#design changed a little since my initial design

[glowsticcc]

i would sell my soul for pepito

[autoboros]

sO I'm curious..did you have any initial inspo for autos character?? What were ur thoughts while creating him

Auto was a weird one when I first made him- I made him when I downloaded the world premiere for Splat3, but he wasn't really "Auto". He wasn't even much of a character at all

Only after I got Splat3 did I begin to kind of make a guy. And this guy was like, who Auto would have been, but I really didn't have any ideas for him at that point (he looked rather different too so still barely "Auto")

And since he didn't really look right I decided I wanted to make a guy I felt like would resonate with me (in a sona way I guess) and changed up how he looked and gave him some personality. It might be surprising since Auto is like, a very polite dude, but at this point in time "Auto" was turning out to be quite the cunt of a character. He ended up getting the name Auto from my username

He looked then how he looked now, except for the outfit. He used to wear the penguin bolero, white 01sters and the white octophones and it got a little boring after a while. My favourite colour was (+ still very much is) red, so I decided I'd try throw together the most red outfit I could with what gear I had at the time. Then I began to project onto him, and he became less of a douche (in fact no longer a douche at all) and more of a nice dude cursed by resting bitch face

Then I gave him billions of lore and boom we have Auto as he is now. I have images of how he looked so I'll throw them here

1. Opening the game for the very first time

2. How he looked for about 2 months into the game (quite different) (not really Auto)

3. When I changed his design to be closer to how he looked in the Premier (though in that, he had the different yellow eyes)

4. Auto as he is now and forever yay

[remxedmoon]

HAPPY (kinda late oops) BIRTHDAY MIWA!!!!!!!! ignore the other two LOOK AT HER!!!! IT’S MIRABELLE MSUNDAY!!!!

greyscale versions + my very normal color ramblings below!

ok full disclosure i already had this post drafted before realizing that mira’s birthday was coming up. i kinda debated just posting the mira doodles on their own but!!! i want to talk about my craft/general color headcanons still. and the mira art is part of that!! so be warned. also, this is going to reference my post about my craft headcanons a lot so like. read that if you so desire.

i personally think that mira’s healing craft is some form of creative craft, since the game describes her holding her palms up when she uses it (iirc anyways). this doesn’t really have an effect on anything, but it’s why i decided to color it yellow!

(also i ended up making mira’s scissors craft a lot more orange than i initially planned but that’s ok!!! i think both of her crafts would be pretty Orange. just thought i’d mention that since it’s a bit different from my first post)

i already explained sif’s craft in my last post so now i get to talk about the change god!!!!!! this is like. probably the most out there in terms of my color headcanons? but i have a reason for that. since the change god is, well, a deity, i thought it would be fitting for their design to match the colors of the 3 craft types (red, blue, and yellow)! this was a little hard to work around given that i also try to give my vaugarde designs warmer color palettes, but i think it worked out!

i also gave them a few slightly different palettes, since i think it’ll make sense for the change god’s colors to be variable. they never look the same, so why would their palette look the same? + i’m indecisive and liked all of these palettes lol

sorry for the ramble! i really like talking about character design and i’m not. very succinct. thanks for reading all this (if you did, perfectly fine if you didn’t!), here’s the greyscale versions as promised!!!

[art]

Creator Spotlight: @mimimar

Hi! I’m Michelle (Mimimar), an illustrator born and raised in Venezuela, currently based in Italy. I enjoy making colorful illustrations that reflect the things I love: fairy tales, fantasy, tenderness and queer (especially sapphic) stories. Occasionally, I also make paper dolls, comics and animatics. I have a lot of interest in book illustration and I’m currently developing my own stories that I hope to share as an author-illustrator someday!

Check out our interview with Michelle below!

Did you originally have a background in art? If not, how did you start?

I always enjoyed drawing when I was a kid, but it only became a hobby that I did almost every day when I was around 11. At first I only used traditional mediums, but I decided to make a serious effort to learn how to draw digitally when I was 15, and once I got the hang of it I never stopped!

I didn’t go to art school so all of my learning was done through studying the tutorials and resources that other artists generously share on the internet and lots of practice / trial and error.

How do you want to evolve as a creator?

I want to do many things but what I want to do the most right now is work on books! I want to make art for other authors’ stories and also my own stories as an author-illustrator. I want to grow as a storyteller and create art and stories that will really resonate with people emotionally. I’m always striving to improve my skills as well.

I also really love dolls, so working on doll box art or as a doll designer is something I would love to do someday. I actually have been designing paper dolls on my Patreon for the past few months, it’s been a fun project that is still ongoing right now!

What is one habit you find yourself doing a lot as an artist?

Probably using a lot of purple! It’s my favorite color so I find myself using it a lot. If I can find a way to sneak a little bit of purple into an illustration or a character design then I will.

Congratulations on finishing your Ivy Comic! Did the outcome turn out like how you expected or were there some unexpected bumps along the way?

Thank you! It’s a project that I worked on very slowly in between other art because I wanted to really take my time with every spread and make each of them a fully detailed illustration. I thumbnailed the full comic before starting but I kept changing the sketch for the final spread until the very end! Overall I’m really proud of the end result. I sprinkled a lot of hidden details in every page that I hope some of the readers will notice. For example: the meanings of the flowers in each page represent what the characters are feeling in that moment, and the colors of their wardrobe become gradually lighter as the story progresses to represent their emotions, as well as the changing of seasons.

We’ve noticed that you have created some amazing cover art for TGCF. Is there another series you would like to do something similar with? 

That was another passion project that took some time to complete. Initially, I didn’t intend for them to be specifically covers, it was just a series of illustrations based on the 5 books/main arcs of TGCF. But since they were well-received and I had people telling me they wish they could use them as covers for their books, I decided to rework them into dust jackets for the english translation of TGCF!

I haven’t thought of any other specific series but I love doing cover art so maybe I’ll do something similar again in the future!

What’s your favorite part of your style? Why?

I’ve heard from other people that there’s a delicate quality to my art, this is something that I like a lot! I like pretty things, fairytales and vibrant colors. I think all of these things probably reflect in the art I make as well.

If there is one thing you want your audience to remember about your work, what would it be?

I hope that they remember how it made them feel. Feelings and colors are the two things I give priority to in my work. Most of the time I like depicting tenderness, softness and emotional intimacy. If that could reach the viewer and stay with them it would make me very happy. 

I make a lot of art with queer (mainly sapphic) themes because they’re the kind of stories I personally like and want to see more of, so whenever people tell me that my art has helped them in their journey to discover and accept themselves, or that they see themselves and their partner in my art, it is always extremely meaningful to me. When art that I made to give myself comfort can provide comfort for others, no matter how small, it reminds me once again that despite any hardships art is genuinely worth pursuing.

Who on Tumblr inspires you and why?

So many artists! To name a few:  I love @sakizo’s amazing eye for fashion and detail,  @paneeps’ gorgeous style and striking colors,  the sweetness of @bevsi’s art,  @vickisigh’s pretty colors and concepts,  @idledee’s warm and heartfelt art,  @littlestpersimmon’s dreamy wonderful art,  and @loish has been an inspiration for as long as I can remember.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @mimimar.

[rofefetasprite]

fantroll art dump because i love her and i get to post about her a little

[raginglesbian2006]

what is your vision on Alastor with a Male Reader who is the opposite of him? Rarely smiles, isn't very chatty and is kinda rough? Maybe, since Alastor loves dancing and singing, Reader or feels shy about it and doesn't like the way he dances and sings or doesn't hate it and watches Alastor dance and sing

ooh, this is a fun ask, lets go

Alastor with a male reader who's the complete opposite of him

So you joined the Hazbin Hotel out of genuine curiosity

You had died fairly young, almost in your late twenties. You have never figured out why you ended up in hell

So it is safe to say, that when you heard of the Hazbin Hotel, you were eager to join, albeit a little skeptical

Of course, it came with your fair share of anxiety when you knocked on the doors of the hotel and were greeted with the ever-smiling radio demon

It spooked your little heart TO THE CORE

Ah well, fast forward a few weeks later and you were adjusting well

Angel Dust was quite protective of you, claiming you to be his younger brother

Niffty initially took to you since she thought you were a "bad boy" but hey, at least she considers you as a friend now

Charlie and Vaggie have been sweet to you and so have Husk and Sir Pentious

Of course, you'd have trouble trying to bond with Alastor

Alastor was loud, boisterous, and loved to scare the living shit out of people whereas you were quiet, reserved, and soft-spoken

Alastor didn't even pay mind to you that much. To him, you were insignificant

All that changed when he tasted your food though. You cook a mean jambalaya. (You were surprised to find Alastor's plate clean when you just turned around for one second)

After that, the radio demon hung around you from time to time and you started growing comfortable with him as well

You were not a fan of him pulling you along to dance on random occasions when jazz played through the radios

Still, you tried your best to keep up with him. You weren't into all the swing dancing so you resolved to just watch him do all the work lol

You aren't that chatty of a person so you just listen to Alastor blab about anything and everything. He once told you that you were a good listener and patted your head

He gave you a personalized radio one day. He bragged about how he came up with the immaculate design but you were too flustered to notice

So it seemed was the rest of the hotel

The big bad radio demon gave you a gift??? Are we talking about the same radio demon here?

It didn't stop there. You were bombarded with gifts every other day. Sometimes it was books, flowers, tea cup sets, or a full-on attire (He gave you a coat that looked just like his, except with the colors reversed)

You asked Alastor about his...frequent gift-giving and he very bluntly stated, "Why, my dear, I am trying to court you after all. "

Error 404

He took you out on a date after you recovered from your slight panic attack

You realize you don't mind being the radio demon's boyfriend

He even started being respectful of your quiet nature. He quite likes the peace anyway

Vox is foaming at the mouth and plotting to kill you as we speak

A/N: This turned out a little different than I'd hoped but I hope you enjoy it!

[bug-slappy]

sharing my opinion here about serizawas design inconsistencies over time (spoilers for mp100 ending) i feel like in each new rendition of serizawa weve seen in official art ever since the start of S3 something feels off in a different way with every new merch release

lets start here ⬇ serizawa looks like,, himself. accurate to how hes drawn since his first anime appearance

⬇⬇⬇ and then slowly,,, things start to look off. his jawline is slowly getting slimmer, his eyes look wider (same with mobs too)

AND DONT EVEN GET ME STARTED ON THESE. especially the one on the right my god. who is that

every new promo art that comes out just feels very careless. I think you could say so for all the characters (mobs giant eyes, reigens waist getting skinnier/pointier features. the PROMO art of dimple that was literally FULLY TRACED OFF OF A TEMU PIRATE HALLOWEEN COSTUME. they all look bad here)

it just feels a little depressing how little they seem to care anymore, like theyre just trying to pump out merch without bothering to use a character reference.

i notice the changes the most with serizawa. every promo art looks like theyre playing a game of telephone. each version of him is based on the last, instead of his initial design (shown below)

at the end of S2, when reigen cuts serizawas hair, he still looks like himself. they did a great job of showing "how serizawa would look underneath his moustache and big hair". In S3 it feels like they've lost that mentality completely. like he's no longer based off of his original design, but an entirely new reference of his salary man look. some comparisons between S3 vs S2 and OVA down below

I find that the line weight in S3 is much heavier and unfocused. but what bothers me most of all is that... Serizawa looks different in nearly every scene... as if they're undecided on what he should look like. the shape of his nose and jaw, his hair all change depending on the episode entirely.

The art style change for S3 was meant to be "more accurate to the manga", but I find that it had the opposite effect. especially how serizawas and ritsus eye shapes changed. ritsus large pupils and serizawas more almond shaped eyes were more reflective of their manga designs there are plenty of inconsistences in S1 and 2, but they're clearly done with purpose to reflect on ONEs art style (my beloved). I feel like the thinner lines allow more room for detail and extreme facial expressions that truly hold a candle to ONEs insane talent for capturing emotions.

these ^^^ compared to..

erm.. this.. ⬇

just felt very underwhelming... and serizawa certainly does mellow out once he starts working at S&S, but that doesn't mean that there's less opportunity for detailed expressions !!

the yokai fight scene was beautifully made i have no qualms.. but the amount of serizawa lore and dialogue in the manga that got cut from the anime just made him look like a cardboard cut out standing behind everyone. lots of funny and interesting moments cut to make room for the moefication of serizawa katsuya..

I feel like there's a lot of important moments that were cut, (reigen "i hope i can become a partner like that" arataka, serizawa "ive had a similar experience myself" katsuya )

or sad, intense scenes that were made lighthearted (the body improvement club trying to help mob, mob and ??? dialogue being cut, reigen removing his shoes in the final arc made to be meant for better grip rather than... his passively suicidal tendencies )

i think the people at bones are very talented dont get me wrong, i just felt like S3 could have been adapted better. this keeps me up at night its like 1am :) anywhosies thank you for listening to my ted talk i love you

[shalotttower]

A Natural Benefit

Title: A Natural Benefit

Fandom: Death Note

Characters: L Lawliet x Reader (female)

Summary: L wants to try something new, you want to be left alone. So an offer is on the table, it's a mutually beneficial arrangement after all.

Word count: 2100+

Notes: yandere!L, kidnapped Reader, dub-con kissing, manipulation, captivity, L and Reader were together at Wammy's House

"Would you indulge me?"

Your eyes dart up from the page to his face. L looks at you like he always does ─ an intent yet oddly distant stare that used to make goosebumps appear on your arms. Nowadays you're somewhat re-accustomed to his mannerisms. He doesn't blink much, tends to stand behind your back whenever possible, likes to play with his food and enjoys invading your personal space far too much to be deemed socially acceptable.

His habits are strange but harmless.

"No," you say, just to be contrary.

L is fond of making things sound simple, and then — snap! — the trap is shut, and you find yourself doing a completely different activity than initially expected.

"I want to kiss you."

"N-" You blink and lower your book down, not bothering to mark it. "What?"

"Kissing is an act of physical intimacy between individuals," he says like it's an obvious fact and you're merely slow on the uptake. L's expression doesn't change, neutral despite this being anything but a normal conversation starter even by your standards ─ admittedly low.

"Thank you for enlightening me about the definition," you lean back against the cushions, "still no."

"Why not?" He asks after a momentary pause.

"Because I don't want to."

A simple answer to a weird request. You try to resume reading, but there're other things currently occupying your brain ─ namely the attempts to understand what prompted such inquiry.

L never asked for physical contact before; platonic or otherwise. Sure he tried to entice you into spending time with him through bargain and manipulation, and you pretended to be oblivious enough to earn an Oscar for your acting skills. However, there never was any talk of kissing involved. Any kind of touching, actually.

He hums. "Would you like me to explain my reasons?"

Sometimes you think that the sole cause of L's existence is just so he could annoy people for kicks. His questions are always peculiar, and you've learned that every single one of them is designed to lead towards some specific conclusion, preferably the one he wants. You have a feeling that if you say 'yes', L will proceed to list a hundred points about why kissing is good. And then another hundred why kissing him specifically is beneficial.

"No."

He looks at you. You look at him and raise the book higher.

"Indulging me would benefit both of us," L says, undeterred. "You're very curious by nature and I find it quite fascinating that you're able to deny your curiosity in this particular case."

Has a more obvious bait ever existed anywhere in human history? Probably not, and you'll bet your entire life savings on it too.

"I'm not curious," you lie, "now leave me alone. I want to read."

He leans forward. "You haven't focused on the book since I asked my question."

Smartass. You purse your lips and pretend that the characters are suddenly so interesting, that it's hard to look away from the intricacies of the plot unfolding inside this fictional world. At least things there make sense; no need to figure out the hidden meanings behind other people's words, because they are mostly transparent when there's a whole paragraph dedicated to the protagonist's feelings.

He reminds you of those spider-like creatures from documentaries ─ their actions seem random at first glance, yet upon further scrutiny prove to be anything but. Instead, they're meticulously crafted and executed to obtain maximum results.

L studies you for a little while longer, and eventually pads towards the kitchenette. The kettle whistles soon after as he makes himself tea; mint flavored, judging by the aroma wafting through the air.

______________________________________________________

You should have known that he won't give up ─ L is just as persistent as you are stubborn. If anything, you've set a challenge before him, and he tends to fixate on those until they are solved: a fact well-known and accepted among those who ever had a (dis)pleasure of interacting with him.

He doesn't outright ask you again, not the next day or the one after that. No. Accidentally, the only type of movies you're able to watch now are rom-coms or dramas with lots of kissing scenes sprinkled here and there between the banter bordering on cringe; sweet confessions spoken over candlelit dinners; passionate declarations whispered during sunsets... Clichés, amore, and kisses galore.

"I'm not sure this is the best movie for the evening," you say, as the screen flickers with images of two leads gazing into each other's eyes like they found the answers to every single question asked.

"The reviews are quite positive," L replies, munching on caramel popcorn.

"Reviews can be faked. And the trailer was misleading. I thought it was going to be an action movie."

"It is an action movie. The genres are listed right there," he points at the screen, and the words 'romance and action' stare back at you.

You frown and settle deeper into the couch cushions. It's uncomfortable ─ watching romantic scenes with L in the same room. His presence doesn't feel oppressive or demanding, yet you can't shake off the squirmy, twisty feeling. The kind when you enter an elevator with someone else and get slightly agitated for no reason. And so you try to slow down your breathing, but it only makes things worse. Your heart beats faster, palms start sweating and the hypothetical elevator stranger inevitably thinks that you're weird.

L isn't an elevator stranger. He's the owner of the elevator, and the entire building, and the city.

"He's going to die in the next ten minutes," you mutter.

"No, he won't."

"Yes, he will."

L hums. "Want a bet?"

Your eyes narrow.

"If he survives past the fifteen minute mark," L says slowly, "you indulge me."

"And if he doesn't?"

"I leave you alone for two days."

There's no hesitation on his side. None whatsoever, which proves suspicious immediately ─ L never offers something unless certain about the outcome beforehand, whether by logical deduction or calculated gamble. Probability factors run inside his brain instead of blood cells and grey matter, calculating risk vs return ratio quicker than any computer ever could.

You glance at the screen. It's a simple plot. There were a twist or two earlier, sure, but overall nothing extraordinary that would require hours upon hours of critical thinking to unravel.

A man, a woman. A handsome villain who wants them dead, for various reasons. They run and fight, shoot guns, dodge punches, and kiss between those because apparently there's time for romance even when a life is on the line.

It's a very simple plot; and two days are a lot to pretend that L doesn't exist. That you got rich enough to buy this kind of apartment.

"The speakers?"

"Switched off."

"The cameras?"

"Those will stay."

Of course, they will. You wouldn't expect anything less ─ privacy issues are non-existent here in more ways than one.

L isn't always a presence. Sometimes he leaves and you're alone with nothing but books and TV to pass time, but two days sound wonderful regardless. There's something in empty spaces that's enticing, even if they're temporary. L, for all his peculiarities, isn't too bad of a company. He's quiet, and often busy with his own matters. But he also has this way of looking at you that is unnerving. Like you're interesting. Or important. Or simply fascinating.

Sometimes he wants to talk, he wants to listen, he wants to ask questions and give answers until everything blurs into an amalgamation of words. It's exhausting.

Two days sound good. His hand is dry and slender. You grasp it and shake it once.

"I'll start the timer now," L says after your hands separate.

______________________________________________________

Twelve minutes.

Three more and he's dead.

You wish that he'd just kick the bucket already, so you could spend the next forty eight hours in pure, undiluted bliss.

_______________________________________________________

The male lead dies after seventeen minutes.

When the credits roll over, the apartment is silent except for the soft buzzing of electronics. You look at the screen, stubbornly, because you don't want to look at him, the owner of the elevator, and the building, and the city.

"It was close," he comments, as if trying to comfort you, which makes it even more of a sore spot.

That’s what L thrives on ─ technicalities, loopholes, small and seemingly insignificant details which are easily overlooked, yet make a great difference. You're not sure if you're annoyed, or disappointed. And what’s more important ─ at whom.

You have known for years that L tends to get his way eventually whenever there's something specific caught up in that head of his; a fixation which refuses to leave until satisfied, and sometimes even after. Snap. You can get up and head out of the living room, you know you can. Will you though is another question entirely.

L isn't a typical captor ─ he doesn't demand or force you into things. He simply presents a possibility and waits. Not aggressive or domineering, not sadistic. But oh he is a PhD of holding a grudge. Leaving now probably means waking up tomorrow and finding that every single disk has vanished without a trace, along with the bookshelves being switched for some obscure scientific texts on chemistry, physics and other things that require an advanced degree to fully understand.

Because someone decided that you don’t deserve entertainment anymore. Because someone is petty enough to deprive you of basic mental stimuli, and is stubborn enough to hold onto that decision even when reasoned with. Unsuccessfully.

It's a talent really, this particular brand of making your life miserable in many small ways, so they accumulate into something greater over time until you feel like the walls are closing in slowly but surely.

You can't back out, even though no one openly stops you from doing so. And L knows that. And he knows that you know. His lips twitch and curl upward before flattening again into neutral territory.

There's a theory that if you pull a band-aid fast enough, it won't hurt as much. The credibility behind it is questionable.

You exhale and meet L's gaze ─ his posture hasn't changed from the beginning to the end of the film, knees tucked to his chest, eyes two dark pools that stare without blinking. His fingers drum a steady rhythm, and that's probably the only sign that gives it away.

Anticipation.

"Fine," you say finally.

His mouth opens before closing back again. L doesn't move a bit.

He wants you to do it, you realize. Wants you to initiate instead of just allowing it. What an ass.

You squish his cheeks between your palms until his lips pucker outwards. L makes a soft noise of surprise but doesn't try to fight back.

Black lashes cast a shadow across his skin. There's no perfume or cologne, no distinct smell ─ he uses plain soap and shampoo which don't have a discernible aroma.

"I believe I was promised an indulgence," L says, voice muffled a bit by your hands on his face.

He looks like a fish this way. A silly, ridiculous image that would make you snort if not for the situation at hand.

Band-aids and ripping them off.

You sigh, lean forward, and press your mouth to his.

He tastes like caramel popcorn.

Mint tea.

Indulgence.

The angle is awkward, and L doesn't move an inch to accommodate the position. He stays still like a block of solid rock, not a single muscle twitches, and doesn't even attempt to reciprocate. You have half a mind to think that maybe he's mocking you, but then his fingers lightly curl on the fabric of his jeans. L's eyelids flutter half-closed when your noses bump, then open again right after. Another oddity added to the pile.

It lasts no longer than ten seconds before you pull away. L blinks. Touches his lower lip with the tip of a finger and rubs it like searching for traces left by the contact.

"You were promised an indulgence," you remind him, trying to sound calm, collected, but your ears and neck feel hot, "not a make-out session."

Technicalities and loopholes.

L has that look you can't quite pinpoint yet know far too well. You've seen it many times before. When he thinks about something but keeps it to himself for now.

"You look more lively," he remarks eventually. "Healthy complexion suits you."

You don't need to hear what he says next, because the words already ring through your head.

"I told you it would benefit us both."

[yumeka-sxf]

My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1

I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.

Endo's Q&As and comments about the characters

Loid:

I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.

I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)

Anya:

I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.

He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.

Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).

Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).

Yor:

Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.

I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.

Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)

Bond:

I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.

Franky:

I love that Franky does charity work. I hope we'll see that in a future chapter.

Fiona:

It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.

Yuri:

I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?

Information about Garden

Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.

It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?

So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!

The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?

Continue to Part 2 ->

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[the-bitter-ocean]

Miscellaneous Childhood Mira doodles with Euphrasie + HCs of what her parents looked like (this isn’t canon this is just my take on it based on what little information adrienne gives and also the game itself gives on what Mirabelle was like precanon etc. Drawing of my hcs of Mirabelle parents designs as well as an insanely long character study/ theorizing on Mirabelle was like pre canon is under the cut:

“Ocean why do you assume she might not be on the best of terms / isn’t close with her biological parents” it’s like a combination of things tbh? Mirabelle mentions repeatedly how much the people of the House of Change, especially Euphrasie has done so much in helping her learn and grow into the person she is today. Throughout the game she talks about how much she cares about/ misses different people in the game and how they are all important to her. You’ve got the head Housemaiden Euphrasie, who did everything in her power to protect her at the cost of herself, was mirabelle’s mentor and even gave Mirabelle blessing of being immune to the King’s Time freezing powers. You’ve got Claude, Mirabelle’s roommate that she cares about despite sometimes getting on her nerves ( she knows how dedicated Claude is to helping others and stopping the king etc), her other fellow housemaidens, the people she knows in dormont and of course all her companions that chose to help her on the journey to stop the king in the first place (Isabeau Bonnie Odile and Siffrin) she loves very much. Initially before getting any information from the in character QnA or Twitter or the QnA on Reddit, I had assumed that her biological parents were dead or that she never met them or had them to begin with but it’s not the case here.

Mirabelle talks about that when she first arrived at the house / prior to getting there she didn’t know how to do a lot of things basic skills. Siffrin also mentioned that the journey itself really changed her since he first met ( because initially she was a lot more shy but now she’s more confident in herself as of canon events in the game). Mirabelle said that she was taught by Euphrasie and the other house maidens. It’s giving the vibes of someone who arrived at the house ( whether by personal conviction to run away and find people who will understand her / that she can hope to understand and connect to) or her parents dropped her off there because it would be easier for them to do at a young age.

M: {The Head Housemaiden...I have to save her...}

I: […]

M: {The Head Housemaiden...She's such a wonderful person." "She helped me out so much! I couldn't do anything before I came to the House, I could barely sew my own clothes, and she helped me, she taught me..." "I wouldn't be the person I am without her!"}

Despite all of this she doesn’t talk about her biological family at all not even in passing despite the whole “ everyone and everything as we know it in the country could be frozen in time for good if things don’t go well” ( which is noticeable in comparison to how easily she can talk about how much other people in her life has cared for her and how much she wants to save them all from the kings destruction). In a in character QnA session when the subject of families / parents was brought up she has a very stilted and awkward response. The tone she’s answering it in feels like she’s hesitating or at the very least isn’t a 100% sure on how she feels about her parents ( and in truth probably hasn’t or didn’t want to think about them). We see the kind of way Mirabelle talks when it’s about people she loves in game before! It’s passionate and confident and full of love/ conviction that she cares for them! So seeing that in comparison to this is well..this isn’t having that energy truth be told. (Screenshot for those that don’t use Twitter)

Also Adrienne a while back posted official character playlists for each of the characters on Spotify to give insight to everyone on what the characters vibes were like and the song choices were very striking to me. The song choice for Mirabelle in particular that made me go !!!! was seeing Elle me dit by MIKA . For those who are unaware of the song and what it’s about, it’s essentially a song about a mother telling her kid all her high expectations of him and how she’s disappointed in the way he’s living his life.

Given how Adrienne stated that mirabelles parents don’t understand her and she in turn doesn’t get them either, I wouldn’t be surprised if she’s heard similar sentiments growing up / had that sort of pressure to Change or behave in a certain way. ( Even with her dedication the Change belief making her happy Mirabelle still will lament about how she’s afraid that she’s not doing enough as a house maiden or that her identity of being aroace somehow would upset others/ makes her feel alienated in comparison to how everyone else can change easily. ) This combined with the fact she canonically has anxiety and has moments where she isn’t very confident in herself is.. deeply worrying! Yes I’m aware that people can just have those types of thoughts even in a good supportive environment/ experiences but the combination of all those factors isn’t exactly aspiring confidence.

Anyway that’s my ramble I hope you all enjoyed my analysis/ headcanons yipeee ^_^

[lexo-is-pesto]

I'm so excited to finally post this.

My full Murder Drones reference! so hopefully I can keep up consistency

Obviously, this is full of my own head canons so close ups and explanations under the cut (it's a LOT) >;]

To be totally honest my focus was on the main characters, and I think that shows in the designs of the Manor Drones and Cabin Fever Squad. BUT I'll still do my best to explain my process here.

For the Disassemblers I decided to do very different builds for each but the same color pallet.

My idea here was that since each have a different designation letter, that was akin to their model type. That's also why "the company" was able to clone J so easily, they just had her model on file. (also like to imagine there are 26 different forms of the Disassemblers Imao).

I had all the colors remain the same to show their unity and of course the Absolute Solver-ification of the basic Worker Drone color scheme. Essentially, I just took the monochromatic WD colors and put the highlighter yellow over it that Cyn loves so much.

For J I did a more lean and strong build. I wanted her to exude that leader energy. I also made her Core a star shape for similar reasons and then I also noticed that N and V had caution stripes at the top of their legs but as far as I could see J didn't, so I decided to add those to the very top of her legs to finish the garter belt look she's got going on. For her hair, I actually really like the pigtails I just flattened them out a bit because the big cutesy poof they had didn't fit her style in my opinion. I brought it back for her worker form though.

With V I gave her a round yet sharp look. (My favorite added detail is the sharp shoulders) I did make her the shortest of the DD because everyone loves the small but vicious archetype. For her core I made it a sword or spear shape, because she's extra violent. And finally, I made her legs a little more pointed than J's to finish off the sharp look.

Last but CERTAINLY not least, N's design is meant to be soft and plushy but still has a little edge to it. His hair is fluffy but the tufts curl to be sharp, His core is meant to look like a heart but it's upside down so the point is still facing the top (which makes it look more like a club but whatever) I gave him a rounder torso than the other two and his elbow and kneecaps are softer too. His general construction is still menacing, though, so don't get too comfortable with all the fluff. I also spent a LONG time contemplating if I should make his thighs black to look like little biker shorts to contrast with J and V's sock looks but went against it because I love how the hazard stripes stand out against the white.

For N and V's worker forms I basically took out all the sharp edges and rounded them out. J's still a little sharp though not as much.

With the Workers I did the opposite of the DD. They have the EXACT same body types (minus Uzi because she's little) and instead I changed their color schemes to all be unique to their eye lights

Since Worker Drones were made to... well... WORK I think their initial manufacturing would be pretty uniform. A copy and paste if you will. It was only when they were left to their own devices that the WD started to customize themselves. Thus came the wigs and clothes.

I like to think the color started with those infected with the Solver, so Yeva and Nori gained color and then passed that on to their kids. Thats also why Alice has color, but Khan, The Manor Squad, and some other drones in the colony don't. Does not explain Lizzy and Thad though (maybe they have a distant relative that had the solver idk)

It was a lot harder to infer about what a base WD body would look like Maybe I was just looking in the wrong places, but I had to infer with things like the worker helmets, we see every WD except Uzi wear one but they seem more coordinated with their outfits so I decided to just continue my color head-canon that its naturally monochrome and you can customize it if you want to!

I added a light to the feet of the worker drones to match the hand lights. I don't think there's a canon reason for the lights but, on the workers at least. I think they're there to help them do grunt work in the dark! to light their ways in caves or tight spaces so they could do their job better. Now they're just another robot cosmetic

For the Parents, I gave them wrinkles because I thought it was unfair that Khan was the only one who got them. So, Nori gets crow's feet hurray! No but I probably had the most difficult time with these drones. It was hard to separate the canon from fanon since we know so little about them, but I fought off all the demons to keep their designs relatively grounded. Minus Khan's scar. And Alice's more natural horns. and-

I also gave some drones eyelashes. just cause. if I thought it fit, I added it and if it didn't, I didn't add it.

Now you may be wondering "Lexo what's up with all the cracks!?" the idea here is that it's the solver taking over. We see in Cabin Fever and Home that the solver virus fundamentally changes the body of a drone. The crack in the casing is basically this process. Depending on the stage of which your drone is at it changes the intensity. We see Cyn being the main host and essentially patient 0, so she has the most cracks. It starts at the core then spreads until it reshapes you entirely and you become a Disassembly Drone. Unless you stop it in time. Thats why J, V, and N have the pale lines on the bottom of their torso, they're more pretty and cleaner since they achieved the solvers "final form" so to speak. Nori and Yeva on the other hand, have repaired cracks but they're still messy since they were stopped mid-way. Alice, however, did not stop the spread with the solver cure since she was "abandoned" so instead she just cut out her core entirely. Yup. Shes functioning on pure insanity and spite at this point. And then of course with the new hosts, there is light spreading. TL: DR the cracks are a zombie bite.

But that's it for my Murder Drones head canons and designs! If you read all the way to the end, you're a champ and I love you. Have a cookie superstar <3🍪

[ckret2]

minor nitpick but does VENDOR not capitalize THEIR own pronouns when referring to THEMSELF? also while reading that bit I realized that yeah, Bill would have no idea what VENDOR was, as vending machines as a concept wouldn't work in a two-dimensional world

I think when I was first picking THEIR pronouns I considered all capsing I/ME/MY but then didn't for reasons I don't remember because that was at least half a year ago. And a few days ago I suddenly realized aw man it would be really cool if VENDOR uses (and all-capses) the royal WE. But I didn't think of it earlier.

I can't be assed to go back and change THEIR first person pronouns when I'm working with a zero chapter buffer and am just barely squeaking out each week's fresh chapter, but when I'm posting chapter 61+ to AO3, the royal WE might be something I edit in.

(Since VENDOR's never referred to THEMSELF with all caps pronouns and you're only just asking now, I suspect it's partially because THEY called THEMSELF "Vendor" in the latest excerpt instead of VENDOR. My doylist explanation for that is THEIR logo is literally spelled "Vendor" in THEIR actual art because initial caps got me that retro 50s appliance brand aesthetic I wanted better than all caps did; and my watsonian explanation is that if some actual IRL human beings can have their signatures in all caps even though they'd properly spell their name with initial caps if they were typing it in an email or something, then VENDOR can sign THEIR name with initial caps for the aesthetic even though THEY'd properly spell it in all caps.)

And ye of little faith! You can totally make a vending machine work in 2D.

Did you know that the first vending machines were designed in Egypt nearly 2000 years ago and dispensed holy water or wine in exchange for a coin? This isn't relevant, I just think it's a cool fact.

But VENDOR's so big, so alien-looking, and so filled with planets that Bill wouldn't immediately make the connection that THEY're a vending machine. Imagine seeing, like, a 200 story tall steel fridge. You might initially mistake it for a weirdly featureless windowless skyscraper with a weird decorative wave coming out of one side rather than recognizing it as a fridge with a handle.

[katyspersonal]

Okay Queelign just gotten more interesting! So user @ereia-lune brought to my attention what Fire Knights really look like:

Very lanky build with arms going below the knees level, like Messmer's body, and red hair like his / curse of the Fire Giants! Like yeah I know I've written like cool analysis on the Fire Knights as characters but I didn't look at the close ups ( 😔 )

Lore says that Fire Knights continue to use Messmer's Fire incantations after his fire failed to find the purchase in them to still share their bond. So, their physical change is apparently result of like.. kinda consanguineal contract with Messmer but flames instead of blood? Or did he give his flames THROUGH blood? Who knows really gfhthc However, Queelign apparently was spared from it! His body type is neglectelable since he uses base NPC model, but making his hair not red is a very bold implication! Perhaps, him not having the red cape like other Fire Knights is also not just a design choice or just for better dexterity, then!

I wonder why he didn't have such contract.. All jokes about even his allies hating him aside, it might be because of him standing out in his fervor. Fire of Ruin (fire giants fire) is literally said to have been an anathema to the Erdtree and thus was the reason Marika wanted to kill it! So if Messmer carries it on, curse karma course of nature conditions of birth whatever is the reason, how would Queelign, THE Marika fanboy, would've reacted if he had a communion with Messmer only to find out that the force to "cleanse" the world of everything going against Marika/Erdtree originates from something that ALSO goes against them like nothing else? It might be not obvious until you sense it in your body, so sure he'd short-circuit upon such an Insight!

Maybe Messmer was willing to spare both Queelign and himself! Black Knight Andreas and his son Huw rebelled against Messmer after learning about his serpentine nature, but Messmer grieved loss of Huw as brother in arms. Maybe he is at the point mentally where he can't handle losing anymore friends, so he'd cherish each and every one even if that meant keeping some things to himself. And like I said before, Queelign feels very much like a window into Messmer's utmost, maybe long regretted and repressed feelings, he is like a little version of himself! He might be annoyed by it, but at the same time maybe wants to protect the absolutely pure, idealistic, puppy-eyed adoration of Marika and feeling like Queelign IS doing something sacred. If he realized the weapon to protect the Erdtree is in actuality the weapon to destroy it, that'd break him, but maybe Messmer wishes he himself didn't know that about his nature. And could still believe he is Marika's true blade. Why not keep Queelign out of it, if at least one of them can remain naive and love her so much and love their purpose so much?

At the same time, it is funny to think about how Queelign is SO absorbed in his purpose that he doesn't even notice he is not invited in the club! XD And whenever he tries to question it, other Fire Knights just go like 'uhhhh noooo you are imagining things..... :/' gfhgfnjn

_________

P.S.: A simpler explanation is probably that he is just new compared to other Fire Knights and is just yet to earn the proper initiation, .....

P.P.S.:

me: Damn Messmer and Queelign are so interesting and I hate it!!! Shipping material if only Messmer and Rellana weren't married XD

ppl who shipped Rykard and Ghiza: I smell stench of weakness?? 🤔

[transingthoseformers]

So!

I really really liked Transformers One!

The visuals were gorgeous, the characters were interesting, more under the cut

I especially liked the designs of the Quintessons, and the Quintesson ships. I liked how the ships themselves seemed like living organics up close, like some sort of massive arthropods.

I'll admit that initially learning Elita's VA had worried me, but I think Scarlett did manage to capture Elita's personality in a very interesting light— so much that I mayyyy have forgotten she was Elita's VA until the credits😅

there were so many recognizable characters in the background, but since I was. Well. In a theater and not in a place where I could pause and screenshot things I'm sure I missed quite a few Easter eggs

May I return to how much I loved the visuals??? Iacon felt alive and busy, and even though you can tell the surface was ravaged by the Quintessons it was full of so many interesting details. I fucking loved the shifting rocks and mountains

oughhh Airachnid was so cool, she gave me heavy xenomorph vibes.

I may or may not have quietly called D-16/Megatron Optimus's wife several times in the theater. I don't think my Grandma heard me as she was screwing around on her phone the majority of the time.

The transformations were pretty cool

Sentinel was the utter bastard I knew he'd be

They didn't kill the Quintessons or even directly go up against them, (which I was expecting them to go against them) which makes me think they might be saving that for a sequel or something.

LOVED THE END SEQUENCE OF D-16 FINALLY BECOMING MEGATRON AND ORION PAX BECOMING OPTIMUS PRIME, visually it was so cool

Alpha Trion's altmode was cool

I didn't expect it to have been Sentinel to scratch the first decepticon badge into Megatron's armor as a mocking gesture

Didn't expect the future decepticons to be called the High Guard, and to have their ties to the Thirteen Primes

again I loved how beautiful everything was, again and again

hehehe mild swearing in a PG movie

Probably more I can't think of right now!

Things I questioned / think could've been changed:

... I'll admit, as much as I love Megs, his character and progression from miner to leader of the decepticons felt a little out of character to me. I understand this is a new continuity with its own rules but I almost felt like Orion and D-16 should've been swapped. Idk, just an opinion. It felt very weird to hear D-16 go "mnnn but maybe we're better off as just miners, we're cogless :/", and I feel like his turn to seek violence was a bit fast.

I've seen the inclusion of Bee/B-127 as part of the original four questioned since the first trailer released, and while I liked him in the movie I do agree he might've should've been another character. Though, I'm inclined to suggest he maybe should've been Dion, and died somewhere at the end of the movie.

I'm a little disappointed we didn't get to see other possible Cybertronian cities like Tarn, Kaon, Vos, or Praxus. Idk if it'd've been realistic for them to include them, but still.

.Still not sure about Chris Hemsworth as Orion/Optimus.

Idk. I liked a lot of things about the movie, but there were a few things here and there, you know?

[thequeenofmyownscreen]

It is Done. I've finished embroidery on my blouse for the Laudna cosplay

Ever since I've seen the first episode of Campaign 3, and even before any announcement of cons, I was seized by an idea. I just had to do a Laudna cosplay, even though I've never done one before in my life. I was inspired by the wonderful official design (by @agarthanguide), bought a simple blouse, taught myself really quickly hand embroidery, and got to work. And I'm really happy about how it turned out !

(more photos and details under the cut)

I started in January 2022, with no pressure for a year, so I took it very slow. And then when the MCM London was announced, I finished almost half of the project in under 3 months ! Unfortunately, because I'm still new at this, I didn't exactly count the total time I spent on this, but it's more than 60 hours for sure, and probably around 140 hours in total (including initial drawings, trials on other materials, re-drawings on the final blouse, washing, etc.).

The little yellow square were my enemies for a time (some do not resemble squares... but I got the hang of it after a while). In general, I think the lines are not really straight, but when worn, no one will see !!

This project changed my life, in small ways (like everything you do in life). It was not only a part of my first cosplay ever, but especially the thing that made me do embroidery. I discovered a passion, and techniques, and resources (thanks Internet people everywhere !), and since then I've been working on other projects - not CR related, that I may show later if people are interested. Also it's been a constant companion of my intense watching of the later episodes of campaign 2 : picture me if you will with my needle and thread and my project watching the best team that no one in Exandria has ever heard of save an archfey, not-really-kill an archmage, and save the world while still being chucklefucks.

So yeah I'm excited to share it with the world, a little. London awaits !