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popculturebuffet · 3 years ago

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Goof Week: Goof Troop: Forever Goof Review (Everything’s Coming Up Goofy, Good Neighbor Goof, Gotta Be Gettin Goofy) (Commission for WeirdKev27)

Yahhahhooooeeeey all you happy people! WELCOME TO GOOF WEEK! Now normally when a character who got their start in theatrical shorts has a birthday, I do a marathon of them. I have since last year with Donald and it’s one of my favorite things: it allows me to explore Disney’s rich history of them I was largely unaware of till Disney+, and allows me to revisit the shorts I grew up with in the case of The Looney Tunes or Tom and Jerry while discovering new favorites. SO naturally with Goofy’s birthday in two days I intended to do the same for him, especially since I’d covered Donald and Mickey the same way.

But fate had other ideas. Not thinking about this tradition, Kev, my patreon, friend and the guy who commissions a LOT of reviews from me ($5 an episode if your curious and I WILL make room on the schedule so your commission gets done as soon as possible), suggested reviewing the Goof Troop pilot movie Forever Goofy, later split into the episode Everything’s Coming Up Goofy and Good Neighbor. I loved the idea since I genuinely loved Goof Troop, and decided to do both that week.

It’s then I got a great idea.. why limit myself to JUST doing two things? I hit my 15 dollar patreon stretch goal, so a review of the Goofy Movie was on the Horizon anyway, and for it’s anniversary year Kev has been commissioning House of Mouse Episodes, so it wouldn’t be THAT much of an ask (and it wasn’t) to simply randomly select from a pool of Goofy-Centric episodes instead of all the episodes.

Thus GOOF WEEK was born, and Kev once again proved vital to all this by suggesting the special Sports Goof from the 80′s. I’d like to give him special thanks as outside of the Shorts Special, which as a patreon he still got to pick one and if you’d like to pick one for Donald’s special, sign on up even one dollar patreons get the honor. , this week is either entirely paid for by him or in the case of A Goofy Movie, is partly thanks to him. I wouldn’t be able to do NEARLY as many reviews nor make money off this without you bud, so thank you.

So naturally given the idea to do this two parter gave me the idea for this week and that Goofy Movie makes a logical finale for said week, it only made sense to start the week with Goof Troop. Bop-dop-da-da-do-bop, YEAH.

Goof Troop is the first Disney Afternoon show I ever watched and the only one I watched when I was younger, as Disney Channel used to play it ocasinally when I was younger and Toon Disney would do the same and I even got to Marthoon it when Disney XD did a weekend marathon. Given it starred my faviorite Disney Character, Donald hadn’t worked his way up to tying with him quite yet, I loved what I could grab of it. And as an adult.. it still holds up. It has problems i’ll get into, but it is a real good time so I was exastic to get an excuse to watch some of it and much like with Darkwing wish I had sooner.

Before I can h-h-h-hit it though, I have to talk about the series history. I ALMOST didn’t find anything: much like the other Disney Afternoon shows there really wasn’t much on the Disney wiki nor wikipedia, google turned up nothing... it wasn’t till I went to the Tv Tropes Trivia Page for the series, where i’d remembered reading about some early versions of the show, that I hit gold: A two part behind the scenes blog post by series co-creator Michael Peraza. You can find part one HERE and part two HERE. It’s a short but fascinating read.

Speaking of fascenating Peraza himself is someone i’d never heard of till reading this article but damn if he isn’t a legend. Seriously the guy’s career is as an unsung hero, starting work under the Legendary Nine Old Men, and working on some of disney’s greatest films: The Great Mouse Detective, Aladdin, The LIttle Mermaid, and Beauty and the Beast, along with live action cult classics Tron and Return to Oz via concept art. And concept art is where he’d hit his stride: he did conceptual work for all the big Disney Afternoon shows apart from Gargoyles, being one of the key guys in the early days of Disney Television animation. He didn’t stop at just designing things either as he worked as Art Director for Ducktales, The Proud Family and of course given how vital he was to it’s creation, Goof Troop, and to this days gives lectures with his wife to aspiring animators. He even did some guest work for the 2017 Ducktales Episode “Treasure of the Found Lamp!”. So yeah dude’s awesome

So how did he come to be a key part of this show’s creation? Well he’d just finished up some concept work on some other Disney Afternoon shows, and being a company man was glad to report to the Goof Troop..ers to help as the show was having trouble getting off the ground. The reason for this was the creative exec, who Peraza didn’t name out of kindness as the guy wasn’t a BAD person.. just a clueless one, this being his first job in film and tv. As such rather than work hard to develop around goofy or focus on his strengths the kid threw out one concept after another: The series got it’s name from a pitch that had Goofy as a scoutmaster, something I was glad to finally know. To quote Peraza

“ Although while I was doodling versions of the show that were destined to never see the light of the TV screen, the pitch date remained etched in stone and kept creeping closer. Various versions would find their way to the surface only to sink again into the wasteland known as the roundfile (trashcan). One moment Goofy was the Captain of the Fire Department, the next day a detective out of the Maltese Falcon mold, or a swash buckling hero fighting The Flying Dutchman.

The supporting cast he came up with really wasn't very supportive when you consider they sometimes included alien dragon babies with wings along with a large gorilla. Somebody at Walt Disney Television Animation must have really had a thing for giant gorillas around this time as they were plugged into almost every concept we assembled.”

It was clear that while Goofy COULD fit into just about anything, this exec was just throwing everything at the wall, nothing was sticking, and rather than try to refine his supporting cast, they kept having to throw them out and start over. And dont’ get me wrong, cartoons go through a lot of development and changes as they go.. but it’s usually born from a concept and usually by this point, they at least have what the show will be ABOUT in stone. While i’ve had the same creative changes and what not when coming up with projects that ultimately never saw the light of day, and currentlly some I hope to but might not, I’m not being paid by a studio to do this nor had a hard deadline. I was just spitballing trying to get something anything off the ground before reviewing gave me a steady outlet for my creativity and thus ballanced me to take my time with stuff. Peraza WAS turning out amazing art, like this concept art for the fireman pitch that honeslty makes me want to see it as a series. Who DOSEN’T want to see 9-11 with Goofy as the main character? Throw in Donald and grown up versions of Max, PJ and PIstol (And even not THAT much for the former two, as they did go off to college and all), don’t forget Roxanne this time out and you have a worthy goofy movie sequel.

So yeah this wasn’t working and the latest pitch was not great: Putting Goofy in ToonTown as a cabbie driving the Cab from Who Framed Roger Rabbit. As Peraza TRIED to point out to the exec, putting Goofy in a naturally goofy setting didn’t really play to the characters strength, his whole shtick being a goofus in a normal world. Enough of an every man to root for but also a slapstick joly weirdo.

The executive’s INCREDIBLY douchey response, especially since Peraza was a Disney Vetran at this point and had spent quite a lot of time on Ducktales, so he knew what he was talking about was “Do it anyway and leave the “Visionary” part to me”

As you can tell by MR. OOC there, this might be one of the most punchable sentences i’ve ever read.

So Peraza wasn’t in a great place and was naturally terrified when he got a call from Gary Krisel, president of Disney TVA, asking about the show and to see him about it.

Turns out though Krisel was a nice guy who already had a great working relatinship with Peraza, and genuinely wanted to know what was going on there and wanted his honest opinion. It’s why i’m not AGAINST executives in animation as sometimes they can come in when somethings clearly not working or allow a smooth transition of power if a propelmatic creator has to be booted off their own show so the show and i’ts crew don’t suffer as a result. It’s just more often than not they cause headaches or cancel shows for entirley stupid or self motivated reasons. But I will give credit where it’s do and point out times where there NOT stupid or homophobic or what have you and this is indeed one of those times.

Peraza was indeed straight with him: pointing out all the concepts they’d gone through, and like with the other guy honestly gave his opinon the ToonTown Pitch wasn’t working.. and he not only agreed but asked Peraza himself, actually respecting his experince instead of yelling at him that he has a vision that wouldn’t last the end of the day probably.

Peraza was HOPING this was where this was going and gladly gave him a far less high concept pitch and one truer to the character, quoted in full bellow:

“ My spiel went as follows, "Goofy is a recognized star of Disney animation, so why re-invent the wheel? His son is an average kid dealing with many of the usual issues they face: peer pressure, young love, grades, school bullies, and so on. On top of all that, he has the zaniest, wackiest GOOFIEST dad to live down. No matter how insane the situations get though, they will always love each other. They're a family." Gary asked how I would pitch it and I replied, "It's ONE day in the life of Goofy and son. From getting up in the morning to fixing breakfast, we see their difference side by side as his son tries to distance himself. No matter what though he knows deep inside that his father will always be there for him, whether he likes it or not."

If your wondering if Peraza noticed that that original pitch line is basically the peremise and emotioinal core of The Goofy Movie down pat.. your extremley correct and he notes that the film was based on said pitch even if he had no involvment with it that I could tell. The series would still use this but the whole embarasment aspect was toned down, and honestly fit a teenager better than an 11 year old..

So the exec loved it and Peraza shaped the core of the series: the idea of having Pete as his nemisis, pete having a nuclear family including a gorgeous wife, and the show being more slice of life and what not. He made some great sketches, got roaring approval and then pitched it to rousing success and the rest is history. Goof Troop was a moderate success and The Goofy Movie after it is a classic beloved by all. We have this wonderful man to thank for all that and I also thank him , on the offchance he ever sees this, for bringing Goofy into modern times in a way that did the man-dog justice. It’s thank to you we got this fun series, two great movies, and a goofy the way he is today: the best of everything about him rolled into one. Thanks man, free review.. not htat you NEED It since you’ve worked on things i’ve covered and what not, but I feel like I should offer. Outside of Peraza, I found one last bit of making of stuff before I get to the premiere proper. These two early concept shots:

The first has Max who both looks older and has red hair like he did in the shorts. Honestly I see a lot of his Goofy Movie self in thiis design, the only diffrence obviously being the red hair which was wisely changed to make the boy look more like goofy, something kept for the movie.

The more intresting one is this shot of the Pete’s. Starting with Pete he’s more athletic and has a perfectly tacky outfit. While changing him to be a bit more slovenly honestly fit this version of the character better, I do wish they’d kept hte outfit as the tacky gold and green jacket, the gold chain, the open ollar.. it all fits this version of pete so well, as well as his illusion of being a big shot when he is in fact a medium one. Peg is both slightly younger looking and far more doting and is so different I swear this picture looks like Pete remarried after the divorce and got some lipo. Pistol has about the same design but with a vastly different, more Isabella-ish outfit. Finally we have PJ who looks the same, but has a diffrent outfit and a far more sour demeanor, probably meant to be a bully. My best guess is sthis stuff comes from the pitch, and was likely made to simply get the basic premise across before fine tuning the characters for series

So with all of that out of the way i’m calling eveyrone to join in the fun under the cut and report to the Goof Troop.

Everything’s Coming Up Goofy:

Our first episode opens in a small but cozy trailer, where Goofy’s cooking up lunch as only goofy could: by making osme meatballs then serving them to his son over a game of table tennis, with Max doing the same. It’s really freaking adorable, and a dynamic i’m not used to since i’m more familiar with Teen Max. Seeing Max genuinely get into his dad’s hyjinks and enjoy them.. it just warms the heart and adds weight to The Goofy Movie by knowing there was a time the two really were thick is thieves before the stygian hole that is high school drained all that out of him.

So the two are like buddies and pals until the Mailman arrives, not even phased at this point. Turns out it’s a Diploma, and with this Goofy can get a job he’s been up for in Spoonerville and plans to move immediately. Max is devisated he’ll loose his friends and runs away to use a magical mystery box to keep them together only to end up in a land full of frogs with an old man who sounds like his dad minus the drawl and two other tinier frogs and ... I may have the wrong show. In fairness you try dislodging a finale where Keith David runs a 13 year old through with laser sword and then talk to me.

Goofy is sympathetic though: While he seems a tad oblivous to Max’s worries, it’s very clear he’s jumping on this job and this move so far to give his son a better life. Sure he runs through all the cartoon moving away talking points that don’t work in real life or most other cartoons such as there being a nice lake and that max can make new friends, and Max accepts it weirdly fast because this episode is only 22 minutes and they don’t have time for that subplot... but it’s clear the idea of a better paying job, a secure home not in an alleyway, and some stablility for his son is the real reason Goofy’s doing this, and he probably wants to simply give the boy the childhood he had growing up.

Meanwhile in Spoonerville, we meet Pete. To my shock this is where Jim Cummings took over the roll he was born for and has played since and with good reasons as Cummings is just amazing with Pete no matter the incarnation and excels here his penchant for playing jerks, hams and gravely voiced guys all coalesicing. Pete is planning on building what modern toxicly masculine weirdos such as himself would call a Man Cave on his lawn, because Pete is a very SPECIAL kind of douchebag. He also plans to stretch it into the neighboring property, tear down the house there and set it up.

This is news to his wife Peg, played by fellow voice acting Legend whose stillg ot it, April Winchell in her star making role. Peg is Pete’s strong willed wife who dosen’t put up with her husbands crap.. you know that trope that infected sitcoms for kids and adults of the doofy husband whose either a manchild , a skeevy self serving quipy asshole or some horrible combination of the two. The kind that has still been so prevealant the wife from one of said sitcoms helped produce a show about the wife finally doing the logical thing and plotting to kill the bastard. No really.. that’s an actual thing that’s happening. It’s even got a Little Bit of Alexis as Anne Murphy plays the poor, poor wife.

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And why yes the series is called Kevin Can Fuck Himself. And why yes said former sitcom wife was the same one on a sitcom called Kevin Can Wait who was fired because they wanted to retool the show with the wife from Kevin James other sitcom. That also is very really a thing that happened. Payback is a bitch aint it? Fun too.

But yeah from minute one Pete is a terrible husband: Peg is a realtor and thus is trying to sell the house because it’s her fucking job instead of letting her husband throw their family deep in debt to very likely illegally demolish a house so he has a giant yard to play in. I mean even if this is all played for jokes i’ts just not funny enough to not make him an utter bastard. The fact his response to her VERY valid criticism and subtextual worry he doesn’t’t take her career seriously is to fake a panic attack, from a very REAL tendency he turns out to have giant breakdowns under stress, to try and guilt her into letting him have his giant public man cave just backs this up.. as does the fact she simply glares at the camera as he’s clearly DONE this before.

Since I have to put up with this version of him for the rest of this episode, the next, AND a portion of the movie, i’m proudly introducing the Pete Sucks Counter. This will carry over to any other appearances of the guy from here on out. So that’s one for his insane plan, one for disrespecting his wife’s career and one for faking a panic attack to try and win an argument Pete Sucks Counter: 3

So because this episode ran short Peg caves and compromises: He can have the property if it isn’t sold by 9. So Pete does what ANY husband would do: uses his spy camera and booby traps he’s set up in the other house to try and scare away prospective buyers.

Yeah.. while the show TRIES to have Pete not as his old-timey villian self.. they traded in for him being fucking MODOK. I mean he is a grotesque monstrosity who has a nuclear family and spends all his time in a chair thing and can barely function as a Husband or Father. Though at least I can belivie MODOK LOVES his family which not so much with Pete.

To prove this Pete tries using a fake spider to scare some buyers then CALLS THEM TELLING THEM PEG IS A CON ARITST. I.e. something that if they mention to her bosses could get her FIRED. He respects his wife’s autonomy, what she wants and what she’s asked him for, which is a fair shot to sell the place before he tries to wreck the place, as well as likely what his neighbors want. I mean I can accept breaks from reality for comedy, snakebird is my boy.

So I can accept pete has this stuff.. I just can’t find it funny when these shenanignas very transparently show that while he surface level loves his wife he dosen’t respect her or actually listen to her except when she gets angry. He IS the villian so he’s still a slight step among monst sitcom dads but i’ts not great. I can find it funny that his den also functions as a super villian lair though. That shit will never not be great. Also Pete Sucks Counter: 6 For the record: one for the spider itself, one for having traps set up in a property hat both isn’t his and his wife is trying to sell and another for threatening her job and her self esteem as she is baffled at what she possibly did wrong.

So Goofy and Max get on the road, leaving moving the rest of their stuff to an old coot whose a friend of theres. So it’s goodbye Duckburg, Hello Spoonerville! And yes I headcanon this as Duckburg. Goof Troop is one of two shows that very clearly happened in SOME form, the other being Tailspin, the only difference being the time period (Goof Troop taking place in the 90′s and Tailspin in the 30′s or 40′s) and any adjustments for clashes with the 2017 verse. So going off that, we also know Donald and the boys KNOW goofy and didn’t remotely question his presence, as did the rest of the cast.

So figuring out the timeline, Goofy likely met Donald in college, even if he never finished college as per an Extremley Goofy Movie, which may not happen the same exact way given Goofy still has his old job and may not loose it in this timeline, though i’d like to think he still meets Sylvia. But point is he drops out, possibly to marry Max’s mom, they end up moving to Duckburg for her work, she sadly dies, and Goofy is left raising Max alone. Donald and Goofy likely bonded as single parents struggling in low paying 9-5 jobs. Goofy left here, likely said goodbye to Donald and the 5 or so year old boys offscreen , and left. As for how anyone else knows him that’s simple: he probably visits whenever he can. He’s a good friend, genuinely loves Donald like a brother in all continuities, and of course would show up with a progressively more then less grumpy Max every time. As for what I think the rest of the cast would think of him: Scrooge would hate him for his disaster area ways, but at least respect him as a hard worker, he just wouldn’t personally hire him which is.. it’s fair. Beakley would be aggravated by him. Webby would of course like him because she’s essentially him but competent and gay, and Launchpad and him .. god that’d be a joy to see. And drive up Scrooge’s insurance. Della would also like him obviously. I”m really disappointed we didn’t get a season 4 if for nothing else the fact we probably would’ve got another Goofy episode. It also feels weird he’s not in the finale in any way shape or form you know? Why have such a big guest spot for him and then just not bring him or Max back? GIVE ME MORE MAX DISNEY DAMN YOUUUUU So they move right along with Goofy excited to get back to where he once belonged, and to call Pete with the good news on his 90′s cell phone. Pete is utterly TERRIFIED finding out Goofy Comin and tries to send him off course to prevent it. Naturally despite nearly running into a truck, Goofy makes it to Spoonerville by evening anyway and we get a delightful bit that shows off BilL Farmer’s comedy skills as he rapidly lists off all the things in town while driving Max through town. It’s so damn smooth. This also is notable since before this farmer had just played the character in some DTV music videos, which stands for Disney not Denton but god I now want Shock Treatment with the Disney Crew. I mean who wouldn’t want Donald as Brad, Daisy as Janet, and Gladstone as Farley Flavors I ask you. Not sure who every one else would be i’m sorting that out. And if you don’t know what Shock Treatment is, here have this trailer with a nightmarish opening.

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Dammit now I want to watch Shock Treatment again... so I am. Found it in full on YouTube, and I feel no shame in sharing that as it’s not on VOD, nor any streaming service, the DVD, which I own, is out of print, and the Blu Ray is a UK exclusive. This film both needs to be seen more and needs another proper US release damn it!

So naturally Goofy somehow finds Pete’s house.. I dunno maybe Peg’s been sending him letters. Can’t blame her for having a wondering eye long as she dosen’t act on it. She’s married to a walking lump of ego, selfishness and cholesterol and likely only held on as long as she did for the kids. Which for the record Peg as a child of divorce whose parents got divorced rather than keep up a sham marriage or anything.. it’s not worth it. I was MUCH happier that way in the long term.

Anyways Peg and Goofy happily reunited while they awkardly try to get the kids to meet, with Goofy and PJ not warming up to each other at first, likely because Max just lost all his friends, and PJ clearly had none going into the series from context we’ll get later in the pilot. We also get a hilarious bit where Peg alternates between warmly greeting the goof’s and hilaroiusly shouting at Pistol to not play with worms.. in what honestly sounds like a protype for Miss Finster’s voice.

Meanwhile the kids try to hide a small crack in Pete’s boat.. which he notices as he’s just about to steamroll the house despite NOT having asked Peg if she sold it yet and just assuming, possibly opening himself and her to a lawsuit

Pete Sucks Counter: 7

Discovering his boat is trashed, he has a comical panic attack, which I can forgive since this was 1992 and they weren’t as well known as a serious problem. Seriously while pete is a bastard man.. the animation on him is GORGEOUS as it is HILARIOUS, while Jim Cummings brings the hell out of it. He’s kept the roll for three decades as of next year for a reason. Goofy ends up accidently destroying his boat in the process of trying to help him as you’d expect.

So Pete reluctantly lets the goofs sup with them.... and by reluctantly I mean he don’t wanna but Peg’s forcing him, which is pretty much the other half of their relationship in a nutshell: When pete isn’t lying and betraying her, Peg is forcing him to do stuff. As you can probably guess by how harsh i’ve been this aspect has aged INCREDIBLY poorly for me. This is your standard sitcom setup: asshole or dumbass or both dad, put upon wife who has to keep him in line.. but it’s just not how a GOOD marriage works and got so damn draining over time. Again and again we got things saying marriage is awful, comitting sucks unless your young, again and again. It’s why i’m REALLY happy we’ve been getting far better sitcom dad’s and marraiges lately. Bob’s Burgers is naturally the example, with the wife being the less sane one but both having their quriks and neither being so entirely dysfunctional you ever question the marriage. The Louds are another good example: Lynn Sr. And Rita NEVER right with each other that i’ve seen, have a perfectly happy relationship despite 11 kids, and wholly support each other, with Rita happily giving her husband the go ahead to quit his soul draining desk job so he could pursue his deream as a chef, and later letting him take a massive fincial gamble and open up a restraunt, purely because she belivied in him. Finally we have the Williams from Craig of the Creek who are easily one of the best married couples i’ve seen in western animation and one of them’s played by Terry Crews so that shoudln’t be a shock. I could prabobly find more but my points made: this trope REALLY ages the show poorly, more than any of hte 90′s specific tech or swinging theme song I just realized I forgot to talk about. Eh i’ll save it for the next episode.

I have NEVER liked this trope anyway: only simpsons has really made it work for me and Family Guy did until they just stretched it too far, and with Simpsons at least they freqeuently have episodes pointing out how unehalthy it is. It dosen’t help this trope somehow STILL isn’t dead, as evidenced by the fact Rick and Morty has it in spades and for SOME damn reason got them back together.. I mean they don’t fight anymore but it dose’nt fix the problem. So yeah while I’m not holding against the show TERRRIBLY as this trope wasn’t as widespread at the time, it still dosen’t make it GOOD even at it’s core.

Things get worse for Pete though as while Goofy praises him (And the Pete Kids rightfly wonder if Goofy is from space given the logic of ANYONE being that fond of pete. ) Pete finds out GOOFY bought the house he was going to demolish and will be staying with them till they move in. I have only one response to his misery....

Max also futzes with the tv which you THINK would lead to Peg finding out her husband is the antagonist of a Blumhouse movie but instead just does nothing.

So then we have Dinner where we find out SUPRISINGLY, Pete actually has a somewhat valid reason for resenting Goofy: Goofy cost him the big game in high school as Goofy and Peg were on the cheerleading squad together and Goofy accidently kicked pete in the face at a crucial moment, which Pete got the blame for. Granted I did say SOMEWHAT: Goofy is genuinely apologetic and says Pete shouldn’t of been blamed and Pete’s apparently been hiding the truth from his kids this whole time. I do call bullshit on that as while admittedly i don’t get into local football or any sportsball, Pete works at a dealership. At least one asshole would bring it up to either rile him up or out of genuine rage at something that happened at the very least a decade and a half ago. Pete hasn’t let go of this footbullshit DESPITE owning a successful dealership, having two wonderful children, an even more wonderful wife, and a friggin nice boat. But really.. it speaks to Pete’s character in any version: His ultimate undoing is his greed, his tendency to keep going and never settle. It’s something he oddly shares with Donald but Pete lacks Donald’s’s heart or redeeming moments. Pete just wants and wants and wants no matter who gets hurt because he’s inehently selfish and will simply TAKE It if he can’t get it. But it’s why he’s miserable, and ultimately ends up divorced: He can’t be satisfised so he often looses what he has.

So with Pete on the rampage Peg sends the boys upstairs. It’s here we get PJ’s first Woobie Moment: He has a room FULL of cool toys, comics and what not but his dad is such a greedy asshole he refuses to let the kid actually use them. He even knows this isn’t normal but is just resigned to it. Rob Paulsen is phenomenal as PJ, being funny and energetic, snarky and off to the side or depressed and fearful all with grace and ease and all making this all feel like the same sweet kid.

I mention this because Paulsen’s action is so good it highlights an issue with PJ: the writers lean way too hard into how much a hardass Pete is, to the point the series, likely intentionally, HEAVILY implies he physically abuses pete and the stuff on screen isn’t over the top enough, at least for tehse episodes, to get away with how he emotionally abuses him either. He talks down to him, doesn’t let him play toys and as seen by various episode synopsis and the next episode, uses mind games to keep him in line. THIS is why I can’t stand this version of Pete. He’s an abusive monster to this poor boy and I won’t stands for it, nor it being played off as a joke, especially since they try to ping pong between using it for comedy and using it seriously which just.. doesn’t work.

So Max earns his future best pals’ friendship by trying to help him.. and succeeding by pointing out that while he said not to use the Tank anywhere on the ground.. he didn’t mention the celling or walls and has the tank going up the walls. And clearly by the fact PJ is seen sleeping with it later, despite Petes’ss anger at this, Peg presumably ripped him a new one once she found out about the toys thing.

So that night Pete can’t sleep with Goofy tromping around the house and tries to whack him with a Golf Club. I’d give him another sucks count..

But given my brother lives in the basement and I sometimes accidently wake him by tromping overhead without meaning too, I DO get getting a bit fed up with someone clomping around and waking you up, and it is a slapstick cartoon so trying to physically assault someone is less of a crime here and more a setup for a punchline.

So get an UTTERLY hilarious scene as teh combination fo tripping on golf balls and Goofy singing his family lullabye, camptown races with lyrics

So Pete proceeds to have another freak out this time RUNNING ALL THE WAY TO DUCKBURG, THROWING THE OLD MAN OUT OF THE CAR AND THEN BRINGING IN THE GOOF’S BEDS AND BOXES BEFORE TOSSING THEM IN THE HOUSE. It is truly an amazing combination of Jim’s utter talent as he babbles hialriously and the animators as they just make it sing. It’s a great climax to part one. So with that the goofs are home and Pete semeingly gets to go to sleep.. until they start working on unpacking.

Final Thoughts On Good Neighbor Goof:

This is an excellent start to the series. The jokes are really well paced, the characters well introduced and the humor top notch> I had my complaints obviously.. but i’ts more systemic issues with the series, and stuff that honestly it dosen’t hamper my viewing experience for the most part. The PJ stuff does, but it’s not as big a deal this episode as he barely interacts with his Dad, but otherwise it’s stuff that just hasn’t aged well and they can’t be faulted for not seeing a deluge of terrible sitcoms a comin. The cast is top notch: I didn’t get to them in the proper review so Dana HIll deserves praise as Max, giving just the right amount of 90′s TV Kid mixed with real honest emotion and i’ts a tragedy she’s gone. She would’ve been right up there with the rest of this amazing cast in history. Though at least she got a worthy succesor.. but that’s not for now. For now we’re taking an interlude to look at the wonderfully 90′s music video that was aired along with this special:

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Gotta Be Gettin Goofy:

This was my raw reaction to this video. Now is it bad? No the song has great flow it somehow manages to scratch Bill Farmer’s goofy vocals with the beat, the rapper makes the cheesy lyrics work, and the chorus of “gotta be getting goofy” backs a great bit. It’s not a bad SONG.. but the video is a hilariously insane mess. We have two of the poor dancers forced to wear just.. HORRIFYING looking Goofy costumes that look like the Dog based sequel to cats that thankfully only exists in my nightmares

I pityt hose poor dancers. Meanwhile the rest of the dancers are wearing Goofy Baseball uniforms and letterman jackets for some reason. is it beause Goofy likes sportsball. I thoguth they just had them lying around but now I see the g’s on the uniform. They CHOOSE to do this. Max also does a shredding guitar solo, not the max up there the animated max. Combine that with LOTS OF random clips from the show and you get this thing.. and i’ts worth a watch> it’s just hilarously what the shit.. not the most hilariously what the shit thing i’ve seen.. not even this week... that would be this thing from the Eurovision Song contest...

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Your welcome. So moving on because this is already badly behind.

Good Neighbor Goof:

So our second episode opens with the Goof’s trying to move in and pete being upset their being loud. Now being upset your neighbors are being loud is one thing: Mine set off fireworks all week around fourth of July. Granted Pete would probably be the one doing such nonsense but still, I get it.. but it’s fair to have a lot of noise when your moving in and in Goofy’s case also trying to patch up a massive hole in the place.

So he does what any reasonable man would do and activates the earthquake machine he hid in the basement.

I wasn’t kidding about the MODOK comparisons. Granted the thing uses a belt to somehow do this.. but it’s designed to SIMULATE AN EARTHQUAKE AN DDOES SO WELL. The only reason Goofy’s not dead is that pete uses a low setting that instead ends up unpacking everything. IT’s a neat gag but again... PETE HAS AN EARTHQUAKE MACHINE.

Which Goofy accidently destroys his boat with. Meanwhile the boys try to talk over tin can phones only for Pete to notice and try to stop it because he’s a dick and doesn’t want his son to be happy because he hates Goofy. So Pete’s idea of a punishment is for PJ to wear the family shoes to go crush cans while wearing a helmet and given Pete mutters to himself about this keeping PJ away from Max i’ts likely something that he made up to torture his son soooo..

Pete Sucks Counter: 8 Max being a good pal agrees to help his friend crush the cans down to recycle for money and comes up with a zany scheme to do so

Meanwhile we get a few scenes of Pete trying to eff with Goofy’s day: Peg is making food for Goofy like a good neighbor/someone planning for their eventual divorce, so Pete makes him some too with tons of hot sauce. By the laws of classic cartoons, naturally Goofy loves it and wonders if Pete has hot sauce, while Pete trying it explodes his head Scanner’s style.

He then tries giving Goofy a chainsaw loaded with some kind of explosive or something... so yes he’s esclated to MURDER over.. Goofy annoying him a bunch as he’s apparently given up on the whole taking over that lot thing.

Pete Sucks Counter: 9 But it is hilariously petty and naturally backfires again by cartoon law as Pete ends up starting it for Goofy who can’t get it going.

Meanwhile PJ and Max inact the plan which is to drop a bolder with a rope on the cans, but end up having to ride the cans down when PJ lets it go too early and it ends up sweeping both boys on top of the box. They have fun though, with PJ actually getting to enjoy life for once and loving having a new friend.

So as his lot in life Pete has to ruin it by yelling at PJ for getting diryt, then for hanging out with max as he can SMELL the goof on him.. which means he’s either exaggerating or he knows what goofy smells like.

So he forbids PJ to see him insluting max.. while Max is hanging out the window and ends up crying. Oh and Peg never gets involved in any of this across both parts, likely because she dosen’t know.. which makes it even MORE horrifying as it gives off the implication Pete gets away with his abuse of his son because he hides it, like a real world abuser. But even then some things like trying to break up his and Max’s friendship or the toys thing you’d THINK she’d notice.

So we get more untetionally telling stuff as PJ says he’ll treasure this day and the only time he was happy.

Pete Sucks Count: 14 2 for the last scene, 3 for ALLL this one implies. But Max won’t give up the ghost no he won’t give it up. They haven’t the strength to hold on for long but if they both hold on together they can make each other strong. So he has a plan: have Goofy throw a Luau and invite the petes.

Peg naturally forces him to attend and Pete is a dick about it at first, but eventually enjoys himself when they do a conga line. The pets, Waffles and Chainsaw get into some antics. I do love Waffles because I love a kitty. Chainsaw is okay even though I love me a good doggo. Especially this one.

You are a Good Boy, Good Boy. But eventually while playing a party game about passing coconuts, Pete considers the coconut and considers the trees but dosen’t consider Goofy kicking him in the face AGAIN

So Pete is naturally a dick about this despite it being you know, an accident. But he takes it a step further by insulting Max Pete Sucks Count: 15 So Goofy gets mad. But here’s where a rather sizeable flaw shows up in the episode as Goofy.. acts exactly like Pete does about the insuing feud. He forbids Max to see PJ makes up rules and is generally petty and vindictive. And look Goofy could be in the shorts. He’s endlessly adaptable.. but here nothing about his character has shown he’d sink to this and it feels forced to bring abotu the climax.

Thankfully said finale salvages thing: That night Max pulls PJ into his room via the cans, and comes up with a plan.. weirdly asking PJ to hit him with a muffin to save their friendship... but it’s not random it turns out. His plan.. is brilliant. While I really don’t like these types of feud between neighbors make our kids suffer by making them not be able to be friends because we’re being petty children plots, this one has a REALLY clever solution to that: Max and PJ FAKE an oversclated fued similar to their parents, starting with insutls and throwing mulch and escalting to taking down each others fences and then throwing food at each other, before injuring their dads with planks and stuff, nothing serious just slapstick stuff, all to get both to settle down and try and get the boys to stop fighting.. it works like a charm, it’s full of great bits like Peg offering the boys pie only for Max to use it as amuination and i’ts just a great way to end one of these episodes. Not that I WANT more of these episodes but if your going to do this stock plot you might as well be creative with it.

So we end on the Petes and Goofs having a BBQ, all friends again, with Pete having his marina and Goofy nearly burning Pete’s house down and us getting a photo to end the episode.

Final Thoughts:

This one was a step down. Pete’s abuse is REALLY highlighted here and the plot is very paint by numbers and forces Goofy to be out of character for the last act for it to work at all. He just strikes me as too genuine and noble to hold onto a grudge this easily. Peg is also reduced from her usual feisty self to being oddly useless, not stepping in at ANY point to stop any of this depsite it being grossly otu of character. There’s a few great gags and a great climax, but the whole product is just okay

Later Today: Goof Week and Goofy’s birthday continue as I complete the trilogy of Shortstaculars with one about my boy! Featuring Goofy’s first apperance, his first short and the first apperance of what would eventually become Max!

If you liked this review, follow me for more and consider joining my Patreon which you can find RIGHT HERE. Even a buck a month helps me keep doing these and more gets me to my stretch goals, the next one up being the two remaining ducktales mini series, a darkwing duck episode a month and a reivew of the danny phantom film the ultimate enemy. And even a buck a month gets you access to exclusvie reviews, my patreon exclusive discord and to pick a short any time I do one of my shortstaculars. My next one is for Donald’s birthday next montha nd there’s only 6 days left to get on that pay cycle so if that sounds good to you get on in NOW while you still can and i’ll see you at the next rainbow.

#goofy goof #goofy #goof troop #max goof #P.J. Pete #PJ Pete #Pete Pete #Peg Pete #Pistol Pete #Sponerville #Gotta Be Getting Goofy #disney channel #the disney afternoon #disney afternoon #disney xd #disney plus

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steelfeathersnn · 3 years ago

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When members of the Grateful Dead rock group volunteered to participate in a dream telepathy experiment, we decided to consider it a “pilot study”.

We felt that the emotional intensity that accompanied Grateful Dead concerts would resemble the feeling tone that accompanies anecdotal reports of telepathy, as when a parent dreams that his or her child is in danger at the same time that the son or daughter is at risk of some sort. Hence, one of the dream laboratory staff members, Ronald Suarez, selected 14 slides of art prints which he felt would be appropriate for the study. On the day of each session, he threw dice which directed him to two of these slides which were given to the staff member (Ronnie Mastrion) actually present at the concert. The slides were placed in separate, sealed, opaque envelopes; Mr. Suarez marked one of them “heads” while the other was marked “tails”. At 11:30 PM each night, Mr. Mastrion tossed a coin and noted whether it came up “heads” or “tails”. This toss determined which envelope Mr. Mastrion opened and which slide he projected on the screen facing the concert audience.

Slides of such art prints as Scralian's “The Seven Spinal Chakras” and Magritte's “Philosophy of the Boudoir” were in the target pool. Duplicate copies of the slides were put aside for later evaluation by the outside judges, Michael Bova, an art therapy student, and David Powlison, a divinity student.

The six concerts involved in this pilot study were held at the Capitol Theater in Port Chester, New York, approximately 45 miles from Maimonides Medical Center's dream laboratory in Brooklyn. In February 1971, when this study was executed, the members of the Grateful Dead included Jerry Garcia, who had originally suggested the project to me, Mickey Hart, Bill Kreutzmann, Phil Lesh, Ron McKernan, and Bob Weir.

“Telepathic Receivers”

Two individuals who had participated in earlier experiments at the dream laboratory served as “telepathic receivers”. One of them, Malcolm Bessent, spent the night at the laboratory with electrodes attached to his head. His sleep - dream cycle was monitored with standard psycho physiological equipment, and he was awakened about ten minutes after the detection of REM activity. The other “receiver”, Felicia Parise, slept at her Brooklyn apartment. She was awakened by telephone from time to time during the night and asked for dream recall.

Mr. Bessent's dreams were tape recorded and subsequently transcribed. Ms. Parise's dreams were recorded manually and subsequently typed for the judges' evaluations. The following morning, both “telepathic receivers” went over their dream reports, giving associations and adding any pertinent details that may have been omitted.

However, the 2,000 people at the Capitol Theater were only informed regarding Bessent. At 11:30 PM, Mr. Mastrion flashed the following six slide sequence on the screen facing the audience:

1. YOU ARE ABOUT TO PARTICIPATE IN AN ESP EXPERIMENT.

2. IN A FEW SECONDS YOU WILL SEE A PICTURE.

3. TRY USING YOUR ESP TO “SEND�� THIS PICTURE TO MALCOM BESSENT.

4. HE WILL TRY TO DREAM ABOUT THIS PICTURE. TRY TO “SEND” IT TO HIM.

5. MALCOLM BESSENT IS NOW AT THE MAIMONIDES DREAM LABORATORY IN BROOKLYN.

At this point, the randomly selected art print was projected on to the screen. Members of the Grateful Dead discussed the art print and encouraged members of the audience to “send” the images to Brooklyn.

Conclusion

As the target pictures were 45 miles from the research participants, the possibility of sensory cues can be dismissed. In the case of Mr. Bessent, the “telepathic receiver” whose scores were the more statistically impressive, there is little chance that someone from the concert could have reached him by telephone (or even a hidden ear receiver, as this possibility was considered and checked), informing him as to the art print being projected on any given night.

Considerably more work needs to be done to determine if 2, 000 “telepathic transmitters” are better than one. However, this pilot study did lead to the utilization of multi - sensory stimuli in future studies where auditory, tactile, gustatory, and olfactory stimuli accompanied the visual stimulus of the art print. Furthermore, their willingness to participate in this pilot study demonstrates the ingenuity and creativity of the Grateful Dead band members (Krippner, Honorton, & Ullman, 1973). The results of this study were published in a medical journal in1973, becoming one small part of the Grateful Dead legend.

Read all about this experiment below

#telepathy #grateful dead #science

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kwebtv · 4 years ago

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Victoria Leigh Blum (October 15, 1955 - January 4, 2021) known by the stage name Tanya Roberts. Film and television actress, producer, and former model. She was best known for playing Julie Rogers in the final season of the 1970s television series Charlie's Angels, Stacey Sutton in the James Bond film A View to a Kill, and Midge Pinciotti on That '70s Show. She also portrayed Velda, the secretary to private detective Mike Hammer, in the television movie Murder Me, Murder You (1983). The two-part pilot spawned the syndicated television series Mickey Spillane's Mike Hammer.

Other Television shows she appeared in were Vega$, The Love Boat, Fantasy Island, Burke's Law, Hot Line, Silk Stalkings, High Tide, Off Centre, Eve and Barbershop. In 2005 she retired from acting.

Update:

On December 24, 2020, Roberts collapsed suddenly after returning home from walking her dogs. She was taken to Cedars-Sinai Hospital in Los Angeles and later placed on a ventilator. It was reported that she died on January 3, 2021, in the presence of her partner, Lance O'Brien. According to a spokesman, she had not been ill in the days leading up to her supposed death, and it was not COVID-19-related.

TMZ later reported that news of Roberts's death was a mistake, and that O'Brien had received a call from Cedars-Sinai Medical Center just after 10 a.m. on January 4, 2021, that Roberts was still alive. O'Brien was filming an interview with Inside Edition when the call came. Her representatives later confirmed that Roberts was alive and remained in the intensive care unit in "dire" condition.

On January 5, TMZ released another report stating that she died after the announcement of her death, this time at 9:00 PM on January 4.

(Wikipedia)

#Tanya Roberts #TV #Obit #Obituary #o2021 #Charley's Angels #That 70's Show #Hot Line

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detectivemickey · 10 months ago

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The updated version of Part 1 has been uploaded to AO3. Note this is not the same version as the one uploaded to Tumblr, but an improved version.

Enjoy at your own leisure...

#detective mickey pilot #detective mickey #disney fanfiction #mickey mouse #phantom blot #the phantom blot #mouseverse

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sweettjrose · 4 months ago

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Ask Me (almost) Anything.

I feel like quite a few people have been asking me questions about my fanfiction series and I thought it would be fun to set aside some time to answer some of your inquiries.

So for the rest of the day I'll be answering almost any questions about my fanfiction series.

I am not going to answer anything that would spoil upcoming chapters. But if you want to learn more about the ones I have written, either make a comment to this post, reblog this with your question, or send me an ask. I'll make a post for each one.

Thank you everyone!

#detective mickey pilot #ask me anything #ask me questions #fanfiction #disney fanfiction #If this goes well I'll do it again #detective mickey pilot ama

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littlebookreader · 3 years ago

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Columbo Crossovers (Part 2/?, for podcasts)

Still alive, Columbo fandom? Well, this one’s for those of you who’ve migrated to podcasts, looking for a little something to listen to, that, much like the show, will keep you hooked.

(This is me making the list.)

For those lost, I’d suggest reading this post. (Part one here.)

This is like an assorted chocolate box of podcasts, so if you see something you like, you should definitely use it! (Don’t forget to credit me, though.) Prompts under the cut, so let’s go! Note: this list is slightly shorter than the previous one.

(Needless to say, there will be spoilers for every single one of these, up to the point I’ve listened to, but anyway, SPOILER ALERT! Also, slight fantasy-sci-fi element here, in that Columbo owns a time machine and can travel to various fiction podcast plotlines.)

1. The One Stars: Columbo lands up on board the Space Windu. Chaos ensues, as everyone is talking at the same time. (Chatbot and Lily both find Columbo adorable and yap contentedly with him while Negative Nancy practically begs Mike the Cat( Mickey the Kitty?) to shoot her out of the airlock. I dunno; I really couldn’t care less about this show.)

2. The Orbiting Human Circus (Of the Air): Columbo hears about this insane, but weirdly beautiful circus, and brings the missus along. They stay for one show, but it’s one that they will never forget. (LBR note: You don’t really have to have a lot of Columbo knowledge for this one, as it’s mostly OHC centred.)

3. StarTripper!!!: In a freak accident, Columbo travels to the StarTripper WITHOUT his time machine. The pilot seems like a friendly sort, optimistic and cheerful, and when Columbo explains his predicament, the pilot is happy to help, claiming that ‘he likes a good story’. Till the time they can find a solution, Feston(that’s the little alien’s name apparently) is more than happy to let him stay on board the StarTripper.

After a while, however, they receive some....interesting news. Apparently, someone’s been going around stealing Plushies all over the galaxy, and Feston takes it upon himself to solve the case. With the tiny detective’s help, of course. (This is set in season one, before 1x05, so, it’s just the three of them, no Serena. Proxy entertains Columbo’s outlandish questions, and Feston, despite enjoying his lone travels greatly, is also happy to have someone to talk to. Columbo likes Feston instantly, and dearly admires his optimism.)

This is long. Okay.

4. Forgive Me!: Columbo doesn’t have anything to confess, as such, but Father Ben is happy to have someone to talk to just for the fun of it. (This show is incredibly wholesome, and so is this pairing.)

5. Someone Dies in This Elevator: Columbo gets stuck on an elevator, where someone is going to die. All he has to do is figure out who, before it’s too late. Simple, right?

Well, that’s all from me folks! (Atleast for the podcast prompts, anyway). See you real soon, and if you’ve made it this far, thanks for reading.

#columbo #fiction podcasts #the one stars #also #anti the one stars #the orbiting human circus #Startripper!!!#forgive me podcast #someone dies in this elevator #sdite pod #sdite #edit: this fandom is not dead #i repeat #this fandom isn't dead #yay!#little book writing

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papermoonloveslucy · 3 years ago

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PETER LEEDS

May 30, 1917

Peter Leeds was born in Bayonne, NJ. Leeds received his training at the Neighborhood Playhouse. He received a scholarship from the John Marshall Law School, which he attended for one year. He also attended The Neighborhood Playhouse School of the Theatre in NYC. He was in four Broadway shows, including the original cast of The Music Man (1957) starring Robert Preston, who would later be Lucille Ball’s leading man in Mame (1974). He was also in the original cast of Sugar Babies (1979) starring Lucille Ball’s co-stars Ann Miller and Mickey Rooney.

He made his film debut with a bit part in Public Enemies (1941) which also starred William Frawley (Fred Mertz). He made his television debut in 1949 with an episode of “Oboler’s Comedy Theatre”. It is said that by the time of his passing he had appeared on television 8,000 times!

In October 1952 he made his first of two appearance on “I Love Lucy” playing a reporter interviewing the Maharincess of Franistan in “The Publicity Agent” (ILL S1;E31).

He must have made a good impression, because he was cast as the Garage Manager in Lucy and Desi’s film The Long, Long Trailer, released in early 1954.

In May 1955, Leeds made an appearance on Desilu’s “Willy” starring June Havoc in the title role.

From 1953 to 1956, Leeds did seven episodes as various characters on “Our Miss Brooks" a series filmed at Desilu Studios.

In September 1957, he appeared on Desilu’s “The Sheriff of Cochise” and a month later an episode of Desilu’s “Official Detective"

He returned to “I Love Lucy” for “Lucy and Bob Hope” (ILL S6;E1) filmed on June 5, 1956, and aired as the season six opener on October 1, 1956. Leeds plays a security guard at Yankee Stadium, making sure that Bob Hope isn’t bothered by his fans. Lucy figures out that does not include hot dog vendors! Leeds’ character doesn’t have a name, but when Lucy says that her husband is Ricky Ricardo, he replies that he is Phoebe Krausfeld’s husband!

It is no coincidence that Leeds returns for this particular episode. He had teamed with Bob Hope on 14 USO shows, as well as multiple films and TV programs: “The Red Skelton Hour: Clem and Married Life” (1951), “The Bob Hope Show” (13 episodes, 1955-1967), “The Colgate Comedy Hour” (1955), The Facts of Life (1960, with Lucy), “The Bob Hope Christmas Show” (1962, 1965), “The Bing Crosby Show” (1964), “The Bob Hope Comedy Special” (1965, 1966 with Lucy, 1972), I’ll Take Sweden (1965), The Oscar (1966), Eight on the Lam (1967), “Bob Hope Lampoons Show Business” (1990), and “Bob Hope and Friends: Making New Memories” (1991).

In 1958 and 1959 he appeared on two episodes of Desilu’s “December Bride.”

In April 1959, Leeds originated the role of LaMarr Kane on “The Westinghouse Desilu Playhouse” two-part premiere of “The Untouchables.” When the show went to series, however, Leeds was replaced by Chuck Hicks. In March 1960, he was cast in an episode of the series titled “Three Thousand Suspects” playing Nick Segal. He also appeared in a 1959 feature film re-formatting of the pilot produced by Desilu named The Scarface Mob.

In May and November 1959, Leeds was seen in two episodes of Desilu’s “The Ann Sothern Show" playing two different characters. Lucille Ball played Lucy Ricardo on the series in October 1959.

In February 1960, he appeared as a corporate executive on Desilu’s “The Real McCoys” in an episode that also featured “Lucy” regulars Frank Nelson and Dick Elliott.

He returned to “The Westinghouse Desilu Playhouse” in January 1961 for an episode titled “Poker Game” hosted by Desi Arnaz.

Leeds played Mr. Thompson, the dry cleaner in the 1960 Hope / Ball film The Facts of Life.

In 1961 and 1962 he played two different policemen on “The Dick Van Dyke Show” filmed by Desilu.

In September 1962 Leeds appeared on a “The Comedy Spot” (a show that aired failed pilots) produced by Desilu. "Time Out for Ginger” was a pilot starring Candy Moore, who had just been cast as Lucille Ball’s daughter on “The Lucy Show.”

In 1963, he was back in blue at Desilu for an episode of “My Three Sons” titled “My Friend Ernie” featuring William Frawley.

From 1956 to 1964 Leeds made three appearances as different characters on “Make Room for Daddy” aka “The Danny Thomas Show”. In his first appearance he played a jazz pianist that didn’t jive with Danny. The series was filmed by Desilu. In late 1959 / early 1960, the series did reciprocal cross-over episodes with “The Lucy-Desi Comedy Hour.”

At Desilu Studios, he filmed six episode of “The Joey Bishop Show" from 1961 to 1965, the final appearance as... a policeman, of course.

Leeds appeared on all three of the ‘Hooterville’ sitcoms known as the CBS Rural Comedies: “The Beverly Hillbillies” (4 episodes 1963-68), “Green Acres” (2 episodes 1963 & 1968), and “Petticoat Junction” (3 episodes 1965-67).

In 1971, he was reunited with Lucille Ball for an episode of “Here’s Lucy” titled “Lucy and the Candid Camera” (HL S4;E14) once again playing a policeman. The episode featured “Candid Camera” founder Allen Funt as himself, and a nefarious look-alike.

His final screen appearance was in the 1988 big screen remake of Dragnet. Desilu veterans Kathleen Freeman, and Harry Morgan were also in the film and, like Leeds, had done episodes of the original series. Leeds had done three episodes of the series in 1953, 1954, and 1955.

He died on November 12, 1996 at age 79. He was married twice and had one child.

#Peter Leeds #Desilu #Lucille Ball #I Love Lucy #Here's Lucy #Bob Hope

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aion-rsa · 4 years ago

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How All in the Family Changed the TV Landscape

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All in the Family is roundly considered a touchstone for television achievement now, but when it debuted 50 years ago, even the network carrying it hoped it would fizzle quickly and unnoticed. CBS put an army of operators at phone lines expecting a barrage of complaints from offended middle Americans demanding its cancellation. Those calls didn’t come. What came was a deluge of support from people hoping this mid-season replacement was a permanent addition to the network’s lineup. The premiere episode contained a considerable list of “television firsts.” One of these rarities continues to remain scarce on network TV: creator Norman Lear trusted the intelligence of the viewing audience. To celebrate All in the Family’s 50th anniversary, we look back at its journey from conception to broadcast, and how it continues to influence and inform entertainment and society today.

Actor Carroll O’Connor, who was a large part of the creative process of the series, consistently maintains he took the now-iconic role of Archie Bunker because All in the Family was a satire, not a sitcom. It was funny, but it wasn’t a lampoon. It was grounded in the most serious of realities, more than the generation gap which it openly showcased, but in the schism between progressive and conservative thinking. The divide goes beyond party, and is not delineated by age, wealth, or even class. The Bunkers were working class. The middle-aged bigot chomping on the cigar was played by an outspoken liberal who took the art of acting very seriously. The audience cared deeply, and laughed loudly, because they were never pandered to. They were as respected as the authenticity of the series characters’ parodies.

Even the laughs were genuine. All in the Family was the first major American series to be videotaped in front of a live audience. There was never a canned laugh added, even in the last season when reactions were captured by an audience viewing pre-taped episodes. Up to this time, sitcoms were taped without audiences in single-camera format and the laugh track was added later. Mary Tyler Moore shot live on film, but videotape helped give All in the Family the look of early live television, like the original live broadcasts of The Honeymooners. Lear wanted to shoot the series in black and white, the same as the British series, Till Death Us Do Part, it was based on. He settled for keeping the soundstage neutral, implying the sepia tones of an old family photograph album. The Astoria, Queens, row house living room was supposed to look comfortable but worn, old-fashioned and retrograde, mirroring Archie’s attitudes: A displaced white hourly wage earner left behind by the social upheavals of the 1960s and 1970s.

“I think they invented good weather around 1940.”

American sitcoms began shortly after World War II, and primarily focused on the upper-middle class white families of Father Knows Best, Leave It to Beaver, and The Adventures of Ozzie and Harriet. I Love Lucy’s Ricky Ricardo, played by Cuban-American Desi Arnaz, ran a successful nightclub. The Honeymooners was a standout because Jackie Gleason’s Ralph Kramden was a bus driver from Bensonhurst (the actual address on that show, 328 Chauncey Street, is in the Bedford–Stuyvesant section of Brooklyn). American TV had little use for the working class until the 1970s. They’d only paid frightened lip service to the fights for civil rights and the women’s liberation movements, and when the postwar economy had to be divided to meet with more equalized opportunities there was no one to break it down in easy terms. The charitable and likable Flying Nun didn’t have the answer hidden under her cornette. It wasn’t even on the docket in Nancy, a 1970 sitcom about a first daughter. The first working family on TV competing in the new job market was the Bunkers, and they had something to say about the new competition.

Social commentary wasn’t new on television. Shows like The Twilight Zone and Star Trek routinely explored contemporary issues, including racism, corporate greed, and the military action in Vietnam, through the lens of fantasy and science fiction. The war and other unrest were coming into the people’s living rooms every night on the evening news. The times they were a-changing, but television answered to sponsors who feared offending consumers.

Ah, but British TV, that’s where the action was. Lear read about a show called Till Death Us Do Part, a BBC1 television sitcom that aired from 1965 to 1975. Created by Johnny Speight, the show set its sights on a working-class East End family, spoofing the relationship between reactionary white head of the house Alf Garnett (Warren Mitchell), his wife Else (Dandy Nichols), daughter Rita (Una Stubbs), and her husband Mike Rawlins (Anthony Booth), a socialist from Liverpool. Lear recognized the relationship he had with his own father between the lines.

CBS wanted to buy the rights to the British show as a star vehicle for Gleason, Lear beat out CBS for the rights and personalized it. One of the reasons All in the Family works so well is because Lear wasn’t just putting a representative American family on the screen, he was putting his own family up there.

“If It’s Too Hot in The Kitchen, Stay Away from The Cook.”

Archie Bunker dubbed his son-in-law, Michael Stivic, played by Rob Reiner, a “Meathead, dead from the neck up.” This was the same dubious endearment Lear’s father Herman called him. The same man who routinely commanded Lear’s mother to “stifle herself.” Lear’s mother accused her husband, a “rascal” who was sent to jail for selling fake bonds of being “the laziest white man I ever saw,” according to his memoir Even This I Get to Experience All three lines made it into all three of the pilots taped for All In the Family. When Lear’s father got out of prison after a three-year stretch, the young budding writer sat through constant, heated, family discussions. “I used to sit at the kitchen table and I would score their arguments,” Lear remembers in his memoir. “I would give her points for this, him points for that, as a way of coping with it.”

All in the Family, season 1, episode 1, provides an almost greatest hits package of these terse and tense exchanges, which also taught Lear not to back away from the fray. He served as a radio operator and gunner in the U.S. Air Force during World War II, earning an Air Medal with four Oak Leaf Clusters after flying 52 combat missions, and being among the crew members featured in the books Crew Umbriag and 772nd Bomb Squadron: The Men, The Memories. Lear partnered with Ed Simmons to write sketches for Jerry Lewis and Dean Martin’s first five appearances on the Colgate Comedy Hour in 1950. They remained as the head writers for three years. They also wrote for The Ford Star Revue, The George Gobel Show, and the comedy team Rowan and Martin, who would later headline Laugh-In.

Lear went solo to write opening monologues for The Tennessee Ernie Ford Show, and produce NBC’s sitcom The Martha Raye Show, before creating his first series in 1959, the western The Deputy, which starred Henry Fonda. To get Frank Sinatra to read Lear’s screenplay for the 1963 film Come Blow Your Horn, Lear went on a protracted aerial assault. Over the course of weeks, he had the script delivered while planes with banners flew over Sinatra’s home, or accompanied by a toy brass band or a gaggle of hens. Lear even assembled a “reading den” in Ol’ Blue Eyes’ driveway, complete with smoking jacket, an ashtray and a pipe, an easy chair, ottoman, lamp, and the Jackie Gleason Music to Read By album playing on a portable phonograph. After weeks of missed opportunities, Lear remembers Sinatra finally read the script and “bawled the shit out of me for not getting it to him sooner.”

The creative perseverance Lear showed just to get the right person for the right part is indicative of the lengths Lear would go for creative excellence. He would continue to fight for artistic integrity, transforming prime time comedy with shows like Good Times, One Day at a Time, and the first late-night soap opera Mary Hartman, Mary Hartman. He brought legendary blue comedian Redd Foxx into homes with Sanford and Son, also based on a British sitcom, Steptoe and Son, which starred Harry H. Corbett and Wilfrid Brambell, best known for playing Paul McCartney’s grand-dad in A Hard Day’s Night. But before he could do these, and the successful and progressive All in the Family spinoffs The Jeffersons and Maude, he had to face battles, big and small, over the reluctantly changing face of television.

“Patience is a Virgin”

After Lear beat CBS to the rights to adapt Till Death Us Do Part he offered the show to ABC. When it was being developed for the television studio, the family in the original pilot were named the Justices, and the series was titled “Justice for All,” according to a 1991 “All in the Family 20th Anniversary Special.” They considered future Happy Days dad Tom Bosley, and acclaimed character actor Jack Warden for the lead part, before offering the role to Mickey Rooney. According to Even This I Get to Experience, Lear’s pitch to the veteran actor got to the words “You play a bigot” before Rooney stopped him. “Norm, they’re going to kill you, shoot you dead in the streets,” the Hollywood icon warned, asking if Lear might have a series about a blind detective with a big dog somewhere in the works.

Taped in New York on Sept. 3, 1968, the first pilot starred O’Connor and Jean Stapleton as Archie and Edith Justice. Stapleton, a stage-trained character actor who first worked as a stock player in 1941, was a consistent supporting player for playwright Horton Foote. Stapleton originated the role of Mrs. Strakosh in the 1964 Broadway production of Funny Girl, which starred Barbra Streisand. Lear considered her after seeing her performance in Damn Yankees. She’d made guest appearances on TV series like Dr. Kildare and The Defenders.

O’Connor was born in Manhattan but grew up in Queens, the same borough as the Bunker household with the external living room window which wasn’t visible from the interior. O’Connor acted steadily in theaters in Dublin, Ireland, and New York until director Burgess Meredith, assisted by The Addams Family’s John Astin, cast him in the Broadway adaptation of James Joyce’s novel Ulysses. O’Connor had roles in major motion pictures, including Lonely Are the Brave (1962), Cleopatra (1963), Point Blank (1967), The Devil’s Brigade (1968), Death of a Gunfighter (1969), Marlowe (1969), and Kelly’s Heroes (1970). O’Connor appeared on television series like Gunsmoke, Bonanza, The Fugitive, The Wild Wild West, The Outer Limits, The Man from U.N.C.L.E., I Spy, That Girl, and Voyage to the Bottom of the Sea. He’d guest starred as a villain in a season 1 episode of Mission Impossible, and was up for the parts the Skipper on Gilligan’s Island and Dr. Smith on Lost in Space.

The first pilot also starred Kelly Jean Peters as Gloria and Tim McIntire as her husband Richard. ABC liked it enough to fund a second pilot, “Those Were the Days,” which shot in Los Angeles on Feb. 10, 1969. Richard was played by Chip Oliver, and Gloria Justice was played by Candice Azzara, who would go on to play Rodney Dangerfield’s wife in Easy Money, and make numerous, memorable guest appearances on Barney Miller. D’Urville Martin played Lionel Jefferson in both pilots. ABC cancelled it after one episode, worried about a show with a foul-mouthed, bigoted character as the lead.

CBS, which was trying to veer away from rural shows like Mayberry R.F.D., The Beverly Hillbillies, Petticoat Junction and Green Acres, bought the rights to the urban comedy and renamed it All in the Family. When Gleason’s contract to CBS ran out, Lear was allowed to keep O’Connor on as the main character.

Sally Struthers was one of the young actors featured in Five Easy Pieces, the 1970 counterculture classic starring Jack Nicholson. She’d also recently finished shooting a memorable part in the 1972 Steve McQueen hit The Getaway. Struthers had just been fired from The Tim Conway Comedy Hour because executives thought she made the show look cheap, which was her job. The premise of the show was it was so low-budget it could only afford one musician, who had to hum the theme song because they couldn’t afford an instrument, and one dancer, as opposed to a line of dancers like they had on The Jackie Gleason Show. Lear noticed her as a dancer on The Smothers Brothers Comedy Hour, a counterculture variety show which Rob Reiner wrote for with Steve Martin as a writing partner. Reiner’s then-fiancée, the director Penny Marshall, was also up for the role of Gloria, but in an interview for The Television Academy, Reiner recalls that, while Marshall could pass as Stapleton’s daughter, Struthers was obviously the one who looked like Archie’s “little girl.”

Reiner, the son of comedy legend Carl Reiner, was discovered in a guest acting role on the Andy Griffith vehicle series Headmaster, a show he wrote for, but had also played bit roles in Batman, The Andy Griffith Show, Room 222, Gomer Pyle, U.S.M.C., The Beverly Hillbillies and The Odd Couple. Reportedly, Richard Dreyfuss campaigned for the role of Michael, and Harrison Ford turned it down. Mike Evans was cast as Lionel Jefferson, the Bunkers’ young Black next-door neighbor who sugar-coated nonviolent protests with subtle and subversive twists on “giving people what they want.”

“We’re just sweeping dirty dishes under the rug.”

The very first episode tackled multiple issues right away. It discussed atheism, with Michael and Gloria explaining they have found no evidence of god. The family dissects affirmative action, with Archie asserting everyone has an equal chance to advance if they “hustle for it like I done.” He says he didn’t have millions of people marching for him to get his job, like Black Americans. “His uncle got it for him,” Edith explains, with an off-the-cuff delivery exemplifying why Stapleton is one of the all-time great comic character actors. The family argues socialism, anti-Semitism, sausage links and sausage patties. The generation gap widens as Archie wonders why men’s hair is now down to there, while Gloria’s skirt got so high “all the mystery disappears” when she sits down.

All in the Family would continue to deal with taboo topics like the gay rights movement, divorce, breast cancer, and rape. Future episodes would question why presidential campaign funds are unequal, how tax breaks for corporations kill the middle class, and weigh the personal price of serving in an unpopular war as opposed to dodging the draft. When Archie goes to a female doctor for emergency surgery a few seasons in, All in the Family points out she is most certainly paid less than a male doctor. When skyjackings were a persistent domestic threat in the 1970s, Archie suggested airlines should “arm the passengers.” It is very prescient of the NRA’s suggestion of arming teachers to combat school shootings.

But the first showdown between Lear and the network was fought for the sexual revolution. The first episode’s action begins when Edith and Archie come home early from church and interrupt Michael and Gloria as they’re about to take advantage of having the house to themselves. Gloria’s got her legs wrapped around Michael as he is walking them toward the stairs, and the bed. “At 11:10 on a Sunday,” Archie wants to know as he makes himself known. According to Lear’s memoir, CBS President William Paley objected, saying the line suggested sex. “And the network wants that out even though they’re married–I mean, it was plain silly,” he writes. “My script could have lived without the line, but somehow I understood that if I give on that moment, I’m going to give on silly things forever. So, I had to have that showdown.”

The standoff continued until 25 minutes before air time. CBS broadcast the episode, but put a disclaimer before the opening credits rolled, which Reiner later described as saying “Nothing you’re about to see has anything that we want to have anything to do with. As far as we’re concerned, if you don’t watch the next half hour, it’s okay with us.” Lear knew, with what he was doing, this was going to be the first of many battles, because this was the first show of its kind. Television families didn’t even flush toilets, much less bring unmentionables to the table. “The biggest problem a family might face would have been that the roast was ruined when the boss was coming over to dinner,” Lear writes. “There were no women or their problems in American life on television. There were no health issues. There were no abortions. There were no economic problems. The worst thing that could happen was the roast would be ruined. I realized that was a giant statement — that we weren’t making any statements.”

“What I say ain’t got nothing to do with what I think.”

Politicians and pundits worried about how the series might affect racial relations. The country had experienced inner city riots, battle lines were drawn over school desegregation, busing children to schools was met with violent resistance. Did All In the Family undermine bigotry or reinforce racism? Were people laughing at Archie or with him? Was it okay to like Archie more than Mike?

Lear believed humor would be cathartic, eroding bigotry. Bigots found a relief valve. Lear always insisted Archie was a satirically exaggerated parody to make racism and sexism look foolish. Liberals protested the character came across as a “loveable bigot,” because satire only works if the audience is in on the joke. Bigoted viewers didn’t see the show as satire. They identified with Archie and saw nothing wrong with ethnic slurs. Mike and Gloria come off like preachy, bleeding-heart liberal, hippie leeches. Lionel handled Archie better than Michael did.

O’Connor humanized Archie as an old-fashioned guy trying to make sense of a rapidly changing world. Bunker gave bigotry a human face and, because he hated everyone, he was written off as an “equal-opportunity bigot.” Not quite a defensible title. Archie was the most liked character on the show, and the most disliked. Most people saw him as a likable loser, so identifiable he was able to change attitudes. In a 1972 interview, O’Connor explained white fans would “tell me, ‘Archie was my father; Archie was my uncle.’ It is always was, was, was. It’s not now. I have an impression that most white people are, in some halting way, trying to reach out, or they’re thinking about it.” It sometimes worked against O’Connor the activist, however. When he backed New York Mayor John Lindsay’s 1972 anti-war nomination for the Democratic presidential nomination, Archie Bunker’s shadow distanced progressives.

Archie was relatable beyond his bigotry. He spoke to the anxieties of working- and middle-class families. Archie was a dock worker in the Corona section of Queens, who had to drive a cab as a second job, with little hope of upward mobility. He didn’t get political correctness. The character’s ideological quips were transformed into the bestselling paperback mock manifesto The Wit and Wisdom of Archie Bunker. White conservative viewers bought “Archie for President” buttons.

“If you call me Cute one more time, I swear I’ll open a vein.”

As cannot be overstated, All in the Family set many precedents, both socially and artistically. The Bunker family is an icon on many levels, Archie and Edith’s chairs are at the Smithsonian. But Archie Bunker is also the Mother Courage of TV. The antithesis of the bland sitcom characters of the time, he also wasn’t the character we hated to love, or loved to hate. Archie was the first character we weren’t supposed to like, but couldn’t help it. This phenomenon continues. The next TV character to take on the iconic mantle was probably Louis De Palma on Taxi. Audiences should have wanted to take a lug wrench to his head, but Danny De Vito brought such a diverse range of rage and vulnerability to that part it was named TV Guide’s most beloved character for years.

We shouldn’t like Walter White, especially when he doffs that pretentious Heisenberg hat, on Breaking Bad. And let’s face it, Slipping Jimmy on Better Call Saul isn’t really the kind of guy you want to leave alone in your living room while you grab a drink. Families across the United States and abroad sat down to an Italian-style family dinner with Tony Soprano and The Sopranos every Sunday night. But on Monday mornings, most of us would have ducked him, especially if we owed him money. Even the advanced model of the Terminator guy was scared of Tony.

The best example of this is South Park’s Eric Cartman. While we don’t know who his father is on the series, he’s got Bunker DNA all over him. He’s even gotten into squabbles with Sally Struthers and Rob Reiner. This wasn’t lost on Lear, who contacted creators Trey Parker and Matt Stone to say he loved the show in 2003. Lear wound up writing for South Park’s seventh season. “They invited me to a party and we’re partying,” Lear told USA Today at the time. “There’s no way to overstate the kick of being welcomed by this group.”

“I hate entertainment. Entertainment is a thing of the past, now we got television.”

Television can educate as much as it wants to entertain, and All in the Family taught the viewing audience a whole new vocabulary. The casual epithets thrown on the show were unheard of in broadcast programming, no matter how commonplace they might have been in the homes of the people watching. When Sammy Davis Jr. comes to Bunker house in the first season, every ethnic and racial slur ever thrown is exchanged. In another first season episode, and both the unaired pilots, Archie breaks down the curse word “Goddamn.” But a large segment of the more socially conservative, and religious, audience thought All in the Family said whatever they wanted just because they could get away with it.

All in the Family debuted to low viewership, but rose to be ranked number one in the Nielsen ratings for five years. The show undermined the perception of the homogeneous middle-class demographic allowing shows like M*A*S*H to comment on contemporary events.

All in the Family represented the changing American neighborhood. The show opened the door for the working poor to join situation comedies as much as when the Bunkers welcomed Lionel, Louise (Isabel Sanford), and George Jefferson (Sherman Hemsley) when they moved into Archie’s neighborhood. Lear reportedly was challenged by the Black Panther Party to expand the range of black characters on his shows. He took the challenge seriously and added subversive humor. Sanford and Son was set in a junkyard in Watts. Foxx’s Fred Sanford rebelled against the middle-class aspirations of his son, Lamont (Demond Wilson). Good Times was set in the projects of Chicago, and took on issues like street gangs, evictions and poor public schools.

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Married With Children, The Simpsons, and King of the Hill continued to explore the comic possibilities of working class drama. Mary Richards on The Mary Tyler Moore Show was a successful, upwardly mobile television producer. Working-class women were represented on sitcoms like Alice, but didn’t have a central voice until 1988 when Roseanne debuted on ABC, and Roseanne Barr ushered in her brand of proletarian feminism. All in the Family’s legacy includes Black-ish, as creator Kenya Barris continues to mine serious and controversial subject matter for cathartic and educational laughter. Tim Allen covets the conservative crown, and is currently the Last Man Standing in for Archie. But as reality gets more exaggerated than any satire can capture, All in the Family remains and retains its most authentic achievement.

The post How All in the Family Changed the TV Landscape appeared first on Den of Geek.

from Den of Geek https://ift.tt/2LIbREk

#aion-rsa #Den of Geek

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heroofthreefaces · 4 years ago

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The Hero of Three Faces Summer Special

It’s summer hiatus but I updated yesterday [6/7/20]. The Brooklyn 99 eighth season opener, episode one of two, if I were showrunner (abridged). (Usually when I draw a cartoon speculating on a story's future development, once the story actually airs I remove the speculatory cartoon from The Hero of Three Faces continuity. In rare cases I decide I like my version better enough that I keep it, adapting elements of the screen version into mine as it goes along. I believe I'll do that this time. Although the guys at Brooklyn 99 are the type who might surprise me and do something I like better than this. Time will tell.)

[Images description: A ten-panel comic strip in my MSPaint-based “triangle figure” style featuring characters from the tv sitcom Brooklyn Nine Nine.

[Panel 1: Amy and Jake stand talking in a variation on dialog from a scene from the pilot episode. Amy says, “Hey, you hard anything about the new captain?” Jake says, “Uh, no, and I don’t care. I just wish Captain Holt never left, he was the best.” Amy says, “Commissioner Holt.” Jake says, “Yeah whatever.”

[Panel 2: Jake, Hitchcock, Scully, Rosa, and Charles sit at tables in the conference room. Jake has his feet up on the table. Hitchcock and Scully appear to be sleeping on each other’s shoulders. Rosa has her arms crossed. Charles is hunched forward listening closely. Terry is standing next to the lecturn which is partially off-panel, from behind which, unseen, the new captain is addressing the detective squad. The captain says, “Commissioner Holt has assured me that this is the finest squad he has ever worked with, and from your records I can see that his high praise is warranted. I know I have big shoes to fill and I know I can rely on your support as he did when he took command here.”

[Panel 3: Identical scene. The captain is now saying, “On to the day’s business. There are to be protests in our precinct later today in response to the death of George Floyd in Minneapolis two days ago ...”

[Panel 4: Hitchcock, Scully, Terry, Jake, Rosa and Charles stand facing the elevator in their jackets. The clock above reads 4:07. The elevator goes “ding”.

[Panel 5: The elevator doors, no one present. The clock reads 8:30.

[Panel 6: The elevator is going “ding” and the clock reads 10:25. The doors are opening revealing Hitchcock, Terry, Jake, and Rosa, all drawn only in gray silhouette, except Terry has a large red spot offcenter on his forehad and Jack has a spatter of red on his chest.

[Panel 7: Jake standing in the captain’s office, addressing the captain at their desk offpanel. Jake is still in his blood-splattered clothing. He says, “Captain, after what I saw done today at the protests - after what I did - I don’t think I can be a cop anymore.”

[Panel 8: Jake has moved to the visible portion of the captain’s desk and is placing his badge and sidearm on it.

[Panel 9: Amy and Charles stand talking with Jake back in the bullpen. Amy says, “What will you do?” Jake, smiling too wide, says, “Obviously, first I’m going down to Mickey’s Olde Fashionede Icee Creame Shoppe for the traditional solitary Nine-Nine Resignation Peanut Butter Cup Sundae.” Charles says, “Never thought I’d see you walking the Reese’s Mile, Jake.”

[Panel 10: Jake enters the ice cream shop and finds Raymond Holt eating a peanut butter cup sundae.

[Cartoon home page here. Unfortunately there are not image descriptions at the Hero Of Three Faces main site. End of description.]

Two-part-episode part one cliffhanger! I mean to write part two, too, but I haven't yet.

#brooklyn 99 #fan art #cartoons

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marunalu · 4 years ago

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Disney Movies List

Ok first of all I want to make clear that english is not my first language. I therefore apologize in advance for any grammar or spelling mistakes. Please don't be too strict with me =D

I recently bought Disney+ and I plan now to watch and review every movie, Disney has ever produced or participated in it. And I tell you, this will be a hell of a trip, because my list now contains no fewer than 701 movies. That means if I watch at least one movie every day, it will take me about 2 years to see all of them. And since I will most likely not watch a movie every day, I will definitely need at least twice as long....

For the films on my list, which I marked with a cross at the end, it means that I have seen them already. However, since I last saw most of these movies in my childhood or teenage years (so at least 15 years ago), it will be interesting for me to rewatch them after such a long time. I have probably already forgotten most of the plots.

I also plan to watch them in chronological order and rank them. The movies that I don't find on Disney+ I will watch somewhere else.

Here is the list: (The films follow the chronological order in which they were published. However, it is quite possible that I accidentally swapped a few. But I think most of it is accurate).

1930:

Academy Award Review of Walt Disney Cartoons (X)

Snow White and the Seven Dwarfs (X)

1940:

Pinocchio (X)

Fantasia (X)

The Reluctant Dragon ( )

Dumbo (X)

Bambi (X)

Saludos Amigos ( )

Victory Through Air Power ( )

The Three Caballores ( )

Make Mine Music ( )

Song of the South ( )

Fun and Fancy Free (X)

Melody Time ( )

Seal Island ( )

So Dear to my Heart ( )

The Adventures of Ichabod and Mr. Toad (X)

1950:

Cinderella (X)

Treasure Island ( )

In Beaver Valley ( )

Alice in Wonderland (X)

Nature's Half Acre ( )

The Story of Robin Hood and His Merrie Men ( )

The Olympic Elk ( )

Water Birds ( )

Peter Pan (X)

The Sword and the Rose ( )

The Living Desert (X)

Bear Country ( )

The Alaskan Eskimo ( )

Prowlers of the Everglades ( )

Rob Roy, the Highland Rogue ( )

The Vanishing Prairie ( )

20,000 Leagues Under the Sea ( )

Siam ( )

Davy Crockett, King of the Wild Frontier ( )

Lady and the Tramp (X)

The African Lion ( )

The Littlest Outlaw ( )

Men Against The Arctic ( )

The Great Locomotive Chase ( )

Davy Crockett and the River Pirates ( )

Secrets of Life ( )

Westward Ho the Wagons! ( )

Johnny Tremain ( )

Perri ( )

Old Yeller ( )

Navajo Adventure ( )

The Light in the Forest ( )

Tonka ( )

Grand Canyon ( )

Sleeping Beauty (X)

The Shaggy Dog ( )

Darby O'Gill and the Little People ( )

Zorro the Avenger ( )

Third Man on the Mountain ( )

Mysteries of the Deep ( )

1960:

Toby Tyler: Or, ten Weeks with a Circus ( )

Kidnapped ( )

Pollyanna ( )

The Sign of Zorro ( )

Jungle Cat ( )

Ten Who Dared ( )

Swiss Family Robinson ( )

Island of the Sea ( )

One Hundred and One Dalmatians (X)

The Absent-Minded Professsor ( )

Parent Trap ( )

Nikki, Wild Dog of the North ( )

Greyfriars Bobby: The True Story of a Dog ( )

Babes in Toyland ( )

Wonders of the Water Worlds ( )

Moon Pilot ( )

Bon Voyage! ( )

Big Red ( )

Almost Angels ( )

The Legend of Lobo ( )

In Search of the Castaways ( )

The Prince and the Pauper ( )

Son of Flubber ( )

Miracle of the White Stallions ( )

Savage Sam ( )

Summer Magic ( )

The Incredible Journey ( )

The Sword in the Stone (X)

A Tiger Walks ( )

The Misadventures of Merlin Jones ( )

The Three Lives of Thomasina ( )

The Moon-Spinners ( )

Mary Poppins ( )

Emil and the Detectives ( )

Those Calloways ( )

The Monkey's Uncle ( )

That Darn Cat! ( )

The Ugly Dachshund ( )

Lt. Robin Crusoe, U.S.N. ( )

The Fighting Prince of Donegal ( )

Follow Me, Boys! ( )

Monkeys, Go Home! ( )

The Adventures of Bullwhip Griffin ( )

The Gnome-Mobile ( )

The Jungle Book (X)

Charlie, the Lonesome Cougar ( )

The Happiest Millionaire ( )

Blackbeard's Ghost ( )

The One and Only, Genuine, Original Family Band ( )

Never a Dull Moment ( )

The Horse in the Grey Flannel Suit ( )

Guns in the Heather ( )

The Love Bug ( )

Smith! ( )

Rascal ( )

The Computer Whore Tennis Shoes ( )

My Dog, the Thief ( )

Ride a Northbound Horse ( )

1970:

King of the Grizzlies ( )

The Boatniks ( )

The Wild Country ( )

Smoke ( )

The Aristocats (X)

The Barefoot Executive ( )

Scandalous John ( )

The Million-Dollar-Duck ( )

Bedknobs and Broomsticks (X)

The Biscuit Eater ( )

Now You See Him, Now You Don't ( )

Napoleon and Samantha ( )

Run, Cougar, run ( )

Snowball Express ( )

Chandar, the Black Leopard of Ceylon ( )

The World's Greatest Athlete ( )

Charley and the Angel ( )

One Little Indian ( )

Robin Hood (X)

Mustang! ( )

Superdad ( )

Herbie Rides Again ( )

The Bears and I ( )

The Castaway Cowboy ( )

The Island at the Top of the World ( )

The Strongest Man in the World ( )

Escape to Witch Mountain ( )

The Apple Dumpling Gang ( )

One Of Our Dinosaurs Is Missing ( )

The Best of Walt Disney's True-Life Adventures ( )

Ride a Wild Pony ( )

The Boy Who Talked to Badgers ( )

No Deposit, No Return ( )

Treasure of Matecumbe ( )

Gus ( )

The Shaggy D.A. ( )

Freaky Friyday ( )

The Littlest Horse Thieves ( )

The Many Adventures of Winnie the Pooh (X)

A Tale of Two Critters ( )

The Rescuers (X)

Herbie Goes to Monte Carlo ( )

Pete's Dragon ( )

Candleshoe ( )

Return form Witch Mountain ( )

The Cat from Outer Space ( )

Hot Lead and Cold Feet ( )

Child of Glass ( )

The North Avenue Irregulars ( )

The Apple Dumpling Gang Rides Again ( )

Unidentified Flying Oddball ( )

The Black Hole ( )

The Muppet Movie ( )

The London Connection ( )

1980:

Midnight Madness ( )

The Watcher in the Woods ( )

Herbie Goes Bananas ( )

The Last Flight of Noah's Ark ( )

Popeye ( )

The Devil and Max Devlin ( )

Amy ( )

Dragonslayer ( )

The Fox and the Hound (X)

Condorman ( )

The Great Muppet Caper ( )

Night Crossing ( )

Tron ( )

Tex ( )

Trenchcoat ( )

Something Wicked This Way Comes ( )

Tiger Town ( )

Never Cry Wolf ( )

Love Leads the Way (X)

Where the Toys Come From ( )

Return to Oz ( )

The Black Cauldron (X)

The Journey of Natty Gann ( )

One Magic Christmas ( )

Teen Academy ( )

The Great Mouse Detective (X)

Flight of the Navigator ( )

Disneys Fluppy Dogs ( )

The Parent Trap ( )

The Christmas Star ( )

Benji the Hunted ( )

Return of the Shaggy Dog ( )

Mr. Boogedy ( )

Return to Snowy River ( )

Oliver & Company (X)

Who Framed Roger Rabbit ( )

Honey, I Shrunk the Kids (X)

Cheetah ( )

The Little Mermaid (X)

Bride of Boogedy ( )

1990:

DuckTales: The Movie – Treasure of the Lost Lamp ( )

The Rescuers Down Under (X)

White Fang (X)

Shipwrecked ( )

Wild Hearts Can't be Broken ( )

The Rocketeer ( )

Beauty and the Beast (X)

Newsies ( )

Honey, I Blew Up the Kid ( )

The Mighty Ducks ( )

Aladdin (X)

The Muppet Christmas Carol ( )

Day-O ( )

Homeward Bound: The Incredible Journey (X)

A Far Off Place ( )

The Adventures of Huck Finn ( )

Hocus Pocus ( )

Cool Runnings ( )

The Nightmare Before Christmas ( )

The Three Musketeers ( )

Iron Will ( )

Blank Check ( )

D2: The Mighty Ducks ( )

White Fang 2: Myth of the White Wolf ( )

The Lion King (X)

Angels in the Outfield ( )

Squanto: A Warrior's Tale ( )

The Santa Clause (X)

The Jungle Book (X)

The Return of Jafar (X)

Heavyweights ( )

Man of the House ( )

Tall Tale ( )

A Goofy Movie ( )

Pocahontas (X)

Operation Dumbo Drop ( )

A Kid in King Arthur's Court ( )

The Big Green ( )

Frank and Ollie ( )

Toy Story (X)

Tom and Huck ( )

Gargoyles – The Movie ( )

Muppet Treasure Island ( )

Homeward Bound: Lost in San Francisco (X)

James and the Giant Peach ( )

The Hunchback of Notre Dame (X)

First Kid ( )

D3 The Mighty Ducks ( )

101 Dalmatians (X)

Aladdin and the King of Thieves (X)

Wish Upon a Star ( )

Susie Q ( )

The Darn Cat ( )

Jungle 2 Jungle (X)

George of the Jungle (X)

Air Bud (X)

RocketMan ( )

Flubber (X)

Mr. Magoo ( )

Tower of Terror ( )

Beauty and the Beast: The Enchanted Christmas ( )

Under Wraps ( )

Northern Lights ( )

Angels in the Endzone ( )

Mighty Ducks the Movie: The First Faceoff ( )

Pooh's Great Adventure: The Search for Christoper Robin ( )

Honey, We Shrunk Ourselves ( )

The Love Bug ( )

Rodgers & Hammerstein's Cinderella ( )

Oliver Twist ( )

Meet the Deedles ( )

Mulan (X)

The Parent Trap (X)

Air Bud: Golden Receiver ( )

I'll Be Home for Christmas ( )

A Bug's Life (X)

Mighty Joe Young ( )

You Lucky Dog ( )

Halloweentown ( )

Brink! ( )

Whoopi – A Knight in Camelot (X)

The Wonderful Ice Cream Suit ( )

Pocahontas 2: Journey to a New World ( )

The Lion King 2: Simbas Pride (X)

Belle's Magical World ( )

Armageddon ( )

Don't Look Under the Bed (X)

Genius ( )

The Thirteenth Year ( )

Johnny Tsunami ( )

Can of Worms ( )

Zenon: Girl of the 21st Century ( )

Horse Sense ( )

Smart House ( )

My Favorite Martian ( )

Doug – The 1. Movie ( )

Endurance ( )

Tarzan (X)

Inspector Gadget ( )

The Straight Story ( )

Toy Story 2 (X)

H.E. – Double Hockey Sticks ( )

Mickey's Once Upon a Christmas ( )

Winnie the Pooh: Seasons of Giving ( )

Annie ( )

2000:

Fantasia 2000 ( )

The Ultimative Christmas Present ( )

Phantom of the Megaplex ( )

Mom's Got a Date with a Vampire ( )

The Other Me ( )

Quints ( )

Ready to Run ( )

Stepsister from Planet Weird ( )

Miracle in Lane 2 ( )

Rip Girls ( )

Alley Cats Strike ( )

The Color of Friendship ( )

Up, Up and Away ( )

Angels in the Infield ( )

Air Bud 3 ( )

Mail to the Chief ( )

Geppetto ( )

The Tigger Movie ( )

Dinosaur (X)

Disney's The Kid ( )

Remember the Titans ( )

102 Dalmatians (X)

The Emperor's New Groove (X)

An Extremly Goofy Movie ( )

Whispers: An Elephant Tale ( )

The Little Mermaid 2: Return to the Sea (X)

Buzz Lightyear of Star Command ( )

Life-Size ( )

The Miracle Worker ( )

Bounce ( )

Jett Jackson: The Movie ( )

The Other Side of Heaven ( )

`Twas the Night ( )

Halloweentown 2: Kalabar's Revenge ( )

The Poof Point ( )

Jumping Ship ( )

Jennie ( )

Hounded ( )

Luck of the Irish ( )

Zenon: The Zequel ( )

Mickey's Magical Christmas: Snowed in at the House of Mouse ( )

Motocrossed ( )

Recess: School's Out ( )

Lady and the Tramp 2 – Scamp's Adventure (X)

Atlantis: The Lost Empire (X)

The Princess Diaries ( )

Max Keebles Big Move ( )

Monsters, Inc (X)

Princess of Thieves ( )

Air Bud 4 ( )

The Scream Team ( )

A Ring of Endless Light ( )

Gotta Kick It Up! ( )

Get a Clue ( )

Tru>> confessions ( )

Cadet Kelly ( )

Double Teamed ( )

Snow Dogs (X)

Return to Neverland (X)

The Rookie ( )

Cinderella 2: Dreams Come True (X)

Lilo & Stitch (X)

The Country Bears ( )

Tuck Everlasting ( )

The Santa Clause 2 ( )

Treasure Planet (X)

Winnie the Pooh: A Very Merry Pooh Year ( )

The Hunchback of Notre Dame 2 ( )

Tarzan & Jane ( )

Mickey's House of Villains ( )

Kim Possible: A Sitch in Time ( )

Air Bud 5 ( )

Full Court Miracle ( )

The Cheetah Girls ( )

Eddies Million Dollar Cook-Off ( )

The Even Stevens Movie ( )

Right on Track ( )

You Wish! ( )

101 Dalmatians 2: Patch's London Adventure ( )

The Jungle Book 2 (X)

Inspector Gadget 2 ( )

Piglet's Big Movie ( )

Ghosts of the Abyss ( )

Holes ( )

Atlantis: Milo's Return (X)

The Lizzie McGuire Movie ( )

Finding Nemo (X)

Pirates of the Caribbean: The Curse of the Black Pearl (X)

Freaky Friday ( )

Brother Bear (X)

George of the Jungle 2 ( )

The Haunted Mansion (X)

The Young Black Stallion ( )

Stitch! The Movie ( )

Recess ( )

Recess: All Growed Down ( )

Going to the Mat ( )

Pixel Perfect ( )

Zenon Z3 ( )

Halloweentown High ( )

Tiger Cruise ( )

Stuck in the Suburbs ( )

Teacher's Pet ( )

Miracle ( )

March of the Penguins ( )

Confessions of a Teenage Drama Queen ( )

Ghost in the Shell 2 – Innocence ( )

Home on the Range (X)

Sacred Planet ( )

Springtime with Roo ( )

Around the World in 80 Days (X)

America's Heart and Soul ( )

The Princess Diaries 2: Royal Engagement ( )

Mulan 2 (X)

The Incredibles (X)

Mickey's Twice Upon a Christmas (X)

The Lion King 1½ (X)

National Treasure ( )

Mickey, Donald and Goofy: The Three Musketeers (X)

Aliens of the Deep ( )

The Three Musketeers ( )

Kronk's New Groove ( )

Once Upon a Mattress ( )

Kim Possible Movie – So the Drama ( )

Go Figure ( )

Life is Ruff ( )

The Proud Family Movie ( )

Twitches ( )

Lilo & Stitch 2: Stitch Has a Glitch (X)

Pooh's Heffalump Movie ( )

The Pacifier ( )

Ice Princess ( )

Herbie: Fully Loaded ( )

Sky High ( )

Valiant ( )

The Greatest Game Ever Played ( )

Pooh's Heffalump Halloween Movie ( )

Now You See It ( )

Buffalo Dreams ( )

Chicken Little ( )

The Chronicles of Narnia: The Lion, The Witch and the Wardrobe (X)

Tarzan 2 (X)

The Muppet's Wizard of Oz ( )

Air Buddies ( )

Read It and Weep ( )

Wendy Wu – Homecoming Warrior ( )

Cow Belles ( )

The Cheetah Girls 2 ( )

Return to Halloweentown ( )

High School Musical ( )

Brother Bear 2 ( )

Glory Road ( )

Roving Mars ( )

Bambi 2 (X)

Eight Below (X)

The Shaggy Dog ( )

The Wild ( )

Cars ( )

Pirates of the Caribbean: Dead Man's Chest (X)

Leroy & Stitch ( )

Invincible ( )

The Santa Clause 3: The Escape Clause ( )

Bridge to Terabithia ( )

Johnny Kapahala – Back on Board ( )

Jump In! ( )

Meet the Robinsons ( )

Pirates of the Caribbean: At World's End ( )

Ratatouille ( )

Underdog ( )

The Pixar Story ( )

The Game Plan ( )

Le Premier Cri ( )

Enchanted ( )

The Fox and the Hound 2 (X)

The Secret of the Magic Gourd ( )

Pooh's Super Sleuth Christmas Movie ( )

Twitches Too ( )

High School Musical 2 ( )

Cinderella 3: A Twist in Time (X)

National Treasure: Book of Secrets ( )

Hannah Montana and Miley Cyrus: Best of Both Worlds Concert ( )

Snow Buddies ( )

The Cheetah Girls 3: One World ( )

The Little Mermaid – Ariel's Beginning (X)

Tinkerbell (X)

Camp Rock ( )

Minutemen ( )

College Road Trip ( )

The Chronicles of Narnia: Prince Caspian ( )

Dasavathaaram ( )

WALL-E ( )

Beverly Hills Chihuahu ( )

Morning Light ( )

High School Musical 3: Senior Year ( )

Bolt (X)

Bedtime Stories ( )

Jonas Brothers: The 3D Concert Experience ( )

Iron Man ( )

Race to Witch Mountain ( )

Hannah Montana: The Movie ( )

Earth ( )

The Incredible Hulk ( )

Trail of the Panda ( )

Up ( )

Lilly the Witch: The Dragon and the Magic Book ( )

G-Force ( )

Walt & El Grupo ( )

The Book of Masters ( )

Wizards of Waverly Place: The Movie ( )

Santa Buddies Here Comes Santa Paws ( )

Disney's A Christmas Carol ( )

Tinkerbell and the Lost Treasure (X)

Old Dogs ( )

Princess Protection Program ( )

The Princess and the Frog ( )

Tigger & Pooh and a Musical Too ( )

Hatching Pete ( )

Dadnapped ( )

Space Buddies ( )

2010:

Alice in Wonderland (X)

Waking Sleeping Beauty ( )

Oceans ( )

Santa Paws ( )

Avalon High ( )

Den Brother ( )

Camp Rock 2: The Final Jam ( )

Tinkerbell and the Great Fairy Rescue (X)

StarStruck ( )

Prince of Persia: The Sands of Time ( )

Toy Story 3 ( )

You Again ( )

The Sorcerer's Apprentice ( )

The Crimson Wing: Mystery of the Flamingos ( )

Secretariat ( )

Do Dooni Chaar ( )

Tangled ( )

The Boys: The Sherman Brothers' Story ( )

Tron: Legacy ( )

Iron Man 2 ( )

Geek Charming ( )

Good Luck Charlie, It's Christmas! ( )

Phineas & Ferb – The Movie ( )

Spooky Buddies ( )

Anaganaga O Dheerudu ( )

The Suite Life Movie ( )

Sharpay's Fabulous Adventure ( )

Lemonade Mouth ( )

Beverly Hills Chihuahua 2 ( )

Thor ( )

Lilly the Witch: The Journey to Mandolan ( )

Mars Needs Moms ( )

Zokkomon ( )

African Cats ( )

Prom ( )

Pirates of the Caribbean: On Stranger Tides ( )

Cars 2 ( )

Winnie the Pooh ( )

Pixie Hollow Games (X)

The Muppets ( )

Girl vs. Monster ( )

Santa Paws 2 ( )

Sofia the First: Once Upon a Princess ( )

Radio Rebel ( )

Beverly Hills Chihuahua 3 ( )

Treasure Buddies ( )

FRenemies ( )

John Carter ( )

Chimpanzee ( )

Arjun: The Warrior Prince ( )

Brave ( )

The Odd Life of Timothy Green ( )

Frankenweenie ( )

Let It Shine ( )

Secret of the Wings (X)

The Advengers ( )

Wreck-It Ralph ( )

Teen Beach Movie ( )

Super Buddies

Oz the Great and Powerful ( )

Wings of Life ( )

Monsters University ( )

The Lone Ranger ( )

Planes ( )

Frozen ( )

Saving Mr. Banks ( )

Iron Man 3 ( )

Thor: The Dark World ( )

How to Build a Better Boy ( )

Zapped ( )

Cloud 9 ( )

The Pirate Fairy (X)

Muppets Most Wanted ( )

Bears ( )

Million Dollar Arm ( )

Maleficent ( )

Planes: Fire & Rescue ( )

Khoobsurat ( )

Alexander and the Terrible, Horrible, No Good, Very Bad Day ()

Captain America: The Winter Soldier ( )

Guardians of the Galaxy ( )

Big Hero 6 (X)

Into the Woods ( )

McFarland USA ( )

Cinderella ( )

Monkey Kingdom ( )

Tomorrowland ( )

Inside Out ( )

ABCD 2 ( )

Ant-Man ( )

The Good Dinosaur ( )

Star Wars: The Force Awakens (X)

Teen Beach 2 ( )

Tinkerbell and the Legend of the NeverBeast (X)

Bad Hair Day ( )

Descendants ( )

Avengers: Age of Ultron ( )

The Finest Hours ( )

Zootopia (X)

The Jungle Book ( )

Tini: The Movie ( )

Alice Through the Looking Glass ( )

Finding Dory ( )

BFG ( )

Pete's Dragon ( )

Queen of Katwe ( )

Moana (X)

Captain America: Civil War ( )

Doctor Strange ( )

Rogue One. A Star Wars Story (X)

Growing Up Wild ( )

Dangal ( )

L'Empereur – March of the Penguins 2: The Next Step ( )

Beauty and the Beast ( )

Born in China ( )

Pirates of the Caribbean: Dead Men Tell No Tales ( )

Cars 3 ( )

Ghost of the Mountains ( )

Jagga Jasoos ( )

Coco ( )

Lillys Bewitched Christmas ( )

Descendants 2 ( )

Guardians of the Galaxy Vol. 2 ( )

Spider Man: Homecoming ( )

Thor: Ragnarok ( )

Star Wars: The Last Jedi (X)

Expedition China ( )

A Wrinkle in Time ( )

The Incredibles 2 ( )

Christoper Robin ( )

The Nutcracker and the Four Realms ( )

Ralph Breaks the Internet ( )

Mary Poppins Returns ( )

Zombies ( )

Black Panther ( )

Avengers: Infinity War ( )

Solo: A Star Wars Story ( )

Ant-Man and the Wasp ( )

Dumbo ( )

Penguins ( )

Aladdin ( )

Toy Stor 4 ( )

The Lion King ( )

Maleficent: Mistress of Evil ( )

Lady and the Tramp ( )

Noelle ( )

Frozen 2 ( )

Descendants 3 ( )

Captain Marvel ( )

Avengers: End Game ( )

Spider-Man: Far From Home ( )

Star Wars: The Rise of Skywalker ( )

One Day at Disney ( )

Togo ( )

2020:

Timmy Failure: Mistakes Were Made ( )

Onward ( )

Stargirl ( )

Dolphin Reef ( )

Elephant ( )

Artemis Fowl ( )

Hamilton ( )

Mulan ( )

The One and Only Ivan ( )

The Beatles: Get Back ( )

Soul ( )

Secret Society of Second-Born Royals ( )

Magic Camp ( )

Howard ( )

Urgh! Wish me luck, that I survive this....

#disney #disney movies #reviewing disney movie #ranking disney movies #disney+#list #hell of a trip #long post #english is not my first language

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