#deep dive i know but some of you are with me
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^^^all of this - it’s like enjoying watching a movie you’ve already seen with someone who hasn’t because you want to experience all their raw reactions/emotions all over again for yourself.
***I wanted to write a purposefully morally questionable / ambiguous story because I enjoy hearing different people’s perspectives on my toxic characters. Because everyone is or can be toxic in some sense. We all think our actions are justifiable from our own perspective but life is NOT so simple and people do not resolve conflict in easy linear ways….
I love hearing ppl defend Clarke. Love all the different opinions of who is “more” at fault at each different stage of this messy journey lol or hearing why they blame THIS character or how they fully understand why THAT side-arc is meaningful to character development…. Etc etc.
Creating something that can foster discourse on deeper themes and emotions and HEARING those interpretations and opinions is infinitely better than any actual compliment to myself or my writing.
My favorite engagement every chapter are when people are doing deep-dives into why my characters probably did what they did…. What underlying feelings were probably happening and what they hope to see them do….
and honestly comments/feedback like that DOES shape and influence the story and writing bc it helps me get a feel for how certain things are being perceived by the general reader so if I need it to shift or if its being received in ways I did not want it to be… that’s the only way I know how to try and steer it back where I need it to go for later in the story….
I think there's something that needs to be said about encouraging readers to leave feedback.
For me it's not about "tell me my writing is amazing and stroke my ego"
It's more about "please engage with me so that I can experience your joy secondhand and foster a connection with you"
I understand that not everyone wants this in their reading experience, some people are shy and a million other reasons why maybe someone wouldn't want to engage and that's perfectly fine!
But what I'm trying to steer away from is being a passive content creator with passive consumers. What I want to steer toward is fostering a community that is essential to fandom. I want to see your reactions because it makes me feel like I'm a part of something.
On encouraging reblogs —
I understand that not everyone is comfortable reblogging, especially explicit content. This is ok!
But just consider that the only reason you were able to enjoy a fic or fanart is because someone else shared it, and by not sharing it yourself you are potentially robbing someone else of the opportunity to enjoy it as much as you did.
As OPs our reach only goes so far and this website relies on reblogs in order for anything to truly get seen by a wider audience.
So that's really it! That's why I encourage these two things at the end of every story I post. Not because I'm trying to be demanding and "make people feel bad" if they don't do it.
I know most other social media sites encourage mindless content consumption and that's just the way of the world nowadays, but I am from a time when community was at the heart of fandom and I just don't want to lose that.
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Over the Limit - pt.iv
jenna ortega x female reader
part i | part ii | part iii | part iv
summary: You and Jenna each reflect on your own choices and the growing tensions between you both. Torn between loyalty, responsibility, and personal longing, what does this growing conflict mean for the future of your alliance?
word count: 12.8k
————
"So, victory sex?" Hunter teased, wiggling his eyebrows suggestively.
"Victory sex?" You echoed, genuinely confused. "With who?"
"Who else? Your little Viper girl," he replied, rolling his eyes like it was the most obvious thing in the world.
After dropping Jenna off at home, you'd shot Hunter a quick text, asking if he wanted to come over. After the whirlwind of the race, and the intense feelings stirred up by Jenna, you needed someone to debrief with—someone who knew about the tangled situation you'd gotten yourself into. Fortunately, your mom didn't know Hunter was part of the Sinners, so he was in the clear to hang out without raising any suspicions.
"Come on, Hunter, I barely know the girl."
"Doesn't seem that way to me," he shrugs, taking a seat on your couch and kicking his feet up onto the coffee table. "You let her wear your jacket, didn't you?"
Did everyone see that?
You roll your eyes and flop down beside him, letting out a tired sigh. "That doesn't mean anything."
"Uh-huh. Whatever you say." Hunter smirks, but his teasing tone amplifies after a beat. "But there's no way you didn't feel Racer's High after winning."
You didn't need him to define Racer's High. You knew he was referring to that primal, raunchy, adrenaline rush of a feeling that overtook you once you won the race a few hours ago. You shudder remembering how much you yearned for Jenna in that moment.
"So, how are you feeling about it all? The race, the attention... her?"
You hesitate, considering how much to say. You trust Hunter—he's the only one in the crew you can really open up to, but you're also not ready to dive into the whole Jenna situation. Not with everything going on, especially since you're not sure how deep things go with Percy and this "Ghost Smoke" deal.
"I don't know," you finally say, running a hand through your hair. "The race was wild. Winning felt... intense. I get why people get hooked on that feeling."
Hunter raises an eyebrow. "And?"
"And... I can't shake the feeling that there's more to this. Like, there's this whole side to racing I'm not seeing."
He leans forward, elbows resting on his knees, watching you carefully. "What do you mean?"
You glance at him, trying to gauge how much you can say without tipping too much of your hand. "I don't know, man. I've been hearing things—whispers about this new stuff called Ghost Smoke floating around Brimstone. You heard anything about that?"
Hunter's eyes narrow, and for a second, you think maybe you've pushed too far. But then he exhales slowly. "I've heard the name. It's bad news, Y/n. Real bad. That shit's spreading fast, and people are already getting hooked. Some of the younger guys are sniffing around for it. Why are you asking?"
You shrug, trying to play it cool. "Just heard it mentioned. Thought it might be connected to some of the things I've been noticing. You don't think the Vipers are involved, do you?"
Hunter goes quiet, his face unreadable. Then he leans back, crossing his arms. "I don't know, and I'm not looking to find out. You shouldn't either. Percy's been getting into things outside of racing, and if Ghost Smoke's part of that, it's not something you or anyone else in the crew wants to be tangled up in."
You nod, though his answer doesn't satisfy you. Not because you don't believe him—but because you have this sinking feeling that the situation is bigger than either of you realize.
The conversation shifts after that, and the rest of the night passes with more casual banter. But the unease never fully leaves your mind.
"Looks like Madison's got a thing for you."
You raise an eyebrow, laughing lightly. "Mikey? That girl's never even cracked a smile at me. Pretty sure she barely tolerates me."
Hunter shrugs, smirking. "Nah, trust me. She was asking about you the other day in the garage."
Your brow furrows slightly. Was it because of what I asked about Percy? A small part of you wonders if Madison's caught onto your suspicions.
"And even during the Viper and Raven races, she was giving you these weird looks."
"What does that even mean, Hunter?" You roll your eyes, half-amused, half-worried.
He chuckles, clearly enjoying this too much. "Hell if I know, but winning that race definitely got you on some people's radar."
Maybe at one point, being on the radar of a few girls would've mattered to you, but not anymore.
————
While Hunter crashed on the couch, you spent the entire night tossing and turning in bed. If someone had told you a month ago that you'd be neck-deep in street races and shady dealings—all for the sake of a girl—you would have called them insane.
When dawn finally broke, you shuffled out of bed and headed into the kitchen, finding Hunter gone and your mom brewing a fresh pot of coffee.
"Morning, Mom," you yawn, stretching your arms out. "Did Hunter leave already?"
"You just missed him. He said he'd be back later," she replies with a gentle smile.
You hum in response, pouring yourself a cup of coffee, savoring the warmth. It was in these quiet, mundane moments that you hated the path you were on more than anything. Between the mess with Jenna, the unpredictability with Percy, and the weight of secrets and family legacies, you sometimes wished you could just be normal—not tangled up in rivalries or trying to make sense of feelings you didn't dare admit.
"You've changed," your mother's voice broke you out of your thoughts, catching you mid-sip.
"Changed?" You raise a brow, joining her at the dining table. "What do you mean?"
She sighs, studying you with a mix of curiosity and concern. "You seem... happier in some ways but also more stressed. Something's weighing on you."
You stare down at your coffee, catching your own reflection in its dark surface, letting your mother's words sink in. Of course she'd notice something different—you're her child. But she's right; you have changed. And now, in this rare quiet moment in the chaos your life has become over the past month, you're finally realizing just how much. You've changed so damn much—and the thought terrifies you, especially because you can't even pinpoint when it happened.
Or you do. And that was the scary part.
A month ago Anton told you to find what's your purpose, your drive. What makes your heart race. What's worth risking everything for.
But you'd been so careful, you tell yourself. You abandoned her the first night you met, didn't even share your name—but now, she's got far more than just a name. She's got you feeding her intel, leading her through Brimstone like her own personal guide, pulling you deeper into a world you swore you'd keep at arm's length.
When did it happen? When did you start dropping her home, buying each other jackets, eating ice cream together—and, hell, when did you start racing? Racing, something you'd vowed never to do. And now here you are, about to walk into a private meeting that likely involves drug lords fueling Brimstone's biggest epidemic—all because she needs leverage on Percy. Leverage to protect herself from some mystery he's holding over her, something she still won't tell you.
You try to rationalize. She's got leverage on you, too. She's got footage of you stealing her dad's car. But deep down, you know she'd only pulled that card to hook you in. She wouldn't actually use it. You knew that. You knew her.
Except—you didn't. You didn't really know a damn thing about this girl, yet here you are, throwing caution to the wind for her. Risking everything for her. Breaking your own rules, doing things you'd avoided for the past twenty years...all because of her. And all way too fast.
Maybe it's because you're finally sitting in front of your mom, and to her, you'll always be her little girl. And facing her now, all you can see is the woman who once opened the door to find cops there, telling her that her husband, the father of her nine-year-old kid, was dead. You remember watching her piece together her shattered heart, all while carrying the weight of resentment for the racing that took him. And now, somehow, you're part of it too. How could you put her through this?
"Y/n?"
Your mom's voice snaps you out of your thoughts, and you lift your gaze from your coffee to her face.
"I've been calling your name for a while now. What the hell is going on with you kid?" she asks concerned.
Everything you wished you could tell her was everything you couldn't. Everything she warned you to stay away from.
"Look I know I haven't been the best mom," she sighs. "But I did it because I care. I'm strict because I know how quickly things can go south in this shithole of a town."
"You're not a bad mom, stop—"
"I can tell there's something on your mind, I don't know if it's good or bad. But I want to know Y/n/n."
Just as you were about to respond your phone pinged and of course it was Jenna.
Hey Oil spillage, just got news that the meeting moved. It's on Friday at 10p.m. now.
Wonderful news. After the realizations you just had, you were not ready to face Jenna again. In fact you would rather anything but see her. And now you can avoid her for six more days. Without replying to her message, you turn off your phone and turn your attention to your mom.
"I guess I've just been thinking about my future and what that looks like." You decide to open up a little, seeing no apparent harm.
Your mom nods slowly, her brow furrowing slightly as she absorbs your words. "And I also have to consider the fact that we're in Brimstone," you add, your voice dropping a notch.
She looks at you intently, searching your face for clues. "I get that this place can feel limiting, Y/n. But remember, it doesn't have to define you. You have the power to change your path."
You take a sip of your coffee, contemplating her words. "It's just...sometimes it feels like I'm caught between what I want and what I should be doing."
"And what do you want?"
"I don't know! I don't know what I want," you finish, softer now.
She squints, registering the tension in your voice. "Then, what do you think you should be doing?"
Racing. The Club. The Sinners.
But you can't say that. Not to your anti-racing mom, but clearly your face says it for you.
"Y/n," she sighs. "There's no place for you in that life."
"You don't understand, Mom! It's easy on paper to say 'stay away.' But people talk. I'm the daughter of a founding member; they expect me to be part of this."
"And how exactly are you hearing all this talk?" she asks, voice tinged with sass. "I thought I told you to stay away from Anton and that whole club."
"I am!" you lie. "But people at the warehouse still talk," you lie again. "Is working in a warehouse really what you want for me? For the rest of my life?"
"If it keeps you out of that club, then yes, a thousand times over. That club killed your father. I don't get your fascination with it!"
"Maybe I like cars! Maybe I want to feel close to him by doing something that mattered to him. You never even talk about him," you say heatedly, pushing yourself back from the table.
"Sit back down," she says, rubbing her temples.
You sit, your frustration simmering.
Your mom's eyes, usually a fortress, softened with a sigh. "You're right, I don't talk about him much. Not because he wasn't worth it, but because it's painful. But let me tell you something about your dad, something I should've told you sooner."
A shadow of confusion crossed your face.
"He was a founder, sure," she admitted, a bitter smile playing at her lips. "One of the Y/l/n brothers who started this whole thing. But that's not the part of the story that matters. Not the part that should define how you see racing."
Your heart stilled, anticipation prickling at your skin. "What do you mean, then? What's the part I'm missing?"
Her eyes narrowed slightly, focusing on a memory only she could see. "Your dad wanted out."
The weight of her words hung between you, more jarring than the rumble of any engine. The idea of your father—the man who had seemingly built his entire world around speed, thrill, and the camaraderie of the club—wanting to leave felt impossible.
"What do you mean, 'out'?" you asked, the question barely a whisper.
She sighed, running a hand over her tired face. "He didn't start the club for the glory, Y/n. Not for the rush or to become some legend everyone would talk about. He did it because he felt trapped, and for a while, racing felt like freedom. But when things got bigger, more dangerous... he saw where it was heading. He knew it wasn't sustainable. He wanted out before it swallowed him whole."
You stared at her, trying to process this new version of the man you thought you knew. The stories you'd grown up on were all about victory, triumph, the unmatched skills of your father and the empire he helped build. But no one talked about the nights he lay awake, second-guessing the choices that led him there.
"Why didn't he leave, then?"
Her eyes glistened with a pain that seemed older than time, a sorrow she'd carried long. "He did, or... he was supposed to. That last race—the one that took him from us—it was meant to be his farewell. He promised me it would be the last time, that after that night, we would start over, somewhere far away from all of this."
You felt like the ground beneath you had shifted. The race that defined so much of your past, the race whispered about in awe and grief—it had been an ending, but not the kind you ever imagined.
"He was going to walk away?" you asked, your own voice thick with disbelief.
Her eyes shimmered with unshed tears, the weight of old promises and lost dreams shining in their depths. "Yes," she whispered, a tear finally breaking free and rolling down her cheek. "He was tired of what it had become—the danger, the violence, the way it devoured everything good. He wanted out for you, for us. But fate had other plans."
You looked at her, seeing not just your mother but a woman who had lost everything for the sake of someone else's ambition. The image of your father—legendary racer, fearless leader—began to fracture, replaced by the vision of a man who was trapped, fighting for freedom that never came.
"And now," she said, drawing a shaky breath, "you have to decide if you're going to chase his ghost, or choose a different path."
Suddenly, the image of racing, of the thrill that had always called to you, shifted. It wasn't just the adrenaline, the wind whipping past and the engine's roar. It was what lay beneath—the fear, the drive to outrun something that couldn't be escaped.
"So, what does that mean for me?" you asked quietly.
Her fingers tightened around her cup, eyes meeting yours with quiet intensity. "It means you decide if racing is freedom or a cage. For your dad, it became both. You don't owe this club anything."
You sat back, absorbing the truth. Racing had always felt like destiny, an inheritance carved into the fabric of who you were. But now, for the first time, it seemed less like a birthright and more like a choice—a choice you'd have to make on your own terms.
"Do you ever... want to get out of here?" you ask, almost too quietly, afraid of the answer. "Out of Brimstone?"
A question you should've asked your mother years ago, but is only leaving you now.
She raises her eyebrows, surprised by the question. It lingers in the air between you for a moment before she sighs, looking out the window to the tired streets beyond. "Sometimes," she says finally. "Sometimes I think about it, yeah. The way this place drags people in, holds them down... It scares me for you, Y/n. I don't want you trapped here. I want you to have options, a life that's bigger than this town."
"Then why do you stay?" you press, voice softer now.
A flicker of something unreadable crosses her face. "It's complicated," she says, her voice tinged with a weariness you hadn't noticed before. "Your father was here. This was where we met, built our lives, and after he... after everything, I felt like leaving would be... giving up on him. Like walking away from the one thing he was part of."
"But you don't owe this place anything," you say, echoing her earlier words back to her. "If it's just a memory keeping you here, then... maybe we both deserve better."
She nods slowly, her gaze returning to you, eyes softer, more vulnerable than you've seen in a while. "Maybe we do," she admits, voice barely a whisper. She makes a gesture with her hand of tapping a cigarette into an ash tray—a habit you noticed since you were a child. Something she does out of nervousness.
For the first time, it feels like you're seeing eye-to-eye, both carrying parts of the same burden—one that isn't really yours to carry. You've both been holding on, afraid of what letting go might mean.
You never thought you had a bad relationship with your mom. You both just worked and worked, trying to make a life for each other. Survival mode felt like autopilot—there was no time for bonding or deep conversations. Showing care meant keeping each other going, making sure you both were okay. Talking like this felt foreign, almost like a new skill you were both trying to learn. You wonder what prompted it, this sudden need to speak the things you both usually left unsaid
"So Hunter told me you had a girlfriend—"
You face palm, "for fuck sakes."
————
"Dude you told my mom I have a girlfriend?"
"She asked me if there was anyone special in your life!" He puts his hands up defensively.
You groan, feeling a wave of annoyance wash over you. What the hell are you supposed to tell your mom if she asks about this again? The image of her face pops into your mind. "Hey Mom, here's my supposed girlfriend I met at a race I snuck off to behind your back. Don't worry, she's not a Sinner—she's a Viper, though."
Luckily, Hunter had walked in earlier from whatever he'd been up to that morning, sparing you from answering your mom's question on the spot. Now, all you have to do is figure out what to say when she inevitably brings it up again.
It's still morning as you both settle into your room, falling into the familiar rhythm of your routine. You sprawl on your bed while he spins around in your chair, his energy infectious. Hunter dives into the latest gossip, animatedly sharing every detail, and you find yourself drifting in and out of his words, letting the sound of his voice wash over you.
You phone then starts ringing, and his voice suddenly stops. You glance at the screen, and let out a heavy sigh. You've really got to change her contact name.
"Who is it?" Hunter asks, hopping off the chair and leaning closer to your phone.
"Is she not your fave Viper anymore?" He jokes, sitting at the foot of your bed. "Come on, pick it up!"
You hesitate, staring at the screen as the name blinks back at you. The tension in the room shifts, Hunter's playful smirk fading as he senses your reluctance.
"Seriously? You're just going to let it ring?"
You shake your head, biting your lip. "I—I can't, Hunter. What do I even say?"
He leans forward, a look of mock seriousness on his face. "How about, 'Hey, Jenna, what's up? Oh me? I'm just living my perfectly normal life—definitely not spiraling into an identity crisis because of you?"
You roll your eyes but can't help the smile that threatens to break through. "You're ridiculous."
"Yeah, but you know I'm right," he insists, nudging your foot with his. "Just answer it! What's the worst that could happen?"
A million thoughts race through your mind, each one heavier than the last. You're scared of what her voice will bring up—the memories, the feelings, the undeniable shift in your life since you met her. "What if she wants to see me again?"
"Uh, hello?" he raises a brow, giving you a look. "Isn't that the best-case scenario? Getting cozy with your fine, rich Summer Valley girl?"
You hesitate again, and the ringing seems to grow louder. Hunter's eyes are wide, filled with mischief and encouragement. "Come on! Just answer it already!"
"Huh, looks like I can't anymore, the ringing stopped," you smile, relieved that the ringing was cut short.
Hunter's expression shifts from playful to incredulous. "What the fuck, man? Why didn't you answer?"
You shrug, but inside, a storm of emotions brews, each thought heavier than the last. Jenna represents everything you're trying to escape, and yet everything you're drawn toward. She's the pull of a world that's dangerous, one you've seen tear lives apart—your life apart. And every second you spend with her, it feels like you're slipping further down a path you might not come back from.
You can't let that happen.
"Because I can't keep doing this," you say, the words coming out softer than you'd intended. Each moment with her feels like a step away from the life you once knew, from the version of yourself that kept your family safe. You're drawn to Jenna, but she's also a stark reminder of how much you've changed, of how close you're getting to undoing everything your mom worked so hard to protect, everything your father was trying to leave.
She makes you feel alive in ways you haven't felt in years. But that feeling comes with a vulnerability you're not sure you can handle. If you keep this up, you'll lose more than just yourself—you'll risk letting down the family that depended on you to be the strong one. The thought sends a cold chill through you.
"I don't think I'm doing the right thing, Hunter."
Hunter lets out a quiet sigh, watching you closely. "You were doing alright last night. What's got you all worked up now?"
You hesitate, the weight of it clawing at you. Saying it out loud feels like crossing a line you can't come back from. "Things just... feel different," you say, voice barely audible. "I've been doing things I never thought I would, getting in deeper than I should. I don't even recognize myself anymore."
Hunter frowns, studying you. "You're not a completely different person just because you're out there racing. Isn't this what you wanted?"
"It's not just about racing." You rub your face, trying to calm the frustration simmering beneath the surface. "Jenna's got this... hold over me. She's made me cross lines I thought I'd never touch. She's tied up in a world I swore I'd stay away from."
Hunter's gaze softens, like he's trying to understand. "Maybe she's just got you seeing things differently. Doesn't mean you're losing yourself."
But that's the problem—you can feel yourself losing your grip, and the need to push her away rises, desperate, like an instinct. You know that the closer you get to Jenna, the deeper you risk sinking into something that could destroy you both. "Maybe it's better if I keep my distance," you murmur, more to yourself than to him. "I can't let this go any further. She's in the Vipers, and that's not a world I can afford to be part of."
Hunter shakes his head, not fully understanding. "So you're just going to shut her out? Because of some fear? Even if she hasn't been around long, what you two have—it's something real—"
"No." You cut him off, a hint of desperation in your tone. "What I have with her isn't real. Not really. We just thought... we could help each other. But that's all it is."
Even as you say it, though, you can feel the lie settle in your chest, heavier than you expected.
Hunter doesn't know the whole story with Jenna and Percy, or how you got roped into digging up dirt on him. You bite your tongue, stopping yourself from saying too much. A part of you wishes you could tell him, though—because if he knew you were supposedly getting mixed up in things like Ghost Smoke, he'd be the first one pushing you to cut Jenna out of your life for good.
"Alright, let me ask you this," he says, leaning forward. "You've had your first race, you were technically a Sinner. But from what you're saying, it sounds like you've made up your mind. So, what—you're sticking to your car hijacking ways, no racing, right?"
You hesitate—even after everything your mom has told you today, and he catches it.
"There's still a part of you that wants it, Y/n. You're not sure, and that's okay. This isn't about you changing; it's about something else. Unless you can look me in the eye and say you're completely done with this racing stuff, I don't see why you have to push her away."
You don't know why either. Maybe this wasn't about racing entirely and how much you've changed. But it feels foolish now to drag yourself deeper into this world after learning your dad died trying to leave it. Point is, you need to step back before you lose yourself completely.
And as much as it hurts to admit, that might mean losing the girl who makes your heart race. Looks like you found what makes your heart race, but not what's worth risking everything for.
————
"So, should I throw the microwave at your head now or later?"
Jenna tears her gaze away from her phone, frowning at her sister. "What are you even talking about, Aliyah?"
Aliyah grins, enjoying the confusion on her sister's face. "You don't remember? You told me ages ago that if you ever fell for someone again—or got caught waiting on a text—I should throw a microwave at your head."
Jenna sighs, the memory of that ridiculous pact making her groan. "Yeah, well... Wait—hold on. I am not falling for anybody!"
Aliyah raises an eyebrow, clearly unconvinced. "Uh-huh. Says the girl who's been glued to her phone all day waiting on a text. Sounds exactly like someone not falling for anybody."
Jenna scoffs, rolling her eyes, but she can't hide the faint blush creeping up her cheeks. "I'm just... checking my messages. It's not that deep."
Aliyah chuckles. "Right. Not that deep. Just let me know when to start unplugging the microwave."
The older of the two shakes her head, a small smile tugging at her lips despite herself. "You're so dramatic."
"I just know you too well. Face it, sis—you're hooked."
Jenna scoffs, though her expression softens. "It's... complicated," she admits quietly, her fingers grazing the edge of her phone. "She's—" She stops, catching herself. She's. But she's not about to explain all that to Aliyah.
"Complicated?" Aliyah finishes, feigning shock. "You? In something complicated? Never."
"Okay, fine, enough!" Jenna laughs, trying to brush off her nerves. But her sister's words stick with her. She can't ignore the fact that she's thinking about her way more than she should be. And she knows all too well that if Percy found out, it would be a whole new problem.
Aliyah flops onto the bed, scrolling through her phone with a satisfied grin, fully aware that she's already planted the seed.
The Viper tries to focus on something else, anything else, but her mind keeps drifting back. "You're hooked."
Aliyah tilts her head, watching Jenna with a knowing look. "You don't even deny it. Whoever this person is, they've got you in knots."
Jenna rolls her eyes, trying to dismiss it, but the truth settles heavily in her chest. "It's not like that," she says, almost to herself. "It can't be."
Aliyah raises an eyebrow. "Why not? Because of Dad? Or because of that sleaze Percy?"
Jenna's jaw tightens at the mention of the men, and she looks away, fighting the urge to share too much about her mystery Brimstone girl. "Let's just say... it's not as simple as having someone in your life and calling it a day," she says finally.
Aliyah's playful demeanor fades a bit, sensing the weight in Jenna's voice. "Jenna... are you in some kind of trouble?"
For a moment, Jenna considers coming clean, but she shakes her head, forcing a smile. "When am I not in trouble?"
Aliyah's smile falters slightly, guilt seeping through her playful demeanor. She shifts in her seat, Jenna wouldn't even know this kind of trouble if it weren't for her.
Jenna catches the look in her sister's eyes and instantly regrets her words.
"Aliyah, don't," she says softly, the tension in the room shifting. "You know I don't blame you."
"I know, but I can't help feeling responsible," Aliyah whispers, looking down at her hands. The unspoken reality—that Jenna's entanglement with the Vipers was to shield Aliyah—lingered between them, heavier than any words.
"Dad shouldn't have made you—"
Jenna reaches out, squeezing her sister's hand. "We're in this together, remember? Whatever happens, I'm the one who chose to stay."
Aliyah looks up, eyes glistening with unshed tears. "But it's not fair. You shouldn't have to carry this for me."
Jenna offers a small, sad smile. "Family isn't about fair. It's about being there, no matter what."
Aliyah's shoulders slump as she bites her lower lip, a familiar crease forming on her brow. The guilt that's been gnawing at her shows clearly in her eyes, and Jenna's heart clenches at the sight.
"I hate this," Aliyah whispers, her voice wavering. "Every time you walk out that door, I keep wondering if you're coming back. And it's because of me."
Jenna's tough facade cracks, and she leans forward, wrapping an arm around Aliyah's shoulders. "Hey, don't go there," she murmurs. The words are steady, meant to reassure, but the tightness in her chest betrays her. For a moment, she lets herself imagine a life free of this cycle—a life where neither of them has to look over their shoulder.
"I won't be stuck for long," Jenna finally admits, a determined edge creeping into her voice. She pulls back just enough to look Aliyah in the eyes, hoping to pass on some of that conviction. "I'm working on something, alright? This isn't forever."
Aliyah searches Jenna's face, her eyes widening with hope and hints of disbelief. "You mean it?"
Jenna nods, "I mean it. I promise."
Suddenly the sadness in Aliyah's expression is replaced with a smirk, "Does she have anything to do with it?" she asks glancing at her sister's phone.
"Don't change the subject," Jenna says, trying to sound stern but unable to keep the corner of her mouth from quirking up.
Aliyah's smirk grows, the earlier heaviness giving way to something warmer, more familiar. "I knew it. Your mystery girl isn't just another risk, is she?"
Jenna rolls her eyes but can't fully suppress a small, reluctant smile. "It's complicated, Ali. She's... well, she's a lot more than I expected."
Probably the biggest risk of all, Jenna thought
Aliyah's smirk softens into a genuine smile. "Good. You deserve more than this mess, Jen."
Jenna's heart tightens at her sister's words. "Yeah," she whispers, more to herself than to Aliyah. "Maybe I do."
Suddenly an idea stirs into the younger Ortega's mind. In a swift motion, her hand darts out and snatches Jenna's phone from the bed. Before Jenna can fully process what's happening, Aliyah is already on her feet, eyes dancing with mischief as she clutches the phone to her chest like a prize.
"Aliyah!" Jenna's voice sharpens "Seriously? Hand it over."
Aliyah tilts her head playfully, a smirk tugging at her lips. "Relax, big sister. Just checking if your mystery girl left a love note or two."
Jenna takes a step forward, trying to maintain her composure as she reaches out for the phone. "I mean it, Ali. Give. It. Back."
Aliyah shifts her weight, effortlessly dodging Jenna's reach as she chuckles. Taking advantage of the height, she holds the phone above her head, reading the chat messages. "Greaser? Pet names already?"
"Aliyah."
"Left on read for almost three hours? And here I thought you had game."
"I don't like her."
"Sure you don't," Aliyah teases, tapping the screen. "Let's see if your non-existent feelings show up when I—"
Before she can finish, the familiar ringing tone starts, and Jenna's heart drops. Aliyah's eyes widen with mock surprise. "Oops. Guess we'll see soon enough."
"Aliyah!" Jenna lunges, grabbing the phone from her sister's hand after the phone rang for a while. Without hesitation, she swiftly hits the end call button. The silence that follows crackles with tension as Jenna clutches the phone, her face flushed.
Aliyah bursts out laughing. "Wow, if that's not feelings, I don't know what is."
Jenna takes a steadying breath, unable to mask the way her pulse races. "It's not like that," she insists, more to herself than to her sister.
She couldn't help but wonder why you didn't answer your phone. You had more than enough time to answer the phone while it was ringing.
————
Two days have passed since you left Jenna's call unanswered. The rhythmic clinking of tools filled the garage as you worked tirelessly on your latest project—the stolen Aston Martin. For the past two days, the garage had been your refuge, the metallic smell of oil offering a sense of your old routine amidst the chaos. In that span, you had buried yourself in work, starting early in the morning and ending late into the night, determined to keep your mind from straying.
You stepped back to study the Aston Martin, now wrapped in a deep green that gleamed under the fluorescent lights. The change from the initial black colour was supposed to help, to make the car feel less like a painful reminder of her. But as you ran your hand over the freshly smoothed surface, sighing at the ghost of memories it evoked, you realized that nothing had changed. No matter how much you worked, every inch of that car still spoke her name.
Your phone buzzed on the workbench, a sharp intrusion that pulled your attention. A name lit up the screen—Jenna's. A message providing you the address of the meeting, nothing else. Seeing her message made your chest ache with a guilt you tried to ignore. You glanced at the glowing screen, your resolve wavering for a moment before you shoved the phone into a drawer, the metallic clang echoing in the small space.
Out of sight, out of mind.
As you smoothed out the last stubborn air pockets on the Aston Martin's fresh wrap, the sound of footsteps echoed in the garage. It was nearly 1 a.m. and no one should be around at this hour.
"Y/n?"
You turned at the familiar voice, eyes narrowing slightly before recognition softened your expression. "Mikey?"
She walked toward you, eyes curious as they swept over the car. "What are you doing here so late?" she asked, curiosity lacing her voice.
You shrugged, forcing a nonchalant tone. "Just working on a car. Needed the distraction. And you?"
Mikey tilted her head, not satisfied with the answer. "I felt like going for a drive. Thought I'd stop by first."
Her gaze shifted between you and the green Aston Martin, catching the tension in the air.
"This is the car you rolled up in with your girl right? What was on the surveillance?"
Ahh yes my girl. Now you need to come up with a believable break up story for the crew.
You clenched your jaw at her question, the mention of Jenna sending a pang through your chest. "Uh, yeah," you muttered, hoping to keep the conversation brief. Mikey's sharp intuition wasn't something to underestimate.
"Trouble in paradise?"
You sigh, "something like that, I don't really want to talk about it."
Mikey nods carefully, and deliberates her next words before speaking, "Did you want to join me on my driv—
"Okay I brought Chinese!" Hunter's voice booms through the garage.
Hunter set the bags down on a nearby workbench, the crinkling of paper and the scent of takeout breaking the heavy silence. He glanced between you and Mikey, sensing the charged atmosphere and shooting you a raised brow.
"Am I interrupting something?" Hunter asked, his usual playful tone laced with curiosity as he tossed a napkin your way.
You caught it mid-air, forcing a smirk to hide the knot in your chest. "Just working late," you replied, shrugging as if that explained everything.
Mikey's expression softened, the slight edge from moments ago replaced with a grin. "Nope, you're just in time. I was about to drag Y/n out for a drive," she said, her voice lighter now, as if trying to pull you into an easier conversation.
Hunter's brows lifted. "Oh? That's a miracle. She's been glued to that car for the last 48 hours" he teased, nudging your arm.
The mention of the past few days made your stomach tighten. You hadn't told Hunter or anyone else why you'd been so buried in work. The truth was, it kept you from thinking about Jenna. The guilt, the confusion—it all seemed simpler when muffled under the sound of engines and the smell of oil.
Mikey leaned against the Aston Martin, folding her arms. "Come on, you've been cooped up in here long enough. What's a quick drive gonna hurt?"
Before you could answer, Hunter grabbed a takeout container and tossed another to you. "Food first, you too Mikey. And then drive second," he said with a grin. "Don't think we'll let you skip out on both."
You took the container, a reluctant smile tugging at your lips. Maybe stepping away from the garage—and everything it represented—would be good for you. Even if just for a moment.
You could tell a lot about a person from how they drove, and never in a million years did you think Mikey would be a careful driver. She would teeter on surpassing street limits, but was a relatively relaxed and smooth driver.
The car rolled through the night, the city gradually giving way to quieter roads framed by dark silhouettes of trees. A comfortable silence settled among the three of you, broken only by Hunter's occasional commentary and Mikey's bursts of laughter when he cracked a particularly absurd joke.
"Remember that time you tried to drive with only three wheels?" Hunter leaned forward from the back seat, his eyes dancing with mischief. "You swore it would work."
You chuckled despite yourself, shaking your head at the memory. "And you were the one who dared me to, you idiot."
Mikey laughed, the sound deep and genuine. "And you actually tried it? That's commitment."
"Or stupidity," Hunter added, and the three of you erupted into laughter that carried through the night, momentarily easing the tension that had wrapped itself around your chest for days.
The conversation meandered through old stories and lighthearted teasing as the car hummed smoothly down the open road. But then, in a pause between topics, Mikey glanced sideways at you, her gaze more serious. "So, do you plan on racing again anytime soon?"
The question hung in the air, a sudden shift in the atmosphere. Before you could respond, Hunter's smirk dropped. He leaned back in his seat, his voice more subdued. "Don't bother, Mads. She doesn't know."
Your eyes flicked to Mikey, watching her reaction. She didn't miss the slight hesitation in your expression, the way your hands clenched. Her brow furrowed, a mixture of concern and curiosity flashing across her face.
"Still figuring it out, huh?" she said softly. "If you haven't made up your mind yet and you're not already back on the track, it's probably a no."
You kept your gaze on the road, the rhythmic whoosh of the wind outside acting as a buffer for your thoughts. Mikey's insight stung more than you'd admit; she was right. Your lack of being back on the track had to mean something.
"Maybe," you said finally, offering no real answer. Hunter glanced between you and Mikey.
Mikey settled back in her seat, a subtle understanding flickering in her eyes as her expression softened. "Trust me," she said, her voice calm yet pointed. "Most racers, when they're trying to get something off their mind, they hit the streets and push their limits. But you? You're here, spending your nights working on a car. That says a lot about where you really want to be."
She was the first person to openly discourage you from racing, and you couldn't help but appreciate it. It felt different, almost liberating—a break from the endless pressure to prove yourself. For once, someone saw the side of you that wasn't caught up in the thrill, and it was a relief.
But there was also that suspicious part of you. Mikey was close to Anton, and she knew how much Anton wanted you in the crew. Does she fear that you'll replace her spot in the club if you join? You brush off your intrusive thoughts and try to enjoy the rest of your drive.
————
Two more days had passed since Jenna had sent the text with the updated meeting address, and the silence on the other end gnawed at her. She leaned against the balcony railing outside her room, eyes skimming the darkened city skyline in the distance each blinking light a reminder of how life pulsed and moved without pause.
The air was crisp, biting against her skin as she shivered, but it did nothing to numb the restless ache in her chest. She scrolled back through the last messages, the words on the screen staring back at her like a mockery of the certainty she'd once felt. It wasn't like you to go this long without responding, but then again what did she know about you? You were the definition of uncertainty, you couldn't figure your own shit out how could you help with hers. She should've seen the red flags for your ghosting tendencies from the first time you met. You had no reason to help her, there was no personal gain.
Aliyah's voice broke through her thoughts, calling from inside. "Jenna, you're doing it again."
Jenna blinked, tearing her gaze from the phone as Aliyah stepped out onto the balcony, eyes filled with concern.
"You're still thinking about her, aren't you?" Aliyah's tone was soft, not judgmental, but knowing.
Jenna sighed, slipping her phone into her pocket as if hiding it would erase the gnawing uncertainty. "I can't help it. Something's off. She's... pulling away, I can feel it."
Aliyah's expression shifted, guilt briefly clouding her features before she masked it with a small, encouraging smile. "Maybe she just needs time. You know how it is—this life, this... chaos we're in. It's not easy."
Jenna met her sister's eyes, searching for reassurance that felt out of reach. "Yeah, maybe." But it wasn't enough. Aliyah didn't know the extent of your relationship. How you were going to help her get dirt on Percy. How you were her best bet.
Jenna had noticed for a while now that Percy was spending a lot more time in Brimstone, and that anything she could find would be found in that shady town.
"I saw the messages with her... something about a meeting? If she won't go with you, maybe I could?" Aliyah ventured, her tone eager but tentative.
Jenna's reaction was immediate, sharp. "Absolutely not. It's too dangerous."
Aliyah crossed her arms, a defiant glint in her eyes. "Come on, Jenna. It could be good to do something together for once."
"I'm serious, Aliyah. This isn't up for discussion. It's not safe," Jenna said, her voice firm, eyes blazing with protectiveness.
Aliyah lifted her chin, stubbornness radiating from her. "Too late. I don't care," she declared, turning on her heel and striding out before Jenna could argue.
"Aliyah, wait—"
Jenna's phone pinged, jolting her from the tense silence that followed Aliyah's departure. For a split second, hope fluttered in her chest—a foolish, fragile thing—as she thought it might be you, breaking the days of silence that gnawed at her. But that hope quickly crumbled as she glanced at the screen.
It was from Percy.
Get yourself dolled up. Race tomorrow night. Be there. And you're on my arm. Look the part, don't embarrass me.
Jenna stared at the messages, her fingers itching to throw the phone across the room. He knew exactly how much he got under her skin and used it at every opportunity. And tonight was no different; he needed her there, not just as a racer, but as his accessory, some trophy to drape over his arm. Like she was at the Sinner race almost a month ago. It was a power move, one he'd pulled too many times, trying to keep her bound to him and his schemes.
Another ping. Don't even think about bailing. You know what happens when I'm not happy.
Jenna scoffed, fingers hovering over the keyboard. She could imagine Percy already preening in the mirror, smugly counting on her to show up, loyal and subservient as always. She could almost hear his oily tone, the mock concern he would flash when she hesitated, only to follow it with another thinly veiled threat. Percy loved to remind her how "lucky" she was that he'd given her a place in the Vipers—and what a shame it would be to lose it.
Jenna pushed away from the railing, the metallic chill of it seeping through her skin as she stood upright. The city lights looked dull now, swallowed by the storm brewing in her mind. Her fingers hovered over the keyboard, a part of her tempted to tell Percy to shove it. But she knew better. Defying him could mean losing her only leverage, the tiny foothold she had in this game of shadows and lies.
With a sharp sigh, she typed out a reply, each keystroke feeling like a betrayal to herself.
Swallowing her disgust, she replied. Fine. I'll be there.
It was almost too easy to imagine the smirk that would be stretching across his face as he read her reply. She could feel her muscles tense, a quiet storm brewing beneath the surface, made worse by the fact that she'd lost any sign of you as a reprieve.
The phone slipped back into her pocket, but the weight of it pressed heavier than ever. The ache in her chest turned sharper, a reminder that even though she needed you, even though you were the one who was supposed to stand beside her, the silence between you spoke volumes. She just wished it wasn't so deafening.
Her eyes drifted to the hallway where Aliyah had disappeared moments before. She couldn't let her sister get pulled deeper into this mess, not when it felt like she was barely holding her own head above water. Yet, with every passing moment, the line between protecting the people she loved and keeping them at a distance grew blurrier. And Percy's summons felt like another shove towards the edge she was already teetering on.
Tomorrow night, she'd play the role. But Jenna swore, as she stared out at the city, that she would find a way out of this tangled mess.
Aliyah popped back into the room, her eyes bright but cautious as she took in Jenna's guarded stance. "Hey, so, the family's heading out to catch a movie right now. Are you coming?" Her tone was light, hopeful even, as if she already anticipated the answer but wanted to hear it anyway.
Jenna's gaze shifted to her sister, the corners of her mouth pulling into a tight line. The unspoken question lingered between them, though Aliyah's expression faltered as she awaited an answer.
"Is Dad going?" Jenna's voice came out sharper than she intended, and Aliyah's smile dimmed slightly.
"Yeah, he is," Aliyah admitted, her eyes darting down for a moment before meeting Jenna's again, trying to read her sister's mood.
Jenna's jaw tensed as she looked past Aliyah, the weight of years of resentment and disappointment pressing down like a vice. "Then no," she said flatly, the finality in her voice leaving no room for argument.
Aliyah's face fell, but she nodded, understanding etched into her features. She didn't push, didn't try to convince Jenna otherwise. The silence between them grew heavy, filled with all the things they weren't saying.
"Okay," Aliyah said softly, turning to leave. But before she stepped out, she cast one last glance over her shoulder, eyes shadowed with a mix of concern and quiet resignation. "Just... don't stay up all night, okay?"
Jenna forced a smile that didn't reach her eyes. "Yeah. I won't."
But as Aliyah's footsteps faded down the hall, Jenna knew she was lying. The night was already hers to wrestle with, haunted by the things she couldn't change and the person she wished she didn't need.
————
Before you knew it, Friday had arrived—the day of the meeting. The meeting you weren't planning to attend. You started your day the same way you had over the past few days—in the garage.
You had been avoiding your phone all morning, afraid of what new messages might appear. Each buzz was a test of your resolve, a reminder that giving in would undo everything you had decided. You needed to stay strong, keep your distance, and not let the past pull you back in.
The project car in front of you demanded all your attention. You poured every ounce of focus into it, the sleek curves of the Aston Martin glistening under the dim garage lights. Tonight, you were determined to take it out for a spin, using it as an excuse to push out the stress gnawing at your mind.
The garage was unusually quiet, lacking its usual bustle. The regulars, including Anton and Mikey, were conspicuously absent, skipping their usual stops at the garage. You welcomed the peace; the last thing you needed was their relentless teasing about the car's dubious origins.
The sound of footsteps broke the monotony, and you didn't need to look up to know it was Hunter.
"Got a minute?" His voice came from the doorway, casual but laced with concern.
You nodded, wiping your hands on a rag before tossing it aside and standing up. "Yeah, what's up?"
"So you're really done with Jenna?" he asks wasting no time.
You couldn't even bring yourself to say the words.
"I'm hoping the drive with Madison the other day doesn't mean yes," he frowns. "I don't think she's right for you."
"Neither do I dude. I never said I wanted anything with Mikey. We literally all went on a friendly drive, nothing more."
"Good, she kind of gives me an off vibe," he shares. "I mean, she's cool and all, but there's just something... I don't know.
Hunter leans against the workbench, studying you. "But that still leaves Jenna," he says, quieter now. "Are you sure cutting her off is what you really want?"
Your chest tightens, and you look away, focusing on the glint of metal on the project car. "I don't know," you admit. "But staying away feels like the only way to keep things from going up in flames."
Hunter's eyes narrow with concern, but then he smirks, the corner of his mouth curling up. "Just don't forget—sometimes running from the fire only makes it burn hotter when it catches up," he finishes with a wink.
You roll your eyes, but a small chuckle escapes despite the tension in your chest. "Trust you to turn everything into a dramatic line."
————
Hunter left around the 6 p.m. mark and time slipped through your fingers, and before you knew it, the clock had struck 8 p.m. The Aston Martin stood before you, polished and ready. It looked solid, steady—exactly what you needed. Without a second thought, you grabbed the keys, took a breath to steady your nerves, and slid into the driver's seat. Tonight, it would be just you, the car, and the open road.
You eased the car through the streets of Brimstone, your hands gripping the wheel, your mind drifting as you weaved through the winding roads. The town looked different at night—darker, quieter, with the occasional flicker of neon signs casting long shadows on the empty streets. You passed by abandoned buildings, alleyways where the stray figures of drug addicts huddled together, their glazed eyes staring into the nothingness that had consumed them. They barely registered your presence, too lost in their own world.
You drove without a clear destination, allowing the car to take you wherever it wanted to go. The sound of tires on asphalt was the only thing keeping you tethered to reality. The rush of the road beneath you, the flicker of streetlights, the occasional blur of other cars passing by—it was all you needed. Just you and the road.
And then your mind went to her. Of course it did. How could it not when you were sitting in this car. You were fooling yourself by thinking a single car wrap can get the job done.
You remembered the day you took this car, how you spilled your guts to her in the midst of your chaos. The way she'd listened—really listened—and kissed your cheek when you dropped her off. The memory was so vivid, you could almost feel her lips on your skin again.
She should be heading to the meeting now. The one you weren't going to attend. The one she was walking into, blind. No idea what it was really about, no clue what she was getting herself into. Alone.
For all you knew, she thought Ghost Smoke was some sort of cereal. But no. You knew better than that. She wasn't stupid. She was smart, and she could handle herself. You tried to tell yourself that, tried to calm your racing thoughts. She could handle herself. She would be fine. Nothing bad would happen.
But even as you tried to convince yourself, the doubt crept back in. The image of her walking into that meeting—unprepared, vulnerable—made your stomach churn. You couldn't help but picture the worst. What if they used her? What if she got caught up in something deeper than either of you realized?
But then, as you took a sharp turn, you found yourself on the road you hadn't meant to be on. The track.
The place where it all went down.
You didn't intend to end up here. Not tonight. But there it was, the race track standing still under the muted glow of the moon, the outline of the old fence barely visible against the darkness. The stories rushed back like a wave—your father, Anton's dad, both gone in an instant after the crash that took their lives. The race had been their last, the night that changed everything.
You slowed as you approached the entrance, the cars long gone. There was no movement, no sign of life, just the emptiness that had followed the tragedy. The track had been abandoned ever since. The Sinners stopped racing there out of respect, unwilling to return to the place that had claimed so much.
You parked the car on the side of the road. For a long moment, you just sat there, the hum of the engine ticking down as the silence of the night pressed in. The weight of the past, of your father's legacy, of everything you thought you knew about this town and the racing world, settled on your shoulders.
You couldn't help but feel the ghosts of the past watching, waiting, taunting you—what are you going to do Y/n?
You shifted the car into drive, the road ahead a blur.
————
"Can you not be mad at me anymore please?"
Jenna rolls her eyes, frustration evident in her posture. "I told you not to come. I seriously can't believe you followed me here."
Aliyah huffs, crossing her arms. "You're in this mess because of me, and god forbid I want to help! It's not like your girlfriend was dying to come with you, so you should at least be grateful I'm here."
Jenna's stomach clenches at the mention of girlfriend, but she holds her tongue. She's too tired for this. She could've corrected Aliyah for the thousandth time, but it wasn't worth the fight now. Better to focus on getting this over with. At least until this little mission was done, she needed to push all thoughts of you to the back of her mind.
You're not here anyway. You're not helping her anymore.
Aliyah continues, clearly trying to lighten the tension, but there's a note of sarcasm in her voice. "Seriously, there's no way you're not happy I'm here. Look at this place!" She gestures toward the imposing, dark warehouse ahead, a shudder running through her as she takes it in. "It's straight out of a horror movie."
Jenna doesn't disagree. The place does feel like something out of a nightmare. She can feel the resentment bubbling inside her, a sharp, unwanted feeling that she tries to push away but can't. How dare you ghost her, leave her to face this alone? If you were here, Aliyah wouldn't be, and maybe she wouldn't feel so exposed, so vulnerable. But you aren't, and her little sister is. The sting of abandonment hangs in the air, heavier than the looming shadow of the warehouse ahead.
Jenna sighed, feeling the weight of the situation pressing in from all sides. With one final glance at the door to the meeting place, her shoulders slumped in resignation. "Fine," she muttered, voice tinged with exhaustion. "But stay close, stay quiet. Don't do anything stupid."
Aliyah gave a small, relieved nod. "You've got my word."
Jenna leads the way into the dark warehouse, the sound of their footsteps echoing off the cold, concrete floor. The place is completely abandoned, with broken windows casting faint, eerie light into the room. There's nothing in sight but dust and the lingering smell of stale air.
Aliyah looks around nervously, her eyes darting from corner to corner, but all she can see are the dim shadows creeping along the walls. The place feels like a ghost town, unsettlingly empty.
"Is this really the right place?" Aliyah's voice is low, the uncertainty clear in her tone.
Jenna pauses, squinting into the darkness, trying to make sense of the scene. She's not sure why the meeting is set up like this, or why it feels like they're walking into the unknown, but she can't let herself doubt now. "Yeah," she answers, her voice steady but with a hint of something unspoken. "This is it."
They keep walking, the air growing colder as they venture deeper into the warehouse. Aliyah keeps glancing at her sister, confusion written across her face. "What exactly is this meeting about?" she asks, her voice tinged with concern. "I mean, what's going on here? Is this about the club or—?"
Jenna cuts her off, shaking her head slightly, her gaze focused ahead. "Don't worry about it," she says, her tone sharp and final. "Just stay close."
And then, they saw him.
He was standing in the far corner of the warehouse, facing away from them, his silhouette sharp against the dim light filtering in through the broken windows. Dressed all in black, his figure was imposing in a way that sent a chill down Jenna's spine. He hadn't noticed them yet.
Instinctively, both sisters ducked behind a stack of old, dusty boxes, their breath held as they exchanged a look. The quiet tension between them thickened, and in that moment, everything felt so much more real—so much more dangerous.
On the phone, the man spoke with a low, almost mechanical tone. "Yes, boss. I'm the first one here, waiting on the other two."
Jenna made a mental note on the words. So this was a meeting between three people. Percy would be one of them.
Aliyah's voice was barely a whisper. "Do you know who that is?"
Jenna didn't answer at first. Her eyes stayed fixed on the man, analyzing his every movement, trying to make sense of the situation. Finally, she shook her head. No, she didn't know him. But something about this felt wrong—like they were in deeper than they had anticipated.
She reached out, squeezing Aliyah's hand tightly to calm her nerves. "Stay quiet," she murmured. There was no turning back now.
Jenna's heart skipped a beat when the door creaked open, and two figures stepped into the dim light. Percy walked in first, his usual calm confidence unmistakable, but it was the figure beside him that made Jenna's breath catch in her throat.
She remembered seeing him at the Raven race. The night you were racing. What the hell was he doing here? Her mind raced, the weight of the situation crashing down harder than before. Why was he with Percy? Was he the club leader? This meeting was about something far worse than she could have imagined.
Aliyah's grip on her hand tightened, her eyes wide with uncertainty and fear. But Jenna couldn't look away. She barely registered the tension in her sister's hand, too focused on the strange alliance before her.
Without a word, Percy and the Raven exchanged brief glances before walking further into the warehouse with the mysterious person in all black. The air around them seemed to thicken, the sound of their voices indistinguishable.
Jenna's pulse quickened as her instincts screamed that she needed to get closer, to hear more.
She crouched low, glancing over at Aliyah with an intense, silent plea. "Stay here," she whispered sharply, her voice low but firm, knowing the weight of the situation.
Aliyah nodded, her face pale with fear.
Jenna barely gave her sister another glance before she began moving, silent as a shadow, staying low to the ground as she crept closer to the three men.
But the floor of the warehouse wasn't as kind as she hoped. Her foot caught on a jagged edge, and in an instant, her body lurched forward, her heart skipping a beat.
Time slowed, the rush of panic surged through her, and in that split second, her heart seized with terror. She was going to fall—she was going to make a noise and blow their cover. Aliyah was going to be in danger.
She braced for the inevitable crash, for the sound of her body hitting the ground and the betrayal of her hiding place.
But just as the world tilted beneath her, strong arms wrapped around her waist, pulling her back from the brink. Her heart raced, her breath catching in her throat. She blinked, disoriented, but when she looked up, her world seemed to freeze.
There you were, standing in front of her, holding her steady. The realization hit her like a punch to the gut. You were here. You had come for her.
In the six days you had ghosted her, Jenna had planned what she was going to do if she ever saw you again. First was a slap, possibly the silent treatment—a taste of your own medicine. She even toyed with the idea of keying one of your cars. But falling into your embrace, wrapping her arms around your neck and letting out a sigh of relief was certainly not part of the plan.
For a moment, neither of you moved. You could feel her breath against your chest, soft and steady, and despite everything, her warmth was exactly what you needed.
Jenna pulled back slightly, her hands lingering on your arms as she looked up at you, her eyes searching for something—answers, maybe, or just reassurance. She was still upset with your disappearing act. "You really are something," she muttered, her voice softer than usual, almost vulnerable.
You couldn't find the right words, not when your heart was racing from the sudden rush of emotions. Instead, you simply nodded, gently brushing a stray lock of hair behind her ear, a quiet acknowledgment of everything unspoken between you. "We'll talk afterwards," you whispered.
She nodded, knowing you both have a bigger issue to deal with at the present moment. You notice Jenna worriedly glance behind you and you follow her gaze to see another girl you've never seen before.
Jenna noticed the fear that was once on her sister's face melted into a mischievous grin as she looked at her, raising an eyebrow and pointing a finger at you while mouthing, Greaser?
You'll have to figure out who that is later, but for now you take your attention away from the girl who is very close to you, and look up at the scene in front of you. Pissy, the Raven crew leader, and an unfamiliar man.
“Who thought holding the meeting here was a good idea?” Percy muttered, annoyance dripping from his tone as he glanced at the dust clinging to his shoes.
“We can’t afford any slip-ups,” the unknown man replied curtly. “Let’s keep this brief.”
The Raven crew leader smirked, eyes glinting in the dim warehouse light. “We’ve already pushed about fifty keys of Ghost Smoke into Brimstone over the past two weeks,” he said, voice smooth but full of intent. “No hiccups, no heat—just a steady stream. And trust me, the streets are starting to bite. By the time the next batch hits, they’ll be begging for more.”
"Okay, and you Percy? How's the Vipers' distribution going?"
You clenched your jaw as the conversation confirmed your worst suspicions. These guys were flooding Brimstone with product, exploiting the town's vulnerable, turning the Brimstoners into their playthings. From the corner of your eye, you noticed Jenna stealthily recording the exchange between the three men, every tense word.
Percy shifted uneasily, a flash of frustration in his eyes. "We've moved about eight keys so far," he said tightly, the disappointment in his voice evident. The number wasn't enough compared to the Raven's progress. "It’s not easy for a Viper to operate on Sinner territory without drawing attention."
"Maybe if you'd stop cozying up to your girl at races and focus on your job, things would be different," the unknown man snapped, his tone biting.
His girl?
"Relax," Percy retorted, his voice strained but defiant. "No one wants Brimstone to become a zombieland more than I do. Some of those Sinners have been getting way too fucking cocky."
Jacob, the Raven leader, let out a low chuckle and placed a hand on Percy's shoulder. "Easy there," he said, smirking at the unknown man. "I can’t blame the guy. It’s hard to stay focused when your girl’s a knockout like that." He finishes with a whistle.
A whispered "ew" sounded behind you, and you felt Jenna tense, a silent fury radiating from her. Anger roared in your chest. Not only were these men scheming to drown Brimstone in Ghost Smoke, but now they were talking about Jenna like she was just another trophy. The rage that simmered inside you sharpened into a razor's edge.
But now was not the time to get angry. You had to remain calm, get all the info you can and get the fuck out of there.
Jacob, the Raven leader, crossed his arms, his gaze sharp as he looked between Percy and the unknown man. “And what if this operation doesn’t go as planned? What happens if someone decides to interfere? I know you tried this once and failed.”
The tension in the room crackled like static. The unknown man’s expression darkened, a slow, menacing smile creeping across his face. “Let’s hope it doesn’t come to that,” he said, voice low and chilling. “We wouldn’t want a repeat of Bullet and Apex.”
You freeze.
But before you could fully process the implication, a sudden noise shattered the silence about 15 meters to your left.
“Hey! Who’s there?” one of the men barked, eyes narrowing in suspicion.
Heart thundering, you whipped your head in the direction of the sound and spotted the familiar mop of curls.
Hunter.
He was crouched low, eyes wide with a reckless determination that sent a jolt of both dread and relief through you. Before you could even react, Jenna’s urgent voice sliced through the fog of panic clouding your mind.
“We have to go,” she hissed, fingers locking around your arm like a lifeline and yanking you into motion. The edge in her voice snapped you back to the present, and your body jolted into action. The girl—clearly someone Jenna trusted—was already sprinting ahead, weaving between crates like shadows. You cast a quick look back, your gaze catching Hunter’s for a split second as he, too, bolted to follow.
This was a fight against time, and survival was the only thing that mattered.
Jenna’s grip on your hand anchored you as you both tore out of the warehouse, feet pounding the ground as adrenaline roared through your veins. The cold air bit at your skin as you charged towards the first car in sight—yours.
“Stop right there!” A shout from behind sent a surge of terror down your spine.
“Hey!” you yelled to the girl ahead. She glanced back, eyes sharp, just in time to catch the keys you tossed her. She was closer to the car, and with no time to spare, she slipped into the driver’s seat.
The three of you scrambled in—a blur of limbs and frenzied breaths. Jenna flung herself into the passenger seat, while you and Hunter dove into the back, your heart hammering in your chest like it might explode.
“Go, go, go! Step on it, Aliyah,” Jenna commanded.
Aliyah didn’t hesitate. The engine roared to life, and the Aston Martin peeled away from the warehouse, tires screeching against the asphalt. The last thing you saw in the rearview was the shadowy figure of the man pursuing you, growing smaller as you sped into the dark night, leaving danger and revelations in your wake.
No one dared to speak. The air in the car was thick with tension, the adrenaline still simmering just beneath the surface. Once Aliyah had put enough distance between them and the warehouse, she eased off the gas, slowing to a steady, legal pace. They were in Summer Valley now, the bright lights of the town casting fleeting shadows across their faces.
Ten minutes ticked by in silence before the red glow of a traffic light gave them a momentary pause. It was then that everything unraveled at once.
“Hunter, what the hell are you doing here?” you demanded, voice tight.
“How the fuck did you go from boosting cars to this?” Hunter fired back, eyes wide with disbelief.
Aliyah leaned back, throwing a teasing look Jenna’s way. “You didn’t tell me Greaser was cute!”
"Since when did you know how to drive?” Jenna shot back at Aliyah.
The car was filled with a low hum of murmured conversations, each person settling into their own thoughts as the road stretched on.
“Did you follow me here?” you asked Hunter, still in disbelief.
“Yeah, I did. And I’m glad I did.” His voice was filled with concern. “What the hell are you mixed up in, Y/n?”
“I don’t know, man. I’m just finding out about all this today, too.”
Hunter let out a frustrated sigh. “We need to tell Anton. They’re trying to destroy Brimstone.”
You exhaled, mirroring his sigh. “Yeah, this is bad. Real bad.”
As soon as Anton’s name left his lips, your mind raced back to the meeting. What the men had said.
Hunter could see it in your eyes—he knew exactly what you were thinking, and the tension in the air between you both grew thicker.
Up front, Jenna’s voice broke the silence. “Okay, yes, I get it! She’s cute. Can you just… shush? She’s right there,” she muttered in exasperation, turning back to her sister, who was practically grinning.
Jenna slouched back in her seat, her mind a whirlwind of thoughts. This was not what she expected when she set out to gather dirt on Percy. She couldn’t wrap her head around it—Percy, the same person she thought she knew, was tangled up in a plot to destroy Brimstone. Yeah, he was a jerk, but this... this was murder, drawn out and deliberate.
The crew she had once considered family was directly linked to the distribution of Ghost Smoke, targeting people from the town over. She knew there was always a rivalry between Brimstone and Summer Valley, but she didn't think it would resort to elimination techniques. The shock of it all left her breathless, the pieces clicking together with an unsettling finality.
She got her dirt. But this feels far from over.
Despite everything, Jenna couldn’t ignore the pull to check on you. She knew you had to be feeling the weight of it all—learning that your town was the target of such destruction. But there was also the anger. The unresolved frustration from you walking away earlier. She couldn’t just let you back in without confronting it, could she?
But as the drive wore on, the pull to turn back softened, and she glanced at you instead. You were lost in your own world, staring out the window, looking like you’d retreated into yourself. Nothing could touch you right now. And she didn’t blame you. Tonight had been a mess.
She turned her gaze to Hunter, raising an eyebrow, silently asking if he knew how to handle this. He met her eyes, shaking his head in that subtle way that said, Not tonight.
Jenna nodded in acknowledgment, her expression a mix of concern and frustration. She gave a quiet command to Aliyah, who turned the car toward their place. The drive was silent, the weight of everything hanging thick in the air. When the car finally stopped, both girls exited, but Jenna couldn’t help but glance back at you one last time. Her gaze softened, seeing how much this was affecting you. You didn’t look at her once as you stayed seated in the back, your face unreadable.
Somehow, without even realizing it, you found yourself sitting in the passenger seat of Hunter’s car. The shift had happened so subtly that you hadn’t even registered the transition. You assumed once the girls had left, Hunter must've taken over the drive. But the ride felt endless, every minute dragging in uncomfortable silence, like you were trying to outrun the truth without really knowing how.
When Hunter finally pulled into his driveway, the car came to a stop, and the air between you two felt suffocating. No words were spoken for a long moment.
Finally, Hunter broke the stillness. His voice was low, sincere, and filled with an understanding that made your stomach churn. “I’m sorry, Y/n,” he said, his tone full of empathy. “That must’ve been a hell of a lot to take in.”
It wasn’t easy, not by a long shot. You could feel the weight of the words pressing down on you like a heavy stone.
Bullet and Apex. Your dad and Anton’s dad, their racing names. You had tried to convince yourself that you had misheard at the meeting, that it was some twisted misunderstanding. But as you turned to look at Hunter, his pitiful eyes told you everything you needed to know. You weren’t wrong.
Your father and uncle’s deaths wasn't an accident. They’d been taken from you on purpose. And now, the truth of that hit you harder than anything else.
#jenna ortega x you#jenna ortega#jenna ortega x female reader#jenna ortega x reader#jenna ortega x y/n#tara carpenter imagine#tara carpenter x female reader#tara carpenter x reader#tara carpenter x y/n#beetlejuice#jenna x you#jenna x reader#jenna marie ortega
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Constant Companions Closeup #3: ROT FOR CLOUT
youtube
(also on bandcamp and spotify!)
WHAT'S going on guys, welcome back to another Constant Companions Closeup, the show where we take a DEEP DIVE into what makes these tunes tick! Last episode, we went aaaaaall the way there on Not Quite There, and today, we're making that liggity-line go up up up up up with ROT FOR CLOUT featuring VISUALEYES!! Before we get started, remember to SMASH that like button, SLAM subscribe, and FUCK the bell icon. This week's community challenge: leave your credit card info in the comments! Bet you won't!
(*cough*)
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I check my notifications way too fucking much. It's a habit I'm trying to curb, and to my credit, I am doing better lately, but being chemically predisposed to dopamine deficiencies has done a number on my ability to go five minutes without checking the funny glowing numbers on my phone. Naturally, I also very much seek more validation than I should from the opinions of strangers yadayadayada yeah that's what the song is about but none of that actually has to do with why I started writing this song in the first place.
Have you ever taken a flight with American Airlines?
This was after waking up at 4 in the morning to fly out of Houston thinking I'd be napping on a couch in Ohio by 2 pm at the latest.
I want to make one thing clear here, and that's that I made this bed for myself. Tucked the sheets in and all. You see, on the rare occasions I fly, I normally take Southwest. Southwest does not overbook flights like a lot of other airlines do, so it's a practice I am mostly unfamiliar with. So, when I received a notification on my phone promising genuinely ridiculous amounts of flight credit money in exchange for taking a slightly later flight, I thought - well, shit! That sounds nice!
This is how they trick you. I didn't really realize I'd been tricked until I was on my second flight of the day, sitting in a middle seat at the very back of the plane, heading from Dallas, a city I don't live in, to Washington, DC, a city I was not trying to get to, staring down the barrel of another flight I was destined to get on that had been delayed like two fucking hours.
I became the Joker. All I could do to remain sane was write a song about it. This is how ROT FOR CLOUT came to be.
I guess the moral of the story is this: Don't go to Ohio. And to answer your question,
Yes I am
Not really
No
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This is a complete sidenote but I want to mention it here: I'm genuinely overjoyed at the amount of people excitedly talking about my songwriting or the intention behind my lyrics. For a long time, it really felt like lyricism was the last thing people cared about from me, while it was always the thing I wanted to take pride in the most... So genuinely, thank you everyone for caring!! Every single fire emoji people have put next to a line I've written has extended my lifespan by multiple years
There's a brief little moment where the song's chords leave the key, doing a really stereotypically jazzy 2-5 movement, and it's one of my favorite parts of the entire song. I'm not really a music theory buff or anything, and I'm certainly not formally trained, but I've always been very passionate about more complicated harmony in otherwise poppy and accessible contexts - bo en's album pale machine really rewrote my brain when I first heard it.
On that note, there are microtones in the vocal melody - During the chorus, some of the rapidly repeated words move up in quarter tones! Possibly the simplest way I could've included microtonality, but I'm genuinely afraid if I learn more than what I already know about it I'll be lost to the darkness.
Obviously, the work of Sasuke Haraguchi was a massive influence on this song, particularly the song Igaku. I think basically everyone on the entire planet has picked up on that at this point, but I do also wanna point out some other songs that were on my mind at the time! (two for three on these posts mentioning louis cole now)
I'd also like to take a moment to spotlight the vocal samples on this! They previously appeared on エビチャーハン!, and they've honestly become some of my favorite samples to throw in things. They're also just a fucking goldmine sincerely
Finally, HUGE thanks to Visualeyes for the delightful synth solo on this!! I had put out a call on Twitter looking for instrumentalists, genuinely originally envisioning a super jazzy piano solo, but their synth playing genuinely brought the whole song together perfectly!
That's about it for this song - though again, if there are any more questions people have, I'd be happy to answer them in the replies to this post or elsewhere!! (*ahem*) THAT'S gonna do it for today's video, folks! Feel free to leave a like, comment, hit the subscribe button for more and click the bell so you don't miss any new videos. Tomorrow? I Wish That I Could Fall. it hurts.
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batboys hcs with a architect s/o and how she’s so talented into architecture and critics places they go too for fun?? 😭😭 your writing is so fucking amazing omg (please write more)
‘THIS PLACE COULD USE A EXTRA… SHINE’ ── .✦ DOLLISH
a/n: this made me laugh so hard because I’M MAJORING IN ARCHITECTURE RN in college and it’s so funny receiving this but yeah literally tysmm and I will be like refreshing my ‘page’ if it makes sense so I’ll writing more often from now on so get ready.
Tags: batboys x architect!fem!reader
DICK GRAYSON ── .✦
Dick is amazed by your architectural skills and loves to hear you talk about your designs and the inspiration behind them. He’s always asking you for design tips for his own living space in Blüdhaven asking if you can spice his furniture in his apartment and etc.
When the two of you go on dates or to art exhibits, Dick is the type to listen to your critiques and try to pick up on architectural details, though he’s more likely to focus on the overall vibe of the place than technical elements. He loves hearing how you appreciate places that balance form and function.
One of his favorite things is visiting old, historic buildings or new constructions with you and asking your opinion on how they’ve been designed. He’ll even take notes when you go on architectural tours. (You once joked that the ceiling of a museum looked like it was gonna topple on someone and you swear you saw him tense up so fast moving a few inches from you)
JASON TODD ── .✦
Jason is the most curious about your work, wanting to know every detail about how buildings are designed and what makes them stand out. He’ll often ask about the story behind a particular structure or the challenges faced in a project (he’s just a curious boy🥺🥺)
When you’re out and about, Jason can be pretty critical too, especially about how places are put together. If a building seems impractical or poorly designed (like small stalls for bathrooms and just that shitty nonsense), he’ll express his frustration, and you’ll be right there with him offering insightful critiques. You both tend to agree on bad urban planning and laugh about it.
He’ll enjoy taking you to abandoned warehouses or old buildings in Gotham to test your architectural knowledge. Sometimes, you both challenge each other to design something better or fix up a dilapidated structure together.
TIM DRAKE ── .✦
Tim is very impressed by your intellect and the level of detail you put into your architectural designs. He admires how you view the world through the lens of space, function, and beauty.
Tim loves to dive into deep architectural discussions, analyzing how places are structured. He might even pull out his phone to look up blueprints or information about buildings while you're at a location, appreciating the design choices. He enjoys debating the merits of modern architecture versus classic styles with you.
Tim would likely plan visits to art museums or landmarks that have a rich history of architectural design. He’d love to hear your thoughts on every building and structure, and he’ll probably surprise you by arranging a private tour with an expert in architecture.
BRUCE WAYNE ── .✦
Bruce doesn’t show much outward enthusiasm about your work, but it’s clear that he values your opinion. He appreciates your attention to detail, especially when it comes to Gotham’s urban design. He’s likely to ask for your advice when dealing with the renovations or restoration of the Wayne estate or other properties.
Bruce is very into efficiency and functionality. When you critique a building, he’ll listen intently and agree with your assessments if they make sense, especially when it comes to practicality. He appreciates your ability to separate the aesthetic from the real-world needs of a space.
Bruce might take you to visit some of Gotham’s oldest buildings, showing you around his favorite spots. He values your perspective and loves seeing the city through your eyes, especially when you point out potential improvements. He’s also secretly proud of your talent and often encourages you to push boundaries with your designs.
@dollishbabess made by me, do not translate or copy or put on a different platform.
Second divider @cafekitsune
#batfam#batfamily#batboys s/o#different batboys#batboys#batboys fluff#dollishbabess#jason todd#jason todd x fem!reader#dick grayson#dick grayson x fem!reader#dick grayson x reader#jason todd x reader#tim drake#tim drake x reader#tim drake x fem!reader#hcs#fanfiction recommendation#incorrect quotes#bruce wayne#bruce wayne x fem!reader#bruce wayne x reader#writers on tumblr#dc robin#dc universe#architecture#architect!reader#fem!reader#dc x fem!reader#funny hcs
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Since Critical Role's big endgame battle has begun (as of ep. 113) and looks to give us a fair handful of Lv. 20 combat across the board with VM and later the Nein - and also since the Omen Archive are yet to do a level up overview for Bell's Hells to Lv. 15 like I expected them to do after ep. 112 - I find myself optimistically and curiously wondering how Bells Hells would shape up should they reach Lv. 20.
Admittedly, I do remain worried about how underleveled they are; I know it's intended since the Hells are the 'underdogs not meant to be in this position' group but still, for comparison Essek debuted at Lv. 15 in C2 and Vox Machina ended their campaign at Lv. 18 when the stakes were slightly lower than what we have with Ludinus, the Vanguard, the Imperium, and Predathos. Still, with nothing we can do but pray they make it out alive - and I hope they do - I've decided to indulge that rare bout of optimism and deep dive into what would their Lv. 20 state look like? While also considering what they may add during this final arc should they level up in between like they did the last time they were on Ruidus.
We're gonna go through each character one by one for this, so I'll start with my favourite (aka the one I wanna talk/ramble the most about).
Ashton is perhaps the easiest endgame build to tell class-wise, it's likely Tal will have them go the full 20 since Grog has already done the Fighter dip and there's not many other multiclasses that can be of a greater benefit to them; the intrigue however with Ashton focuses on the ASI they get at levels 16 and 19, the first one particularly if there's still a level up mid-battle. The obvious route for the first ASI is to get back the CON they lost in the shard incident - which I still find an unfair penalty since they gained nothing from surviving the bold and deemed impossible action, 'your reward is you get to live' doesn't stick with me given that the 10 rolls (well, 9 plus the resurrection ring) are proof of survival anyway - and absorbing Dusk Hunger sadly didn't give back, adding to their DEX instead - which, also kinda stubborn of Matt, adding 1 AC isn't exactly worthy of absorbing a legendary item especially compared to what Orym got with Ishta, they were better off trying to dual wield it if Matt's not gonna give stats that'll suit Ashton's wheelhouse, STR and CON, and let the tank be a tank - so it will likely fall into Tal's hands to get Ashton's stats to where they want them to be. Either way, Ashton's STR and CON are going up if they hit Lv. 20 as pure Barbarian, Primal Champion adds 4 to both and increases their max to 24, so without ASI Ashton will have 22 STR and 20 CON by Lv. 20 anyway, with ASI however Ashton can go 24/22 in either direction - and we can't rule out more absorption in the future, since Legendary loot may be yielded from this endgame battle plus Otohan's Backpack, Zathuda's storage cloak and maybe any other armour from the two could be Legendary items just gathering dust among the group, but if Ashton were to take any of them they'd have to wait a day since the Harness only grants 1 permanent and 1 temporary buff per person, and each person who uses it on the same day risks it breaking by 20%. However, we also can't rule out Ashton taking a feat instead of ASI, it's a slim chance but there are some feats that can be of use for Ashton in general or specifically vs Ludinus; Mage Slayer, Strike of the Giants (Hill or Stone Strike, of the two I'd go for Hill because of it causing the prone condition, which will help Ashton and allies, like Orym with that 1d6 extra Force Damage, stack critical damage), and Great Weapon Master could be powerful if they don't focus on ASI. The Tough feat is always good for being tanky too, but such a feat would likely only be used at the Lv. 19 ASI/Feat domain to get the most out of it. The only other places Ashton can get major potential buffs - outside of any new enchanted items that aren't armour - are from Dunamancy and their Titan powers, but neither have provided a clear opening for improvement as of yet. Ashton hit their final Dunamancy path at Lv. 14, where they got Mark of the Messy End (which compared to Essek getting access to stuff like Reality Break doesn't seem to balance out but I guess Wizards are glass cannons so Dunamancy does more with them), but there is a quiet, lingering mystery over how Potions of Possibility and Luxon Beacons will behave if Ashton and their Dunamancy brain interacts with them, given how they have many potions on hand, in general and gifted to them by the Kryn Dynasty before they met with the Nein, and Ludinus using Luxon Beacons as power sources, there is potential for Ashton's Dunamancy to increase that way - or simply through Matt adding an extra Dunamancy path in place of an ASI/Feat, a Dunamancy-based feat, or swapping Primal Champion with something else. The Titan Form could also improve by level, and I kinda hope it does, it's powerful but given the time limit and Exhaustion it's still below the level of Grog's Titanstone Knuckles in terms of utility, if more power or less limitations are imposed the higher their level it could scale Ashton up further in a similar manner to having a Vestige or, in Orym's case, a Relic of the Red Solstice.
Speaking of Orym, you'd assume that he'll also go for the clean 20, but this is Liam O'Brien we're talking about - he gave Vax a Druid level for his love of Keyleth, so you can't put it past him to add a level in Bard for Dorian. Like Ashton, Orym has 2 ASI waiting for him at levels 16 and 19, due to maxing his DEX - and absorbing Ishta overclocking it (a DEX increase that actually makes sense as a Finesse blade Fighter, adding +1 to AC and attack rolls and a higher DC for enemies to save against superiority die attacks) - Orym has already dipped into feats a lot but could always find room for more. Great Weapon Master, Shield Master, Mage Slayer, and Tough again at level 19 are viable options for Orym and his build, but there's also a unique option of, instead of taking a level in Bard, Magic Initiate: Bard in lieu of Dorian; taking the feat lets him gain the 4th attack Lv. 20 Fighter yields while adding some handy Bard magic such as Friends, Thunderwave, Command, Bane or Cure Wounds - all of which are Level 1 Bard spells. While adding a level in Bard would be a nice gesture, the Magic Initiate feat would probably work better for Orym's build if he wanted to reference his connection to Dorian this way, since he doesn't need 4 extra 1st level spells and he already has a lot of proficiencies and bonuses to cover his rolls anyway, plus he still carries the sending stone if he doesn't want to do either. If he went for ASI, Orym could try to rival Ayden's passive perception by buffing his WIS, but I doubt anybody would hold it against him to be less perceptive than a god. Regardless of ASI and feats, a pure 20 in Fighter does up Orym's lethality immensely, getting a potential 12 attacks with two Action Surges - the second gained in Lv. 17 - in one round (16 attacks if hastened and 17 if hastened and a Time Rage Mark of the Messy End - which I believe allows you to attack with Bonus Actions - is used on an enemy), which would make him an extra efficient killer and protector for combat, which suits his character as well. While multiclassing is an uncommon trait to reference a partner, in Orym's case it's probably moreso cute but unnecessary flavouring.
Adding an element of their partner into their build is something Imogen has done already with decent effect, however. Imogen is another pure 20 likelihood; she has 2 ASI, a Metamagic choice, her final Origin Feature - Warping Implosion: essentially you teleport and anyone within 30 feet will be caught in a gravity fissure - and Sorcerous Restoration - 4 sorcery points restored per short rest - waiting for her at the full 20. As alluded, she already has Laudna influences in the Shadow Touched feat and a vial of her blood in her equipment so she needn't use a feat or a multiclass in further reference to her, which means it comes down to what options she chooses for her ASI/Feats and future skills. With her CHA maxed out already, the two ASI would need to go elsewhere or to feats; War Caster could be used to help her concentration spells, such as the reskinned Hunger of Hadar, Telekinesis, and Investiture of Lightning, unused spells such as her mother's Reverse Gravity, Hold Person, or Globe of Invulnerability, or future 8th-9th level spells such as Dominate Monster, Gate, and Mass Polymorph (turn them all into horses!). Otherwise using one of those ASI to add 1 to INT and WIS will add to saving throws of those stats (+1 for INT and +2 for WIS), she can also remove all her stat negatives by adding an ASI to her STR in place of a feat. Imogen also has options with choosing a final Metamagic from Sorcerer; she has Quickened, Distant, and Twinned Spell already, so the next one needs to also be helpful in combat; the potential of Extended and Transmuted Spell are decent, but Heightened Spell may be the best fit for her - spending 3 Sorcery points to impose disadvantage on a spell save can be very useful when using Imogen's spells such as Psychic Lance, especially against powerful magic users like Ludinus. Going a little extra meta with things, Imogen at Lv. 20 is only going to exist in one-shots or guest appearances - which means short rests aren't likely to faze her as much, also recovering 4 out of a total of 20 Sorcery Points per short rest isn't a lot when you get all of them back after a Long Rest. If Imogen were to pull a swerve and multiclass she could simply sacrifice an ASI for an 18/2 split or just take a 19/1 dip without it doing any negative effect to her current build. Of the multiclassing options, I find that the Tempest Cleric could gel pretty well with her build; connecting her lightning magic and her storm analogies (and her attempt to reach out to the Stormlord) from a narrative perspective, while combat-wise she'd get to use Wrath of the Storm to damage anyone that attacks her (as many times as her WIS, so 1-3 depending on her ASI usage) and, if she goes for the 18/2 split, she can use the class' Channel Divinity to max out a spell's lightning damage - which if used on a 9th Level Lightning Bolt is 76 damage without enhancements! - she also gets some minor healing to add to her repertoire, and with a group without a pure Cleric you can't really have a shortage of players who can heal even if it's a little bit. I can't see any other dip doing her as much benefit, so the full 20 is more likely, even if the maxed out Lightning Bolt would work wonders.
You know who also knows Lightning Bolt? Well, a fair amount of players and NPCs but also Dorian! Let's talk our Boy in Blue - no I did not say 'Blue in Boy' in my head when typing, shush! - he's our last PC likely to be a pure 20 of the group, also because the rest have already multiclassed, but like Imogen there is also the opening for a little bit of multiclassing. The ASI in levels 16 and 19 are probably best put into maxing his CHA stat that's currently at 16, DEX could also go up to 20 for additional Gambolcleft damage but the sword is pretty powerful as it is - it depends if Robbie wants Dorian to focus on Spell or Melee output for stats, but casting is probably the better way to go. Not many feats would help Dorian outside of maybe Tough and War Caster, perhaps Slasher but they do seem like minor additions he can go without, so ASI is likely the best route to take for him. Unlike with Orym where a dip in Bard wouldn't do much good mechanically, Dorian could easily take a dip in Fighter and have it be a solid investment; the Bard's Lv. 20 ability Superior Inspiration only helps if you've used up all of your Inspiration, and as said with Imogen that probably won't come up in a one-shot scenario where Lv. 20 Dorian would likely appear, but by Lv. 19 he will already have added spells from any magic class via his final dip into Magical Secrets - and honestly I have no clue what one he could take because like, all of the spells! Wish is probably the go-to one but Dorian doesn't want anything from the gods so maybe not? - and he'll already have a 9th level spell slot from earlier levels. A 1-level dip in Fighter can give Dorian Second Wind for some self-healing and another Fighting Style to choose from: either Superior Technique - like Orym has - or Duelist would suit best, and if Robbie sacrifices an ASI he can go up to a 2nd level for Action Surge, which is handy should he focus on melee. There aren't many other 1-level dips that would suit Dorian narratively, there was probably Warlock potential in EXU: Prime when the crown was in play but since, again, the group lacks a pure healer, Dorian is probably better off investing his stats and skills towards Bard spells - which in turn bolsters DPS as well as healing.
From one Bard/DPS healer to another, Braius debuted with some pretty high stats to begin with, with only WIS being a negative modifier. As a 12/3 multiclass he can go a few different directions - much like his character arc and selection of deity - but it leaves him at a crossroads - also like his character arc. The 12 levels in Oath of the Ancients Paladin means he's locked out of getting Bard's Magical Secrets, if he maxes out his remaining levels in Bard he gets 2 ASI, a College of Tragedy feature (make crits be at rolls 18, 19 and 20 after an ally is hit with a crit plus a '+10 on a roll but a -10 penalty on the next' skill), Countercharm, and his Bardic Inspiration dice will go up to 1d8, but all of those are kinda covered by Dorian's higher level Bard class and Ashton's Mark of the Messy End while in Luck Rage to a higher or better extent. The 3 levels in Bard however has locked Braius out of Paladin's Aura improvements and the big Elder Champion buff, which is a big loss, if maxed out in Paladin they'll get Cleansing Touch - end a spell on yourself or anyone you can touch as many times as your CHA, one ASI, a 5th level spell slot (handy for Banishing Smite, Circle of Power, Destructive Wave, and Summon Celestial), and Undying Sentinel - which is just a once-a-long-rest Relentless Rage with no CON save. Build-wise, it would be best for Braius to go one of three different paths; either go for a 15/5 split - so no 5th level spell but he gets 1 ASI, Undying Sentinel, and Font of Inspiration for the 1d8 inspiration - a 14/6 split - where we swap Undying Sentinel for the college feature, or go the unique path and add a third class - while the 5th level spell slot has powerful spells Braius' combat is much more melee-based so it is a less likely option. A 14/3/3 triple split sacrifices his ASI/feats but 3 levels in Fighter gives him another Fighting Style, Action Surge, Second Wind, and a Fighter subclass to add to his combat prowess. One unlikely Fighter subclass that could suit Braius is the Rune Knight; with 3 levels Braius will have access to 2 runes, which can be tied to his character's artistry, to add to his gear - the Fire and Cloud Runes being the most useful to him from what I see - they would also get Giant's Might as a skill for an extra 1d6 of damage once per turn. Fighter isn't the only class Braius can benefit from though; he would only need to dip 2 levels in Cleric or Druid to gain their subclass-based abilities; a Shepherd Druid would give the group a slight benefit with the Hawk Spirit skill, using a reaction to attack with advantage and having advantage on perception checks, but similar to Imogen he'd probably benefit a bit more from dipping into Cleric - particularly Grave, War, Ambition, and Peace Domain Clerics, who each have abilities that can further empower him. A dip in Barbarian would be handy for Danger Sense - not so much Rage because you can't use spells - maybe opting for the Zealot path subclass, which also suits narratively, for an extra 1d6 damage, or a dip in the Monster Hunter Ranger to aid in picking out weaknesses. A 12/4/4 split could also work, forgoing Cleansing Touch to grant Braius 2 ASI or feats if Sam wanted them; with that they can balance their WIS to 10 and then max out their CHA and another +1 elsewhere, or just do a feat like Fey Touched - since he was touched plenty by a Fey Hag all across her manor - to max the CHA and gain a spell like Hunter's Mark to aid in combat.
Speaking of Hunters, Chetney may not have been designed to survive the campaign but with Travis rolling the fatal 0 when playing as Grog that old man is still, somehow, kicking. If Travis doesn't pull a Bertrand and allows him to continue defying the odds and live to Lv. 20, Chetney would be in a similar position to Braius - having gone the Tealeaf route and locked himself out of the full 20 in Blood Hunter by having a dip in Rogue - in being in a crossroads of classes. If he invests his remaining levels in Blood Hunter to 19, he still gets a lot from the class; 2 Order Features (advantages on bloodlust saving throws and on any branded creature, then unlimited hybrid transformations on the next feature), 2 ASI, and an extra Blood Maledict. Chetney's 1-level dip in Rogue however means he could also invest into any Rogue subclass for a 17/3 split (or a 16/4 split if he sacrifices a Blood Maledict for 2 ASI over one) instead; Assassin would help his damage output especially since he likes going Invisible, but the Revived subclass would be funny implying that he died but miraculously came back and no longer needed to risk dying in his sleep because he doesn't need to sleep anymore. Chet could also triple class like we suggested with Braius; 3-5 levels in Artificer - since he's a toymaker his toys can be infused beyond the enchanted distractions, going for the Armorer subclass can also be handy for the Thunder Gauntlets ability too, 2 levels in Fighter - for Action Surge, 2-4 levels in Monk - which has decent potential if his chisel is made a dedicated weapon plus the possible boons from Kensei, Mercy, or Open Hand paths, or even 3 levels in Ranger - where Hunter, Gloom Stalker, and Monster Slayer subclasses each have skills that could help Chet in combat, can all be seen as options, but it can also run the risk of being overcomplicated. Despite a Feat sidestepping Chet losing control in his Hybrid Form, logic says that Chet would likely stick with the 19/1 route since the feat only imposes a disadvantage against losing control and he can still do collateral damage, character-wise he'd likely want to keep his Lycanthropy on lock as much as he can. Plus, going to 19 Blood Hunter levels yields unlimited transformations and the second ASI hits at Lv. 19; with the two ASI - which he cannot get from triple classing - he can max out his STR and buff up his CON, DEX, and/or CHA for any additional bonuses, he has no negative stats so any are fair game. I don't see any feats that'd be too helpful, but outside of AC or DC boosts from increasing CON or DEX, upping CHA could also help with persuasion and being persuasive and tricksy.
Persuasive and Tricksy are some of many words you can use to define Fearne, who is also a Rogue multiclass. Her current 10/5 with Wildfire Druid as the majority allows her some wiggle room for her to go a few different directions. The 5 levels in Rogue have locked her out of a second ASI in Druid, the timeless body (not really a big deal for a fey), additional Wild Shape perks, and the 9th Level Spell Slot though, but if she invests only into Druid levels for the full 15 she does still gain one ASI and her Wildfire Feature 'Blazing Revival' - where once per long rest Mister can sacrifice himself (I don't think it's a permadeath sacrifice just like an 'off the board until resummoned' sacrifice) to revive her to half HP if she's downed - alongside a 6th, 7th and 8th level spell slot. If she goes for an even spread of 10 levels each with Rogue's Arcane Trickster however, she gains 2 ASI, 2 more proficiencies, Evasion, Magical Ambush, and a few more lower level spells. Both have valid directions - and as much as Fearne is a 'collector' I think a third class probably won't suit her and will perplex Ashley further - for her character even with mixing the level splits; a 12/8 split will grant her 2 ASI and a 6th level spell slot, while a 14/6 split grants one ASI, a 6th and 7th level spell slot, the Blazing Revival, and 2 proficiencies. Since Fearne doesn't do many sneak attacks and uses her Rogue abilities more for pickpocketing, it would probably be sensible to lean more towards Druid; a 15/5 split if she wants that 8th level spell slot for Sunburst, Incendiary Cloud, or Feeblemind, but a 14/6 split if she can do without - Plane Shift could narratively be on her radar so she can travel to the Feywild as she pleases, but Fire Storm is still a mighty 7th level spell that can be additionally buffed by her titan form which as mentioned with Ashton could also potentially scale up with levels - would give her more stuff to work with, plus extra Druid Levels buffs up Mister's health so he could be looking at 75-80 total HP (5+(Druid Level x 5)) depending on whether Fearne goes level 14 or 15. Since Fearne took War Caster already from her last level and her WIS is already maxed out, ASI to CON could be looked into to add health, AC, and DC, while also improving her chances at holding concentration for her saving throws, alternatively she can up her DEX to improve her pickpocketing so she can finally claim one of those eggs, since she's tragically 0-2 on that. Feat-wise, there is still the Elemental Adept: Fire feat to bypass enemy resistances to Fire too, lots of enemies will have Fire Resistance after all, so if she doesn't want to use ASI there is still that to use it on. So level-wise there is some wiggle room but class-wise she is better off picking one to focus on.
Our final member of the Hells Laudna has already picked her focused class; on a 12/3 Sorlock with her patron bound to a soul anchor - get fucked Delilah - she has implied to go pure Sorcerer from herein. Marisha has previously stated that she saw no gain in any more Warlock levels even when Delilah was still active and while a 6th level in Warlock would grant her an ASI at Lv.4 and unlocks Grave Touched - change damage to Necrotic plus 1 extra damage die when in Form of Dread, which is pretty solid - it does indeed suit narratively for Laudna to avoid more Warlock levels. The 3 levels she has gained from Warlock though have (war)locked her out of her final Sorcery feature of Umbral Form - which would've made her resistant to everything but Force and Radiant Damage, so like Braius' Primal Champion it's quite the loss - but she still looks to get Shadow Walk which aids her mobility, providing that there's darkness or shadows in the vicinity, as well as one ASI and another Metamagic option by continuing the Sorcerer's path, not to mention a dangerous 9th level spell slot. Unlike Imogen, Laudna opted for Empowered Spell in her current Metamagics alongside Quickened and Twinned, doing Heightened or Transmuted probably wouldn't suit Laudna like it does her partner though. Instead, Careful Spell could be a good choice for Laudna since her CHA is maxed out, so she could pick 5 creatures to auto-succeed a saving throw to a spell she sends, but since she doesn't have many AoE spells Extended Spell may be the better fit to keep up concentration on spells like Animate Objects, Mirror Image, or any future powerful concentration spells she'll have access to like Eyebite, Globe of Invulnerability, Reverse Gravity, or Blade of Disaster - which Delilah used pretty effectively in Aeor - ongoing. Even so, the one ASI remains; the Amulet of Health puts her CON to a fixed 19 so if she added one CON it'd be 16 without attunement, which is still pretty good but worthless if she just keeps using the amulet, she could put +1 in her woeful STR so it's a -2 rather than -3, or opt for feats such as War Caster - for those powerful concentration spells - or another Eldritch Invocation with Eldritch Adept, such as Armor of Shadows or Eldritch Spear, which may be more fitting for her fun scary nature.
And that's all of them, for a TL/DR I expect Ashton, Orym, Dorian and Imogen to do the pure 20 for their classes, while Chetney will go 19/1, Braius and Fearne go 14/6, and Laudna goes 17/3. But if it were me, the only ones I'd adjust from those would be Dorian (19/1, adding Fighter), Imogen (18/2, adding Tempest Cleric), and Braius (14/3/3, adding Rune Knight Fighter) just from a meta/fun perspective. Either way I'll just be happy to see them make Level 20, so fingers and every other digit I have stay crossed for whichever route they choose.
#critical role#bells hells#cr spoilers#cr speculation#c3 spoilers#spoilers up to c3e113#ashton greymoore#fearne calloway#orym of the air ashari#dorian storm#imogen temult#laudna#chetney pock o'pea#braius doomseed#matthew mercer#taliesin jaffe#ashley johnson#liam o'brien#robbie daymond#laura bailey#marisha ray#travis willingham#sam riegel#yes I'm still miffed Ashton got a DEX increase from Dusk Hunger it just feels like they got something an enchanted uncommon item would give#the 3d6 fire damage per short rest and +1 AC doesn't balance vs Orym's +1 attack +1 AC +1 Maneuver DC and +1d6 Force damage on Proned foes#Orym can trip attack 6 times per rest to get prone but Ashton only gets to add fire damage (which resistance drops to 1/2-9 damage) once#the shipper in me definitely looked into shared dips/feats for Ashton and Fearne but Barbarians can't do spells while raging so sadly not#they still have the titan form though - which I do hope improves by level we're still yet to see a titan combo attack#2 levels of tempest cleric for Imogen though is so out of pocket I know but somehow it works pretty well#and 3 levels of Rune Knight Braius would still be pretty awesome he and Imogen were my deep dives into multiclassing
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Normally I'd see tweets like this and move on but Today I have my day off so I'm gonna deep dive into this "carlando has ruined f1" narrative and the particular part of fandom that's behind it. Spoilers alert it's charles fan aka lestappies
This bitch has the audacity to say this about carlando while posting this shit..ok sure ma'am, carlando is the one ruining the sport and not a fictional ship which has made it to top-65 of ao3 tags...sure it's carlando yeah
I mean I could be generous and say "enjoy your ship but don't be annoying" but I am not in a generous mood so I'm gonna spit facts. Carlando although is a ship that people like, it's actually a real friendship between two people who have been teammates with each other, know each other's family very well, went to family weddings together and have celebrated each other's wins without any malice (unlike sour puss). Meanwhile lestappen exists only and only in certain people's imagination and on ao3.
So tell me, dear viewers which one of these two is ACTUALLY the k-popification of f1 and ruining the sport? I think we all know the answer and it's not carlando.
saying "carlando was a mistake" as if that's something fans have "created" and not an actual friendship between two grown ass men (lestappies can dream).
The reality of the hate behind carlando is the fact that Charles fans LOVE to blame carlos and Lando for everything and anything that goes wrong in the sport. They hate those two drivers and go to stupid lengths to justify that hate. Bitch grow some balls and own it!
They have this delusion that "everyone loves charles cause he earned it" and I'm gonna tell you a very harsh but true fact and it's that most of you like Charles cause he's a decent looking white man who drives for a prestigious f1 team. If he wasn't in ferrari his fanbase would be half of what it is now or maybe even less. Although it's not a crime to like someone for their appearance but trying to say that it's not what it actually is, that's the problem. So please go ahead and write lestappen fics on ao3 and leave Carlos and Lando out of your delusion.
I would also like to address something here that's been bugging me for a while. These people in their attempts to make carlando the big bad evil of f1 take the conversation away from the real evil of f1 that's fia and liberty media. Fia being inconsistent in their penalties and trying to control very personal aspects of drivers like what they wear and what they speak, is doing more damage to f1 than two men being nice to each other. The rich countries throwing money at fia to get a grand prix without caring about the fact how dangerous it could get for drivers like Qatar was. And fia continuously allowing more and more GPs to be held in US even after the absolute cluster fuck that miami and las vegas was last year. The increasing number of street circuits even after knowing how unsafe they are IS THE REAL EVIL not carlando you fucking dufus.
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Agatha all along deep dive: episode 1 part 2
(Wandavision entries: [1][2][3])
(AAA entries: ep1 [1][2][3])
Okay, let's keep going through Agatha All Along epsode 1, in which detective Agnes sees Nicky's lock of hair inside her brooch and is stunned into silence for a long ten seconds
she's feeling agonizing heartbreak and cannot even tell why
you know what, she technically is home. she's in her living room as we speak. but every line has multiple readings, so go home... where? to her old self? to her witchy roots? to her coven? to Rio? to Nicky, in the afterlife?
I wonder is all the water puddles are deliberate. do they symbolize mirrors, is she gone through the looking glass? or is water = rio?
the way she has to steel herself before getting into Nicky's room
THE MOON PHASES OVER THE BED. as if she wishes there was a coven looking over him, protecting him
I saw some reactors laughing their asses off at this scene, still hung up on the parody of it all, going "did they make the rabbit into a dead kid backstory? that's HILARIOUS." Sure. So funny.
(they keep associating Nicky with rabbits tho, in the previous scene with Rio there's a blink-and-you-miss-it moment when a plant in the background suddenly turns into Nicky's picture. was señor scratchy named after him?)
why can't they properly light their scenes goddamnit I shouldn't have to use 6 layers to see her face
oh look it's Aubrey Plaza and pizza, two of the sexiest concepts humanity has ever come up with
first of all: open vest and white shirt? that's hot. second of all, the way she's sitting so confidently with her whole chest out, so open, taking deep breaths. she just wants to drink her all up, all of her, her beauty, her sorrow, her goofiness. she's SO damn in love.
what a goober. what a delight. plaid shirt and no makeup, drinking beer and snorting when she laughs, a bit awkward and bashful. what a stud. I would die for her. I would wife her so quickly. I'm gonna say this whit my whole chest, the more femme presenting Agatha is, the more she's wearing a shield and playing a part. this is Agatha raw and defenseless and true, and I want to protect her like she's a precious kitten. (me and Rio both, tbh)
case in point: Agatha is manspreading like some idiot lumberjack, and Rio looks like she has never seen anyone hotter
Agatha: "I have a lead in the case". Rio, with goddamn bedroom eyes: "that's not why I came over."
But then when Agatha looks overwhelmed she immediately course-corrects and encourages her to talk about the case. Love me a boundary-respecting king. Real talk, she's been respecting those boundaries for a long time. And even if she's quite angry at Agatha, she won't unleash all that on her when she's so defenseless.
She pushes a little, and the moment it's too much for Agatha she steps back and regroups. She's being SO gentle.
That's fascinating that her subconscious knows what happened to Billy. Exactly how connected they are?
Whoops, we're leaning in again.
She says yes so openly. When the real Agatha has been running away from Rio and this confrontation for centuries! The real Agatha is SCREAMING in terror, but he body won't listen because it's fallen back into that feeling of domesticity and trust. This is the same body that will always yearn to kiss Rio. The mind that categorically forbids it is shut away for the time being.
Why is Rio trying to wake Agatha up? She could let her stay like this. She could easily make Agnes O'Connor fall in love. The two main reasons why she doesn't are: because she's so fucking angry with her, and she wants them to finally have a mature conversation about Nicky and she needs Agatha to understand that she's hurting too. The second reason is - because she loves her too much. It's honestly just that. She cannot let Agatha live like this, tortured, imprisoned, without agency. She want to have a mature conversation with the real Agatha, she wants to get angry with the real Agatha, most of all she wants Agatha to be okay. Do you see the difference? She's not just in love with her, because being in love is a selfish act, but to love someone is fundamentally selfless. And she will keep loving Agatha no matter if they are together or not. She loves her enough to bend the rules of the universe for her. She just... she loves her.
and this, letting Agatha exist in this form, is a punishment too cruel for Rio to allow
The half smile, the bitterness behind it. An Agatha who doesn't hate her is just a beautiful fantasy, but Rio knows better.
it's Billy! and another mirror! yep, that's a theme.
Ha, the real Sharon was calling him a hooligan. RIP sharon, gone too soon
so intense!!?! even when she's not doing it on purpose, her characters are cheesy and cliched. and it takes a lot of talent to write a bad show too, so kudos to jac schaeffer & co
go to part 3
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Arrey beti pushpa kaha Jaa Rahi ho apne gadhe par baith kar
#doctor who#nuwho#tenth doctor#the end of time part two#bhool bhulaiya#deep dive i know but some of you are with me
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Oh, Lala...
#atla#avatar the last airbender#atla fanart#atla art#atla azula#princess azula#atla ursa#suki#atla suki#kyoshi warriors au#kyoshi warriors#Kyoshi Warrior Ursa AU#wip#I felt like sharing a little snippet of a two-page comic I've been working on for AGES#Literally you have no idea for how long this has been sitting on my drafts#Mainly because I keep getting sidetracked by new AUs and sketches and projects. But that's nothing new so#This one is a deep-ish dive into the basic character dynamics between the Fire Siblings as well as Ursa and Suki#Or should I say#Between the siblings Ruolan and Jian Li regarding their mother Noriko and each other.#I know the names can get rather confusing. I'd love to explain the reasoning behind them if anyone would like to know tho#Moving on#There's a lot to unpack in that scene#The characters are different from how we know them due to their circumstances in this AU. But they have things in common with the og series#Of course that remains for you to see#I'm so excited to finish this and share it with you guys!#Some of you have been asking about Azula/Ruolan and Ursa/Noriko in this AU and I am here to deliver#I love the dynamic between this little family SO much it's driving me insane#That being said#What do you get from this panel alone? What do you think it's happening?#I'd love to hear your thoughts on this
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thinking about brookyln’s hair colors.
#I FEEL LIKE THEY HAVE SOME SORT OF MEANING IF THAT MAKES SENSE??#guys am i cooking?#jurassic world chaos theory#jurassic world: camp cretaceous#jwcc#camp cretaceous#jwct#brooklynn jwcc#jwcc brooklynn#jwct brooklynn#brookyln jwct#LET ME KNOW IF YOU WANT A FULL ANALYSIS#im ready to dive DEEP#the hair dying could also have zero meaning#maybe i am overthinking#loudtrainsounds
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telling myself i can't start another tdwt rewrite but dear god do i want to write one focusing on alejandro and courtney in this weird situationship thats a lot more nuanced than just alejandro manipulating courtney and her falling for it. like theyre best friends they dont trust each other theyre the same person they dont know anything about the other one theres a mutual attraction theyre pining for other people theyre codependent they dont care about each other theyre platonic soulmates like i just want to do a deep dive into how messy that relationship couldve been building off of their friendship that exists in my head except the line between romantic and platonic is so fucking blurred they have no idea what they are to the other person
#they live rent free in my head as you can tell#ive been writing some intense moments for them in amicus curiae and im having a lot of Feelings about platonic alecourtney#tbh the whole concept of them replacing the best friends has been a great avenue for me to do a deep dive into their friendship#aughhhh i just. love them so much#and i do want to explore them in a situation where there is relationship potential even if that relationship never actually happens#because everything between them during tdwt could be so MESSY!!#like alejandro says he's just manipulating courtney but he's also doing it to make heather jealous but he's also genuinely worried about he#after the duncan thing but this is the only way he knows how to express that concern without making himself look weak#meanwhile courtney is falling for the act but she also knows its an act and is going with it for the emotional support it provides and shes#just doing it to make duncan/gwen jealous but she also is starting to see the real alejandro underneath it all because he does care even#though he doesn't want to and they do feel a strong connection that they dont know whether its platonic or romantic because romance is bein#shoved down their throats on this show and theyre both in complicated romantic dynamics with other people that theyre the easier option for#one another but they dont really want to be with one another like it just doesnt feel right#okay okay i legit have to stop and go to bed but just. them. im thinking so hard about them#platonic alecourtney
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*falls to my knees* valentino read agassi's book omg
#my guy!!! he read my guy's autobiography!#if I had to pick two aliens who I thought might have read the book... yeah I probably would've gone jorge + valentino makes sense#wonder if pecco's read it#explaining to valentino how in some respects casey was the agassi to his sampras#like yeah valentino you know who WASN'T always having fun?? you know who DID hate the sport? hear me out#“I don't understand that thing about hate” noticing!! noticing!!! he never outright says this about casey but to ME it's confirmation#//#brr brr#clown tag#(though if i had to assign them each a tennis playstyle obviously valentino is more of an agassi to casey's sampras)#yeah ofc vale would vibe with agassi. i want to do the deep dive with him now... like how did he feel about the sampras parrot story#does he know the indian wells exo lore. what are his thoughts on the 'summer of revenge' as a narrative framing device
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gurathin, thiago, indah...starting to get the sense that if murderbot didn't have any specific person playing the role of "someone i deep down respect who i'm convinced hates me" at any given time, presaux would have to assign someone, for enrichment purposes
#murderbot#the murderbot diaries#mb needs an anti-support human. like instead of a service dog it has a human that frowns at it sometimes#and it interprets these frowns as 'oh i guess this human just HATES ME. i guess we're ENEMIES. but WHATEVER I'M FINE WITH IT'#even though that's just what this human's face does when they're thinking really hard or something#like i'm rereading network effect and every time mb is cranky about thiago not liking it i'm like. babe you are reading way into it#he's skeptical. you love skepticism! he does not hate you he's just being cautious#in some ways quite similar to you really#'thiago doesn't trust me. how DARE HE' babe we have been here before#that's exactly what you said about gurathin!#i mean is he an asshole? yes. but so are you and so is your best mutual administrative assistant. you love assholery#i just think it's funny that 1) mb trusts no one until it knows them really well and 2) mb is SO OFFENDED when people who don't know it#super well don't trust it fully and implicitly right off the bat#my posts#f#well it's christmas and i don't have anywhere to be today because my family stuff is on monday this year. so i am very bored#you know what that means. deep dive into the drafts#also probably trying to find an ask meme to reblog#this draft is from july i think
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In which I describe the maths of how to attack and dethrone God (per Minamimoto)
So in my evergrowing post thread (which I know I'm already gonna have to add to that essay fml) I did make ref to...well, a thing that literally has made my jaw drop since when I played TWEWY the first time (and keeping in mind this was a game friends forcefully insisted I play because "there's a char Sho Minamimoto who's just like you fr", and after I'd nodded "yup" re the SI unit obsessions and the compsci refs to Heaps and Crunching (and later, as I found out, "crashing" in JP), and the aesthetic, and, and...)
Namely: Sho Minamimoto literally uses (or tries to use) a very famous maths formula called Euler's Identity to take out the Composer as an example of Forcefully Applied Mathematics. :D (This may have also been the moment when I was like "Yup, he just like me FR")
So. First off. Euler's Identity.
It's kind of difficult to explain why this particular equation is considered one of the true Chef's Kisses of Mathematics to non-mathematicians, but part of it is elegance, and part of it is that it includes five of the foundational variables that show up in mathematics all the time (and really even more functions if you break it apart): a) the natural logarithm e or Euler's number which is roughly 2.71828182845... and which is zetta important in a lot of fields including finance, biology, medicine, and calculus functions, and (as we'll get into) antennas and field strength measurements and pretty much a Shitload of functions related to growth b) the imaginary unit i or the square root of -1 (which turns out to be extremely useful in a lot of contexts, including electronics (seriously; AC electricity and functions relating to that are *heavily* dependent on the imaginary unit) and graphing and arguably how Cartesian graphs work especially once you get into calculus c) Pi (π), everyone's favourite circle ratio of 3.141592653589793238462643393279 (is pulled away from keyboard before I can draw a Taboo Noise Refinery Sigil in Paint) and which is Important in many, many contexts d) 1 (yes, 1 is considered a constant! Specifically "A quantity exists") , and
e) 0 (yes, 0 is considered a constant too, specifically "a quantity does not exist", and reducing Euler's Identity results in e^(i*pi)+1=0) To make it even more Minamimoto-esque, you can technically also express Euler's Identity as a reduction of "e^(i*x) = cos(pi) + (i * (sin(pi)) (aka Euler's Formula), and cos(pi) =-1 and sin(pi)=0.
And really it's kind of a beautiful way of how things all fit together in a lovely function that is almost a kiss from the Math Gods and if plotted traces a lovely circle.
So after that little tangent, here's how this all relates to W2D7 of TWEWY, and Minamimoto's forcefully applied mathematics. * * * So, first we end up at Pork City (Mark City if you're watching the anime; Tokyu Group liked the TWEWY tourism and by the time the anime and NEO came around decided to take advantage of the advertising), and...Joshua and Neku start having a very interesting conversation on why there's So Much Damn Noise at Pork City anyways:
Neku asks if this is the work of Pi-Face, Joshua notes "Probably" and then goes on to note that it might not all be JUST Minamimoto:
In other words: Pork City is effectively acting as an amplifier or at least an antenna for Noise. (I am not the only one to have noticed it and not even the only one on Tunglr, for that matter; Voice From The Corner also picked up on this as well though I'll freely admit I'm diving a bit more into the STEM portions of this.) TWEWY:tA is even more blatant about this imagery in ep 6, where Joshua explicitly notes that all the emotion in Shibuya collects at Mark City (remember, the animation uses the RL name) and then "crashes into Mark City and shoots up into the sky. That emotion flows back down and keeps building up here." (Shortly afterwards, Joshua also mentions the Imaginary Noise Plane as the inside of Mark City warps, similarly to a sine wave flow--or the flow of energy into, or out of, an antenna. (You do not know how loudly I screamed seeing this, as an aside) So, this is where we get into piece one, e (and where a healthy interest in radio and electronics hobbies helps!)
So antennas, interestingly, have how well they pick up a frequency measured in a logarithmic scale, and basic field strength measurements (and a lot of other "wavey" things, including earthquakes, including, well, literal background noise) get measured on logarithmic scales too. It's rather more common with antennas and earthquakes for this to be measured on log-10 scales (hence the Richter scale for quakes, or decibels for antennas and sound). There's a particular group of measurements (physical field and power measurements), however, that actually uses log-e, aka the natural logarithm, and especially for voltage or current and "root power quantities"--the neper. And, in Euler's Identity, e is taken to powers...and Pork City is basically acting as a huge antenna. Also in info engineering aspects, there's another aspect--the nat, which is considered a unit of information or info entropy...also based on e. (I told you Euler's number comes up a lot of places!)
Let's continue... So now we come to i, the imaginary unit, and that's called out blatantly by Joshua:
This, too, is based on math--from Final Fantasy II, specifically, and how the Flare spell worked. Flare is an area-effect spell and it hit based on (Enemy's HP/Flare level), i.e. enemies that had HP divisible by 2 could be hit by a Flare level 2 spell and could deliver damage based on that spell's level, etc. So a level i Flare, based on how complex numbers work, could hit just about anything (assuming, of course, that the Composer is not a Fractal Bastard and promptly yeets himself into a PokeYugiBeyBladeVerse). But...that's not the ONLY part where things imaginary come into play. So, one of the interesting bits of lore that came out in (of all things) the NEO:TWEWY Field Walk RPG (alas, JP only, but a delightful source of lore, and thankfully the fan community preserved almost all of it) is actual canon on how Tin Pins and Psychs work including the actual formula on how they work in a convo between Minamimoto and Fret:
Fret: Soooo, these psychs and pins and stuff… how does it all work? Minamimoto: The pin is charged by the Imagination of the user. Fret: Uh huuuh. Minamimoto: The pin itself is just a medium. Fret: Mm-hmm. Minamimoto: “Power” is calculated from the numerical limit of the pin, using your will as a coefficient. Fret: Yeah. Minamimoto: But that formula alone means nothing to me!
(Emphasis mine: props to Pavaal on the Dead Bird App for initial translation, and to multiple others for confirmation from the FWRPG script.) So basically how Psychs work is functionally as an athame, using formula Psych=Limit^Imaginatio. (Secret Report 1 in TWEWY also confirms Imagination is important in making a Psych work to begin with; the formula) Of note, Minamimoto also has a canonically high Imagination, as detailed in the Secret Reports. To even become a Reaper to begin with (as noted in SR7) those who survive the week who have enough Imagination become Reapers, and even among Reapers Minamimoto tends to stand out (he is canonically the youngest Reaper Officer ever, and apparently had quite the rapid rise to power). SR15 in TWEWY notes (even keeping in mind that in this instance Hanekoma is being a bit of an Unreliable Narrator in covering his own butt regarding the Taboo Thing):
The sigil Minamimoto drew was one of the undecodable types. Was that a mistake on the Fallen Angel's part? Or was it a transcription error by Minamimoto? Either way, with that design, he stands little chance of reviving himself. However, Minamimoto is driven, and his Imagination strong. Perhaps strong enough to make a Taboo sigil work, even in the Underground... If so, the specific result would be impossible to predict.
And in SR19 (again, covering up just a bit for his own helping hand):
I've detected an energy spike here. It would seem Minamimoto has returned. I judged his revival unlikely after spotting his Taboo refinery sigil on the first day, but it appears Minamimoto's Imagination is much stronger than I'd anticipated. The Fallen Angel must have completed the array for him. A troubling thought. Who can say what impact this will have on the Composer and Conductor's Game?
And even in the NEO Secret Reports it's noted his second trip through Coco's version of the Sigil actually ramped up his Imagination even more (in NEO SR 7):
Minamimoto, on the other hand has all but vanished from the proxy’s side. His Noise refinery sigil drastically heightens his Imagination, which may be why he can clearly recognize the proxy’s abilities. I have an idea of what he’s planning. It’s dangerous, but I have no way of stopping him.
And again, TWEWY:tA also makes it more blunt that Minamimoto was selected explicitly because of his Imagination and his connections to Shibuya as Hanekoma's Plan B. So there's imaginary units (in the sense of literal level i flare), and imaginary units (in a Reaper whose Imagination is already in the stratosphere). And in regards to pi? Well, Pi-Face, he has very much a rep of being....numbers- and math-obsessed even BEFORE he throws 156 digits of pi in the Composer's face:
But pi (as a number) is actually meaningful as HELL to Minamimoto, he engages in saying pi to himself drawing the Taboo Noise Refinery Sigil (goroawase in Japanese which relates to literally an obstetrician going to a foreign country and a woman giving birth at night as insects make a lot of noise which can almost be seen as a minor ritual to Make It Work, a little happy pi rhythmic thing in English in the game, actual spoopy sounding pimetry in the anime that sounds very sorcery-y). Looking (for far too long) at the Taboo Noise Refinery Sigil, pi is encoded in it in at least four or five places (multiple times as functionally a magic binding circle, at least once where he draws the symbol for pi in such a way that when it's turned upside down it literally spells "pi"). It's important. It's meaningful. It's His Number and transcedential and irrational and beautiful and unrestrained :D So now y'all are wondering, "OK, smartass, where's the -1 at?" As I noted, another way you can write Euler's Identity is specifically as "e^(i*pi)+1=0", so that can be expressed as a way to null the Composer (who is probably the 1 in question). Euler's Identity would be used to subtract 1 from the equation, in other words (as Minamimoto was intending to come back from Erasure by literally integrating himself via Taboo Noise Refinery Sigil). There's one other interesting bit of symbolism, one that's deep enough that I'm not even sure the writers of TWEWY intended, but if so...it's such a chef's kiss that I have deepest admiration.
So Euler's Identity can be expressed in terms of a formula, and as a reduction of sine and cosines involving pi and i, but it can also be mapped as motion--specifically as how a function evolves. (I tend to be a pretty visual thinker, and there's an extremely good discussion on Euler's Identity here that goes into the whole "mapping the function" aspect to show how Euler's Identity works in practice.)
So typically when you're doing a non-negative function or a zero function, generally there's an assumption of "right-hand" rotation or movement. Complex functions, you get into fun things like circles, and curves, and even some very beautiful fractals (like with the Mandelbrot set) with the right iterative formulas. Euler's Identity...is literally a left-hand-path function:
(And those of you who were writing about the Cyclic Nature of Minamimoto are probably all screaming right now) Anyways, wanted to share in full one of the things that was a jawdropper for me in TWEWY back when I found the game at a glorified skateshop that sold games in 2011. Thank you for coming to my TED talk, zeptograms :3
#sho minamimoto#twewy#ntwewy#the world ends with you#neo: the world ends with you#neo twewy#twewy sho#minamimoto sho#mathematics#“a maths lesson? In my TWEWYtumblr? It's more common than you think”#anyone who knows me knows at some point I am going to deep dive into Mathematical Metaphors of Minamimoto lol#anyways enjoy the moment and try not to kill me for putting maths on your tumblr#character analysis
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I saw you had a post where you thought abt Dathomirian culture and I was wondering if you had any thoughts on how specifically Dathomirian queer culture manifests. I'd like to come up with things myself but I don't actually know a lot in general abt Dathomir yet, so I want other opinions. I've got two ideas tho
-Dathomirian queer ppl call each other "family" like some queer ppl did in our world
-Trans men might like earn their horns thru hunting and using animal bones and stuff as their horns? Idk like I said I don't know much
Good question! I haven't actually thought that much about queer culture in Dathomir despite having a gay nightbrother oc,,
I think the calling each other family thing probably wouldn't work very well since they already treat their clan as family and call each other brother and sister even without blood relation, but I love the idea of trans nightbrothers earning their horns! Dathomirians as a whole seem to be pretty open to body modifications, with tattoos being so natural in their culture, so hunting animals to use their bones or teeth or something to produce "prosthetic" horns sounds very fitting. It could be a whole thing for both trans and cis nightbrothers, using the extra horns as a way to show off their strength. plus it opens up the possibility of nightbrothers implanting horns in whimsical shapes such as smiley faces, stars or penises
I think as a people composed of multiple isolated communities, there's probably not a uniform queer culture across the planet. But also as people who tend to live in single-sex communities they are likely far more queer on average than what we see in the rest of the galaxy, like how cowboys were famously queer. They supposedly spend most of their lives around the same gender, so it wouldn't be unusual for that to be the gender they express attraction to more often. Though, much like how cowboys have been "reinterpreted" as a symbol of straight white masculinity, there's probably also a popular misconstruction of their culture as extremely straight, and/or extremely celibate. The "Nightsisters rule over Nightbrothers" reading of their culture is very obviously meant to show them as a reverse-sexist society, making the nightsisters a sort of "girl power" icon — they are strong independent women who can pick any man they want (implying that they do want men), which is like saying cowboys are strong fearless men who woo every damsel that crosses their path. which. sure, cowboys did have sex with women. sure, nightsisters do have sex with men. but more often than not they will be around other nightsisters, so they will more often than not have relationships with women (even if they're not really gay).
but I am not usamerican and my brain has the consistency of molten ice cream, so my knowledge of american cowboy culture is. basically just that. (the brazilian cowboy culture is quite different, especially considering there's like three distinct cowboy "sub"cultures, each with their different history, territory, and associations) So that's as far as I can take the cowboy comparison, but cowboys can be a pretty good source of inspiration I think. maybe look into that?
A quick look into medieval monasteries (another famously gender-segregated culture) says they were also pretty gay. And that the sexual persecution that is so commonplace in christianity today was not really a thing yet back then, which is also something to consider when trying to conceive the queer culture of a people who have nothing to do with our modern (overwhelmingly christian) society — do they have a reason to reject queer people and relationships, or are we just projecting our own worldviews and experiences onto a people who have none of the sociohistorical context that shaped our experiences?
I think homosexual/romantic and even polyamorous relationships would be pretty normalized, since there's not really any reason to only accept hetero relationships if they rarely ever live in mixed-sex communities. That said, there's probably still some expectation of heterosexual activity, in the form of the Selection and its implied procreation purposes. Dathomir is a very isolationist world, so to keep their population stable they need to procreate, even if it "goes against" an individual's sexuality. And this is where I think polyamorous relationships have reason to be encouraged: if a nightsister or nightbrother who already has a partner takes part in a Selection, why not bring their partner(s) into the relationship as well and increase the likelihood of producing offsprings?
As for the gender side of queerness.... well that's probably A Lot more complicated than I have time to discuss here. The gender binary seems pretty enforced in their culture from what little we see, and their sexual dimorphism probably makes trans and/or intersex people stand out A Lot more
I've mentioned this before, but I headcanon that the skin color difference is not a sex-chromosome-bound characteristic, but instead a sex-hormone-related expression of pigmentation, like in some birds such as peacocks. Both males and females are shown to have a range of skin tones, but in females it manifests as grayscale while in males it manifests as a color scale from red to yellow. So intersex people might have colors that are in-between, or that don't "match" their apparent sex, and trans people who undergo their equivalent of hrt might slowly change skin colors over time.
As for how nonbinary people work.... well as someone who is from a latin american country and speaks a romance language, I would like to imagine their "nonbinary" is a lot like ours — there is no "neutral" gender, they simply play with their presentation to be between one and the other, leaning towards whichever one might be considered more "transgressive" at the moment.
I don't think trans people would be forced out of their clans for being a different gender than everyone else, but it's possible their role in the clan might change to something more "befitting" of their new gender I also think there's probably a lot more contact between different clans than just the Selection, so it's possible for people who decide to start over as a new gender to take one of these moments of contact as an opportunity to "visit" another clan and never come back.
..... aaand it's almost 2 am so I gotta hit post
#hm i should make an ask tag#hm i should make an original post tag#long post#star wars#dathomir#worldbuilding headcanons#this has mostly been one night's worth of thoughts so it's not everything that can be said or thought on the matter of course#and this is all speculation based on what me heart says would be nice‚ not actually based on any evidence or anything#since i do Not dive deep enough in canon to see everything ever shown or written about dathomir (and i rarely ever look at legends stuff)#but i do think for something like the culture of a different planet it's better to look more to the past than the last century#and look into real cultures that are comparable to the society you're making headcanons about#so looking to modern queer culture (which is highly globalized and has centuries of context shaping it) for inspiration isn't ideal here#i know doing homework on cowboys or medieval monks and their sexualities is. Boring. and a lot of work just to make some personal headcanon#but if you *really* want to get into it. you gotta do homework.
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“EB: all i know is, i was ordered by karkat to marry rose.”
I have a lot of thoughts I’m too tired to compile properly, but what I’m getting at here is that whenever people insist John had a genuine crush on Rose don’t actually care about looking further into John’s character and his tendency to follow people’s orders to a T.
#hs reread#I’m not saying this out of bias or anything but like#this reread making me a little ??? about how people were so insistent rose and egbert were supposed to be together#actually a little is underestimate I mean a lot#you know that thing people do with dave where they for some reason make his thing for jade artificial?#and seen as an obligation? that’s john actually that belongs to john 100%#but a lot of people don’t wanna do a deep dive into that for some reason?? bc he said he was straight at 13 I guess
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