#designing her has given me a lot more insight into ways i can improve my normal tango design though

[ethosiab]

Girl tango my love...

[aikoiya]

He is very cute & a much better influence than the Dorfmeister. I bet you the ladies fall all over him. AND HE HAS A BEARD!!! (Also, brown hair with a tint of red is called auburn. Just an observation.)

But something I noticed is that... There might be a non-Ganondorf male Gerudo in the game. There's this dude in Seesyde who looks... Well, he just has a couple of shared features is all. There's also a girl living in Castle Town who has that Seesyde man's exact coloration, she's also living there with her husband & son. She even says that she's from Seesyde. However, I think the dude might actually be her brother.

But, what gets me is that this lady's son has blond hair &, if I'm right about her having Gerudo heritage, then this actually suggests to me that my theory may well be possible. That the Gerudo's genetic dominance might actually be magical in origin. And that it might be connected to the desert itself. If so, it could give a reason for the Wild Era's Gerudo requiring their daughters to return to the desert until 18. Because it's possible that it's the secret to how they continue to retain their genetic identity as a people. If I'm right, then this along with the forbiddence of men in Gerudo Town & Ganondorf likely causing all sorts of issues for the Gerudo regardless of him winning or losing, might have eventually combined to create the Wild Era Gerudo's practice of having vaivin live in the desert between the ages of 5 & 18 by separating them from their fathers & forbidding them from interacting with men altogether.

In fact, TotK Link being given clearance & proving himself, thus gaining the Gerudo's respect & allowing the vaivin to interact with him might even pave the way for the eventual realization that men need not be cut out of vaivin lives, just that the vaivin need remain in the desert until 18.

This could eventually result in the expansion of Kara Kara, which may well have once been the Oasis in EoW! Which, BTW, HECK YES!! Tourma is my jam!!! Love her! A Gerudo Botanist! I just think that she went the wrong direction is all, but dang it! I'm so glad she exists regardless!! Good job, Nintendo! Give me more! I NEED more desert agriculture!! But, like, real desert agriculture. The gimmicky Tough Mango game was cute, but I want something that is a bit more environmental. But, I'm a lot happier that the Gerudo are at least trying!

Also, the Gerudo have much more varied clothing & hair designs & I'm here for it!!! Like, it still has a touch of that haram girl aesthetic, but their designs are heading in the right direction!

Though, I admit, I find the lack of vaivin in Gerudo Town to be odd. Like, for me, that's a step backwards, but if the characters were to say that the Gerudo didn't trust non-Gerudo with their daughters yet, then, while that would be prejudiced, I'd also get it & would very much say that they have majorly improved from their OoT depictions. As such, I'm willing to let it slide.

Regardless, we know that they can have daughters here based on Seera & Dohna. Plus, Dohna even states in the Oasis, "The chief- my mother -used to play with me here when I was little." This certainly suggests that vaivin exist here & that they're allowed outside of Gerudo Town (which, I'm not sure would be the case in the Wild Era), but we don't actually see them as far as I am aware. Interestingly, the Gerudo also don't seem to be much taller than Hylians here.

Similarly, she also says, "Facette took up my training rather than my mother, because Mother was busy as chief. Facette trained the other too. Thanks to her & mother, we are the Gerudo you see today."

This indicates that there were others who might've also been little who Dohna interacted with, so it reinforces the fact that, if Dohna had, indeed, once been a vaivin, then she hadn't been the only one. Also, we get a small bit of insight into a possible Gerudo tradition. That it might be custom for a mother to train her daughter in Gerudo culture. However, this brings up the question of what happens in the case of a voe? Does he default to being trained by his mother? Is he a special case & is taken to live in the Temple of Spirit like I believe that Bandit had been? Was he trained by Kome & Kotake, not because they were the Elders, but instead, because they had adopted him & were, therefore, his mothers? What happens when a normal Gerudo mother died before her daughter is to begin her training? What if she'd been like Maddison & was living with her mother & father both? Had Rhondson died before Maddison was to return to the desert, would the guard have consulted her father? Would she have acquiesced if he rejected? If so, would she have bowed out gracefully or tried to convince him to change his mind? And, if she had tried to, would she take Maddison's wants into account? Would she value Maddison's wants more than Hudson's? And, how far would she have been willing to go for the sake of tradition? Would she have simply taken the girl? Would she have killed Hudson if he tried to stop her?

And, even in a case where the Gerudo of the Wild Era were normally willing to let a vaivin remain living outside of the desert, it's possible that, in such a situation as above, they would've much less willing to allow such if the vaivin's mother had died. The logic there possibly being that, at least with the mother there, the vaivin would've had her mother as an example for her Gerudo heritage, but without her there, they might find the situation far more urgent & this may've result in them being much less sympathetic to the father or even just the vaivin's non-Gerudo family members in-general.

There are just a lot of questions that are left unanswered. Like, yes, I very, very much want to say that the Gerudo would've allowed these vaivin to stay with their fathers, but I don't know.

Though, I do find it a bit odd that I've yet to see a man in the desert other than the Business Scrub, which their species seems to actually have males & females. (Though, it's also possible that the logic there might be that Scrubs are plant people & that most plants have both male & female parts? So, it might be somewhat similar to why the Gorons were allowed into Gerudo Town?? But, if that's the case, then I'm really very curious what would happen if a man, one that could not be given that allowance, were to enter the desert. As in, how would they react? Like, the only real mention of males that I've seen from the Gerudo was the one that Link saved & inspired to become a guard, it isn't even clear that the Gerudo had been in the desert when this took place, but that's about it. No real mention of needing men for the next generation.)

Also, I just realized that while you do see a number of men in the Gerudo Desert in the Wild Era, I'm pretty sure that the only man actively living in the Gerudo Region at all was the Canyon Stable Owner. Which... is a bit weird when I think about it... Similarly, the only non-Gerudo women I see in EoW's Gerudo Desert was that lady at the fruit stand in the Oasis & Zelda herself. And, other than Zelda, I didn't really see any non-Gerudo women in Gerudo Town at all. However, the fact that Zelda was allowed in suggests that it likely isn't due to not being allowed. In fact, the fact that Dohna, the daughter of the Gerudo Chief, hadn't mentioned that Zelda had the same name as the Hylian princess & the fact that it was also mentioned that not many Hylians even came to the desert, it's possible that that may be the reason why. It's very extremely possible that this is showing that it is before the Gerudo & Hyrule had been allied. And, the fact that I see zero overt racism from either party suggests that... the problem between the Gerudo & Hyrule might only become problems when Ganondorf is the one leading them. Because, from what I'm seeing, the EoW Gerudo likely aren't even in an alliance with Hyrule & they also aren't antagonistic to each other either.

So, yeah! I love the direction their culture is headed.

SO ECHOES HAS ME FALLING IN LOVE WITH A NEW CHARACTER.

There's no spoilers here, nothing about plot or gameplay or the like. maybe consider it spoilers about what characters are in game...???

But-

I fell in love.

With General Wright.

Like??? Chibi Ganondorf looking man??? That man right there? Hylian Good Ganondorf. Look at him. LOOK AT HIM.

I know they have some sprites with brown hair (Featured below)

BUT LOOK AT HIM IN GAME AND TELL ME THAT AINT RED HIDDEN IN THAT HAIR.

I love him. I want to cuddle him. My gods, I fell for a side character. Adorable. Want to snuggle. Just... GAH.

boisterous military man who is just a good dude and wants to protect his kingdom. He looks like he would give great hugs. My gods I want to just take this man right now. (Sorry Ganondorf sweetie honey love of my life-) Like... He's so cute??? I want to girly scream over him. Sweet man. Adorable man. Man who isnt involved with a cycle of hatred and bloodshed.

I just want to gush about him for a moment. So cute. Baby girl I want to take you to the smoothie shop and woo you.

[olivemeister]

OKAY NEO THOUGHTS NOW THAT I’VE BEATEN IT AND HAD TIME TO MARINATE. no spoilers for another day bc i haven’t finished it yet, but i did go “no, why shan’t i? i have the internet” and watched the secret endings on youtube so those and the secret reports will be discussed. yeah. so here’s some thoughts. i’m going to talk a lot about the more contentious things, i think. and again i haven’t finished another day so nothing to do with that, but of course major ending spoilers for the main scenario.

these are my opinions both as a writer and a media consumer, so there’s kinda two levels here. it is very freeform “as i think of it” structurally so my sincerest apologies if it’s all over the place. i am trying to keep specific topics confined rather than splattering the same plot point/whatever all through the post, but it’s not like i’m posting a peer-revied academic essay here. it’s also fucking enormous and i would say sorry but that would be a lie.

the majority of the game, i actually really enjoyed. the localization was excellent and i can’t praise it enough. i know people threw fits over the “horrible overstep” of... teenagers using slang. but did you know, in real life, teenagers use slang? even in japan, there’s slang? wild but true! the dialogue was great, and while i can’t say much re: the jp cast since i played in english, the newcomers for the english cast were spectacular. i actually think the newcomers were, in some cases, stronger than the returning cast. even in characters where i didn’t like the voice (nagi had to grow on me, i admit it), they were a fantastic match for the character’s personality.

the emotional beats re: character deaths, typically, landed the way i think the writers wanted; kanon’s death in week 3 had me devastated even though i could see it coming a mile away. i think that’s a testament to the best parts of the writing; as soon as i understood how the current game was being run, i knew it was fairly inevitable that every other team would eventually lose. odds would be that, barring something like someone changing teams or a team merger, the majority of the other teams would be completely wiped out. i knew far in advance that kanon would likely not make it to the end of the story, but it still fucked me up when it finally happened not just because i cared about kanon, but also because of how much the other characters cared about her. some character deaths affected me far less, of course. i think kanon was the epitome of “this hit exactly as hard as the writers wanted it to”, but i do feel they fell short with others. ayano’s lack of development really hurt my ability to be saddened by her death, especially when it was so clear that she set up her own possession as a trap for shoka. it undermined things for shoka in general, because while she was devastated to lose ayano, the game did a poor job at making their relationship tangible and meaningful. i felt worse (not necessarily sadder, just worse) about motoi’s death, and i didn’t like motoi. speaking of him...

the biggest issue i have with the game is a chronic square enix issue. kubo is the Man Pulling The Strings, whatever, this is fine. the problem is that he, minamimoto, motoi, and arguably susukichi are the only characters in the game with dark skin. they are all morally grey at best. i don’t think i need to elaborate on why this is an issue. we’re not going to pretend that racism and colorism don’t exist in japan. i’m just going to say that all of the dark-skinned characters are either totally evil, excessively violent, and/or morally dubious. this is my biggest qualm, but i don’t feel it needs more elaboration. yes, i know motoi turns it around in the end. yes, i know susukichi ultimately changes sides as well, and he’s ultimately portrayed as sympathetic. minamimoto is........ his own beast. but the fact remains that we don’t get a single major character who’s darker and unambiguously heroic.

second big issue is that while i understand the decision to keep shiki off camera until the very end for emotional impact, i feel like this was to the detriment of the story and to the detriment of said impact. she was mentioned, sure, and she was briefly seen from the shoulders down in a cutscene long before her introduction, but i feel that this was ultimately for the worse. her absence in the plot made her a borderline non-entity that can easily leave the audience going “why should i care about this?” on what’s supposed to be a huge emotional cathartic moment. yes, people should know this is a sequel and neku and shiki’s friendship was a crucial part of the original game, and much of the endgame of neo makes no sense if you’re unfamiliar with the original, but their interactions in the ending felt incredibly shallow. and i think this is because of how little shiki appears and how isolated she is from her other friends. eri is unseen and unmentioned. she doesn’t interact with rhyme. she hardly interacts with beat, using him as a translator at best. her other relationships are just... stagnant at best, ignored at worst, and despite having had just as vital of a role in the first game as beat did, she does nothing of import onscreen. her only narrative actions are “fix mr mew (mentioned but not seen)” and “be sad about neku”. so, functionally...

for some reason (we know why) the story decided that the only thing that was important to shiki was seeing neku. but by holding off on this reveal of her, we lost the impact that their meeting could have had. because the game refused to show her it didn’t show how much his absence was affecting her, which leaves their reunion feeling incredibly hollow. shiki was gone for upwards of 90% of the game. if not for the first game, this reunion would mean nothing; the narrative does a terrible job of reminding the audience that neku and shiki have a strong relationship and i don’t know if it’s that they expected the first game to have done the heavy lifting, or they thought that what neo gave us was good rather than “good enough”. imo this was an enormous failure and i wish we had gotten more for her both as part of the plot and as a character.

this was an issue present with rhyme as well imo, though to a lesser degree. i think they should have given up the ghost much sooner on confirming that the shadowed figure was rhyme; it was obvious by the time they showed us her silhouette, so i don’t know why the narrative held off on showing her. they didn’t have to introduce her to rindo (or give her the name splash screen) yet, but people who played the first game and are paying attention know it’s rhyme, so why bother hiding her? most of what rhyme accomplishes in this game is off-camera as well, but she has double the screen time that shiki gets.

the shiki thing is another symptom of a common squeenix problem these days, which is poorly-handled implied romantic interests. and i think that was also present with how the end of the game treated shoka. rindo and shoka as an implied romance in general did not bother me; more than a lot of squeenix protags, and perhaps primarily because of the excellent job the english cast did, i actually was unbothered by the suggestion of budding romantic feelings because it felt genuine. they actually felt like a pair of teenagers who were starting to be interested in each other, trying to play it cool and prioritize. this, and shoka’s characterization in general, is really helped by the reveal of swallow’s identity; it retroactively heightens her closeness to rindo specifically and offers enormous insight into her decision to help the team covertly. however, i think this budding implied romance was severely undermined by having other characters comment on it, especially because it felt so out of place timing-wise whenever someone commented. it was never warranted; there are times where they seem to be... not flirting, but not doing a good job of pretending there isn’t an interest. this is not when comments come. the comments come when they are having a totally normal interaction that does not suggest any non-platonic feelings whatsoever.

up until the final day, i had fairly ambivalent feelings about the idea of them as the designated hetero pairing. i felt it was a vast improvement from recent shoehorned romances in squeenix properties. the ending made things much more contentious to me, specifically how shoka is vanished by joshua. the audience should at least have the suspicion that he’s reviving her, but the circumstances surrounding it are the problem more than joshua being a deus ex machina. it’s not the first time joshua was a troll re: reviving someone, but the context of why shoka’s revival is necessary is, well... unnecessary.

they barely foreshadow the shinjuku rules re: reapers, and i will freely admit it’s not remotely ooc for shoka to hide something like that until she can’t any more. but they seem to be just a contrived excuse for shoka to be taken away... and from the framing of it, not from the player, but from rindo. which, i don’t know that i need elaborate on why i wasn’t fond of that. and i won’t lie - i know everybody beefed it in those cutscenes, including beat and neku. but when the dissonance noise grabbed shoka it gave me the exact same vibe as the demon tide grabbing kairi in kh3, and i don’t think i need to elaborate more on why that would put a bad taste in my mouth and make me fearful for shoka’s future treatment in the game. i was worried that the narrative was going to yank her away from rindo like a prize being snatched from him, and it did! while i do also think it’s ic for joshua to fuck around the way he did when reviving her, it also seems contrived and brings up a major question.

if shoka is still playing by shinjuku rules, why does shibuya’s composer have the ability to overturn her erasure? yes, i know, shinjuku is gone, but its composer is still active. surely joshua having the authority to do what he did indicates that on a cosmic bureaucracy level, shoka is a shibuya reaper. the secret reports offer a potential that joshua exploited a loophole by waiting until the second after the shinjuku rules resulted in shoka’s soul being dissolved in order to snatch it up, so perhaps the explanation is that her erasure meant she was technically no longer a shinjuku reaper and no longer beholden to its rules. but that doesn’t answer a different question that honestly bothers me more than the admittedly sorta insignificant question of whether or not joshua overstepped in reviving shoka.

shinjuku’s game has ended because shinjuku has ended; why are its rules still in play for former shinjuku reapers? i am aware that shiba is the conductor “legally” and he has made changes to shibuya’s game, but they’re careful to specify that the “ex-reapers are erased at the end of the game” rules are from shinjuku and do not apply to shibuya reapers. is she considered by the higher plane to be joshua’s underling and not hazuki’s? the secret reports confirm that the transfer of personnel from the destroyed shinjuku to shibuya was authorized by the acting conductor (uzuki) and this is standard procedure, everything was done properly. so “legally” the formerly-shinjuku reapers are shibuya reapers, right? hanekoma notes in particular that it’s a culture clash leading to the shinjuku reapers being designated as such and that they’re only nominally shinjuku reapers. why are a defunct game’s rules still active?

the biggest issue is that shoka’s threat of erasure was unnecessary from a narrative perspective, especially given how quickly it’s introduced and resolved. what was the point of putting this in the story if five minutes later the issue is just dealt with, no effort, minimal tension, by a (narratively speaking, don’t come after me joshua fans) minor character who doesn’t even appear until after the plot is resolved? i honestly wonder if it was just the writers deciding joshua needed to do something so that his appearance in the ending wasn’t just shallow fanservice for people who wanted to see the original gang. joshua’s lack of action is also presumably going to be contentious with fans; i’ve read the secret reports, and i don’t feel that they sufficiently justify why he doesn’t make any moves to protect his city despite being positioned both in his own dialogue and the secret reports as someone opposing shibuya’s purification. i will talk about this a little later re: kubo’s motivations though.

i also think it’s kind of stupid that joshua sets up “find her and you win” and then... rindo doesn’t do anything in that regard. he just bumps into her in the scramble. i know i already said i hate the idea of her being a prize to be won in a game but if they’re going to set it up, why make it pointless in that regard? it feels so unnecessary. joshua portrays shoka’s revival/return as something to be earned, and unlike the ending of twewy there’s no recognition that he was actually just fucking with them.

this is similar to my mixed feelings about kubo’s defeat. on one hand, i wanted to smash his face in personally, i have hated him the entire game. on the other hand, having him jesus beamed and rewritten out of existence without any warning or chance to resist was fucking hilarious and i actually laughed out loud. my speculation as to why he didn’t get a boss fight is that developers worried about people having trouble suspending disbelief over the party being able to defeat an angel. ultimately i think the only way this could have been done was to have it be a boss battle where your victory doesn’t matter, like the week 1 fight with susukichi, and have hazuki curbstomp kubo in the post-battle cutscenes. ultimately, i feel like this was a lesser of two evils; i don’t think the “you lose in the cutscene” approach would have necessarily been significantly better than what we got, i recognize that “the battle didn’t matter and you lose in the cutscene after” is a contentious game trope. and i would understand people struggling to accept the cast defeating a being from a higher plane without intervention from said higher plane. the only benefit would be the catharsis of getting to slap kubo around, which admittedly i kind of miss. having him as a secret boss was an option i guess but i think it would bring more questions than it was worth.

kubo’s motivation is also just bizarre; i understand that it’s given as him getting overzealous after carrying out his orders to purify shinjuku, but why? i feel like this could have easily been fixed/rationalized by “shinjuku’s surviving reapers fled to shibuya, leading kubo to consider shibuya to be an extension of shinjuku”, but that’s solely speculation. i do not know why kubo decided to also start an inversion in shibuya. they didn’t give me enough information. his conflict with joshua is inexplicable and almost entirely offscreen via the secret reports. i do not feel like i have a grasp on why the plot of the game even happened. hazuki’s involvement is iffy; i can’t say whether he initially approved of kubo’s overstep and changed his mind, or if he just took his time collecting his errant underling. the secret reports suggest the former, and hanekoma noting that the contentious nature of the previous game’s events gives a speculative explanation for why no action was taken if hazuki was actually making moves against shibuya rather than kubo being out of line. hazuki could damn well have been lying, there’s a precedent for composers being full of shit and telling bold-faced lies to protagonists, though in the previous game these lies were all eventually uncovered. this leaves me to believe that ultimately, hazuki’s statements regarding kubo acting outside of his given authority were mostly honest. but what i don’t understand is why joshua took such a hands-off approach.

yes, he says he figured the main cast had it under control and would have stepped in had things gotten worse, but this appearance and statement comes long after rindo fails and shibuya is destroyed in multiple timelines. why did he not step in in the first timeline? i can speculate, but the game and secret reports do not do a great job in explaining why the proxy vs. proxy game even happened in the first place. kubo is hazuki’s underling, which makes joshua higher in the pecking order than kubo. if hazuki was capable of exorcising kubo instantaneously, why didn’t joshua just flick him off the board like a flea before he even got started trying to cause an inversion in shibuya? in the epilogue of a new day joshua is seen in conversation with hanekoma, who’s taking shinjuku’s inversion seriously, which seems at odds with how easily his fellow composer ends the problem.

retroactively, i guess i could rationalize this as him realizing that either shinjuku’s composer must be responsible for said inversion or that potentially shinjuku’s composer has been compromised in some way. and i can rationalize him failing to immediately jesus beam kubo as well - it’s possible that, as kubo was initially acting under the orders of another composer (assuming hazuki is still technically “legally” one/at the bureaucratic level of one), joshua’s hands were somewhat tied re: what actions he could take without potential consequences. it could be that joshua would get in big trouble if he took disciplinary action against another composer’s underling, but 1. the legal transfer of personnel should mean kubo is joshua’s underling, not hazuki’s, see the shoka problem 2. hazuki’s status as a composer is questionable given that his territory is now purified and its game is defunct 3. given that kubo was acting outside of his original composer’s turf and outside of his initial orders (purify shinjuku) at this point i feel like that isn’t likely. it could be that he was trying to avoid a conflict with hazuki himself. it may be that he considered it hazuki’s responsibility to retrieve kubo, but that’s at odds with him choosing a proxy to combat kubo’s and his claims that he totally would have done something, really, he swears. they don’t give us much info at all as to why joshua entered a game with kubo in the first place. i have reason to believe that something’s fishy in the secret reports, and i would like to see the japanese text, which i’ll mention again in a few paragraphs.

i know the absence of shibuya’s composer is partially, and perhaps primarily, “there wouldn’t be a plot if joshua fixed it”. but it really feels like they just kinda tucked joshua in the corner and hoped fans wouldn’t be like “hey where is shibuya’s composer and why is no one mentioning them?” that part is probably for the same reason we don’t see shiki until the very ending, teasing the audience by holding off on revealing him until the last second, but it’s jarring to me that shiki is mentioned but neither neku, beat, nor any of the reapers (!) think “we should contact the composer”. even if just to say “we can’t contact the composer, he is unreachable”! i guess it’s to avoid people remembering how significant joshua is and thinking too hard about it, because joshua is simply too powerful of a character to be running around freely. the plot falls apart when you have a character who’s so strong and, in his own words, kind of omnipotent, who could trivialize the conflict in an instant if he took action.

i feel like they surely could have given a more explicit reason for him to not be involved in the story, even if it’s a reason like “he’s in trouble with the higher plane”. which could have easily been set up! hanekoma is clear in his reports that shibuya’s impurification is highly contentious in the higher plane; people are big mad about it, potentially people higher in the chain of command than a composer. this could have been easily utilized as an explanation for why joshua is hands-off; he’s on a shit list and needs to step carefully as a result. but it’s just not addressed. hanekoma is unreachable according to his reports, and he notes that people are trying to contact him for help. are we just to assume that people have looked for joshua to ask for help in the past but it was so long ago that it isn’t even worth mentioning now to the newcomers? according to other reports, the higher ups are pissed with joshua about his game with kitaniji and are turning a blind eye to what’s happening with kubo in shibuya as a result. but this doesn’t explain why the members of the shibuya UG never discuss the composer. hanekoma’s reports have him confused as to joshua’s lack of action as well; he knows the context of what’s going on in shibuya but doesn’t understand why joshua is staying silent.

that said! the fact that hazuki’s motive for the destruction of shinjuku is never stated does not bother me too much. he’s placed in a position very parallel to joshua in the first game, and he even says he felt like he was following in josh’s footsteps. when you add his seemingly-genuine inability to understand why people care about shibuya, i feel there’s enough evidence to... not dismiss, but nudge this aside as “He Too is a misanthropic bastard”; shinjuku’s destruction is a parallel to the intended destruction of shibuya in the first game. hazuki just carried on where joshua had a change of heart. the secret reports complicate this; it might be that someone fucked up in transcribing, but the reports i read online state that shibuya’s composer, i.e. joshua, was responsible for the destruction of shinjuku due to a game with kubo. this does not make sense given everything else, including hazuki’s own statements and later reports, so i’m setting that aside for the moment as either an uncaught mistake either in translation or transcription online (most likely) or hanekoma not knowing the actual truth until receiving the post-purification shinjuku reports. hanekoma also suggests that hazuki’s goal was also the purification of shibuya, but as he’s not shibuya’s composer this is certainly not his jurisdiction so i’m curious as to what exactly happened there.

EDIT: i’ve been informed by a helpful anon that this is not a mistranslation, the japanese secret reports do state that it was a game involving joshua that resulted in shinjuku’s inversion. with that in mind, i have figured out how to rationalize this and it solves a lot of problems: if it was a proxy game between joshua and kubo, then joshua must have been the opposition to shinjuku’s inversion. though you could argue that joshua is responsible for the end result, he didn’t destroy shinjuku; his proxy lost, probably because kubo’s had the support of shinjuku’s composer. kubo’s overconfidence in running rampant in shibuya is now explicable and he may have been trying to rub it in that joshua lost.

if hazuki was still backing kubo post-shinjuku, this could explain why hazuki felt he could make decisions about shibuya’s fate and wander around it; joshua had already overstepped onto his turf to meddle in purification, so he was returning the favor. at this point in time, i figure that joshua’s proxy was either tsugumi’s brother (shinjuku’s conductor) or coco (she’s noted to have inexplicable powers for a rank-and-file reaper, but joshua’s opposition to her killing of neku throws this into question), and if we truly had a scrapped “shinjuku’s final game” plot then joshua’s proxy could also have been neku. kubo’s proxy was presumably shiba. this actually answers a few questions that i couldn’t rationalize when i assumed joshua was uninvolved (why would shinjuku’s composer be running a game against kubo when they wanted the same thing?), so i’m gonna chalk it up as an absolute win.

i think hishima as a character was... sort of nothing. he was just there. yeah, it was kinda funny how he dressed shiba down, but i don’t know that the plot needed him. his role in the endgame could have easily been given to tsugumi without much fuss, and i feel tsugumi deserved a much bigger part in the narrative given how much she was hyped up by solo and final remix. she was so prominent and anticipated that the fans called her hype-chan for years before we had a name for her. this could also be folded into the problem with hiding shiki until the very end; it feels like we missed a whole sequence with both of these characters simply because the narrative refused to show us shiki. instead, we’re told that shiki showed up and fixed mr. mew, and somehow this freed tsugumi. i think the fact that they don’t even give a flashback of this crucial event after shiki’s proper introduction is just a questionable decision. the story tells us that tsugumi’s release from the plushie is of the utmost importance and shiba can’t be swayed without her, setting it up as a vital event, but it happens offscreen with no real interaction with the main cast. it also only happens after multiple failed loops, even though rindo’s interference is what prevents the meeting between coco and shiki to repair the plushie. i don’t understand this from a logistical standpoint; if coco isn’t pulled to escort rhyme, she must have met with shiki and released tsugumi in timely manner, but tsugumi does not appear until after you replay to get coco back to her original schedule. you could wave it off as “she didn’t get there fast enough”, but i can’t accept that as a reason given the circumstances; it’s not like she would have to look hard to find shiba. this one’s flawed writing; i know in a meta sense why she didn’t appear, it was to build tension etc etc, but in-universe it’s a plot hole.

coco being so absent from the plot is also somewhat conspicuous. i wonder what reception of her was like in japan and if that influenced her lack of presence in the story. i honestly don’t even know if she was received well by the english audience, all i know is that i did not like her at all in final remix. not from an “i don’t like the villain because they’re doing bad things” perspective, from an “i don’t find this character compelling and i think they’re annoying” perspective. also curious as to whether or not her speech patterns changed in the japanese dialogue since final remix; i found her far less jarring and obnoxious in neo and i think it’s enormously because she stopped talking verbally in internet shorthand. overall, coco’s retool was imo a change for the better, but she’s barely there for me to appreciate how much of an improvement she was. it feels like there’s an entire narrative we were set up for by a new day, yet it’s almost completely missing. the ending of a new day laid out this framework for neku and minamimoto to be forced allies in an unseen future game. i had mixed feelings about this conceptually, but the narrative setup was fairly transparent. not only does this not happen, coco’s motivation in a new day and what ultimately happened were so lacking to me.

i feel like something got lost and we were originally going to actually see and perhaps play the shinjuku game that ended in disaster instead of just getting a summation and brief flashbacks of the survivors fleeing. this kinda ties in with my complaints about how hyped tsugumi was by solo and final remix, and then she turned out to have a very small (albeit crucial, via her trailer ability) and mostly unseen role in neo’s story. retroactively we learn that rindo’s visions are from tsugumi, but this is something she does entirely off-screen. all of coco’s scheming was for nothing, because joshua was a deus ex machina and whisked neku away the second he died. this feels to me like cut content or rewrites; there’s a whole game’s worth of story that just happened off-camera and we got to hear a little bit about it. it wasn’t enough, imo. i think doing it as a midquel is still possible, but it’s a hard sell to create a video game with a downer ending and we know shinjuku’s fate is already set in stone... even though a new day ended on the tragic cliffhanger of neku’s death, it’s a little different since it’s coming as an optional postgame sequel hook after victory rather than the entire narrative you fought through ending in failure. i suppose it could be done with a Distant Epilogue now that we know shiba and most of his surviving reapers will return to rebuild shinjuku. ultimately i really think that if not for the concern about neku overshadowing the new cast, shinjuku’s purification could and should have been the prologue to neo. it would be a tough balancing act, but i do think it could have been done right and it would have done a lot for narrative tension with his absence if we had a prologue following him that ends in a cliffhanger re: shinjuku’s purification. neku’s role in the story was done decently i think re: how big said role was, but a lot of circumstances surrounding his absence, legendary status, and reappearance leave much to be desired.

frankly, i just don’t like how much they glossed over neku’s three year absence. we’re given a vague explanation of what he was doing, but it isn’t actually an explanation. definitely again feels like a plot rewrite situation; there’s this huge blank space of neku doing nothing because there used to be a story that we were going to play through and it got scrapped for whatever reason. overall i feel neku’s characterization was very odd and perhaps a little inconsistent in this game; he didn’t have much of a personality at all, which i struggle to reconcile with the original game. we don’t see how he reconciled with coco, it’s just dismissed entirely as “no we’re good now”. how are we good? why did you forgive her for playing murder games instead of just explaining shit? i know he forgave joshua for his gatekeep gaslight girlboss behavior in the first game, but we had context as to why he made that decision. also what the fuck was keeping him from coming back to shibuya, i don’t feel like that was sufficiently explained either? for someone who was so hyped up by the narrative, i was a little let down by how insignificant neku ended up being to the plot as a whole. and again, his personality seemed very watered down and neutral despite the seriousness of the situation. why was he so mellow? the circumstances of his return i did really like, because... well, we’ll talk about character relationships i guess.

i already summed up my feelings on rindo and shoka and i think i’ll leave them on the note of “unnecessary elements dampened my potential for overt enthusiasm, but overall i feel neutral-positive about the suggestion of romantic interest” which is a lot more than i can say about a lot of (semi-)official pairings. on a broader and more platonic scale? generally i have positive feelings about the new cast and their interactions; i feel like their development is more understated than neku’s in the first game, his character arc is very in your face and the neo cast is not nearly as overt, but you can see the difference in how the team interacts across the three weeks. rindo and fret’s established friendship, not to be dismissive of it, does exactly what it needs to. i mean this in a completely positive way. it’s an established friendship, they feel like friends, and they serve initially as anchors to one another in the beginning of the game as a “you’re the only person i know in this chaos” setup. this contrasts neku in the first game in an excellent way because of how it highlights their biggest character flaws, which i’ll talk about later; it’s important to rindo’s fatal flaw that he has someone to fall back and rely on in the beginning of the game in the same way that it’s crucial for neku’s development that he’s surrounded by strangers who he must learn to trust and rely on in order to survive. rindo and fret can lean on each other in the beginning of the game, and as people who have known each other for some time, are able to recognize and appreciate each others’ positive changes.

i do love the development of nagi’s friendship with fret, particularly how it’s sometimes but not always remarked on when she shelves her initial aloof attitude with him. i prefer when a narrative is more subtle on that kind of thing; pointing it out every once in a while is okay, but i don’t want it shoved down my throat via dialogue that characters are developing an emotional bond. we can see that nagi is slowly becoming more receptive to fret and less likely to dismiss or disparage him. it seems like their initial relationship is that of two people who have opposite struggles; nagi is notably closed off in the beginning, but fret immediately approaches her with an unearned and offputting level of familiarity. their slow and understated (more noticeable with nagi than fret) development towards accepting each other as friends is mutually beneficial to them even outside of the context of their personal relationship; nagi opens up a little with everyone, not just fret. placing two people with very different perspectives on how to interact with new people in close proximity helped both of them grow. i’m sure other people have different perspectives, but i do not feel like they were being teased as a pairing which i enormously appreciate, i am tired of “pair the spares” shit. (minor note: i also appreciate how while fret’s crush on kanon was very overt and strong, she was also fairly clear that she considered him a kid and his feelings were never going to be reciprocated because of that age gap. i know, the bar is low, but thank god.)

i love how, despite nagi now having been confirmed as older than beat, as soon as beat joins the narrative he takes this hard stance of “i’m the one who’s already been in this hellscape so it’s my responsibility to help the newbies”. he really embodies the big brother role so well in this game; he knows a little more about what’s going on, this isn’t his first rodeo even if it’s not exactly the same, so he considers himself to have an obligation to protect the others. he serves as sort of a physical and emotional rock for the team from the second he joins, becoming an excellent support for them both as a combatant and an older brother figure. he has experience in being both of these things, and i think beat’s writing is some of the best in the game.

despite his position as a former player who’s back in the UG, he meshes with the newbies perfectly. he doesn’t overshadow the rest of the team despite having more lived (ha) experience in the reaper’s game, he doesn’t feel like he’s on a different level from them or anything like that. he fits in while serving an important unique role that he can only fill because of his prior time in the UG. it’s completely understandable and reasonable why rindo remains the team leader despite beat’s presence. he’s had a three year gap since his last game and doesn’t even understand how he returned to the UG. he’s not a fish out of water, he knows the UG and the game. but he’s really truly gotta shake the dust off, and he’s trying to figure out what happened to him in the first place because he knows he shouldn’t be in the UG at all. he didn’t have a huge bump in intelligence since the first game, but it’s hard to dismiss him as a complete idiot. he has both large and small perceptive moments where another narrative might have chosen to keep him as the dumb muscle. in fact, his firm convictions serve an important role for the others - beat knows he didn’t die and can’t be convinced otherwise, and his confidence that he’s a living player is part of how rindo and gang realize they also aren’t dead. he’s clearly not simply a comic relief character. another story might have positioned him as more of a mentor figure, but he plays to his strengths and serves to ground the team instead. beat is honestly a highlight of this ensemble cast to me. i’m unsure as to how much of that is simply because he was one of my favorites from the first game, but i really truly love beat in this game.

shoka and neku’s late introductions to the team mean they have far less “we are now firmly allies and friends” interactions with the rest of the ensemble for unavoidable reasons. i will say that the excellent casting and localization for the english version, particularly shoka, has done a lot to mitigate that issue; yes, the plot doesn’t develop her relationships with the team as a whole as thoroughly as some of the others, but the combat interactions with her are so genuine that i found myself shocked when writing this because, well, those combat lines did so much legwork making her role in the party seem earned and cohesive. i had such a strong sense of her place in the team that just isn’t reflected in the cutscenes, and i find that very interesting but i’m unsure as to whether it’s good or bad; i think it’s incredible that the combat dialogue did such a good job fostering this air of “we are a unit” for these characters and it really is a testament to the skill of these actors, but i do wish it was more prevalent in the cutscenes itself. beat’s established relationship with neku and their relaxed nature with one another does a lot to ease neku’s entry into the group; he has an “in” with a firmly established member and a well-written dynamic with him that helps him out here.

as a nekubeat appreciator i feel very fed and i hope there’s an uptick in interest for the pairing following neo. i love how beat, who throughout the game is constantly forgetting who people from 3 years ago are (doesn’t recognize his former superior bc she’s wearing a suit now and can’t even remember her name), immediately recognizes coco despite her changing her entire aesthetic specifically because he’s so angry with her for killing neku. he’s ready to throw down the second he sees her, which gives this feeling of “he’s been waiting for this moment for 3 years”. because the narrative never addresses beat’s change in style, particularly that he wears his hair like neku now, i choose to believe it’s because the last time he saw neku was immediately after coco shot and killed him. it could be that this shit’s been haunting him ever since neku died. my city now, if you don’t talk about it in the game i make shit up. both their cutscene interactions and combat quotes do an excellent job of maintaining the sense that these two have been close friends for a long time and distance hasn’t changed that. they fall right back into old ways with one another immediately.

even outside of the context of me being a nekubeat shipper, their relationship and continued partnership (UG game context partnership) feels very genuine. neku and joshua call each other partner, but it rings hollow. i’m sure it’s partially the lack of screentime that makes it so they don’t feel like partners any more than neku and shiki do, but the game doesn’t even try to push closeness the way it does for shiki - more on that in a minute. beat is the only one of neku’s partners that seems to have retained the same strength in their bond with him despite the three years; shiki and joshua are super absent in the plot, which really undermines their relationships with neku. i’ve already talked about my problems with shiki’s lack of focus and how i feel it harms her relationship with neku, but as for neku’s relationship with joshua, i think neo has taken an interesting approach that i feel will have a mixed reception.

it actually feels like neku and joshua ended this game on worse terms than the first one even though joshua was a far more benevolent figure this time around. neku is very clear about wanting to return to the RG despite this meaning he will have no access to the UG (outside of potentially text-based communication since rhyme paved the way for RG residents to bust into the RNS and... however it was that shoka’s fanGO account worked, since she and rindo were fanGO friends long before his entry to the UG) and doesn’t show any hesitation or reluctance in stating this desire. he seems quite content with not having joshua be a part of his life, as opposed to the first game’s ending where he extends an open offer to joshua to join his friend group. i understand how this would (and will) let a lot of people down, but i actually think it’s for the best. i have no real opinion on neku’s capacity for forgiving joshua after the first game, good or bad, but i think putting distance between them in this game is the correct move.

i take this viewpoint especially given that after the first game, joshua did in fact choose this distance - neku invited him in, and he did not take the offer. it was his decision to not join neku’s group in the first game’s ending and he continued to remain separate from it in the three year gap; he may have masqueraded as a fellow player and peer in age, but joshua is not and has never been an actual peer to neku, shiki, and beat. his life experiences are so different from theirs that i would struggle to suspend disbelief that they have enough in common to maintain a close friendship. he intervened when neku was killed by coco and placed him in a safe area and gave moral support in the ending, and i think this is the most we should expect of a reforming (not reformed but in-progress) misanthrope like joshua. he’s an enigmatic figure sure and largely benevolent if inactive in this game, but he isn’t a good person and he clearly considers himself to be on a different level from neku and his peers. hanekoma notes that joshua’s somewhat reluctant to continue to remain separate from neku’s group, but i think the narrative places him both objectively and in his own mind as someone who is just... from a different world. joshua chose distance, he chose to cut contact, and this is the consequence of that decision. i think that’s a good lesson to teach; it may not be a given, but it’s natural that sometimes a friendship you ignore will fade. it doesn’t necessarily mean the time you spent didn’t matter, but you shouldn’t be shocked if a plant you don’t water wilts away.

i feel like that wasn’t the intended takeaway, that it was just questionable writing that i’m reading too deep into, but that’s how i feel about the situation.

i’m also incredibly grateful that hazuki was introduced as an age-appropriate option for joshua and i hope they’ll draw attention as a bastard boyfriends ship, both because i think it’s very funny and because i have opinions about shipping joshua with the teens. i know it’s contentious and i’m not going too deep into it, so what i’m going to say is this. the secret reports state in plain objective text that joshua downtuning his vibes aged him down and his true appearance is older. neither the narrative nor supplementary info state anything about how old josh was when he died or how long he’s been a reaper/the composer (reapers ageing is ??? as well, we don’t know if it’s not a thing or if it’s optional or what). however, it is firmly canon that he is older than 15. if that canon upsets you then that’s your problem to either work through or ignore indefinitely. suffice to say, joshua and hazuki do not have the schrodinger’s pedophile issue and i wholly support and strongly encourage that over the alternative for this reason and again because i find it funny and think they deserve each other. i hate to say hazuki is a healthy choice for joshua because i think both of them are just walking messes, but they are actual peers on the same tier of the higher plane pecking order and more importantly the disaster they could be as a couple has infinite potential.

on the girls side of things, i am still mad about eri’s absence not just because it’s a relationship shiki had that just got ignored. i know the story wants us to believe that neku and shiki have something but shiki and eri had more. i’m sorry writers you made a more compelling f/f ship by accident in the first game and i am not invested in the one you weakly suggested between neku and shiki here. if you made shiki have more of a role in neo maybe i’d feel differently, or maybe you would have screwed it up worse. we’ll never know. i think it’s a shame that they couldn’t make me care about neku and shiki as a pairing, but it is what it is.

i was briefly worried that the game would try to suggest something between kaie and rhyme because sometimes people lose their minds when a boy and girl stand next to each other, but i was quickly set at ease with that one. they felt like two people who are starting to straddle that line of acquaintance/friend in a believable way despite how little interaction between them we see, and i appreciate that. i was also briefly worried that fret would develop a crush on rhyme based on his initial reaction at being introduced to her, but again quickly dismissed. can you tell i’m a little gun shy about strangled “him boy her girl” romances in fiction these days? yeah. i’ve been let down too much recently by bad writing.

i think all of the party members could have benefited from more development with one another outside of combat lines - i would like to see more interaction between nagi and shoka, or neku and fret, etc - but that would come at the expense of the narrative’s pacing. i think it could have been done by tweaking certain details, but ultimately i can accept this as a sacrifice made in the interest of keeping the narrative from getting bloated.

i wanna talk briefly about the new main cast a little.

rindo’s ups and downs re: development are much more subtle than neku’s were, but with the secret reports in mind i feel his arc is actually pretty excellent. i think we could have done with a little less of fret pointing out rindo’s increased confidence and how he becomes more assertive, i think the audience is smart enough to notice that on their own. but i’m a huge fan of how the narrative quietly places rindo in this position of a leader who fears that responsibility, but nonetheless has to grow and accept it. hanekoma’s reports may spell it out in plain text postgame, but the narrative already told us in our own way that rindo’s development stalled when someone else entered the cast who could take over for him and this is demonstrative of a(n understandable) lack of maturity and failure to grow. neku’s fatal flaw was his rejection of others, and so he was forced by the narrative into a position where he had to learn to trust them; rindo’s is that he relies too much on them and the narrative forces him to stand on his own.

while i think this is a little muddled (he was right in some instances to not make hard solo decisions; thinking specifically of ayano, it was absolutely the right call to ease shoka into this inevitable loss rather than forcing her into the situation unilaterally) and i wish we saw more consequences of his initial waffling behavior, rindo’s indecisiveness is an actual flaw that i think a lot of people can relate to and i think it contrasts him wonderfully with neku without being heavy-handed. rindo working through it from “relying on others to make choices for him -> still valuing the input of others but not wholly dependent on them -> capable of making difficult calls without anyone else to support him” was subdued and while it had realistic hitches in the form of other characters who he could consider authority figures, it was steady and imo very good. he’s a teenager coming into his own, stepping out of this world where others in his life - motoi as an0ther, shoka as swallow, presumably his parents, teachers, etc - have made the big, scary decisions for him or guided him through them, and into a place where there aren’t these people to guide him. he’s surrounded by people who either don’t know anything more than he does, or don’t care about his best interests; he’s clashing and changing and it forces him to grasp and accept his own autonomy rather than falling back and relying on someone else to fix things when it’s too frightening or difficult.

we can talk cultural differences re: the level of autonomy and responsibility that’s right for teenagers but i’m not really interested in drawing hard lines there. this is a coming of age story; as he approaches maturity, rindo is learning how to be an adult. i think that’s a classic and important narrative concept and it’s done well here.

fret, interestingly, is imo a case where the subtlety didn’t work out. to me, there wasn’t a huge distinction between flippant “telling you what i think you want to hear” fret and “genuine” fret. his initial interactions with kanon don’t seem different from their last conversation; maybe he comes off as less initally honest in the jp version, or maybe this one was a writing fumble. maybe it’s just me, and other people don’t feel the same way! he seems to be a far more static character in a strange way; the narrative tells us that he’s developing via other characters’ dialogue, but it doesn’t seem to support that. to me it’s a failure of “show, don’t tell” - i don’t take a hard stance on “show, don’t tell” as some kind of holy rule of writing, there are plenty of situations in a narrative where telling is perfectly acceptable and i think rigid adherence to showing and not telling can result in a bloated narrative, but in this case i feel like that’s where the narrative failed. it failed to support fret’s development outside of other people telling him he’s changed. i like fret, but i feel like in this ensemble cast fret and nagi kinda serve more as nominal protagonists and are more strong supporting characters than true leads.

as for nagi, i love how, despite it being low-hanging fruit, not only are there no real digs at nagi for being a vocal fangirl of a visual novel dating sim, it actually ties perfectly into her character as someone who understands people. dating sims are about people and relationships. how people interact, the importance of conveying your feelings, the consequences of bad communication; that’s what nagi is obsessed with. and rather than this being a detriment and making her avoid others, it ends up priming her to have healthy friendships because her gaming taught her to value knowing other people. it takes her time to actually open up, but rather than the video games closing her off to others they actually set her up to be an excellent friend. elestra in general could have been a subject of enormous mockery, but instead it’s viewed in a very neutral way and is given the implication of universal appeal by fret picking it up in the epilogue. nagi’s not in the spotlight for most of the game, but the payoff of her monologue to fret about being human was immense and was one of the best bits of dialogue in the entire game to me. it’s not going to be as iconic as hanekoma’s “open up your world” and “enjoy the moment”, but i truly think it’s one of the only parts of neo’s dialogue that approaches its level.

shoka is a character that i think is better on the replay, and i say this as someone who was very fond of shoka the first time around. i thought she had a lot of personality in her mannerisms alone, and i firmly appreciate how she wasn’t a one-note tsundere character. she had some of those minor elements, but subdued and with a reasonable context - she’s hot and cold with rindo and his team because she’s supposed to be working this rigged game to erase them, but she’s already rindo’s friend in a different context and is struggling to reconcile these two parts of her life. knowing her motivation as swallow gives so much retroactive depth to her actions; she was circumventing the game itself not just because she was exhausted by it or unease with shiba like some of the other turncoat reapers, but because rindo was her friend from before the story even began.

i will say that i didn’t actually fully call swallow being shoka simply because at first i had the impression that it would be rhyme (before rhyme’s role in the story became clearer), and admittedly by the time the climax hit the mystery of who swallow was had kind of dropped out of my mind completely, but i think it does a lot to develop shoka. whether this development being retroactive is strictly good or bad as an issue is subjective; neo is a game that has a built-in chapter select, so replaying the game and rewatching the cutscenes with the full narrative context is incredibly easy. however, for a lot of players, if you’re replaying the game it’s with a specific goal of getting something you missed earlier in-game, so you’re rushing through those cutscenes trying to get to that completionist bit. i think a line could have been walked re: giving more of a hint that shoka was swallow before the very end without fully giving it away, but i definitely think the rewatch value is more subjective and based on how you specifically play the game. if you’re here looking to watch all the cutscenes again now that you know everything, shoka being swallow is a huge treat regarding changing the context of her behavior - if you’re fast-forwarding trying to find a pig, it’s totally wasted.

i would have liked to see more of shoka’s backstory and interaction with the other shinjuku reapers for sure, and i wonder if this is another thing along the lines of “we were supposed to see more of shinjuku’s final game than we did”; if we’d gotten more of shinjuku, we certainly would have seen more of its reapers. i talked briefly about how i feel like ayano’s death didn’t hit the way i think it was intended to, but if the game had let us see more of her as a shinjuku reaper i feel like the entire plot would have benefited. it would have benefited shiba as well honestly; they tried to have him as a repentant “now i shall fix what i destroyed” character at the very end, but i don’t feel like they did a good enough job portraying that he had changed and he was brainwashed so it fell flat. if we’d seen more of shiba as the compassionate leader who deserved the loyalty of his reapers that they say he was, the contrast would have done a lot to help define the tragedy of his backstory. overall i think this is another “we lost a chunk of the plot in rewrites or something” issue, which i admit is not based in anything like interviews. it’s just my speculation because it feels like something that was supposed to be here got left behind - i can’t say if i’m right, or why it happened if so. it just feels to me like the shinjuku reapers besides shoka went fairly undeveloped not because of writing/lack of screentime alone but because we lost big pieces of shinjuku content entirely. it’s insane that we only learn in the secret reports how tsugumi became trapped in the mr. mew plush to begin with; to me, this screams “we had to cut something”, and the more i think about it the more convinced i am that we were originally meant to see more of shinjuku’s inversion. hell, the secret reports just flippantly inform us that tsugumi’s brother was shinjuku’s conductor and he’s why she survived - but he goes unnamed and unseen, mentioned only in a piece of postgame content that many players may never unlock.

shinjuku’s final game is just left as this incredible story that was never told, with a cast who we barely see. again, it doesn’t bother me that they never explained to us why hazuki purified shinjuku. but i do wish we could have connected with its reapers to see how they reacted to its impending fate; who was on kubo’s side, who was trying to protect shinjuku? who knew what was happening, and who was just swept up in the chaos? how did the purification affect them emotionally after their escape to shibuya? just from the secret reports we see that tsugumi’s brother is this tragic hero of another story, the conductor opposing the executor and fighting to save his city before ultimately sacrificing himself to keep his sister alive. this is enough content that it could have easily been a standalone, but it wasn’t. i think that’s a damn shame. i’m sure there are people who are already chomping at the bit to write about shinjuku’s tragic final game and it’ll make a stunning fanfic in the right hands, but this is a big gap for fanfiction authors to be filling in.

this was mostly a narrative thoughts dump, but i wanna say just a couple of things about the combat: overall i liked it! i was significantly overleveled for the vast majority of the game partially because i was having fun with the combat, i feel gameplay was very intrinsically motivating. because of how the food system worked, being overleveled didn’t mean too much since it only affects HP, but i also was eating constantly so i was in fact just OP for much of the game. so i suppose, take my gameplay commentary with a grain of salt because i was busted quickly. if i hadn’t been such a powerhouse from early on, i expect my gameplay experience would have been much different.

my biggest complaint: there were some significant issues in enemy design related to battles being timed and the timer having consequences. some enemies were a reasonable/intuitive pain, say, elephants being bullet sponges and chameleons having an invisibility mechanic. these things made them challenging, but in a sensible way. like, of course a big honkin’ elephant has a ton of HP. i think that chameleons in particular could have been tweaked; you have to be very close to them when they’re invisible in order to lock on, and i think this could distance could have been extended a bit to minimize frustration. likewise, it felt like party members that get grabbed by a t.rex were trapped for ages; i feel this could have been tweaked as well. i know a lot of people had issues with wolves for this same reason, but their comparative frailty and my pin choices meant that i quickly overcame wolves and they became a minor nuisance at best until endgame introduced a beefier wolf. even then, i found t.rex noise to be much more of an issue because of their sturdier nature and higher damage output. these are minor gripes; i didn’t like seeing these enemies, but i didn’t hate seeing them. no, here’s what i hate: rhinos and pufferfish.

to me, these are the most annoying enemies in the entire game outside of maybe a handful of bosses. i feel they were poorly thought out in general. the tendency for rhinos to put themselves against the arena walls and the delay on pufferfish exploding after their HP hits zero do not mesh well with that battle timer. i find myself very frustrated by these enemies because it feels like i’m being punished not for a lack of skill or bad decisions choosing weak pins, but simply bad luck. very few pins can circumvent the rhino’s front guard and the hitbox for their guard feels enormous, so i can’t imagine i’m the only player having difficulty herding them out of corners to actually damage them or get beat drops. there’s a postgame dive with a big noise rhino, and it was my worst experience with the entire game because it just kept backing into a corner. i quit that dive multiple times because of how much time i wasted with the rhino; i changed my pins like crazy trying to take advantage of elemental weaknesses or use pins that could circumvent the guard. but it wasn’t about what pins i was using, it was just bad luck with hitboxes. when i finally got the gold rank on that dive it wasn’t that i did anything significantly different, the rhino just didn’t park its ass in the corner that time.

as far as i know, and i hope i’m missing something that someone can enlighten me on, there is no way to prevent pufferfish from inflating and exploding outside of a killer remix. i have not discovered any way to make them explode faster. the amount of time it takes for them to blow up seems to vary not by species but by individual, i’m not sure if it’s being triggered by proximity to a party member or what but i know sometimes one of those little shits will inflate and chase me across the entire arena before finally exploding. in a chain battle, that wasted time adds up. the pufferfish issue could have been severely mitigated, if not entirely fixed, if the gap between HP hitting zero and explosion was just the time it took for them to inflate. that would have basically eliminated my needless frustration with them. but instead i just... don’t know how to make them pop faster.

in normal combat, your post-battle score is primarily just bragging rights/making yourself feel good to have gotten a good grade. but when it comes to dives, where the timer directly decides how many of the finite friendship points you get, the appearance of a rhino or pufferfish specifically is something i approached with dread and disappointment. i already mentioned the postgame dive giant rhino specifically being a nightmare, but this was a reoccurring element for me through the entire game with just normal rhinos. i know rhinos are a returning enemy and kept their front-guard schtick, but the shift to a 3D environment has made them a much more (imo needlessly) difficult opponent.

regarding the pin system itself, i was enormously disappointed to learn how the multi-pin input worked. it turns out that you can only have multiple pins using a single input no matter how many multi-pin wields you unlock; gone were my dreams of having 2 Y-input pins and two ZL input pins (i played on switch). the inability to multi-pin wield uber pins regardless of how many uber slots you have filled is also a huge bummer. i feel like in the postgame i should be able to be an absolute god of destruction, but this didn’t pan out.

this seems to be a switch issue, but autosave was the MVP of the game because i had a few cutscenes crash or freeze (the one with kubo’s reveal seems to be a common source of a crash on the switch version as it fails to load the 3D cutscene); this was annoying and needs fixing, but it was slightly mitigated by autosave kicking in immediately after boss battles. i was crushed thinking i was gonna have to go through the shiba fight again after kubo crashed my game, so the relief i felt upon loading up again and going right into the cutscene was immense. don’t get me wrong: cutscene freezes and particularly crashes are a big problem that a game like this shouldn’t have launched with, but at the very least i didn’t lose my progress on that crash. related, i appreciate the ability to speed through cutscenes you’ve already seen, but i do wish we had the option to skip them entirely because that would have saved me from the freezes that i had to manually close the game and lose progress for.

a more minor complaint that i admittedly am unsure as to how to fix (maybe utilizing the d-pad instead of having it be camera/target select alongside the right stick?) is that i do not seem to have much control over which character my camera centers on in combat. typically selecting the pin that’s equipped to them will focus the camera to them, but every once in a while i’ll be locked to someone whose pin is rebooting while my other party members are actively attacking on the complete opposite end of the arena. i have no idea why this happens. if i’m missing something please let me know. the static nature of the overworld camera took some adjusting to, at first i was offput but i got used to it quickly. if camera was fixed position in combat it would have been a nightmare, but it being fixed in the overworld isn’t the same beast.

this has gotten obscenely long, so props and condolences to everyone who has made it this far. i wanna end on a high note because i want to reiterate something: i have so many criticisms here and that’s actually praise. i enjoyed so much of this game that i’m critical of where it fell short specifically because it’s such a strong contrast to how much i felt it did right. the main story was pretty strong in general, though some character interactions were lacking. the plot itself i didn’t talk a lot about because i thought it was good. there wasn’t much to say, they did a good job! the dissonance noise being created from deleted timelines was great, i loved that. i don’t feel like predictability makes a narrative bad, so it’s not like i was upset when it turned out replay was (gasp) part of a dastardly scheme. for me, foreshadowing is an excellent thing even if sometimes i wish it was handled a little differently.

i vastly prefer this game’s vague sequel hook with minamimoto over how final remix ended a new day; that sequel hook i hated and it had me so worried about neo. thankfully a lot of my fears didn’t come true, and i am very happy overall with the game we got. if another game is greenlit, i would hope it progresses with a mostly new cast; as long as we stay in shibuya some supporting characters can and should be staples imo, like kariya and uzuki, and i hope to see more of what’s being set up with minamimoto even if not necessarily with him as a protagonist. but overall i think twewy’s worldbuilding lends itself much more to a rotating cast if it develops into a full franchise; that’s just the nature of the UG, and i would like to see further installments taking advantage of that and allowing characters to have a complete arc and then retire from the narrative naturally.

i’ve got some pigs to erase and some bosses to slap the pins out of, which i’m sure will take me some time. another day certainly has a secret boss and/or time trial boss rush, so i’ll take a look at that sucker soon as well. i’m looking forward to continuing my playthrough, and i expect to sink quite a few more hours into this game. i really truly enjoyed neo despite my qualms, and i’m leaving the main storyline behind for postgame stuff with almost entirely positive feelings and a hopeful stance on the potential future of the series. i know this was a long-ass post, which is why it’s beneath a readmore, but to anyone who cared enough about my thoughts to keep reading the whole thing... thanks for the time you spent, hope you got something positive out of it!

[punz4lyfe]

Pokemon Journeys’ Bea.... Kinda Sucks

Hello again! After a weekend of contemplating, I’ve decided to write a little blog review of Pokemon Journeys’ version of Bea from SwSh. Originally, I was planning to do after we get a bit more episodes of Bea, but with all the leaked episode titles we’ve been getting, I’ve got a feeling we won’t see this lady until sometime at late-February, or even March, so let’s just get this outta the way now.

Also, please note that since Bea has only made two actual appearances in the anime, many of the points I will talk about will be subject to change depending on how the writers will handle her in the future, but with all that said, let’s get right to it.

Before we begin, let me just say this: in the games, I find Bea okay. And in Twilight Wings, I love her character and I feel she had a great amount of focus and depth. However, in the anime, I find her.... a little lame. Now don’t get me wrong, I don’t hate her or anything and I feel she has a ton of great potential. So much so, that she could honestly surpass her Twilight Wings variation, but as of now, I’ve got some problems with her.

Problem #1: Her Goal/Motivation

So my first major problem with her character is her goal. Like almost every other trainer we’ve seen in Journeys, Bea wants to rise her rank in the World Coronation Series so that she can battle Leon and take his place as the world’s strongest trainer. But here’s my question for though: Why? Why do you want to be seen as the world’s strongest trainer?

In many past regions, almost all of Ash’s past rivals had the “what” to their goals: Conquering a regional league. However, many of them also had different “why’s” that added to their own motivation. Paul had a brother to prove himself stronger than, Alain had his whole thing with solving the secrets of Mega Evolution for Lysandre as well as finding a way to cure Chespie’s coma, and Gladion wanted to find his dad. From Bea, I’m literally getting nothing from her. Does she have a master she wants to prove herself to? Well, we later find out she trained under Johto’s Chuck, but that’s all really. Does she have some kind of troubling childhood where she was initially seen as weak by her peers, and now with the chance in hand, she can prove everyone wrong by becoming the world’s strongest trainer? As interesting as that sounds, that doesn’t seem to be the case, either.

Without any proper motivation, I have no reason to care for her goals. Please, writers, in her next appearance, please give us the “why” to her actions and not the “what”. Bea has a really cool design, so this is your chance in giving her a cool backstory to boot.

Problem #2: Her Team Sucks

As I’ve mentioned, Bea wants to conquer her way through the World Coronation Series and take Leon’s place. And how is she gonna do that? With a team of all-fighting types? That’s not good enough!

Fighting types are awesome undoubtedly, but like all types, they have their weaknesses. Imagine if Bea faced off against a trainer who, in turn, had a team of all fairy, flying, psychic, or ghost types. She would be completely screwed and she must’ve been pretty lucky to reach her current World Coronation status with a team like hers. There’s honestly a huge list of trainers I can think of who could completely screw Bea over, like Agatha, Skyla, or Sabrina. Heck, if you really think about it, if she were to face Leon, who we know possesses a Dragapult and Charizard, she honestly wouldn’t get far due to Dragapult’s half ghost typing and Gigantamax Charizard crushing her team like ants because it’s a flippin’ half flying giant. And if she were to take Leon’s place, it probably wouldn’t last long since someone can easily identify her preferred type and screw her over with the typings I’ve previously mentioned.

As a matter in fact, let’s imagine a what-if scenario: Ash using Gengar against her Grapploct, who the anime seems to be emphasizing as one of her strongest Pokemon. Looking up her Grapploct’s moveset in the anime, Detect would only delay the inevitable and Close Combat and Octolock wouldn’t do anything due to Gengar’s ghost typing, leaving Liquidation as the only option Grapploct would have to hurt Gengar. Meanwhile, all of Gengar’s own moves can easily affect Grapploct, especially Psychic. And before you bring up the time Gengar lost to Korrina’s Mienshao, keep in mind this, he was taken down by a Beat Up attack, a dark type move that’s honestly pretty broken if you think about it. Does Grapploct know any dark type moves? Nope. Would any of her other Pokemon know some? Most likely, but my point still stands that, with the right mon, you can easily screw up her own team.

That’s why many Champions and Elite Trainers have well-diversed teams. Because if they just stuck to one type, then someone could easily take advantage of that. Many of Ash’s past rivals also had well-diversed teams to keep the stakes high whenever Ash battled them, just look at Gary, Paul, Trip, Sawyer, and Alain. Speaking of stakes...

Problem #3: The Stakes Are Kinda Small

As I just mentioned, because of how straightforward her team is, the stakes of her and Ash’s rivalry are honestly kind of small in that regard. But that’s not all. I know this might be an unpopular opinion, but in all of her battles against Ash so far, I still don’t feel the reason to take her seriously.

Going back in her debut appearance, before her battle against Ash starts, she states that she previously beaten Korrina and called her ‘weak’. And to that, all I have to say, so? Ash has already beaten her a while back, and then he became a champion, and then he beaten her again. I have no idea what you’re exactly trying to prove with that, Bea. Not to mention, we didn’t even get to see who she used against Korrina and her Mega Lucario. Was it someone in her current roster or perhaps a secret weapon? Why would you hide this from us, writers?

Anywayz, going into the battle itself, Ash lost without defeating a single Pokemon. ...Yeah, I’m still not seeing the reason why I should take her seriously, considering the only mons Ash used were little baby Riolu and newcomer Farfetch’d. If it were a three-on-three with Ash using Dragonite, but he still lost, then I would see Bea as a big threat to his goals, but no. And while the lost did lower Ash’s own rank, be quickly raised it back up off-screen by her next appearance, so I guess that wasn’t much of a big deal overall.

In their next battle, Ash used Pikachu and Riolu again and it ended up in a draw, affecting neither of their ranks. Even with a draw, I don’t see any reason to take Bea seriously. While she managed to take down Pikachu, it should be noted that it took two of her Pokemon to do the job, plus Pikachu’s one of the most inconsistent characters in history, so him losing to Grapploct doesn’t really bring in a lot of stakes. And since Riolu and Grapploct tied, that pretty much spoils the fact that Ash’s aura dog will most likely take the W in one of their next battles, especially since Riolu has now evolved into Lucario.

Most rivals in the past usually consistently beat Ash a few times in a row to really set up the stakes for their rivalry. It would add interesting conflict and dynamic in their final confrontation, but considering the recent tie and that Ash only used his two newest mons in their first battle, I don’t really care about Bea as a rival. Not to mention, it took two mons to take down Pikachu, Dragonite and Gengar’s typings royally screw her over, Lucario’s evolution and Farfetch’d’s future one might set them up to be equal or even stronger than her mons, and Dracovish has the potential to be an absolute tank.

Final Points

Overall, with what we’re given so far, Bea kind of sucks as a rival. We don’t have any motivation or depth, her team sucks, and there aren’t really many stakes. She’s pretty much the generic mean boss lady we will have to defeat by the end of the journey. I honestly get a lot more stakes from FF7′s Turks.

But is she the worst rival that Ash has ever gotten? Not by a long shot, especially since the likes of Nando and Cameron exist omg Cameron why do you exist? And like I said, since she’s only made two appearances, there’s still a lot of room for improvement, so many of my issues with her could change over time. I just wanted to get this off of my chest and hopefully provide some insight to my fellow fans on how Bea could become a better character in the anime.

Though, I kind of feel there could be some better directions with her. Even if we get more development, her team will suck by the end of the day, so why not make her a rival for Korrina? They’re both fighting type specialists who aim to be the strongest, plus you could pull off a super cool rivalry over which is stronger; Mega Evolution or Gigantamaxing, with Lucario and Machamp respectively. I honestly feel Hop would be a better rival for Ash due to similar personalities, goals, and diversity in teams. Assuming Hop exists in the anime verse, of course.

If you made it this far, thank you very much for reading my thoughts over Journeys’ Bea! Please feel free to follow for more anipoke content! (am i cool already)

[beyondstupidityblog]

On March 13th 2021, two friends and I did what never could have imagined possible, I watched Freddy Got Fingered for the ninth time, and it will by no means be the last. I’m explaining this to you, dear reader, so you and I have an important understanding between us. You will be reading the ramblings of one whose brain has curdled like milk left out in the hot afternoon sun. Now that introductions are out of the way, let us begin.

Freddy Got Fingered is a 2001 Comedy starring and directed by Tom Green as the Non-Titular Gordon Brody; an aspiring animator who goes to California to realize his dream, only to be constantly crushed under the weight of his father’s expectations. Sounds tame at first, but what lies beneath the veneer of mediocrity is truly impressive. Completely bombed,  audiences hated it, and critics loathed it. Roger Ebert got angry, saying “it isn’t even below the bottom of the barrel” and “Green should be flipping burgers somewhere.”. “Tasteless”, “appalling”, “offensive”, “gross”, and “poo poo,” are just some of the things people have had to say about this film. Animal genitalia can be seen on screen for much longer than anyone could have expected, Tom Green swinging a baby akin to a morning-star with its umbilical cord, said umbilical cord being stolen and taped onto his stomach, gratuitous caning of a nymphomaniac paraplegic, and the dissection of a deer carcass. It is an abrasive experience that leaves a terrible taste in the mouths of those who mention it. Nonetheless, I love this movie. 

You ever see a contemporary art exhibit that has a piece that just looks like garbage somebody left out but in actuality is a tongue-and-cheek allusion to the pitiful state of modern art? That garbage is Freddy Got Fingered, and that exhibit is Hollywood. At face value it just seems like a poorly done film by a comedian trying to use his name to get a few butts in the seats before his irrelevancy arrives, but when scrutinized as a commentary of comedy films do the pieces start to fall into place. Tropes like the Protagonist being an unremarkable honkey, gross-out designed to get some cheap quick chuckles, side-characters who occupy the space solely for comedic relief, a shoe-horned romantic side-plot, and an equally as shoehorned in happy ending are all present in a mocking fashion. So many of these Hollywood schlockfests that this movie is paying homage to abuse tropes in some vain attempt to trick the audience into thinking they’re having a good time, when in reality it just reminds viewers of films that they’ve already watched before and could be enjoying instead. All of the awkward and uncomfortable scenes of gross-out and romance are purposeful, because nothing is quite as awkward and uncomfortable than a film disengaging the audience with its own mediocrity. “This is what it’s like to endure this trash!” Drunkenly screams Freddy Got Fingered atop the tallest piece of furniture in the room, while also exposing its genitals to keep you from getting too comfortable around it. Unlike the films it is parodying, its obsession with making a fool out of audiences rips them away from the comfort of the cinema, making them genuinely ask if it is worth wasting their time watching a film called Freddy Got Fingered. Even the title is an intentional slight, as it seems to be completely untethered to the actual plotline and is instead a reference to a seemingly inconsequential scene. But then again, that is the point of it all. Tom Green is an artist, and on his canvas is a portrait of Hollywood with all of the ugly little imperfections that cause a movie like this to be created. But this is just the meta-narrative of Freddy Got Fingered, something that you could find all over the internet. Why do I resonate with it so much, and what about it makes it so exceptional that led to this unhealthy fascination?

    Every instance that I’ve rewatched Freddy Got Fingered has always brought about a new side to it, and in the process leaves me craving for more. Gord is an interesting take on the average leading man. He is on the surface bland and inoffensive, made so in order to allow the majority of the audience to immediately identify with him, said group being 20-something skater guys with unrealistic expectations of themselves. Made especially ironic when after the introduction of Gord as an adept skateboarding rebel escaping from authority, he starts to show that in reality he is an unlikeable, bratty, entitled, and all around unpleasant person. Barely a scene passes before we see him masturbate a horse while exclaiming he is a farmer to his father who is not present, seemingly a crude gag but is in reality an insight into his low self worth caused by his imposter syndrome stemming from distant paternal relationship. I would like to remind you, dear reader, that I am still writing of Freddy Got Fingered, in case you were beginning to think I have lost my mind (The answer is yes by the way). All throughout the film Gordon Brody puts on masks for different situations, never allowing himself to be who he is. When infiltrating the Animation studio where he wishes to pitch his cartoons, he pretends to be a mailman to get past reception and then impersonates a police officer when the former stops being effective. Donning the visage of a British Bobby, he dashes into the restaurant where the man he is searching for, Mr. Wallace, is eating. Showing him his cartoons, Wallace is impressed with the potential they have, but says that they are incoherent and lack real substance. Upon rejection, Gord puts a pistol in his mouth before Wallace stops him and advises what he should do to improve. Gord was genuinely ready to blow his brains out the back of his skull if he wasn’t able to get his show greenlit, and it hit me in that moment that he isn’t just some random jackass, but a victim of detrimentally low self-esteem.

The origins of his complex are made apparent when he goes back home to Oregon and are reintroduced to his Family. We see that his father Jim, played by Rip Torn, is disappointed in his return and begins to sneer at him for his failure. This father and son dynamic always has tension in every scene from this point onwards. Gord, who just wants to be accepted for who he is and not judged by what the world expects him to be, is always at the receiving end of Jim’s wrath, who values his idea of a successful life over the happiness of his sons. From here it becomes little wonder why Gord is the way he is, all his life he was told that who he was is not good enough, he has to be what his father wants if he is to be considered worthy of not only love, but being treated with a modicum of dignity. Whenever Gord acts eccentric or divulges his interests to his father, they are met with either resentment supplemented by verbal assault, or physical violence. After a late-night skateboard outing to escape from his father’s wrath goes awry, he visits his convalescing friend in the hospital, whereupon he meets one of the more interesting characters in relation to Gord, the love interest Betty.   

A horny wheelchair bound temptress may not seem like it upon first glance, but Betty is actually the most interesting character out of the entire cast. She feels genuine, introduced as a bored receptionist flipping a coffee creamer idly. Gord immediately strikes up a conversation, whereupon he and the audience find out she has an interest in physics, and apparently an interest in him as well. Betty is strangely well written for what most considered at the time to be a crass sexual joke, so much so that she would actually be a better protagonist than him. She is everything Gord is not, she’s smart, funny, ambitious, and  kind to a fault. Even her side plot to create a rocket powered wheelchair makes for a much more unique plot than the one given. Even Gord reciprocates this sentiment in their meeting, lying that he is a stockbroker in an attempt to impress her. In fact, sectioning her off as just the dull protagonist's love interest is a jab at how women in these movies are only there to serve in the development for the male protagonist, just nothing more than their muse. Nonetheless, without this relationship the movie would lose a lot of its soul. Romantic chemistry in comedy films is always hit or miss, but Gord and Betty do seem to have it surprisingly. They’re both silly and impulsive, creatively driven to a fault, but just different enough to eek out the best and worst in them. Gord  thinks that what he wants to do with his life is wasteful, but Betty doesn’t. Now I don’t mean that she directly affirms that he is worthwhile like most poorly written love interests would, stroking their lover’s(and by extension the director’s) ego, rather she confronts him with her optimism. He asks if she would feel stupid and like a loser if her experiment failed. Taken aback at first, she questions why she would, relaying that her failures are just as important as her successes. Gord’s self-worth is directly tied to his ability to succeed, whereas Betty doesn’t need this affirmation. Their dialogue further cements how detrimental his father’s overbearingness was to his outlook, and how he is slowly beginning to realize how destructive that mindset is. 

At their dinner date, Jim sees Gord and Betty across the restaurant, then reveals that Gord was lying to both him and her about his office job while poking fun at her disability, leading to a father-son scuffle that throws the entire floor into utter chaos. Cops show up, Gord and Jim are detained, and Betty bails Gord out. Most mediocre comedies at this point would have the love interest be upset that her significant other lied to her, leading to him having to make things right to repair their relationship before the happy ending. Breaking the mold, Betty does not get angry with Gord even a smidgen, choosing to be understanding of his situation now that she caught a glimpse into his home-life. She just plain likes Gord, willing to put up with him more than she really should, but still chooses to look past his lies and self-destructive nature for who he truly is, someone who just wants to be accepted by the world around him. Someone just like her.

Right after that enaction of social terrorism performed by the Brody father and son duo, they decide it would be best to go to family therapy and assail the audience with what I fondly refer to it as, “The Scene.” “The Scene” is Freddy Got Fingered’s statement to the world, it is what instills a man with the impetus to rewatch a glorified stoner daydream for the ninth time and leave him wanting more! Gord accuses his father, in a final act of defiance, of molesting his younger brother Freddy. During the ensuing confusion Gord picks up a bust of Sigmund Freud and throws it into the glass window pane, allowing him to escape into the evening sun. The authorities take Freddy away and send him to The Home for Molested Children, and the family slowly unravels from then on. Besides the heavy handed metaphor of Freud’s theories being used as a way for Gord to escape his predicament while simultaneously discrediting them, “The Scene” also recontextualizes Freddy, innocuous of a character as he is, as Gord’s foil. He is in the movie very little but when he is it is to serve one of two purposes: To be compared to Gord, or to be treated as an object. During breakfast much earlier in the film after a fight between Gord and Jim, Freddy tries to explain to his brother that he should grow up. Gord, surprisingly, talks down to him and halts the conversation.

Gord: “He's driving me insane.”

Freddy: “No. No, you're driving him insane. You're older than me and you still live at home. I have a job, you know. I pay my own way.”

Gord: “You work in a bank. Should I be dazzled?”

Freddy: “Well, at least I don't live at home!”

Gord: “No, you live in a tiny shithole and you come here to eat for free.”

With these lines it is plain to see that despite Freddy’s idea of success directly lining up with his father’s, he is even more pitiful than Gord. What little we know of him is to show that his acquiescence to his father’s expectations has left him bereft of not only genuine personal success, but of dignity itself. When child protective services come to take him away, he is half naked, mouth agape, watching open heart surgery on television, a palpable indication of emptiness. He isn’t treated as an adult either, as his protests to the police fall on deaf ears as both them and the psychologist infantilize him. Why would Tom Green name this movie after a character like Freddy, whose lack of presence and characterization make him little more than an afterthought when looking back on the story? Or did I just answer my own question? Freddy is not a character because he is not allowed to be one, he is just too passive and accepting of his circumstances for him to stand out. All he can be is a doll that Jim uses to dress up as the perfect son, and this passiveness leads to Gord, the “failure,” to both pity and resent what he let himself become. That’s why Gord accuses their father of molesting him, after all he does narratively violate Freddy’s autonomy by consistently making decisions for him. Evidently enough, as soon as Gord dons a suit for a quick bit Jim is elated because he believes that his son finally gave in to his demands for him to get a job, because he is acting more like his obedient brother. In this sense Freddy is the most tragic member of the Brody clan, a literal manchild whose growth was stunted by overbearing guardians. When I think of him, a bonsai tree comes to mind. Sure, it looks healthy, but when you realize that it could have grown into a much bigger plant if it were not for its small pot, that realization of wasted potential comes with a tinge of melancholy.

I want to end this essay with a moral that I took away from Freddy Got Fingered, as strange enough as that sounds, and what it has to say about art as a whole. Put simply, this is a story about revenge. Despite and because of his Father’s harsh ways, Gord managed to take from the trauma he sustained throughout his life and sublimated it into his animation. Creation not only lets him heal, but also acts as retaliation against Jim once he becomes successful. So long as you have the drive to prove everyone’s doubts and admonishments wrong by persevering out of wicked spite, you will have the last laugh. Freddy Got Fingered is a story about revenge through artistic expression, and I think that is quite beautiful.

[ryttu3k]

Finishing up SoNY, ‘bad’ end and final thoughts!

But first, the early game over.

Wow, she just gets shot. Not even slurped? That’s rude as hell XD;;

And on to the ‘bad’ end!

Beginning is much the same, ofc.

“You’re too in love with weaving a good story and establishing a seductive narrative to let facts get in the way.” Foreshadowing for the ‘good’ end, maybe?

God that Embrace scene gives me literal goosebumps.

Alright! Last time I did Danse Macabre and Retributive Justice, let’s try The Risks of Swiping Right!

lmao god I’d eat this guy too. Back to the ghost club! That legitimately is a really neat scene. ...Ooh yes so that’s where the girl was from.

Panhard just lowkey dying at the mental image of Katherine Weise in a fast food restaurant is so good.

The sweet scene between Julia and Dakota hits a bit different after the ‘good’ end XD;;

Went to the park, reminisced, and helped out the guy. That was sweet ;_; High-humanity Julia, this time!

‘Fairy God Mother?’ is great but ‘Vin Diesel?’ is objectively the funnier response.

“Shining even more brightly than usual, Aisling.” Samira got a cru-ush~

Poor Julie. It’s probably been tough without Sophie around :(

Huh. Interestingly, refusing to lie to Mia results in Julia actually feeling genuine loyalty to the Cammies (for now, at least).

Believing Agathon is still alive = more optimistic = different dialogue! See, this is how you make choices have consequences, game!

Oooh boy time to meet Adelaide XD;;

“She uncrosses her legs in a strangely seductive motion. In her mind’s eye, it probably looked like Sharon Stone in Basic Instinct, but in reality, it had all the grace of a tracksuit Slav squatting.” *snickering*

Fight me, Adelaide >:(

‘sup Nastya. Went with the slightly less disruptive routine here XD Huh, she’s an aspiring DJ! Julia is deeply confused as to how being a DJ and being head of security works together.

lmao Julia referring to Hope as a girlboss. That phrase has lost all meaning to me...

The conversation between Julia and Father Leonard is still really interesting. Man, you know who I want Julia to talk to? Anatole. Interesting insights into balancing being queer Catholic vampires there for sure.

lmao oh my god I want to fight this street reporter.

‘I can almost feel my brain losing its wrinkles.’ *snort*

Yeaghhhh the Abyss bit is still so creepy...

Oops. Being honest regarding Tamika and Torque’s relationships gets a fail :(

Oh, or not XD That works! Also, uh, apparently the giant albino ghoul alligator is real, according to New York by Night. He’s Calebros’ pet.

“Because I think I have a pretty good nose for people’s auras. And when I take a good look at you... ...somehow, I have a feeling you’re a surprisingly decent person. Whatever way of unlife you choose, I hope you don’t change it. And that you remember my advice.” :)

“I know.” Oof.

“Hi.” “WAAAH!” lmao sorry Princess XD;; Just trying to imagine Qadir’s face as he tells Julia to find a 1990 glass statue of Scrooge McDuck... dying...

Oh she’s so a Toreador XD Low art options are a fantasy book, an anime DVD, or a video game... those can all be arty, though! And went with the anime DVD called ‘Ririsu no Daibouken’... that translates to ‘Adventures of Lilith’. How on the nose XD “The cover says ‘Lilith’s Carnal Carnival’.” Oh. Yeah, that’d do it XD

“This 90s original video anime presents us with a tale of five big-bosomed samurai warriors travelling through America in search of General Hastavista, The Incubus King. Don’t let all the titillation misguide you: the main draws here are peerless direction, a nearly avant-garde editing rhythm and dialogue that coyly comments on traditional gender roles in anime. Once you see the animation in the final battle, you’ll understand why it never fails to set a sakuga fan’s heart ablaze!”

She’s my new favourite.

“So can I know your name now?”

“Hmmm... Let me think...

No. <3″

I need to stress that the heart appears in the dialogue box. Like. The actual less-than-three heart.

Didn’t investigate the rat this time, so Qadir did and I die. “Glad you’re alright, little guy.” Qadir...

Still not over the drunk blood doll rats.

Kaiser’s still a goddamn creep and this time Julia is not going too far. She still has her humanity, dammit. Final set of traits:

Loyal to the end

Glass half-full

Not into a bad cop schtick

Honesty is the best policy

No more human, still humane

Onwards to the ‘bad’ end! Oops, and Dakota still did the Single White Female thing XD;;

Man I’m still really curious who the ‘good friend’ is!!

Okay! Time for end game!!

So that’s the good friend, huh? “Let me phrase it differently, then. You’re not Ecaterina the Wise, the Agitator of Prague, a Brujah elder causing turbulences all over the world... are you?”

Mention of Christof! Mention of Christof doing shady shit :| Poor Hana.

“An immigrant from Eastern Europe comes to New York City, takes the position she always expected to find herself in, is molded into someone who is no longer herself.”

Julia and Dakota representing Carthage is kind of neat.

I want to say the mention of St Jude is a reference, but I’m not sure what to XD;; Is that from Redemption? Christof could have been the one to tell Hana that.

“Like a two-person human centipede loop or something. An Ouroburos? Or an, uhh, Mobius strip?” No, that’s the other traditionally Sabbat clan XD

That‘s. That’s a hell of a reconciliation XD “Yeah, let’s give it a try. By the way I’m on the run for my unlife, want to go to California and try to find utopia?”

Julia, wear a fucking mask XD

“Hey.”

“Yeah?“

“Do you love me?”

“... Of course I do. For now, at least.”

I still don’t know if I love her. Or even if I can love anyone, for that matter. I’m a fucking monster, after all. I don’t even know if we’ll exist next month. The prospects are not looking good. But although I can’t see myself in the rearview mirror right now...

...I will remember this image of us leaving the city, somewhat melancholic, and somewhat hopeful, forever. And maybe the meaning of this image will be clarified with time. Or maybe I will just force a more positive description on it, and that is what I’ll believe.

No matter what happens... even if oceans of blood lie before us, I will make this a cherished memory.

Whatever possible salvation still remains for me... ...it probably lies in the eyes of another.

Oh dang I have chills.

So the ‘bad’ ending is about the subverted compromise. Julia resigns herself to letting the compromise about the truth of Callihan’s death go ahead. ‘Catherine’ is a walking compromise to hide the Ecaterina’s real deeds. But while Hana is still stuck in her role for now, Julia refuses to accept the compromise she’s made, both the one relating to the investigation and the compromise she made of her own views and morals. It might blow up in her face, yeah. But damn, she’s going to try.

So, final thoughts! For the sake of completion, this is what I said about Coteries:

And of course this is the part where the game all falls apart :-\

Just… god. This is probably the biggest problem with CoNY, and the reason I didn’t bother getting it until it was like… 60% off. The bulk of the game is great - the writing is intriguing, the design is stunning. But the choices themselves are so limited it’s barely worth even getting it at 60% off!

You have three choices of characters, with their own opening chapters and own individual scenes with their touchstones. You have four choices of coterie members, and three sidequests. You can probably get in at least three full story arcs and a sidequest or two, but you’re only ever limited to two of your coterie members showing up at the not-yet-endgame.

So let’s say you decide to play all three protags, which, indeed, is encouraged (there’s an achievement for it). You are going to repeat coterie arcs and side quests, because there simply aren’t enough for three unique playthroughs.

And then you get to the end and literally everything is scripted. You get attacked by the SI. You get rescued by your two coterie members (and then never see them again, despite the game being called Coteries of New York). You meet Torque, you escape the SI, Sophie reveals her plan to Torque, you go to Ellis Island, Adelaide kills Sophie (and despite the fact that you’re given multiple options there, none of them work), Arturo does his spiel, end of game. You don’t even get to choose between ending up blood bound or going “no fuck you” and at least dying with a bit of dignity!

I just. I really want to like it, and there genuinely is a lot there to like! But uuuugh the ending. Like damn at least give the poor protag the option to choose what happens to them!

Anyway. Not sure what’s next. To get all the achievements, you have to finish with all three protags, so that’s three full runs and a lot of repetitiveness (compare to, say, Bloodlines or Night Road. I have eighty-five hours on Night Road and there’s still stuff I haven’t seen!), so I can’t even just… rush it through up to the meeting with the touchstones on the third play. Nope. Gotta finish it :-\

Final rating: 6/10

8/10 characters, 9/10 atmosphere, 8/10 story aside from ending, 3/10 story ending, 2/10 replayability. Final consensus: get it on major sale if you can, otherwise, you might as well just watch an LP. I might do that instead of doing a third run, although I at least want to do a second.

I ended up revising that 6/10 to 5.5/10 after finishing all runs and getting the achievements just out of how goddamn repetitive it was. So, how does Shadows measure up?

Absolutely continued with all the things I enjoyed about CoNY (characters, atmosphere, and writing), and of the bits I hated (cookie cutter protagonists, lack of real choice, repetitiveness, the godawful ending), every single part has been completely improved.

Instead of three fledglings so similar they even have the same internal thoughts, we have Julia, who’s got such a distinct voice that she becomes the most memorable game protag I’ve seen in years, and I’m including non-VtM games in this. This is absolutely her game, and it’s just... absolutely fascinating to read and watch.

Related - actual real choices. There are five key choices that determine the ending, and every single one has actual consequence in-game. You get different dialogue. Different introspection. Different philosophies. And this carries across - if Julia believes Agathon is alive, she’s more optimistic about her relationship with Dakota, too. And of course, both endings are completely distinct and incredibly written - the ‘good’ ending where Julia gives in to her most Lasombra instincts, plays the game, wins it, gets power and respect at the expense of her humanity and avoiding all those wraiths... or the ‘bad’ ending when she listens to her morals, reconciles with Dakota, and leaves for California, uncertain, but hopeful.

Not a lot of repetitiveness. Yes, by design, you’ll probably do two playthroughs. The main plot is much the same, but there are enough options there to get multiple dialogue options and stuff. And for the little sidequests, you can actually get all in with just the two playthroughs, only repeating like... two, I think. Still, I wasn’t feeling actively bored like I was midway through my second run of CoNY!

Loved seeing more in-depth backstory and development for the coterie members. Agathon’s section was particularly fascinating, literally getting into his head.

And just. Atmosphere and music is so, so good.

Final rating: 9/10. Thank you, Draw Distance, you hit it out of the park.

[beaumesadieu]

Creative Problem Solving Methods Interviews

Name: AM

Industry: Associate Branded Content Editor at Who What Wear (4 years of experience in the digital media industry)

Summary:

As an editor, it’s AM’s job to keep an eye out for the latest fashion and media trends. Almost all of her writing is done for specific fashion clients so she usually has to take their direction and transform that in a way that meets their criteria and echoes WWW voice.

It’s so important for her to know what's popular to the WWW audience so she often gets inspired by her very own readers. “Instagram is such a huge hub for inspiration because there is such a huge variety of people, shoppers, and readers all in one app. My coworkers also inspire my writing and point of view so much. They’re seasoned writers with such compelling approaches to storytelling so I always look to their pieces as sources of inspiration.”

2) What obstacles do you face in coming up with a new idea and how do you overcome those obstacles?

This is typically a seasonal issue that she faces as an editor, but oftentimes clients will ask for stories surrounding the same exact theme which puts her in a creative rut. For example, a major theme this fall has been denim and she has had to write eight stories about denim while making them all sound completely different to avoid contradiction within her writing or competition on the Who What Wear website. When this happens, she turns to the branded content team for advice because a second or third perspective is always helpful when brainstorming. She also reads other publications to get an idea of what is being talked about in the industry at the moment. She says it could even be as simple as scrolling on Instagram and reading the comments on major denim brands to find that one distinguishing factor. “Usually, these techniques work well either alone or all together when overcoming a creative rut like the one I mentioned!”

3) What process(es) do you use to solve problems? (Describe the steps of your problem-solving process. Explain your journey from inspiration to implementation)

Problem-solving is an important part of her role as an editor because there are several teams and shared responsibilities that allow one single story to be published on the website. She’ll receive a request from the client services team to create headlines for a story focused on particular products or themes. Once a headline is approved by the client, she has full control of how the story looks and sounds. “I read the latest articles on the site to get my creative juices flowing and then I build out the story including priority products and key phrases. Because I’m not in direct communication with the client, it takes a bit longer for me to receive approval or links which can affect the intended timeline. When I can sense this happening, I turn to a coworker for assistance.” If they cannot help, she then takes it upon herself to make adjustments to the schedule. She makes sure she communicates with everyone involved to make sure that she’s not creating more problems as she attempts to solve the current ones. “Whether I’m in the inspiration or implementation phase, I truly value collaboration. Of course, I can solve problems on my own but I find that my solutions are more effective when I can get the experts involved.”

Name: JB

Industry: Business Consultant at Protiviti

Summary:

1) How do you generate ideas? How, when, and where are you inspired? What inspires you?

JB generates ideas in several ways depending on the situation. She believes the primary mediums that inspire her or help her in creating a solution to a problem are through her network, research, and spiritual methods such as praying and journaling. She described even simple issues such as finding an outfit she will draw inspiration from others such as Pinterest. Professionally, she believes her process is the same way concerning her project-based assignments in which collaboration from her network/team is crucial.

2) What obstacles do you face in coming up with a new idea and how do you overcome those obstacles?

The obstacles she faces would be fear in sharing new ideas and thinking it may not be good enough. In her role, it requires a lot of brainstorming and ideation in order to improve business processes for international clients. Questions that sometimes rack her mind are is this idea already taken, is it innovative enough, will it be feasible to implement in the given time frame. Also, timing and a lack of resources are impending obstacles in her day-to-day operations. In order to overcome these obstacles, she believes in stepping back and taking a break while also asking for help.

3) What process(es) do you use to solve problems? (Describe the steps of your problem-solving process. Explain your journey from inspiration to implementation)

Lastly, JB described her process as such:

Awareness of Problem

Assess

Identify the audience

Brainstorming/Information Gathering

Research

Design Thinking

Prioritize

Simplify simplify

Plan of action

Feedback

Repeat

Name: KD

Industry: Freelance Designer, Curator, and Musician

Summary:

1) How do you generate ideas? How, when, and where are you inspired? What inspires you?

KD draws inspiration through sensory experience such as her daydreams, touch, and thoughts in her head. Through actively engaging herself in these day to day sensual activities she grows more in tune with the art she feels led to bring to life. For example artists such as Beyoncé and  Lauryn Hill show her the power of storytelling and how the effective use of art, music, design and talent can create something magical. By studying the artists she loves, she is constantly learning and leaving inspired. She also finds herself inspired when she steps outside of her comfort zone and delves into differing stylistic expressions. This process helps her push back her normal creative parameters and issues her to create something fresh and new each time but still staying true to unique style and self.

2) What obstacles do you face in coming up with a new idea and how do you overcome those obstacles?

Personal: when designing she gets caught up in the technicalities. Her desired vision is not coming to life on the screen.

Difficulty 2: classification naming in her industry. Harder to access and figure out where go

Team-Based:

Working with others when normally she has to work on her own, it sometimes gets hard trying to ensure the different designs and aesthetics can come together to create something even better than what the team tmshined. Hard to fuse the differ viewpoints

She has learned to overcome them by reaching out to her network in the  design field. She finds this most helpful and helps her quicker than google would.

3) What process(es) do you use to solve problems? (Describe the steps of your problem-solving process. Explain your journey from inspiration to implementation)

Personal: KD first begins to write it down and talk through it as she is a visual processer. She tends to have so many concepts / ideas and never wants to forget so she writes every detail no matter how minute it may seem. Next, she steps away from the actual problem or idea right at the beginning and then she assessed what her prior idea was and now has a better perspective to tweak it. A fresh mind.

Key Takeaways & Final Thoughts:

After speaking with JB, AM, and KD about their processes, collaboration and teamwork are a huge factor in their success. I was interested in how JD incorporates a lot of design thinking and how frequently she has to work with others in her workspace. In my work, I spend a lot of time individually solving problems, which has led me to not really interact with others. Some of the things that stood out to me were AM’s processes and verbiage she used during the interview. Although we work in similar industries she focuses more on copy and editing while I focus on design construction and design concepts. It was cool to see how we connected but also the parts that differentiate us. KD’s rices was pretty interesting because she immediately steps away from the problem as soon as she writes an idea down. She would rather step away in the very beginning then come back and grind. I found it cool because normally people step away once they are stuck, age steps way right before she gets stuck. All three rely on sensual experiences, but some rely on spirituality/intrinsic motivations vs research/ public opinion. All these conversations were valuable as it gave me insight on the secret sauce that has helped my friends be successful in their careers and learn how to tweak my own problem solving processes.

[ramblingguy54]

Louie’s Eleven: Dewey & Louie Breakdown

Welp, I was expecting Louie’s Eleven to be a mostly Louie and Donald bonding episode, but it being an balancing act between Daisy & Donald/Louie & Dewey’s chemistry was a very welcoming surprise that I greatly enjoyed every bit of! I’ve been waiting for Dewey and Louie to have screen time together for quite awhile, as well as a good number of people in the fanbase from what I’ve seen for those two to interact. Especially since that funny gag in A Nightmare On Killmotor Hill where Louie said his best friend was sleep over Dewey made me very interested in seeing what could be done with them, too. There’s a lot of fun and interesting exchanges to be had when Dewey’s more impulsive nature on improvising clashes against Louie’s more composed and calculating mentality, which this episode delivers on down to the very letter. Louie may have been very humbled by events in Season 2, during his character arc, but he’s still prideful about his skills for crafting elaborate schemes that make him very stubborn about being open to the concept of listening to others at points when the kid wants to do things his own way. Which when you’ve got a character, like Dewey, on board who wants to be apart of something and be heard as an equal you’ve got a recipe for an episode of insightful character exploration between these two kids.

Dewey isn’t one to make it all about himself anymore, like in Season 1 when he kept the search for Della a secret, but he’s still not gonna tolerate getting policed on what he does and doesn’t know by Louie. Dewey’s all about being an entertainer who does things with as much style as possible, regardless of whether others view it as good, while he tries not to let others judgement weigh him down from being himself, but this is his own brother we’re talking about here, which is obvious to see that Dewey’s very bothered by Louie ignoring his ideas for trying to help with the scheme to get The Three Caballeros more noticed by the public at this event. Dewey is the perfect candidate for such a gig like this, where Louie doesn’t realize he’s the trump card underneath his own nose, but he’s too blinded by his own pride in seeing the truth that he’s putting down Dewey’s competence in his abilities to get this job done better in areas he couldn’t hope to accomplish. It honestly made feel very bad for poor Dewey being treated as if he were a nuisance by Louie, even if he wasn’t necessarily acting rude toward him per-say. That moment where Dewey finally confronts Louie about why he’s been ignoring him was so well acted by both their VAs’. You could feel how hurt Dewey was by Louie undermining all his ideas, but Louie was still trying to put him down easy and not be brutally harsh. The only harsh part was Louie calling his idea completely ridiculous that Dewey takes it fairly hard to be told that by someone he deeply cares about. Dewey’s insecurity really showed here about not being seen or heard as an individual. Ben Schwartz nailed that very saddened delivery for Dewey’s character, overall.

Louie’s Eleven’s ongoing theme was all about understanding and being treated as equals when listening to the other. We see it hilariously with Mark Beaks trying to earn his mother’s approval by getting on the IT List, Daisy trying to achieve her dream as a dress designer to be acknowledged for all her hard work, Donald connecting with Daisy due to his own similar experiences in life, and Dewey feeling put to the side at every turn by Louie all come together in a neat bow. Louie gets a serious harsh dose from Emma when she sees right through what he believed to be the perfect scheme, due to her own previous experiences in the entertainment industry of dealing with sneaky people trying to benefit from her success before. However, she didn’t just see through his plan.

She curb stomped Louie’s self-esteem into oblivion. There’s not a doubt in my mind Louie felt exactly like Dewey in this moment when he was getting ignored, except much worse given Emma’s harsh verbal beat down on his scheme. 

Emma totally crushed whatever confidence Louie had about this plan succeeding making him seriously insecure about having faith in his ideas working at all anymore in this scenario. That’s what I loved most of all is getting to see Dewey and Louie’s layers as characters shine here with a situation that pushes Louie outta his comfort zone more, while showing Dewey’s strongest aspects of his character that make it easy to root and empathize with where he’s coming from when he finally gets through to Louie about allowing him to help fix the situation they’ve gotten into currently when Falcon Graves pulls a robbery for Glamour’s phone that Beaks buys off with the highest bid, so he can put himself on top of his mother’s IT List. What I appreciate in this small, but important, moment is seeing the subtle facial exchanges between Louie and Dewey. Louie’s regret is shining through here and Dewey finally happy to be recognized for his own capabilities by his bro is such a moving moment to see these two have. This was the kind of content I hoped to see for them and I adored it.

Much like Beakly and Webby getting screen time together in The Lost Harp Of Mervana, it’s about damn time we got an episode to see Dewey & Louie work off one another with their strengths/weaknesses as characters. It was everything I wanted and more for Dewey & Louie’s dynamic, where I can’t wait to see them working together again in Season 3 because this episode had some powerful underlying drama around them here. Louie and Dewey have both come very far as characters, where neither aren’t selfish as they used to be in those earlier episodes of the series. It makes for interesting exchanges like what happened here in Louie’s Eleven. Louie has seriously matured in how he treats Dewey, where unlike in Season 2 when Louie called the idea of Dewey working for him that he’d be a terrible employee for Louie Inc., he wants to show respect to his brother hearing him out genuinely when Dewey is attempting to help out. The writers are really putting it out there with how much Louie has improved from Season 2′s final episodes and it’s so damn wholesome to observe.

In a nutshell, I can’t praise how much they’ve been showing Louie’s character growth in Season 3 enough and Louie’s Eleven was another big helping of that statement. Not to mention, getting to see Louie spend time with Dewey at long last was so worth the wait, where I’m ecstatic to see them team up more because these two can bring out the best in each other, no question.

What a damn great episode this was.

[spiritmaiden23]

THE POSITIVE & NEGATIVE; Mun & Muse - Meme.

fill out & repost ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.

My muse is:   canon / oc / au / canon-divergent / fandomless /

Is your character popular in the fandom?  YES / NO / IDK. For sure, for being the cutest of cutes!! All Zeldas are cute though but she was the blueprint ;v; 

Is your character considered hot™ in the fandom?  YES / NO / IDK. I’m a devout christian virgin I would never ever look at those kind of topics the only hot I see is the flames of hell for even considering this smh smh bUT NO FOR REAL THO I’M NOT REALLY SURE???? I mostly see people gushing over how cute she is rather than hot. 

Is your character considered strong in the fandom?  YES / NO / In some aspects. We don’t really see Skyward Sword Zelda’s abilities in the games as we did in, say, BOTW where she goes full goddess mode. Aside from blessing the master sword, sealing herself away, and the implications that the game gives us with Zelda being not only a student at the knight school but also a badass warrior goddess in her past life; I’d say she’s pretty up there in terms of strength. 

Are they underrated?  YES / NO. GONNA GO WITH YES AND NO ON THIS. As a character, Zelda is far from underrated she’s actually cliche blonde character we all love and stan but in this incarnation.... also yes and no because while I see a lot of people like SS Zelda keep in mind that SS is the black sheep of the series so not a lot of people have good opinions on it. I’ve seen some say she’s annoying, too shoujo or even Mary Sue at some points and hweoh we all know that the last one ain’t even close to true since she’s far from bland and OP written. But it’s all a matter of perspective!  

Were they relevant for the main story?  YES / NO.

Were they relevant for the main character? YES / NO /

Are they widely known in their world?  YES / NO.

How’s their reputation?  GOOD / BAD / NEUTRAL / FOR THE MOST PART, if we were talking verses like say witch verse she’d have more of a neutral reputation considering witches aren’t really well-liked ;-; 

How strictly do you follow canon?  

I try to do the best that I can do given with what we’re working with here all while adding my own spin to her characterization because we all have different perspective when it comes to art! How I see Zelda is someone who’s bubbly, playful (big ol bully hweoh), a bit of a busybody if she feels she needs to step in due to worrywart tendencies yet highly responsible and carries a wisdom that’s beyond her age, she doesn’t like seeing people bullying others and isn’t afraid to put her foot down to speak her mind if something is up. While kindness is sorta her strong suit I wanted to go beyond “nice girl” and just showcase other sides of her too, hence why main verse is typically set during the events of SS because here we see her growth into the girl we see at the end of the game where she’s melancholic of her past but is looking forward to seeing what the future holds and wants to build a brighter tomorrow with Link by her side along with friends and loved ones. I’m not at all confident in playing as her, despite playing as Zelda since 2017 haha!! So I can’t really say that I’m super strict in following canon considering that’s how I view the character through the actions and dialogue throughout the game, perhaps the creators had something different in mind than how I see Sky Zelda.   

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.  

DO YOU LIKE WHOLESOME GIRLS?! Wait no, hold on, that’s a little too vague, so let’s try that again. Do you like wholesome genki girls who were once a god who fought in a war in their past life? How about pastel girls who may seem sweet but are deep down bullies towards loved ones? Are you at a point in your life where you find yourself wondering: where on earth can I find someone who’s ray of sunshine can brighten up my day. Will do I have good news for you buddy! Introducing your very own friend: Zelda from hit series Legend of Zelda: Skyward Sword. This Zelda is more extreme than the others due to the fact that she’s not a princess, that’s right no princess titles clogging up that beautiful name. Just a knight who somehow finds out she’s actually a goddess reborn as human, no biggie! 

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?)

SHOUJO PROTAG WHO’S TOO FREAKING CUTE!! So.... if that’s not your cup of tea ;v; but nah I can see people not liking Zelda because not everyone like the nice girl who’s your childhood friend characrter, I totally get it but if you dig a little deeper you see that there’s more to it than that.

What inspired you to rp your muse?  

My close friend was FINALLY getting into the LOZ series back when BOTW was first coming out, her playthrough of SS made me remember how much I loved each characters and honestly Zelda’s design in that game was always my fav right next to Tetra and ALTTP/ALBW! At the time I mostly played more introverted muses or straight up villains and I wanted to try my hand at playing more wholesome characters like Sky Zel and ALTTP Zel ;v; now look at me, the CEO of wholesome cute girls ;v; 

What keeps your inspiration going?  

Motivation and time at this point, I’m not the young starry-eyed rper who used to have playlists and replay things to keep up with canon. I just pray to god I’m doing ok, let jesus take the wheel and just sorta do my own thing. I think having fun threads or a friendship with partners or just good vibes from them def helps a whole lot. 

Some more personal questions for the mun.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you give your character justice?  YES / NO.

Do you frequently write headcanons?  YES / NO. SORTA KINDA NOT AS MUCH AS I DO WITH ALTTP ZEL BECAUSE I’M ALWAYS NERVOUS THAT I MIGHT LIKE BREAK THE CANON OR ZEL’S CHARACTER!! 

Do you sometimes write drabbles?  YES / NO.  

Do you think a lot about your Muse during the day?  YES / NO.

Are you confident in your portrayal?   YES / NO.

Are you confident in your writing?  YES / NO / Most of the time!

Are you a sensitive person?  YES / NO. I mean, that’s a trick question because I can be sensitive in picking up tones and reading between the lines but like if you mean if someone says something mean than no not anymore at least, I’m too old to care about what people say about me or think about me. 

Do you accept criticism well about your portrayal?  

YE! I do! I mean we’re all improving and junk so I see no issues with criticisms uvub I always worry about whether or not you can hear different voices within the characters I rp as among writing issues I have that comes with learning disability and ADD, I try my hardest but I know at the end of the day there will always be grammar mistakes and even spelling! 

Do you like questions, which help you explore your character?

YES YES YES!! OMG YES!! I TAKE WHATEVER QUESTIONS YOU MAY HAVE AND JUST... WORD VOMIT BACK SEVEN PAGE ESSAY SOMETIMES ;V; 

If someone disagrees to a headcanon of yours, do you want to know why?

Eh, well yeah it’d be nice honestly to hear feedbacks and thoughts. Just saying ‘I don’t like this or I don’t agree with this’ doesn’t really help anyone who wants to improve but I’m not gonna like press them for it either because again I’m at the stage in my life where I’m just like ‘it is what it is’. 

If someone disagrees with your portrayal, how would you take it?

Shrug emoji, and then move on! Again it’d be nice if they can tell me though but I won’t press them for it if they don’t feel like it. We’re allowed to have our opinions after all yo!

If someone really hates your character, how do you take it?

It is illegal to hate sky zel or any Zel really... NAH JK I DON’T REALLY CARE I’ve liked characters who aren’t popular among the fandom, I’m more or less used to seeing character bashing for faves so like it doesn’t really affect me at all I’m just like “lol” and move on. 

Are you okay with people pointing out your grammatical errors?

YES! Though keep in mind, despite me using Grey instead of Gray, I use US English ;v; so keep that in mind when spotting out certain words other parts of the world may spell differently because us US Americans just..... gotta be extra like that. 

Do you think you are easy going as a mun?  

I TRY!!! IDK IF I COME ACROSS AS THAT but I’m very much someone who goes with the flow anyway, I’ve been told that much IRL and I’m just hweoh not really someone who’s a stick in the mud or has a stick up their ass, you know? I’m pretty laid back and not much bothers me, I can get petty if I have to come across rude people that’s the one thing that kills it for me but aside from that, I just wanna try to get along with people. We don’t have to be friends if you’re not feeling the vibes but friendly terms is good enough for me!

That’s about it, congrats for filling out!

[charlenelouise-gdc]

3.4 — FMP:

Fan Culture: FMP Development

After much thought, more research and further exercises, I came into the conclusion that I would like to pursue my third FMP idea revolving around fan culture. Even though I am passionate about all the subject areas from the other ideas and the way I plan on executing them, I feel like this is the right one to pursue at this stage of my creative career. I would like to use London as a resource to find content, as well as use the studio facilities available.

Overall, I think the project covers a topic that is both equally fun to do, but also something insightful and offer interesting commentary (on women, society and community). I like the challenge of bridging “low art” (pop music) and “high art” (documentary filmmaking). More so, documentary style filmmaking is one of my stronger skills as a creative, as proven by my FMP in Year 02, and is something I would like to build on. This project would allow me to level up my skills on this technique/style of filmmaking. I think there’s something comfortable as well as challenging in this project. 

The following bellow details some development I made on the idea, as the laying foundations for the project...

RECAP FROM THE EARLIER BLOGPOST:

“Fangirl” Culture

Like I said earlier, I’ve always wanted to champion women or pursue female centric stories in my work. Out of all the things out there regarding the feminine experience, nothing speaks more of it other than boybands and fandom culture. Its always been a persistent part of girl culture; whether it’ll be a pop band or a rock band. I think this would be an interesting world to explore.There’s already a preferred narrative around fangirls - the rabid, crazy kind. Although that is true in some extreme cases, it would be unfair to only present this as the only side of the story. I would like to show the other, more wholesome side. Fandom culture goes beyond the band and the music; in fact, they are only mere catalysts. Fandom culture is ultimately about identity and community; through the band and music, many young girls across the world is given the opportunity to own something and begin to have a good sense of themselves - ultimately forming an identity. Also, its about community; they’re able to connect with others and form strong bonds simply because of the band/music. You can see this, in the queues before gigs or the excitement they discuss their favourite member. Above all, it speaks about a different kind of joy that is often belittled.At present, a lot of the coverage around fandom culture are often done by people outside the community (with negative preconceived ideas which already suggest a bias). It would be interesting to see it from the people in the community themselves. I want to give the girls the voice and and let them reclaim the narrative. Ultimately, tell it from a loving lens. Also, I believe this is quite telling on how female passion is portrayed and what is acceptable, depending on the demographic. Football fans chanting? Perfectly fine. Girls screaming at concerts? Insane. This is aligned with women’s negative and dangerous relationship with hysteria throughout history. I think there is an interesting window to explore the social implications around fan culture. Additionally, I like the challenge of taking something from pop culture and considered as low art, and give it context and background. After all, it deserves to be studied carefully as much as its high art counterparts (From Stuart Hall’s theory Representation: feminine taste = low art, Masculine taste = high art). Above all, I think it would be equally as fun as well to do. It’s would be cool to celebrate fan culture, where its alive and present. Not just through a nostalgic lens. References: BTS’ documentaries: Bring The Soul (2019), “I used to be Normal” Documentary on fangirls across the ages (2018). 

FMP Development

I would still like to focus this project on BTS and their fans specifically. They’re the biggest boy band in the world right now and their fans are ones of the most active, both online and offline. I want to be able to document a part of this culture, while it is still happening and its best (rather than through a nostalgic lens). Most importantly, their work and music are monumental in many ways; they’re crossing boundaries, not only in the music but in race relations, toxic masculinity etc. Their global influence must not be undermined. 

Documentary Style

For this project, I would like to mix both real life footage to stylised setting. My main point of stylistic reference is Roxy Rezvany’s “Little Pyongyang”. She used a stylised set for her interviews, while also having real life, observational shots of her interviewees natural habitat/form. 

I think this would be a good technique to use for this documentary. 

I would like to build my own “teenage bedroom”. After all, this is one of the main touch points for fan culture and feminine culture in general. We learn so much about our tastes right there; this is evidenced in the posters on our walls and the CDs we used to collect. This is referenced a lot in Teen/Coming of Age films. I feel like this would an interesting setting for my interviews to take place. Anyway, it would be harder to film into people’s individual bedrooms. It would make filming easier if I can take my interviewees into one place, rather than going to theirs with my crew (setting up and wrapping up in all of them). More so, I think this is a good opportunity for me to use and improve my art direction skills (see image above for reference). I would decorate the set, referencing the 90s, personalised to a Kpop fan’s perspective (see reference above).

Content

The narrative will be crafted from the content being produced; the interviews will play a crucial role into this and will be the key part of this project. From the emotions to the personal anecdotes, it all stems from this. Therefore, I need to craft the interview questions I’m going to be asking, to trigger the “right” answers or reactions. More so, I really need to pay attention on the actual filming day, so the rhythm/energy of the interview is kept and the questions isn’t answered twice/already embedded on what they formally just said. More so, a technique I was taught/learned from my old FMP was to keep silent in some parts of the interviews, as the interviewees would naturally fill the silence themselves and bring their own thoughts onto the table. 

In terms of content, London is rich in terms of resources. It hosts so many hot spots for this fan culture and explore it in real life, in real time.

Some ways this can be executed:

Recall past major events (e.g. BTS Samsung AD that played in Piccadilly Circus that garnered so many fans).

Fan Hang-Out Places (e.g. Gaza cafe, specialising in Korean dessert, in Soho decorates their stores when members of the boybands and make special one-off desserts to commemorate their birthdays. A tradition among fans has then been developed where they make a pilgrimage to this place, to celebrate their favourite members’).

Replicating their steps (e.g. when BTS visited London in their last tour, they took pictures around London when they went exploring in their own time; fans replicated the pictures they took). 

Regular Kpop dance classes are held (e.g. BASE studios near Vauxhall).

BTS has an upcoming tour for their latest album, Map of the Soul:7, which includes London as one of their stops. There will be fan-led events leading up to the concert to celebrate their return. 

Potential Interviewees

There are few interviewees I think would be good options. Twitter was a good resource to look into, as it is one of the main hot spots for this culture to exist in. In particular, I would like to interview the following:

Lucy Ford (@lucyj_ford) - social media for Netflix

Ellie Bate (@eleanorbate) - buzzfeed reporter

Ikran (@ikran) - buzzfeed reporter

These girls are all what I call “professional fangirls”... They all have media jobs and respected in their profession, yet have unapologetic enthusiasm for BTS and their community (they have good followings on their social media too). They offer insightful but also equally fun things on the day to day through their twitter accounts; I think they would offer the same in a personal interview. Most importantly, they’re all close friends. I think they would have excellent chemistry on screen and their natural friendship would light up the interview. 

I would like to interview fans too, of all different backgrounds and races, inquiring how the band has impacted their lives. I want to achieve something similar to this, but communicated in my own personal style and design (rather than the typical, point and shoot interview). The content I want to capture is definitely there (in what they’re saying, how their band affected them personally, their community)...

Note: Professionally, I would like to only involve fans who are 18 years old and above, so it doesn’t interfere with filming; if I choose people who are 16 years old, it would require a legal guardian to sign a consent form and they have to be on set as we film - this could be a lot of hassle. Even though I’m not getting a full scope of the demographic this way, I think this would be the more sensible option. In addition, I feel like leaning towards the older end will give me more articulate, in depth answers. I think it would be a good idea to contact those who already has a platform, whether its a Twitter account with a reasonable following or a Youtuber who post videos. In a way, I feel they would feel more at ease at being in front of the camera and good at expressing opinions/feelings. I feel like I would do less teasing out of information during the interview if they naturally bring the information themselves.

I also plan on getting in touch with some UK based fanbases to help me boost the idea and find people to interview. This includes:

@BANGTANUK  @BTSUKUNITE @UKBTSARMATION @BANGTANSCHOLARS

____________________________________________________________

I look forward into narrowing this project further and progress onto fully forming the project. It feels very much my own and I’m ready to take care of it. 

Next steps:

Create proper pitch deck to send to interviewees*

Compile list of potential interviewees and rank them

Contact and introduce myself to interviewees

Create skeleton structure of the documentary*-

Create draft for interview questions*

Run a test interview (to check which questions work)*

Refine Set Design with accurate measurements*

Prop Buying

Contact potential Builders for the set

* urgent tasks - just because the film is non-fiction, planning is required and I must recognise where the beats of the film should be. This is something I failed to do in the D&AD project. Although I am crafting a narrative from non-fiction pieces of information and is dictated by the content of the interview, I should’ve known where to place them in advance. 

[ivnwrites]

How Asuka Langley Soryu is a realistic portrayal of teenage female sexuality

Neon Genesis Evangelion is a legendary science fiction and mecha anime created by Hideaki Anno in 1995 (though there's some heated debate over the second designation given the reality of the evangelions). It's noted for its psychological and theological discussions and its questions about humanity, loneliness, and what it means to live with other people. The main characters have also achieved this sort of legendary status, becoming easily recognizable, but they also are notable just for how well they're written.

Asuka Langley Soryu is one of the main eva pilots and, I am going to be talking about how she is depicted in terms of her developing romantic and sexual awareness in the series and how it's still one of the most accurate depictions of female adolescent sexuality in any media.(I am doing this as a currently 21 year old woman who went through being a 14 year old girl)

Asuka fits almost perfectly into the mold of a traditional mecha anime protagonist; we're told that she got her college degree at 13, she's an ace pilot, she's assertive and much more determined than the actual main character, and has a dead parent. But Evangelion isn't a traditional mecha anime so none of this happens without consequence. Asuka's accomplishments and her need to be the "best" are shown to be the result of her desperation not to be ignored. This in turn stems from her mother's insanity during which she thought a doll was Asuka and couldn't recognize her own daughter. Needing her mother to see her is so important and fundamental to her character that knowing her mother is still literally there 'watching over her' inside the eva is enough to pull her out of complete catatonia in the series ending. This background allows Asuka to have more depth than a traditional character who is simply portrayed as sexy with no knowledge of it or acknowledgement from other characters in the series, making her simply eye candy for the audience but has no ownership of her own body.

The most famous (infamous?) scene that needs to included in this discussion happens when she is attacked by Arael in episode 22 and has her mental breakdown, we see a snippet a the scene I'll talk about later with Kaji. It repeats over and over the last moment when she yanks open her shirt to expose her bra and the top of her breasts and screams "Look at me, dammit, look at me!" As a result of her mental state, we don't know if this is what actually happened, but that doesn't matter because the scene tells us that this is part of how Asuka thinks of her body in her own mind. One analysis I've read talked about this scene as Asuka's frustration that "her body isn't developed or adult in the way she wishes it was." I agree with this, and also read the scene as her sort of trying to physically reinforce her assertion that she's an adult, and her saying 'I have an adult body, why don't you want me?'

This frustration and anger stems from the conflicting messages that girls receive. They're told at various young ages that they're women just because of their bodies development. Growing breasts mean that they are "getting a woman's body," they "become women" when they start menstruating. However, these physical experiences are universal, and pay no heed to a girl's individual mental development. Physical changes can only exacerbate this, because girls see their bodies matching those of women, and so does society at large. Girls the world over start to be treated as adults the instant they start developing breasts when it comes to seeing them as sexual objects, but at the same time, they are still belittled and told that they aren't smart enough to know their own bodies. Girls are also told that they supposedly mature faster than boys, and all of this together creates a strange conflict where girls are at the same time told that they are supposed to be adults and yet only treated as adults when it is convenient for those around them, or when they do something wrong, otherwise they are seen as foolish children. "Save the world, but don't expect your emotional turmoil to be taken seriously."

This can be seen clearly in her relationship with Kaji. Throughout the series, Asuka is shown to be infatuated with him, even though he’s in his 30s and already in an on-again-off-again relationship with Misato. He's shown openly flirting with other adult characters in the series, and multiple characters even get in cracks about it, but from his first appearance onward, he brushes off every one of her advances. We see what is perhaps the most significant their interactions during the Arael scene. The audience is shown a flashback to the two of them having a nighttime conversation on the deck of a ship while they're traveling to Japan from Germany during which she tries somewhat clumsily to seduce(?) him and convince him that she's not interested in anyone else. His ultimate response is to tell her that she's still a child and doesn't have to rush into everything because she still has time.

In reality, it isn't rare for teenagers to develop crushes on adults in addition to their peers. In real girls, the same way as in the series, they can see it as a sign that they are more mature than their peers or even more ready for an 'adult' relationship than those around them. Asuka has what is probably the best outcome; the subject of her affection turns her down but is otherwise kind, as are the other adults around her. In the end it's her own deeper unacknowledged problems that cause the situation to spiral. The problem is that unlike in the series, there often seems to be no way for girls to win psychologically. In real life, if a girl's feelings are returned this leads to obvious problems, and public rejection can lead to ridicule. Girls are blamed for mistakes on the one hand, and belittled on the other. They aren't given the compassion and understanding that they need most at those times.

Through her interactions with Kaji, we can see the disconnect between Asuka's desire to be seen as an adult and her actual actions. She become hyper, somewhat aggressive, and slightly possessive when Kaji is around, becoming frustrated when the relationship between him and Misato rekindles. From Asuka's perspective, she can't see why she isn't the better choice. As discussed above, she sees her physical body as functionally the same as all the other women Kaji expresses even passing interest in, and psychologically she sees herself as more mature than Misato (and she is both right and wrong depending on which aspect of their personalities you examine, but that's a whole unrelated issue). The problem is that she has no idea what the adults around her are thinking; an adult man will not be attracted to an adolescent girl, and though all of the women around her can see that this is just a teenage crush, Asuka herself doesn't have the life experience to know this yet. This, combined with her fear of being ignored, means that what is actually a perfectly reasonable rejection registers to her as abandonment.

We can see this even more clearly if we look at her relationship with Shinji. The two of them are the same age, classmates, living together with Misato, both lost their mothers at a young age, both pilot the evangelions, and have grudging sexual tension that persists to the very end. Despite this, their personalities are pretty much incompatible. The line that is most iconic between them is Asuka's  "what are you, stupid?" (the english dub's version of her japanese line "Anta baka?" basically asking 'are you dumb?'). Shinji is a lot more timid and less self confident than Asuka, and she frequently is shown literally pushing him around. We see in other parts of the series that he is attracted to her but is too intimidated by her to really be able to do anything.

At one point when the two are alone at home, she kisses him, explicitly stating that it's because she's bored. It predictably doesn't go well, with Shinji just standing there frozen until Asuka backs away and then runs to the bathroom to dramatically rinse her mouth out, declaring that she should never kiss to kill time. It's played as a funny scene, but later we see that it actually had a deep effect on Asuka. It's implied that she did see Shinji as a potential romantic interest, but saw his silence and his lack of engagement with her as rejection, and this along with his improvement as a pilot over the series leads her to resent him more and more. During her mental breakdown, Asuka sees an image of his face and screams "You won't help me! You won't even hold me! You're no one! No one!"

In her mind, she has been rejected by all of the people sh's approached romantically. This leads her to feel unwanted and she starts to draw in on herself, and her feeling of animosity grow to encompass all of the characters in the series. In the same episode as her breakdown, she's shown standing naked in front of a bathtub (see note below) saying how much she hates having to be so close to Misato and Shinji. She become more and more worked up until she kicks something across the room yelling "I hate Misato, and I hate Shinji, and I hate that First Child bitch Rei! I hate my dad, I hate my mom! But mostly, most of all, I hate myself! I hate this! I can't stand it anymore! Why do I have to do this! Why me?!"

It is intriguing that Asuka, and the other female characters in Evangelion who show similar insight, came from the mind of an unmarried (at the time), childless man in his mid-30s. Anno himself says that "I like to read romance novels written by women. Since I'm a male, I don't really know the emotions of women. And because I want to understand their feelings, and create more realistic female characters, this is something I have to pursue." and there are plenty of accounts of him asking female animators and voice actresses for their input on characters to ensure that they were realistic. Because of this, Anno allows Asuka to express some of the frustration teenage girls feel with their bodies, and manages to walk the thin line of making Asuka real as a burgeoning sexual being without crossing into the sexualization of a minor.

Note: It is uncomfortably easy to find sexual art and dolls of the underage main female characters in the series but none of this comes from the series itself (there is one character who provides occasional 'fanservice', but she is an adult woman in her 30s). In the actual anime, nudity is not treated sexually, rather it is used to represent and heighten characters' feelings of vulnerability and isolation, reinforcing the idea that characters have been left completely alone with nothing except for their own skin, and at times not even that. Despite this, fans in Japan fixated on the character Rei Ayanami, which Anno attributed to the fact that "They can't handle strong women such as Misato and Asuka." This is even more unfortunate because it abandons the character's stoic loyalty and dive into self reflection midway through the series in favor of reducing Rei to an injured quivering victim using just the visuals of episode 1 (though once again, there's character traits there that are ignored as well). The most important part to say about this is also the fact that both Rei and Asuka are 14 YEARS OLD IN THE SERIES. For god's sake Japanese men, WHY!

Another Note: Actually I can explain why; the age of consent in Japan is 13 which has led to entire industries based on the exploitation of teenage girls, which means that child prostitution and pornography are rampant. Essentially, pedophilia is totally legal in Japan, in addition to child pornography as long as it isn't of real people, meaning that pedophilic anime and manga are totally legal, because easily available child pornography has 0 negative impacts, right? (WRONG). industries based on exploiting young girls: https://www.washingtonpost.com/world/asia_pacific/for-vulnerable-high-school-girls-in-japan-a-culture-of-dates-with-older-men/2017/05/15/974146c4-035d-11e7-9d14-9724d48f5666_story.html?noredirect=on&utm_term=.a58a262e1867 child pornography laws in Japan: http://time.com/2892728/japan-finally-bans-child-pornography/ https://www.bbc.co.uk/bbcthree/article/57eaaf23-0cef-48c8-961f-41f2563b38aa

[retvenkos]

“so what if we’re wild, we only live once.”

requested

BUCKLE IN FAM, BECAUSE THE NEWSIES IN HIGH SCHOOL FOR A MODERN AU WOULD OBVIOUSLY INCLUDE…

(also, keep in mind that this is based off of my experience in the american school system, any classes are ones that are offered at my own school.)

Bill

so he’s obviously head of the journalism staff

and he definitely is a part of yearbook too

and what is he interested in most??

chemistry

no one really understands why, but they don’t question it as long as he helps them with homework

and bill is 10/10 that guy who always has his homework done and let’s you borrow it

his worst class is by far history

he’s in choir and plays the piano for like, every song

he actually has a really nice set of pipes (he’s a tenor, too)

he’s terrible with dates

Darcy

so darcy is on yearbook because he can take the most stunning photos

and he is also a part of journalism, and his niche is critiquing

plays?? restaurants?? sports??

and yes, he goes to sporting events

and yes, romeo gives him a wink everytime he sees him at the baseball games

it’s a ship to end all ships

he isn’t quite sure what he wants to do in the future

i forgot to mention - these are headcanons for when each one is a senior in high school, i’m not working out ages in relation to each other. find someone more motivated for that

but he does know he wants to go to a really nice college

he’s definitely on chess club, and he’s a member of key club too

Katherine

journalism, guys. and she’s not into heavy creative writing, more like articles and interviews and such

president of debate

and her style game is strong - she, bill, and darcy are the three best dressed. facts.

she makes such pretty notes

and she slays in argument writing

english is obviously her favorite class, but a close second is her research class

and she actually sucks at cooking - she took culinary arts as a sophomore and set off the fire alarm twice

she has a free period in her schedule where she goes to the library and slaves over math

it doesn’t come easy to her

definitely has an old-school planner that is always full

Sarah

okay, i don’t know much about sarah - full disclosure, but i’ll try

so first of all, this girl is really put together

she has her schedule mapped out two months in advance, she remembers everyone’s birthday, and she already knows the vacation days during the year

she has library aide for one of her periods and knows every adult in the building by first name

she also happens to be an aide when kath has her free period and she is either the embodiment of the heart eye emoji or trying to help katherine with math

she loves psychology and already has plans to study it

she is in key club with darcy and also just volunteers a whole lot

her favorite is visiting and helping out animal shelters

she goes there so much that they finally just give her a job there

she doodles a lot on the side of her notes - it keeps her from falling asleep in science

the master of the messy top knot

Davey

okay, this boy does not know when to stop

he is taking all of the advanced classes he possibly can, and he’s stressing over them way too much

jack makes him like, 10 cups of stress relief tea daily

there’s also a running bet that the whole school is in on about whether he or kath will be valedictorian

specs says that davey will do it if he doesn’t have a heart attack before final exams

race says he’ll be so busy he’ll forget to even show up to graduation

also, while we’re at it, we need to talk about this boy’s notes. they are the hardest thing to decipher in this world, but if you can read his chicken scratch then you have a goldmine of helpful ways to study

he loves mnemonics with a burning passion and uses them at every chance he can get

his favorite class is chinese or math

and he’s definitely a part of future business leaders of america, mesa, and book club

Les

yes, this is for when les is a senior

he’s obviously not in the same year as the rest of the gang, but les as an 18 year old is gold

okay, first of all… heartthrob who genuinely doesn’t know it

he’s not actually officially part of any club, but he’s always staying after school afterward to like, float into the different club meetings

but he’s definitely an sbo - probably vice president or activities

he’s a part of band and definitely plays the saxophone

you know that means he starts off every class period by playing careless whisper

the teachers all really love him

he actually gets pretty good grades

and he is way overly competitive in review games, especially ones in history

he will wreck you

always goes off campus at lunch and walks into his next period a couple minutes late with a shake

Jack

did someone say art?????

jack does literally every form of it, and he does them all so well

davey seethes at this, but loves it when jack helps in in ceramics

he’s also really supportive of younger artists who are still perfecting their art, so he’s obviously the head of the art club

and he’s the paint master for drama club and all of their productions

he frequently falls asleep in english class

he’s also the president of latinos in action - chosen unanimously even though he wasn’t going for the position

y’all can fite me on latino! jack kelly

also, his signature style is a blue sweatshirt, and all of his clothes have paint on them

he’s also that kid who never has a pencil on him, and never returns the ones he is given just because he always forgets

Crutchie

so i don’t know where the headcanon about crutchie being on the swim team originated, but it is dear to my heart and lives on in this post

he is the nice™ jock

also, he wants to go into the medical field for sure

he had medical terminology as last class of the day and it makes his day 10 times more bright

he uses highlighters so much (but only the yellow ones)

also, crutchie is lowkey a style icon???

all of his teachers love him

he’s that kid that always raises his hand in a group discussion, and it’s one of two things: a lame pun that gets more groans than laughs, or a really insightful bit of knowledge 

there is no in-between

definitely volunteers with sarah at the animal shelters and is a part of french club, even though he’s only ever gone to like, two meetings

Albert

albert wrestles, no one can convince me otherwise

but he’s also on dance co.

we love a well rounded boy - especially when he’ll pull up if you question his life choices

he is soooo salty, and he has no filter. Even in front of teachers.

anyone in his history class can attest to this - especially when they are going through america’s messy past

literally does not care about the majority of his classes

but he maintains a good gpa so he can be on the wrestling team

also, he failed his driving test twice, and when he got his license it didn’t make a difference since no one would trust him with a car anymore

but he’s actually really good in his business and marketing class

he frequently helps in the little store that the business class runs during lunch and stuff because he’s really good with money and change

Race

a part of dance company

and he hates the early morning practices with a passion but will just chug energy drinks to get through it

this boy doesn’t sleep… unless it’s in english

the most surprising thing about him is that he’s really good at math??

and he doesn’t even try - he’ll be talking all class period and then finish the homework in class in like, 10 minutes flat

it’s the same thing with physics

but it’s not like you can ask him for help, because he doesn’t really listen to the professor or follow their methods and steps

like i said earlier, race just doesn’t care

or so you think, but his shirt is always matching the color of his shoes and headphones, but then his hair is literal mess and he wears like, he only owns like, two different pairs of joggers

he’s honestly such a mystery

Buttons

okay, so buttons kills it at fashion, which is why he aces his fashion design class

he’s head costumer for all of the drama departments musicals and plays

he’s also really into art history, and he gets inspiration from art all the time

he’s definitely a part of key club and is a part of national honors society although he’s only ever gone to a couple meetings for both

he gets pretty decent grades in everything but physics, but he definitely tries to study for all of his classes

he goes stag to every school dance and deliberately tries to get his ships together for a song

coffee??? he only ever drinks it black

it’s how he stops romeo from taking his

he’s also a dork who color codes his notes because they help him study better

but he has no idea how to take notes for math class, so he kinda just does example problems and then is confused on how it ever did it in the first place

Elmer

so this is one musically talented boy

he plays the guitar, trumpet, and drums

it’s also an inside joke with him and jojo that they both play the castanets

but he’s definitely a part of any band the school offers - as well as pit for the musical

he’s a really chill, laid-back student that gets their work done and just hangs out

he is very nice and definitely a teacher aid for one of the english teachers

and he’s also a part of the poetry club

it’s to improve his songwriting as well as give him a place to destress

He’s definitely the guy who will always lend you his notes if you missed a day, but he’s also not that great at taking notes because his mind is always on something else

he’s also an attendance office aide for one of his periods

Henry

he took ballroom as a joke with mike, and he really ended up liking it

but he’s not a part of dance co. because their style is totally different from ballroom

He also has a lot of energy, so he’s that kid that’s always bouncing his leg up and down and making the desk behind him shake

but no one ever asks for him to stop because he has the biggest smile that you just can’t shut down??

he knows this, though, and he definitely uses it on teachers to get extensions on his work, and he does, like 80% of the time

his worst class is probably english because he can’t just sit down and read for long periods of time

but during the shakespeare unit he kills it because he’s always first to volunteer to read or do a part

his handwriting is very messy and he uses so many abbreviations not even davey knows what they’re saying

always races to be first in the lunch line

always one of the first people to be in class

Hot Shot

he has auto shop as his first class of the day and absolutely loves it

but he’s also that kid that hangs out with his friends in the middle of the hallway, bottlenecking the whole thing during passing time

thinks he’s the cool™ kid

wears leather jackets exclusively

he hates any core class

but secretly really likes his humanities class

he’s taking italian with spot and the poor teacher just can’t handle these two together

he’s also secretly good at basketball

the coach found out somehow and asks him every year to be on the team

but hot shot would rather die than be on a school team

Ike

has a youtube channel where he mostly posts prank videos  especially those that involve the school

he ran for sbo and was elected as treasury, even though mike is the one who went to all of the meetings for like, two months straight

he is the epitome of a class clown, but it’s always in good fun

he always is wearing a black t-shirt under his sbo sweater

and since he’s an sbo he has to go to all the sports game to support and stuff and he cheers the absolute loudest

he does gymnastics with mike after school every day and at every sbo meeting he brings up how it needs to be a part of the sports at school

he never takes notes but can retain everything

his worst class is anything science related

but he’s secretly really good a history

A proud member of spanish club

Mike

mike is definitely the more artsy twin

he takes drawing and ceramics but can’t paint for the life of him

he’s a part of the art club with jack and is basically second in command there

he does gymnastics with ike after school and is on dance co.

he struggles with math and science but gets by okay

has a free period for first where he could be sleeping in or studying but instead he goes to auto shop to talk to hot shot

he definitely has a crush. hot shot won’t admit it, but he loves mike being there.

he usually wears bright colors with his dance co. jacket

doesn’t really like coffee, but he always has a coke on him - it’s his one weakness

is also a part of spanish club

Kenny

okay, so i know, like, nothing about kenny, so i’m just going with my gut based off of his photo

film is his passion and he wants to be a director one day

is 10/10 that kid in your photography class that spends 90% of the time making stop-motion videos

he’s very nice and is always lending jack pencils even though he knows he’ll never get them back

also, there’s a running gag that he and darcy are the same person, ike runs conspiracy theory videos on his youtube channel

his two favorite classes are film (duh) and theatre

he’s a part of the ensemble of every musical the school puts on

he’s even directed a show a couple of times for the spotlight showcase

he is like that background kind of kid that is a part of the big groups and is totally included but just doesn’t have a huge role in the big stuff

he hates having to write essays because he says it’s sucking the creativity out of writing

also likes psychology

JoJo

co-captain of the soccer team

also a madrigal with bill and specs (he’s a baritone)

always tries out for the school musicals, and he usually gets a main part

he takes quite a few advanced classes and it is not rare to find him passed out on one of the other newsies’ couch

he manages to keep a good gpa with his schedule

his favorite class besides madrigals is probably latinos in action, which he has the same period as jack

while he doesn’t play any instruments himself you can always find him hanging out in the band room at lunch

he is absolutely terrible in math but is taking college math now so he can get it done with and never have to do again for as long as he lives

his aspirations are pretty much all over the place at the moment, but he smiles through the uncertainty

“i feel like it’s fine”

Romeo

on the baseball team

a shameless flirt, especially with darcy

did someone say president of the asian american club??

he’s also a part of drama club because he has a passion for theatre

he can’t when it comes to math, though

so instead of getting frustrated he just writes notes in the calculators for people to find

he’ll also fall asleep in that class

he’s definitely a partner in crime with ike and frequently is a guest on his youtube channel

studying??? who’s she???

really good at debate, though. katherine keeps telling him he should join the club but he says his skills are beyond that of a club

Finch

on the track team and one of the fastest runners

it’s a good outlet for all of his energy

he takes notes in all of his classes since he learned all the strategies from avid, but he never looks back at them

surprisingly gets really good test scores, though

you know he takes wildlife biology and he memorizes like, every type of bird call

he can even mimic some of them - it’s how he wakes romeo up in math.

he also goes out every day for lunch, and his next period is english which he has with like, all of the boys, so he’s always throwing fries across the room for henry or mush to catch in their mouths

he beats his own school records every year so he’s like, constantly the athlete of the month

definitely goes to all of the different sports games and cheers very loud

carries a huge water bottle that he fills up during french class to get out of presentations

Kid Blink

first of all, this kid does not do any kind of sport because his depth perception rivals that of mine

which means it  s u c k s 

however, he kills it at math and physics is his one true love

If you need a study partner for either, he’s your guy. just know that he explains nothing and goes pretty fast. keep up and you can do math with him.

he lowkey hates history because it’s about a whole bunch of dead people who were problematic

he’s a part of mesa

he takes american sign language and it’s one of his favorite classes

he and smalls are constantly having conversations from across the room

a lot of the time it’s about the teacher, and one time they were caught by their chemistry teacher who knew asl

they got detention for like, a week because of it

Mush

here comes the heartthrob!!!!

very handsome, and his strong suit is engineering. which always shocks people.

which means he’s definitely a part of mesa and the engineering and technology club

he’s definitely the person to go to if you need help in physics. he explains things really well

the only bad part about it is that he also goes off on tangents when he’s explaining and you can get confused if you listen too long

he’s actually kind of a style icon, his hair is probably the best out of everyone

he always has headphones in, but one earbud is out so he can hear the teacher and whatnot

he cannot act for the life of him

but he has a good-natured laugh that makes up for the cringe 

he also cannot dance

Smalls

okay, so smalls is a part of the asian american club, key club, and poetry club 

even though he cannot write to save his life, they let him come because he’s uber supportive

there’s also a joke that he and spot are a part of the short™ club

lowkey, smalls started this joke because he finds it hilarious when spot gets upset

he actually takes interior design and it’s his favorite class

he’s really good with color

he also takes woodworking and makes the guys stuff for it

davey has a bookshelf and jack has a desk

takes asl with kid blink and loves it

is the kid who always has to stand up to take notes because seating charts always put him in the back, despite his height

Sniper

okay, so sniper is a cheerleader but don’t let that fool you - she’s also on the wrestling team and will take you down

albert is like her older brother and helps her with her business class

she regrets having taken it, but she needed another cte credit and thought it would be safer than welding

she has a criminal law class that she loves with all of her heart

she writes in all capitals

she’s also that kid that writes all of her essays handwritten to spite her english teacher which, on the first day of school, complain about her writing in all caps

she’s good with history and has it with albert and it’s her personal goal to get him to laugh at her comments in that class

studying??? sounds studious. and not a part of her aesthetic.

has an attendance office aide period where she mostly does the homework for her next class period

is that kid that always almost swears in class debates

Specs

first, our boy is president for madrigals (he’s a low bass)

then he’s a proud part of the book club

his thing is psychology, and he goes in hard, he and sarah sit next to each other and talk in hushed whispers about all the cool stuff they learn

he takes very neat notes

but only has to look at them two or three times before he’s ready to take a test

is always an ensemble member in the school musicals

he is also a library aide and constantly smells like old books

very organized

his locker always has everything you could possibly need - a jacket, hat, bag of trail mix, water, etc.

the mom friend™

Spot

first of all, he’s that kid who always sits in the same seat. if you’re sitting in his seat, you’re dead. don’t @ him.

he hates science with a burning passion and is so glad he finished all of his credits for it in junior year

is actually a bit of a history buff

but he never participates in class, just writes really good essays and aces every test

and speaking of writing

he’s actually really into creative writing

who did you think started the writing club???

but he’s no less tough

he always wears a leather jacket, a red shirt, cuffs the bottom of his jeans, and has his pen tucked behind his ear

he doesn’t really take notes, and he only writes in pen

Tommy Boy

captain of dance company

is having none of race’s idiocy at practices either

but he’s actually really funny and nice, all the teachers love him

can’t write a summary in english for the life of him but will write a 10 page essay on why dance company is a part of the performing arts and deserves just as much recognition as theatre, choir, and band

only ever eats out of the vending machines for lunch

is a part of french club

really likes culinary arts because his one weakness is sugar

can’t do any form of art other than dance

but he doesn’t need to - he’s that good

notes??? what are those???

AND FLUFF ENSUES.

[i-am-the-entertainer]

RevieWBY Volume 6, Chapter 8: “Dead End”

You know, in retrospect, it was kind of our own fault for hyping it up to be Winter. But good on them for not making this new character like a big reveal.

There’s really not that much to say about this episode overall. I think it’s along the lines of Chapter 2 and Chapter 4: it’s dealing with the aftermath of something and setting up for something much more major down the line, thus it can’t really stand on its own. But like with those two, there’s some interesting stuff going on in this episode that’s worth touching upon, especially when it comes to worldbuilding.

Oh, and fyi: some major fandom crtq at the end.

Such Wit! Such Tenacity! Much wow!

This chapter offers up a new perspective on the Atlas military: Caroline Cordovin and her nationalist, racist attitude. We’ve been told in the past that Atlas is the kind of modern military nation, acting without reason, being very self-centered, blah blah blah. The problem is, we haven’t really been shown that: the only real Atlas military characters have been Ironwood and Winter, and (being generous) they’re the good guys. Volume 4 kind of showed just how shitty Jacques Schnee and his circle of buddies can be, but it wasn’t really a perspective on the military: in fact, in the post-gala scene Ironwood, as the military’s representation, seemed the direct counterpoint to the rich assholes of Atlas. With this in mind, this volume has sort of run with the assumption that Atlas’s support will be a piece of cake, but Cordovin present a reasonable obstacle while also giving us more insight into the kind of people who actually make up the Atlas military.

Qrow v. Ruby

Based on his bit from this volume’s intro sequence, how he’s been reacting to the revelations regarding Ozpin, and some comments from Miles on this week’s RWBY Rewind about how he feels awful because Qrow is making all the wrong decisions, this is definitely the volume where Qrow is going to officially hit rock bottom (if he hasn’t hit it already). Whereas Team RWBY is willing to stick to their guns about getting to Atlas even after Jinn’s story and Brunswick Farms, Qrow has given up. Remember, he had possibly the strongest reaction to finding out Ozpin doesn’t have a plan, because he devoted his entire life to Ozpin’s supposed cause and lost so many friends and family along the way: another obstacle has kicked him down even further. After three seasons of Qrow being the drunk uncle who’s still a hero, we’re closing in on dark territory for him.

Ruby has always kind of just accepted Qrow’s alcoholism as one of his quirks, but with this volume’s events she realizes it’s an actual problem, offering a new angle on their relationship after it’s remained at a constant level since Volume 3. This arc is developing quite well: from cautious awareness in Chapter 5 to an attempt to reach out in Chapter 6 to complete frustration in this chapter. I’m curious as to where this will go: it’s the most development/insight into Ruby we’ve gotten that wasn’t straight up told to us.

Well, You’d Be Mad Too

With the previous episode, it vaguely seemed like JNR finding out the truth about Ozpin was about to get glossed over, but NOPE. Their reactions were exactly as they should be, if not strong enough. It’s important to remember that they lost one of their closest friends in the fight between good and evil, and they have essentially been told that her death was for nothing. It’s almost on par with Qrow’s reaction, especially when you take into account how much Qrow has lost from siding with Ozpin all this time. I’m not defending their actions, especially Jaune’s, but rationalizing them in the context of this show. They were not going to take this news lightly, and anything lighter would have been unrealistic.

Can I just add: sidelining JNR for half the volume was a good writing decision. Not only does it decrease the number of characters we need to pay attention to for a storyline that needs razor-sharp focus in order for it to be delivered well, it prevents the utter mess that would’ve occurred if they AND Qrow had been present for Jinn’s story. It also provides a counterpoint to Team RWBY’s perspective: besides having witnessed everything in person, they have had a few days and a traumatic experience to rationalize their next moves. JNR has had no such thing, and they’re going to have to deal with this differently.

Learning Is Fun

In an example of planting-payoff, we finally get some insight into the silver-eyed warriors, three years after we were even aware it was a concept, and three years since we knew anything new about it other than you could use it against Grimm. I like the wink at just how little Ruby (and by extension, the audience) knows about such an important power.

This is a moment where a lot of information we get comes from talking, which is why I think this episode may feel a little slow, comparable to some of Volume 4 and 5′s lower moments. That said, I think the show deserves some leeway on this because this volume so far has really stuck to show-don’t-tell, plus since this is much-desired information having it in the first place is useful no matter how it’s delivered. It can also be said it makes sense to have this story delivered through dialogue, as presumably that’s how Maria learned: it’s like sharing a legend orally, and emphasizing just how rare the silver-eyed warriors are and how dangerous being one can be.

There’s something interesting going on in this scene that a few people have touched upon: Ruby commenting that her silver eyes were activated when she saw Jaune and Cinder sparring, prompting Maria to suggest that perhaps there was something she wasn’t seeing. On first thought, it refers to the fact that Cinder has a Grimm arm. Except the thing is, there’s no point in framing it the way they do: it’s framed as though there’s something mysterious for the viewer to think about, but we all know Cinder’s arm is Grimm. What does this imply about Cinder? Well, we know the whole reason she got the Fall Maiden powers was because she cheated: she used what could be best described as a parasite Grimm. We also know from her “training” with Salem that the new arm is almost a separate entity from her, but she needs the ability to control it herself rather than the other way around. There appears to be a broader implication that Cinder’s connection to the Grimm may be stronger than just a supplement to her powers or a prosthetic to her lost arm: is she becoming a Grimm/Human hybrid along the lines of Salem?

But then again, I could be overthinking it, it could just be an acknowledgment/reminder that Ruby herself doesn’t know about Cinder’s arm. But I guess it’s something to keep an eye on for the rest of the volume.

Conclusions

This is another set-up episode, and it’s not a particularly exciting one at that. It’s hard to judge these on their own considering they’re designed to service a larger storyline, but overall I just thought “Okay, things are gonna be harder than they thought, they reacted as we thought they’d react, we finally got some insight into stuff, and we’ve got our next major arc.” So I’ll just accept this as it is: straightforward set-up, some insight into the show’s mythology. I didn’t hate it or love it, I didn’t dislike it or like it, it was just eh. And considering pretty much all the chapters last volume made me feel “eh” and most of the ones this volume haven’t, I’m still happy to call Volume 6 an improvement.

By the way...if you’ve been on the RWBY tag these past couple of days, you’ve probably noticed my posts about the highly entitled part of this fandom complaining about the sneak peek for the next chapter on RWBY Rewind having animation errors, and the more rwde part of this fandom once again shitting on Miles for calling out someone for being an asshole about it. I admit, I’m getting a little too worked up about this, but honestly this whole business has really made my blood boil over the past week, a week I’ve been trying to use to relax after school let out for break, so, rant time.

IT WAS SO CLEARLY UNFINISHED, DID YOU SERIOUSLY THINK THEY WERE GONNA BROADCAST THE EPISODE WITH SUCH A BLATANT ERROR? It happened because they weren’t done with the episode before they sent the clip in for RWBY Rewind’s live broadcast. And don’t give me that bullshit about how you’re paying with a FIRST account for a 60 second sneak peek to be perfect, you’re paying 3 bucks a month so you can watch the episodes a week early, you know, like the rest of us with FIRST accounts are doing, never mind the hundreds of hours of exclusive content we get in that subscription! And shit, if you’re really on about those 60 seconds of a thirty minute RWBY aftershow needing to be perfect, you could’ve just watched the version that they put up online afterwards, which is so clearly the finished version not just because they fixed the compositing error but they added ambient effects and additional pedestrians in certain shots! I mean, I don’t even watch RWBY Rewind live half the time, most people don’t, I’ve just been paying to watch it starting the day after it’s recorded!

And god forbid Miles tell an asshole he’s being an asshole! I mean, how do you hold up A FUCKING 60 SECOND SNEAK PEEK as evidence of a drop in the show’s animation quality?! Have you been watching this fucking season? The animation is the best it’s been in ages. Like it’s actually absurd how much detail and attention they’ve put into shots, even non-fighting scenes! And don’t even get me started on how good the fights have been! Better sparingly used quality fights than overused often subpar fights (god, Volume 5 was a shitshow)!

You idiots go on and on about “Oh, I’m harsh on this show because I love it! They should listen to legitimate criticism no matter how I deliver it!” Newsflash: you don’t love this show. At this point you’re only criticizing it because you hate it. Because if you were actually criticizing it out of love for the show, you’d be pointing out actual issues this volume. You’d be saying something like “Oh, this kid of information should have been dropped earlier” or “This volume should not have set up Adam as a major player only to more or less not use him for the past 7 chapters.” Or, you know, point out actual problems with the show, even nitpicks like the weird fireplace effects at Brunswick Farms or some animation errors that popped up in Chapter 6. But the funny thing is, you’re not pointing that out. You’re pointing out a 60 second sneak peek that was clearly presented with no pretense of it being the final product and acting like you’ve found the ace in the hole, the proof that CRWBY is lazy and disrespecting of Monty’s legacy.

You don’t love this show. You love to pretend that you’re protecting the show from the very people that make it. But the fact is, it’s them who are in the writers’ rooms, it’s them who are sitting at the computers, it’s them who make the show you pretend to love. And if you’ve resigned yourself to just hating whatever it is they put out, then I’m sorry, but you’re not a fan of what the show is now. So you can either keep moaning about “Oh, Monty wouldn’t have done this,” or maybe accept the fact that there’s no way the show could do whatever it is Monty did because no one can do what Monty would do. They can only do what they do. It’s no longer just Monty’s show, it’s CRWBY’s show too. And if you’re just never gonna be satisfied with that, if every little thing they do and say is gonna make your blood boil, if every choice they make is completely against the show you’ve built up inside your head, then just don’t watch it. It would make all of us, including you, feel better.

[sparda3g]

My Hero Academia Chapter 212 Review

While officially released in the New Year, it is best to deliver it now. The New Year should be a fresh start for greater things. Case in point, this chapter itself isn’t so pleasing. While there were moments that I expected, including Ochako’s action, the overall delivery was rather underwhelming. While the page count is 13, filling in the content wasn’t much of a problem. Same cannot be said for this one. Once again, it’s the cliffhanger that keeps the interest alive because there’s nothing else to talk about.

Truth be told, the chapter’s cover got me believing this is going to be Ochako’s; giving me a new light of hope. Unfortunately, it doesn’t last long and instead, we are treated with an insight of her character. Back in her childhood, she was fond of heroes. It’s not because they are so cool and how awesome they look. It’s because the happiness, the cheers, and the joy on the expressions of the civilians. It was given when she becomes a hero. Now what if a hero is the one that needs help. That’s where it leads to. That’s it.

Let me start off by stating her action isn’t bad. It’s the right thing to do when a person is out of control, despite how dangerous it can be. It’s understandable where her intention lies in. Let’s not take that out of the way. With that said you can be upset how underwhelming it feels once the focus shift to Shinso, who presented a clear cut development that more or less overshadow hers.

I was already prepared her action to be just stopping him and ask Shinso to brainwash him. It’s very predictable; at least the request part. My hope was there will be more to it and not resort to easy run-in that continues to undermine the danger of Deku’s quirk on the loose. It isn’t like how Kyuubi in Naruto was deemed dangerous and it presented as a horrifying situation. I understand the quirk wasn’t deemed as dangerous in the first place, but the tension stemmed from All Might by calling it off the fight, yet nothing felt terrifying. It just happens. Bottom line, her action is rather just an action. It’s not impacting as it should be if we are to believe the fear.

My main issue is her backstory. It’s nothing wrong in terms of content, but it does feel padding. That’s not the issue though. The series continues to show what the character already believe in or what they already know. It’s as if we are introduced to the character for the first time, learning more and more as the arc continues. It doesn’t feel like a character’s arc, but more of establishment.

Ochako was presented as someone who wants money. It’s not really a retcon, seeing how the backstory didn’t mention it, though despite the first panel, a reminder in text would be helpful. In fact, tie it in would help a lot. The problem comes in when it was said that she was astounded by people’s smiles. I was under impression that this is her character’s arc, addressing it as an evolution. Instead, we are to believe this is a perk that she is greatly fond of. While that is understandable, this could have worked as a development, giving the character more life.

For example, if she was going in for the money only because of parents, only to grow attachment to other perks, that would be a development. If she already like this, then it’s only another character’s trait that we left out because maybe she wants to come back to top 10, falling off from grace. Welcome to Naruto. Joking aside, you could argue the development lies in saving a hero. That’s fine, but Shinso would take that MVP. I know Ochako can’t do much from there, but the emphasis on the risk and her emotional drive to save him could have been a lot stronger. Therefore, her action is good, but nothing to write home about.

As for Shinso, it’s good to see him in a bright light, though it’s a bit bummer after the last chapter, where the depth of low-tier heroism was said. It felts like there could have been more complexity, but this will do. He does struggle on what to say, which is a bit silly in this type of situation, but it is what it is. The actual point is he was thrilled to go against Deku once more to show him his development.

He lost the battle before, but he didn’t feel so irate about it. Instead, he actually felt excited to show Deku what he can do, what he has improved. He truly wants to be a splendid hero and use his quirk to help others. There’s little to say about this yet it’s good enough for me to be pleased by his development. If you think there’s something wrong, you’re not wrong. In any case, he shouts out to Deku to fight again in which Deku responds back. The brainwash goes through, and the quirk seems to be stabilized, but the effect differs.

Deku is back in the shadow realm, where he’s still in 20% shape, but this time, he has a special guest. It’s Hellboy. Actually, it’s one of the One for All successors, though his design has to be influenced by Hellboy. Hopefully, this is more promising than the movie. Of course, in this series’ fashion, he is very eccentric, funky to be exact, calling Deku off on his mishandle. But he does state that his quirk has been manifested, so now it seems to be evolving. Not sure where this leads to, but hey, the out of control situation is taken care of, so no more worries there.

Honestly, this review could have been much shorter, because the chapter was pretty short. It’s filled with good art, but the amount of panel space is wasted. The visual isn’t strong enough to bring the depth of raw emotions or scenes. I apologize for going off on the whole Ochako’s part, but knowing how you waited so long for something is frustrating. You want something new or something rewarding. It’s not enough to fill in the hole. Aside from that, it was an okay chapter. I hope next year will be far better for this series. I really hope so.

[thesevenseraphs]

Bungie Weekly Update - 5/3/18

This week at Bungie, we’re counting down the minutes till Warmind.

In recent months, a series of updates for Destiny 2 has added some quality-of-life improvements to the game. On May 8, we’ll deliver even more. Tuesday can’t come soon enough.

Season 3 will make all players more powerful and give them new ways to earn some Glory (and Valor).

Expansion II will send you starside in search of new activities, new lore, new challenges, and new loot.

Cheers to Vicarious Visions for their passion and dedication to the craft of creating amazing experiences for players. They’ve been wonderful partners with us on this journey. With Destiny 2 PC and Warmind under our collective belts, we’re excited about the future of this collaboration. Before you see their contribution to the world of Destiny,

Creative Director Brent Gibson has a message from his team:

Brent: The team at Vicarious Visions have been fans of Destiny long before we started working with Bungie on this amazing franchise. While working alongside our counterparts at Bungie, we've met the challenge of expanding the Destiny universe and we are beyond thrilled that the day is nearly here! We are honored to have added to this rich world with passionate fans numbering in the millions. This is the kind of thing that game developers dream about. We are fortunate enough to not only add to the gameplay experience, but the franchise as a whole by bringing the legendary Hunter, Ana Bray, to life! She has carried our banner through this entire journey and we can’t wait for you to meet her on this adventure. See you on Mars on May 8!

On Approach We’ve had a lot of fun hosting “Warmind Week” on the blog. There’s a lot we want you to know before you plot a course for Mars. If you missed a beat, here’s a recap. The Destiny 2 Narrative Preview set the stage with five pieces of weblore written by our team.

On Wednesday, we released the “Warmind” digital comic, written by Mark Waid (Doctor Strange) and David A. Rodriguez (Destiny 2: Warmind), and inked by Kris Anka (Runaways).

We’ve also released two new Developer Insights to give more details on what to expect when Warmind launches. Creative Director Brent Gibson from Vicarious Visions and Design Lead Evan Nikolich from Bungie shed light on the state of Mars, Rasputin, and the enemies you’ll be introduced to. Sandbox Design Lead Josh Hamrick and Senior Crucible Designer Kevin Yanes walk us through the Exotic Masterwork weapon process, with additional information about Crucible Ranks, which will be available to all players when Season 3 begins on May 8.

Season 3: Exotics and Crucible

Warmind

We have one more Developer Insight planned for release on Friday, May 4, featuring commentary from Design Lead Jacob Benton and Design Lead Ben Wommack on the development of Escalation Protocol. Stay tuned to Bungie.net/Warmind for more!

Patch Note Preview

In previous articles, we’ve been diving deep into the details of design goals for some of the larger changes coming in Season 3. There’s quite a bit more to Destiny Update 1.2.0, so here’s a quick overview of feature changes and bug fixes that will also be deployed next week:

As a short-term solution, Vault space has been increased from 200 to 300 items.

Multi-emote is here! You now can configure all four emote options with player-selected emotes.

The entire emote collection is now always available to you for convenient swapping.

Items in the emote collection have been removed from the Vault, as it's no longer needed.

Guided Games will now feature a Leviathan Guide emblem that tracks the number of raid encounters and raids a player has completed as a Guide.

This emblem rewards a unique aura for 14 days after a player completes a raid as a Guide.

Once a week while the aura is active, guiding a raid to completion grants one Bright Engram.

A new inventory category has been created that will contain pursuit tracking items, such as those for Exotic quests.

Items in the Pursuits category are specific to each character and not shared across the account.

In-game audio settings (sliders between 1 and 10) were added or revised:

SFX Volume

Dialogue/Cinematics Volume

Music Volume

Chat Volume

Weekly lockouts for raid and raid lair rewards are now class-based.

Players running multiple characters of the same class will receive rewards only the first time they run the raid or raid lair in a given week.

Fixed an issue with collections where event emblems would not show up unless players owned Curse of Osiris.

Fixed an issue where players would encounter a black screen upon loading into the Tower.

Fixed an issue where Cayde was offering only one treasure map for Mercury.

The full suite of patch notes will be published on May 8 shortly before Warmind becomes available. We’re currently targeting a 10 AM release, but stay tuned to @Bungie for announcements.

Details on Design

The Exotic Sandbox that you’re familiar with is about to change. We’ve had Senior Sandbox Designer Jon Weisnewski on the hot seat to talk us through the upcoming changes on stream and on the blog. You may have seen some demonstrations of new and improved Exotic weaponry this week. Some of the changes have some nuance to them, so here he is again with the exact details on how your arsenal is evolving:

Jon: Due to a lengthy update this week, I’m going to keep my section short. This’ll be the last Exotic tease from me. After this week, you’ll be playing with all of the new changes!

Risk Runner: We gave Arc Conductor increased resistance to incoming Arc damage (50%) and enabled it in the Crucible. Arc Conductor will now activate when the weapon is stowed, but damage resistance will only work when the weapon is in your hands. This was already a strong gun for PvE. We’re hoping these changes give it a place in some interesting Crucible load outs, strategies, and counters.

Sweet Business: If you run this gun, you probably just want to shoot forever. We gave it a capped ammo inventory of 999. It’s not forever, but it’s a lot.

D.A.R.C.I.: This Sniper Rifle now grants 4x damage once locked on a target (exact scaling depends on activity, difficulty, light level delta, etc). It shouldn’t take a master strategist to figure out how this will benefit you in PvE. Any Crucible combat snipers will also want to give this gun a try; it’s got a: 7 round magazine, reduced zoom for closer engagements, and an aim assist stat retuned to be more generous when you haven’t locked a target yet for better results while drag sniping.

Lastly, I want to quickly acknowledge the whole team, which has been working really hard to get Exotic weapons in Update 1.2.0 ready for you over the past few months. I’ve been the one doing the talking, but it has been far from a solo effort. In particular, there’s a group of testers who has come to the table daily to both ensure these changes are bug-free, and also provide us with bone-breaking player feedback. The team has done a tremendous job at helping dial in a sweet spot for many of the guns. A billion thanks to them!

Mixing Things Up a Little

Destiny Updates 1.1.2, 1.1.3, and 1.1.4 have brought quality-of-life changes to Destiny 2. Update 1.2.0 is almost here to bring more community-requested features to the table.

Senior Investment Designer Daniel Auchenpaugh has details on the upcoming Heroic strike modifiers and the new Legendary Nightfall Challenge Card.

Dan: In Season 3, we’ve increased the baseline difficulty of Heroic strikes to make combatants more aggressive and make the experience feel more, well, Heroic. Additionally, at any given time the Heroic strike playlist will have three modifiers on it: one Burn (rotates weekly), one Advantage (rotates daily), and one Disadvantage (rotates daily). Here’s a quick rundown of what you can expect in those categories:

Burns

Arc Singe: +25% Arc damage increase (outgoing and incoming)

Solar Singe: +25% Solar damage increase (outgoing and incoming)

Void Singe: +25% Void damage increase (outgoing and incoming)

Advantages

Brawler: Double melee recharge rate and damage

Grenadier: Double grenade ability recharge rate and damage

Heavyweight: Triple Power ammo drop rate, double Power weapon damage

Disadvantages

Glass: Players Health and Shields are halved, but recharge rates are doubled.

Blackout: Radar is disabled, and enemies do 20x increased melee damage

Iron: Enemies no longer stagger, and health pools are increased by 50%

Grounded: Players take 5x damage while airborne

Legendary Nightfall Challenge Card

Players will now be able to take their Rare Challenge Card to Xûr and upgrade it to Legendary Challenge Card. Doing so adds more customization options to the card; Legendary cards allow you to select one Burn, One Advantage/Disadvantage, and two additional Disadvantages. With the exception of Glass, all other Advantages and Disadvantages listed above from Heroic Strikes can be applied to the new Challenge Card. Additionally, there are a few Disadvantages unique to the Legendary Challenge Card you can select:

Unique Challenge Card Disadvantages

Extinguish: Return the fireteam to orbit on a wipe

Famine: Ammo drops reduced by 50%

Match Game: Players must match their damage type to the enemy shield type

Attrition: Health regen is slowed greatly, and enemies drop health orbs

Momentum: Health regenerates only when the player is moving

Nightfall Par Scores Updated

In Destiny Update 1.1.3, we introduced Nightfall emblem variants. As the new Legendary Nightfall Challenge Card will give players more ways to increase their scores, we’re increasing the par scores required to earn specific rewards. Emblem variants, auras, and token reward bonus par scores have been updated to the following:

30k

60k

110k

200k

As a reminder, when you reach new record par scores for a specific Nightfall, you increase your chances to earn the associated Nightfall Unique Reward! We’ll be watching community scores closely once Update 1.2.0 is released, and we’ll let you know if any adjustments need to be made.

Prismatic Matrix

In the January Development Update, we spoke of shifting the balance of vanity content in favor of activity rewards, rather than purely through Eververse. We first addressed this balance by adding vanity rewards to Crucible, Nightfall, strike, and raid activities. To further improve the overall Eververse experience, a new feature we’re calling the

Prismatic Matrix will debut in Season 3. This feature has been developed with three key goals in mind:

Give players more control over how they earn Eververse items

Offer a more predictable path each week that guarantees access to specific items

Drop fewer duplicate items

At release, the Prismatic Matrix will feature 10 Eververse items from Season 3 each week it is active. Each item within the Prismatic Matrix is on a knockout list, which means every player is guaranteed to receive all featured items for a given week by the tenth activation. Earning items via Bright Engrams, Bright Dust, or previous Matrix activations will also knock rewards off the list. In turn, each activation guarantees players an item that they have never previously acquired.

With your first well-rested level-up each week, you’ll earn a Prismatic Facet, allowing one free use of the Prismatic Matrix. Prismatic Facets stack up to 3, so make sure to have proper inventory space before earning a rank-up on a given week. Players can also purchase more activations for 200 Silver each. Outside of the Prismatic Matrix, players may continue to earn Bright Engrams each time they level up, and they can still purchase these engrams if they want a chance to get everything from the Season 3 catalog. Additionally, we’re increasing the number of items available from Tess each week with Bright Dust, from 14 to 18 items.

We want to continue experimenting and evolving Eververse to improve player experience, and give more paths to earn Eververse rewards. Please give us your feedback once Season 3 begins, as we’re dedicated to improving these systems moving forward.

Run of Show

 With each update,Destiny Player Support is on standby to ensure the package has been delivered to your platform without issue. The following information will guide you to your first steps in Hellas Basin:

Destiny 2 Server Maintenance

Services will be brought offline for maintenance on Tuesday, May 8, 2018. During this time, Destiny 2: Warmind, Update 1.2.0, and Hotfix 1.2.0.1 will become available to players. Please see below for the timeline of the maintenance window.

6 AM PDT (1300 UTC)

Destiny 2 server maintenance is scheduled to begin

Players may no longer sign in to Destiny 2

7 AM PDT (1400 UTC)

Players still in Destiny 2 activities will be returned to the title screen

Destiny 2: Warmind and Update 1.2.0 will be available to download and install

11 AM PDT– (1800 UTC)

Destiny 2 server maintenance is scheduled to conclude

Destiny 2 Hotfix 1.2.0.1 will be available to download and install

Storage Requirements

Destiny 2, including all updates, has the following storage requirements for each platform: Platform | Destiny File Size | Storage Space Needed for Download PlayStation 4 | 53 GB | 71 GB Xbox One | 50 GB | 50 GB PC | 48 GB | 68 GB

Destiny Update 1.2.0 Known IssuesPrior to the release of Update 1.2.0, the following issues have been identified and are currently under investigation:

Anti-Extinction Greaves: The female Titan’s Dead Orbit leg armor piece, Anti-Extinction Greaves, may display a small visual issue.

Exotic Masterworks: Once upgraded to a Masterwork, an Exotic weapon or armor piece will not display as a Masterwork when viewed from an Exotic engram preview.

Strike Playlist: Players are not able to matchmake into strikes from an expansion they do not own. Players will receive a prompt to purchase the needed expansion if they attempt to join a fireteam of players who own an expansion that they do not own themselves.

Warmind:

Some quest items in the Warmind campaign may not show up in the loot stream of all fireteam members. However, the quest item should still be added to the inventories of all fireteam members.

If players have a full engram inventory, they may not be able to accept some vendor quest items until they make space in their inventory.

Exotic Armor Tooltips: We are aware of an issue in which the perk text on Warmind Exotic armor tooltips appears in a different color than on similar gear pieces. This does NOT mean that players need to unlock these perks to be able to access them.

If you encounter any issues when playing Season 3 or Warmind content, please post a report to the #Help forum.

[justputnam96-blog]

PopCap Games.

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