#dick herman photographs

[wandering-cemeteries]

Tombstone of Herman Melville, author of Moby-Dick.

Woodlawn Cemetery, the Bronx, New York.

Nov. 2014

[kvetchlandia]

Uncredited Photographer Herman Melville 1861

“There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody's expense but his own.” ― Herman Melville, "Moby-Dick; or, The Whale" 1851

[brookstonalmanac]

Events 11.20 (before 1970)

284 – Diocletian is chosen as Roman emperor. 762 – During the An Shi Rebellion, the Tang dynasty, with the help of Huihe tribe, recaptures Luoyang from the rebels. 1194 – Palermo is conquered by Henry VI, Holy Roman Emperor. 1407 – John the Fearless, Duke of Burgundy, and Louis of Valois, Duke of Orléans, agree to a truce, but Burgundy would kill Orléans three days later. 1441 – The Peace of Cremona ends the war between the Republic of Venice and the Duchy of Milan, after the victorious Venetian enterprise of military engineering of the Galeas per montes. 1695 – Zumbi, the last of the leaders of Quilombo dos Palmares in early Brazil, is executed by the forces of Portuguese bandeirante Domingos Jorge Velho. 1739 – Start of the Battle of Porto Bello between British and Spanish forces during the War of Jenkins' Ear. 1776 – American Revolutionary War: British forces land at the Palisades and then attack Fort Lee. The Continental Army starts to retreat across New Jersey. 1789 – New Jersey becomes the first U.S. state to ratify the Bill of Rights. 1805 – Beethoven's only opera, Fidelio, premieres in Vienna. 1815 – The Second Treaty of Paris is signed, returning the French frontiers to their 1790 extent, imposing large indemnities, and prolonging the occupation by troops of Great Britain, Austria, Prussia, and Russia for several more years. 1820 – An 80-ton sperm whale attacks and sinks the Essex (a whaling ship from Nantucket, Massachusetts) 3,200 kilometres (2,000 mi) from the western coast of South America. (Herman Melville's 1851 novel Moby-Dick was in part inspired by this incident.) 1845 – Anglo-French blockade of the Río de la Plata: Battle of Vuelta de Obligado. 1861 – American Civil War: A secession ordinance is filed by Kentucky's Confederate government. 1873 – Garnier Expedition: French forces under Lieutenant Francis Garnier captured Hanoi from the Vietnamese. 1900 – The French actress Sarah Bernhardt receives the press at the Savoy Hotel in New York at the outset of her first visit since 1896. She talked about her impending tour with a troupe of more than 50 performers and her plans to play the title role in Hamlet. 1910 – Mexican Revolution: Francisco I. Madero issues the Plan de San Luis Potosí, denouncing Mexican President Porfirio Díaz, calling for a revolution to overthrow the government of Mexico, effectively starting the Mexican Revolution. 1917 – World War I: Battle of Cambrai begins: British forces make early progress in an attack on German positions but are later pushed back. 1936 – José Antonio Primo de Rivera, founder of the Falange, is killed by a republican execution squad. 1940 – World War II: Hungary becomes a signatory of the Tripartite Pact, officially joining the Axis powers. 1943 – World War II: Battle of Tarawa (Operation Galvanic) begins: United States Marines land on Tarawa Atoll in the Gilbert Islands and suffer heavy fire from Japanese shore guns and machine guns. 1945 – Nuremberg trials: Trials against 24 Nazi war criminals start at the Palace of Justice at Nuremberg. 1947 – The Princess Elizabeth marries Lieutenant Philip Mountbatten, who becomes the Duke of Edinburgh, at Westminster Abbey in London. 1959 – The Declaration of the Rights of the Child is adopted by the United Nations. 1962 – Cuban Missile Crisis ends: In response to the Soviet Union agreeing to remove its missiles from Cuba, U.S. President John F. Kennedy ends the quarantine of the Caribbean nation. 1968 – A total of 78 miners are killed in an explosion at the Consolidated Coal Company's No. 9 mine in Farmington, West Virginia in the Farmington Mine disaster. 1969 – Vietnam War: The Plain Dealer (Cleveland, Ohio) publishes explicit photographs of dead villagers from the My Lai Massacre in Vietnam. 1969 – Occupation of Alcatraz: Native American activists seize control of Alcatraz Island until being ousted by the U.S. Government on June 11, 1971.

[mcgiggers]

New York - September 2024

Just back from the Armory and related art festivities in the Big Apple which also hosted the US Open and New York Fashion Week. The eclectic mix of aficionados made for a raucous and visually entertaining backdrop for the supercharged events. On the art front, the Armory Show was center stage as it celebrated its 30th edition and its second at the revamped Javits Center. Other fairs visited were Independent 20th Century and Art on Paper. While the sheer proliferation of fairs in the last decade can inevitably result in hit or miss experiences, the gatherings nevertheless offer the opportunity to see thousands of works by a broad range of local and international artists all under one roof which, with some patience and visual filtering, always yields marvelous art finds.

This year the Armory featured over 235 leading galleries representing more than 35 countries. The notable absence of the mega-galleries and smaller overall international representation gave the fair a more local feel with an energized NYC vibe. The smorgasbord of primarily post-war contemporary offerings ranged from figurative to abstract with a hint of conceptual. The Javits Center easily accommodated the bulked-up size of the fair, and the comfortable spacing and layout enhanced the viewing experience.  Some highlights included: Deni Lantz’s dreamy John Zurier-inspired “Untitled”, 2024, oil and beeswax on canvas (72.0 x 59.84 in.); Anouk Lamm Anouk’s ethereal “post/pre Nº 64”, 2023, acrylic on linen (19.75 x 21.63 in.); Paul Feeley’s iconically shaped “Untitled (January 29)”, 1962, oil-based enamel on canvas (57 x 81 in.); and, Sara Siestreem (Hanis Coos)’s playful “foxes on the moon”, 2024, acrylic, graphite, Xerox transfer on panel board (49 x 72 in.).

Independent 20th Century fair was more highbrow. From a gallery perspective, that might be fine if the right people are showing up; from a fair goer perspective, the offering was more nuanced. Set in the historic Battery Maritime Building for the second year in a row, the smallish 32-exhibitor show primarily championed artists that applied their trade between 1900 and 2000. The highlights included: Squeak Carnwath’s painted patterns and thoughts in “Dick & Jane”, 1996, oil and alkyd on canvas (76 x 102 in.); Tom Fairs’ nightscape “Untitled”, c. 1998-99, mixed media on heavy paper (30 x 22 in.); and Rebecca Ward’s translucent “king ranch lll”, 2013, bleach on canvas (40 x 30 in.).

Art on Paper continued its run on the courts of Basketball City on Pier 36 and celebrated its tenth edition with a 100-gallery roster featuring top modern and contemporary paper-based art. On a relative basis, the offering was probably the most accessible from a price point perspective compared to that of other fairs which likely contributed to its enthusiastic appreciation by art fans.  Highlights included: David Richardson’s “White Roses #3”, 2024, chalk on paper (14 x 11 in.); Simone Christen’s “Moment of Bliss l”, 2023, ink on raw linen (30 x 24 x 1.5 in.); and Herman Cherry’s “Untitled #35”, 1968, oil on rag paper (18.25 x 23 in.).

One of the most impressive sights viewed during the New York visit was a billboard by Glenn Ligon spotted from the High Line at 18th Street and 10th Avenue. This new version of “Untitled (America/Me)” spans 25 x 75 ft and features an altered image of Ligon’s iconic 14 ft 2008 “Untitled” which stretches 14 ft across spelling out the word “AMERICA” in neon lights that flicker on and off.  In 2022, Ligon revisited “Untitled” by creating a print, the original “Untitled (America/Me)”, that manipulated a photograph of the neon by drawing X’s through letters leaving only M and E untouched. The billboard is a reprisal of that modest sized print (14 x 11 in., edition of 50) on a gargantuan level, magnifying perhaps the polarized state of affairs in America today.  

Meanwhile back in Hogtown, it’s time to heat up the grill with BBQ season nearly upon us. The burning question is who is going to run with the Barnes, Barrett and Quickley trio. The Big Austrian is a prime candidate in the middle, but who will suit up at the number 4 spot? The ask is for a 6’8” 240 lbs. defensive stalworth that can guard in space, run the floor and knock down 3’s at a 38% plus clip. The current roster’s cast of characters are not obvious candidates. Tricky Dicky, Kelly Canuk and B-Squared each fall short in a few categories. As the auditioning plays out in training camp and the pre-season, there may be some surprises among the lesser known and yet unproven entities on the payroll, but hope is not a strategy. The whole spells for some uncertainty regarding the upcoming season. Barring injuries, the Dinos may be good enough to better last season’s record of 25-67, but probably not good enough to make a splash beyond a play-in round. With that prospect, Sensei Masai’s hand will not be far from the tank button. In the interim, Coach Darko will have to manage as best as he can and be ready to pivot at any time.

For more information on any of the artists or works mentioned, and the starting lineup for the Dinos, “Just Google It”.

There you have it sportsfans,

MC Giggers

(https://mcgiggers.tumblr.com) Reporter’s Certification

I, MC Giggers, hereby certify that the views expressed in this report accurately reflect my personal views and that no part of my compensation was or will be, directly or indirectly, related to the specific views expressed herein.

I also certify that I may or may not own, directly or indirectly, works of artists mentioned in this report and that I may or may not have a strong bias for such artists and, more generally, for “Pictures of Nothing”.

[docrotten]

IT CAME FROM OUTER SPACE (1953) – Episode 155 – Decades Of Horror: The Classic Era

“Where are you? What do you look like? What am I supposed to be looking for? I know you are out there hiding in the desert. Maybe I’m looking right at you and don’t even see you. Come on out!” Doesn’t the song go, “Who are you? Who, who, who, who?” Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they set their eyeballs with relish on Jack Arnold’s It Came From Outer Space (1953).

Decades of Horror: The Classic Era Episode 155 – It Came From Outer Space (1953)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

A spaceship from another world crashes in the Arizona desert and only an amateur stargazer and a schoolteacher suspect alien influence when the local townsfolk begin to act strangely.

  Director: Jack Arnold

Writers: Harry Essex; Ray Bradbury (film treatment)

Produced by: William Alland

Music by: Irving Gertz, Henry Mancini, Herman Stein (all uncredited)

Cinematography by: Clifford Stine

Editing by: Paul Weatherwax

Costume Design by: Rosemary Odell (gowns)

Makeup Department:

Joan St. Oegger (hair stylist)

Bud Westmore (makeup artist)

Jack Kevan (makeup execution) (uncredited)

Art Department: Joseph Hurley (conceptual artist) (uncredited)

Visual Effects by:

David S. Horsley (special photography)

Roswell A. Hoffmann (special photographic effects / visual effects optical printing) (uncredited)

Selected Cast:

Richard Carlson as John Putnam

Barbara Rush as Ellen Fields

Charles Drake as Sheriff Matt Warren

Joe Sawyer as Frank Daylon

Russell Johnson as George

Kathleen Hughes as Jane

Virginia Mullen as Mrs. Daylon (uncredited)

Dave Willock as Pete Davis (uncredited)

George Eldredge as Dr. Snell (uncredited)

Bradford Jackson as Bob – Dr. Snell’s Assistant (uncredited)

William Pullen as Deputy Reed (uncredited)

Robert Carson as Dugan (uncredited)

Edgar Dearing as Sam (uncredited)

Alan Dexter as Dave Loring (uncredited)

Whitey Haupt as Perry (uncredited)

Casey MacGregor as Toby (uncredited)

Dick Pinner as Lober (uncredited)

George Selk as Tom (uncredited)

Robert ‘Buzz’ Henry as Posseman (uncredited)

Kermit Maynard as Posseman (uncredited)

Ralph Brooks as Posseman (uncredited)

Ned Davenport as Man (uncredited)

Calling all “Monster Kids!” The Grue Crew tackles the sci-fi, 3-D, Jack Arnold classic, It Came From Outer Space. This one’s got it all: groovy alien eyeball monster, body-snatching shenanigans, coming-at-ya 3-D fun, and… The Professor from Gilligan’s Island. What else do you need? The Grue Crew discusses all this and much more.

At the time of this writing, It Came From Outer Space is available for streaming from the Classic Sci-Fi Movie Channel, the Classic Horror Movie Channel, and multiple PPV sources. The film is also available as a Blu-ray disc from Universal.

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Daphne, is The City of the Dead (1960), released in the US as Horror Hotel and featuring Christopher Lee.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com

To each of you from each of them, “Thank you so much for watching and listening!”

Check out this episode!

[pomegranate-cuties]

[Image description: Three photographs from the installation The Pequod II by Michael C McMillen, an exhibit hosted at the Peabody Essex Museum.

The first photograph is of the museum label, which contains a quote from Herman Melville, author of Moby Dick

"I try all things; I achieve what I can." - Herman Melville, Moby-Dick Michael C McMillen Born 1946, Los Angeles The Pequod II, 1987 Wood and metal kinetic assemblage Gift of Michael and Lauren McMillen, in memory of James Doolin 2018.41

The second photograph is of the sculpture itself, a whaling ship suspended from the ceiling with billowing sails, constructed from wood, metal, and assorted detritus. Small metal humanoid figures are present throughout the ship in various states of activity.

The third photograph is of the museum wall text introducing the piece

Michael C McMillen The Pequod II Michael C McMillen's The Pequod II derives its title from the whaling ship in Herman Melville's 1851 literary classic Moby-Dick. The ship's name refers to the Pequot tribe whose members survive today in Connecticut. Suspended in air like an apparition, McMillen's vessel is a synthesis of historic maritime form and a 20th-century aircraft carrier, which suggests the violence and revenge at the heart of the tale. He sees the sculpture as evoking a metaphoric ship of state. Like the literary Pequod, its fate is in the hands of its captain.

End description.

Transcriber's note: James Doolin was an American painter and muralist known for his urban landscapes, such as those painted in the Metro headquarters of Los Angeles.]

The Pequod II by Michael C. McMillen

[druid-for-hire]

Image IDs under the cut.

My drawing class finals from last semester. The pieces each have a 3′x2′ size ratio. The goal was a focus on displaying our mastery over the human figure. They’re not perfectly photographed because I refuse to scan anything over taking a good photo and then color adjusting in Photoshop (Also I don’t know how to scan a paper that’s tall as three feet), but good enough! Sorry for being annoying about the watermarks.

They’re each from classic literature. Ink and charcoal. Oscar Wilde’s The Picture of Dorian Gray, the end of Herman Melville’s Moby Dick, and Poe’s Fall of the House of Usher. They also each have stylistic influence from a different artist. The first piece borrows from N.C. Wyeth; the second from Leyendecker, the third from Käthe Kollwitz.

There’s a lot of places where I wish I could rework some things (especially the steps in the last one... whoof), but it’s not like digital art where you can work into something forever. You lay down a line in ink, you’re stuck with it. Plus, I had about 8-10 hours to work on each of them, so I could only work them for so long, and I was very much learning about ink as I went.

[image id: a set of three traditional pieces, each showing a scene from classic literature. each one is signed, “druid for hire, 2022.” the first piece is the ending of moby dick. the second piece is the picture of dorian gray. the third piece is the end of the fall of the house of usher.

the first piece is Moby Dick after the Pequod ship is destroyed. It shows Ishmael exhausted and defeated as he clings to Queequeg’s coffin in the ocean. Far in the distance is a faint impression of The Rachel, his rescuer ship.

The second piece is a portrait of Dorian Gray, handsomely dressed as he smiles into the distance. Stylized smoke reveals a blackened, dripping skeleton beneath his suit and skin. Above his head, the hand of the murdered character Basil Hallward reaches for him.

the third piece is House of Usher. It shows the formerly buried sister, Madeline Usher, ascending the stairs of the manor as she hunts for her brother. end id]

[stuckinapatriarchalbullshitland]

🕊 Melville and Hawthorne

I remember when one of our mutuals received submission from an anonymous named Dove. I remember that insider mentioned many things about the girls but he also spoke about a particular character whose life caught my attention. Herman Melville. Melville was a New York poet who fell madly in love with another writer named Nathaniel Hawthorne. They had a very intense love affair, but it had to be hidden because it was the 19th century and homosexual love was forbidden. But it was not forbidden to write about it. This is an article from the page:

https://www.brainpickings.org/2019/02/13/herman-melville-nathaniel-hawthorne-love-letters/

Herman Melville’s Passionate, Beautiful, Heartbreaking Love Letters to Nathaniel Hawthorne:

“Your heart beat in my ribs and mine in yours, and both in God’s… The divine magnet is in you, and my magnet responds.”

BY MARIA POPOVA The summer when nineteen-year-old Emily Dickinson met the love of her life — the orphaned mathematician-in-training Susan Gilbert, who would come to be the poet’s greatest muse, her mentor, her primary reader and editor, her fiercest lifelong attachment, her “Only Woman in the World” — another intense, label-defying love was igniting in the heart of another literary titan-to-be some fifty miles westward. That other love unfolds alongside Dickinson’s in Figuring — a book I wrote to explore, among other existential perplexities, the bittersweet beauty of asymmetrical and half-requited loves. (This essay is adapted from the book.)

On August 5, 1850, Herman Melville met Nathaniel Hawthorne at a literary gathering in the Berkshires. Hawthorne was forty-six. The achingly shy, brooding writer, once celebrated as “handsomer than Lord Byron,” had risen to celebrity a decade earlier, much thanks to a glowing endorsement by Margaret Fuller. Melville — whose debut novel had rendered him a literary star in his twenties — had just turned thirty-one.

Herman Melville and Nathaniel Hawthorne A potent intellectual infatuation ignited between the two men — one that, at least for Melville, seems to have grown from the cerebral to the corporeal. Within days, the young author reviewed Hawthorne’s short story collection Mosses from an Old Manse in Literary World under the impersonal byline “a Virginian Spending July in Vermont.” No claim of this intentional ambiguity was true — Melville was a New Yorker, the month was August, and he was spending it in Massachusetts.

The review, nearing seven thousand words, was nothing less than an editorial serenade. “A man of a deep and noble nature has seized me in this seclusion… His wild, witch voice rings through me,” Melville wrote of reading Hawthorne’s stories in a remote farmhouse nestled in the summer foliage of the New England countryside. “The soft ravishments of the man spun me round in a web of dreams.” Melville couldn’t have known that his allusions to witchcraft, intended as compliment, had disquieting connotations for Hawthorne. Born Nathaniel Hathorne, he had added a w to the family name in order to distance himself from his ancestor John Hathorne — a leading judge involved in the Salem witch trials, who, unlike the other culpable judges, never repented of his role in the murders. Unwitting of the dark family history, Melville found himself under “this Hawthorne’s spell” — a spell cast first by his writing, then by the constellation of personal qualities from which the writing radiated. Who hasn’t fallen in love with an author in the pages of a beautiful book? And if that author, when befriended in the real world, proves to be endowed with the splendor of personhood that the writing intimates, who could resist falling in love with the whole person? Melville presaged as much:

No man can read a fine author, and relish him to his very bones, while he reads, without subsequently fancying to himself some ideal image of the man and his mind… There is no man in whom humor and love are developed in that high form called genius; no such man can exist without also possessing, as the indispensable complement of these, a great, deep intellect, which drops down into the universe like a plummet. Or, love and humor are only the eyes, through which such an intellect views this world. The great beauty in such a mind is but the product of its strength.

After comparing Hawthorne to Shakespeare, he writes:

In this world of lies, Truth is forced to fly like a scared white doe in the woodlands; and only by cunning glimpses will she reveal herself, as in Shakespeare and other masters of the great Art of Telling the Truth, — even though it be covertly, and by snatches./// This words came from the original 🕊 wrote

“I am Posterity speaking by proxy,” Melville bellows from the page, “when I declare — that the American, who up to the present day, has evinced, in Literature, the largest brain with the largest heart, that man is Nathaniel Hawthorne.” In an aside on the process of composing his review, he notes that twenty-four hours into writing, he found himself “charged more and more with love and admiration of Hawthorne.” Quoting an especially beguiling line of Hawthorne’s, he insists that “such touches… can not proceed from any common heart.” No, they bespeak “such a depth of tenderness, such a boundless sympathy with all forms of being, such an omnipresent love” that they render their author singular in his generation — as singular as the place he would come to occupy in Melville’s heart.

Hawthorne’s home, Old Manse. Concord, Massachusetts. (Boston Public Library.) Fervid correspondence and frequent visits followed over the next few months. Only ten of Melville’s letters to Hawthorne survive, but their houses were just six miles apart and they saw each other quite often — “discussing the Universe with a bottle of brandy & cigars,” as Melville put it in one invitation, and talking deep into the night about “time and eternity, things of this world and of the next, and books, and publishers, and all possible and impossible matters,” as Hawthorne recounted in his diary. Punctuating the invisible log of all that was written but destroyed is all that was spoken but unwritten, all that was felt but unspoken.

Melville’s ardor was most acute during the period of writing Moby-Dick, which he dedicated to Hawthorne. Printed immediately after the title page was “In Token of My Admiration for his Genius, This Book is Inscribed to Nathaniel [sic] Hawthorne.”

(The two lovers lived very close to each other, isn’t sounds familiar folks?)

Art by Matt Kish from Moby-Dick in Pictures: One Drawing for Every Page One November evening over dinner, a restlessly excited Herman presented Nathaniel with a lovingly inscribed copy of the novel whose now-legendary protagonist sails from Nantucket into the existential unknown. I can picture the brooding Hawthorne turning the leaf and suppressing a beam of delight upon discovering the printed dedication. In the following century, Virginia Woolf would perform a similar gesture with her groundbreaking, gender-bending novel Orlando, inspired by her lover Vita Sackville-West and later described by Vita’s son as “the longest and most charming love letter in literature.” On the day of Orlando’s publication, Vita would receive a package containing not only the printed book, but also Virginia’s original manuscript, bound specially for her in Niger leather and stamped with her initials on the spine.

But after the elated private presentation, a very different public fate awaited Moby-Dick. Its 1851 publication was met with a damning review in New York’s Literary World, which set the tone for its American reception and precipitated its decades-long plunge into obscurity. The reviewer’s chief complaint was that the novel “violated and defaced” “the most sacred associations of life”—an indictment aimed at the homoeroticism of Melville’s choice to depict Ishmael and Queequeg as sharing a “marriage bed” in which they awaken with their arms around each other.

Queequeg’s favorite dish, cooked and photographed by artist Dinah Fried for her project Fictitious Dishes: An Album of Literature’s Most Memorable Meals. Ten days later, Hawthorne lamented the obtuseness of the review and praised Moby-Dick as Melville’s best work yet. Touched to the point of delirium by this “exultation-breeding letter,” Melville hastened to reply:

Your heart beat in my ribs and mine in yours, and both in God’s… It is a strange feeling — no hopefulness is in it, no despair. Content — that is it; and irresponsibility; but without licentious inclination. I speak now of my profoundest sense of being, not of an incidental feeling.

Whence come you, Hawthorne? By what right do you drink from my flagon of life? And when I put it to my lips — lo, they are yours and not mine. I feel that the Godhead is broken up like the bread at the Supper, and that we are the pieces.

Aware of how his intemperate fervor might incinerate his relationship with the cooler-tempered Hawthorne, Melville reasons with himself for a moment, then chooses to abandon reason:

My dear Hawthorne, the atmospheric skepticisms steal into me now, and make me doubtful of my sanity in writing you thus. But, believe me, I am not mad, most noble Festus! But truth is ever incoherent, and when the big hearts strike together, the concussion is a little stunning.

After signing, he adds a feverish postscript:

I can’t stop yet. If the world was entirely made up of [magicians], I’ll tell you what I should do. I should have a paper-mill established at one end of the house, and so have an endless riband of foolscap rolling in upon my desk; and upon that endless riband I should write a thousand — a million — billion thoughts, all under the form of a letter to you. The divine magnet is in you, and my magnet responds. Which is the biggest? A foolish question — they are One.

The intensity proved too concussing for Hawthorne — he pulled away from the divine magnet. Melville seems to have presaged the eclipse of their relationship in the review in which the magnetism had begun:

It is that blackness in Hawthorne… that so fixes and fascinates me. It may be, nevertheless, that it is too largely developed in him. Perhaps he does not give us a ray of his light for every shade of his dark.

As Hawthorne retreated into his cool darkness, Melville suffered with the singular anguish of unreturned ardor—anguish that stayed with him for the remaining four decades of his life, for he eulogized it in one of his last poems, “Monody,” penned in his final year:

To have known him, to have loved him, After loneness long; And then to be estranged in life, And neither in the wrong; And now for death to set his seal — Ease me, a little ease, my song!

By wintry hills his hermit-mound The sheeted snow-drifts drape, And houseless there the snow-bird flits Beneath the fir-tree’s crape: Glazed now with ice the cloistral vine That hid the shyest grape.

Herman Melville in his final years. Meanwhile, the gaps of the invisible and the unspoken are filled with posterity’s questions about specifics that vibrate with the universal: What happened between Melville and Hawthorne in the unrecorded hours? Why did Nathaniel ultimately repel the divine magnet of Herman’s love? Most probably, we’ll never know. Possibly, they themselves never fully did. It is almost banal to say, yet it needs to be said: No one ever knows, nor therefore has grounds to judge, what goes on between two people, often not even the people themselves, half-opaque as we are to ourselves. One thing is certain: The quotient of intimacy cannot be contained in a label. The human heart is an ancient beast that roars and purrs with the same passions, whatever labels we may give them. We are so anxious to classify and categorize, both nature and human nature. It is a beautiful impulse — to contain the infinite in the finite, to wrest order from the chaos, to construct a foothold so we may climb toward higher truth. It is also a limiting one, for in naming things we often come to mistake the names for the things themselves. The labels we give to the loves of which we are capable — varied and vigorously transfigured from one kind into another and back again — cannot begin to contain the complexity of feeling that can flow between two hearts and the bodies that contain them.

_____

I don't think I can add anything to what Maria described that doesn't remind me of Camren. Or Camila. Sometimes I feel that Lauren and Camila are two reincarnated souls of former lovers who could never live their love in freedom, even these days. Where the love between homosexual couples will always be condemned and criticized and hated and will have to continue living in the shadows having only freedom in song lyrics, in poetry, literature, cinema. How much more time will it take for those ancient reincarnated lovers to live in freedom? In how many more generations can they really be free? I do not know. I only know that I hope I don't die before I get to see it Thanks Dove, whoever you were for showing us that story. If you read this, we are still here supporting the girls and that hidden love.

[teratomarty]

So, in Moby-Dick, written in 1851, Herman Melville claimed that nobody had ever drawn an accurate picture of a whale, and that it was impossible to do so; “Leviathan is that one creature in the world that must remain unpainted to the last.”

The Japanese of 1680 would like to call bullshit.  This is not only an accurate image of a North Pacific Right Whale, easily identifiable against modern photographs, it is a work of art.  Look how the artist has captured the sinuous power of the tail, the grace of the flukes, the tenderness with which the infant snuggles against its mother.  And again, a work of scientific merit, showing the turbulence generated by the whale, the way the infant travels in the calm slipstream behind the flipper, and what I believe to be anatomical labels on both. 

I stood staring at this scroll for some minutes, trying not to press my nose against the glass in a way that would make the docents kick me out.  @otherhazards had the presence of mind to take a photograph.

[dinamicus]

The c-bago

Everything the credits to  the autor who this blog, who keeps for  years a impressive archive about LOTR and the adventures from members of cast, en espacial From Viggo and Orlando

THE LORD OF THE RINGS

Campus Circle (LA, US)

The Fellowship Lives On with The Return of the King BY JOSH HERMAN If society can coin the phrase "chick flick" for female-themed movies, then can The Lord of the Rings: The Return of the King be described as a "dick flick?" After all, it does promote brotherhood and the strength of the male bond through adversity. “There are a fair bit of fans who see the relationship as a homosexual relationship,” Elijah Wood says about the close proximity of his character, Frodo, and fellow hobbit Sam, played by Sean Astin. “It wasn’t really how I or Sean saw it. I think it is a very loving, caring close relationship, which happens to be between two men. I think it still is up for interpretation.” What can’t be debated is that this film, the last of Peter Jackson’s LOTR uber-epic, is the rare finale of a trilogy that not only trumps the previous films, but makes them more delicious in its completion. The anxious thrust of The Return Of The King is that Frodo and Sam (Wood and Astin) are near, as Gandalf says, “The great battle of our time,” while Aragorn (Viggo Mortensen) must deal with inner-demons for a change and do what Simba was required to do in another far away kingdom – “remember who you are” and take his regal place in the circle of death. The onscreen fellowship echoes the one behind the Kookaburra tree. Mortensen and Orlando Bloom spent much of their off-time on a green bus they named the “C-Bago.” According to Mortensen, “It was a crazy small bus” that he decorated wall-to-wall with his behind-the-scenes photos of the set. For Christmas, they had a tree made out of tampons. The C-Bago became a frat house, where much drinking and partying ensued – the bus even had its own wine cellar. The motto? “Everyone is welcome, but when it’s time to go, GET OUT.” “The actors had a spiritual connection to it,” director Jackson says of the bus. “I liked the way they had photographs that [Mortensen and Bloom] had taken behind the scenes, plastered all over the walls.” “Ahh yes, the bus. It was mine, all mine. It was my precious,” Bloom says, sifting LOTR character Gollum through an Australian drawl. Bloom, a “sex symbol” according to Mortensen, ( ok, Viggo,  ... ehem.) christened the bus the "C-word" when the makeup artist was fuming about someone and asked Bloom’s advice. “You should kick him the c--t and tell him to f--k off!” Bloom said. “Viggo just lost it for half an hour. He kept saying, ‘What did you say?’ [The bus] became all about “the word.” We took that word and took all of its power away. We made it the most loving word in the world. If you were a true c--t, you were the most amazing person in the world.” As LOTR can be read as a possible metaphor of acceptance, the C-Bago accepted everyone – no matter what sex or sexual persuasion. “Did they call it the party bus? More like the ‘farty bus!’” Sir Ian McKellen, who plays Gandalf in the film, quips. “I can’t believe he [Mortensen] talked about that. That was our private world,” muses co-star Liv Tyler, who continued,“There was a lot of liquor on that bus. But the funniest thing about this bus is that this thing was a beast. It was so tiny; nothing worked. If they ever washed our hair it would go from scalding hot to freezing cold. There was no heat.” While talking about the Bago, the “end-of-an-era” nostalgia that creeps into the last day of high school grips the cast. The Return Of The King is senior year for these performers, who will now graduate and go in their separate directions. Some will become sex objects (Bloom), some will become poets and have exhibitions (Mortensen) and some will reunite with their families (Astin). But when they have their 20-year reunion (20th Anniversary re-release) you know stories of “The Bus” will be fondly swapped. “It was a very free-spirited bus,” Bloom reflects. “It came about because me and Viggo kept being moved around, and we ended up on this bus one day. And the actors were fed up and we said, ‘This is it. This our home and we are not moving. If they come, tell them to go away.’” The fellowship is complete.

 I don’t know  how fit Sean in the version from Orlando about the c-vago , so  I think there is more of the stories.but this is, I like this note 

[kvetchlandia]

Uncredited Photographer     Herman Melville     c.1860

“Better to sleep with a sober cannibal than a drunk Christian.” Herman Melville, “Moby-Dick; or, The Whale” 1851

[dannyreviews]

In Memoriam 2019

As 2019 draws to a close, we remember those in entertainment that left us during the year.

Pegi Young - singer (1952 - 1/1/2019)

Daryl Dragon - singer (The Captain And Tennille) (1942 - 1/2/2019)

Bob Einstein - actor, comedian (1942 - 1/2/2019)

Mean Gene Okerlund - wrestling announcer (1942 - 1/2/2019)

Verna Bloom - actress (1938 - 1/9/2019)

Carol Channing - actress, singer (1921 - 1/15/2019)

Kaye Ballard - actress (1925 - 1/21/2019)

Jonas Mekas - documentary director (1922 - 1/23/2019)

Dusan Makavekev - director (1932 - 1/25/2019)

Michel Legrand - film composer (1932 - 1/26/2019)

James Ingram - singer (1952 - 1/29/2019)

Dick Miller - actor (1928 - 1/30/2019)

Julie Adams - actress (1926 - 2/3/2019)

Albert Finney - actor (1936 - 2/7/2019)

Jan-Michael Vincent - actor (1945 - 2/10/2019)

Bruno Ganz - actor (1941 - 2/16/2019)

Karl Lagerfeld - fashion designer (1933 - 2/19/2019)

Stanley Donen - director (1924 - 2/21/2019)

Peter Tork - musician (The Monkees) (1942 - 2/21/2019)

Brody Stevens - actor, comedian (1970 - 2/22/2019)

Katherine Helmond - actress (1929 - 2/23/2019)

Andre Previn - film composer, pianist, conductor (1929 - 2/28/2019)

Luke Perry - actor (1966 - 3/4/2019)

Hal Blaine - drummer (1929 - 3/11/2019)

Dick Dale - guitarist (1937 - 3/16/2019)

Scott Walker - singer (The Walker Brothers) (1943 - 3/22/2019)

Agnes Varda - director (1928 - 3/29/2019)

Nipsey Hussle - rapper (1985 - 3/31/2019)

Seymour Cassel - actor (1935 - 4/7/2019)

Georgia Engel - actress (1948 - 4/12/2019)

John McEnery - actor (1943 - 4/12/2019)

Bibi Andersson - actress (1935 - 4/14/2019)

Fay McKenzie - actress, singer (1918 - 4/16/2019)

Ken Kercheval - actor (1935 - 4/21/2019)

Jean-Pierre Marielle - actor (1932 - 4/24/2019)

John Singleton - director, screenwriter, producer (1968 - 4/28/2019)

Peter Mayhew - actor (1944 - 4/30/2019)

Norma Miller - dancer, actress (1919 - 5/5/2019)

Alvin Sargent - screenwriter (1927 - 5/9/2019)

Peggy Lipton - actress (1946 - 5/11/2019)

Machiko Kyo - actress (1924 - 5/12/2019)

Doris Day - actress, singer (1922 - 5/13/2019)

Tim Conway - actor, comedian (1933 - 5/14/2019)

Grumpy Cat - internet celebrity (2012 - 5/14/2019)

Herman Wouk - author (1915 - 5/17/2019)

Leon Redbone - singer (1944 - 5/30/2019)

Dr. John - singer (1941 - 6/6/2019)

Sylvia Miles - actress (1924 - 6/12/2019)

Franco Zefferelli - director (1923 - 6/15/2019)

Dave Bartholomew - singer, songwriter, record producer (1918 - 6/23/2019)

Edith Scob - actress (1937 - 6/26/2019)

Max Wright - actor (1943 - 6/26/2019)

Arte Johnson - actor, comedian (1929 - 7/3/2019)

Pierre Lhomme - cinematographer (1930 - 7/4/2019)

Joao Gilberto - singer (1931 - 7/6/2019)

Artur Brauner - producer (1918 - 7/7/2019)

Rip Torn - actor (1931 - 7/9/2019)

Freddie Jones - actor (1927 - 7/9/2019)

Valentina Cortese - actress (1923 - 7/10/2019)

Johnny Clegg - singer (1953 - 7/16/2019)

David Hedison - actor (1927 - 7/18/2019)

Rutger Hauer - actor (1944 - 7/19/2019)

Jeremy Kemp - actor (1935 - 7/19/2019)

Russi Taylor - voice actress (1944 - 7/26/2019)

Harold Prince - theater producer and director (1928 - 7/31/2019)

D.A. Pennebaker - documentary director (1925 - 8/1/2019)

Toni Morrison - author (1931 - 8/5/2019)

Jean-Pierre Mocky - director, screenwriter, producer (1929 - 8/8/2019)

Peter Fonda - actor (1940 - 8/16/2019)

Richard Williams - animator, director (1933 - 8/16/2019)

Larry Taylor - bassist (Canned Heat, Tom Waits) (1942 - 8/19/2019)

Michel Aumont - actor (1936 - 8/28/2019)

Valerie Harper - actress (1939 - 8/30/2019)

Carol Lynley - actress (1942 - 9/3/2019)

Robert Frank - director, photographer (1924 - 9/9/2019)

Eddie Money - singer (1949 - 9/13/2019)

Ric Ocasek - singer (The Cars), record producer (1944 - 9/15/2019)

Sid Haig - actor (1939 - 9/21/2019)

Robert Hunter - lyricist (The Grateful Dead) (1941 - 9/23/2019)

Jessye Norman - opera singer (1945 - 9/30/2019)

Julie Gibson - actress (1913 - 10/2/2019)

Diahann Carroll - actress, singer (1935 - 10/4/2019)

Ginger Baker - drummer (Cream, Blind Faith) (1939 - 10/6/2019)

Rip Taylor - actor, comedian (1934 - 10/6/2019)

Marie-Jose Nat - actress (1940 - 10/10/2019)

Robert Forster - actor (1941 - 10/11/2019)

Robert Evans - producer (1930 - 10/26/2019)

John Witherspoon - actor, comedian (1942 - 10/29/2019)

Marie Laforêt - singer, actress (1939 - 11/2/2019)

Branko Lustig - producer (1932 - 11/14/2019)

Terry O’Neill - photographer (1938 - 11/16/2019)

Michael J. Pollard - actor (1939 - 11/21/2019)

Jonathan Miller - actor, director, author, comedian (1934 - 11/27/2019)

Shelley Morrison - actress (1936 - 12/1/2019)

Richard Easton - actor (1933 - 12/2/2019)

Robert Walker Jr. - actor (1940 - 12/5/2019)

Ron Leibman - actor (1937 - 12/6/2019)

Zaza Urushadze - director (1965 - 12/7/2019)

Caroll Spinney - puppeteer (1933 - 12/8/2019)

Marie Fredriksson - singer (Roxette) (1958 - 12/9/2019)

Gershon Kingsley - composer (1922 - 12/10/2019)

Danny Aiello - actor (1933 - 12/12/2019)

Anna Karina - actress (1940 - 12/14/2019)

Nicky Henson - actor (1945 - 12/15/2019)

Claudine Auger - actress (1940 - 12/18/2019)

Tony Britton - actor (1924 - 12/22/2019)

Jerry Herman - theater composer (1931 - 12/26/2019)

Sue Lyon - actress (1946 - 12/26/2019)

Neil Innes - actor, comedian, musician (The Bonzo Dog Doo-Dah Band, The Rutles) (1944 - 12/28/2019)

Syd Mead - art director (1933 - 12/30/2019)

[nitrosplicer]

(Left) Ambroise Louise Garneray (1783-1857), Attacking the Right Whale, 1835, oil on canvas.

(Right) Scrimshaw cribbage board, carved in the shape of a whale

The image on the left depicts an oil painting of a whaling ship, at full mast. Black smoke billows from the decks, and behind it, another ship sails. In the foreground, a right whale founders in the waves, a geyser of blood spraying into the air, where the whalers have harpooned it. In their small boat, the whalers are dragged behind the whale, chasing it in order to spear it and drag it to shore. This image is a signature image of the 19th century whaling industry. Garneray’s painting inspired a series of Currier & Ives prints, one of which, Whale Fishery. Attacking a Right Whale, became the 19th century’s most popular whaling print. It was described by Herman Melville in Moby Dick as “by far the finest, though in some details not the most correct, presentation of whales and whaling scenes to be anywhere found...”

The right image is of a whale-shaped scrimshaw cribbage board. Whalers often carved items, such as this cribbage board, from the remaining bones and teeth of whales. Such activities served to pass time at sea, built community among seafaring men, and served as gifts for friends and family at home.

Both images were photographed in the Maritime exhibit, at the Peabody Essex Museum, 9.12.2020

[randomlyrandoms]

CELEBRITY DEATHS 2019

JANUARY Pegi Young - Jan. 1 (Folk Singer) Bob Einstein - Jan. 2 (TV Actor) Gene Okerlund - Jan. 2 (Sportscaster) Daryl Dragon - Jan. 2 (Pop Singer) Herb Kelleher - Jan. 3 (Entrepreneur) Jo Andres - Jan. 6 (Director) Annalise Braakensiek - Jan. 6 (TV Actress) Kevin Fret - Jan. 10 (Rapper) Mel Stottlemyre - Jan. 13 (Baseball Player) Carol Channing - Jan. 15 (Stage Actress) Hailie Masson - Jan. 17 (TikTok Star) Windsor Davies - Jan. 17 (TV Actor) Mary Oliver - Jan. 17 (Poet) Boo the Pomeranian - Jan. 18 (Dog) John Coughlin - Jan. 18 (Figure Skater) Sean Dolan - Jan. 19 (Family Member) *Ethan & Grayson's Father* Masazo Nonaka - Jan. 20 (Supercantenarian)   Emiliano Sala - Jan. 21 (Soccer Player) Ashley Lovelace - Jan. 21 (Imstagram Star) Kaye Ballard - Jan. 21 (Stage Actress) Russell Baker - Jan. 21 (Memoirist) Kevin Barnett - Jan. 22 (Comedian) James Frawley - Jan. 22 (Director) Oliver Mtukudzi - Jan. 23 (Reggae Singer) Aloysius Pang - Jan. 24 (TV Actor) Fatima Ali - Jan. 25 (Chef) Michel Legrand - Jan. 26 (Composer) Jayo Sama - Jan. 27 (Rapper) Pepe Smith - Jan 28 (Rock Singer) James Ingram - Jan. 29 (R&B Singer) Dick Miller - Jan. 30 (Movie Actor)

FEBRUARY Clive Swift - Feb. 1 (TV Actor) Neal James - Feb. 1 (Reality Star) *Kristoff St. John - Feb. 3 (Soap Opera Actor) Julie Adams - Feb. 3 (TV Actress) Matti Nykanen - Feb. 4 (Skier) Albert Finney - Feb. 7 (Movie Actor) John Dingell - Feb. 7 (Politician) Frank Robinson - Feb. 7 (Baseball Player) Fabio Legarda - Feb. 7 (Reggaeton Singer) Cadet - Feb. 9 (Rapper) Ron W. Miller - Feb. 9 (Entrepreneur) Jan Michael Vincent - Feb. 10 (Movie Actor) Pedro Morales - Feb. 12 (Wrestler) Gordon Banks - Feb. 12 (Soccer Player) Bruno Ganz - Feb. 15 (Movie Actor) Saban Saulic - Feb. 17 (Folk Singer) Sean Milliken - Feb. 17 (Reality Star) *Karl Lagerfeld - Feb. 19 (Fashion Designer) Stanley Donen - Feb. 21 (Director) Beverley Owen - Feb. 21 (TV Actress) Peter Tork - Feb. 21 (Pop Singer) Brody Stevens - Feb. 22 (Comedian) Morgan Woodward - Feb. 22 (TV Actor) Clark James Gable - Feb. 22 (TV Actor) Lisa Sheridan - Feb. 25 (TV Actress) Mark Hollis - Feb. 25 (Rock Singer) Christian Bach - Feb. 26 (Soap Opera Actress) Nathaniel Taylor - Feb. 27 (TV Actor) Andre Previn - Feb. 28 (Composer) Anna Cunningham - Feb. 28 (TikTok Star)

MARCH Katherine Helmond - March 1 (TV Actress) Elly Mayday - March 1 (Model) Janice Freeman - March 2 (Pop Singer) **Luke Perry - March 4 (TV Actress) Keith Flint - March 4 (Pop Singer) Ted Lindsay - March 4 (Hockey Player) King Kong Bundy - March 4 (Wrestler) Chokoleit - March 9 (Comedian) Jed Allan - March 9 (Soap Opera Actor) Hal Blaine - March 11 (Drummer) Felicite Tomlinson - March 13 (Instagram Star) Mike Thalassitis - March 15 (Reality Star) Lil Mister - March 15 (Rapper) Dick Dale - March 16 (Guitarist) Richard Erdman - March 16 (TV Actor) Scott Walker - March 22 (Pop Singer) Agnes Varda - March 29 (Director) Nipsey Hussle - March 31 (Rapper)

APRIL Wowaka - April 5 (Pop Singer) Seymour Cassel - April 7 (Movie Actor) Mya-Lecia Naylor - April 7 (TV Actress) Earl Thomas Conley - April 10 (Country Singer) Bibi Andersson - April 14 (Movie Actress) Georgia Engel - April 15 (TV Actress) Black Jezuss - April 15 (Rapper) Alan García - April 17 (Politician) Lorraine Warren - April 18 (Supernatural Investigator) Julio Melgar - April 19 (World Music Singer) Stefanie Sherk - April 20 (TV Actress) Ken Kercheval - April 21 (TV Actor) Mark Medoff - April 23 (Playwright) John Singleton - April 29 (Director) **Peter Mayhew - April 30 (Movie Actor)

MAY   Rachel Jones - May 4 (Blogger) Rachel Held Evans - May 4 (Religious Author) Max Azria - May 6 (Fashion Designer) Jim Fowler - May 8 (TV Show Host) Peggy Lipton - May 11 (TV Actress) Pua Magasiva - May 11 (TV Actor) Alvin Sargent - May 11 (ScreenWriter) Elsa Patton - May 12 (Reality Star) Doris Day - May 13 (Movie Actress) *Grumpy Cat - May 14 (Cat) Tim Conway - May 14 (TV Actor) Isaac Kappy - May 14 (Movie Actor) I.M. Pei - May 16 (Architect) Ashley Massaro - May 16 (Wrestler) Bob Hawke - May 16 (World Leader) Herman Wouk - May 18 (Noveist) Niki Lauda - May 20 (Race Car Driver) Bart Starr - May 26 (Football Player) Gabriel Diniz - May 27 (World Music Singer) Bill Buckner - May 27 (Baseball Player) Susan Anne Christman - May 29 (Family Member) Leon Redbone - May 30 (Jazz Singer) Patricia Bath - May 30 (Inventor) Roky Erickson - May 31 (Rock Singer)

JUNE José Antonio Reyes - June 1 (Soccer Player) Ani Yudhoyono - June 1 (Political Wife) Dr. John - June 6 (Jazz Singer) Noemi Ban - June 7 (Non-Fiction Author) Curlyhead.kidd - June 8 (Instagram Star) Mary Duggar - June 9 (Reality Star) Bushwick Bill - June 9 (Rapper) Gabriele Grunewald - June 11 (Runner) Sylvia Miles - June 12 (Movie Actress) Sean McCann - June 13 (TV Actor) Edith González - June 13 (Soap Opera Actress) Franco Zeffirelli - June 15 (Director) Bishop Bullwinkle - June 16 (Soul Singer) Mohamed Morsi - June 17 (Politician) Gloria Vanderbilt - June 17 (Entrepreneur) Philippe Zdar - June 19 (DJ) Judith Krantz - June 22 (Novelist) Dave Bartholomew - June 23 (Songwriter) Stephanie Niznik - June 23 (TV Actress) Fame Reek - June 24 (Rapper) Billy Drago - June 24 (Moive Actor) Etika - June 25 (Youtube Star) **Beth Chapman - June 26 (Reality Star) Max Wright - June 26 (TV Actor) Hella Sketchy - June 27 (Rapper)

JULY Tyler Skaggs - July 1 (Baseball Player) Lee Iacocca - July 2 (Entrepreneur) Arte Johnson - July 3 (TV Actor) Chris Cline - July 4 (Entrepreneur) **Cameron Boyce - July 6 (TV Actor) Martin Charnin - July 6 (Director) Joao Gilberto - July 6 (Guitarist) *Rip Torn - July 9 (Movie Actor) Freddie Jones - July 9 (Movie Actor) **Denise Nickerson - July 10 (Movie Actress) Emily Hartridge - July 12 (Youtube Star) Bianca Devins - July 14 (Instagram Star) Rutger Hauer - July 19 (Movie Actor) Gabe Khouth - July 23 (Voice Actor) David Hedison - July 23 (TV Actor) Beji Essebsi - July 25 (Politician) Russi Taylor - July 26 (Voice Actress) Carlos Cruz-Diez - July 27 (Pop Artist) Dillon Henderson - July 28 (Youtube Star) The King of Random - July 29 (Youtube Star) Nick Buoniconti - July 30 (Football Player) Harold Prince - July 31 (TV Producer)

AUGUST Toni Morrison - Aug. 5 (Novelist) David Berman - Aug. 7 (Rock Singer) Ben Unwin - Aug. 14 (TV Actor) Peter Fonda - Aug. 16 (Movie Actor) Cedric Benson - Aug. 17 (Football Player) Gina Lopez - Aug. 19 (Environmentalist) Jessi Combs - Aug. 27 (TV Show Host) Valerie Harper - Aug. 30 (TV Actress)

SEPTEMBER Peter Lindbergh - Sept. 3 (Photographer) Carol Lynley - Sept. 3 (Movie Actress) Lashawn Daniels - Sept. 3 (Songwriter) Chris March - Sept. 5 (Fashion Designer) Jimmy Johnson - Sept. 5 (Guitarist) Robert Mugabe - Sept. 6 (World Leader) Robert Axelrod - Sept. 7 (Voice Actor) Camilo Sesto - Sept. 8 (World Music Singer) Robert Frank - Sept. 9 (Photographer) Daniel Johnston - Sept. 11 (Folk Singer) Eddie Money - Sept. 13 (Rock Singer) Ric Ocasek - Sept. 15 (Rock Singer) Phyllis Newman - Sept. 15 (Stage Actress) Suzanne Whang - Sept. 17 (TV Actress) Cokie Roberts - Sept. 17 (Journalist) Aron Eisenberg - Sept. 21 (TV Actor) Sid Haig - Sept. 21 (Movie Actor) Carl Ruiz - Sept. 21 (Chef) Robert Hunter - Sept. 23 (Songwriter) Linda Porter - Sept. 25 (TV Actor) Jacques Chirac - Sept. 26 (Politician) Jose Jose - Sept. 28 (World Music Singer) Jessye Norman - Sept. 30 (Opera Singer) Louie Rankin - Sept. 30 (Reggae Singer)

OCTOBER Karel Gott - Oct. 1 (Pop Singer) Kim Shattuck - Oct. (Rock Singer) Diahann Carroll - Oct. 4 (TV Actress) Ginger Baker - Oct. 6 (Drummer) Rip Taylor - Oct. 6 (Movie Actor) Larry Junstrom - Oct. 6 (Guitarist) David Weisman - Oct. 9 (Film Producer) *Robert Forster - Oct. 11 (Movie Actor) Kadri Gopalnath - Oct. 11 (Saxophonist) Sulli - Oct. 14 (TV Actress) Elijah Cummings - Oct. 17 (Politician) Alicia Alonso - Oct. 17 (Dancer) Bill Macy - Oct. 17 (TV Actor) Willie Brown - Oct. 22 (Football Player) Robert Evans - Oct. 26 (Film Producer) John Witherspoon - Oct. 29 (TV Actor)

NOVEMBER Rudy Boesch - Nov. 1 (Reality Star) Brian Tarantina - Nov. 2 (TV Actor) Walter Mercado - Nov. 2 (TV Show Host) Laurel Griggs - Nov. 5 (Stage Actress) Fred Cox - Nov. 20 (Football Player) Goo Hara - Nov. 24 (Pop Singer) Gary Rhodes - Nov. 26 (Chef) Godfrey Gao - Nov. 27 (Model)

DECEMBER Shelley Morrison - Dec. 1 (TV Actress) Ron Leibman - Dec. 6 (TV Actor) Juice WRLD - Dec. 8 (Rapper) Caroll Spinney - Dec. 8 (Puppeteer) Rene Auberjonois - Dec. 8 (TV Actor) Marie Fredriksson - Dec. 9 (Pop Singer) Philip McKeon - Dec. 10 (TV Actor) Danny Aiello - Dec. 12 (Movie Actor) Chuy Bravo - Dec. 14 (Reality Star) Mama Cax - Dec. 16 (Blogger) Claudine Auger - Dec. 18 (Movie Actress) Sue Lyon - Dec. 26 (Movie Actress) Don Imus - Dec. 27 (Radio Host)