#did I lie??

[the-mystery-of-aaravos]

I mean.....¯\_(- _-)_/¯

[silverscreenlipstick]

y’all saltburn wasn’t that bad or freaky… y’all just hate the gays.

[that-girl-glader]

Look I hate Ben Hope as much the next guy, but like..... he do look good in gray.

[pangur-and-grim]

one thing that took me embarrassingly long to learn is "sometimes when people say things, they will not be true."

I used to tell people about this revelation and they'd be like yeah.....duh.....but like, why wouldn't my base assumption be that you're communicating to me in a straightforward manner. anyway, I get scammed a lot.

[hinamie]

10 years later

[teaboot]

If I can recommend you do 1 low-effort thing for the love of God it is this:

Keep 5 cards in your pocket. One will say "yes", the second will say "no."

If you lose your voice, or lose speech, or want to make a dramatic embellishment at the right time, it is an elegant and efficient solution that is right there at hand.

But what if people question you from there? "Why do you have that card? Why would you do this? How long have you had that in your pocket?" For this, or whatever else they say, the third card: "I don't have a card for that."

"What the fuck," they ask. They laugh. They are bemused. You bring the energy back down with the fourth card: "I have laryngitis. I've lost speech. My throat hurts". Whatever you expect to occur.

The joke is over. Rule of threes. Now they are curious. They wonder about logistics. "How did you know I would say that? Is everyone so predictable?"

As a three-part bit, nobody ever sees the fifth card coming.

"I have powerful wizard magics."

Gets them every time

[cainternn]

more deadpool and wolverine thoughts

[anbaisai]

I was today years old when I learned that Kalim's headband thingy does not, in fact, tie into a bow

(thank you @fell-fell for informing me)

[marisatomay]

It's so funny that everyone immediately called Eddie gay for doing the Risky Business dance and he is but he also just beat for beat recreated what Tom Cruise did in Risky Business and. well.

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[tragicotps]

What age was Gillian Anderson in The X-Files? (x)

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[weirdglassthing]

Don’t give a mouse a cookie but it’s don’t give an artist a canon detail about a character anyways torbeks favorite movie!!

Sorry for inactivity but I’ve got some FIRE things coming up 🫡

[poorly-drawn-mdzs]

Cite your sources.

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[hollytree33]

Ghilan'nain

So I read the Horror of Hormak