#depends on the reception i think

[teethbomb]

It’s hip to be square

[justarandombrit]

Uhhhhhhhh I have an entire Google doc of Startinwrecked shipfics based on prompts that I haven't uploaded anywhere. I don't actually know if anyone wants to read them so. Poll!

Extra info in tags!

[skarloeyspa]

WHOS READY FOR SOME CENTENNIALS!!!!!! unasked for explanations below once again

This set of designs is different from Ryan's because i basically just traced my old sketches and redid them digitally to give them colour so there are less design details (sorry lmao)

ANYWAY continuing with the "time-accurate" clothing choices, I'm hoping it's more obvious with loey and neas this time. You have no idea how RELIEVED i felt when i saw neas' third overhaul was in the 2000s. I love details but I have been working with suits for like 30 designs by now.

Because I did these back in october I don't really have proper ref images but if you googled men's fashion for each of their respective eras you should get pretty good results and if you don't im sorry💀

Not sure if it's obvious but they're supposed to "age" with every overhaul, yea im aware my ability to draw people older than 40 is nonexistent-

On that note, I have a more in-depth hc for how the "human" of an engine appears which would explain how loey and neas can "age" but the short version is the "human" is a combination of the maturity of an engine's mentality and the engine's actual age

I do not know enough of the Skarloey Railway lore to back my headcanons but I hc that during their early days, the SR was more strict with appearances, hence the suit jackets and whatnot (kinda like how RWS SR engines all have the same livery)

Towards the SR's later days, the change of directorship and the increasing diversity of their rolling stock led to much more relaxed regulations on appearances. The jackets that the overhaul 2 designs are holding would look similar to the jacket that overhaul 1 loey is wearing, which would bear the engine's nametag and the signature red shoulder pad designating an engine's gauge

Also the nametag and specifically the number badge were details added later when I finished my handel and petah designs, yes I love it a lot that's why i mentioend it.

Overhaul 1 neas is particularly different from overhaul 1 loey because for one they're two different decades, but also the time between his first and second overhaul was when neas had to run the line on his own (not to mention the world war woah...)

I haven't really figured out specific height hcs yet but neas and loey are around the same height as each other but grow a tad with each overhaul

ok das it for this one i think, thank yall for the wonderful reception of ryan im so happy yall loved him😭🥹also thanks for making it to the end next time it's probably gonna be handel and petah<3

[panther-os]

in real life:

all cops are bastards

because good cops don't last

because they get killed, fired, or corrupted by the bad cops

because the police institution is corrupt and trains and encourages cops to be bad cops

in movies and tv shows and other media:

in universe, you can suspend your disbelief that some good cops didn't get killed, fired, or corrupted

in universe, they still fuck up because they're working inside a corrupt system

in universe, it's important not to give them a free pass for these fuck ups and to watch how they feel and act about them and any victims

out of universe, the writers and directors make all the decisions for the characters

out of universe, making them cops was the writers and directors biggest fuck up with them

because out of universe, they're based on cops that are all bastards and the hero worship of said bastards

tldr:

it's okay to like cop characters

you should still criticize irl cops

you should still ask yourself if it's copaganda

if it is copaganda, you can still like the cop characters

no matter what, be aware of and smart about the messages you're hearing from the writers

[hiroshotreplica]

more of that alternate agent 8 i have. if that outfit looks bad its because i dont know how to design a good outfit

(also i forgot the scars on the last images Sorry Lol)

[thesnowciphercomedyhour]

I'd tell you all to go see Furiosa in theaters while you still can, but I myself hesitate to see it again because the sound wasn't turned up high enough at my showing. idk if it's still showing in big enough auditoriums to have a chance at amazing sound. it deserves the roar and hype.

still, if you haven't seen it yet, it's worth it to see it in theaters just for the big screen. such stellar action deserves as big a canvas as it can get.

[juniperhillpatient]

to be honest I really like writing super fucked up horror stuff maybe if scream au ultimately gets a positive reaction I’ll write Yellowjackets au after all

[gierosajie]

Venti: Look, it's not that I am afraid or lost control of my people, but you have got to stop underestimating mortals. They like me, sure, but one step out of line and they could take me out just as easily. Need I remind you about the last guy?

[francesderwent]

also re: previous Chesterton quote: Lockwood has the disdain for all things outside himself necessary to spit at the stars—to defy DEPRAC and steal from the Fittes Black Library and stand firm and defiant before a load of thugs. George has reverence for all things outside himself enough to tread fearfully on the grass—to second-guess accepted rules and theories, to want to learn not just destroy, to smile when the trapped are set free.

[satyricplotter]

recently i became aware that the thing im working on right now (which im still not sure im actually going to post here as it has quickly become... very personal. and has also gotten to the point of such specificity that the crossover to using OCs instead of the Reader has, alas, become a necessity) is simultaneously a batmom, batsis and bat-romantic-interest fic which is very very funny to me

[alteredphoenix]

While I think Kagurabachi has a better chance at surviving in WSJ than MaMaYuYu does at the moment (which the former has been in the Top 5 over on Mangaplus), I'm hoping that the reception on the post-Char chapters are (presumably) better and makes it climb up the rankings a little more - because if this shit dies on the chopping block I will have words for every YouTuber and Reddit andy that memed it to hell and back and into the fucking ground with their PEAK and TENOI screeching.

[piplupod]

dentist slotted me in for tomorrow in the early morning and i feel very sick!!!! in just over 12 hours i will find out how many big bucks are coming out of my savings bc my tooth decided to randomly chip through no fault of my own a month after my dad's insurance stopped covering me !!! :'''))))

[tyrannuspitch]

thinking thoughts. thor bpd too...?

[braintamer]

Subtle ways to serve the patriarchy in your daily life:

1. Be respectful

When talking to strange men, always refer to them as "sir" or as a "gentleman." This may seem outdated, but some people still talk like that. It shows your respect and harkens back to a time when men were in charge and women knew their place.

2. Be polite

Always say please and thank you, even if it doesn't seem necessary. For example, instead of saying, "Hey, do you know where the restroom is?" say, "Excuse me, sir, could you please show me where the restroom is?"

3. Be dependent

If you go out with a man, let him hold your phone. He'll decide what you need to see and who you need to communicate with. If he goes through your texts and photos, that's his right.

4. Be a doll

If you go out with a man, let him choose your outfit, how you do your makeup, and your hair. Don't leave until he is completely satisfied with your appearance.

5. Dress to impress

If you go out without a man, choose makeup and an outfit based entirely on what you think men find attractive. (Unfortunately, you will have to use your brain just a little bit for this one 😥) It doesn't matter if you like it, or if it's comfortable, men's taste is your taste.

6. Be helpless

If you think you might need help with something, ask a man. Even if you think you could probably do it on your own, remember that you can't. If you're lost, don't try to use Google maps. Ask a man for help. If there's something wrong with your car, don't even try to figure out what it is, take it to a mechanic, and say, "It makes a weird noise when I do this" and let him handle everything for you (ideally you wouldn't be driving at all)

7. Be approachable

If ANY man flirts with you or compliments you, be receptive. If a dirty homeless man says you have nice tit's, smile at him and say, "Thank you, sir." If a group of men are hollering at you, stick around, give them a spin so they can see and judge every part of your body, invite them to come over and grope you.

8. Be submisive

Never talk back to a man. If a man is rude to you, be grateful for the attention and ask him what you can do to make it right.

9. Be dumb

Don't use big words, in text or in speech. If you have an idea that you don't know how to express, it's probably too complicated for you. Only read when you have to. Never try to understand current events, occupy your mind with porn. If you really need more intellectual stimulation, you can watch something like celebrity gossip news.

10. Spead the word

Subtly try to teach other women their place, compliment them on their appearance, and nothing else. Discourage them from valuing things like their education and career. Encorage them to dress more slutty, if possible get them drunk and makeout with them for men to watch.

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[gayou01]

Astrology observations pt 32

-I feel like notorious and/or serial thieves and hackers would have a lot of Gemini placements or a prominent Mercury placement

-Uranus in the 3rd house can indicate being socially awkward and having trouble understanding social cues. It can even hint at neurodivergence

-Leo placements and people with the Sun in prominent houses get attention regardless of if they actually seek it or not. Whether they are receptive to the attention or not depends on their other placements (ex- water placements usually hate it and avoid it)

-Neptune in the 4th house can indicate growing up sheltered and not having an accurate picture of what “the real world” is like. In extreme cases think rapunzel and mother gothel

-mars-Uranus aspects can indicate being accident and injury prone, especially if they are conjunct in the 6th house

-Chiron-Neptune aspects can manifest literally via being scared of water/the ocean or having had an incident where you almost drowned

-people with a lot of Capricorn and Aries placements either have perfect teeth or had to have some major dental work done during their early life (including orthodontic procedures)

-having Mars in the 4th house or having the 4th house cusp in a mars ruled sign can indicate growing up in a home where you witnessed a lot of fighting or DV, or growing up in an unsafe neighborhood