#diceless rpg

[dungeonofthedragon]

Added ten more community copies of Nowhere Home. Go forth, my friends, and have emotional journeys as outcast monsters!

[haveyouplayedthisttrpg]

Have you played Seven Murders Til Midnight ?

By David Thomas and Jaqueline Schlasner

Seven Murders Til Midnight is a solo journaling RPG where you take on the role of an investigator, tracking a serial killer over seven deadly nights.

Seven Murders Til Midnight uses a standard deck of playing cards to generate the lead that drives your character and the events they encounter. Over the course of seven days, you'll learn who the killer is and what motivates them. By the end of the game, you'll have created a compelling story about murder and the dark side of the human psyche.

[twistingbrambles]

Hello :-)

Check out my game!

Gothic Grace is a Gothic horror rules-light, GMless, diceless tabletop roleplaying game with wizards, magic and dark gods. In this game you play as wizards, magicians, and warlocks gaining their power from the bonds they create. You stalk the blood-soaked and infested streets, battlefields, and dark cathedrals of Grace - hoping to outrun the contract that's forced you into servitude for the nobility.

Gothic Grace is inspired by soulsborne games, full metal alchemist, gothic horror and the occult. Expect to see blood, religion and body horror in this game!

[corrosivesquid]

What's this?! Two games in a month?! Actually, this one has been sitting for a moment but I wanted to release the playtest to a wider audience. In Split Soul, you play as an elemental trying to stitch the reality of you and your reality back together. Play as two characters, two pieces of the same whole and walk through a broken world. Written on the DICE system means you will need two decks of cards, one for the GM and the other for the players. Future Vision of the game is to release more playbooks, more professional art, and any other bumps in the road that need smoothing

[gwiggs]

Just finished a 3 year long Amber Diceless RPG campaign. This is my character Pelt - a demigod who was abandoned in the wilderness as a child, only to be rediscovered 200 years later after he had long-since gone feral.

Uneducated and unprepared, he was taken to a kingdom at the edge of the multiverse and wrapped up in courtly politics. In his adventures, he made many friends and met long-lost relatives. He got into plenty of fights, earned a fair few amount of scars, he loved, he grieved, and he learned of the powers and responsibilities that come with being a scion of the most powerful family in the multiverse. And he learned of the atrocities that can be committed by people with such power.

And in the end, he returned to his home in the wilderness. No longer a scared, desperate child trying to survive, but as its warden and protector. The Untamed King of the Deep Wilds.

I had a ton of fun with this guy, it was an amazing campaign. I'm more than a little sad that his story is over, but it was a fantastic ride.

Art by the inimitable @carniekisses, who drew Pelt (and his cousins, the other player characters) for us at the beginning of the campaign.

[chronivore]

Active Exploits Diceless Roleplaying - Precis Intermedia | Active Exploits Diceless | DriveThruRPG

[indie-ttrpg-of-the-week]

Trans made TTRPGs

Due to… recent events that I would rather not talk about, today's post is a highlight of different tabletop games made by trans peeps! These games are fantastic in their own right, of course, but you can also know that they were made by incredibly cool and attractive people

(Also, these are flyover descs of the game, they'll get more in-depth singular posts later, this is because I am lazy)

Perfect Draw is a phenomenal card game TTRPG that was funded in less than a day on backerkit, it's incredibly fun and has simple to learn hard to master rules for creating custom cards, go check it out!

Songs for the dusk is fucking good, pardon my language, but it's a damn good post apocalyptic game about building community in a post-capitalist-post-apocalypse-post-whatever world. do yourself a favor and if you only check out one game in this list, check this one out, its a beautiful game.

Flying Circus is set in a WW1 inspired fantasy setting full of witches, weird eldritch fish people (who are chill as hell), cults, dead nobility, and other such things. It's inspired by Porco Rosso primarily but it has other touchstones.

Wanderhome is a game about being cute little guys going on a silly adventure and growing as the seasons change, its GMless and very fun

https://weregazelle.itch.io/armour-astir Armour Astir has been featured in here before but its so damn good I had to post it twice. AA demonstrates a fundamental knowledge of the themes of mech shows in a way that very few other games show, its awesome

Kitchen Knightmares is… more of a LARP but its still really dang cool, its about being a knight serving people in a restaurant, its played using discord so its incredibly accessible

https://grimogre.itch.io/michtim Michtim is a game about being small critters protecting their forest from nasty people who wish to harm it, not via brutal violence (sadly) but via friendship and understanding (which is a good substitute to violence)

ok this technically doesn't count but I'm putting it here anyways cuz its like one of my favorite ttrpgs of all time TSL is a game about baring your heart and dueling away with people who you'll probably kiss 10 minutes later, its very very fanfic-ey and inspired by queer narratives. I put it here because its made by a team, and the expansion has a setting specifically meant to be a trans "allegory", so I'll say it counts, honestly just go check it out its good shit

https://willuhl.itch.io/mystic-lilies

Mystic Lillies is a game inspired by ZUN's Touhou Project about witches dueling powerful foes, each other, and themselves. Mystic Lillies features rapid character creation and a unique diceless form of rolling which instead uses a standard playing card deck.

https://preview.drivethrurpg.com/en/product/141424/nobilis-the-game-of-sovereign-powers-2002-edition I… want to do a more general overview on Jenna K as an important figure in indie RPG design, but for now just know that Nobilis is good

https://temporalhiccup.itch.io/apocalypse-keys Apocalypse Keys is a game inspired by Doom Patrol, Hellboy, X-men, and other comics about monstrousness being an allegory for disenfranchisement. Apocalypse Keys is also here because its published by Evilhat so its very cleaned up and fancy but I love how the second you check out the dev's other stuff you can tell they are a lot more experimental with their stuff, this is not a critique, it is in fact a compliment

Fellowship! I've posted about this game before, but it is again here. Fellowship has a fun concept that it uses very well mostly, its a game about defining your character's culture, and I think that's really really cool

Voidheart Symphony is a really cool game about psychic rebellion in a city that really does not like you, the more you discover for yourself the better

Panic at the Dojo is a phenomenal ttrpg based on what the Brazilian would call "Pancadaria", which basically means, fucking other's people shit up. Character Creation is incredibly open and free, meaning that many character concepts are available

Legacy 2e is a game about controlling an entire faction's choices across time, its very fun

remember to be kind to a trans person today! oh also don't even try to be transphobic in the reblogs or replies, you will be blocked so fast your head will spin

[dungeonofthedragon]

TTRPGs suitable for: Play by Post!

My first ten or so years of role-playing were purely play-by-post: warrior cats and dragons adventuring on online forums and message boards (shout out to Darkflame the dragon and Coldstone the kitty.) There was one very memorable Fallen London role-play over email too!

I suppose the modern equivalent would be a game in DMs, or maybe a discord text channel. In any case, for various reasons, many people prefer to play games in written form! However, some game systems are difficult to utilise in this format.

Here are some games that make for wonderful text-based adventures. All are GMless and/or diceless, so there's no awkward halt while you wait for a GM's roll.

Chuubo's Marvelous Wish-Granting Engine is a diceless game I've been waiting to get my greedy little hands on for some time. It focuses on fantastical slice-of-life stories. This reddit thread has great advice for running it as a play-by-post game!

There are plenty of available adventures for this system too! Adventures such as To Rob Death's Dominion, A Pawn's Gambit and the creator's own Halloween Special.

For the Grail is a GMless and diceless game of Arthurian knights on a grand quest. While it was designed for physical play, I've been playing it online with a group of friends and it's a lot of fun!

Law Bringers is a diceless game designed for space fantasy adventures such as Star Wars, but which works well for pseudo-medieval fantasy as well. It's also completely free!

Lordsworn is a GMless rpg of tragic, broken warriors struggling to survive after the destruction of their god in a cataclysmic war. It uses 4-sided dice. When a player rolls these dice, they keep their results secret from the other players, making it perfect for this style of play. Each player controls three Lordsworn, providing a good variety of dynamics to explore during their travels.

Magica is a one-page rpg about magical girls. It is GMless but players use six-sided dice to resolve events. Also, each magical girl is secretly in love with one of the others. Messy fun indeed!

Feel free to reblog with examples of your own!

[rampagingpoet]

The two I'm most familiar with are Chuubo's Marvelous Wish-Granting Engine and Glitch, both by Dr. Jenna Moran. Her earlier work Nobilis is also diceless, but I'm still on my first readthrough of the rules.

While the specifics vary quite a lot, randomized results are replaced by spending points from limited pools. Characters that are better at certain things usually need to spend fewer points for the same results. You always get the result you pay for; a lot of the depth comes in deciding whether you can afford the result you want.

In Chuubo's Marvelous Wish-Granting Engine, the results of your actions are tied to the "Intention Ladder". Higher numbers for an Intention (action, or set of related actions) have better results. Intention 0 is pretty much failure, an attempt that did nothing or even made things worse. Intention 2 is enough to "accomplish a task; have a tangible impact on the world." All the way up at Intention 8 you can "do something really productive" that makes your life much better.

The primary resource is called Will. It refreshes on a regular basis. Will can be spent to increase the level of an Intention. You add any Will spent to your skill level, and subtract the level of any Obstacles in your way. People with high skills don't usually have to spend Will to get useful results; people without a relevant skill have to make due with spending more Will.

Uncertainly enters the system in two ways: you don't necessarily know the Obstacle rating for your Intention up-front, and you don't know if you'll need to set another Intention for something else later.

There are also Miracle Points used to power other, more specific, abilities. A miracle does exactly what it says and doesn't usually interact with Will and Intentions directly. Miracles might implicitly reduce the Obstacle an action faces though; most people don't have a way to make sunbeams break through the clouds to shine on their friends in a moment of hardship, but the Child of the Sun can invoke one of their miracles to do so.

Glitch: A Story of the Not, uses specific mechanically-defined actions instead of the Intention Ladder. Every action has an Action Level. Actions of a higher level are generally either more powerful or more helpful, if you can think of a way to apply them.

Each Action is tied to an Attribute. Actions up to your level in the relevant attribute are free, but to push yourself beyond that you have to pay a Cost equal to the difference. In cases of direct conflict (I stab him! Nuh-uh I obliterate you first!), the action with the higher Action Level usually wins. When in doubt, you can end up in a bidding war to see who's willing to spend more Cost to push their effective Action Level higher. Longer conflicts might have a specific overall Cost threshold the party needs to hit or just go to whichever side spent more Cost overall before time ran out. (Assuming they aren't ended earlier through the narrative).

Each Attribute has its own associated Cost. In general you can only power up an action by spending from the associated pool. You might be too worn-out to do your taxes, but still have enough void-juice to hurl the entire tax office screaming into the Beyond.

"Taking Damage" also spends points of an associated cost. In effect, every action you take that isn't free is "cast from Hit Points."

Unlike Will, the Costs do not fully refresh themselves on a set cadence. They recover slowly over time, or sometimes in larger chunks when you complete character goals. Alternatively you can take a Wound to recover a larger chunk all at once. Wounds have narrative consequences, and taking too many Wounds over the course of a campaign is the only way to perma-die.

Uncertainly now enters in three ways:

Is this important enough for me to spend a campaign-limited resource on?

How much do I need to spend to overcome my opposition, without going too far overboard?

Uh-oh, the conflict seems to be winding down without a decisive winner. Have I bled for this? Have I spent enough to win?

I've only briefly played Glitch and haven't had a chance to play Chuubo's, but my impression is the different refresh mechanics for an ultimately similar system (spend points to do better, skills add to points spent) lead to very different incentives and ways to think about using your limited resources. Neither require dice to provide uncertain outcomes; your own evaluations of the situation and what's important to your character provide all the uncertainly you could need.

Reading some of my notes apparently a lot of people feel that they would benefit from someone sitting their asses down and learning them some probability, and to be fair tabletop RPG math isn't so complex that even an English major like me couldn't explain it in such a way that most people would understand it.

Anyway on a completely different note, the funny thing in my experience is that even if you explain the numbies and how to arrive at them, at the end of the day most people are really bad at actually interpreting those numbies. Even in percentile-based systems where your exact chances out of a hundred are made immediately obvious (a 47% chance is a forty-seven per centum [New Latin for "by the hundred"] chance) most people fall on a number of probability-based fallacies whose names I can't remember but I think Gambler's fallacy is at least one of them. Anyway what I mean is that when a number is higher than 50% it should succeed more often than fail, so like guy who has a 55% chance of succeeding voice why do I keep failing 45% of the time

[haveyouplayedthisttrpg]

Have you played PRINCESS WITH A CURSED SWORD ?

By Anna Anthropy

A figure stands in an ancient ruin, bare feet on crumbling stone. Her gown far too fine, her sword much too dark. She can not put down the sword until she finds where it came from. So she has come.

PRINCESS WITH A CURSED SWORD is a journaling role-playing game for one player. It requires a tarot deck, and the deck itself influences the gameplay.

[twistingbrambles]

I got bored

[corrosivesquid]

Wanna ttrpg with cards instead of dice? Want to create a world and then burn it with your friends? Do you like Enneagrams? Open up a nice deck, gather some friends, and enjoy a GMless dose of Neon Shadows! Play as one of the 9 ennegram based playbooks, create a world with a blank map, and begin to tell the story of your characters as they follow their desires. Will you save the city from a ruthless govt? Maybe trek the wilderness of the world outside the city? Explore old Aether mines? It's your story to tell, how will you tell it?

[gwiggs]

Another pic of my special boy Pelt, this time by @qsycomplainsalot

He got to wear that suit for exactly three and a half hours before it got completely and utterly ruined.

[windienine]

i want to teach you how to play chuubo's marvelous wish-granting engine...

(diceless rpg released by jenna k. moran in 2011)

... in as few words as i can manage!

there's a person running the game and playing the world (here, they're called the hollyhock god or "HG" for short.)

and one or more other people playing several characters who serve as the game's central cast (the player characters, or "PCs" for short.)

if you're one of the PCs, your main goal is to progress through a storyline by earning experience points ("XP") before play, you'll be given a little card with a set of goals on it. this is a quest. it describes the kind of story you're here to tell with your character today.

a quest needs a certain amount of XP to be completed, at which point you earn a reward and proceed to the next quest.

you can get XP in a few common ways:

completing the goals described on your quest card (major goals can only be completed once and give a large amount of XP, flavor goals can be repeated indefinitely but grant a smaller number)

participating in scenes with other PCs and/or the HG, talking to and working with one another and describing how your character feels. (this is an XP action, and you can take one once per scene)

evoking a specific emotion out of the other players that they reward you with XP for (this is called emotion XP)

a scene involves one or more PCs interacting with one another or the world. once everyone's been in two scenes and taken two XP actions, that is a chapter. you tally up all the XP you earned, refresh your resources, and the session is over.

that is the core loop. you try to progress directly on your quest, you spend scenes interacting with other players, and you play into the archetype you've chosen for a few bonuses. finish a quest, unlock a new storyline.

in other words: you have experiences as your character which give them the will to grow and change.

check out this example ^^^

this one's structured for a loner character-- some mad scientist or mage who knows that the world is in danger and is eager to solve that problem all alone.

but... this isn't really a story about singular great men solving singular great problems alone, though. how much can you tell about this character, their conflicts, and where they're headed, all based on the quest structure alone?

your challenge is to:

do the things listed on the card, when possible. take up burdens, structure the weird ominous dreams and portents your character is experiencing, create scenarios where they have to rely on others against their better judgement (quest XP).

spend time with the natural world and/or the other PCs every scene, having experiences that affect your character personally (XP actions).

act as your character in ways that drive the other players to stunned speechlessness, the usual target reaction for this character's archetype (emotion XP).

be loose and have some fun with it. you'll be working with several quests at a time, so try to chain them together and create openings for other players to fulfill their own goals as well.

... and you've done it! those are the fundamental basics of the game!

[prokopetz]

I don't disagree that there's some level of congruence between filmgoers who defend narrow viewership by acting like it's a binary choice between watching the latest MCU film and watching black-and-white Eastern European art films about depression, and tabletop RPG players who defend narrow playership by acting like it's a binary choice between playing Dungeons & Dragons 5th Edition and playing one-page diceless storygames about gay catgirls smoking cigarettes.

The difference, of course, is that folks who advocate expanding one's cinematic horizons are rarely advocating going straight from watching the latest MCU film to watching black-and-while Eastern European art films about depression, whereas folks who advocate expanding one's tabletop roleplaying horizons very often are, in fact, advocating going straight from playing Dungeons & Dragons 5th Edition to playing one-page diceless storygames about gay catgirls smoking cigarettes.

[ostrichmonkey-games]

What lumen games would you recommend?

Ooh! There's honestly a ton of great ones out there to check out, so here's a short-ish list of some LUMEN games that I have some experience with!

Monster Guts from @ostermad-blog is great take on Monster Hunter style boss fights.

In Extremis from @keganexe is necromancers in space! (I also wrote a class for the expansion)

Lumen Ryder is, like the name suggests, a Kamen Rider inspired game.

Apocalypse Frame from @binarystargames does some awesome mech stuff.

I've only had the chance to read Firmament from @corsairesix, but ough, the vibes are killer.

Spencer (Gila RPGs), who created the LUMEN engine is also working on LUMEN 2.0 that shifts the whole thing to a diceless framework, which you can see the start of in Dusk and Thorn, if you wanted to see the latest in LUMEN development.

I've also released two LUMEN games myself, Vibe Check (TWEWY inspired) and Paktbound (Dishonored inspired), so I do have to plug those hahaha

But if you're still looking for more, you can check out the LUMEN tag on itch, the submissions to the LUMEN Jam, or one of several LUMEN collections like this one!

Last but not least, there's LUMEN itself, which is more of a "how to LUMEN" if you're interested in making your own game with the engine!