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historyoftheworldpodcast · 2 months ago
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Vol 4 Ep 80 - The Khmer Empire
802 - 1431 - The modern Cambodian flag contains a picture of Angkor Wat, an eye catching religious temple constructed by the Khmer, and the pride of Cambodian history. The religious construction was symbolic of the key fundamental priorities of Khmer rulers, ruling over this dominant South East Asian political movement.
khmer #southeastasia #cambodia #thailand #laos #vietnam #jayavarman #devaraja #angkor #siemreap #angkorwat #hinduism #buddhism #rice
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shridharblog · 2 years ago
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Ushodayam With #goddess pundareekavalli / #hari #lakshmi Samaetha Sri #devaraja #perumaltemple #naimisharanya / Neemsar #divyadesam , On The Banks Of #river #gomati Near #sitapur , #uttarpradesh #gopuradarshanam 🙏🙏🕉️🕉️ #shrisaivastu . . #lordhanuman #lordhanumanji #hanumanasana #hanumanstatus #lordbalaji #lordvishnu #lordperumal #perumal #jaisriram #omnamonarayana #namonarayana #omnamovenkatesaya #govindagovinda #balajitemple #dharshan #uttarpradeshtourism #incredibleindia (at Uttar Pradesh) https://www.instagram.com/p/ClaXofRPpTA/?igshid=NGJjMDIxMWI=
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journeytothewestresearch · 11 months ago
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Is Six Ears an Aspect of Sun Wukong?
I've seen some people claim that Six Ears is not an aspect of Sun Wukong's mind. They either ignore the references to "one mind" and "two Minds" (and the Buddhist philosophy behind them), or they just say it's allegory and nothing more. Well, there are actually internal story details from chapter 58 that support the close connection between the Monkey King and his doppelganger.
1) The Bodhisattva Guanyin and her “eyes of wisdom” (huiyan, 慧眼) can’t tell them apart:
The various deities and the Bodhisattva stared at the two for a long time, but none could tell them apart (Wu & Yu, 2012, vol. 3, p. 106). 眾諸天與菩薩都看良久,莫想能認。 [And later:] Pressing his palms together, our Buddha said, “Guanyin, the Honored One, can you tell which is the true Pilgrim and which is the false one?” “They came to your disciple’s humble region the other day,” replied the Bodhisattva, “but I truly could not distinguish between them …” (Wu & Yu, 2012, vol. 3, p. 114). 我佛合掌道:「觀音尊者,你看那兩個行者,誰是真假?」菩薩道:「前日在弟子荒境,委不能辨 …
2) The tight-fillet spell works on both Monkeys:
Asking Moksa and Goodly Wealth [a.k.a. Red Boy] to approach her, the Bodhisattva whispered to them this instruction: “Each of you take hold of one of them firmly, and let me start reciting in secret the Tight-Fillet Spell. The one whose head hurts is the real monkey; the one who has no pain is specious.” Indeed, the two disciples took hold of the two Pilgrims as the Bodhisattva recited in silence the magic words. At once the two of them gripped their heads and rolled on the ground, both screaming, ���Don’t recite! Don’t recite!” The Bodhisattva stopped her recital … (Wu & Yu, 2012, vol. 3, p. 106). 菩薩喚木叉與善財上前,悄悄吩咐:「你一個幫住一個,等我暗念緊箍兒咒,看那個害疼的便是真,不疼的便是假。」他二人果各幫一個。菩薩暗念真言,兩個一齊喊疼,都抱著頭,地下打滾,只叫:「莫念,莫念。」菩薩不念 …
(If someone disagrees with this one, they need to show where it says Six Ears is faking the pain.)
3) Both the Jade Emperor and the imp-reflecting mirror can’t tell them apart:
Issuing a decree at once to summon Devariija Li, the Pagoda-Bearer, the Jade Emperor commanded: “Let us look at those two fellows through the imp-reflecting mirror, so that the false may perish and the true endure.” The devaraja took out the mirror immediately and asked the Jade Emperor to watch with the various celestial deities. What appeared in the mirror were two reflections of Sun Wukong: there was not the slightest difference between their golden fillets, their clothing, and even their hair. Since the Jade Emperor found it impossible to distinguish them, he ordered them chased out of the hall (Wu & Yu, 2012, vol. 3, pp. 107-108). 玉帝即傳旨宣托塔李天王,教:「把照妖鏡來照這廝誰真誰假,教他假滅真存。」天王即取鏡照住,請玉帝同眾神觀看。鏡中乃是兩個孫悟空的影子,金箍、衣服,毫髮不差。玉帝亦辨不出,趕出殿外。
4) Only omniscient beings like Investigative Hearing (Ksitigargbha's mount) and the Buddha can tell the two apart:
[T]he Bodhisattva Ksitigarbha said, “Wait a moment! Wait a moment! Let me ask Investigative Hearing to listen for you.” That Investigative Hearing, you see, happens to be a beast that usually lies beneath the desk of Ksitigarbha. When he crouches on the ground, he can in an instant perceive the true and the false, the virtuous and the wicked among all short-haired creatures, scaly creatures, hairy creatures, winged creatures, and crawling creatures, and among all the celestial immortals, the earthly immortals, the divine immortals, the human immortals, and the spirit immortals resident in all the cave Heavens and blessed lands in the various shrines, rivers, and mountains of the Four Great Continents. In obedience, therefore, to the command of Ksitigarbha, the beast prostrated himself in the courtyard of the Hall of Darkness, and in a little while, he raised his head to say to his master, “I have the name of the fiend …” (Wu & Yu, 2012, vol. 3, p. 112) …地藏王菩薩道:「且住,且住。等我著諦聽與你聽個真假。」原來那諦聽是地藏菩薩經案下伏的一個獸名。他若伏在地下,一霎時,將四大部洲山川社稷,洞天福地之間,蠃蟲、鱗蟲、毛蟲、羽蟲、昆蟲、天仙、地仙、神仙、人仙、鬼仙,可以照鑒善惡,察聽賢愚。那獸奉地藏鈞旨,就於森羅庭院之中,俯伏在地。須臾,擡起頭來,對地藏道:「怪名雖有…」。 [...] Smiling, Tathagata said, “Though all of you [Guanyin] possess vast dharma power and are able to observe the events of the whole universe, you cannot know all the things therein, nor do you have the knowledge of all the species” (Wu & Yu, 2012, vol. 3, p. 114). 如來笑道:「汝等法力廣大,只能普閱周天之事,不能遍識周天之物,亦不能廣會周天之種類也。」 […] [After the Buddha explains the ten categories of life and the four types of celestial primates (see the introduction here), he says:] As I see the matter, that specious Wukong must be a six-eared macaque … (Wu & Yu, 2012, vol. 3, p. 115). 我觀假悟空乃六耳獼猴也 …
In short, the twin monkeys are so hard to tell apart simply because they are representations of the true and illusionary minds (refer back to the article) within the same person.
So what does this say about Shadowpeach? I know LMK is a separate entity from the novel, but applying canon to this ship would make it more self-love, right? I'm sure those with creatively perverted minds know what I'm taking about.
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the-monkey-ruler · 3 months ago
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Can you tell us something about the white mouse? I was always curious about her poem, where he talked about a bridge and two lovers. Does she really love Sanzang?
Why did he once choose to call himself Half Guanyin? Do you think he was jealous of her?
I watched an episode of JTTW 2011 and I liked that they tried to explain that her obsession with Tripitaka was because he fed her when she was a mouse. But I know that was fiction.
For me, she is in love. But I would like to hear someone else's opinion.
Personally, I truly 100% believe she didn’t love him she wanted to have sex with him for immortality and tried to make it look like love. It looks like her goal was to be a golden immortal of Grand Monad by taking Sanzang... though her seduction static does say how she proclaimed love for him I highly doubt that she chose him because of his 'personality.' I think any kind of 'love' or 'romance' mention is more for the sake of showing how she is a picture of temptation that anyone would follow her willingly as opposed to the idea that she could rape a man to get her way.
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She was able to seduce at least 6 monks in the three days they were resting at the temple and ate them as well so she might not have been too hung up about Sanzang either.
I find one interesting where she was talking more about sex with Sanzang and trying to convince him to 'unify' their 'marriage' that Sanzang gave her a red peach and took a green peach from her. Red often being seen as a form of desire, not just lust but can be, and how Sanzang is letting go of desire itself rather than being consumed by desire himself.
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I found the poem you were talking about! (took me a while). I truly believe that this is more of her way of expressing her shock when Sanzang misled her under Wukong's instructions. Wukong just told Sanzang to talk her outside so he can get the upper hand and Sanzang had to play along for his own protection. We have seen this before with other antagonists, such as the Scorpion Demon and the Queen of Women's Country, where they are willing to hold Sanzang hostage but don't seem to be willing to take with without consent and therefore try to seduce him. As such it is framed as 'love' and 'romance' when really they are trying to act as if they aren't keeping him as a tool to be used. Lady Earth Flow thought she succeeded in seducing the monk when he gave her the peach but really it was a way for Wukong to get in her belly and nearly beat her to death.
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Before this, she was already calling him 'husband' and thus his 'betrayal' is more of her expressing shock that her tactics didn't work. She is referencing another tragic love story to describe her own despite that there weren't any mutual feelings. It does seem she is GENUINE in that she does want Sanzang to love her but I truly don't think that her love comes from a place of genuineness but more for the sake of her selfish desires.
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She is called Half Guanyin not because she is jealous but rather to show how much she wants to be an immortal and on par with the Buddha and Guanyin. She only calls herself that because she stole precious Candles from Vulture Peak showing she wants the same respect and yearning for the status of the Buddha and Guanyin.
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I can say in my own opinion that she was absolutely trying to use Sanzang since she has been luring other monks and murdering them as well. I will say that I think she was fond of him, for sure, but I feel that most of the female demons were similarly fond as they did not wish to harm the monk but also didn't give him a choice in saying no. Props to her for at least trying to give him a meal he would like and treating him well that is far better than the Spider Demon or the Scorpion Demon at least.
2011 is a fantastic show because they give their characters depth, and don’t have the yaoguai just as one-dimensional villains. Most of the demons in Xiyouji are flat characters as they make their goals clear from the start and are framed in a more monster-of-the-week format with few exceptions. I think 2011 was very clever in that they took Lady Earth Flow from the novel and saw how she does value loyalty (to her family Nezha and Li Jing) and how she tries to make Sanzang comfortable (vegan food and expressing the importance of love and human desire) and is able to frame her as a more round character with her own wants and desires outside of power. She is a love-sick and slightly obsessive woman who knows that she could never have a chance with Sanzang willingly as he is devoted to his mission but can't live with herself if she doesn't even try. It takes what is already there and expands on it to make her more sympathetic without excluding her actions from the book (though I'm not sure if the show has her killing those 6 monks).
I think she was infatuated with him in the book and maybe wanted to call it love but I don't think there is any real reason to think she fell for him if he didn't have that "become an immortal if you sleep with me" pass. And only trying to get with something for something so transactional doesn't seem to be 'love' in my eyes as more she would have tried this with any monk and just so happens that Sanzang is a handsome and kind man that she also was fond of and tried to be as polite as possible in her kidnapping.
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ruibaozha · 1 year ago
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Are gods born gods? Or do they do cultivation to achieve divinity? Was Nezha born already a god or how could he be considered?
Hello!
This is actually a pretty simple answer that finds it’s roots in Daoism. Put simply, no, someone cannot be born as a god but must cultivate their qi through numerous reincarnations to be reborn into the Celestial Realm as an immortal - although many cases of Buddhist Immortals granting immortality to mortals is a somewhat common occurrence.
More information about Daoist cultivation can be found within Lao Tzu’s yes THAT Lao Tzu Tao Te Ching, among other values and philosophies that should be held onto through each of your lifetimes. If you look into other forms of Chinese media that sets itself as both supernatural and taking place in “ancient China” such as the wuxia or danmei genre, these media types pull very heavily on Daoist concepts and outdated methods of Chinese methods of scrying.
And as for Nezha? No, he was not born as a god and was born to the very mortal Li Jing and Yin Wuming. Before his origin tale was incorporated into Canonization of the Gods, he was granted godhood by Buddha through his rebirth using the lotus flower; which is briefly retold in this post. However, his involvement in Canonization of the Gods has his deification at the conclusion of the Shang and Zhou conflict - as well as deifying Ao Bing, Su Daji, and even his father.
Thank you for asking, I hadn’t realized how unclear this may have been.
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dreamlnder · 1 year ago
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i keep forgetting i still like. need to draw. and that i still have art reqs that are rotting in my inbox in desperate need of me to finish them <3
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theviraltruth · 8 days ago
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Nischal Jain | Shri Devaraja Heggade invited Shri Vadiraja Swami
Around the 16 Century, Shri Devaraja Heggade invited Shri Vadiraja Swami of Udupi to visit the shrine. The Swamiji gladly came but refused to accept Bhiksha (food offering) because the idol of Lord Manjunatha had not been consecrated according to the vedic rites.
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ryin-silverfish · 7 months ago
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An informal translation of the Chinese dub dialogues in LMK S5 trailer
Sth I did on Discord earlier today. May as well put it here, with a few annotations.
Heavy spoilers under cut.
"The Ten Courts of Ksitigarbha has summoned you here to answer for your evil deeds. Do you three acknowledge your crimes?"
[地藏十殿 is referencing how in JTTW, Bodhisattva Ksitigarbha/Dizang is technically the boss of the Ten Kings of the Underworld.]
Li Jing: "I should take over all affairs in the Celestial Realm."
Ten Kings: "And this…is Devaraja Li Jing, the Pagoda King."
MK: "Nezha's dad?! Nezha, is your dad becoming the new JE?"
"But there is one thing that can bring the Great Sage Equal to Heaven to his knees/make him submit..."
Li Jing: "Don't you lot try to escape again!"
"Thou shalt be condemned for thy destruction of tis' world!"
"Right now, the damage caused to the Pillar of Creation is irreversible."
MK: "Wait a sec, what exactly is the Pillar of Creation?"
"This world's functioning depends on it."
[创世之柱 likely draws inspiration from "Nvwa patching the sky" mythos, where the water god Gonggong, after losing his battle against Zhuanxu or Zhurong, knocked over Mt. Buzhou, the sky pillar with his head.]
"Whatever happens, we'll always find a way, right?"
Mei: "It seems to have something to do with…rocks?"
"Regardless of whether there is some sort of secret conspiracy, the people we trusted are all by our side!"
SWK: "Everything will be okay, MK."
"There is something deep inside you that you cannot control..."
"What we gotta do is collect the Five-colored Stones, repair whichever parts that need repairing, and return everything to normal at last!"
"Here…comes…Monkey Kid!"
Red Son: "Let's put the topic of Divine Beasts aside for a sec, Dragon Girl. Distant water cannot put out a nearby fire——"
[远水救不了近火, a Chinese idiom that basically means "a slow remedy cannot resolve an emergency".]
Mei: "My codename is Long Dongqiang! Long-dong-qiang-dong-qiang…(humming)"
[隆咚锵咚锵, a Chinese onomatopoeia for drum + gong sounds. Mei is also making a pun here of her Chinese surname, Long.]
[Edit: the onomatopoeia is also used in a CNY song, 七个隆冬锵咚锵.]
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ranilla-bean · 9 months ago
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The Iconoclast: Appendix
This is the appendix for my fic The Iconoclast, in which I will discuss some of my cultural and historical inspirations for the worldbuilding.
Disclaimer: I'm certainly not an expert on or practitioner of all the cultures I took inspiration from. In outlining my influences I hope to show my admiration and give appropriate credit to them.
Contents
Intro
Religion
Martial culture
Talent show
Miscellaneous
The Iconoclast is set in the same world as ATLA, about 800 years before the era of the cartoon. I was inspired by 10th-11th century societies; the Fire Nation is inspired by the Khmer empire, Kyoshi Island is inspired by Heian period Japan, and so on. Of course, the aesthetics of Hari Bulkan are heavily inspired by Angkor—Virtual Angkor was a huge help in visualising the city. 
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The immense population of Angkor was sustained by intricate water management techniques. The Khmer built reservoirs to collect water and sustain agriculture through the dry season. However, the impressive structures of Angkor had a dark side: they were built by enslaved labourers. Enslaved labour was extracted through human trafficking and debt bondage. In The Iconoclast, I integrated the institution of slavery with the caste system.
The exception to my adherence to periodisation was in the Inuit traditions that inspired the Southern Water Tribe, as the 10th-11th centuries appear to have been a period of migration eastwards across the Arctic for Inuit people. In addition to this, periodisation in Inuit history is more difficult to reconstruct due to the colonial destruction of knowledge. As a result, I took broader inspiration from pre-colonial Inuit culture.
Religion
The Fire Nation is based on the Khmer empire, which in this period adhered to Hinduism before the uptake of Buddhism. The cult of the Devaraja (lit. “god-king” in Sanskrit) arises from the specifically Southeast Asian branch of Hinduism. The Devaraja is regarded as the avatar (in this case, a human incarnation) of Vishnu. The Khmer king was marked out by dress: he wore a golden crown, or a wreath of flowers. His palms and the soles of his feet were stained red. He wore a sampot patterned all over with flowers—the more flowers, the higher the status.  
I conceptualised Zuko as being seen as an incarnation of the sun. Following Hinduism, this would be Surya. Fanon tends to use “Agni”, in fact the god of fire. Either way, as a non-practitioner of this religion, I’ve personally avoided using gods still worshipped today in my worldbuilding. My inspiration has largely been in the philosophy of religion.
Such philosophical ideas include: dharma, avatara, ahimsa, and brahman vs. atman. I found the Bhagavad Gita highly informative in developing these concepts—themselves debated in Hinduism—as well as ideas about the dilemma of Arjuna and the imagery associated with Krishna. I had an enlightening conversation with my friend Tana, who convinced me of the need to address the legacy of caste and casteism arising from the text. Ideas of caste carry certain baggage in the western world that I wanted to pare back, hence the differing terminologies of “in-” and “out-caste” used in The Iconoclast.
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The philosophies of Hinduism overlap with and develop in slightly different ways in Buddhism, which I explored through Choden. One instance is the Hindu notion of the Chakravarti, an ideal universal emperor (lit. “the one whose wheels are turning” in Sanskrit). A non-secular Chakravarti would in fact be a Buddha, someone who has reached enlightenment. Since Choden is the one who introduces this concept, I used the more literal term “the Turner of the Wheel” to disambiguate from “Buddha” (which immediately draws certain connotations), and also to draw a more direct relationship between the Arjuna imagery associated with Zuko.
This religious worldview stands in contrast to animism of pre-/early Shinto Japanese religion and Inuit spirituality, as reflected by Suki and Sokka. Princess Mononoke was in fact a huge inspiration! I conceived of the kami in the context of Shintoism before the major influence of Buddhism; Suki also worships at a kamidana shelf.
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For the Inuit, all things have anirniq, “breath/soul”, which lingers even after death. Therein lies the tension: between the need to hunt for survival and the vengeful soul that the act of killing liberates. The website I used as my source has a great quote on this: “the great peril of our existence lies in the fact that our diet consists entirely of souls.” These souls must be placated through ritual and observance of taboo. 
Importantly, I was interested in how each practitioner of religion approaches that philosophy in their individual ways, so none of the characters are perfect “representatives” of an ideal embodiment of that religion. Zuko is wary of his god status. Choden’s obsession with Zuko as Chakravarti makes her an outlier among the airbenders. Sokka trusts his “material” technologies of survival (i.e. weaponry) over spirituality, even though he practises the rites still, such as the smearing of lampblack and ritual words.
Martial culture
Sokka’s weapons generally mirror the ones he had in the show, with some additional embellishment. The snow knife is used to cut snow, but applied into a martial context by Sokka. The metal is sourced from a meteorite and cold forged; my inspiration was the Cape York meteorite, which Greenlandic Inuit used to fashion tools. Sokka’s club is made of jawbone, the strongest bone and stronger still from a herbivore. I combined the caribou and wombat into the “caribombat” for this, a nod to both an important Arctic animal to Inuit culture and to Sokka’s antipodean roots.
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Suki is based on early samurai. She uses the fans from the show, but instead of the katana (which we see her wield in “Appa’s Lost Days”) she uses a tanto, which is a kind of predecessor of the katana and can be used as an offhand blade or a weapon in its own right. Women could also carry a smaller version of this blade for self defence. Her armour is Heian period do-maru armour, which was a lighter development on older styles of armour, made of scales of lacquered leather. I was particularly in love with the idea of her having a helmet and a men-yoroi mask, which was used as facial armour.
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Zuko’s fighting style is inspired by bokator, a Khmer boxing style. He uses the short sticks instead of the dual dao, which can become truly dynamic weapons!
Talent show
Suki’s performances are based on the Japanese tea ceremony and bianlian from Sichuanese opera. The preparation method of the Japanese tea ceremony—whisking powdered tea—is in fact borrowed from the Chinese Song dynasty, which fits the time period of the world. Bianlian involves a performer very quickly changing a series of masks to a secret technique. It’s way more fun to watch on video than to read, I admit!
Osha’s dance is… meant to be the royal Cambodian ballet. The dance evokes the apsaras, dancing celestial beings in Hindu culture (incidentally, they are depicted on the walls of the fire temple on Full Moon Island). And just like western ballet, it takes years of training and skill to master!
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Miscellaneous
Druk is, in this conception, a naga instead of… whatever unholy mix of cultures’ dragons LoK drew him as. Nagas are found across South and Southeast Asian cultures, and in Khmer culture they are typically represented as serpents—sometimes with multiple heads. They are associated with water, prosperity, and various other positive connotations. There’s a whole rabbit hole I don’t really want to get into about why I’m putting a water-associated creature in the Fire Nation (East Asian dragons are associated with water too!) but I do want to point out that there is a natural phenomenon on the Mekong called “naga fireballs” so… I’m running with that. 
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Full Moon Island is Crescent Island… before the eruption that turned it into a caldera.
Osha’s name is not a health and safety pun; I’m not American and I call it WH&S, it was a total coincidence. It means “shining” in Sanskrit—apt for a Fire Nation character, I think. 
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makapatag · 1 year ago
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Art by the refulgent @lntpblk!
Anitu is the word for ritual worship across the Sword Isles. Sometimes, it also refers to the gods, souls, and ancestors worshipped to: Anito, Hanitu, hantu. They all arrive from a shared culture in the distant past when even gods were not born.
GUBAT BANWA is a martial arts fantasy tactics RPG set in the refulgent lands of THE SWORD ISLES, inspired by Classical Southeast Asian cultures! We're coming to KS on the 27th!
Anitu lore below the cut!
Anitu is less of an organized religion and more of a catch-all term for most faiths in the Isles, where most of them practice ancestor veneration, sacred worship nature, and ardent ritualism. Each banwa might not even call what they do “anitu” and might refer to it as some other word in their language: in North Rusunuga it is called pagsamba, while in the Eastern Jamiyin Kulisa’s Arrows it is referred to as Qiparjeyuhun, which is just “faith” or belief.  For the most part, only those in Gatusan’s mandala of effect recognizes Anitu as a term for a larger belief form.
The most prominent form of Anitu is Kangdayanon Anitu, which is the one practiced in the Gatusan Mahamandala’s center of power, Kangdaya. This version of Anitu has fully syncretized the Saiwa branch of Ashinin Religion, which brought the idea of a fully fledged pantheon and the idea of cosmic forces of gods in this realm. One important syncretism is the adoption of some ancestors turned into Gods, who are performed rituals to. One such god is Apung Makangayaw, the Dragon of Raiding, worshipped as a distant ancestor of Amihan, who became Rani Amiyah, the queen that Shri Bishaya married into to stake his claim into the island of Tauhaw. The gods Jamiyun Kulisa and Indira Suga also arrive from Saiwa Ashinin. 
Another important syncretism is the understanding of a cosmic soul, or a supreme oversoul. This is meant to be Siwa, but that name was quickly indigenized and understood to be Laon, the Ancient One, the name of the tallest mountain that can be seen from Tauhaw, Kanglaon. Laon means old, aged, ancient. It is said that Laon is THE Ancestor, from where all things arise.
Another important aspect brought in by Saiwa is the construction of grand temples meant to emulate the stories of the gods both celestial and chthonic. By creating these they believe they are bringing in Favor and Merit, making their lives more fortunate and enriching them with good omens. An important belief, when in the Sword Isles, as every city is subject to the sacred whims of the souls of the world—hurricanes, typhoons, tsunamis, earthquakes, droughts, thunderstorms. 
The word in Kangdayanon Anitu for temple is MAGDANTANG, and smaller versions of these temples are known as lantangan. Natural sites are worshipped and offered to as if they were magdantang. This is why every lake, mountain, hill, giant tree, river and every important shore and beach have lantangan for offerings. Stone structures are rare and only appear in the larger cities of Gatusan—they carved onto the side of hills and mountains, or from the rocks of said mountains after performing rituals to ask permission from the mountain gods to take stones for creating merit. The largest stone temple is in Kangdaya, which also acts as the Palace of the Ponong Raja. Other important sites are the Pagodas of Put’wan, the Holy Mountain of Kihadi-an, and the grand (yet now lost) temple city of Biringan, crafted by an ancient Samrasat Devaraja in the island of Mairete, now lost in its jungles. 
Kihadi-an is a grand monument complex constructed to mirror the mountain of Semedu, the grandest peak in all of Gubat Banwa. This name in Kangdayanon, Put’wanon, Ba-enense, and Apunon Anitu is attributed to be one of the regnal titles of APU DAYAWA, the grand mountain that juts out from the island of Kalanawan.
Finally, Anitu now recognizes Ashinin-style regnal titles and even the concept of god-kings, as brought by Shri-Bishaya’s retinue and royal court. Ponong Raja Batara Ambas now has a claim to a divine right to rule by way of being an avatar or an embodiment of Laon on the Warring Realms. Titles such as datu are considered a step below the title of Raja, and Maharaja. Ponong Raja means head Raja, and is a coveted title amongst all. According to the Kangdaynon balyan, the gods in the sky speak of the Uniter of the Hundred Hundred Islands, which they call the Langidagandraja, a fusion of the words LANGIT + DAGAT + INDRA + RAJA. Together, this name means HEAVEN-SEA GOD KING, as the conquerer of the entire sky and sea. This name is fabled and no man has a claim to this title. It cannot be gifted by the gods nor can it be achieved through enlightenment. It must be seized from hearts and minds of people.
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lavaflowe · 1 year ago
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JTTW READING CLUB CATCH UP
Pt. 2
@journeythroughjourneytothewest
Chpt 4 Thoughts:
•the fighting immediately at the gate should have tipped everyone off this wasn’t going to go well💀 doomed from the start
•the hand holding with Gold star of Venus and Wukong I am not okay, I’m exploding it’s so cute
•Holy shit the poem about Heaven is LONG
•Wukong handles being called a bogus immortal very well?? I thought he would be angrier about that… I guess he knows its true tho🤷‍♀️
•Wukong is fantastic at his job- the best horse girl around (for the 2 weeks he was there lol)
•tantrum™️ kicks over his desk and smashes everything with his ruyi bang, causes property damage and LEAVES
•interesting that I’ve seen a lot of adaptations have him release the horses and do a mini havoc in Heaven
•love that it’s just 2 random demons who suggest 齐天大圣 to Wukong, not anyone important or anything JAKDJSJ
•HE QUITS AND THE JADE EMPEROR CALLS FOR HIM BE CAPTURED BECAUSE HES A MONSTER??? HUH???(I thought Gold Star stepped in but I GUESS I WAS WRONG)(capitalism smh /j)
•NEZHA APPEARANCE WHOOOO
•Spreading Flower axe sounds so cool, prime design material
•”eyes glowered strangely like burning stars; past his shoulders two ears, forked and hard; his voice resounded like bells and chimes”<- poem about Wukong, so lovely
•Theme I’m noticing: Wukong treated like an animal until proven otherwise (makes sense but also not)
•asks Nezha whose little brother is he, and Nezha immediately spits back like 3 insults JAKFJSJSJ, he is not here to mess around🔫
•3 HEADED 6 ARM FIGHT: WUKONG v. NEZHA
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•the old bait and switch then smashing Nezha’s shoulder (flash back to all the paintings of Nezha running off while holding his broken arm💀)
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•Love that Wukong called himself the little brother of the fraternal 7
•Gold Star Of Venus more like Master Negotiator/Mediator
•….is Gold star lying??? WUH
•”Peace and Quiet” and “Serene Spirit”- it’s like they don’t know that’s gonna bore the shit out of Wukong💀 like watching a train wreck in slow motion- HES NEEDS ACTION AND SOMEONE TO PLAY WITH
Chpt 5&6 under cut:
Chpt 5 Thoughts:
•uses all his free time to make more friends
•Gold Star realizes that he may get bored so they give him an extremely tedious task that will also probably bore him JAKDJAJAJD
•HELP HE JUST STARTS EATING ALL THE PEACHES WHAT- he behaved for probably like 2 weeks (again) and then decided he couldn’t wait any longer to try the OLDEST AND RAREST FRUIT IN THE GARDEN!!! AND HE PICKS MULTIPLE, NOT JUST ONE
•I’m yelling he does this multiple times
•okay but him playing around and eating making him tired and taking a nap on the branches when he’s 2 inches tall?? Adorable, no longer mad he ate all the peaches, he’s just a little guy
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•ah so he only ate the really good ones. Ofcourse.
•Gently breaking the news that he’s probably not invited to the banquet 😬
•immediately freezes the peach maidens- WHY??? WHAT WAS THE REASON???
•Identity theft smh
•he is feeling….mischievous
•RESIST UR IMPULSES OH MY GOD
•he is so wasted he accidentally wandered into Laozi’s lab
Wukong: I’ve never met Laozi….now is for SURE the perfect time to make friends, when I’m so drunk I can’t walk straight
•He keeps putting things in his mouth, very monkey™️ of him
•IMMEDIATELY sobered up and knew he was in deep shit
•he lived in heaven for over a century 👀👀, Wukong says half a year- so maybe like 175 days?
•he goes back to get wine for his monkeys 🥺🥺
•next day/year Everyone one complains about the Havoc LMAO, they just kept coming, I know the Jade Emperor is distraught HAJDJAJ
•Wukong was going to straight up ignore the heavenly army they sent if they hadn’t busted down his door😂
•all his demon Allies were captured while he did a 1 v 6 with Nezha and the 5 Devarajas
•Wukong starting to get lost in the sauce, doesn’t care his ally’s were captured as long as his monkeys are okay
Chpt 6 Thoughts:
•Guan Yin Rolling up their sleeves to fix this mess
•”nothing but an invitation to disappointment” THE DRAMATICS
•I wonder if the Greek constellations were actually listed or if that was a translation choice??
•interesting that he outlasted Moksa instead of outwitting him- I feel like there’s a deeper meaning to that
•Guan Yin: I have a solution…..call in your Nephew
Jade Emperor: GENIUS
•Erlang is PUMPED to fight Wukong
•something something Erlang Shen is HAWT
•Erlang Shen: I’m here to kick your ass and arrest you
Wukong: your MOM
Erlang already swinging:
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•Warform fight pt 2: Electric Boogaloo
•”they darted as stars to fill the sky”
•Erlangs eye being called the Phoenix Eye sounds SO COOL
•spotted bustard has no standards-I stand by the whore joke
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•Erlang having fun with their fight LMAOOOOO
•HELP WHY DID HE WASTE TIME ENTERING A TEMPLE??? WUKONG PLS💀💀 UR ARMY IS GONE AND YOURE CORNERED NOW IS NOT THE TIME
•Wukong defeated with an assist from Laozi and Xiaotian
•stabbed for his crimes
•it’s execution time
•really loved that the poems were used to describe all of the fights
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pompomqt · 1 year ago
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Journey to the West Chapter 5
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I think Sun Wukong might have made a few people mad this chapter of Journey to the West with @journeythroughjourneytothewest
So this chapter, Sun Wukong managed to gain another three levels to his immortality stat with the good old, tried and true method of stealing.
First up, we got the Peaches of Immortality, which the Jade Emperor had put him in charge of in order to give him something to do so he wouldn't get bored. And Sun Wukong took to sending the staff away from the garden so he could nap and eat the peaches unimpeded. I also get to add a slightly new crime to his rap list for this one since this is his place of employment: Employee Theft. We also get a case of False Imprisonment, when Sun Wukong immobilizes the Seven Immortal Maidens who come to collect peaches for the peach festival.
Next up, for his second gained level of immortality we got the Heavenly Wine. Where Sun Wukong gains yet another new crime for his rap sheet, Impersonating a Government Official, when he runs into the Great Immortal Naked Feet, and sends him to the Hall of Perfect Light for a 'rehearsal' so Sun Wukong can take his place. So Sun Wukong makes his way to where the Banquet is being held and his attention is grabbed by the smell of wine. In order to try some, Sun Wukong uses magic to put the wine carriers to sleep.
For his third level of immortality, Sun Wukong realizes that he'll probably get in trouble for stealing the Heavenly Wine and tries to go home, but instead drunkenly wanders into Laozi's lab. Where he spots some pills of immortality. Which he of course immediately eats- which while making him now five times immortal also sobers him up.
Now that he's sobered up, he decides to head home to Flower Fruit Mountain to avoid the consequences. The monsters of Flower Fruit Mountain are ecstatic to see him again, especially since he's been gone for over a century now since he spent a half year in heaven this time. He gladly tells them everything that happen, but finds that he no longer has a taste for regular food after having grown accustomed to divine food and wine. So Sun Wukong sneaks his way back into heaven to steal some more wine to share with everyone. Making some of his monkey's doubly immortal at this point.
Meanwhile, word has gotten back to the Jade Emperor about Sun Wukong's exploits so he sends what seems to be the entire heavenly army out to arrest him. And so the battle between Heaven's army and Sun Wukong and his demon army begins! Sun Wukong manages to personally beat the Nine Luminaries and then sends out his army to help him battle the Four Great Devarajas and Twenty Eight Constellations. Most of his army is captured, his four commanders and monkey troop all manage to escape. Meanwhile Sun Wukong manages to beat back The Four Great Devarajas, Li the Pagoda Bearer, and prince Nezha with some duplicates. Current Sun Wukong Stats: Names/Titles: Monkey, The Stone Monkey, The Handsome Monkey King, Sun Wukong (Monkey awakened to the void), and The Great Sage Equal To Heaven. Immortality: 5 Weapon: The Compliant Golden Hooped Rod Abilities: 72 Transformations, Cloud-Somersault, Ability to transform his individual hairs, super strength, Ability to Summon Wind, Water restriction charm, and the ability to change into a huge war form, ability to duplicate his staff, ability to immobilize others, and the ability to put others to sleep. Demon Kill Count: 1+ Unknown Number of Minions God's Defeated: 17 Crime List: Robbery, Murder, Mass Murder, Arson, Theft, Coercion, Threatening a Government Official, Resisting Arrest, Assault, Forgery, Employee Theft, False Imprisonment, and Impersonating a Government Official. Cry Count: 2
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xiyouyanyi · 6 months ago
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JotG S2: The Ramifications
-SWK didn't leave MK to go on a vacation. Well, he tried to say so, but MK interrupted him and asked him if he could go to the Celestial Realm instead, to check on the two immortals who helped them out. And he was like "Yep, that just happened to be my first stop!"
"I don't want them to be in trouble. They…okay, one of them isn't the nicest person, but she still helped me out. Hopefully they won't. But if they do get into trouble, would you like, help them back? For me?" "Sure bud, don't worry. I'll keep an eye out."
-In truth, he got a summon from Thunder Bureau, and proceeded to spend most of S2 lying skillfully in court, trying to conceal his disciple's existence from prying eyes and get a lighter sentence for their helpers, while also bringing attention to the more urgent issue that was LBD.
-He paid a visit to Kui Mulang, now imprisoned inside a much more secure cell, with Thunder Nails stabbed through his shoulder blades. A harsh exchange ensued: SWK pried for intel about Ivory Lady the Ghostly Immortal, Kui Mulang responded with a series of mockeries and scathing remarks, before tossing out this bombshell. 
"I'll tell you everything I know, if you tell me what happened to my children." The Wood Wolf Star said, eyes hidden under the shadow casted by his messy, blood-soaked mane. "The Great Sage is capable of some exquisite destruction, but I do not believe, for a second, that he is a child killer." "...Even if they are alive, do you seriously think you can still get back into their lives? That they'll ever want you in their lives, after what you'd done to their mother?"  "Ah, so they are alive." "..." "I'm not asking where they are. Only what happened to them." Kui Mulang continued. "In exchange, you get to know all about that ghastly acquaintance of mine. Deal?"
-The Dumpling Destruction episode got slightly adjusted to suit the new "court case" scenario: it wasn't the Four Devarajas’ fault, but one of the Four Thunder Generals——Deng, Xin, Zhang, Tao.
-See, having a bunch of thunder and lightning-wielding guys be both judges, lawyers, SWAT teams, and executioners tend to make your average court case…quite heated.
-And during one of those heated arguments that lasted from the Thunder Bureau official halls all the way to the dining room next door, someone imbued their breakfast with Thunderfire and threw it at the other guy, who dodged just in time; the flaming dumpling flew out of the window and fell through the clouds, straight toward the Lower Realm.
-Like, it was still regular dumpling-sized, but that wasn't gonna matter because Thunderfire was more high-grade explosives than flames, and the impact was still enough to flatten half of the city. 
-In fact, searching for this tiny, free-falling object just made the mission even harder, and the first thing people noticed on the ground wasn't the dumpling, but the roaring thunder that accompanied dozens of winged generals as they combed through the sky, desperately looking for the offending object on Lord Wen's orders.
-SWK told MK what all the fuss was about via astral projection, then went back to breaking up the fight in the dining hall, because yes, after casually tossing a mini-nuke out of the window, these four were still engaging in their violent legal debate. 
-Lord Wen wondered, for the billionth time in his life, if one of the Taisui gods or someone in the Dipper Mansion really had it out for him, then sighed and ordered Hanzhi's temporary release, just so the Wind Bureau could assist in the search too.
-Mei, being part of the West Sea dragon clan, was obliged to help out any Celestial Bureaus involved in weather creation by virtue of an ancient accord. She wasn't too happy about it, as MK and Tang set off to find something in FFM's vault that could create a protective barrier over the city, in case the others all failed their spot checks.
-I'm making some tweaks to the treasures we are collecting, mostly by replacing them with ones from FSYY. Instead of the Demon-revealing Mirror, we have the Yin-Yang Mirror(阴阳镜) of Chijing Zi, and instead of the Crimson Jimweed, we are looking for the Chaihu Grass of Shennong.
-Since the full Yin-Yang Mirror is too OP, in this AU, it was split into its white and red halves: the white half can insta-kill anything with a soul, the red half can revive whatever the white half killed, and FFM's vault only got the red one, which was useless on its own.
-Also, instead of Guanyin's vase, the treasure they were looking for was a crystalline vase containing the Divine Water of Triple Light(三光神水)——a substance that could transform ordinary water into a self-regenerating magical barrier, also from FSYY.
-But Tang, who thought "that other God-Demon novel" was boring and not as well-written as JTTW (true), didn't know that. He still found it despite looking for the wrong vase the entire time, while pursued by Spider Queen's minions; a truly incredible feat. 
-The Thunderfire-imbued dumpling was found by Mei and neutralized safely in midair via Hanzhi's tornado, seconds after the Divine Water barrier went up.
-All four Thunder Generals received fifty lashes, on top of the beatdown they received from SWK. Hanzhi, being the natural gossiper she was, revealed her "on parole until mission's over" situation, as well as SWK's involvement in the court case to Mei.
-Of course, Mei told MK, which…only added to his guilt and anxiety. Come Minor Scale, this also changed LBD's approach: instead of telling him that SWK left because he picked the wrong successor, she focused on how his mentor had to clean up his mess, that maybe SWK didn't tell him all the truth for a good reason——he just couldn't be trusted with it.
-One question remained: why was LBD trying to rebuild the Bone Mech, when it could no longer be a vessel for one of the Ten Kings post-deification, and even if it could, the dead Shang kings would not have answered the calls of anyone who wasn't a direct descendant of theirs?
-Because it is less about the soul they are pulling out of the Underworld, and more about creating a passage between the world of the living and the dead, which is why she needed the staff.
-As Yu the Great's extendable ruler, not only can it change its size and length at will, it can also command the Water element as a whole——including the water of the Underworld rivers, the Nine Springs.
-So LBD is using the Bone Mech to create a canal between the two realms, then using the staff to draw the Nine Springs through. Which, like everything Underworld, is the purest Yin-aligned substance you can find, and reacts with Yang-aligned energy in unusual ways: in this case, it creates a living, growing ice that encases Yang-aligned entities upon contact.
-This is how the Ice Hells are constructed: every wall, every floor, is made of condemned souls of the deceased. But unlike in the Underworld, where the flow of Yang energy is predictable, controllable, and quite weak in strength, when the same water enters the mortal realm where Yang energy is so abundant, it just grows and grows and insta-freezes everything it touches.
-With the reverse-flooding also came tons of ghosts, finally escaping their confinement in the Eighteen Hells, but honestly, that was the least of everyone's worries. 
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journeytothewestresearch · 10 months ago
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I quote the princess' part from the play here:
Do you know what happens to Wukong's wife in that old version of Journey to the West? Or is her role quite minor and not much is known about her?
I think she is still kidnapped in the Zaju play. I've never read it myself, only recalling that she was still at Flower Fruit Mountain when Wukong was put under and I'm sure if she was able to escape while he was forced to be held captive, or if she even lasted that long since she was mortal.
She has a minor role, definitely, since she isn't really character-relevant, mostly her explaining how she got kidnapped and what life is like on the mountain. I can't say if she made a second appearance after the start of the play again since I haven't read it but it could be that she died of old age at the point Wukong finished his journey. If not then she would still be stuck in the mountain most likely.
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blackkatmagic · 1 year ago
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Well, I’ve been reading your latest for Arcana - and colour me intrigued! I’m Asian and the idea of Fox being God-King? Brilliant. And yet I wonder, b/c there’s two distinct translations for that position (Granta would know exactly what I mean) - one, ‘devaraja’, is akin to “the divine right of kingship”, the monarch as a living god, rather like how Japan’s Emperor was venerated before and during WW2. The other is ‘Chakravarti’, an idealized righteous king who (depending) rules over a people (local king), an entire continent (what we’d consider an emperor), or the entire known world/universe.
And now I’m getting the feeling Palps didn’t research nearly as throughly as he should have - did Granta make off with the books he needed? XD - with all that divine Imperial might handed over to a Clone Commander instead of being temporarily delegated…
Given that the way I'm using it is directly related to the Sith's Eternal Emperor Tenebrae (who's a plot point that starts coming up more in chapter 14), it's probably closer to the former translation, at least in how Granta is using it. He is a fairly unreliable narrator, though, and he's basing his use of the title on one Sith Lady's translation, so it's like. not entirely in his head, but at least partially. This whole fic is basically the Villain Origin Story for the king's fanatically devoted black knight, so Granta's views are a little skewed.
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dreamlnder · 1 year ago
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Devaraja 2/6 1 2 x x x x alternate vers beneath the cut vvv
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Color palette can be found here :3
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