#depends on the reception i think

[teethbomb]

It’s hip to be square

[justarandombrit]

Uhhhhhhhh I have an entire Google doc of Startinwrecked shipfics based on prompts that I haven't uploaded anywhere. I don't actually know if anyone wants to read them so. Poll!

Extra info in tags!

[skarloeyspa]

WHOS READY FOR SOME CENTENNIALS!!!!!! unasked for explanations below once again

This set of designs is different from Ryan's because i basically just traced my old sketches and redid them digitally to give them colour so there are less design details (sorry lmao)

ANYWAY continuing with the "time-accurate" clothing choices, I'm hoping it's more obvious with loey and neas this time. You have no idea how RELIEVED i felt when i saw neas' third overhaul was in the 2000s. I love details but I have been working with suits for like 30 designs by now.

Because I did these back in october I don't really have proper ref images but if you googled men's fashion for each of their respective eras you should get pretty good results and if you don't im sorry💀

Not sure if it's obvious but they're supposed to "age" with every overhaul, yea im aware my ability to draw people older than 40 is nonexistent-

On that note, I have a more in-depth hc for how the "human" of an engine appears which would explain how loey and neas can "age" but the short version is the "human" is a combination of the maturity of an engine's mentality and the engine's actual age

I do not know enough of the Skarloey Railway lore to back my headcanons but I hc that during their early days, the SR was more strict with appearances, hence the suit jackets and whatnot (kinda like how RWS SR engines all have the same livery)

Towards the SR's later days, the change of directorship and the increasing diversity of their rolling stock led to much more relaxed regulations on appearances. The jackets that the overhaul 2 designs are holding would look similar to the jacket that overhaul 1 loey is wearing, which would bear the engine's nametag and the signature red shoulder pad designating an engine's gauge

Also the nametag and specifically the number badge were details added later when I finished my handel and petah designs, yes I love it a lot that's why i mentioend it.

Overhaul 1 neas is particularly different from overhaul 1 loey because for one they're two different decades, but also the time between his first and second overhaul was when neas had to run the line on his own (not to mention the world war woah...)

I haven't really figured out specific height hcs yet but neas and loey are around the same height as each other but grow a tad with each overhaul

ok das it for this one i think, thank yall for the wonderful reception of ryan im so happy yall loved him😭🥹also thanks for making it to the end next time it's probably gonna be handel and petah<3

[panther-os]

in real life:

all cops are bastards

because good cops don't last

because they get killed, fired, or corrupted by the bad cops

because the police institution is corrupt and trains and encourages cops to be bad cops

in movies and tv shows and other media:

in universe, you can suspend your disbelief that some good cops didn't get killed, fired, or corrupted

in universe, they still fuck up because they're working inside a corrupt system

in universe, it's important not to give them a free pass for these fuck ups and to watch how they feel and act about them and any victims

out of universe, the writers and directors make all the decisions for the characters

out of universe, making them cops was the writers and directors biggest fuck up with them

because out of universe, they're based on cops that are all bastards and the hero worship of said bastards

tldr:

it's okay to like cop characters

you should still criticize irl cops

you should still ask yourself if it's copaganda

if it is copaganda, you can still like the cop characters

no matter what, be aware of and smart about the messages you're hearing from the writers

[hiroshotreplica]

more of that alternate agent 8 i have. if that outfit looks bad its because i dont know how to design a good outfit

(also i forgot the scars on the last images Sorry Lol)

[thesnowciphercomedyhour]

I'd tell you all to go see Furiosa in theaters while you still can, but I myself hesitate to see it again because the sound wasn't turned up high enough at my showing. idk if it's still showing in big enough auditoriums to have a chance at amazing sound. it deserves the roar and hype.

still, if you haven't seen it yet, it's worth it to see it in theaters just for the big screen. such stellar action deserves as big a canvas as it can get.

[juniperhillpatient]

to be honest I really like writing super fucked up horror stuff maybe if scream au ultimately gets a positive reaction I’ll write Yellowjackets au after all

[francesderwent]

also re: previous Chesterton quote: Lockwood has the disdain for all things outside himself necessary to spit at the stars—to defy DEPRAC and steal from the Fittes Black Library and stand firm and defiant before a load of thugs. George has reverence for all things outside himself enough to tread fearfully on the grass—to second-guess accepted rules and theories, to want to learn not just destroy, to smile when the trapped are set free.

[sadkachow]

ahhh i wrote something small (almost 2000 words, so i guess it depends on your definition of small) on this OP, i hope that's alright!!! took some slight inspo from @charatt regarding their comment on the synesthesia beacon making it where Aventurine likely wouldn't recognize his native language, or at least no longer understand it very well. i only went up to where your comic ended, though i may write some more. kind of made up the circumstances surrounding how this meeting would have occured in the first place, but i really hope this turned out well!!!

There is nothing Aventurine is more familiar with than death.

It has followed him around for as long as he can recall, far before he was even granted the name Aventurine, back when he was a child—pure, innocent, free.

He can hardly even remember the first time he watched someone die in front of him. Eventually, all of the bodies begin to blend together, a trail of violence and destruction that follows after him, like a plague.

Sometimes, he can’t help but wonder if he is the infected, or the transmitter. All of his luck comes from somewhere. As a child, he believed it was a blessing from Gaiathra Triclops. His clan told him as much.

Is it really a blessing, if everyone and everything that ever comes near him is withered and rotted away until there is nothing yet, and still, he cannot manage to die?

He thinks he’s a black hole. Perhaps his luck doesn’t come from the Mother Goddess at all, and instead all the rot lives inside of him. Perhaps he just pulls out the life from everyone else, and keeps it all for himself. Everyone always says he’s a selfish bastard, anyway. Who is he to say they’re wrong?

A few deaths stick out to him. His father, his mother. He never watched his sister die, but the day they were torn apart is burned into his mind in the same manner as the brand on his neck.

(Just another reminder he is worth nothing more than 60 copper coins. That even as he works his way up the ladder in the IPC, the stability only remains so long as his usefulness does.)

He remembers countless deaths here and there from different death matches. Watching as they died either by his own hands or as a consequence for his victory.

He remembers murdering his enslaver. He hadn’t known, at the time, that the man was a member of the IPC, but he had soon learned. As it turned out, people in power only turned a blind eye to murder so long as you didn’t attack one of their own. How many people had Aventurine killed before then, how many people had he watched die at the hands of the IPC, but the moment he turned it around on the Senior Manager Aventurine that came before him, he became the threat.

And he’d worked his way out of that too. Made a deal with Jade, and then with Diamond. Because the new Aventurine.

And that had been the greatest murder of them all. The murder of Kakavasha. It was different in a way that the death had been a long and painful one, Kakavasha being chipped away piece by piece, not just by himself but by every single person he encountered along the way. Some barely made a crack, while others ripped off entire chunks at the time.

Except even then, it wasn’t really a murder. That implied that someone was dead, gone forever. Kakavasha was not dead. He would have been, but Aventurine sealed him deep inside of himself instead, never to be seen again. Some days, he would lift up the box, and cradle it close to himself, but he never dared to pry it open.

And so his life in the IPC—in the spotlight, at least, the IPC was a factor in his development much prior, but never before like this—had begun. It was far from easy. The IPC prefers to depict themselves as the better choice. Aventurine knows better. It's slavery, the same kind that marks most of his memories. They may paint over it, repackage themselves, appear all beautiful and covered in bows, but he is familiar with the truth.

A cage is still a cage, even when made out of gold. Or, in his case, out of aventurine.

All of that to say he is no stranger to mortality. And yet, there is no amount of tragedy that could prepare him for what occurs next.

He arrives onto a small planet on his own, as a result of a distress signal, sent by a certain doctor specifically to him. It is not his first time visiting, but he has always arrived to work on some sort of joint project between the two of them (although each visit often ends with the two of them merely “spending time with each other”, even if they claim to reject one another’s companionship).

However, there is no Ratio to greet him when he steps off of his ship and into the garden at the entrance. This would not be unusual, were it not for the fact that even as he steps inside, there is no noise at all. No distant sounds of frustration or classical music playing (Ratio claims it enriches the mind and helps with retaining information—Aventurine thinks he’s just making things up, but the last time he voiced that, he was subjected to a three hour lecture from the good doctor on why music actually is beneficial for human learning, an experience he is not awaiting the recurrence of). The water isn’t even running, so Ratio is not taking a bath, which would be his final assumption supposing that he has run through every prior alternative.

No matter how much Ratio adores human solitude, the doctor never operates in total quiet. 

Something is wrong, if it weren’t already obvious from the distress signal.

His hand shifts to the gun holstered at his hip, and he thanks the Mother Goddess that he’d chosen to bring it rather than simply relying on his wits, just in case. He shifts his center of balance, crouching down in order to remain quiet, and begins to creep through the familiar halls. The one beneficial factor of working with Ratio so frequently is that the doctor tends to loathe spending large portions of time surrounded by those he cares little for, and thus many of their meetings tend to take place here, meaning that he knows the layout so well he could navigate it blindfolded and with his hands tied behind his back, on threat of death.

By the time he sweeps the third room, Ratio’s art room (filled with statues and paintings, both commissioned and self-made), his suspicion has been raised to extreme levels. How is it that he has found no signs that Ratio is even currently here at all? He nearly moves onto the fourth room when his vision narrows in on the floor in front of him. There is a shadow present on him—one not attached to him nor any of the statues that stand before him. When it shifts, he whirls around, pulling out his gun and aiming it at the woman that stands before him.

She wears a style of clothing painfully familiar to him, even if he can hardly remember the home it came from anymore. She is not the same as she used to be—clear by the gun she holds as well, alongside the eyepatch over her left eye and the much more haunted gaze. Intrinsically, he knows who she is.

His hands drop to his side. There is a ghost in front of him. There must be. He doesn’t want to confront the truth, even as it glares him right in the eyes.

Because the woman standing in front of him is his sister, and Aventurine can’t even remember her name.

She speaks up first, in an accent he hasn’t heard in years. In a language he can barely understand anymore, not since the Synesthesia Beacon was planted in his head, and not when he can’t even recall the last time he chose to speak it, let alone the last time he was allowed.

“Kakavasha… you… thank Gaiathra,” he picks up on, and all he can do is stare blankly. He can’t breathe.

“...Big sis?” he whispers. Why can’t he remember her name? He should be able to, she’s standing right in front of him, and she remembers his, and he thinks that being stabbed in the heart would be less painful.

Her expression twists with something he can only describe as a mixture of disgust and disappointment, and he can’t even blame her. Here she is, somehow miraculously alive and filled with their culture. And here he is, a complete stranger wearing the skin of her brother.

His sister sighs, reaching out to cup his cheek. Were the action not trained out of him, he would flinch. She speaks again, this time in one of the more common languages, one that didn’t die alongside their people.

“You’ve grown up so much, my little Kakavasha…”

“You were dead.” His eyes are wet, and his throat is tight, and he feels like a child all over again, which is an entirely miserable experience, and not one that he is familiar with in the slightest. And yet, seeing his sister reduces him to the habits and emotions he’d long thought to be dead and buried under the piles of bodies that follow him. “You were dead, and I was alone.”

“You must have been through a lot, all by yourself,” his sister murmurs. He is not Kakavasha, has not been in a very long time, but with her right here, he wishes he could be again. “I know why you’re here.”

Why he’s here…? Because of the distress signal? But why is she here? And how did she know he’d be here? This isn’t much like him, normally he is ten steps ahead of any opponent (but he does not think his sister is an opponent. Right?), but currently, he can’t think at all. “...what are you saying?”

“Forgive me, but I had no choice.”

His sister’s eyes close for a moment, and he thinks he can see guilt cross her features. When they open again, they are cold, and Aventurine realizes that maybe he is not the only one who has turned into a stranger over the years.

The room brightens around them, and he is no longer seeing in tunnel vision, so he finally notices the figures standing behind her. Two people he doesn’t recognize, standing and aiming guns at…

The blood drains from his face.

Ratio and Topaz.

They are both restrained, and there is no Numby in sight, but thankfully they appear to be unharmed. Neither look at them, and he quickly realizes it is because they are both unconscious, possibly drugged? If so, maybe the unharmed statement is not as true as he’d initially assumed.

“What did you do to them?” he breathes.

His sister stands in front of him, holding a gun, and holding the two people closest to him hostage. They are two strangers, her on the side of their people, and him standing on the side of their persecutors (or at least appearing to be so). “I’d like to propose a deal, IPC executive.”

RE: Aventurine's sister. I mean, I won't lie, her actually being alive is a twist I've rolled around in my brain alot. Especially with that whole "3k or so Avgins missing" detail. But also worth considering how tragic it would be on her end: she's been missing her little brother, he might be dead (and he was blessed, wasn't he? What does it mean if he's gone too?), who she basically had to be a parent for after their mom died and he was nowhere to be found after that fight with the Katicans. Only, years later, well, this might be more spitballing on my part, but it's seems alot like the Stonehearts are varying degrees of public figures. So, say she spots a very unmistakable face on some news program. As if it wasn't enough that the men in black betrayed them that day, they took their blessed child, made him one of theirs (heartbreaking, that he's been separated and cut off from them, Kakavasha dresses and talks more like they do these days)...

you're so right, i think she'd be against the ipc too

there's so much drama potential here i need someone to write a fic about it

[serial-designation-v-41001100]

"just put yourself out there" really doesnt feel like helpful advice

[alteredphoenix]

While I think Kagurabachi has a better chance at surviving in WSJ than MaMaYuYu does at the moment (which the former has been in the Top 5 over on Mangaplus), I'm hoping that the reception on the post-Char chapters are (presumably) better and makes it climb up the rankings a little more - because if this shit dies on the chopping block I will have words for every YouTuber and Reddit andy that memed it to hell and back and into the fucking ground with their PEAK and TENOI screeching.

[tyrannuspitch]

thinking thoughts. thor bpd too...?

[braintamer]

Subtle ways to serve the patriarchy in your daily life:

1. Be respectful

When talking to strange men, always refer to them as "sir" or as a "gentleman." This may seem outdated, but some people still talk like that. It shows your respect and harkens back to a time when men were in charge and women knew their place.

2. Be polite

Always say please and thank you, even if it doesn't seem necessary. For example, instead of saying, "Hey, do you know where the restroom is?" say, "Excuse me, sir, could you please show me where the restroom is?"

3. Be dependent

If you go out with a man, let him hold your phone. He'll decide what you need to see and who you need to communicate with. If he goes through your texts and photos, that's his right.

4. Be a doll

If you go out with a man, let him choose your outfit, how you do your makeup, and your hair. Don't leave until he is completely satisfied with your appearance.

5. Dress to impress

If you go out without a man, choose makeup and an outfit based entirely on what you think men find attractive. (Unfortunately, you will have to use your brain just a little bit for this one 😥) It doesn't matter if you like it, or if it's comfortable, men's taste is your taste.

6. Be helpless

If you think you might need help with something, ask a man. Even if you think you could probably do it on your own, remember that you can't. If you're lost, don't try to use Google maps. Ask a man for help. If there's something wrong with your car, don't even try to figure out what it is, take it to a mechanic, and say, "It makes a weird noise when I do this" and let him handle everything for you (ideally you wouldn't be driving at all)

7. Be approachable

If ANY man flirts with you or compliments you, be receptive. If a dirty homeless man says you have nice tit's, smile at him and say, "Thank you, sir." If a group of men are hollering at you, stick around, give them a spin so they can see and judge every part of your body, invite them to come over and grope you.

8. Be submisive

Never talk back to a man. If a man is rude to you, be grateful for the attention and ask him what you can do to make it right.

9. Be dumb

Don't use big words, in text or in speech. If you have an idea that you don't know how to express, it's probably too complicated for you. Only read when you have to. Never try to understand current events, occupy your mind with porn. If you really need more intellectual stimulation, you can watch something like celebrity gossip news.

10. Spead the word

Subtly try to teach other women their place, compliment them on their appearance, and nothing else. Discourage them from valuing things like their education and career. Encorage them to dress more slutty, if possible get them drunk and makeout with them for men to watch.

[baby-yongbok]

Enchanted

Hwang Hyunjin x afab!Reader

-`♡´- Genre - Smut - Boyfriend!Hyunjin x afab!Reader -`♡´- Word Count - 2.1k

“I need to kiss you.” He whispers down at you. “Need to have you close to me without these clothes. Just need you, baby.”

-`♡´- Warnings - Unprotected piv (condoms are fun, y'all), Themes of marriage -`♡´-Requested - Yes `♡´ No

✧ Masterlist ✧

You learned quickly that Hyunjin is the human representation of a love bug. It’s nothing new to you, you’ve known him for years. He’s been your friend, your confidant, your crush and now he’s simply yours. 

You knew from observing his few past relationships that he wears his heart on his sleeve and will sometimes rip it off and offer it to you while blinding you with a smile. You knew that he was passionate and you loved it, you still do. 

“Darling.” Hyunjin’s arm wraps around your waist from behind. He startled you a bit, you’ve been standing by yourself on the sidelines of his best friend's wedding reception, barefoot with a glass of champagne that you’ve been sipping for way too long.

 “You seem like you’re ready to go.” He splays his long fingers over your stomach while his other hand runs down your arm. It’s been a long night, you’ve been dancing, singing, and tending to your needy boyfriend all evening. It seems that weddings activate the love bug in him.

“You’ve asked me that twice, Hyune.” You lean back into him, your head on his shoulder and your pretty eyes staring up into his. “You just want to get me home.”

“I can’t help it, baby.” His hand abandons your arm, leaving your goosebumps lonely on your skin as he takes the flute of bubbles from your hand and sets it on the table. “I can’t stop thinking about you. Doing this with you.”

“You want to marry me?” You turn in his hold, lacing your arms around his neck. “Shouldn’t that be a surprise?”

“You know that I’m going to marry you.” The two of you sway despite the blaring upbeat music filling the space. “How could I marry anyone else?” His hands glide over the fabric of your dress, taking in each dip and curve clumsily and calmly. His heart swells behind his ribcage as he stares down at your sweet smile.

“Why do you want to take me home so badly?” He feels up your back, bunching up the soft satin of your dress a bit before flattening it back. His hands run over your hips then wrap around your waist, pulling you so close to his chest that your heart could sing to his. 

“I need to kiss you.” He whispers down at you. “Need to have you close to me without these clothes. Just need you, baby.”

“Won’t it be rude to leave so early?” Hyunjin looks over towards the dance floor and catches the eye of Felix, his newly wed best friend. “Let’s ask, hm?”

He’s leading you behind him before you can protest. Felix meets him halfway with his now wife on his arm. “Are you two turning in for the night?” You smile over at his wife, Amina, and she gives you a knowing glance. This wouldn’t be the first time that Hyunjin whisked you away in the name of love. 

“Think so, is that alright?” The newlyweds smile over at your lover and he smiles back at them. “It’s expected, Hyune. I’m surprised you didn’t sweep her away sooner.” 

Hyunjin blushes at Amina and Felix pulls his friend into a hug. “You’re next, yeah?” Felix breaks the hug and Hyunjin’s arm is back around your waist in an instant. 

“Yeah, I think I am.” You say your good-byes, wishing the newlyweds a beautiful rest of their night and finding the rest of your group to bid your farewells. Hyunjin’s arm stayed around you the entire time. From the venue to the car then from the car to your front door where he kissed you like his life depended on it. 

The previously calm glide of his hands over your body was hurried now. His clumsy nature is consistent in his present touch. He fumbles with the straps of your dress in a  hurried attempt to free you from the garment. He stops himself once he fails to grasp  the second strap. Shining eyes stare at you through a darkening fog, admiring the woman before him like paint on a canvas.

“I’m sorry, I’m moving so fast.” He hooks a finger into the knot of his tie and pulls it. “I just - you’re just so…” He trails off, falling deeper into the sparkling haze. 

You stand across from him patiently waiting for his thoughts to manifest into words. You lean against the back of the couch, reaching down to take off your heels. He watches you as every emotion falls into place. “Enchanting. You’re everything.”

“You’re sweet, my love.” You beam at him, pulling him forward by his loosened tie and he happily falls into your lead. You wrap your arms around his waist and his hands cup your cheeks. “My love bug, what do you want? What do you need?”

“You.” He breathes and you inhale. “Just you, all that you’ll give. Just need to love you.”

“Then love me, Hyune.” He’s indulging in your taste instantly, gently and just as clumsily as before. His pink lips stamp love onto yours and you return to sender with a gentle hum. His eyes are closed, his heart is beating loudly in his ears and every thought rushing through his head sounds like you. 

“Please let me bring you to bed.” He mumbles against you and you nod into the kiss that follows. With some simple readjustments he’s sweeping your bare feet from the floor, carrying you like the bride you should be over to your shared bedroom.

He’s gentle as he sits you down and unzips the side of your dress. He peels the delicate satin off of you like a petal to a flower. He picks you apart in a gentle game of ‘does she love me’. 

You push his jacket from his shoulders, undressing him with the same tender intention. Once your dress pools around your ankles you step out of it, pushing it to the side with your foot before focusing on Hyunjin again. 

You unbutton his shirt, pressing kisses to the skin that peeks from between the fabric. His fingers dance along your bareskin the entire time that you undress him. Once he’s standing in his boxers before you something breaks within him. It might’ve been the way that you looked up at him. It might’ve been the way that you kissed his hip along the elastic of his underwear. He doesn’t know what did it but he knows that he has to love you, right now. He needs to have his arms wrapped around you and you wrapped around him right now or he’ll choke on the air in his lungs that doesn’t taste like you.

He’s pressing you into the mattress once your lips leave his skin, his hands wander the expanse of your stomach and thighs as he rolls over on his side, lips still on yours as he falls deeper into the sparkling haze that has your name. 

“Closer.” He mumbles, pressing the pads of his fingers firmer into your flesh as he pulls you flush against him. His lips run over the slope of your neck, pressing kisses to every inch that he can reach as he runs his length through your pooling slick. 

“Hyune, I wanna feel you.” His hips buck up against you at the sound of your begging. The head of his cock catches on your entrance and he almost slips in. Almost. “Please, my love.”

Hyunjin’s hands run over your hip, his fingers splay over the smooth flesh of your stomach and he’s pushing into you with a soft slow stroke and a groan to match. 

“Oh my- baby.” His eyes are shut tight as he reigns in every ounce of self control he’s ever possessed but it’s no use. He never fails to get lost in you. He can’t help but drown in the aura you provide him. You’re intoxicating, dizzying, enchanting. “ You make me feel so.. So good.”

He whispers against the shell of your ear as he pulls back carefully and sinks back in with an enraptured moan. Your hands run over the sheets and find purchase at different points before you reach back to hold onto your lover. He meets your wandering fingertips in a firm embrace, holding onto you like you’d vanish if he didn’t.

“More please, please.” A muffled groan is all you receive as Hyunjin picks up his pace. His face is buried in your hair, taking in the scent to keep himself grounded. Somehow you still give him butterflies after all of these years. Somehow being inside of you right now feels like the very first time. 

“God, baby, you sound so pretty.” Your head falls back onto his shoulder, eyes shut tight with your jaw hung slack in pure ecstasy. Wanton moans bounce off of the walls and fill the empty spaces between you two. Hyunjin’s touch is so soft, his movements so intentional that you can’t help but melt against him. “Look at me.”

You blink your eyes open, looking into his as his hips snap into yours. He hugs you into him, pulling you in impossibly close against his chest. “I love you.” Your eyes water as you look back into his. His brows furrowed with pleasure as you clench around him. His cock sinks into you slowly, pressing perfectly into the spot where you need him most. 

“ ‘M gonna marry you.” He brings his hand up to your face, caressing the soft skin of your neck and gently laying his hand over your pulse point. “Gonna make you my wife.”

“Hyunjin.” You pant a moan, tears welling up at the corners of your eyes as you get thrown into a whirlwind of emotions. “I love you too.” He accepts your profession with a groan as his hips rock into you faster. Your breath gets caught in your throat, your nails sink into the flesh of his hip once you reach back to ground yourself. 

“Tell me you’d say yes.” Your legs are tangled in a mess of trembling limbs. The sound of skin against skin is loud around you as he fucks into you harder. “Please, fucking please.” 

“Yes, yes, yes, I’d say it.” Your hand moves from his hip up to his hair. Your fingers tangle in the damp locks, pulling slightly to milk the prettiest moan from your lover's lips. “Only for you.”

“Only for me?” Hyunjin’s hips stutter, the sweet tingle of his release buzzes in his stomach. “You’re mine. My baby.”

“Yours, Hyune.” Your orgasm builds in time with his, your core trembles with the tension of the knot tightening. “Kiss me.” Your whispered words pull Hyunjin right in. He dips his head down, pressing his parted lips to yours in a slow yet heated kiss that makes you moan on contact. 

His lips move in perfect sync with yours. His hand cups your jaw and keeps you in place as he fucks into you like it’s his last chance to. Moans vibrate through the both of you as your orgasms climb your spines. He slips his tongue past your lips to meet yours in a greedy attempt to claim the sounds that you’re making just for him. He wants to taste your love off of the very tongue that spoke it to him.

“‘M gonna cum.” Your hurried whisper barely makes it past your busy lips but Hyunjin hears you loud and clear. “With me, cum with me.” He pants into your mouth, punctuating his sentence with a kiss and that’s all it takes to make you tumble. With a final snap of his hips against yours he’s burying himself deep into your cunt, falling over the edge with you.

“Oh oh, baby, fuck.” Hyunjin’s shaking against you and you against him. His arms wrap tight around your body as your cunt milks him for every drop he has to offer. “C’mere.” 

He turns your head, meeting your trembling lips with his own in a clumsy kiss. You grind down against him, riding your orgasm out as he rocks ever so slightly, giving you the last of himself. “I love you.” You whisper against his lips. “So much, I love you so much.”

He smiles into the kiss, his cheeks growing red with a sweet blush. “Don’t be shy now.” You pull back with a laugh and he groans with a smile. “You make me this way.” His arms wrap around you tighter and you fall into the comfort of the soft silence settling around you. 

“Do you really want to marry me?” Hyunjin hums, leaning in to kiss your cheek softly before following with another and another. “It’s my dream.” You smile into the shower of kisses, pressing back into him. 

“When are you proposing?” You joke, looking back at him with glimmering eyes and he finds himself getting worked up all over again. 

“What’re you doing tomorrow?”

Flower divider made by @strangergraphics

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[vincentbriggs]

so i am newly in a wheelchair which has been a Massive gain in my ability to go out and about. but i realized that i have aprox 0 clothes that look Good while seated. its a completely different silhouette and i am at a loss as to what to do for it. do you have any suggestions for what could look good seated? preferably no skirts or dresses.

Edit: Check the notes for more people's input, including actual wheelchair users who know much more about what works than I could!

Congrats on chair acquisition!!

Since you're sending this to me specifically I am working under the assumption that you mean to do some amount of sewing.

A high waisted silhouette definitely works best for sitting. I make all my pants with the waistband at my natural waist, and a bit of pleating or gathering at the back just like they did on 18th century breeches, and I've never noticed any particular discomfort from sitting in them. (I think high waisted pants are more comfortable in general, and that low rise jeans are evil.)

It's something I've never really thought about before, but sitting is a very legs-forward position, so perhaps a colourful or fancy stripe down the side would work well.

(I made this pair 10 years ago and they didn't fit well and are long gone, but I should do a better version someday...)

Or some other form of side seam decoration, like these fabulous button tabs.

(I don't know what the source for this mid 19th century fashion plate is.)

Cropped jackets would also be good. The first thing that comes to mind for me is the Carmagnole, which was a style worn by French revolutionaries. It's got a pretty similar cut to a regular 1790's coat, just shorter.

(Source)

(Source)

And there are other styles of short jacket, like this one from a few decades later.

I think it might be possible to get a similar effect from cutting down a thrifted corduroy jacket, depending on the pocket placement? It's not something I've done myself though.

A fancy little bolero could be a lot of fun too! I quite like these ones made by Marlowe Lune. Super easy to sew, and could be patterned by cutting down a bigger pattern that fits the torso.

They'd be a good thing to try if you have a smallish piece of fancy fabric, or a small bit trim to use, or want to try a small amount of embroidery.

There are lots of historical styles with sleeves too, and all sorts of decorations.

(Dunno the source for this one either, unfortunately, but the pin says 1880s reception dress. I think a little jacket like that would look good with a puffy shirt and pants.)

Short capes might be practical too, and the late 19th and early 20th century have tons of fancy capelets for inspiration, like this one.

Or this one.

I hope this is somehow helpful! I don't know if you're looking to sew things from scratch or to buy and alter stuff or what, and I have no personal experience using a wheelchair, but these are the best things I can think of for a suitable silhouette. Dramatic sleeve/shoulder puffs would also be shown off to great effect, if that's something you'd like to wear.

[felassan]

Sylvia Feketekuty: "To celebrate DA day, I've made a bluesky account that I'll keep active for a few days to talk about my work on Inqusition or Veilguard! After a few days I'll lock the account, because I'm not a social media person. Happy to talk until then though. I want to say straight off: the reception to Emmrich, Manfred, the Mourn Watch, and the Grand Necropolis has been heartwarming for all of us who worked on those people and places. Thank you all very much!" [source, two]

Rest of post under cut due to length and spoilers. [Post Two, Post Three]

Sylvia Feketekuty: "In the meantime, I do want to talk about a couple of things I saw floating around regarding Emmrich: 1. Emmrich being 52 or 50. I think people got 50 from data mining a character file, but we can't do a ranges in those files. As in, I couldn't input 50-60, it had to be a whole number. I put down 50 as an early ballpark, then went more accurate in later audition scripts. 2. Fifty-two is a old number I threw into an early document before his art or character was totally final. (And which caused another developer a headache because they thought it was accurate, I never updated it. Sorry about that.) 3. "Wait, how old is Emmrich then?" Once I saw his final character art, I felt more mid to late 50s. MAYBE early 60s. But unless we specifically state a character's age in the game, it's all malleable. I honestly would just adjust it to your impressions unless stated otherwise. 4. I've also seen comments on how weird it is for Emmrich to act like there's an age-gap in the romance if your Rook is around his age. And you're right. 5. The reason is because Rook WAS younger when those scenes were written and worked on. I felt it'd be odd if I never addressed the May-December aspect, especially as it hooks into some of Emmrich's worries. 6. By the time that shifted, it was really too late to change without catastrophic repercussions to the excellent cinematics and music and other things that depend on line delivery and timing. 7. To be clear: you can feel how you want about the age gap coming up at all! But that's how the discrepancy came about. 8. "Is there a way to reconcile Emmrich acting like my Rook is way younger than him if they're not?" Great question! I have several suggestions: -Accept it's an error. (True, but unexciting) -Emmrich considers a gap of 3-5 years scandalous. (Funny, albeit a bit cartoonish.) -The Mourn Watch has perfected swapping out organs, and Emmrich is nervously hiding that he's way older than he looks out of vanity. (Untrue, but funny.)" [source thread]

User in reply to point 6. above: "I'm personally glad it was too late to change because their argument about it is genuinely my favorite scene in the entire game! 😭💕 It's such an important moment to me" / Sylvia: "Thanks! That one was one where I was all sweatily trying to balance things out, with tone, with pacing, etc. Really glad it came together for you. (Cine and the actors did heroic things there to get it feeling just so!)" [source]

More snippets:

Emmrich's favorite ice cream flavor? Rum raisin [source]

Lots of people on the dev team shared the vision of having a bunch of gothic weirdness in that pocket of Thedas [source] (Necropolis/Nevarra)

Sylvia "especially liked writing the Mourn Watch origin, it was fun to write a fellow nerd for Emmrich to chat with" [source]

Sylvia poured some personal worries and fears into writing Emmrich [source]

On Vorgoth and their nature: "I'm a little leery of saying anything, partly because I'm cowardly avoiding publicly defining anything more until/if I ever need to. And partly because I did want them to be a fresh unknown. Sorry!" [source] "I'm glad you like Vorgoth, but I'm afraid I don't have much for you that isn't in the game. I deliberately wrote them so as to leave room, if we ever revisited them, or for Vorgoth to remain mysterious, if we did not. I'm sorry if that's not a very satisfying answer!" [source] "I will say, it was fun to throw in a few lines about Vorgoth's art collection. Their passion for it is sincere and deep. (I wanted all the Watchers to have a little non-death related hobby or interest, because they can be so singularly focused.)" [source]

Dwarven Mourn Watcher is a rare origin combo for Rook so Sylvia wanted to call it out [source]

On the outcomes of Emmrich's quest: "I tried really hard to make the options equally viable, and more up to the player's interpretation or preferences of what it would mean for Emmrich in their view. It's been interesting seeing reactions to it, which hinge sometimes on various single lines pushing people one way or another!" [source]

"The Grand Necropolis is always eager and ready for a new member of the Mourn Watch to grace its ranks." [source]

User: "I loved Emmrich's view on death and what his personal quest ultimately went on to say about the nature of death itself, and how the beauty of mortality lies in its impermanence and unpredictability." / Sylvia: "I really wanted to dig into those themes, and everyone in cine and art and level design and editing and the whole team honed in exactly on the vibe. The floral stuff especially, I was so thrilled when I played through the Memorial Gardens' with the art and lighting in." [source]

User: "I experience thanatophobia and that first conversation w/ Emmrich was so affirming and helped me describe my own anxiety to others" / Sylvia: "Thanks, the thanatophobia was, as you may've guessed, a personal experience for me too. I'm glad it was something that helped a little." [source] "I suspect that phobia is way more common than people think, and part of the reason Emmrich talks about it was to express that sentiment out loud. I find it helps sometimes just to acknowledge it." [source]

What languages does Emmrich speak other than Trade? "I think he'd be familiar with Tevene, since there's surely many, many old texts about magic written in that language. Kind of like a doctor that knows latin through their work. I also named that MW alphabet "tomb-script", though I'm not sure if it has a spoken component or not since it never came up in-game. If it does, he'd be able to speak that for sure." [source, two]

User: "Playing as a Mourn Watch Rook has been an absolute delight!!!" / Sylvia: "Thank you so much, I really liked writing those branches of the dialogue. Since Emmrich's so focused on necromancy, it was fun having a Rook who could be both casual and knowledgeable about it." [source]

User: "In your opinion, what outcome do you prefer for a romanced Emmrich (lich/non lich)?" / Sylvia: "Interesting question! To be honest, I'm afraid to answer it properly in case anyone takes my answer to be a canonical one. I really wanted either path to feel equally interesting/correct for whatever you decide fits your Rook's relationship with Emmrich. (We're also in the strange waters of meta-reasoning. I GAVE Emmrich his fear of death-Sorry Emmrich!-which makes me feel a little culpable for that, even though he's entirely fictional. And that might prey on my mind when trying to decide. A very odd experience!)" [source, two]

What music genres would Emmrich be into? "Classical music is very much playing to type for Emmrich, but I feel it's also correct. He'd enjoy a nice concerto or an organ recital. Or, if he's feeling daring, a bold new Orlesian opera! But I don't think his tastes are too outré in that area. That said, I saw someone post something like "Leave Emmrich alone, let him attend the Depeche Mode concert" while listening to Depeche Mode's "Violator", for the first time, which made me laugh. (Great album. If he could get over the shock of synths, Emmrich might enjoy "Waiting for the Night".)" [source, two]

When writing Emmrich the devs wanted to try and hit the gothic romance vibe [source]

Does Emmrich mix his own fragrance/cologne? Does he ever vary it by the season? "I think Emmrich goes to some of the many perfumers that have set up shop in Nevarra City around the Necropolis, just because he trusts their judgement and expertise. I hadn't considered him varying it by season, but that's very fun! I certainly think he has more than one bottle of scent." [source]

User: "How does Lich Emmrich have sex?" / Sylvia: "I don't mind the question! But my answer's a bit boring: I generally stay at arm's length on the more explicit romance stuff, just because if it's not stated or shown in-game, I don't want to bring in a canonical answer that might affect what people imagined. My general preference for romantic scenes that get physical is to leave blank space somewhere, so players can imagine what happens next. It's not the ONLY way to do it, I think there's legitimate artistic reasons to go more explicit. But that's how I approached Emmrich (and before him Josephine.)" [source, two]

User: "The scene with the fade glow where he touches your hand haunts me in the best way" / Sylvia: "Aw thank you. Our animators and audio people made that scene way better than I could've hoped! They took such care with everything there. I want to say that little eye-peep from Rook was added in by one of them, which was the perfect touch." [source]

User on Emmrich: "i’m curious whether you think he’d prefer dogs or cats (or both, or neither)" / Sylvia: "I think he'd consider cats and dogs a little too noisy and messy for his tastes. Not like a nice, quiet plant or skeleton! (Weirdly, I actually had a scrap of banter going over this exact subject at one point. It got tightened down to the exchange with Harding about the pig he used to hug when he was a kid.)" [source, two]

Sylvia was trying to tease Nevarra with the Tevinter Nights story Down Among the Dead Men [source]. "It was really fun to tease the Necropolis, so to speak, in TN, and I'm grateful we got to actually let players through its gates at last." [source]

User: "if Rook chooses to save Manfred and keep Emmrich mortal, what would Emmrich wish to become of his body once he did pass on?" / Sylvia: "Good question. I think he'd want to remain active and useful in death. A guide for other Mourn Watchers, or posted as a mystic guide somewhere dangerous, or perhaps an oracle in the library." [source]

User: "when and how was it decided that Emmrich would be romanceable? I remember reading that he would not be a romance option." / Sylvia: "I'm not sure where that came from, because I pitched him and then shortly after that we decided the entire cast was romanceable. That was fairly early on in the development of Veilguard, as I recall it. (Could've been a crossed wire?)" [source]

Trick Weekes: "Sylvia wrote the fantastic Emmrich "the Vol-carnage" Volkarin and everything that happens in Nevarra while dealing with a lead writer whose attitudes about corpses and undead are... not dissimilar from Taash's." [source] / Sylvia: "I still remember when you gave the very accurate feedback "I think we need to give players whose Rooks aren't into corpses some roleplaying choices to express this" and I was all "Ohhh yeaaaaaah." (Thank u Trick, you were right)" [source] / Trick: "Specifically, being able to express this without locking themselves out of the content! (For non-Sylvia folks) Given my issues with corpses, Emmrich as a whole was SUPER Not For Me, so I gave one caveat and then said, "For the rest of my critique, I will be impersonating his target audience." [source]

Sylvia on the secret origins of Manfred: "After I pitched Emmrich, I started jotting down notes and thoughts on his plots, his quirks, all that kind of stuff. It was very early on Veilguard, anything was still possible. We were chatting in the writer's room about it one day, and I think we'd just seen some early concept art for Emmrich. And our lead writer Trick Weekes joked that Emmrich looked like a man who'd have a skeleton named Manfred. And I laughed and went "Yeah he does!" And then I thought about it. It's wild in retrospect, but that one comment spurred a train of thought that led to the core of Emmrich's arc. He may've ended up a very different character without it! tl;dr: I stole it from Trick." [source, two, three, four]

"I got to play with a pretty free palette when defining the way Emmrich and the necromancers view death and spirits. But I tried to keep it within the confines of existing lore. That's one reason why that scene where Emmrich talks about Manfred to Harding goes into "the eternal question" of whether a soul actually returns with the dead or not. Nevarra has distinct beliefs, but I thought it'd be interesting if its people argue over their interpretations of those beliefs." [source, two]

"the other writers also suggested a bit later on that the big choice dig more into Emmrich's philosophies. Initially, it was more personally focused on his fears, which made it 'relatable' but pettier. Without that correction, I think it would've been weaker, I totally needed the team push." [source]

"I have a few guides to graveyard symbology, and it's so packed with references and meaning." [source]

User: "Did any of your own fears & experiences, make it into the writing of Emmrich? If yes, is it information you’re comfortable sharing with us? If it’s too personal to give any details, that’s fine as well. Also, across the other games, who do you think Emmrich will get along with best?" / Sylvia: "some of his fears are absolutely personal. The reflexive-compulsive panic over death is something I'm very familiar with, and I wanted to explore that through him. Because I suspected it was not uncommon, and worth examining. The question of who he'd get along with from the other games is surprisingly tough! Because without asking the other writers about their characters, I wouldn't know for sure. So I can only really speak to Josephine with surety. That said: -I think Josephine would be polite, and grow to like him, but would never entirely be over the ostentatious necromancy. -I think Emmrich meeting Sera would be the funniest match." [source, two, three]

"Peter Cushing was also one of my go-tos as an example of what I wanted Emmrich to be." [source]

"(Huge shout out to all the animators and level designers making Manfred run, quite literally. Like 95% of his personality lives in his movement, I think they nailed it.)" [source]

On Emmrich: "I tried to put a lot of passion and sincerity in his love for the dead, and I admit the Necropolis was THE big place I wanted to see in Thedas myself ever since reading about it in a codex." [source]

User: "Thank you for letting him have that cemetery dream date!" / Sylvia: "Having the date in the cemetery was one of the first things I wanted when thinking about the romance." [source]

"Josephine was the first time I was entrusted with a new character and a new romance at once, and that'll always be special to me." [source]

User: "How much input did you have in Emmrich's appearance in the podcast?" / Sylvia: "In the podcast, none myself. I believe it was handled by a third party but reviewed by a few people at BW, I don't know too much past that. (We did provide a descriptor and character rules. Stuff like "Emmrich never swears" and "always says amongst" and broader, more thematically useful things.)" [source]

User on Emmrich: "Are you planning any other external-media stories for him?" / Sylvia: "Thanks very much, The Flame Eternal has a special place in my heart for being the first time Emmrich got to be center stage in a story. (And very flattering to hear about the cross stitch. That's so cool!) I can't speak to any external-media plans, I'm afraid. That's not an implied hint about anything existing or not, it's just literally outside what I'm allowed to chat about. It'd be fun to do something like that again though!" [source, two]

"I must give full credit to Nick Borraine, Emmrich's voice actor. He got the compassion and tenderness the character needed right away." [source]

"And glad him being closer to your age resonated, I really wanted someone older out on an adventure. No reason that has to stop at any age IMO." [source]

User: "do the mourn watcher/nevarra in general raise their pets after they die to keep them around? like a dog skeleton with a whisp in it?" / Sylvia: "To be honest I hadn't thought out this one, but it's a very good question. I'm not sure how common that would be, or even if it's permitted to have pets running around the family crypt. (I definitely thing people would WANT to do it.) You know, I think I'm going to have to leave this one in the vague quantum foam of the future. I think I'd want to not only double check existing lore, but answer that in-game (or in a book or etc.) if we ever need to. (Hope that's not too much of a cop out. Sometimes I like to leave questions I'm not sure about alone, because until it's in an official game or story, it doesn't quite count.)" [source, two, three]

User: "as someone who shares emmrich's anxiety about mortality, getting to spend time with him, and in the grand necropolis and with the mourn watch, was genuinely soothing" / Sylvia: "Thank you, I'm glad he was a comfort. It's a familiar fear for me too, and I'd hoped he would connect that way with people very much." [source]

On the giant ribcage 'ceiling' in the Necropolis: "sadly, even I don't know all the mysteries of the Necropolis. (Which is to say it's a very cool bit of art but has no stated origin yet. Could be a large dragon, a giant...or something weirder!)" [source]

On TN story Luck in the Gardens: "It was nice change up, writing in first person and with someone so rascally. I've got an enduring affection for the Lords after writing Hollix, the scamp." [source]

User: "I just love his genuine enthusiasm for everything he does. If the other party members had fan clubs Emmrich would be the president of each and I love that for him" / Sylvia: "Thank you! I really wanted him to embody a kind of expansiveness and generosity of spirit, to stand in contrast to the eeriness of his abilities." [source]

User: "What was your inspiration for Josie?" / Sylvia: "My girl! When I came on to Inquisition, there'd already been work done on setting up the spine of the main plot, and figuring out the overall cast. But one of the advisors was a little murkier. It just said "Diplomat" on the white board. We knew we wanted someone in that position, but not who. So in a game where you were out exploring, killing demons, etc., but also had a big organization to run? I immediately wanted to make a Diplomat firmly there for you. Somebody you could hand the keys to the entire Inquisition to while you were out, and know it'd be in good hands. I also thought it'd be fun to have someone from Antiva, since that area wasn't covered yet by anyone in the cast. And I needed her to be polished, smooth, but heartfelt, because of that aforementioned trust. And that was the core of Josephine! Her voice actor, Allegra, brought her to life with such lovely charm, and hearing those early sessions also helped me further hone her tone." [source, two, three, four]

"Our music supervisor Ron Dazo hit it out of the park with Emmrich's music IMO. And so glad you liked Hezenkoss! Just very fun to write as a character." [source]

User: "Did any specific watcher raise MW Rook?" / Sylvia: "Good question! I kind of left that one alone because I wasn't sure if I wanted to let Rook define that themselves, or leave it open, and also I'd have wanted a full conversation on it. In the end that was a little out of scope so I left it unsaid. Which is to say that it COULD be Vorgoth who helped raise your Rook. And that stands until/unless we give a definitive answer (or let you choose from a range of answers) one day." [source, two]

"It was such a pleasure for all of us to finally get to explore the Necropolis, I am very glad we got to throw open the gates." [source]

User: "I was wondering if there were any Mourn Watch details you wished you had more time to explore? I was so struck by some of the ethical implications in your stories" / Sylvia: "Geeze, now that's a question. I mention it with Emmrich, but there's some resentment over the power the Watchers hold as THE mortalitasi of the Grand Necropolis, between them and the other orders. There's something to that situation I liked. There's also questions of how they select people for the order. What their standards are, how closely they work with benign spirits. And how they cultivate those relationships. How deep does that go? I also mentioned in a codex "the lives and bodies of those who tamper with the undead of the Necropolis are forfeit unto the Mourn Watch." which is pretty chilling. What's that punishment like, exactly? And in general, writing about anything weird or unexplained in the Necropolis brought me much enjoyment, and it would be fun to dig around how the Mourn Watch deals with (or what they want out of) all these mysteries and entities." [source, two, three, four]

"Geeking out with Emmrich about spooky stuff was a delight to write." [source]

"I liked writing someone older this time, it was something different for me and rewarding in some unexpectedly different ways. (And thanks especially for the nice words on DAtDM - I was very excited to introduce people to the Mourn Watch there!)" [source]

"Ah, tomb-script. I named it but it was our concept artists who went developed it with the hexagon shape-language of the Mourn Watch, which I loved. Conceptually: I think it's used purely an occult or sacred language. Something for the graves, or books on magic, but not everyday things." [source]

"Some trans people kindly offered their help with some feedback on some of the romance lines and others, which absolutely made them much better." [source]

"Trick Weekes actually wrote a ton of the banter where Emmrich inquires into qunari artifacts and customs, and Taash talks about what it was like to grow up under a scholar. I really dig the dynamic they unearthed between the two there." [source]