ian?”

Anthony: [looks at Ian] “Do you accept me for that?”

Ian: “I accept you for that.”

Anthony: “Okay, thank you.”

Just a cute little one 😝

[Ian taking the quiz]

Q: ‘Pick a fashion icon’

Ian: “I think I’m a Bianca Jagger.”

Anthony: “Sure. That feels right.”

Another little compliment from Anthony cause why not ✨

Q: ‘What’s your favourite relic from the 2000s?’

Ian: “I’m going to do [sings] being young, carefree and stupid.”

Anthony: “That was mine too.”

#twinning #justbestiethings

Q: ‘Which y2k fragrance did you have/would you have on your vanity tray?’

Ian: “I am definitely Princess by Vera Wang.”

Anthony: “Yep. That sounds right.”

Just Anthony agreeing that Ian is a princess 👑

Ian: [on the personal flaw question] “I feel like I’m all of these things.”

Anthony: “You’re a drama queen…”

Ian: “I think my honesty can be harsh. I think- actually I can’t be wild.”

Anthony: “You’ve been wild.”

Ian: “I am a drama queen.”

Anthony: “When are you a drama queen?”

Ian: “I feel like I can be a catty little bitch sometimes.”

Anthony: “But that’s not a drama queen.”

Ian: “Like I love drama. Like whenever I hear that there’s a problem I’m like [rubs hands together] ‘alright, let’s go’.”

Anthony: “Yeah, but I feel like drama queens are also like in the drama.”

Erin: “He’s a little dramatic.”

Anthony: “Is he in the drama though?”

Erin: “I would say so.”

Ian: [laughs]

Anthony: “I feel like he observes it and talks about it.”

Ian: “Sometimes I can be the drama. No, I don’t think I’m- I love hearing other people’s drama…”

Anthony: “Yeah.”

Ian: “But I feel like sometimes my honesty can be harsh.”

Anthony: “Sure, sure.”

Ian: “Sometimes I, you know, like sometimes there’s things that just don’t need to be said.”

Anthony: [laughs] “And you used to have no filter.”

Ian: “Sometimes I say it, I think I’ve gotten a little bit better, where I’ll be like, ‘I- never mind’.”

Anthony: “Yeah, yeah. I accept you for it.”

Ian: “Okay.”

Anthony: “I’ve grown to accept it. I used to be very sensitive.”

Love how this started off as something silly but turned into a genuine compliment by the end of it.

[Ian gets Jade as his answer]

Ian: [reading answer description] “…bold and thinks outside of the box or just someone who’s wild at heart.”

Anthony: “I could see wild at heart.”

Just a little mini compliment from Anthony there

…

Anthony: [reads chat comment and laughs] “Why is Ian on such a high from getting Jade over Anthony getting Jade?” [Anthony really wanted Jade as his answer as the crew said that’s who he was like]

Ian: Umm, I just didn’t think I was cool, man.”

Anthony: “Dude, you’re cool, Ian.” [pats chest] “You gotta have a little confidence, man.”

A double compliment from Anthony in this little section, you love to see it!

[reacting to the MrBeast sketch]

Anthony: “Yeah, that one was good. Your Mr Beast character, you fucking killed it, man. And going into the horror mode at the end [of the video] was great.”

It’s been a very heavy Anthony complimenting Ian livestream as you can probably tell 😅 not that I’m complaining!

[reacting to the Button sketch]

Ian: [talking about his Mormon character’s wig] “Wow, the blonde really brings out my eyes.”

Anthony: “Yeah, it looks really good.”

We do know Anthony loves Ian’s blue eyes 😉

[Ian dressed as a woman in the sketch]

Anthony: “Your lipstick is poppin’!”

Just another complimentary moment I wanted to include 😄

Chat comment: ‘Ian plays the mother so well it’s scary’

Ian: “That’s because I am mother.”

Anthony: “Ian is mother.”

👀 Okay, Anthony…

And that was it for this livestream!

Making Of “Grimace: Where Is He Now?”

The BTS of the Grimace: Where Is He Now? sketch gave us a couple little moments, not necessarily compliments, but wanted to include them nonetheless :-

First was this moment where Ian and Anthony are looking at each other through a door covered with fake police tape and they reach through and touch each other’s hands.

(As usual sorry for the terrible gif quality, I tried 🫣)

But yeah, thought this was cute so wanted to make it part of this post 😊

And the other moment I wanted to include was as they were doing the outro to the video :-

Anthony: “Why do we need a fog machine when we have…”

[both Ian and Anthony blow out of their mouths so you can see their breath in the cold air]

Ian: “Wow, I don’t know if that looked cool on camera but…”

Anthony: “Felt cool.”

And then of course, gotta include one of their signature moves…

The high-five!

There’s A Werewolf Among Us…

So the boys joined in on this Games video along with Courtney, Arasha, Spencer, Chanse and Trevor where they played Werewolf, in which one person is the werewolf and they have kill off other players without being discovered.

[Arasha brings up how she used to play it when it was called Mafia and the others joke around saying that it’s no longer called that because it’s offensive to Italian-Americans]

Courtney: “Angela actually held up a sign in the front of the building, she was like - ‘Please stop’.”

Ian: “Yeah, she picketed us.”

Anthony: “She’s on strike for the day.”

Ian: [laughs] “She’s on strike.”

Love when the shoe is on the other foot and it’s Ian finding Anthony funny, always very cute ☺️

[Everyone saying they think it’s Ian]

Chanse: “I was gonna say, I think I thought it was Anthony, but I’ve changed my mind.”

Ian: “Well, I mean, I would say I trust you two [Anthony and Chanse] ‘cause you didn’t immediately just go along with it. If you were the werewolf you would have immediately just motioned to vote because you’re like, yeah, let’s kill another villager.”

Trevor: “Or maybe they’re trying to hide it…”

Ian: “No.”

Trevor: “Because they already had someone second it. So why would they jump immediately?”

Ian: “Right, but they would need to be to jump in.”

Anthony: “Or maybe there’s no information to even go off of in the first round.”

Chanse: “I nominate Ian.”

Trevor: “Yeah. Vote time?”

Spencer: “Unfortunately, Ian.”

Ian: “All right, I’m just…”

Spencer: “You have made your case.”

Ian: “Okay, all right.”

Spencer: “And it’s vote time.”

Ian: “I think Anthony’s safe. I don’t trust anyone else.”

It’s sweet how Ian says Anthony’s the only one he trusts here as everyone besides Anthony is saying they think Ian is the werewolf. It’s also doubly sweet when you think about the fact that Anthony actually was the werewolf this round and yet, he was the only one Ian trusted 🥺

[Arasha making her case for the werewolf not to kill her]

Anthony: “Why are you giving werewolf tips?”

Courtney: “She’s plugging all the holes.”

Ian: [puts hands up] “I am nominating Arasha [as the werewolf].”

Anthony: [puts hand up] “I am nominating Arasha as well.”

I love when they just follow what each other’s doing 😌

[Anthony’s character dies]

Trevor: [going to raise his hand but backing down and everyone asking what he was going to say] “I just wanted to do it again. I was gonna do it again, where I just make a blatant accusation for no reason.”

Courtney: “It is good, though, for the plot.”

Chanse: “It starts shit.”

Trevor: [puts hand up] “All right, I think it’s Ian.”

Courtney: “The werewolf?”

Trevor: “Yeah.”

Spencer: “All right, does anyone wanna second that?”

Ian: “I think that’s a terrible decision.”

Trevor: “No, not necessarily nominating, I just would like to, you know, cast some doubt upon his character.”

Spencer: “Gosh darn.”

Courtney: “Yeah.” [points at Ian] “You like wolves!”

Ian: “I don’t like wolves.”

Trevor: “You would kill Anthony.”

Ian: [makes a sad/unhappy face]

Trevor: “You would. You hater.”

Ian: “What do you mean I would kill Anthony?”

Trevor: “You’re trying to, like oh, I would never kill my best friend. Oooh.”

Ian: “I never-”

Chanse: “He’s trying to start shit.”

Courtney: [laughing]

Trevor: “See? See? Ian’s like, ooh, they won’t think it’s me because I would never kill my best friend.”

Ian: “This guy talks too much.”

Anthony: [laughs]

Loved this moment, especially how not happy Ian was with the accusation that he would kill Anthony, even in a game. And of course can never resist when it’s brought up that they’re best friends. Also loved how Anthony didn’t say anything and only laughed at what Ian said - the bestie-ism was shining through! 👯‍♂️

And that was it for this video!

With that, that brings us to end of the compliments for February 2024! A shorter one as I said but hope you all still enjoyed 😊

Thanks for reading and I shall see you next time! 🫶

#so happy to FINALLY have this out to you guys #massive apologies for being mia for so long I’m going go try and be better #hugely appreciate everyone’s patience though I’m very grateful for that #ianthony #ianthony compliments #ian hecox #anthony padilla #smosh #my posts

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