#dee curl fairy
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brownbunniesblog · 1 month ago
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jojo-schmo · 4 months ago
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I’m looking into making my own Kirbysona. I was wondering if you have any tips??
you don’t have to answer! Also I love your art and your AU is awesome :)
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Hello! Thank you so much for the kind words! <3 I'd be happy to share some of my thought process behind creating my bubble-blowing baby, Ripple Fairy Kirbysona! I will always cheer on the existence of more Kirbysonas! :D
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I had a Kirbysona in childhood that was just a little puffball, like Kirby- and she looked like this :D I loved the Star Rod, the Beam Kirby hat was my favorite, I just finished playing Kirby 64 so I added some Crystal Shards to the hat, and I slapped on my favorite colors. Bam! I'd draw her in the margins of my notebooks, interacting with other Kirby characters in little stories I'd write... Great fun!
But now as an adult posting my work online, I wanted something that felt more like "me," as opposed to an OC that felt like someone else. A direct extension of myself to interact with the characters I love, as well as characters and sonas of other creators in our Kirby corner over here! Like a gaming avatar! But in a series with so many different species and characters, where to start?!
Step 1: THERE ARE NO RULES. BE CRINGE AND BE FREE!!
The important thing is to have fun! You can choose to confine yourself to the rules of the Kirby universe, or just make something up! The important part is that a sona represents you!
These are the thoughts that went through my head, but it's not the only way to make a sona! If you follow what your heart is saying and not what you think others want to see, you'll find a design that feels like you!
Step 2: Ask some basic questions to establish a design direction.
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These are the questions I asked myself during the creation process, but your questions can be different! This is just how I set up my rough plan of creation.
Sonas don't need to look like you or be named after you irl if you don't want! But in order to feel like "me," I decided on something that shared a lot of my actual physical traits. For me personally, if the sona didn't look a lot like me, I would always have a disconnect with it. I also settled on the name "Jojo" quickly because that's my actual nickname, part of my username, and I respond quickly to it.
From there, answering the other design questions I had came quickly after that!
Step 3: Settle on a species.
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I went with a Ripple Star Fairy in the end because 1) They're adorable and I love their cute wings, hair ribbons/accessories, 2) They're shown as adults, which is perfect because I am one lol, 3) Look human enough for me to relate to while still having a lot of freedom to make up powers, lore, and design traits, and 4) Ripple Fairies deserve some love hahaha
Side note: if you can't decide on a species, throw the rules out the window! Be a shapeshifter. Or have multiple forms for no reason. Be a combination penguin/puffball knight/human/waddle dee born from the cosmos!! Refer to step 1, there are no rules! Hit your sona with a Waddle Dee beam whenever you want!!
Step 4: Design yourself, superstar!!
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I brainstormed with a page of sketches and tried a bunch of different variations of a Ripple Fairy with different hairstyles and outfits, (I need to find that sketch page) but I eventually settled on these concepts!
I wear braids almost every day, so I added that. Ripple Fairies in canon all have cute hair accessories, so I made sure to tie off the braid with a little ribbon!
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Also my hair in real life does this "devil horn thing" that is one of my favorite things about myself. Like I have these baby hairs on the sides of my head that love to curl upwards on their own, so I kept the "devil horn" silhouette with the braid's bangs :D
ALSO, I LOVE BOW TIES. SO MUCH. I love shirts, dresses, anything with a bow on the collar. So I added that.
I have this black coat with a sailor-like collar IRL that I love. I feel SUPER DUPER AWESOME when I wear it, so I added the collar with the bow tie.
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I added buttons, a stripe along the bottom of the dress and sleeves, and gauntlets because a lot of canon Ripple Fairies have them. My college marching band uniform also had big gauntlets that I felt really cool wearing, so I shaped mine like that! And clothes with scalloped hems are my favorites, so I added one as a unique twist to my dress!
Now for the fun magic stuff. I wanted my powers to be connected to bubbles because I just think bubbles are neat!!! Simple as that haha.
So how am I going to blow bubbles, then? I'll need a bubble wand! How about a weapon that can change forms to be pocket-sized and functional, AND a super cool staff? Because I think staffs are SICK. I'd carry one around all the time if I could.
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I got a little sentimental with my design too, borrowing some elements from my childhood Kirbysona like the Star Rod, stripes, ribbons, and diamond shapes. It's one of my favorite details because I like paying homage to the baby Jojo I once was as often as I can.
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I added a little bit of red to the IRL brown color that my hair and eyes are (added more red to my eyes because I always felt like my brown eyes were boring lol). I finished off the theme with my favorite color blue, a little bit of yellow to complement, and BAM! There I am, Gary! There I am!!
Jojo The Schmo was born! She is me, and I am her, haha. Everything about the design has aspects that mean something special to me. I wanted to keep things unique and fun, but simple enough to draw over and over, while still representing me. And that's why I love my sona so so much!!
Hope this could provide some helpful insight! Go forth and create your unique and wonderful sonas!! When you're done we should all have a picnic together in Dreamland. <3
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languajix · 8 months ago
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My original plan for Hold Every Memory was not quite as fluffy; the kids couldn't follow Don into the astral plane, and had to take the whole 'extradimensional uncles their turtle dad talks to in his head' thing on faith.
Here's a scene I'd written and discarded a long time ago which would have been the opening scene to the original story about the kids and their antics, if I'd kept going that route. Note that they call Don 'Tad' here, which is a portmanteau of 'turtle' and 'dad', and Don's been consistently calling them by El/Dee/Lee/Angelo so that's how they think of themselves. Anyways:
A beam of bright light flared to life in the pitch-black room. It wavered for a moment before moving to illuminate a small face from beneath, looking appropriately grotesque cast by such gnarled shadows. "I must tell you the dark secrets I've learned, brothers."
El and Angelo shivered together. Lee, curled up next to them with his head in his palm, looked downright bored.
The flashlight beam turned to illuminate a chart up on the wall. It was covered in arrows and hastily scribbled lists. Dates. Question marks.
"It all began the night of February twenty-second, when dear Ellie woke up from a deep sleep to witness a figure leaning over his bed! Frozen with fear, he could do naught but watch as the figure slipped something from underneath his pillow, returning only a second later to instead deposit something in its place.
"When he woke in the morning, he discovered that his tooth had indeed been exchanged for a quarter, as the legends had foretold. But! When he came into my room that next morning, his story was not one of 'Tinkerbell' or 'Fairy Godmother'. Say it once for the group, Ellie: Who did you see that night?"
The flashlight swung around until it was shoved up under El's chin like a microphone, shining directly into his eyes. El blinked rapidly. "Uh... it was Tad."
"Tad! Scoff! Last I checked, Tad did not have fairy wings. Tad did not fly with fairy dust."
"I could- I could draw him with wings. I could make a Tad-fairy," Angie murmured, drumming his little fingers on El's arm.
"Ellie was convinced that the so-called 'tooth fairy' must take on the form of one's most beloved authority figures, possibly as a way to slip in and out of houses undetected. I, however, was not so convinced! For nearly a year since, I've been observing and recording every instance wherein a beloved children's fantasy figure purportedly arrives in the sewers to give good little turtles 'gifts' or otherwise provide an enriching experience. After collecting the data, I have come to one conclusion:
"There is no 'tooth fairy!'" Everyone gasped, except Lee who sighed and rolled his eyes. "In fact, there is no 'Easter bunny,' no 'Santa Claus,' and no 'Uncles'. All of them are fictitious figures, meant to pacify and misdirect us!"
Dee began pointing around the room at each of his brothers in turn.
"Those skateboards from Santa? Bought by Papa on an excursion he claimed was for 'fur care products'! That paint set from Uncle Mike? Father purchased it on his way to or from his weekly errands on November Sixteenth. The stickers you have on your helmet that came in those easter eggs? Both Father and Papa spent over two hours silently placing plastic eggs around the Lair when they believed us all to be asleep, the night of our big Lou Jitsu marathon extravaganza!
I have collected a list of other figures I highly suspect to be fictional, although confirming it may prove more difficult. The Queen of England, Gritty, and Lady Gaga currently top said list."
Dee flicked the flashlight off and the overhead light back on, casting stars across everyone's vision.
"You may applaud now."
El clapped twice. Angie sniffled, looking like his entire world had just burned down around his ears.
Lee waved a hand. "Good job or whatever. Very smart. Much science."
Dee rolled his eyes, placing the flashlight down on the bed next to him and folding his arms in front of his chest. "You're just salty that I cracked the case."
"Ha! As if. If you had asked me half a year ago, I could have told you all of this stuff, and in like two sentences, too."
"You can't possibly be suggesting that you knew all of this before I did."
"Uh, yeah? I just asked."
Dee stared off into space for a moment. "...you just asked."
"Yep! And Tad was like, 'you're right, but they're a standard part of the American child experience, blah blah blah we were gonna tell you guys when you were all ready...'"
"I can't believe I spent literal days graphing everyone's schedules down to the minute, placing secret cameras, hacking our bank details, building tracking devices-"
El bristled. "What? Dee!"
"...but the Uncles are real. Supposedly." Lee shrugged and looked away.
...
Dee frowned. "Leon, the only person who ever 'sees' them is Father, who claims that they visit inside his head from some other dimension! Occam's razor states that the explanation requiring the fewest assumptions is usually the correct one - wouldn't a simple 'it's all in his imagination' be applicable here?"
"I'm not saying I think they're real. I'm saying that Tad said to me that they're real."
"Tad's not imagining them," El interrupted firmly. "If Tad says they're real, then I believe him."
"Me too!" Angie chimed in.
"But you believe me about the tooth fairy and the easter bunny?"
El patted him on the head. "Yes, Dee. You did a great job! I liked the flashlight."
Dee humphed. "Thank you. I'm glad someone appreciated the artistry involved in presenting research data in an engaging and interactive fashion."
"...but we are gonna have a talk about the trackers. And the hacking."
"I'm sorry, you seem to be cutting out. Please attempt to reconnect this call at another time."
El dumped Angie gently out of his arms and onto the bed so he could give Dee a noogie. He squawked.
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fishsticksloser · 2 years ago
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𝓓𝓸𝓷𝓷𝓲𝓮 💜
ᶠˡᵘᶠᶠ
Song of the Night🦑
Because You Loved Me🦑
Smart S/O | Pt2🦑
Give you the Best Years🐙
Reader Loves 'Evil' Dee🦑
Crush | Pt2🦑
Fun Fact Fanatics🦑
Big Foreheads🦑
Caffeine Crash🐙
Inexperienced!Reader🦑
Not the Sharpest Tool in the Shed🦑
OCD!Reader🦑
Big D🦑
BPD🦑
Project: Comfort🦑
Curled Sleeper🦑
Head Massage🦑
Passing Out🦑
✄┈┈┈┈┈
ᵃⁿᵍˢᵗ
Purple Vengeance🐙
Definitions🦑
Fairy Tale Dream🦑
Maybe I Was Boring🦑
Reconcile | Pt2🦈
Magical Intervention🦑
Ovurusutimī🦑
✄┈┈┈┈┈
ϚհҽӀӀժօղ
Digital Hearts
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aplushemporium · 3 years ago
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//Since I didn’t get many asks on a lot of memes, and I got lots of incorrect quotes, HERE’S A FEW INCORRECT QUOTES because I say so. (feel free to send in pencils for more :D)
mixed blogs and muses from here and pocket’s (@squidsavior) and fwembs:
Keiko:  I was hanging up the washing, and my arms fell off!
(source: bluey)
———
Gold Bone: Your head's SO BIG! What's it full of anyway? NoThIng???
[Gold Bone pops off the "lid" to Blue's head...revealing steaming hot soup inside.]
Blue: Soup
Gold Bone: [unsettled] Oh.
(source: chikn nuggit)
———
Ana: The grown-ups won't help us!
Lulu: Well, then we need more kids!
(source: bluey)
@cobraghost and @ghostcoper related ones:
Billy Joe Cobra: [Curled up on the ground, crying very hard] My face is so ugly right noo-oo-oow.
Cooking Mama: He just had his first ugly cry. So ugly! It was beautiful, actually.
(source: centaurworld)
———
Spencer: What are you doing?
Billy Joe Cobra: Stargazing.
Spencer: Why are there pictures of you taped to the ceiling?
Billy Joe Cobra: The stars are beautiful tonight.
(source: tumblr)
———
Ana: So that's why I'm going to write a letter to the toilet fairy.
Billie Joe Cobra: Well, that's the only way things will change!
(source: bluey)
@thetravelershub related ones:
[If Gwen had a baby phase...]
Nurse Waddle Dee: Hi m’am, welcome to the ER. How can I help you?
Guest F: My 6-month old is having really bad diarrhea and she’s been really fussy!
Nurse Waddle Dee: Okay, we’re gonna get her checked out right now...is that chocolate milk in your baby’s bottle?
Guest F: What?
Nurse Waddle Dee: M’am it’s very important that you don’t give your baby chocolate milk.
Guest F: Oh this isn’t chocolate milk, it’s coffee. She just loves it
[The nurse waddle dee stares at Guest F in disbelief.]
(source: steveioe)
———
[Guest E is sitting on a chair of toilet paper roles in the shelves of an aisle.]
Gwen: Can I help you?
Guest E: (deadpan) Wish you could, mate.
(source: bluey)
———
Mimi: That painting's plotting my destruction!
(source: pound puppies 2010)
@hal-in-the-family related ones:
Jobski: MAGIC CLAW HAS NO CHILDREN. HIS DAYS ARE FREE AND EASY.
(source: bluey)
———
[The gang is looking at a wall of paintings that was JUST revealed from under a layer of dust]
Keiko: These are very nice. Why didn't you tell us you liked to paint?
Qudy: When would I have possibly—
Ankh: I have notes.
(source: centaurworld)
———
Momotaro: this place is really scary, kubi-san.
Qbby: No it's not, Momo. It's all in your mind.
Momotaro: well, my mind is pretty scary place.
(source: rugrats)
@heroproven and @rathalascendant related ones:
Hunter: Don't worry, I've got a few knives up my sleeve.
Qudy: I think you mean cards.
Mari: She did not.
Hunter, pulling out knives: I did not.
(source: tumblr?)
———
Hunter: Please don't tell anyone that I sleep in my clothes...
(source: tumblr?)
———
Mari: How many monsties is too many??
Hunter:
Hunter: What did you do?
Mari: Don't go into the kitchen
(source: tumblr?)
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crazysleepydreams · 2 years ago
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TO STEAL A THIEF’S HEART
Soooo still no-beta´d so be nice I really don´t wanna die like Hans….
Summary: Deborah DeVries wasn’t anything special, the only thing special about her was her genus friend Theo that worked for Gruber´s: Constuction & Security! She wasn’t even supposed to go with him to the bowling alley to meet his friends/co-workers, but that did happen and her life turned chaotic from there….. A Die Hard AU. What will change once Hans falls in love: will it end as a fairy tail or will it be doomed from the start?
CHAPTER 2
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Deborah looked into the mirror before she decided that she looked good enough for an evening/night out bowling with Theo and his co-workers, she looked pretty and felt like herself while still putting some extra effort in her looks: she wore a pair of nice denims under a short sleeved red blouse, she had styled her hair a little so that her curls formed nicely, but she refused to wear any kind of make-up or heels…
They were going out bowling. She didn’t need to look like a doll or someone's date! While it’s true that she wanted to look good meeting Theo’s friends from work and their partners and was more than a little intimidated by the fact that the whole group had known each other for years and probably had their own cliques and all: no pressure right? It was just bowling with Theo, Karl, Tony and some others she didn’t know. The horn of a car distracted Deborah from her thoughts as she looked out of the window she saw Theo waiting for her and talking with her grandfather, she waved at her friend when he looked up before leaving her apartment and closing the door behind herself.
“So she’ll be back before 2 a.m.?” Asked her grandfather and Deborah heard him she felt her face turn red.
“OPA!” Exclaimed Deborah at the older man causing him to laugh. “Opa go inside and stop all this! Go read a book or something.” 
“I know when I’m not needed.” Said Adriaan dramatically putting a hand over his heart causing Theo to chuckle and Deborah to roll her eyes before swatting her grandfather on the arm lightly. “Night Popje, night Theo!”
“Night Adriaan!” Said Theo with a smile at the man’s dramatics. “He sure does enjoy his life….. Evening Dee.” Mumbled the man before turning to his friend.
“Hi Teddy.” Deborah said, hugging her friend before turning to her grandfather who was just entering the building. “Night Opa! Don’t forget to lower the thermostat before you go to bed or you’ll get a headache in the morning.”
“I won’t. Have a good night Dee!” Shouted the man before closing the door behind him.
“Let’s Go.” Said Theo opening the car door for Deborah, she entered with a smile.
Theo returned the smile knowing that she was worried: about what? Well the list could go on for a while, but the top would be the gang’s reception to her and Adriaan. Dee had serious issues about both: her self-esteem wasn’t as high as people would believe, her early childhood and some asses she had dated hadn’t helped, and her issue with Adriaan was centered on abandonment issues that stemmed from early childhood and he was the pillar where she had rebuild her life around: he was the only one who had stayed through thick and thin. He entered the car with a small smile and a half formed plan in mind.
“Hey Dee?” Asked Theo while he turned the car on.
“Yeah?” Asked the brunet looking out of the window while she played with one the charm on her necklace.
“You look lovely tonight and don’t worry about Adriaan. I believe he will be fine with you not calling him a night about the termo. And about impressing the gang: if they can’t see your worth then I may need to reevaluate their mental capacity.” Ended up joking Theo seeing that he was making Deborah more uncomfortable.
“… You don’t have to say such things to try to make me feel better, but it helps: thanks Teddy.” Answered Deborah with a soft smile and a light blush.
“I know, but you’re awesome Dee and I’ll fight anyone who says otherwise….  Even you.”  Said Theo while he took a left turn.
“Awww! Love you too Teddy, but you and which army will fight the world?” Teased Deborah with sparkling gray/green eyes trying to shift to a lighter topic.
“I see what you are doing Dee and I’ll let you do this once, but for the record I want you to know that for you I’d take the world on on my own even if I’m sure that Karl and Adriaan would be right beside me.” Said Theo before exclaiming. “Look, we are almost there!”
“So who’ll be here today?” Asked Dee.
“Well we have Karl who doesn’t count and Tony with Jessica and then we have: Alexander, Heinrich, Fritz, Franco, some dude called Uli, Kristoff and Hans…. And well anyone’s plus one might be there and maybe that Jakob guy.” Explained Theo counting those he knew would be there.
“Teddy!” whined Deborah.
“What?”    
“How in god's name is that a small group with us there’ll be over 12 people, anyone aside from Tony bringing a plus one and it’ll be almost a party! How are we even going to bowl together: the maximum number of people that can bowl on a line is like 10?”
“I dunno DeeDee that’s all Hans stuff: maybe we’ll bowl in pairs or we’ll make some tournament or something. Just chill and be yourself.”
Okay as I said above there is still no beta, but I've gotten someone that proof reads it now and that really does wonders to my will to write so THANKYOU: @inflation-of-mind !!!!
Gift ain't mine thank the creator ppl I suck at making those
So this is the beginning please leave a comment a like or a reblog! And there is no beta so until I find one we’ll do it this way: not sure how fast I’ll update I’m a stud so it might vary.
Also if You want to read the previouse chapter you'll be able to find them under the #To Steal A Thiefs Heart
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mysticmeadowscamp · 4 years ago
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mx hay m havin bad anxiety, might i ask fr head(?)canons? how does each kid cope with bad things?
mmm im not sure what bad things u mean so in gonna answer this as what do they do when theyre feeling bad
patton lights candles bc they relax xem lots,that or he climbs to the roof of his house and watches the city lights
roman draws landscapes
vee make their room lightning as dim as possible (w their fairy lights) and curl up in a blanket or talk to the moon if its nighttime
dee either goes on walks or lays in bed listening to slow music
remus excercises
and lo plays guitar. nothing specific, he just plays some random chords mindlessly
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akire-echo · 4 years ago
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Christmas with Gadreel
When Dean first suggested a going to the Christmas fair in town, you were sceptical. The world didn’t really give you a chance to take a break often, who knew what horrors would await you at a seemingly innocuous festive fair. But you reluctantly agreed, needing the time off from killing various monsters and having to deal with angels or demons.
So you got in the impala, bundled up for the Kansas winter. Dean laughed at you for it but you were cozy in your nerdy hat, scarf, and gloves.
You smiled as the car started and Dean pulled out of the bunkers garage.
It wasn’t long before Sam was calling Cas to see if he was busy.
And in seconds there were two angels in the backseat with you.
You felt squished, as Cas sat on the opposite window from you and the newcomer Gadreel was pressed up against your other side.
“Oh, hey.” You said to the angel.
“Hello, lady Y/N, I apologize for any inconvenience on the trip.” Gadreel said in his distinct way of talking.
You smiled. For all of his mistakes, he was still so sweet and kind.
“It’s alright Gadreel. You’re probably warmer than me so feel free to cozy up when we’re outside.”
You thought you saw him blush at that.
Dean, Sam, and Cas went off to do some sort of shopping and activities while you were on babysitting duties. You didn’t mind, you liked Gadreel a lot.
You and he spent some time just walking around and looking at the various booths.
You spotted a cool one up ahead.
“Oooh, mulled wine, let’s get some!” You urged Gadreel.
“I don’t-“
You cut him off by grabbing his hand and pulling him to the vendor. He stumbled a little but went along with you.
“One mulled wine, please.” You smiled at the woman.
“None for your boyfriend?” She asked.
You looked at Gadreel, smiling. He was definitely blushing now.
“He doesn’t really drink.” You said to her, which was true.
You used your free hand to give her money, then took your drink.
The first sip was like magic. Tasted like Christmas and it definitely put you in the holiday spirit.
“Mmm, want to try some Gad?” You asked the angel whose hand you were holding.
“I’m afraid that I’d only taste the molecules.” He said sadly. ”But you look as if you are enjoying it, so please continue.”
You smiled at him again. ”Of course.”
You sipped your drink more, but kept holding the angels’ hand.
He seemed perfectly content to go along with you, hearing you explain the purposes of random Christmas traditions.
“Why is there so much mistletoe?” He asked, pointing with his free hand.
“You know about mistletoe?” You asked back.
“I’m familiar with the plant,” he nodded,
”But I am unsure how it pertains to this holiday.”
“Well, we hang it on the top of doors and if two people are caught under it, they have to kiss.”
“Why?”
“Tradition.” You shrugged. ”Dean tried it last year but it was just him and Sam so he burned it all.”
He didn’t find that amusing, apparently.
Gadreel followed along and actually picked up an ornament or two. One particularly funny one for Dean.
“Wish we had a real tree to put those on but Dean won’t let the impala carry one, says it’ll scratch her paint.”
“You’d want a Christmas tree, in the bunker?”
“Why not? We could put it in the war room, it’d look good. We could have egg nog and curl up by the fire while fairy lights twinkle.”
Gadreel nodded, brows furrowed as if contemplating something.
“Dean would probably throw a fit though.” You sighed. ”Oh well, let’s see if we can find where they all ended up.”
Dean and Sam ended up so drunk and silly with holiday cheer that they passed out in the back of baby. You felt warm and cozy, albeit tipsy and brain feeling hazy. Cas drove back to the bunker while you sat next to him, Gadreel sat in shotgun. You leaned up against the bigger angel, head on his strong shoulder. It was dark and the roads already slippery by the time the impala pulled into the bunkers garage. Cas got to work getting the boys out of the back of the car while Gadreel helped you out of the front.
You tripped into his arms.
“Miss Y/N, you seem to be stumbling, may I help you to your room?”
“Only if you carry me.” You giggled.
He gave you a confused look but scooped you up quickly. You got a little head rush.
“So strong.” You mused, feeling his bicep and cuddling up to his chest.
“Feeling cold?” He asked.
“Mmm not anymore.” You closed your eyes.
He carried you all the way to your room and set you in bed, then removing your shoes.
You could barely stay awake.
You didn’t remember falling asleep, but you did remember waking up in Gadreel’s arms. He was warm and cozy.
“Gad?” You asked.
“Yes, Y/N?”
“Why are you in my bed?”
“You asked me to stay, said I was too comfy to let go of.”
You hid your head in his chest.
“I’m sorry.” You said. ”You must’ve been uncomfortable.”
“Not at all, I appreciate being able to help.”
You smiled. ”I uh, I didn’t snore or drool or anything right?”
“You slept peacefully, I made sure of it.”
You let out a happy sigh then moved away from him.
“I should let you get up.” You said.
He smiled and nodded.
“Y/N!!!” You heard an angry scream.
You groaned and audibly said, ”What now?” You got out of bed to follow the sound of Dean’s anger.
And when you saw what he was on about, your jaw dropped.
The whole war room was decorated! There was garland and lights and festive decor everywhere. To top it all off was a massive tree that went all the way to the ceiling with the star on top. It was...magical.
“Did you do this?!” Dean yelled accusatorially.
“I swear to you that I did not do any of this.” You told him. ”Not that I’m displeased with it, I love it! But I didn’t do it.”
“I’m getting rid of it.” He grumbled.
“What? Can’t it stay up? Just for the holidays?” You asked. ”Pleeeease?”
You pouted at him.
“Fine, but you are taking it all down.”
You hugged him happily. “Love you Dee.”
“Yeah yeah, whatever.”
You looked back to see Gadreel beaming.
“I have to get Cas!” You said and ran to get the other angel from his room.
“Cas! Come and see!”
You grabbed onto his arm and pulled him to the war room but Gadreel stopped you.
“I uh...I think you should look up.” He told you.
You looked up to see the mistletoe, then looked at Cas.
“Tradition, Cas, pucker up.” You chuckled and placed a peck on his lips. “There, now we will have good luck.”
He looked confused.
You looked back to Gadreel, his jaw seemed tense. Much more than usual.
The rest of the day was spent baking in the bunkers kitchen, Dean helped. You’d also managed to get caught a lot under the mistletoe. You got Dean, who kissed you like he meant it. You’d gotten Sam while you both were getting books from the library, he kissed you quickly. And you’d gotten Cas several times. The only person you’d been unfortunate to miss was Gadreel. You hadn’t really seen him since the morning.
“Okay, cookies need to cool before we ice them so I’m going to find Gadreel.” You told Dean. ”No eating the cookies.”
He groaned but agreed.
You set out to find the angel.
It didn’t take long, even with the bunker as big as it was.
He was sat in a corner chair reading a book, eyebrows furrowed again.
“Hey, is this where you’ve been the whole time?” You asked him.
“Did you need my assistance?” He asked back.
“No but I...I noticed your absence. Want to ice some cookies?”
“I’m not sure how to...”
“I’ll teach you, come on.”
You held out your hand to him.
He smiled softly and went along with you.
But he stopped abruptly.
“Gad? What’s wrong?”
His face was beet red as he looked up.
Oh, the mistletoe.
“Tradition, Gadreel.” You said shyly.
“Yes I um...tradition.”
You wrapped your arms around his neck.
He looked at you, eyes searching yours.
“Kiss me, Gadreel.” Your face felt like it was on fire.
He slowly leaned in, hands on your back.
Your lips met his in a warm kiss. It was more Christmas magic. Your heart was spinning as you prolonged the kiss.
The kiss broke off naturally when you needed to breathe.
“More.” You said.
He obliged and kissed you again, this kiss even more special.
You held on for dear life as you kissed the angel you’d been crushing on.
When you pulled away, you looked into his eyes.
“Tradition?” He asked.
You shook your head. ”No, I wanted it.”
He smiled. ”As did I.”
“Is that why you were gone? You were sulking because you hadn’t kissed me under the mistletoe?”
“Only a little...”
“Well, your kiss is the only one that matters.”
“I take offence to that!” Yelled Dean from the kitchen.
You rolled your eyes and laughed.
“Shall we decorate?” Gadreel asked.
“We’d better, before Dean eats all the icing.” You joked.
He smiled. ”Merry Christmas Y/N.”
You smiled back. “Merry Christmas Gadreel.”
64 notes · View notes
98prilla · 4 years ago
Text
Acceptance
Remus has a breakdown. 
A03
...
He’s shaking, trembling, really, curled up on the bed, rocking back and forth, arms wrapped tightly around himself, nails digging into his skin, but he can’t stop, he can’t stop, he’s so exhaustedly broken, but if he stops moving he’ll die.
 His room is a mess. He’s destroyed everything in it, all the furniture, his desk and his chair and his shelves, his morning star shattered to pieces. He’s already torn through his imagination, his castle in ruins, burned to the ground, ash scorching the air, the force of his screams blowing out the stained glass, and not in a fun way.
 His sketches are ripped and torn and scattered across the floor, his notebooks ripped in half, his paints stomped on, staining the floor in sticky puddles of colors, splashed against the walls, ruining the mural he’d worked so hard on, all mixing and melding into an ugly brown color.
 It’s ugly and disgusting and gross and he hates it, hates it all, hates himself, hates everything, everything here.
 The voices are so loud. They’re so loud in his head and he can’t drown them out, they eat away at his brain like acid oozing in through his ears, they rip at his skin with the force of a hurricane, peeling off his layers of skin, then muscle, then flesh, then bone, until he crumbles to dust, scraping him apart with his own bones, his own teeth turning against him as they clench down on his tongue, hot blood dripping between them, down his chin, and he can’t see anything, he’s lost, so lost, deep in his own head.
 He wants it to stop! He wants it to shut up, shut up, SHUT UP!
He’s choking on his blood and he coughs, spits, not caring that it lands somewhere on his bed, on his usually tidily made sheets, staining them red, red, red, too much red, and his fingers dig deeper into his flesh, more red dripping down his arms. He’s too hot and too cold and it aches and it burns and everything is too loud and too much, his clothes are scratchy and rough against his skin, his every breath in and out sounds like thunder, his own heartbeat pounding in his ears.
 He’s screaming. He thinks he’s screaming? He can’t tell if it’s him or someone else, but the sound is earth shattering, ear piercing, it gives him something to focus on, but soon his lungs are burning and despite everything his voice gives out, but there’s still too much left, he hasn’t let enough out, it’s still bubbling under his skin in ulcerous blisters. He screams again, but it doesn’t matter. It doesn’t matter, because no one is coming, no one is left, no one is here anymore. DeeDee is gone, Virgil is gone, his brother is gone, Patton never liked him, and Logan barely tolerates him, he’s all alone, no one is coming to save him from himself, and it hurts, it hurts more than a knife to the heart, it hurts more than splinters in his eyes, it hurts more than tacks in his feet, it hurts more than swallowing fire ants alive, and distantly he’s aware of hoarse, desperate sobs cracking through the silence, but it doesn’t feel real, nothing feels real.
 His world is spinning, spiraling, colors blurring and blending and reality is cracking, and he can’t even name the strange horrors he’s seeing, just vague images and ideas, filled with pain, and hurt, and violence, and he cries out for someone, anyone, for Dee, please, please, please! Then it fractures into a million, billion fractal reflections and facades and broken, empty reflections, and he knows it is hopeless.
It’s Logan, who finds him. Remus has been oddly silent for the last three days, and though the others brushed it off, it has him worried. Still, he was hesitant to breach Remus’s walls, but Janus was backsliding, and he knows how good Remus is with the scaled side when it comes to this.
 The room is a mess. Which is what he is expecting, to be honest, Roman’s always is too, papers and ideas and sketches hung to cork boards, plotting out his next grand adventure or novel. But this is a different kind of mess. A destructive kind of mess. Which, again, may not be unusual, until he looks closer.
 Journals. Notebooks. Beautiful drawings done in ball point pen, incredibly detailed, it would have taken hours to make some of these, and he recognizes the ripped and trampled shreds of some of them, remembers Remus showing them with pride. He can’t imagine Remus destroying them, and he adjusts his glasses nervously, taking another step deeper into the dark room, having to squint to make anything out. He fumbles around, and finally finds a light switch. It turns on green fairy lights, and all the air rushes out of his lungs before he practically sprints to the bed.
 “Remus. Remus, can you hear me?” The creative side’s eyes are open, staring blankly ahead, unseeing. He’s rocking just a bit, mumbling incoherently under his breath. He’s wearing only boxer briefs, small shivers wracking his frame, and he can’t tell if it’s from cold or shock. Dried blood covers his chin, stains his arms, and he realizes that Remus is scratching at his chest in a steady, methodical pattern. It is oozing blood, a deep X mark, nails digging deep into his flesh as if trying to claw his heart out of his chest.
  He lets out a strangled sound and catches Remus’s hands firmly, though once he’s holding them, they go limp.
 “Remus. I am going to sink out with you now.” He doesn’t think Remus can hear him, but he narrates his actions anyway, taking a deep breath and sinking out to the commons.
 “Logan?” Virgil asks as soon as he appears on the floor with Remus, setting aside his headphones. Then he catches a good look of the two of them and curses, leaping off the chair, crouching by Logan's side.
 “He appears to be in a dissociative state. He is unresponsive to both noise and touch.” He explains, voice wobbling. “I am going to fetch the first aid kit and attempt to clean off the blood to determine the extent of the injuries. Stay with him?” Virgil nods instantly, taking Remus's hands as Logan stands, shifting to kneel before him.
 “Rem. Oh, Rem, what happened?” Virgil asks softly, not expecting a response, surprised as he feels Remus squeeze his hands, eyes shooting up to Remus’s face, finding it just as blank as it was moments earlier, but his grip doesn’t loosen. He keeps a tight hold of Remus’s hands as Logan returns.
 Remus doesn’t make a sound as Logan carefully wipes away the blood, wincing at the deep scratches running down Remus’s arms, careful around the deep gash on his chest. He wraps bandages all the way up Remus’s clawed arms, then carefully sews up the gash, before packing it with gauze. Virgil is wincing in sympathy, but Remus doesn’t flinch or acknowledge them even once.
 “He’s freezing. We need to get him into clothes and warmed up. Hopefully that will help bring him out of his shock. Familiar faces and voices will also help.”
 “Janus’s room.” Virgil says automatically, grabbing hold of Logan and sinking out.
He's warm.
 He's wearing clothes, but they don’t scratch and scrape and dig into his skin. They’re soft and perfect.
 The voices are quieter. Still loud, still there, but quieter, and he realizes someone is speaking.
 “Rem? Can you hear me?” Virgil. His senses snap to, and he blinks, clearing his vision.
 Virgil is before him, legs curled under him on the bed, Virgil's hands in his. His eyes are wide, breath held.
 He's curled up on someone's lap, and realizes it's DeeDee, humming softly, his hands gently rubbing up and down his arms, grounding him.
 Logan is the voice. He’s sitting beside the bed, a book open in his lap, reading aloud, the even, gentle noise quieting his mind further. He lets out a deep, shaking breath, slumping back against Dee, exhausted.
 “hi.” He whispers, letting a soft gasp as Dee's hand cards through his hair.
 “Hello, darling. How’re you feeling?” Dee's voice a soft murmur, a purr against his ear.
 “Oh, ‘m fine. You know me, always getting into something or other.”
 “Remus. You were and are not fine. You have been in a dissociative state for about a day now since I found you, though it very well may have been longer as you have been absent for about three, and done significant harm to yourself in that time.” Logan, setting aside his book. He swallows hard, pushing himself out of Dee's lap, moving to the edge of the bed.
 “oh. S-sorry.”
 “For what?” He blinks, looking up at Virgil.
 “what?”
 “What are you sorry for, Remus?” He swallows hard, squeezing shut his eyes, idly scratching at his arms, before he feels someone once again take his hands. He almost whines, because he needs the pain, he needs it, it’s the only thing that helps.  
 “everything. I know I’m too much. I kn-know that’s why you left, cause I’m too loud and too annoying and too much. I can’t control myself, no matter how hard I try I just can’t and I ruin everything, and I’m not… not good.”
 “Remus. Is that what triggered you to shut down?” He picks at his bandages, before those hands corall his again, and he shakes.
 “D-dee’s gonna leave. You’re gonna leave. I’m gonna be all alone in the d-dark and it ma-kes it so much louder, it gets so loud, and I can’t make it stop, it won’t stop, but the p-ain makes them shut up, just for a bit, but it’s enough, it stops and it’s enough, and it hurts, but it’s f-fine, it’s fine! I deserve it. I can de-al with it, that’s my job, right? Handle all the bad, all the b-bad no one else wants, who cares if I can’t stop thinking what Roman would look like with his guts pulled out and strung across the bedposts, who cares if I can’t stop seeing plucking every shiny scale off of DeeDee, who cares if I try to rip my own heart out so I can crush it in my own fist, so I can never, never hurt anyone? It’s not enough, it’s never enough, it’s too much, too loud, too loud, too loud!” He screams, ripping his hands away from whoever is holding them, breath speeding as he falls off the edge of the bed onto the floor, clutching at his head and shaking.
 “nonononono No! I don’t wanna… I won’t, I WON’T! Don’t make me, don’t… I won’t hurt them, iwon’tiwon’tiwon’tiwon’t-“ Visions are filling his head, terrible, awful, horrible, and he’s clawing at himself, his face, his hands, his legs, anything, everything, because he’s bad, he’s being bad, he deserves to be punished.
 “Remus! Remus, Stop!” Virgil is pinning him down, and he snarls, kicking, fighting, gnashing teeth, then one of his hands gets loose and he swipes at Virgil with a hiss.  Virgil yelps, drawing back, and his vision clears, horrified. Four long scratch marks mar Virgil’s face, going from his left temple, across his eye, rather like Scar in the lion king. He lets out a small wheeze, scrambling back, unable to look away from the red, red, red, he hurt Virgil, he hurt him, he did that, he hurt him, he’s terrible, awful, this is why he deserves to be alone, this is what’s wrong with him, he’s not normal, he’s not good, he’s a mess and a wreck and a problem, everything that Thomas didn’t want, everything wrong with Thomas, everything wrong with the universe and they’re going to leave-
 “Ree, it’s ok, I’m ok, I promise.” Virgil, arms open, and he howls as he falls into them, clutching at him, whimpering and whispering apology after apology. “I know. It’s ok, Rem, I forgive you, I know you didn’t mean to, I know.” Virgil murmurs in his ear, rocking him.
 “I’m not leaving you, Remus. I wouldn’t ever leave you behind. I will never leave you all alone. I promise.” DeeDee, slipping behind him, wrapping both him and Virgil in his arms, and he presses tighter against Virgil.
 “It’s f-fine. I can’t hurt anyone if I’m all alone.”
 “Falsehood. You’ll hurt yourself, Remus. And that is an unacceptable outcome.” Logan, soft but firm.
 “S-so? Why… why does it matter? So what if I hurt myself? Its not… im not like all of you. I’m not important, I don’t matter.”
 “You do. Rem, you matter. I’m sorry I just… left, I’m sorry, but it wasn’t your fault. It was… a lot of things all combining, but it wasn’t all on you. It… it was mostly me. You scared me. When Lo popped up with you, there was so much blood and you weren’t talking and I thought… I just… I care, ok? I never really stopped caring, so don’t you dare give up on me. You’re the most stubborn, headstrong person I know, Rem. You’re not bad, just like I’m not bad, even if we can’t control ourselves sometimes, that doesn’t make us bad.” Virgil mumbles, holding him tight.
 “You always take care of me, Remus. I will always do the same for you, if you just ask. You hide it so well.” He curls further into a ball, new, silent tears flowing down his face as the voices finally go silent, leaving him alone in his own mind.
 “I scare Patton. Roman hates me.” He argues weakly.
 “patton has warmed up to you. He understands that you have your own intrusive thoughts, and he can see through them to your actual distress and meaning. And Roman… is difficult but he misses you more than he would ever admit. Regardless, we are not leaving you alone or behind simply because of their feelings. Not when it is a matter of safety. Your safety.” Logan replies, and he sighs, a long, shaking breath, fists uncurling from around Virgil's sweater.
 “I’ll hurt you. I have hurt you.”
 “Ah. You referring to your introduction video, when you threw a ninja star into my head and ripped out two of my teeth.” He nods, looking down at the ground. “You know you did not actually cause me any harm, Remus. I can see through your actions and recognize they are not reality. Your actions did not actually damage me in any way. You knew that would be the case, which is why you targeted me, instead of Virgil or Patton, who would take the injuries literally.” Logan counters, and he’s surprised Logan can see through him that well, even then.
 “I love you.” He mumbles. “I love you and I’m terrified I’ll go too far and actually hurt you.” Exhaustion creeps into his voice. He knows what he wants, what he’s always wanted, but he won’t ask for them to stay, he won’t obligate them like that, when they should want to run as far and fast as they can. “you should leave me behind.” His throat feels dry when he says those words, the opposite of what he wants, but it’s what’s right.
 “Remus. Would it be accurate to state the thoughts get louder and progressivly more violent and dark in nature the longer you are without contact?” He furrows his brow, confused.
 “I… I guess. It… in the dark and the quiet there’s nothing else, just my own head and I can’t get out of it.”
 “Have the thoughts stopped now?”
 “yes, I mean, they never really stop, but they aren’t the only thing anymore, I can push them to the back of my head and only let the smaller ones slip out. It’s like a whisper when it was a scream earlier.”
 “Then why would we leave, darling?” Dee asks, and he blinks.
 “What?”
 “You pretty much just said that being around people and ambient noise makes your intrusive thoughts easier to manage, and stops you from getting so sucked in you end up hurting yourself, you idiot. So if you’re hanging out with us, yeah, they’re still gonna happen but they’re not gonna be as bad. Probably easier to control, just like my anxiety. That’s what a support network is for, Ree. It… it took me a long time, I guess, to actually learn that for myself, but it was worth it.” Virgil mutters, face a bit red, though he doesn’t miss the small, proud smile on Logan’s lips, the gleam in his eye as he looks at Virgil.
 His own mind is reeling. Of course, it’s easier to keep them quiet when there’s other noise around, of course touch is grounding and helps keep him centered in the present, of course doing things, activities, writing, drawing, helps keep his mind focused and allows him to let out the thoughts without hurting anyone, he just… he didn’t think the others would care about all that enough to justify letting him be around them.
 “I mean, I know that! I just… I didn’t think any of you would want to be part of mine.” He mumbles, hugging himself with a slight shiver.
 “Of course we will. We love you too, or whatever.” Virgil mumbles, pulling Remus back into a hug, before grinning and hefting him up in his arms, depositing him back on the bed despite his surprised screech of protest.
 He laughs as DeeDee settles beside him once again, stretching out and resting his head in Dee’s lap, legs laying atop Virgil, who snorts, but doesn’t move, simply grabs a fluffy throw blanket and tosses it over him.
 “We’ll speak to the others tomorrow. I don’t expect a problem integrating you into the group, Remus. It will be beneficial for everyone. All of us working together is what is supposed to happen, anyways.” Logan says, voice smiling. “For now, you need to rest and let everything heal.”
 “ok. Keep reading? I… it helps, I think. He mumbles, already half asleep. He hears Logan’s voice start again, steady, feels Dee’s hand in his hair, feels Virgil holding his hand, and he smiles, tears dripping down his face. He didn’t think it was possible, any of this, and it feels… good. So, so good. For once, he doesn’t think he’s going to ruin everything. For once, he thinks the voices whispering in the back of his mind aren’t him, at heart, just a side effect of who he is and what he represents. And he knows, he’s safe from them, with so much warmth surrounding him.
311 notes · View notes
lovelylogans · 4 years ago
Text
debutante
previous chapter | chapter two | next chapter
part of the wyliwf verse.
warnings: mention of creepy adults/pedophilia, transphobia, memory loss problems, food mentions, kissing/making out, arguing, 
pairings: logince, moxiety
words: 21,995
notes: there are spoiler warnings for the first three seasons of downton abbey, and dee and logan have a discussion of journalistic ethics that includes a mention of a teacher that is creepy toward teenage girls; it’s an abstract idea for the sake of argument, there is no actual creepy teacher, but i wanted to put a warning in here anyway.
he really needs to get on patton about getting a new rug for his bedroom, virgil muses.
his bare feet are resting against the hardwood of patton’s floor. patton, who usually clings to inanimate objects with an intensity fueled almost entirely by reminiscing, even patton had admitted he probably should let go of the raggedy bedroom rug, and he’d been meaning to replace it, but. he hasn’t yet. so virgil’s sitting on patton’s bed, waiting for patton to finish brushing his teeth and washing his face, so that they can curl up in bed and go to sleep. 
that’s a new thing—it’s not entirely new, but new enough that virgil feels too awkward to just curl up in patton’s bed and wait for him to come back. so. virgil is sitting here, in his pajamas, thinking about patton’s bare bedroom floor and his need for a new rug.
and not thinking about the various strides he and patton have been making in their relationship, slow but sure. virgil knows that patton’s really excited, and eager to move forward in their relationship, and virgil is too, but, surprise surprise, virgil’s anxious about it, so patton’s been very understanding about moving at a much slower pace than he’s used to—“you’re worth it, honey,” patton had said, his chin hooked over virgil’s shoulder as they cuddled at night, “there’s no rush at all. it’s been this long, ya know? i want to do all of this right,” and really, virgil did not deserve patton, he really didn’t.
there’s the sound of bare feet padding down the hallway, though, and virgil looks up, smiling despite himself, as patton opens the door. 
“hey,” he says warmly, closing the door behind him and shutting off the light—the lamps on the bedside tables are still lit—and patton continues his path, only detouring to lean down to kiss virgil sweetly before he sits down on his side of the bed. 
“hey,” virgil echoes, and at last swings his legs up on the bed, settling back against the pillows. “how was your day?”
this part he likes a lot, too—this, sitting in the same bed, talking about their days. it’s cavity-inducingly domestic.
patton hums, already squirming to be under the covers, and virgil copies him; they’ll move to cuddle once they’re done talking, virgil knows, so he mostly just stays where he is.
“the usual,” patton says. “um—got news of a wedding incoming, so i’m sure i’ll be going nutty about that in… a year and half or so.”
virgil knows that the weddings held at the inns hold some of patton’s favorite and least favorite parts of the job—helping make people happy, seeing people fall in love all over again, making everything so beautiful and lovely, but also, bridezillas and flighty grooms—and he smiles, mentally calculating. “you don’t usually get fall weddings, right? that’s mostly a spring/summer thing.”
“i know!” patton says brightly. “i hope they timed it nice so that it’s a warm fall day, and they get all the pretty leaves falling, and the sun hits the ceremony just right…”
“that sounds nice,” virgil says honestly, because it does—a picturesque fall wedding, sookie making some fancy version of an apple fritter for appetizers, a pumpkin-flavored cake. “fall wedding, i mean. it’s so pretty here in fall, i know we get boosted tourism because of it, but. not many weddings.”
“not many weddings,” patton agrees, and squeezes his arm. “and it’s a lesbian wedding, too, so from the conversation we had, i really think they’re gonna lean into the whole witchy-alternative vibe. the word celestial was thrown around a lot.”
“oh, that’ll be really fun,” virgil says, refining his mental image—black dresses and a tux, maybe, star-studded hairpieces, lots of fairy lights. “you’ll have to remind me when it’s actually being set up, i want to see how they decide to decorate. you never get to do witchy lesbian alternative celestial-themed weddings.”
patton laughs, and leans in a little closer to virgil. “no, i can’t say i’ve ever gotten to help out with a witchy lesbian alternative celestial-themed wedding. so that’ll be fun!”
patton continues with other work things—he has a much sooner wedding in spring, and unfortunately it is not a lesbian wedding, but a double wedding of two sets of insufferably rich twins, so there’s a lot to deal with there—before he winds down and says, “well, that’s about it with me, really, how ‘bout you?”
“um, pretty calm, pretty typical,” virgil says, before he reaches over and squeezes patton’s thigh. “oh, before i forget, the middle davis kid—”
“yeah?”
“—going by brick for now, while they’re trying to figure out what fits better,” virgil says. he leaves his hand on patton’s thigh, because. well. he can.
“brick,” patton says, delighted. “oh, that’s a great nickname for them—every time i see them, they’re insistent that they’re gonna bulk up and hit a growth spurt any day now.”
virgil allows himself a grin—brick is a pretty ironic nickname for a skinny little korean-irish kid who’s been hankering for their growth spurt since they could have possibly hit puberty, and now at age fourteen it was definitely becoming a bit more plaintive, but they also said it’s because they have the subtlety of a brick, so it fits in at least one way.
“they are still using they/them pronouns, right?” patton checks.
“yeah, still they/them,” virgil says. “you’ll have to ask them if they’ve added any pronouns when they turn up for your get cultured day—which is why i brought it up, brick brought by their dress for me to try and alter so that sequins don’t constantly scrape, so that’ll be a fun little challenge.”
“ooh, i hated wearing sequins at their age,” patton says sympathetically, and pats virgil’s arm. “good luck with that one.”
“other than that, though, today was mostly boring, my interesting stuff all has to do with the debutante ball,” virgil admits, rubbing his thumb back and forth over patton’s thigh. “oh, except for the part where kirk’s trying to sell topical funny t-shirts now.”
“ah, kirk,” patton says fondly. “where would the town be, without kirk and his seemingly millions of part-time jobs?”
“yeah, well, the best he could come up with today was rudy ate oatmeal, so i’m not really holding out hope for the funny t-shirt business,” virgil says.
patton snorts, and then tries to pretend he hadn’t—but, really, kirk becomes way less aggravating when you take him as comic relief. virgil knows, it’s the way he’s managed to stand all of kirk’s eccentricities over the years.
“anyway, yeah, that’s about it,” virgil says. “how'd the dinner go—i mean, i know emily at least gave you the dress, so that went okay, right?”
patton shrugs a shoulder and says, “i guess. i mean, i have a feeling this isn’t over, but… gosh, you should have seen her and logan stare each other down.”
“intense, huh?” he prompts, when patton goes quiet. he squeezes his thigh again, because physical touch is one of patton’s top two love languages. he knows, they took the test together.
patton chews his lip, before he says, “he looked like me. back then, i mean. the look on his face. my mom must’ve seen it a million times when i was his age.”
virgil squeezes a little tighter.
he knows that patton’s teenage years were rough. again, patton doesn’t really like to talk about them—virgil doesn’t blame him—but virgil did see patton struggle through the later end of his teens, and he was there for him when he’d broken down in tears. now, with as old as he is, as removed as they are from it, having seen logan and roman grow up and realizing how truly young patton was when they first met, the thought of teenage patton—struggling so fiercely in a house full of people who hadn’t understood him just made him, how hard patton had had to work to get a better life for himself and his son, the years of therapy patton had gone through—just made him want to grab patton in a hug and never let go.
“so,” patton says, pauses, and lets out a sigh. “i don’t—i don’t know. it went okay. but seeing logan copy me like that, i just…”
virgil leans over to kiss patton on the cheek.
“the difference between you as a teenager and logan as a teenager is massive,” he says lowly. “because logan’s got you, and me, and roman, and ms. prince, and rudy. he’s got this whole bizarre town. you had you, and christopher, i guess, but he didn’t understand. you’ve learned coping mechanisms that you passed onto logan, so he knows other ways to redirect his feelings. if he’s being rebellious to help protest something he thinks is sexist or unjust, i think that’s a pretty good reason to rebel. you did a great job with him. he’s a great kid. yeah?”
“yeah,” patton says very quietly. “yeah, he is.”
“you’ve come really far,” he says, and leans to see patton better, and gently pokes at patton’s cheek, just to make him smile, and he adds, “plus, i’d think if teenage-rebel you came to the future to see that your son’s protesting the gender stuff you’d been struggling with, i think that would’ve made you pretty happy, huh?”
and, yes, patton does smile at that, and something in virgil relaxes at the sight.
“yeah,” patton says. “yeah, i think it really would’ve.”
“well, good,” virgil says, and kisses his cheek, before he decides to just kinda go for it and lean in to wrap his arms around patton, initiating the cuddling early. “so, other than that déjà vu—”
“it went okay,” patton says, wiggling into virgil’s arms. “i mean—still weird to look at the dress that my mom bought for me. but other than that, it was okay.”
virgil hums sympathetically, and presses a kiss to patton’s head.
“well,” he says. “i’m gonna adjust it so that it’s logan’s dress, and his dress only. does that help?”
he feels patton smile against his collarbone.
“you know,” he says musingly. “i think it really does.”
logan has never walked into a store afraid to touch something before.
granted, most stores he walks into are grocery stores or convenience stores; clothing stores, sometimes, mostly before the school year or whenever roman decides he simply must check out the latest collection of things that the outlet mall in woodbridge had to offer. most of the time, the stores logan knew were quiet, maybe with some inoffensive music piped in, with products he knew how to use, or how they looked.
this was not the case in a bridal boutique.
which is where logan and roman are; though logan had the dress once intended for his father, roman still needed to get his own, and had so enticed logan to come along with him to help him choose.
it’s a saturday afternoon, and they’re technically on a date. there’s a bookstore just across the street, and a frozen yogurt parlor near there, and a thrift store they could dive into so logan could see the second-hand books and roman could hunt for some kind of retro statement piece.
logan inspects his hands again. there’s a stray inky blue smear across his hand that must have gotten there when he was taking his notes earlier today. he eyes the pearly-white tulle suspiciously, and takes a step closer to the center of the room, away from any of the merchandise.
objectively, he knows that touching these delicate, temperamental fabrics and testing the sensation of them by running his hand along the skirts won’t harm them, but. logan has laid eyes upon the price tags in this room. he is not going to even slightly risk ruining these dresses, somehow. 
roman’s spinning some kind of tale for the bemused, yet seemingly enthusiastic dress attendant—something something debutante ball, something something drag family induction, something something the most experimental stuff you’ve got!—and logan considers a dress a shade of blush pink so light it’s practically white, with a delicate, lacy flower overlay, the whiteness of the flowers being the only thing to really give away the pinkness of the dress itself. he wants to reach out and rub the material between his fingers.
he also knows that, with the location in the store and the quality of the material, the dress likely costs upwards of five thousand dollars. possibly more. maybe even double.
“logan!” and logan looks away, to where roman’s waving him back toward the dressing room section. thank god, somewhere to sit and not worry about accidentally tripping over a dress and leave an irreversible mud print from his shoe, or something.
the attendant burbles something along the lines of “so supportive!” that logan doesn’t really listen to, and doesn’t really have to respond to, because she’s pointing roman in the direction of a dressing room and logan gets to sit down in a chair and finally not worry about catching a ragged edge of his fingernail in a veil and accidentally ripping it in two.
logan waits until the attendant leaves, and says, “you’re really getting a dress from here?”
“it’s not all high-end,” roman says. “they have some old samples that they’re desperate to get rid of—that’s the kind of thing i want.”
logan nods, absorbing this, and his shoulders start to relax. obviously, roman’s monetary discretions are not up to him, at all. considering it comes from either his mother or working at his mother’s studio, therefore it should primarily be roman’s concern or ms. prince’s concern, but it is reassuring to know that roman isn’t about to ransack his college fund to get a pretty dress he’ll wear once as a prank.
the attendant comes back with armfuls of tulle, which roman claps his hands at with excitement, and steps into the dressing room with her. the door closes behind them, and logan can just barely hear their muted conversation beyond the door.
logan digs around in his backpack and pulls out his history textbook, his history notebook, and a pen; he may as well study while roman’s getting primped.
he gets through about a third of the chapter on enlightenment ideals by the time the door opens again.
he puts down his pen and glances up in enough time to carefully fold his lip under his teeth in an attempt not to laugh.
roman makes sure the attendant is occupied with adjusting the train before he pulls a blech! face at logan, one he’s accustomed to seeing whenever someone attempts to serve roman anything with cauliflower.
blech, logan thinks, is right. the fabric looks like it’s made of aluminum foil. it’s all bunched up in the front, like the dress is made of paper that’s been crumpled up by a giant hand, but there’s a long train in the back, and the whole thing is bedecked with big, chunky gems, like plastic rhinestones.
of the pair of them, roman’s always been the more fashionably-minded one, but even logan can tell this dress is not good.
“what do you think?” the attendant asks.
“it’s…. unique,” roman says diplomatically, smoothing his hands along the fabric; the bodice is strange, and clearly not fitted to suit roman’s chest. “definitely on the right track toward campy. but, um—”
“you tend to favor golds over silvers,” logan offers, which is true; one of roman’s signature colors was gold for a reason. “the crumpled look isn’t the best, either. you could certainly pull off a, um—”
he makes a hand gesture, and roman offers, “high-low skirt.”
“—right, high-low skirt, but the bodice isn’t the best, either,” logan continues. “something more theatrical would suit your personality, certainly, but i think that’s more in terms of, you know. a very outdated dress, or maybe something ostentatious, but not—”
“not this kind of ostentatious, yeah,” roman finishes for him, and the attendant looks between them, seemingly starting to question why she took in two teenage boys to try on dresses. the look falters, though, and she pastes a smile onto her face—professionalism must prevail, logan supposes.
“back to the dressing room, then!”
she trots roman out in a few other options—an a-line dress with a lacy bodice and a tulle skirt, a trumpet dress with chantilly lace and a sheer back, a relatively simple a-line dress that roman keeps twisting around in to gleefully poke at the massive bow perched at the small of his back—and logan offers commentary when asked. as she sees roman adjust the bow again, the attendant smiles.
“you like the bow?”
“i like the bow,” roman agrees, grinning. “i look like a birthday present.”
“all right,” she says. “i’ll bring out something a bit more experimental again—”
at the looks on their faces, she adds, “not quite as avant-garde as the first dress. actually, it’s fairly old-fashioned, but i think it might have that theatrical aspect you’re looking for. i’ll go back and change you out of this one and bring it back for you so you can take a look, does that sound good?”
roman agrees, and accepts her hand down off the stand, with a wink at logan, before they go off into the dressing room together. logan turns again to his history textbook; he’s nearly done with the chapter, which means one less thing to stress about when he should be focusing on a date with roman.
he can hear roman laugh from inside the dressing room and, unbidden, the corners of his mouth lift, too. either this dress is hilariously terrible, or roman’s thrilled at the idea of wearing this dress which he thinks is perfect for him.
when roman hops up onto the stand, logan honestly can’t tell which it is.
it’s like some fashion designer decided to stick every terrible fashion trend from the eighties onto one dress. there are big, puffy balloon sleeves made of tulle, secured with rosettes, in addition to typical spaghetti straps with smaller rosettes all over them; there’s a panel of beading down the bodice; there’s an overlay of rows and rows of ruffly tulle over a skirt of satin.
and, of course, there is a big, fluffy bow, perched right at the small of roman’s back.
it is extra. it is absurd. it is dramatic.
“i love it,” roman says gleefully. “oh, my goodness, it’s so much!”
it is, of course, roman.
“you look beautiful,” logan offers, and roman flashes a radiant smile in his direction, before he turns to offer his exuberant thanks to the attendant, who seems relieved (”we’ve had that sample longer than i’ve worked here, i’m sure they’ll be thrilled we’re rid of it!”) and takes roman into the dressing room, to help him out of the dress and go ring him up.
logan packs up his history book with some satisfaction; he has succeeded in taking notes for this chapter, which meant that frees up some time tomorrow, which meant he could probably work to get ahead in his latin class.
or, more likely, his dad would insist he go out and do something fun, despite the fact that he’s clearly doing something fun now. and yes, fine, he’s brought his textbooks, but clearly there was time to study here, so logan will provide this chapter of notes as an example as to why studying in the midst of a date was necessary.
logan slings his backpack over his shoulder just as roman emerges from the dressing room, in the same outfit he’d been in before he’d enlisted on a dress-shopping extravaganza; despite the fact that he’s wearing a red linen button-down tucked into a pair of high-waisted, dark-washed jeans, along with a dark overcoat to fight any of the last of the spring chill, a look that still seems very put-together—it seems almost like he’s a little underdressed, after all of the wedding dresses.
he doesn’t voice this—underdressed or not, roman constantly looks lovely—and instead he offers his arm, saying, “shall we go pay?”
“we shall,” roman says in an officious british accent, probably making fun of logan, just a little, but he laces his arm through logan’s anyway, and tugs him out of the dressing room area, to the front, where he chitchats cheerfully with the attendant and takes the truly massive garment bag, hoisting it above his head to avoid letting it drag on the ground.
“virgil’s going to have a hell of a time with this dress,” roman says gleefully. “should we go and grab a cummerbund for him? you know, just to make things easier for him.”
“he’s going to complain the whole time he gets all dressed up,” logan points out.
“i know,” roman says brightly, and tugs logan again. “c’mon, let’s go drop this in the car so we can go get fro-yo. i hope they’ve got gummy worms, i wanna make the super-fruity bowl this time.”
“so it falls to me to make some chocolatey flavor, i suppose,” logan says; for the pair of them frozen yogurt, unlike lucy’s, is prone to sharing, and as to avoid unfortunate flavor combinations, such as pineapple tart and whoppers, each of them make a bowl for each flavor—one for fruity flavors, and one for chocolatey flavors. “do you think i should combine coffee and fudge brownie?”
roman kisses him on the cheek, even as he’s pushing the door of the dress store open. “you’re a genius, my darling love.”
logan realizes in the middle of a bowl of coffee-chocolate frozen yogurt that roman’s managed to get him to leave behind his textbooks in the car, along with the dress.
he can’t bring himself to mind all that much.
this plan straight out of the plot of an early 2000s movie, if early 2000s movies had meaningful and visible trans characters, is somehow working.
dee still can’t believe it, somehow, even after a weekend of getting texts from known-but-aren’t-supposed-to-be-known members of secret societies like the porcellians (the porks, to those in the know, and dee is most decisively in the know) and the clairs and the skull and dagger and the sphinx club and the order of the gorgon’s head—truly the secret society names at this school were something else. 
he’s consulting his list on his way to meet up with logan to give him a morning update (could use some more involvement from the knights of the lamp and the old crows, and if he’s truly dreaming big he’ll try to crack all twelve of the twelve peers) when he glances up to see logan at his locker, looking truly startled as he’s being accosted by a freshman, who is waving a piece of paper at him with a fierce look on her face, her voice loud, but dee can’t quite make it out over the chatter and clatter of the morning crowd getting their books for the morning, and catching up over the latest weekend gossip.
as he gets closer, he realizes who it is. poppy mcmaster, whose legal full name is so genuinely atrocious that he could only feel pity for her when he’d scanned all the freshman’s files early in the year. who in their right minds named a child coppelia parthenope mcmaster and expected them not to get brutally bullied? unless, of course, they somehow preternaturally knew that poppy would turn out with the kind of aggressive, single-minded ambition whose brashness made her preschool teacher cry.
he mostly knows her because their families move in similar social circles, as ten generations of mcmaster have attended harvard. she stands at all of 5’2”, quite a bit shorter than logan, and yet she seems to be threatening him.
dee sidles closer to get a better look at her—dirty blonde hair pulled half-up, intense dark brown eyes, chilton uniform in perfect regulation—and approaches right as she’s saying, “some discretion, for the love of god—”
“dee,” logan says, spotting him. “um, this is—” and he glances at her, eyebrows furrowing. “you didn’t say your name.”
“coppelia mcmaster,” dee says, partially to show off but also because, coppelia. “or are you going by parthenope again? or something short for parthenope, anyway.”
poppy scowls at him, fierce, and snarls out, “poppy.”
“of course, of course,” dee says placidly. “poppy. how long has it been? i don’t think we’ve spoken since your bat mitzvah. mazel tov, once again.”
“todah,” poppy says, with the kind of tone one usually reserves for saying thanks for a present they resoundingly dislike. “you’re involved in this whole debutante plot, aren’t you?”
“well, yes,” dee says. “logan’s brainchild, of course, but one could say we’re co-parenting.”
poppy then proceeds to shove a familiar piece of paper into his hands, and she says, “mr. gardiner nearly saw and grabbed this if i hadn’t pretended it was a participation sheet from the student council.”
dee sucks in a breath, turning over the sign-up sheet—oh, wonderful, they have gotten another member of the twelve peers—but his eyes also land on the Contact Logan Sanders for details.
“thank you,” dee says at last, and turns his eyes to logan. “how many of these are up around the school?”
“three,” logan says. “that one included.”
“well, we’ll have to take them down,” dee says decisively. 
“what?” logan says.
“you’ll get in trouble,” poppy says. “detention, suspension, maybe.”
“we are planning to disrupt a large social event for the daughters of the american revolution,” dee says, and glances at logan. “as you can likely imagine, social protest is not exactly the kind of press attention chilton would like to receive.”
logan scowls, and says, “tinker versus des moines—”
“—was a public school,” poppy says impatiently. “i know you came from the backends, sanders, but this is a private school. different rules apply to us.”
“plus, we’re recruiting for protest,” dee says. “i’m not sure how well the tinker test will hold up for us, and i’d rather not find out. the word’s been spread enough, we can further recruit over private text message and dms.”
logan concedes this point with a nod, and he says to dee, “i’ll defer to your judgement.” then, to poppy, “thank you for interfering. that would have complicated matters unnecessarily.”
poppy shrugs, and says matter-of-factly, “it’s common knowledge that either of you will likely be editor when i enter the franklin junior year, i may as well attempt to establish myself as one of your proteges this early on to improve my chances for being assigned the better pieces junior year, and to provide an even clearer path to editor senior year.”
logan looks startled at that, and dee turns admiring eyes to poppy—he’d known her ambitions, of course, but planning this far in advance was preparation that dee could appreciate.
she says to logan, “do you have an escort yet?”
“um,” logan says. “no. no, i don’t.”
“all right then,” poppy says, and fishes out a reporter’s notepad from the side pocket of her backpack, removing a pen from her breast pocket, scrawling, and then ripping out the paper and handing it to him. “consider the slot filled. i’ll do it.”
logan looks at the paper—her phone number—and then back at her. “you’re joining?”
“obviously,” poppy says. “the clairs are involved. my cousin was a clair, her mother was a clair. the connections you make with clairs last the rest of your life. if this helps me get closer to joining with them, i’ll do it, just so i won’t have to spend all year killing myself to get in. plus my mother has been insistent i attend a debutante ball for ages now, she’ll be crushed i’m doing it in a tux, and crushed that i’m not going for the puff route like her, but these are the sacrifices we must make.”
she doesn’t sound particularly sorry about crushing her own mother, but logan acknowledges this with a nod, digging around in his own backpack for a flyer before handing it to her.
“everyone is going to attend a sort of crash-course in debutante ball culture,” he says. “the dance, the bow, the curtsy, so on. here is the address and any supplies you should bring. do you already have a tux, or should i send you some information for rentals?”
“rentals,” poppy says, and exchanges a look with dee—dee knows logan wasn’t raised in all this, but seriously, a rental?
“i take that as a no,” logan says, undeterred, before he zips up his backpack again. 
“fantastic,” poppy says. “i was wondering about the strategy for establishing a working relationship with you, i’ve known him,” she flicks a dismissive gesture toward dee, “for years. it just so happens that this route will also help take care of my social life and allow me to enact some form of teenage rebellion, because it’s been scientifically proven that teenagers who rebel constructively form a robust sense of self and are more likely to a have a clear sense of direction, beliefs, or relational commitment, and those who don’t may find it hard to settle or focus on building a meaningful and satisfying life. this is excellent multi-tasking.”
poppy looks delighted. logan looks like he might be developing a headache. dee has found this a typical reaction to people within proximity of poppy.
virgil looks up as the bell rings and immediately steps out from behind the counter.
brick is struggling cheerfully with a stack of tupperware in their arms, and virgil takes the top few so that brick can see.
“i got it,” brick complains.
“i don’t want you tripping over chairs, i’m sure you can handle the weight,” virgil says. “i was thinking you could set up over at this table here—right by the door, but out-of-the-way enough so that you don’t have to deal with anyone bumping into you. that cool?”
“yeah, that’s cool,” brick says. “thanks, virgil!” and immediately sets down the tupperware on the table in question. virgil follows suit, setting down his own load, and arches his eyebrows, impressed.
“you guys could put fran and lucy out of business with all these baked goods,” he says.
because that’s what brick is here for—the first shift of kids manning a table for a bake sale, to raise funds to make sure the sideshire kids can afford their slots in the debutante ball. 
brick stares at him for a few seconds.
“sarcasm,” he elaborates, because brick doesn’t really pick up on that too well, most of the time.
“got it,” brick says. “um, i’m gonna go help ellie—they brought a few other things, so save up that comment for them, i’m sure they’d get it.”
“need any help?” he says, knowing full well that brick will say—
“nah, i got it!” brick says, and darts out of the diner again. virgil waits by the door, just in case they need someone to open it for them—which they do, brick with another load of tupperware, and elliott with a poster tucked under their arm, a register in hand, and a plastic jar under their other arm.
“hi, elliott,” virgil says.
“hi, virgil,” elliott says.
“right over here,” virgil says, gesturing to the table, “do you need any help?”
“um, do you have tape?” elliott asks, frowning. “i just realized i don’t have any.”
“tape, got it,” virgil says, and ducks into the back to see if he’s got any in his office.
by the time he’s come back out, brick and elliott are already seated behind the table, arranging the last of the opened tupperware, with the plastic jar having a sign taped over it saying DONATIONS FOR THE BALL, and virgil pauses to dig a ten out of his pocket, dropping it in the jar before he hands over the scotch tape.
“thanks, virgil!” brick cheers, as elliott quietly thanks virgil for the tape and goes about taping the poster to the front of the table. it’s definitely homemade—there’s glitter, and marker, and there’s a little flyer taped beside it that explains what exactly they’re trying to do at the debutante ball.
“you want drinks?” virgil asks, tucking his thumbs into his front pockets. “on the house.”
“ooh, cocoa, please!” brick says. “the—the minty one. do you still do the minty one?”
“i still do the minty one,” virgil says. “peppermint should be a year-round flavor. ellie, you want anything?”
“cocoa/coffee,” elliott says.
“that stunts your growth,” brick points out.
“i’m taller than you,” elliott tells brick, who bristles and immediately opens their mouth, and virgil ducks out to get their drinks.
by the time he brings back the two steaming mugs, brick is finishing off their tirade with “—i’ll end up built like korra, and then you will see.”
“drinks!” virgil says, and sets the mugs down in front of them. “uh, just so you know, we hit one of those weird lulls, so we’ve probably got half an hour or so before things start picking up for dinner rush.”
both of them make noises of acknowledgement.
“so,” virgil says, settling in a chair near them. “elliott, i know you were thinking about what you were gonna wear slash do, did you decide that?”
“i, um,” elliott says, fingers tracing the rim of the mug. “i thought i’d wear, like, a half-dress half-tux thing. i dunno if i’m gonna debut or escort yet, though, that kinda depends.”
“that sounds cool,” virgil says encouragingly. “do you have a picture?”
elliott does, but since it’s only partly designed—their sister liked messing around with fabrics like that—it turns out all the sideshire kids who are planning on going to the ball are in a groupchat, so after elliott’s phone pings with a message from there, there’s a brief tangent that ensues because elliott sends out virgil says hi to everyone and a picture of the bake sale, so virgil gets to hear about everyone’s plans which is also cool. and he also records a video with brick that brick pinky-promises to just send in the chat, so he ends up learning one of the latest memes that the kids are watching these days. god, he’s old.
“the debutante thing’s really awesome,” virgil says. “i kind of wish i’d gotten the chance to do it back in the day.”
elliott looks up at him, and says, “you do?”
“yeah,” virgil says. “i mean, i’m not roman or anything, but i still wear makeup a lot of the time, i’ve got a few makeup palettes, i wore some skirts back in the day—”
brick’s head snaps up at that, and they say, “you did?”
virgil blinks—he’s not sure why this is surprising, but.
“yeah, i did,” virgil says. “i bet i’ve probably still got them buried in my closet somewhere. my heels, too.”
this also gets elliott’s attention.
“you do?” elliott says.
“i mean, maybe,” virgil says. “i might have donated them, i dunno, but—”
“why don’t you wear skirts or heels anymore?” brick says.
“well, right now?” virgil says, and gestures to the outside. “it’s cold. but, uh—i don’t really know.” 
and it hits him—he doesn’t really know. he just kind of kept going for jeans.
“just a habit, i guess,” he continues to the kids, because i don’t know is a bit of a weak answer. “it’s easier to match things with jeans. plus, it looks kinda weird to wear a nice flowing skirt and then just, like, a hoodie and a pair of sneakers i wear all day because i stand all the time. and wearing heels while i stand all day is just asking for a sprained ankle.”
“yeah, that makes sense,” elliott says. “sneakers kinda clash too.”
“but you wear boots too,” brick says, and points. “you’re wearing boots today.”
virgil glances down at his combat boots, the ones that he’s also got the gel foot insoles in. “well, yeah. i guess i am.”
“and leggings or tights would probably help with cold,” elliott says.
virgil looks between them, and says, “you two want me to wear a skirt, don’t you?”
“yes,” they both chorus, unapologetic.
virgil pauses, considering this. well. he definitely has at least one skirt, maybe more, they’re probably just tucked away where he doesn’t see them everyday. and he is fully down for these kids running in there and shaking up the patriarchy. and he does support men, or anyone on the gender spectrum who doesn’t fit soundly in the box of “woman,” wearing more traditionally feminine clothing, as long as they’re comfortable with it. and the surprised looks on these kids faces when he’d mentioned he used to wear skirts more often, and then the studies he’s read of how much representation means to kids...
he turns and calls out, “jean?”
“yeah?” jean calls from the back.
“i’m gonna run upstairs for a second, would you mind keeping an eye on things out here?”
jean calls back an affirmative, and brick and elliott exchange a look, before turning back to virgil.
“are you—?”
“maybe,” virgil says, standing, feeling a strange sort of excitement just from their excitement, but also, it’s been a really long time since he’s worn a skirt, and he’d liked wearing skirts. “again, i can’t remember if i’ve donated ‘em, but—”
“awesome,” elliott says, while brick is nodding along with them, wide-eyed.
“all right,” virgil says, and then, “uh, cool” and makes his awkward exit, heading upstairs for his apartment.
it takes a bit of digging, but he does manage to find where he’s stashed his skirts over the years. he’d even managed to fold them neatly before he put them away, so they’re not even that wrinkled or anything. and then he remembers the various struggles of matching an outfit with a skirt, because in his mind, a skirt outfit has to be at least a little fancy, and so after he examines and discards nearly every shirt in his wardrobe he ends up pairing a plum, long-sleeved button-down with a black pleated skirt that falls down to his ankles, even after he tries to make the skirt a bit high-waisted.
and then he gets a little more carried away, and smokes out his dark eyeshadow and pops some purple glitter in the crease and the inner corner and does a little cat-eye for the eyeliner and puts on plum lipstick, before something in his brain says back away from the makeup products, you are in danger of re-enacting your teenage emo phase, and so he does, not without a bit of a longing look at the black eyeshadow, because this is fun. why hasn’t he done something like this in so long?
he has to pick up his skirt one hand as he walks his way down the stairs, before he tugs aside the curtain that covers up the stairs that lead up to his apartment, and steps out from behind the counter.
brick and elliott swivel to look at him in almost-hilarious unison. and then they just. stare.
oh, the staring. the whole staring thing is why he hasn’t done something like this in so long.
virgil clears his throat, running a hand through his hair to make sure it isn’t too messy. “is it that bad?” he tries to joke.
“i,” brick says, voice strangled, “am gay.”
“uh,” virgil says, unsure of what to really say to someone less than half his age declaring that, then, “i’m with patton, happily so, and also, i am way too old for you, you are a kid.”
elliott rolls their eyes, and says, “they mean you look, um. good. you look really good,” and then they elbow brick in the ribs. brick shakes themself.
“yeah!” brick says. “you look. good. you look good!”
the bell above the door jangles, then, which means brick and elliott are distracted by attempting to sell baked goods, and virgil escapes to behind the counter, ready to start up for the dinner rush.
(he does take a few seconds to remind brick and elliott that anyone over eighteen is too old for them, at the moment, and the dangers of grooming, and also he is here if they need to talk about being concerned for anyone or if they need someone to talk to, in general, before brick says, “ugh, fine, jeez, you sound like the guidance counselor” so that takes care of that particular situation, virgil guesses.)
virgil does get a few compliments on his appearance, throughout the dinner rush, and also a few questions about why he’s dressing up nice, which means he can direct their attention to the baked goods table (brick and elliott leave after a couple hours, and so a couple more sideshire high students start their shift) and the cause that they’re raising money for, so. things are going well.
he ducks back in the kitchen, for a minute, when the staring gets to be a bit Much and he needs to take a second to breathe. he’s not super anxious, necessarily, it’s just—well, he frequently has the thought people are looking at me, which tends to make him anxious, and that’s true tonight, so. he needs to take a bit of a breather. and so he cooks.
cooking’s been a good outlet for his anxiety, ever since he was a kid and didn’t really get what anxiety was, ever since he was an asshole teenager who had recently been wrangled into his first therapy session by his parents following a doctor’s diagnosis. it’s almost always the same—if you follow the same directions, you’ll get the same result, almost always. and, sure, it could be an outlet for creativity, too, if he so chose, but right now he’s grilling burgers and assembling salads and making pasta. it’s an adventure in multitasking he does almost every day. he knows what to do, and so he does it.
he feels calmer by the time they’re in the midst of the dinner rush, partially because of the time spent in here, but also because the increased business is something that’s also familiar and somewhat comforting. so he chances poking his head out of the kitchen door, evaluating if he’s ready to enter back into the fray and start helping out with the waiters. 
he pokes his head out just in time to see roman, logan, and patton sliding into a booth, and he breathes a soft sigh of relief—those are people he can definitely go over to and not start to feel nervous just because they’re looking at him.
he’s about to fully step out and make his way over unnoticed by everyone else, except—
roman looks up, and makes eye contact with him, and declares “virgil! i came as soon as i heard!” loud enough that virgil can hear it over the background music and the dull roar of the dinner rush conversations.
virgil winces a little, before he sheepishly walks over to the table. he probably should have expected this, given roman’s vocal and often repeated desires to give virgil a makeover.
all three of them come into view—roman, eager at last that virgil is stepping outside of his typical fashion comfort zone; logan, mostly neutral if a bit curious; and patton, who is staring at him, eyes wide behind his glasses, and visibly swallowing. a flare of heat burns to life in virgil’s stomach at that, and so he turns his attention to roman, so that he doesn’t start blushing and his thoughts don’t become immediately obvious.
roman looks him up and down, surveying him, before he says, “you look like a goth femboy version of a librarian fantasy.”
virgil runs a hand down the skirt, a little self-conscious. “oh.”
“but,” roman says, pulling a face at him, seemingly detecting virgil’s mood change, “at least you’re showing some sense of style. this is an improvement over your daily wear, believe me. one would even say substantial.”
“oh,” virgil says, more sarcastic this time, with an eye-roll to boot. 
“however,” roman says, “can i request that you at least extend your color palette to something that would not look at home as a poster for an emo pre-teen? and your foundation, virgil, you do not have warm undertones, you have neutral undertones, if you’re going to start wearing makeup more you need to have a summer and winter foundation—”
virgil reaches over to flick roman’s ear, and roman complains “heyyy” before logan glances up at him.
“why wear a skirt today in particular?” logan says.
“oh,” virgil says, and jabs a thumb in the direction of the bake sale table. “y’know, i figured i’d support you kids. people ask me why i’m all dressed up and so i get to point ‘em there, and then, you know, solidarity,” he says, taking his skirt in hand and swishing it a little. “win win.”
“all right,” logan says and looks across the table at roman, cocking his head.
“roman,” he says. “what is a ‘femboy.’”
roman folds his lip under his teeth.
“um,” roman says. “well, y’see—”
“i’ll get you some waters!” virgil says, before he has to bear witness to roman explaining that concept to his boyfriend and his boyfriend’s dad. he knows that a femboy is just people who are male or non-binary presenting themselves in a feminine way, the word kind of started around his teenage years, but he also knows that particular expression on roman’s face means that virgil has probably missed some segment of Youth Internet Culture that might provide the backstory behind the newfound popularity of the word a bit… complex.
by the time virgil comes back, logan is jotting something down on one of the notecards he carries around with him all the time, and roman looks normal, so the conversation must not have been too awkward, but patton—
well. patton looks at him, once again looks like he’s swallowing his own tongue, and turns his face back down to the table, but not before virgil can spot the pinkness in his cheeks.
oh. interesting.
virgil has to swallow himself, before he readies the notepad.
“what do you want for dinner?” he says, in a tone that is perhaps a bit gruffer than normal, and patton immediately and not-very-subtly puts a hand over the back of his neck to hide that that’s going pink too.
very interesting.
virgil doesn’t get much of a chance to observe this interesting phenomenon—it is dinner rush, after all, and he’s got other customers—but when he does observe it, it brightens that low flame in his stomach, like someone slowly turning the knob on a gas stove, and patton grows gradually more bold. 
looking at patton’s general personality, one would probably assume that he’s a generally shy boyfriend—hand-holding and kisses aplenty, to be sure, but fairly unassuming when it comes to public displays of attention.
looking at patton’s general personality, one would probably not assume that patton is a flirt.
but he is—he is absolutely a flirt, and a startlingly adept one at that, so when virgil swings by the table perhaps a bit more frequently than he usually would, patton stares at him with a little smirk on his face and with zero shame as his eyes roam over virgil’s face, his arms, his mouth. 
patton looks up at him from under his eyelashes, biting his lip just so, and virgil nearly drops patton’s plate—and notices, distractedly, that patton has managed to use virgil’s distraction to finesse his way into a helping of fries instead of the vegetables or salad that virgil would usually suggest.
and when virgil brings over the bill, handing it to patton, patton takes the bill and then takes virgil’s hand and kisses his knuckles with a cheerful “thanks, honey!” and virgil has certainly forgotten any anxiety that might stem from someone staring, because it’s patton who’s staring at him.
patton, who had gotten so flustered at the sight of virgil in a skirt that his eyes nearly popped out of his head; and now, patton, resting his lips against his knuckles for just a moment, lingering, and virgil feels like an elizabethan maiden about to make her way to the fainting couch because of it.
virgil excuses himself to settle the bill, and also maybe rest a cool hand against his own cheek. honestly. it was a kiss on his hand.
he’s about to go back the table and hand back patton’s card, but he glances up as the bell jangles, roman and logan already leaving, and patton stepping close to the register, his hands behind his back, rocking up onto his toes and back onto his heels.
“hey,” virgil says, and shakes himself, before he offers patton’s card. “um. here.”
“thanks,” patton says, tucking the card into his pocket, before he bites his lip. “um. could we go up to your apartment and get the book i asked to borrow?”
what book, virgil wonders, before patton hastily adds, “if you have time, i mean, i don’t wanna—take you away too long,” and oh, he wants to go—okay. okay.
“i have time,” virgil answers, maybe a little too quickly. “um—sarah,” he calls, “me ‘n patton are going upstairs for a little bit, so—”
“we’ve got things down here,” sarah says, “go, go” and so they go, patton reaching out to grab virgil’s hand and squeeze, running a thumb over his knuckles. and so they ascend the stairs.
virgil shuts the door behind them, and turns to face patton.
“i was, um,” patton clarifies. “i was asking to come up here to see if you wanted to kiss for a little bit.”
“i know,” virgil says, then adds, because consent is important, “i do.”
“oh thank god,” patton breathes out, and before virgil can get out a response, patton surges up against him, rocking up onto his tiptoes and pressing virgil back into the wall, and virgil barely has the time to wrap his arms around him before patton’s kissing him with searing heat.
patton is a remarkable kisser, genuinely the best that virgil thinks he’s ever been fortunate enough to kiss, and patton knows the precise angle to tilt his head and the precise way to possessively splay a hand at the back of virgil’s neck to make the kiss deep and heady and excellent, a kiss so downright lascivious that virgil’s thoughts about retiring to a damn fainting couch doesn’t seem near dramatic enough.
virgil is distantly aware that patton must be rocked up onto his tiptoes, and he splays his hand at patton’s waist, squeezing him gently, giving himself the excuse that it might help patton keep his balance a bit better, and also because his hand fits so beautifully at patton’s waist it could make virgil cry, the warmth of him even through his sweater and the way he can feel patton breathing in unsteady breaths, so maybe virgil isn’t the only one who is losing it here a little.
simultaneously, like they’ve choreographed it, they stumble back together until patton’s knees hit the arm of the couch and virgil practically falls on top of him, virgil barely breaking the kiss to make sure he hasn’t crushed him before patton’s twining his fingers into virgil’s hair and dragging him back into the kiss, wriggling a little so that his thigh is pushed between virgil’s, and virgil groans into his mouth, patton greedily swallowing the sound.
time goes a bit fuzzy, then, everything narrowed down to patton’s breathy gasps and the slick slide of his lips and the warmth and pressure of a thigh between his own and patton’s wandering, unabashed hands in his hair, on his back, wandering down to give him a cheeky squeeze, gripping at his thigh, like patton’s using the touches to punctuate a sentence that virgil has no hope of reading but it sure sounds nice anyway. 
and then there’s a loud sound—someone’s dropped dishes downstairs—and they break apart, the pair of them looking toward the apartment door, startled, and as soon as it sinks in what it is that’s happened, they look back at each other.
patton’s smiling up at him, plum lipstick smeared all around his mouth, coy and unashamed, but with a little quirk at the corners that tells him that make out time is probably over. it is an image that immediately sears itself into virgil’s brain that will probably pop up at incredibly inconvenient moments, but he cannot really feel bothered about that right now, because christ is that unexpectedly hot.
virgil clears his throat, because there’s never exactly a non-awkward way to end something like this, that is until patton’s brow creases and he reaches forward to touch virgil’s lips.
“oh, no,” patton says, a little distressed, “i messed it up!”
“i can redo it,” virgil promises immediately, barely even thinking of the words before they’re out of his mouth in attempt to make that coy little smile come back, and he clears his throat to try and make his voice go back up to its usual octave, not the gruff and low near-growl that came out of his mouth. “um—you kind of have—”
patton’s brow creases even more, before he wiggles a hand free from under virgil and smears a finger beneath his bottom lip, holding it up to see for himself, and he giggles.
“i guess i do,” he says, and beams up at virgil. “be a dear, would you? i don’t wanna walk out there and make it too obvious that we’ve been mackin’ on each other this whole time.”
virgil nods, and, regretfully, rolls off of patton to go to the bathroom, attempting to steady his breath the whole way. 
he bends to get the makeup remover from under the sink, and straightens, at last looking at himself in the mirror.
he looks thoroughly kissed.
his plum lipstick is smeared all around his mouth, down his chin, which shows off how his lips have reddened and gone a little swollen; his black hair is ruffled, especially sticking up in the back; and the generally gobsmacked, slightly stupid look on his face is a dead giveaway that he’s been spending time kissing patton.
there’s the soft padding of footsteps, arms wrapped around his waist, a face pressed between his shoulderblades, before patton pokes his head around him to see himself in the mirror, too.
he bursts into more giggles at the sight of them—matching messy lipstick, matching messy hair, matching slightly stunned look, except on patton it doesn’t look stupid at all, it looks like he’s thrilled with himself, a smirk playing around the corner of his mouths, like a particularly flirtatious cat who’s caught particularly prettily painted canary.
virgil can’t help but grin, too, and patton arches up to press a deliberate kiss to tendon of virgil’s neck, and virgil’s grin turns into a groan, more out of frustration than anything.
“what?” patton says, smiling playfully at him in the mirror. 
“if you keep doing that,” virgil says, and then he’s at a loss for words, but patton seems to get it, slipping out from behind virgil but still leaving an arm wrapped around his waist.
“i don’t particularly want to stop, either,” patton agrees, before he reaches up to turn virgil’s attention away from the mirror, and so that he’s looking directly into patton’s eyes instead. patton continues, voice lush and full of promise, “i’d keep you up here all night, if you wanted, but, well.” 
“we’re taking it slow,” virgil says ruefully.
“we’re taking it slow,” patton agrees. “plus, you’ve got a diner to close, and i’ve got a kid at home who’ll probably stay up too late reading if i don’t bug him about bedtime.”
“yeah,” virgil says, but he can’t help but sigh a little—they’ve both agreed that moving slowly is the responsible thing to do, they’ve talked about it a lot, first to agree to slow then later to refine their mutual definitions of slow, which turned out to be pretty damn different at first, but. well. 
“i know,” patton agrees fervently. and he really does—he’s literally the only other person right know who understands exactly how virgil’s feeling, and that sets him at ease more than anything.
“all right,” virgil says, and peels back the top of the makeup removal wipes package, removing one. “lemme see your face.”
patton obligingly tips up his chin at virgil, smiling.
virgil cups the underside of his jaw and works to clean off patton’s face, gently rubbing away the plum smears around patton’s mouth with a purposefully soft hand. 
it takes a few wipes for virgil’s lips to twitch up into a smile, too.
“stop it,” virgil scolds, without any heat.
“stop what?” patton says, still smiling.
“you’re smiling at me,” virgil says. 
“what, i can’t be a little happy that i spent some quality time with my fella?” patton asks. 
virgil ducks his head, because that’s one of his top two love languages, and patton knows it. instead, he says, “‘course you can, i am, too. but you’re gloating.”
patton’s grin widens, and virgil sighs, lowering his hand—he won’t be able to help patton at all with patton grinning up at him like that.
“i have,” patton says, “the prettiest fella. i’m allowed to feel at least a little smug that you’re the belle of the ball tonight, darling.”
“stop,” virgil grumbles, looking away.
“what?” patton says. “it’s true! you’re gorgeous, honey.”
virgil mutters under his breath and rubs at the back of his neck—he isn’t the best with accepting compliments, he never has been, especially when it comes to things like this.
but, well—
“so,” virgil says, staring at the makeup wipe in his hand. “you… liked it?”
“liked it?” patton says.
“y’know,” virgil mumbles, and gestures vaguely up and down his body—the skirt, the makeup. “it.”
patton grins up at him, and tugs him down a little so that they’re eye-to-eye.
“i,” patton purrs, “love the skirt.”
it takes a little bit longer to get polished back up after that. and if, perhaps, virgil walks around the diner a bit more at ease than before, with a bit of a stupid smile on his face even after patton blows him a kiss on his way out of the door, well. that’s virgil’s business.
christopher calls when logan’s studying at the diner. his dad’s already headed home, most of his dinner conversation having been rhapsodizing his deeply-held desire to put on his pajamas. virgil’s busy behind the counter settling everyone’s bills now that the bulk of dinner rush is over.
it’s still unusual enough to logan that christopher brings himself to call semi-regularly now—even stranger that it’s weekly, and on a set schedule. wednesday nights at seven. he even remembers to call precisely on schedule, most of the time. but still—every time his cellphone buzzes and lights up with a photo of him and christopher and dad at a sanders-hosted thanksgiving a few years back, he’s surprised.
it takes quite a bit of work to unlearn sixteen years that consisted mostly of irregular, unscheduled visits and not showing up when the visits are actually scheduled, logan supposes.
“hey, kiddo!” christopher says brightly.
“hi, dad,” logan says, digging around for a bookmark, before giving up and placing a clean knife in his science textbook to mark the page and closing it. 
a moment later, logan curses his mental preoccupation with studying and the upcoming phone conversation he’ll have to have—the napkins are right there.
“so, what’re you up to?”
“studying.”
“you’re always studying,” christopher says, and there’s something in the tone that sets logan’s teeth on edge; he knows that christopher isn’t exactly academically inclined, and in fact would likely be better described as an academic anarchist, seeming to disdain upon the opportunities and privileges he was given with no strings attached that logan would almost certainly kill to have, not to mention many other people who would put it to better use, but. it’s not the time to pick a fight, logan supposes.
“yes, well,” logan says. “i have science test this week.”
“you’ve always got tests.”
“chilton is an academically rigorous school,” logan says, in a tone that implies he’s explained this a hundred times, because he has. “and i would like to maintain my position as a competitor for the top of my class. how are… things?”
this allows him a brief reprieve—since the official collapse of christopher’s business, not too long after he’d visited last fall, he’s been picking up a variety of odd jobs and temporary work, whatever catches his interest—christopher spends about five minutes explaining that he’s found some temporary work at a bar, now, to make some spare cash as he looks for something more permanent during the day. 
“—but yeah, that’s about all that’s going on with me right now.” a pause. then, christopher prompts, “how about you?”
logan shrugs, even though christopher can’t see it. “not very much. the test. i think i did well on a pop quiz on monday—”
he explains his various schoolwork and extracurricular activities—christopher hums in all sorts of places—before he adds, “oh, and roman and i went on a date on saturday.”
“hey, finally, something fun!” christopher says. before logan can even say something like but the debate team’s mock trial was fun, he says, “what’d you do on your date?”
“we had frozen yogurt,” logan says, “and roman wanted to go to a thrift store to get some things, and we both got a couple books, and roman got something for the ball, so that’s good—”
“whoa,” christopher says, “hang on, rewind. the ball?! what ball?”
logan winces.
because, well. it’s complex to navigate building a relationship that he initially blackmailed his father into, rather than have him propose to his dad. it’s even more complex to figure out how to handle a dad who had, for sixteen years, mostly showed up in irregular, unscheduled visits and not showing up when the visits are actually scheduled. 
he has a dad. for the vast majority of his life, patton has been the only biologically-related adult on whom he could rely. if there was ever anything a parent needed to be involved in, whether it be a parent/teacher conference, or parent’s night, or a parent volunteer for his classroom—he’s always penned down patton sanders without a second thought. virgil, occasionally, if he’d known that his dad had a scheduling conflict, but—always, patton first. that’s just the way it is. christopher had never even stepped foot in sideshire before last fall.
but now, well. now, he has to navigate should i have asked him to come back for this? because the rules say he needs his dad to escort him. 
and for so long, he has been so used to only having one of those. (well. two, but one biological dad. the other one kind of adopted him on sight and now he fusses after logan getting proper vegetable and protein intake.)
having both parents be involved in your life is even more unnecessarily complicated than i could have anticipated, logan thinks, before he pinches the bridge of his nose.
“um, yes. a ball. the daughters of the american revolution debutante ball, to be more specific.”
“you’re kidding,” christopher breathes out. “jeez, what kind of dirt does emily have on you that you had to recruit your boyfriend to escort some girls, too?”
logan blinks. “i have no idea why a handful of soil would motivate me to do that?”
“no, like—” christopher begins, and, perhaps, logan was overemphasizing his usual ignorance for use of slang just to give himself a break.
“well, that isn’t the case, regardless,” logan says, before he decides to just get it over with. “he was getting a dress. we both have one. we’re going to be the debutantes, not the escorts.”
there’s a pause.
“is this a gay thing?”
logan cringes, ever so slightly—christopher sounds more bemused than anything, so logan doesn’t think it’s a necessarily passive-aggressive comment, rather a more genuinely ignorant one.
“no, it’s not—” logan says, and pinches the bridge of his nose a little harder. “it’s not, um. a gay thing. we’re recruiting a lot of chilton students and sideshire kids to join in, it’s more of a public statement than anything.”
“oh,” christopher says, still with that tone of bemusement. then, “a public statement of what?”
“we’re making a statement about how sexist it is that society still deems it appropriate to trot young women around like that,” logan says. “we—the boys, i mean—are wearing dresses as a gesture of support and solidarity with them.”
“oh,” christopher repeats.
there’s an even longer pause.
“how many people did you say you got to join in?”
“we’re almost at forty, the last time i checked,” logan says, and christopher whistles lowly.
“your grandma’s gonna throw a fit.”
“we told her, actually,” logan says. “i wanted to see if she still had the dress she was going to make dad wear.”
“and how’d she take that?”
“she’s making me wear heels,” logan grouses, and christopher laughs.
“well, can’t say i expected her to be especially nice about anything,” christopher says. “so, tell me all about this massive prank you’re cooking up, then, i knew that some of my teenage troublemaking had to rub off on you somehow.”
though logan wants to say it’s not a prank, he supposes that it doesn’t exactly harm the movement if christopher thinks that; it’s not like he’s about to tell christopher the real reason, after all.
but logan tells him, all about the chilton kids, and the sideshire kids, and the upcoming Culture Day that his dad and isadora were organizing, and the bake sale that the sideshire kids were doing to raise money to actually enter into the ball in the first place, and the way logan’s had to hide sign-up sheets from teachers, and it seems to go okay. 
that is, until christopher says, “hey, i guess if you’re going as a debutante, you need your dad to escort you, right?”
“oh,” logan says, and coughs. “um, actually, dad’s already doing that.”
there’s another long pause.
“oh.”
“i mean,” logan says, and shrugs, even though christopher can’t see it. “you’re saving up for other things, you hardly need to come out from california just to do this.” 
“i would’ve,” christopher says, defensively. “if you’d asked.”
“right,” logan says, and the sarcasm slips through before he can even really attempt to modulate it into something resembling politeness.
“i would’ve,” he repeats, more insistently. “i know i haven’t been the best—”
“look, i have to get back to studying,” logan says, cutting off whatever platitude about i know i wasn’t present for you throughout your childhood, when you most would have needed the stability of your other parent, but i am trying now after you had to blackmail me into not upsetting your life, “next week, we’ll talk?”
another pause. a defeated sigh.
“sure, kid,” he says. “yeah. i’ll talk to you next week. same time. love you.”
logan flounders, for a moment, before he says, “next week, then, bye,” and hangs up before christopher can return the farewell salutation.
logan takes a moment to lift his glasses so he can press the base of his palms into his eyes, before he resettles them on his nose and opens his science textbook again.
the conversations with christopher are… something. they tend to go cordially most of the time, even, it’s just—
well. like he’d thought earlier. he’s so used to having one parent, and christopher only ever making contact irregularly. no guarantee for birthdays, no guarantee for christmases, no guarantee for thanksgivings. no guarantee for if logan really wanted to lean on someone, if he’d be there, solid and steady, or if logan would be sent sprawling to the ground. metaphorically.
it’s a bit like that cartoon that logan recalls, as a child—lucy, holding the football, insisting that she wouldn’t yank it away at the last second, leaving charlie brown tumbling head-over-heels.
christopher has insisted that he wouldn’t yank the ball quite literally since logan was born. forgive logan if sixteen years of ending up flat on his back hadn’t exactly endeared him to exactly trust that christopher would hold the ball steady, even if christopher had ended up being much more punctual and consistent with phone calls than expected.
it’s just—difficult. to adjust. to really believe that christopher might stick around, this time.
he suddenly feels his (already immense) sense of respect for patton rise all the more, because he trusts people like this all the time, no matter how many times he’d ended up flat on his face; logan’s thought it naivete for so long, that now that he’s attempting to practice it, he finds himself… well, if he’s to continue the metaphor, he’s found himself unwilling to even attempt the run-up to the ball.
logan attempts to shake himself, as if the thought is something that he can dislodge, like water in his ears. he refocuses on his textbook and readies his pen for any notes that he needs to take. which he does, for a while, his pen scratching a familiar rhythm under the quiet rush of other people’s conversation, and the soft, inoffensive music the diner plays, that is, until the plastic of the pen cracks under the force of his grip. logan scowls, and tosses the pen aside.
“here.”
logan looks up, startled; virgil’s standing over him, holding a small plate. he’s wearing another skirt today—purple, and it falls just below his tights-clad knees.
“what’s that?”
virgil sets down the plate, careful to avoid any notebooks, pens, or textbooks. there’s a slice of loganberry pie on it, which is actually logan’s favorite, despite the downside of the many puns his dad has made about logan liking loganberry pie.
“you look like you need pie.”
“i do?” logan says cluelessly.
“pen tossing usually signals the need for pie,” he says.
“you,” logan says. “brought me pie.”
virgil arches his eyebrows. “i could take it back.”
“thank you,” logan says quickly, sliding the plate toward himself, as if virgil would snatch it away, and virgil snorts, reaching out to ruffle logan’s hair before he retreats back to the counter, and—
and it really is just the sugar that has logan’s shoulders relaxing as he stares at his science notes, he tells himself.
the science test is predictably grueling. logan sits at his lunch table, his brain still tracking over various formulas and small facts he’d memorized, as if in a half-stunned stupor.
there’s the sound of a tray clacking on the table. logan looks up, startled.
dee, in his usual cape and hat, looks over at him, and arches his eyebrows as if daring him to say something. after logan blinks at him owlishly, dee resumes settling himself, as if he has sat at logan’s lunch table a great many times and not at all as if this isn’t the first time he’s done this.
come to think of it, logan’s uncertain if he’s ever even seen dee during their lunch period before. he sets aside the question of then where does he eat??? and instead reaches into his lunchbox, grabbing something at random to start eating.
a clementine. okay.
logan starts peeling the clementine as dee gets his lunch tray in order, and dee says, very casually, “would you like to come over so we can discuss arrangements?”
logan’s fingernail catches; he resists the urge to curse as he punctures the fruit, and instead reaches for a napkin to wipe his hand dry of juice.
“arrangements…?”
dee looks at him. “for the project.”
logan’s test-addled brain then proceeds to panic and mentally trace over every single one of his shared classes with dee, attempting to pinpoint how on earth he possibly could have overlooked an upcoming project, before—
oh.
“i—yes,” logan says, and resumes peeling the clementine. “yes, that works out fine, i think. um—do you live near a bus stop?”
dee flaps a gloved hand at him dismissively. “i’ll have one of the drivers take you back home.”
one of the drivers??? then, he has even one driver???? what on earth necessitates plural drivers???
“i… sure,” logan says, rather than comment on that, “i’ll text my dad and tell him i’ll be home late.”
dee nods, and so logan eats his clementine in sections as dee’s lunch tray depletes with a rate of speed that would already be impressive if not compounded by the fact that logan doesn’t even really see him eat, before he pulls out his phone and texts his dad, I’m going over to Dee’s after school, I’ll let you know how long I’ll be there when I have a better idea of the time frame.
he’s walking to his next class when his phone buzzes, and he glances at his phone. 
Dad: okay!!! say hi to the adults and be on your best behavior! love you, have fun!!!
he is uncertain how much ‘fun’ will weigh into the activities for any event at dee slange’s house.
dee’s pretending to be on his phone almost the entire time a chauffeur drives them back (he could have driven, but he hadn’t felt like it this morning, so therefore he didn’t have his car in the afternoon) but really he’s looking out of the corner of his eyes at logan.
logan is sitting stiffly, and he has been since he’d gotten into the car; it’s as if he’s nervous he might scuff up the leather if he moves. he’s holding his backpack in his lap, and his eyes keep darting to the driver, suit-clad and silent, and out the window, before glancing at dee, and then back out the window. 
as they creep up to the gate, and the chauffeur inputs the code that’ll open the gate so they can drive up the maple-lined driveway, to the house, dee has abandoned the ruse entirely, because logan looks the most confused dee’s ever seen him look.
the look only grows more obvious once they break past the trees, and logan actually gets a good look at the house; dee knows the townhome was designed to be magnificent, especially on first glance, but he’s been so accustomed to it that seeing logan’s eyes dart from the fountain in the middle of the driveway to the sprawl of primroses and lavender and hydrangeas and all the rest of the landscaping, and the towering height of it all, the brick crowded with overgrown ivy and climbing roses. the historic townhome may not have multiple wings, and it might not really hold a candle to the ultra-modern mansion where his parents live, but it still, certainly, is impressive.
“you live here?” logan says, stunned.
“obviously?” dee says.
he’s tempted to say something like if you ever saw my parents’ house, maybe pull up that old e-edition of a magazine that had covered it once, just to see logan’s eyes pop out of his head, but the chauffeur puts the car in park and logan’s saying “thank you, sir,” and scrambling out of the car as quick as he can.
dee arches a brow, and the chauffeur moves to open the door for him, because he was raised with manners, jesus, wasn’t this emily and richard sanders’ grandson? one would think he’d know something about how to comport himself.
his brain provides several mental images, though: the little yellow clapboard house logan lived in, the absurdly picturesque tiny town full of brick buildings and repurposed barns and colonial charm, logan’s voice saying, my dad and i were effectively homeless until i turned six, and feels a strange clenching in his chest. 
dee shoves it down and arranges his face into his typical boredom by the time he’s walking up to the front door, logan quickly falling into step behind him.
he opens the door—the chauffeur’s going around to the servant’s entrance—and by the time he’s stepping through the door, nanny has materialized at his side, and looks only slightly surprised that there is another teenage boy with him.
logan is too busy looking around at the entry hall—the rugs, the paintings, the furniture, the post-its stuck up on the front door—to really notice any of that, for which dee can’t help but breathe a little sigh of relief.
“hello, we have a guest,” nanny says. 
“i told granmè,” dee says, and his stomach sinks as nanny gives him a sideways look, as if to say you know better than to let that serve as a notification system anymore, before she refocuses on logan.
“your name, young sir?”
“um, logan,” he says, looking boggled that he’s being called sir, and adds, “sanders. logan sanders.”
“emily and richard’s boy?”
“their grandson, yes,” logan says, looking to dee for some kind of help; dee would shrug at him, if he wasn’t kind of enjoying watching the usually unflappable logan flounder a little bit.
nanny nods, and says, “welcome to the lavandelands,” which is technically the townhome’s name, but they only ever use it to introduce the house to new visitors, so dee forgets the townhome has a name at all until it comes up again—it’s the same with the manor, which is technically the hearthfields. logan doesn’t seem to notice, nodding at her like he can’t think of anything else to do.
nanny turns to dee, instead, and asks, “would you care for any refreshments?”
“just the usual tea should suffice,” dee says. nanny looks at logan.
“um,” he says again—dee is a little delighted, because he has never heard logan get so knocked off-center before, and after all this attempted antagonizing about his grades all it took was bringing him to his house—“just—just water’s fine. thank you.”
nanny nods, says, “i’ll be with your grandmother in the greenhouse. mr. sanders, it was a pleasure to meet you, please have mr. slange ring for us if you require anything,” and sweeps off.
“you have a greenhouse?” logan says blankly.
“we have a greenhouse,” dee confirms. “you can see it later, if you’d like. shall we go study?”
logan nods, and falls into step behind dee; dee considers going to the dining room, the way logan did when they were making posters at his house, but he wants nanny, bertie, ingrid, and martha to have plausible deniability in case his parents demand to know if they’d heard anything about this, and so he leads logan up the staircase and into his room.
it’s been cleaned today recently, he can tell; it smells like the lemon candles he likes, the ones martha lights whenever she airs out his room, so the room is in its tidiest iteration; vacuumed rugs, swept and mopped hardwoods, dust-free surfaces, with a made bed and no mess anywhere anywhere.
it practically seems like a hotel room, if not for the legal pad on his desk with his handwriting on it.
and of course, logan crosses almost immediately to the desk; dee only catches on a minute later, when he bends slightly to get a better look inside the vivarium.
“luke, leia, and han, right?” logan says, glancing at dee for confirmation before scanning the plants and rocks; dee crosses over, too, and gestures toward the rock in the back corner—mostly hidden by plants, but the sun lamp shines directly upon it.
“they like to nap here,” dee says, and he’s right—luke and han are curled up, sunning themselves, and logan makes an ahh noise when he spots them too.
“they’re larger than i expected,” logan says, staring at them, eyes lit up with curiosity.
“mm,” dee says vaguely. “females tend to be longer and bulkier than males. leia’s biggest, she’s a little over two feet.”
“where is she?” logan says. “you said she was the checkered one.”
dee tries his hardest not to seem surprised, but—logan remembers his snake’s markings. from a a throwaway comment he made nearly a month ago. 
“probably hiding,” dee says. “she likes to stick near the water, so she’s probably curled up under the lip—”
logan kneels down, all the better to see, and he says, “i see her!”
“asleep?”
“i think so,” logan says, and frowns. “i’m not as familiar with snakes as i am with other reptiles, though.”
dee blinks. “which reptiles are you familiar with?”
“frogs, mostly,” logan admits. “lots of frogs and toads would be around the pool, when we lived at the inn, and they’re very common in the pond there. salamanders and lizards, sometimes, during summers. i had a brief phase of hunting for reptiles and bugs, i thought i would be a reptile research journalist, or something—i kept bringing them home and dad had to pretend he wasn’t scared of any creepy-crawly bugs or scaly things, he’d call over virgil so that there was someone i could show all the bugs to who wouldn’t get freaked out.”
dee has a mental image, then, of logan—shorter, and baby-faced, holding up a salamander and babbling to this mysterious virgil about its various properties, who would nod and ask questions and generally care what a child thought, his dad shoving down his fear long enough to listen to logan, because it’s something that interested him, something that logan cared about.
and then a memory of himself, hip-deep in snake research books, trying to tell his new adopted parents all about why snakes were so interesting and cool, and receiving three snakes for his first birthday state-side and overhearing maybe she’ll shut up about the stupid snakes now, his mother saying at least we won’t have to see them, they’ll be in her room, maybe she’ll stay there more and children should be seen and not heard as nanny and martha tidied up the wrapping paper from his birthday party—
he squashes the not-jealousy with extreme prejudice. 
“oh, and the occasional turtle,” logan adds, breaking dee’s train of thought. “not many snakes, though; not many of the inn’s employees were keen on letting the five-year-old try to find out if one was venomous or not, so i’d be stuck watching if they ever found one.”
“...right,” dee says, unsure of what to really say to that. also, he’s a bit busy listening to the purposefully-heavy footsteps coming down the hall.
“so i’ve never seen snakes up close like this,” logan finishes, and dee just. nods.
fortunately, a knock on the door breaks any lingering awkwardness; dee calls out “come in!” and nanny comes in with a tray of a typical afternoon tea.
“just leave that on the storage bench, thank you, nanny,” dee says briskly, and so nanny sets the tray of snacks on the bench at the base of dee’s bed, before she presents a water bottle to logan, and says, “there’s a chilled glass for you on the tray.”
“oh,” logan says, and takes it. “um. thank you.”
almost as if he’s unable to help it, his fingernails tap-tap-tap against the water bottle as he looks at the design, whatever sense of culture shock that might have faded after looking at the snakes rearing right back.
“thank you, nanny, that will do,” dee says, and nanny nods to him, before she departs and closes the door on the way out.
“this water bottle is made of glass,” logan says, as if it’s a question.
dee arches an eyebrow at him. “do you not like water served in glass? do you only like plastic containers for your water? shall i call for nanny to get you a plastic cup?”
“no,” logan says, “no, it’s just—” and he squints at the label, before he looks up at dee and says, “this bottle of water is from a glacier.”
“you can keep the bottle, if you like,” dee says, “we have plenty more.”
“the source is only accessible from the ocean.”
“yes, i heard you,” dee says. “it’s not like i would already know this, since i have lived in this house and had that water for years, but do go on.”
“our goal was to create the world’s first luxury premium glacier water product with unmatched quality—purity—elegance. created from an award-winning source, from the hat mountain glacier in beautiful british columbia, canada, we have captured the hearts of water connoisseurs worldwide,” logan reads from the label, and looks up at him. “dee.”
“i don’t understand what your issue is with the water,” dee says, even though he’s very aware that logan’s issue is primarily you even have fancy WATER?! but it’s fun to see how absolutely bemused he is over it. “if it’s good enough for water connoisseurs worldwide, it should certainly be good enough for you.”
logan hesitates, before he sits on the bench at the end of dee’s bed, and picks up the chilled glass. oh, nanny set out to impress, that’s one of the nice crystal glasses that granmè only ever really brings out for parties.
it also has the added benefit of logan’s eyes becoming even rounder behind his glasses, and looking between the water bottle and the glass, as if weighing if he’s blue-blooded enough to consume it, or if he’s so much of a commoner that taking a sip of it will cause him death, like the false grail in indiana jones.
evidently, the combined hayden-sanders genes must win out, because he carefully pours himself a glass, and then looks even more hopelessly confused when he turns his attention to the tea tray.
really, dee at the start of the school year would be clapping his hands in absolute glee at how much he’s managed to catch logan off-guard.
“are these cucumber sandwiches?” logan asks faintly.
“ooh, yes,” dee says, plucking one for himself and promptly shoving it into his mouth, fast, so that sanders won’t notice while his attention is captured by their snack. “plus pear and stilton, here, and ham-brie-apple, and pesto chicken, and those ones are prosciutto-fig, i think. of course there’s scones and clotted cream, battenburg, crumpets...”
“you,” logan says, looking hopelessly lost, “you just asked for tea?”
dee looks at him, amused, even as he’s pouring himself a cup of tea. “my grandfather was english, sanders. it’s afternoon tea.”
logan blinks, before he says, “i didn’t know that. that your grandfather’s english, i mean.”
“and my grandmother’s french,” dee says. “my particular branch of slanges relocated to the americas much later than your branch of sanders did.”
“you know that?” logan says, startled.
“of course,” dee says. “sanders’ came over on the mayflower, daughters of the american revolution, et cetera et cetera. our grandmothers have been friends for years, did you really think i wouldn’t know?”
he waits a beat, before he adds, “and, well. know your enemy.”
“i suppose you took that much more seriously than i did,” logan says at last, before he reaches for a safe option—a blueberry scone—and cracks it open, spreading it with jam.
“yes,” dee says pridefully, “yes, i did.”
logan rolls his eyes, even as he plops a generous helping of clotted cream on top—
“oh, cornish method, interesting,” dee says, just to see that confused look come rearing back, and is immediately satisfied—
before logan shakes himself, and says, “why did your grandparents relocate here, anyway?”
dee tries his very best not to brighten too obviously, it’s just—it’s been so long since someone so blatantly handed him an excuse to spin stories on a platter.
“well, that’s a very interesting story,” dee says, leaning back, “and really, it all starts with my great-grandfather. or, rather, my great-grandfather’s very distant cousins. you see, my family had a lordship—”
logan looks at him, surprised.
“—a very minor lordship,” dee says, “technically barons, not dukes or anything. you probably wouldn’t have heard of them, it’s not like they were major members of the house of lords or anything. anyway, my great-grandfather didn’t know that, because again, he was a very distant cousin, and the main line of the family had three daughters. no women could inherit.”
logan frowns. “sexist.”
“mm, quite,” dee says. “anyways, they were counting on a closer cousin to inherit—a second cousin, i believe—but he tragically died in a boating accident, and so the family came calling to my cousin—who was a solicitor at the time—and brought him to the estate, which was called,” dee quickly casts about for an alike-enough name, “...upton priory.”
and so dee goes on cribbing details from the first three seasons of downton abbey, changing names and having a merry old time. logan gets close to realizing—he says “that sounds rather familiar, actually,” when dee reiterates the whole plotline of his supposed great-grandfather’s valet getting arrested for supposedly murdering his wife, to which dee says, “it was quite a scandal, perhaps you’re remembering the details from your grandmother, goodness knows she’d find it fascinating,” which buys him even more time until he kills off his great-grandfather, the matthew stand-in, after the birth of their second child.
logan frowns, and says, “well, that’s rather sad, but—i thought you said your grandfather was eldest? why would he give up a lordship?”
“why else, sanders?” dee says, and gestures expansively. “love.”
logan arches his eyebrows, and takes another sandwich—he seems quite partial to the pesto chicken and ham-apple-brie—and says, “go on, then.”
and so dee goes on stealing details and weaving a story, this time from the king’s speech, explaining how his grandmother was a divorcée (she is not) and his grandfather wanted to marry her anyway, as they’d met and she’d become his mistress during an outing to new york (possibly true, but in the same way that the moon landing being faked is possibly true) but as she was a divorcée (again, untrue) and he was a prominent member of the church of england (as far as he knows his grandfather was a catholic) to have a lord marry a divorcée had caused quite the drama between the family, and then dee cribs even more details from downton abbey to describe the fight, mounting and dramatic and full of high passions, going on for another fifteen minutes, until his grandfather finally decided—
“to abdicate the throne?” logan finishes dryly; they’ve picked the tea tray mostly clean of snacks, by now, and logan’s long since finished his water and has stolen a cup of tea. “i didn’t realize you were a descendant of edward the eighth. should i have been calling you your majesty this whole time?”
dee tries his very hardest not to pout, but he does cross his arms. “how long have you suspected?”
“around the time you said he gave a lordship ‘for love,’” logan says, “but i knew for sure when you started talking about how your grandmother became a mistress in new york. she’s french.”
“damn!” dee says, not really angry at all, but still, he had to keep up appearances. “i managed to fool brad with that whole backstory until he saw the king’s speech five years later.”
and then dee waits; he waits for logan to get mad, or to snap at him for wasting time, something that dee will attempt to brush off and maybe even laugh at. he waits for logan—journalism-obsessed, fact-checking, scientifically-minded logan—to react to what was dee, essentially, lying straight to his face for about half an hour.
but then:
“well, that’s brad,” logan says, “it doesn’t take much to fool him, i’d imagine.”
dee smiles, pleased. “no, it doesn’t.”
“so where was the other stuff from?” logan says. “upton priory, i mean. i’m assuming that doesn’t exist. i know the story from somewhere.”
he’s… curious.
he’s curious??? dee repeats to himself—this is logan, who is, as stated, journalism-obsessed, fact-checking, scientifically-minded—he doesn’t seem mad. he just seems… intrigued.
this bears much more investigation that dee would have thought prior to inviting him over.
“downton abbey,” dee allows. “i can’t believe you caught onto the historical significance of edward the eighth meeting his mistress in new york, and yet i throw three season’s worth of downton abbey at you and not even a little bit of recognition.”
logan shrugs. “i’m not very good with pop culture. that’s more—” and very suddenly he looks like he wants to slap a hand to his forehead, if logan was at all prone to dramatic, cliché gestures like that. “roman. he was going on for days about matthew dying in the same season they killed off sybil, that’s where i heard all of it before, it’s from roman.”
“the boyfriend,” dee says. 
“yes, the boyfriend,” logan says, “who is very excited for the excuse to wear a pretty ballgown, by the way.”
dee accepts this for the subject change it is, and digs out his notebook and a pen.
“right, then,” he says. “as previously discussed, i’m handling chilton participants, and i’m pleased to announce that with the addition of ana salazar, the entirety of the clairosophic society are involved.”
“oh, excellent,” logan says, and so dee goes on listing chilton students they’ve enlisted—he’d been right, recruiting the puffs and the skull and dagger had caused a wave of wannabes to join in too—and they discuss setting up a form for people to ensure that they’ve paid their way in, dee eventually digging out his laptop and making a couple drafts of one. 
as he does that, logan talks about the sideshire students (behind on payments, but they’re doing an ongoing bake sale at virgil’s, which, dee doesn’t know how small town things work, but he supposes he should trust that logan knows what he’s talking about) and logan taps his own notebook with his pen, going over all of the entrants and discussing anything that needs finer-tuning—not very much on their end, it turns out, but they’ll definitely need to have another meeting after what logan’s dad is apparently calling get cultured day, where he and logan’s boyfriend’s mother will teach everyone the dance they’ll need to know and the proper way to curtsy and so on.
logan scans over his notes, nodding in satisfaction, before he says, “we were a bit oversaturated on debutantes, the clairosophic society should help balance things out with escorts.”
“ana wants to go with janey,” dee corrects. “so she and janey are already taken, but otherwise—”
he blinks. “ana and janey are dating?”
dee looks at him, amused. “you know nothing about the social stratosphere at chilton, do you?”
“i don’t have much tolerance for gossip,” logan says. 
“really?” dee says. “i’d think that as a journalist you’d keep an eye out for these kinds of things.”
“i don’t report on gossip,” logan says. “what do i look like, francie jarvis? anyone else who lives and breathes that rag?”
“what, the jefferson?” dee says. “are you kidding? that’s the most useful thing that chilton’s ever provided me, and i’m including the education, here.”
“useful?” logan repeats, looking as offended as dee had expected him to look when logan would catch on to dee lying his ass off for half an hour straight. interesting. 
“well, admittedly, they can be rather behind when it comes to certain things,” dee says thoughtfully, “but the chaos that happens on the day it comes out? masterful.”
logan frowns. “i thought you wanted to work on the franklin.” 
“oh, i do,” dee says. “like i said, they’re not exactly cutting edge, i can do better with a well-coordinated social media check than they can do with an entire staff full of rumormongers. the whole,” and he flaps a hand, “truth and investigation thing, for the franklin, that’s interesting. besides, the franklin has more effect when it targets adults; with the jefferson, they just want to confirm that the algebra and the calculus teachers are having an affair, which they are—”
logan looks perplexed. “how do you—”
“—don’t ask,” dee says. “believe me, i wish i didn’t know.”
his eyes narrow, as if to say why should i believe you? which, good. he’s learning.
“but in the franklin, one can publish a deep-dive anonymous investigation and get shady male teachers tossed out of the schools on their ear for their too-frequent uniform checks and saying that uniform skirts are distracting. the franklin has more real-world power.”
“not that an investigation of an adult potentially preying upon teenage girls isn’t important,” logan says, “because it certainly is, but journalism isn’t about acquiring power. it’s about holding those in power accountable.”
“isn’t that the same thing?” dee points out. 
“no,” logan says. 
“but it is,” dee says. “because the concept of holding power is so multi-faceted. everyone’s idea of power is different. the upper class has power, the president has power, the people protesting have power. people like francie jarvis and tristan have power, but then, so do you and i. but all of those kinds of power are different.”
“well, that i agree with,” logan says cautiously, and then he frowns. “how do i have power?”
dee looks at him. he looks at him harder.
“what?”
“you’re kidding,” dee says. “you’re a sanders and a hayden.”
��the haydens are not particularly pleased that i am a hayden,” logan says. “the haydens would adore nothing more than to tidily remove me from the family tree.”
interesting.
“but they can’t tidily remove you being a hayden from everyone’s memory,” dee points out. “and, well. power can be privilege.”
“well, i certainly have privilege,” logan says. “i’m white, i’m a cis male, i’m attached to an affluent family.” he frowns, and amends, “families, i suppose.”
“oh, good,” dee says. “you’re a sane person who recognizes white privilege, i won’t have to kick you out.” 
also—attached to an affluent family, not part of an affluent family. more intrigue.
“anyways. you have plenty of power—take chilton, for example. say you wrote that piece on a pedophilic teacher that i was talking about. it would be due to your actions, your hard work and diligence, that removed him from his post. that doesn’t seem like power, to you?”
logan shakes his head, and repeats, “that’s what journalism’s about. just because there are effect from the story i write, to hold said teacher accountable, that doesn’t mean that is personally driven from me. that would be a response—from parents, from students, from headmaster charleston, eventually. there are responsibilities that journalists have, important ones, and we serve a purpose for society. perhaps the story has a powerful impact, or the story is emotionally powerful. that doesn’t mean that i am powerful. i didn’t direct people to fire him, i didn’t influence anyone. i would have presented the facts and exposed his wrongdoings, that’s all.”
“well, i suppose it does depend on your definition of powerful, that’s accurate enough,” dee says thoughtfully. “but the more philosophical idea of what is power? isn’t what i’m trying to address, at the moment, i’m addressing you. another example, then—academically, you’re powerful. tristan dugray would pay a tidy sum for any one of your study guides.”
logan frowns. “i wouldn’t cheat.”
“yes, yes, you’re very moral and ethical, good for you, you’ve passed the after-school special test,” dee says dismissively, “but specifically, for this definition of power, it’s a certain level of strength. but that’s a different kind of power, than, say—”
“tristan dugray never getting in trouble for his foolish pranks because of who his father is,” logan says.
“right,” dee says, “although you’re wrong on that front, he’s a prank on a bad day away from being sent to military school, but—yes, you’re seeing my point. power varies, power changes.”
“well, i never disagreed with that,” he says. “but those aiming for power—their main idea is almost never let’s be a journalist! unless they’re decisively within the yellow journalism era, or if they are fictional character charles foster kane. and even then, he was a media magnate, his attempts at journalism were just to manipulate public opinion and make a lot of money.”
dee sighs longingly and says, “if i were white, that would be my ideal era to work in.”
“what,” logan says, and suddenly they’re talking about yellow journalism—logan is very boring and against it, because he likes things like accuracy and facts—and then logan looks like he’s about to blow steam out of his ears when dee tells him that his ultimate career goal is to write for and maybe run something like the national enquirer, which leads to even more discussions on journalism, things like what qualifies someone to be a journalist and who decides what journalism is, and they’re on a little side-tangent about journalism as portrayed in films when there’s a knock on his door.
“mister slange, mister sanders, dinner is ready,” nanny says, and dee tries his best not to startle, because—logan’s been here for three hours. and he has not once gotten annoyed at dee for reasons outside of journalistic, ethical, or moral debate, and even then, logan seems to set all of that aside relatively easily.
and dee, apart from making up his entire ancestral backstory, has barely even lied.
“coming!” dee says, and then to logan, “i hope you like snail caviar.”
an expression of panic pops up on logan’s face, and dee laughs at him.
“kidding,” he says reassuringly. “it’s french onion soup and croque monsieurs.”
logan looks relieved, and he even laughs, and then proceeds to bump into dee, the way that friends on tv shows jostle each other when one tells a particularly biting joke, and then logan pauses, looking at dee.
very suddenly, dee thinks, oh.
does he think he’s my friend?
they’ve been debating for the better part of two hours, and dee lied to him for half an hour, and dee has been purposefully throwing as many rich-people things into conversation as possible to get logan looking baffled, and logan thinks that they are friends.
is that what friends do?
dee clears his throat, before he grabs logan’s bicep in a way he hopes is normal and does not at all give away that he has not had a friend since he immigrated to the united states, and says, “come on, then, i’ll let you stick your head in the library on the way.”
“you have a library?!” logan asks eagerly, following along as dee tugs him down the hall, and dee tries his very best not to smile too openly.
dee’s house is…a lot. it’s a lot.
(dee had pulled up a picture of his parents’ house to show off how it could be his own personal xanadu, when they’d been talking about citizen kane, and logan has mentally tabulated the publication he was talking about to fact-check that, because that—that was just absurd, even more so than this one.)
but the smell of french onion soup and croque monsieurs—essentially french ham-and-cheese, either sandwiches or baked lasagna style—is a little more comforting. logan knows these smells, baking bread and ham and melting cheese and onions—granted, virgil’s diner does a french onion soup, but he’s sure it’s not as fancy as what he’s about to eat with dee.
and, as they cross into the dining room, his grandmother, seated at the head of the table.
logan’s technically had lunch with mrs. slange before; it had been at the country club, and he’d been more preoccupied with glowering at dee, but he has met her and spoken with her. she’d been nice; she’d spoken to his grandmother quite a lot about landscaping, and flowers. azaleas in particular, he’s fairly certain.
she’s a rather diminutive woman, her already short stature shrunk down even more from age; her hair is thin and pure white, fluffing up in a way that makes logan think of dandelion fuzz. her face is wrinkled, especially with smile lines around her eyes, her mouth. she’s wearing a cardigan over a button-down, much like his grandmother wears on particularly casual days, but whereas his grandmother prefers solid colors, mrs. slange’s cardigan is white with embroidered pink and purple flowers; it matches her pastel pink button-down. 
by all accounts, she should register in logan’s mind as a fragile old woman; a nice one, one that seems to have more concern about her flowers than anything else. but there’s something glinting in her eyes—flinty, icy blue—that reminds him very much of dee, despite the fact that they are not biologically related.
it’s cunning, logan thinks, or intelligence—she must have both in spades, to help raise someone like dee.
she smiles at dee, and says something in french—logan can manage a basic spanish conversation due to his proximity to the princes, and he’s taking latin classes, but he’s absolutely hopeless with french unless he lucks out and they say something with a latin root word—and dee responds in kind. logan notes that their accents are different. logan puts together, barely a second after he notices, that one of haiti’s two official languages is french.
logan spares a second to wonder if dee can speak the other, haitian creole, before his grandmother turns to him directly and says—something in french. he has no clue what.
“il ne peut pas parler français, granmè, utiliser l'anglais,” dee says, looking almost a little amused at logan’s expense—well, logan can put together he can’t speak french, use english, just based off of context clues.
she starts a sentence in french, pauses, furrows her brow, as if unpuzzling it, and then continues in lightly accented english, “welcome to our home.”
“thank you very much for having me,” logan says, his dad’s be on your best behavior! text at the forefront of his mind, with his dad saying evelyn, right? i always liked her shortly behind. “your home is beautiful; the landscaping’s lovely.”
her wrinkled face settles into its worn lines she smiles.
“mer—” she begins, shakes her head, takes a breath, and then continues, “thank you very much. the roses are finicky little things, this time of year, i’m quite pleased with how they’ve turned out. i think they’ve thrown their last primadonna fit until fall rolls around again.”
and from there, it’s easy to prod her into conversation as they eat the soup course—logan mentally apologizes to virgil, but if he’d taste it, he’d probably agree that this french onion soup is better than his, too—just by asking about the various plants she tends to favor, the particular conditions that each seems to like. the conversation seems perfectly fine, if not for dee staring at the pair of them out of the corners of his eyes, as if monitoring their conversation to make sure neither of them says anything unseemly. 
which is a little unsettling—logan doesn’t think he’s said anything horribly rude to an old person lately, unless one counted his paternal grandparents last fall—but the conversation seems to be fine. logan admits that most of his knowledge of plants is theoretical, scientific, which prods her into asking about their shared science course, and dee takes over that conversation.
it’s fine. the whole dinner is fine, and it seems to be going well, even, and he keeps on thinking so and thinking so as he digs into the main course of croque monsieurs, and she says—
“how do you find the meal, christopher?”
it takes logan a second to register what’s wrong with that statement, and, as soon as it does, unwittingly, his eyes flash to dee.
dee has frozen, fork halfway to his mouth. it’s like he has to buffer for a moment before he visibly stiffens, setting the fork down. logan is about to excuse it as a slip of the tongue—she had known both his parents, surely, perhaps it was just a misstatement. most people in his grandparents’ sphere exalted his resemblance to christopher, even though he was quite clearly a carbon copy of patton excepting his sharper bone structure, straighter hair, and thinner frame, until—
“logan, granmè,” dee says, in a very gentle tone that does not at all match his fists curling up on the table. “this is logan, christopher’s son. do you remember? we had lunch with him and emily.”
her brow furrows, and she says, “right. of course. logan.”
she quite sounds like she thinks that dee is pulling one over her head, and she’s going along with it, the way one did when a small child was pulling an incredibly obvious joke on them.
she maintains that tone and slips a couple more times—christopher, how are straub and francine? as logan’s halving his croque monsieur; christopher, didn’t you say you were going out to california? when the maid, as tight-faced as dee, is setting dessert on the table. 
and it dawns on him, slowly: why dee had to prompt her to use english, when she was born speaking french, and why it had taken her a few seconds to clearly switch over in her head when dee went from french to english at the drop of a hat; why there were so many post-its near the front door; why the household staff had seemed surprised at a visitor, despite the fact that dee had told his grandmother he was bringing home a guest; why his grandmother had said she’s coming out less and less lately, it’s been a while since we’ve had a good, long chat; dee keeping a keen eye out, as if he’s monitoring what they’ll say; not for him, logan realizes, for her. 
she has a disease. she’s aware enough that her gardens are in splendid shape, she’s aware enough that she clearly knows who dee is, but. but she can’t remember who logan is.
it is an exceedingly awkward dessert.
he can’t deny the chocolate-raspberry souffle is absolutely delicious, though.
the dinner is over. nanny is taking granmè to the library. logan and dee are left alone at the dinner table.
dee has been mentally preparing for this since his grandmother’s first slip—comebacks, things to say, particularly acerbic and witty things he could summon up if logan is rude about it. he’s ready. 
that is, until logan just says, “can i see the greenhouse?”
dee blinks at him. “what?”
“the greenhouse,” logan repeats. “you said i could see it after dinner. can i?”
okay, dee thinks. changing the setting of the argument. he isn’t sure what logan’s play is here, but—
“sure,” dee agrees, and stands, purposefully languid and unhurried. “follow me.”
and so he leads logan through the narrow hallways of the house, mostly ignoring logan as they go (“is that a velázquez?” he demands of a painting, which dee doesn’t really deign answer to—of course it’s a velázquez, does his family seem like the type to settle for a framed imitation) and at last comes to the door of the greenhouse, which he opens without ceremony.
logan walks in. dee expects him to maybe go to sit down, and ask dee why his elderly grandmother thought he was his estranged father, but no—logan beelines straight for the hostas.
well. okay. dee trails after him, meandering vaguely around the greenhouse. logan’s route seems to make sense to him, and only him, but he pokes his nose close to each plant, adjusting his glasses on his nose as he crouches to examine the soil, the roots; if dee was walking into this situation with no prior context, he’d think perhaps that logan was an enterprising botanist who had just gained entry to a highly regarded greenhouse.
but logan is just in the greenhouse of an old lady with memory problems, who he did not know was an old lady with memory problems until she repeatedly referred to him by his father’s name. 
and so dee follows as logan examines fauna, and flora, and the goddamn soil. everytime logan hums with interest, dee thinks it’s a precursor to the beginning of this conversation, but no, he’s just humming at the plants. the plants. they’re plants, his grandmother’s plants, so he’s used to his grandmother being very fond of them and rambling about them even if he’s mostly indifferent about them, most of his emotion toward plants being if it makes granmè happy. the key word in that sentence is granmè. he does not particularly care if these plants make logan happy. he cares what logan will say about his grandmother.
they’ve looped three-quarters of the way around the greenhouse by the time dee’s patience runs out.
“well?!” and it tears out of him in a kind of snarl. logan, from where he’s crouched beside the lilies, blinks at him, his fingers resting on the arm of his glasses, as if he’s about to adjust them again.
“what?”
“what,” dee repeats, then, “what?!” and before he can even think about it, he has his bowler hat in one hand, thwacking logan over the head with it.
“ow!” logan says, clearly more out of the surprise of being thwacked when he wasn’t expecting it. that, or logan is a big baby, dee didn’t even swing that hard.
“what,” dee repeats, jamming his hat over his head again before logan can see any semblance of hat hair, “what, are you kidding me, sanders, of all the times to go quiet when you clearly have questions, you choose now?! say something!”
logan blinks at him, before he says, very slowly, “about…”
“my grandmother,” dee snaps. 
“ah,” logan says, then, almost like he’s reciting something for his latin class, “i am… sorry that she is ill, and i respect your privacy during this time?”
dee actually leans forward because of the force of the Look he is giving logan.
“you know i’m bad at this kind of thing,” he says defensively. “what do you expect me to say?”
“i don’t—!” dee says, and nearly throws up his hands, but he is not allowing himself to get that carried away. “i expect you to say something! not just wander around the greenhouse and let me wait and see if you say something stupid!”
logan looks at him, and says, “was that insensitive of me?”
dee’s eyes must look close to popping out of his head, because logan’s hands are already rising to protect the crown of his head, like he expects dee to hit him with his hat again.
“do you,” he says, and gives dee a strange look, “do you want to talk about it?”
“not particularly!”
“that’s what i thought!” logan says. “i assumed the prior agreement of you wanting to speak to me about anything that particularly affects you would take precedence—”
agreement, dee mouths, and mentally backtracks, until—
“my parents wanting to out me and you coming up with this whole debutante plot and my grandmother having dementia are two different categories!”
“i didn’t think that a statement like ‘if you want to talk about it, i am here’ needed categorization!”
“the previously agreed upon ‘it’ was specifically about my parents’ plot to out me by way of american daughters of the revolution!” dee says, near-hysterical.
“okay!” logan says, “okay, fine, i put forward the terms of that particular definition of ‘it’ being broadened to anything particularly troublesome in your life and wait on your acceptance, or your proposal on how exactly to renegotiate ‘it’, does that help?”
dee stares at him, jaw hanging open, and says, “there is no way that you are an actual person, are you serious?!”
“i don’t know what you want from me,” logan says, near-mournful, and the absolute absurdity of the situation sinks in enough that dee starts laughing.
his parents want to very publicly out him without his consent, his grandmother has dementia that will only get worse and worse and it will only be a matter of time before his parents realize what is happening and send her into a nursing home and force him to move back in with them, the household staff who are the closest people he had previously considered friends have no choice but increase their focuses on spying on him for his parents in order to distract them from noticing anything wrong with granmè, or else risk unemployment, and logan is here talking about renegotiations like they’re on a legal team, and talking sure as shit isn’t an option, so dee can’t do anything but laugh.
“christ,” he says, and half-crumples, half-slides to the ground beside logan, who looks very bemused. “putain de merde, sanders.”
“i’m assuming that’s impolite,” logan says primly, and dee snorts.
“yeah,” dee says, in the same tone would say duh. “yeah, impolite, let’s go with that, shall we?” 
logan pauses, for a few seconds, as if allowing dee to get his bearings, before he says "dementia?" with a tone of curiosity that has dee swiveling his head to glower at him.
"sorry," logan says, not sounding particularly sorry.
"journalist habit," dee mutters, beating logan to the punch for his own excuse.
"yes."
they sit in silence for a little longer.
"i didn't know she knows that particular side of the family," logan says. "the haydens, i mean."
"oh, yes," dee says absently. "we probably lunch with them about twice a year, sometimes more—less now, though, now that they've moved away."
"huh," logan says, then, "what are they like?"
"what, you don't know?" dee says, glancing at him.
"not particularly," logan says. "i've only met them three times, and considering i was still in the hospital post-birth for one of them and was learning how to crawl for the other—"
"huh," dee echoes.
how weird it must be for logan, to hear that dee's had more regular interactions with his grandparents. both sets, probably; he would have remembered if logan had gotten dragged into various family gatherings the way he has.
"they," logan says, purses his lips, and says, "the haydens were particularly transphobic."
"yeah, well," dee says. "that doesn't surprise me."
"homophobic too," logan says, and he glances at his hands before he looks sideways at dee. "deviant was the exact word used in my presence. i'm assuming there was more, but dad kicked me out of the room before i could hear anything else."
dee rolls around various replies in his mouth. he could offer sympathy, or something equally socially accepted and something dee would have no problem letting roll off his tongue like a well-rehearsed monologue.
but.
he would tell all of those monologues to people who don't know that he's trans, that have never been to either of his houses, that have never listened to him spin a lie for half an hour and not be mad about it. he would tell all of these monologues to someone who didn't know that his grandmother has alzheimer's.
so dee doesn't offer a monologue. he offers something that he assumes logan might appreciate, something he'd recognize in a fellow colleague: curiosity.
"which dad?" dee asks. "patton or—"
"patton," logan says, cutting him off. "christopher walked me out, though, to make sure i actually stayed out."
another pause. it seems like curiosity hasn't been the outright wrong move, so dee strives for more questions.
"are you close?" dee says. "with christopher. i've only met him a couple times."
logan's mouth twists downward at the edges.
"i don't suppose you'd be willing to offer definitive parameters for close, would you?"
"no, not really," dee says. "closeness is subjective."
logan shrugs a shoulder. he looks almost uncomfortable.
"what?" dee says, interest now piqued—because if he didn't know any better, he'd say logan looked guilty.
"i," logan says carefully, "might have blackmailed him."
"you what," dee says, turning to face logan head-on, not even bothering to hide his shock. or his delight. he doesn't bother hiding that either.
"after the visit last fall, he," and the corners of his mouth twist down even further. "well, that doesn't matter anymore. anyway, i dug up as much of his public financial and legal records that i possibly could and made him a deal that i'd extend equal efforts in getting to know him as he would getting to know me. we have a standing weekly phone call now."
"you blackmailed him?" dee says gleefully.
"with public information," logan says huffily. "it's not like i hired a private investigator or anything—"
"nuh-uh, nope, you used the word blackmail," dee says merrily. "you don't even have to justify it with saying where you got the information, you still used information you dug up on him to coerce him into a deal. that is the textbook definition of blackmail."
"i don't know if it's the textbook definition—"
"nope!" dee says. "nope, i'm not listening to your semantics. you blackmailed someone."
"you don't need to sound so thrilled about it," logan grumbles.
"are you kidding?" dee demands. "this is by far one of the most interesting things i've ever heard about you. please tell me there's more misbehavior like this in your past—no, no, wait! i'll figure it out myself!"
"good luck with that," logan says. and then, almost randomly, "everyone says i look like him."
dee stays quiet—give the interviewee time to consider their answer, if it's short, mel had lectured once. always leave a couple of seconds for them to think about if they want to add on to their answer before you move to an entirely different question.
"i mean," logan says, and runs a hand through his hair. "other than this, i don't particularly understand why. i pretty clearly favor my dad—ugh, patton, i favor patton, this is the problem with two dads—but everyone says i look like christopher. my grandparents—both sides—their friends, a couple teachers. it's usually rather frustrating, and though i can't prove it, i have a feeling it's somewhat rooted in transphobia, for most of those friends."
he pauses a beat, as if understanding where he's going with this particular line of conversation. dee suddenly feels a lot less excited about the potential for uncovering any more of logan's past misconduct.  
"but," logan says. "it, ah. it makes more sense, if your grandmother has more recently had contact with that particular side of my family—"
"don't," dee says, and the exhaustion in his voice almost stuns him.
"don't what?"
"don't," dee says, and flaps a hand. "don't make excuses for her. she has alzheimer's, she's not stupid. everyone's patronizing her now and i hate it, even though i find myself doing it sometimes, it's like everyone's scared that they'll somehow catch the alzheimer's if they don't talk to her like she's a toddler."
and now logan's the one who's quiet, just for a little bit, like he's strategizing how to carry out the rest of the interview. 
except, dee thinks, this isn't an interview. this is a conversation. this is that talking thing that logan offered so readily, back when dee had come out, back before logan came up with this whole absurd debutante plan. 
it's just—difficult. to consider turning this strategizing, conniving part of his brain off. he isn't sure if he ever has, ever since he was first notified it was there in the first place. why would he turn this piece of himself off when it protected him, when it kept him aloof and above it all and safe to conduct himself in the way that felt most true to him? if it took lying and manipulating along the way, so be it. he has no patience for attempts at moralizing the way he lives his life. immanuel kant was a fucking moron who would have gotten himself and his friend killed because he decided his perfect duty was to always tell the truth. what was the point of something like truth if it hurt you? if it put you in danger?
it's not even a choice. 
or, at least. it has never been a choice. because logan is no murderer at the door, or machiavelli-wannabe gossip, or high-society rich person who held so much more power than one could even think of through backdoor deals and secret donations, who had adopted a poor orphan from haiti because it might look good as an accessory, and people would think them charitable, and they would barely even thinking about that poor orphan from haiti growing into their own person with pesky, inconvenient things like wants and needs and opinions.
telling the truth would logan would be... telling the truth to logan. logan, who lived in a tiny, pleasantville knockoff town with things like dance marathons and punnily-named cat-themed stores. logan, who had once blackmailed his own father in order to obtain a standing weekly phone call. logan, who had a trans dad, and who had a boyfriend that he had brought to the school dance, and danced with him, and kissed him, and it didn't even occur to him to care who might see, who might disapprove.
logan, who was once homeless and penniless, and who had extended various sources of information that dee had in his hands, ready to drop into the public eye at any given moment.
logan, who had just sat and talked about citizen kane with him and didn't catch onto three seasons worth of downton abbey but immediately clocked a reference to wallis simpson. logan, who had looked helplessly confused at the sight of fancy water and finger sandwiches and afternoon tea. 
logan, who might think that they are friends.
it might become more of a choice then, dee thinks. 
so when logan asks, very quietly, "how long have you known that she's sick?" it only takes dee swallowing down the saliva rising in his throat to be able to answer.
"she was diagnosed about three and a half months ago," he says. "but i've known something's wrong for a lot longer than that."
logan swallows, too, and dips his head in a brief nod, as if to show he's absorbed the information.
"i'm sorry," he says.
dee could say any number of things: she could live as long as twenty years after her diagnosis, but it's more commonly four to eight years. or one day she's going to forget who i am and i am absolutely terrified. or when my parents catch on they're going to send her away to a nursing home, and i won't be able to live here anymore, and i'll go crazy if i have to stay in that house for too long, their screaming and shouting will drive me crazy. or you don't even know the half of it, the household staff that you probably think are so nice and who practically raised me have no choice but to spy on every little thing i do because otherwise they'll get fired.
but for as much as dee can briefly turn off that part of his mind, he cannot turn it off all at once. there is no way he's opening the floodgates of information like that. they might be friends, but dee isn't in hysterics. he can control himself. he can control this. 
"yeah," dee says, and tips back his head to look up at the ceiling; half of it is glass, leading up to where it joins the rest of the house. the sky is bleak and black tonight, with no moon or stars in sight. "yeah, me too."
the chauffeur closes the door behind logan, and logan has to fight the urge to jump, even though the chauffeur was also holding the door open for logan to get into the car in the first place.
he has to shake himself before he turns to look at the front door of the lavandelands; dee is standing outside, letting the light spill out of the house and backlight him enough that logan can see him leaning against one of the columns, one arm casually wrapped around his stomach. his bowler hat overcasts his eyes.
"your address, sir?" the chauffeur says, and logan has to fight the urge not to jump again. he tells the chauffeur the address to virgil's, anyways, and turns his head to look at dee again.
haltingly, he lifts his hand and waves, just a little bit awkward. dee's shadowed form doesn't move.
there's a brief moment where logan's left with his hand raised in the air, and he cringes to himself ever so slightly before he starts to lower it.
but then, dee lifts a gloved hand, and tosses logan a lazy, three-fingered salute off his bowling cap, and logan tries to smile a little bit. he can't quite manage it, but he's pretty sure the chauffeur isn't judging him for not looking pleasant enough, as the chauffeur’s a bit busy pulling the car into a neat, three-pointed turn, before beginning to drive away.
logan glances over his shoulder, just enough to see dee, shoulders slightly slumped, re-enter the house. logan lets out a breath he didn't know he was holding and redirects his attention to his phone, which he's mostly been neglecting this entire bizarre sojourn at dee's.
he takes enough time to text his dad and virgil that he'll be dropped off at virgil's, so he can pick up a study snack before he heads back to their house, and reassures his dad that he doesn't have to wait up for him or anything. 
he reads a text from roman—a brief complaint about a girl in his dance class, not one of the ones he teaches but the class he actually takes, and logan sends a response that he hopes sounds like the proper, thoughtful response to a mostly inconsequential venting message from his boyfriend.
and then he sits and stares at his homescreen, still that selfie of roman, his dad, and virgil that they took last fall, when he was staying at his grandparents, before everything with thanksgiving and patton's pneumonia had rather tidily messed that week up.
because he has his dad, and his other dad, and virgil, who consists as a dad figure, and he has ms. prince, in her way, and he has roman, a wonderful supportive boyfriend who he has always been able to talk to throughout most of his life. he has rudy, even if he has never particularly leaned on rudy as a means of support. he has maria, and meredith and mark, and his host of cousins from the danes side of the family. he has his grandparents in their own strange ways, even if their relationship prior to this school year would best be described as stilted. he has friends from sideshire high and his teachers and mentors that he left there.
dee has practically no one.
it seems so obvious, looking back at the start of the school year, how dee had seemed so desperate to cling to his academic superiority over everyone in the grade, because that's what he has. he has an ill grandmother, and exceptional grades, and three snakes. he has a former nanny and the rest of a household staff who seem more preoccupied with his grandmother's care. he has his secretive stance in the chilton social ladder, but he didn't have friends. 
logan worries his lip between his teeth. he is incredibly ill-equipped to handle this kind of situation. honestly, he's probably fortunate he only escaped with dee hitting him with his bowler hat; anyone who attempted to have an emotion-centric conversation with logan knew that he wasn't exactly the ideal person to talk to. that's never been his forte.
it has always been his dad's. his dad, who dee had seemed fascinated with, who certainly had a certain level of similarity in their life experiences. and though logan, of course, would never betray confidences...
he could, perhaps, offer some of his vast support system for dee to partake in. leave the choice to him, of course, but. but at least logan would have tried.
and so logan takes a breath, and sends out a text.
Logan Sanders: Dad, would it be all right if I asked Dee sleep over the night of the Culture Day you're planning with Ms. Prince?
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pheita · 4 years ago
Text
Flash Fic Friday: Fairy Lights
I think I am a bit late. But anyway here we are @flashfictionfridayofficial​  Since it’s Sojan I also tag @ashen-crest​ @adie-dee​ @cometworks​ @vivian-is-writing​ @viskafrer​ A little side note: Niat is an elf, and elves are PoC in this world. 
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Festival
It was strange to be among other people and to have a room of your own for the first time in decades. Niat sat a little overwhelmed in the common room, still trying to remember the names of the other hunters. Marilka was busy with some small lamps that she hung everywhere and didn't want any help with that either. So Niat had no choice but to wander around a bit aimlessly. At some point it was too much for her and she decided she needed something to do. After weeks of traveling, she knew it was time to take care of her hair again, so she took everything she needed with her and sat down in the common room so she could at least talk to someone on the side before she went even more insane. As soon as she sat down and began to unravel the first braided strand and comb it out, Lyran came shuffling in. She knew his look too well after nearly three months on the road with him and Sojan. "Sojan kicked you out of the kitchen?" she laughed lightly. "He thinks I'm distracting him. I don't do that kind of thing. Especially not when he's about to make sugar pastries with Erbert." Lyran's penchant for sweet things had been noticed more than once. "No, you'd just snack until you were so full, we had to roll you." He dropped into an armchair beside her with a boyish grin. "That rarely happens." "Three times while I was traveling with you. I think we can make a rule out of that." A shrug was all she got in response. "Do you need help?" he asked with a nod to her comb. "I hardly think you can help." Lyran wiggled his fingers. "I'm finger-smart." "I know that." "Not like that, Niat," Lyran rolled his eyes in mock horror, "Before I was a bard, I was in the theater. As one of the youngest there, I was in charge of everything that came up. Which more often meant helping to do the actresses' hairstyles." Niat stopped her work for a moment and looked at him with her head lowered. "You did hair?" "Hard to believe, isn't it? We had some elves among the actors. So, I know how to handle hair like yours." Without another word, Lyran grabbed two stools and positioned them one behind the other in front of one of the tables. "All right, I trust you. If you mess up, I'll punch you." "Don't worry, I'll listen to you all the way." Still skeptical, she handed him the spare comb and sat down on the first stool. For minutes they worked in silence until Marilka scurried past them with more small lamps. "What's the deal with the lamps anyway?" inquired Niat, confused. "A local holiday. Tomorrow starts the three days of nature spirits. It's supposed to look forward to the last few weeks before the harvest, to make the nature spirits mild, so that the farmers have a rich harvest, and the cattle don't get sick in the winter. The small lamps are hung up to a kind of light chain. Supposedly, it's to invite the nature spirits to linger at the festivities so they can see that no one means them any harm." She felt him laughing behind her through the breathing. "That's what the pastry is for, isn't it?" "Yes, that's what it's for. That's why Sojan kicked me out. Erbert rants all the time that I'll be to blame for this year's poor harvest." Niat joined in his laughter. "I want to see you manage that." "Me too." Their laughter ended with a heavy sigh. Lyran looked ahead around them. "You all right?" "Yeah, I could just get used to having someone there to help with the hair. When you join the warriors, you're required to do it yourself. Like when you're at war, no one can help you either." "What nonsense." His curls tickled her face as he shook his head. "I know. I can't change it, though." Suddenly Marilka appeared beside her as if she were a summoned spirit of nature and looked at her in horror. "Dear, we are a guild. Guild is family. Next time, say something. You are not the first elf to walk these halls. There are some who know how to take care of your hair." "That's true. Neeshah is not only a master at embroidery. Yunadeldi always waits until Neeshah is back when she wants a special hairstyle," Lyran confirmed seriously. "I'll keep that in mind." A little, Niat felt unsettled. She hadn't had this much encouragement since moving out of her birthplace, and she didn't know how to handle it. The explanation came when Lyran simply hugged her. This was so different from what she had known before.
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magpiemorality · 5 years ago
Note
Virgil suddenly has the power to turn invisible and finds a very affectionate snake (Dee), a baby hydra that randomly will split into various animals (creatitwins), a baby with curly hair (Pat), and a robot (Logan). He has to take care of all of them
This was unbelievably fun. I love the concept so much that I may elongate this eventually, the world is incredible and just- how did you even come up with this??? It’s awesome! I hope you enjoyed where I went with it- for the purposes of this prompt I went with just a sort of overview/slice-of-life :) 
Urban Fantasy AU, found family, pseudo-parent Virgil.
Warnings: snakes
AO3
***
Three years ago Virgil’s life changed forever. It’s been a wild ride since, but among the weirdest things that have happened as a result of being flung into a crazy, spectacular, fantastic world include (but are very much not limited to):
 -That time he accidentally earned a life debt from the Dragon Witch of Downtown;
 -Fighting a horde of pixies disguised as wasps on Midsummer’s Eve when they tried to fuse into some kind of pixish superentity that would’ve taken over the entire park system of the city;
 -Ending up dripping wet and furious in front of the shockingly human mayor when things had gone very wrong with a local kelpie;
 -Off the back of that- being officially inaugurated as the city’s Gatekeeper of the Odd and Atypically-Terrestrial (yeah he had a hand in coming up with that name and you bet he’d made sure it made a cool acronym);
 -Oh, and adopting a veritable menagerie of magical-or-otherwise individuals into a patchwork family of six (sometimes five; it’s complicated). 
That last one stands out, doesn’t it?
It certainly stands out to Virgil, who is only in his mid-twenties and very much under-qualified for basically everything his daily life now consists of. Saving and watching over the border between the sub- and sur-reality that makes up the city is one thing, and thanks to his handy-dandy (possibly granted by Death question mark) power of invisibility he can get those responsibilities done without too much issue or risk, and literally vanish when he needs the time away from it all. But the kids? You don’t duck out on kids- especially not these ones.
They’d never let him, for one thing. For another; he would never, ever want to.
Technically two of them aren’t actually kids; they’re just part of the family, but he’s fallen into the habit of parenting everyone he comes across now and they’ve yet to complain. Well, D.C. complains regularly, but Virgil knows it’s just for show. The other three (he says three; they could be two today but he hasn’t checked yet) are all actual children, and definitely require his parenting to stay alive.
Almost as if summoned the door to his room opens and little footsteps skitter in over the wooden floor. With a soft huff of effort Patton pulls himself up onto the bed, all soft blond curls and smiles, displaying the missing front teeth they’d had a whole debacle about the tooth fairy over. Virgil groans dramatically which makes the kid giggle, and he rolls over so Patton can come and sit on his chest and play with his bangs. He needs to dye those again soon, Virgil thinks as he yawns.
“It’s so late, you’re so sleepy!” Patton trills. His voice is high and sweet and there’s a note to it that makes Virgil wonder for the billionth time since the kid started talking if there’s something other than human in Patton’s background. He makes a mental reminder to check in with the Witches who ran the orphanage Patton had been dumped in when he goes to get his hair-dye, because if the boy turns out to be part siren or banshee then Virgil will definitely need the heads up.
For now the power of Patton’s cute pout is dangerous enough as it is. “You know, I used to sleep in every morning and not get up until lunchtime, until you guys came along,” Virgil says, booping Patton on the nose. The boy makes a face and rolls his eyes (he’d learned that from Logan) before clambering off him and walking to the end of the bed, where he hurls himself off and lands neatly on the floor a few feet away (he’d learned that from either Roman or Remus, or both). It doesn’t give Virgil as much of a heart attack as it had when he’d started doing it, because somehow he has yet to injure himself on landing. It’s pretty impressive really, and Virgil is just a teeny bit proud of his so- of the boy.
“We want pancakes!” Patton yells as he races out of the door, and an answering roar of ‘Pancakes!’ from down the hall signals that Roman and Remus are up as well.
It’s so early, ugh. But the kids are up; so he’s gotta be up. That’s how it works when you’re a parent, he’s learned.
Virgil glances over to the enormous tank on the far side of the room, meeting a pair of black eyes and a flickering tongue where the yellow anaconda is hanging out on the carefully selected plants that litter the floor of the terrarium. D.C., his best friend-slash-first-pseudo-family member, is snickering softly, and yawns while they hold eye contact, giving Virgil a pointed twitch of the head in the direction of the door before he slithers off to curl back up in his favourite corner under the sunlamp, out of sight. Traitor. He knows damn well he’s the only thing that can currently distract the twins while Virgil is trying to get things done as efficiently as possible. Fine, the human will just have to get him back another time then. 
Logan appears at his door on the way past to the living room, drawn by the noise. He stops and looks in on Virgil, who gives him a little wave as he rolls out of bed. “You are required in the kitchen, Mr. Gatekeeper,” the android says, and then he’s gone again. Virgil shakes his head fondly. He could do without constantly being referred to by his title, but Logan is a bit of a work in progress. 
Since being rescued from a nasty fae lab under the Library, Logan’s processors have been a little screwy. How he even manages to function without the fae who built him powering him directly is quite the mystery, but function he does, and they’re working on finding him some better memory banks to help with the acquisition of new knowledge as soon as possible. For now the android knows a lot of things, but is shockingly naive, and Virgil has had his hands full trying to acclimate the poor guy to the real world, instead of the world of books he’d previously known. 
Everything else aside, though, Logan does have a point. There’s already a lot of concerning noise coming from along the corridor and with a baby Hydra with a penchant for shape-shifting and a terrifying grasp of the concept of divide and conquer; a fearless and far too easily led seven year old with a face that will get him literally everything his heart desires; an android who knows probably more than all the experts in the world combined but is the walking definition of 'you spent so long wondering if you could that you never stopped to think whether or not you should’; Virgil needs to hurry up before the place is burned down. He’s their only impulse control, after all. 
So he breaks into a jog once he’s pulled his hoodie over his t-shirt, disappearing out of the room to try and supervise his unorthodox and wonderful family. 
D.C. blinks at the disturbance and smiles to himself. “He’ll be fine,” he murmurs, tongue flickering once before he settles back to sleep to the distant sounds of glorious chaos. 
--
Next
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crazysleepydreams · 2 years ago
Text
To steal a thiefs heart
Summary: Deborah DeVries wasn’t anything special, the only thing special about her was her genus friend Theo that worked for Gruber´s: Constuction & Security! She wasn’t even supposed to go with him to the bowling alley to meet his friends/co-workers, but that did happen and her life turned chaotic from there….. A Die Hard AU. What will change once Hans falls in love: will it end as a fairy tail or will it be doomed from the start?
Chapter 5
Even if Deborah had done her best to not make a scene jakob Bambergen´s words had together with his disregard for basic politeness such as turning up on time pissed Hans off and he wasn't the only one that felt anger flow through him Karl felt it too and with one simple look at each other they had decided to do something about Jakob´s words: words that Hans believed only he and his men had understood so he was pleasantly surprised to see the feeble excuse of a man being slapped by said pretty brunette and then get called out for his actions.
Hans stood close to Deborah to make sure he could get her out of harm's way if Jakob tried to react in any way to being slapped, he felt relieved when he saw her taking a step back as precaution and bumped into him. He took a step back to allow her some space and almost smiled when he saw that even if he would have wanted Jakob would be unable to because Karl was already dragging Bambergen out of the place. Unconsciously his own hazel colored eyes found her green eyes and he saw her blush before looking down at the ground.
“Forgive me Herr Gruber…” Hans' keen ears could pick up her mumbled apology and he knew that with everyone around them Theo would be with them at any moment, he had to react now before she would be whisked away.
“No, no Deborah it is I who owes you an apology.” He was quick to reassure the young woman that already had been verbally abused in the curse of the evening. He saw that she looked up surprised at his words and he offered her what he hoped to be a gentle smile. “I apologize to you in my own name and that of my company: you came here as a guest and I'm ashamed to know that a man under my employ uttered those words toward you, as I´d be ashamed to hear them uttered toward any other woman. You did not deserve to be treated that way and I am truly sorry for that.” Hans felt that the apology had been overly formal and impersonal.
“ It is fine Herr you can't control what those you employ think and in this case say I don´t believe that I was supposed to understand it.” Hans felt relieved that he had not offended her with his apology and he realized that if he compared her German and her Inglish it was her Inglish that was slightly accented: it was a soft almost non existent tilt familiar, but at the same time Hans couldn't put his finger on it.
“If I am forgiven then please call Hans and not Mister.” Answered Hans with a smile that grew when he realized that he had made her laugh.
________________________________________________
“There is nothing to forgive, but I´d prefer to call you Johannes.” Said Deborah shyly once she had stopped laughing looking at the taller man.
“I feel that if I'd try to convince you to call me Hans I would lose for sure.” Answered the German with a gentle smile.
 Deborah was about to continue talking with the man when her friend calling her caught her attention.
“Dee!” Came the urgent call from Theo before he hugged her, she rolled her eyes but didn't break the hug. “Mary and Heinrich told me what happened: are you fine?”
“I’m doing fine Teddy. Did his words hurt? Yes. Am I going to allow some words to ruin my night? No. Please calm down: we haven’t even started to bowl, you dragged me here for that sole purpose. I'm not leaving until I’ve at least beaten you.” She did her best to reassure her best friend of the fact that she was fine: even if that wasn’t the whole truth she wasn’t feeling up to bowling before all the drama and now she would prefer to just curl up on her couch with some book….
“Are you sure? I mean we can totally leave if you aren’t feeling up to it. No intention to offend Hans.” Deborah could see how her friend was trying to make sure that she was fine so she did her best to give him a gentle smile.
“No offense taken Theo and please Deborah if you aren’t feeling up for the evening you both may leave.” Offered Johannes gently.
“Look I thank you both, but I’m sure that I’m up for some bowling: if that changes I’ll let any of you or Karl know.” She promised both men before tugging Theo with her. “Come and help me with the drinks for the girls Teddy: I hope that the waiter listened and didn’t put any ice in my Cola! it's just so gross when it melts and mixes with the soda…”  She gave Johannes a small wave over her shoulder.
Okay as I said before: still no beta, but I’ve gotten someone that proof reads it now and that really does wonders to my will to write so THANKYOU: @inflation-of-mind !!!! So if anyone is interesed please contact me.
So please leave a comment a like or a reblog! And there is no beta so until I find one we’ll do it this way: not sure how fast I’ll update I’m a stud so it might vary. Also if You want to read the previouse chapter you’ll be able to find them under the #To Steal A Thiefs Heart
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kieraswriting · 4 years ago
Text
Searching for Home Chapter Thirteen
Masterpost 
“Where do you get the scales?” Virgil asked. In contrast to the night before, the morning had been very calm and quiet, and the two of them were each polishing a scale. It took hours and hours to do it, but somehow Virgil wasn’t getting bored. Maybe because he was able to feel the magic in his fingertips. 
Dee hummed a moment, before looking up. “That’s quite a bit more complicated. Perhaps someday I’ll be able to show you.”
Virgil nodded, a bit disappointed at the non-answer. He watched Dee for a minute. His scale was a very pale yellow, and was turning clear faster than Virgil’s was. 
Virgil started rubbing his a little harder, trying to catch up with Dee. A little harder, a little faster, and suddenly it broke. It was a good piece of it, snapped right off. 
Virgil’s eyes went wide and his blood chilled. Dee hadn’t noticed yet. 
He held the pieces together, covering up the gap with his cloth. “I—I um, bathroom.” He set the scale down and ran outside. 
His brain shrieked, even as he kept his mouth shut tight. You only had one job! You didn’t just slack off, you broke it! It probably can’t ever be fixed! You think Dee will still be this nice once he finds out?
••^*^••
A few minutes later, Dee realized that Virgil hadn’t come back. He looked at his scale, to see how it was coming along. Dee sighed. Well, that was annoying. But he’d made the same mistake before, and this was a human, and a child. He probably had an extra or two hiding in the back of the cabinet. 
And then he realized that Virgil had probably left out of fear. Dee put a hand to his forehead. Even sitting right beside him, could he not pay enough attention?
Finding Virgil would not be the hard part. The hard part would be to make Virgil believe that he wasn’t actually in trouble. And probably even harder would be to explain the mistake to him without making him panic again. 
Dee frowned in thought. He still wanted to give Virgil the wings, and perhaps that would help to reassure him that Dee truly wasn’t angry with him. But, depending on the human, the wings could be unpleasant or even painful to put on, and if this were the case with Virgil, it would have the opposite of the intended effect. 
Perhaps… well, he’d just have to try talking first. He wasn’t confident in his skills in that area, but hopefully he wouldn’t make things worse. 
Dee walked outside. “Where are you?”
••^*^••
Virgil’s chest seized with panic when he heard the words. Dee hadn’t called his name, so the compulsion wasn’t forcing him out, but he didn’t want to wait and have Dee use his name. And he also didn’t want to come out of his hiding place. 
“Please come out. I’m not upset. I’ve seen the scale, and I’m not mad at you.”
Virgil had been tricked by that kind of lie too many times to believe it. 
He heard Dee walking around, and curled down tighter in his little hole, hoping Annabelle wouldn’t give him away. 
“Come out please, Virgil,” Dee called. 
Virgil felt the tug of his name. It wasn’t very strong, not forcing him, but he could definitely feel it. It was a warning. There was no way he could hide and wait this out. 
Virgil backed out of the hole, scrubbing at his face and trying to keep from trembling. “I-I’m here.”
Dee was in front of him in an instant, and Virgil didn’t dare look up at his face. 
But then Dee sat down on the ground. “Thank you for coming out.”
Virgil nodded, scrubbing at his face again. 
“I truly am not upset with you,” Dee said softly. “I’ve broken scales before myself. It was a mistake, and you are not in trouble for it.”
Virgil nodded, waiting for the but. 
“Do you know what the scales are for?” Dee asked. 
Virgil shook his head. 
“They’re made into some of the very best armor in the world. They’re extremely expensive, since it takes so long to make each one, and there are no shortcuts.”
Virgil stifled a sob. Of course they were expensive! And he was going to have to pay it back somehow. 
Dee continued talking quietly. “You have to be very, very gentle with them. The more gentle you are now, the harder the scale becomes. But if you aren’t gentle when it’s delicate, it’ll break.”
Virgil nodded miserably. 
Dee paused, his face getting a thoughtful frown. “Somebody was very much not gentle with you. But look how strong you are, that you haven’t broken yet.”
Virgil finally met his eyes, confused. 
“I want to be the one to be gentle with you,” Dee said. “And I want to see you get to be so very strong someday.”
Tears sprang to Virgil’s eyes for an entirely different reason than before. 
Dee held out his arms, and Virgil was immediately reminded of how safe it had been the night before. He still could barely believe it. He didn’t want to trust and have his trust broken. But he’d very much prefer a hug to standing here trying to be strong. 
Virgil finally gave in, and Dee tucked him close in a very warm, safe hug. He didn’t even seem to mind that Virgil couldn’t keep the tears back any longer. 
••^*^••
Dee felt like he’d managed to do it. Somehow he’d calmed Virgil. He waited until much later, after Virgil had finally had enough of the hug, after he’d gotten him a new scale, after dinner even, to tell him of his idea. 
“I had an idea for a present I’d like to give you,” Dee said. 
Virgil’s eyes went wide with surprise and excitement. 
“I just wanted to ask you first, to be sure it’s something that you would want.”
Virgil nodded, his whole face lighting up. “What is it?”
“Wings.” 
Virgil was practically glowing with excitement. 
“They wouldn’t be quite like mine,” Dee warned. “I can put mine away and pull them out whenever I want, but these would act more like prosthetics.”
“I could fly?” Virgil asked, his voice a hope-filled whisper. 
Dee nodded. “You could. It would take a bit of learning, a bit of practice, but you could.”
“I do! I do want them! Please!”
Dee was extremely pleased with Virgil’s reaction. “Now wait, before you decide, sometimes they hurt to attach.”
Virgil sobered. “How much?”
“I honestly don’t know. It could be very little, or it could be quite a bit.”
Virgil nodded slowly. “I want them still.”
Dee smiled. Really, even with all his strangeness, Virgil truly was an amazing little human. He carefully pulled out the pair of butterfly wings he’d gotten the day before. They had a dark, almost indigo pattern, and were perhaps a bit too big, but they were the best he’d found. 
Virgil’s mouth fell open, and his eyes were shining. “They’re for me?” He whispered. 
Dee nodded. “They are. Take off your shirt, and lay down on your stomach, and I’ll attach them.”
Virgil moved so quickly he dispelled the last few doubts in Dee’s mind as to whether he would really like the wings. 
Dee had already made the adhesive putty, and put it in two lines on Virgil’s back, sticking the wings firmly to his skin. He’d asked for the potion to be made into a candy, and gave it to Virgil. Even as a candy, it apparently still didn’t taste good. That should ensure that Virgil’s body connected to the wings. 
Then Dee got the bag of fairy dust. It wasn’t all his, there was no way he had enough extra, but at least a portion of it was, to ensure that it would get along with his own magic. He gently spread it along every inch of the wings, packing it in carefully around the base, where they were stuck to Virgil’s back. 
Virgil started fidgeting and twitching, and Dee sighed. He’d dearly hoped that Virgil would be one of the ones to have no pain. He rubbed his hand between the wings up and down Virgil’s back. 
“Sleep, Virgil, I’ll wake you when it’s time to fly.”
Virgil groaned in protest, but slipped off to sleep. 
It wasn’t terribly long before the wingtips were twitching in little fluttery movements. Dee smiled proudly. With it being evening, he’d let Virgil sleep until morning, and then help him get into the air. 
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aliferous-ly · 5 years ago
Text
shelter
jus a warmup but i hope u enjoy!! sofd anxceit,, i lvoe them
summary: Virgil isn't a soft person. But sitting on his fire escape with Dee has always been his comfort, and maybe, just for Dee, Virgil can be soft. 
warnings: incorrect fire escape usage, two swear words (f word), patton and roman are namedropped but thats it, anything else lmk!
pairing: anxceit 
tagging @gr3ml1n-loser​ for the softd anxceit idea, and @brain-iak​ and @pattons-cat-hoodie​ for their support !! also all of them asked fhkdslf
---
Virgil has no idea what the laws about fire escapes are, but he feels like he might be breaking a few of them. 
Like, he knows that nobody cares if he chills on the fire escape to escape more than fire, but he’s started transforming it into a getaway, of sorts. He has a waterproof mat that he regularly dries off, places a towel to buffer, and piles with blankets. He strung up some fairy lights the other day when he saw similar lights strung around Patton’s room, because, fuck it, right? 
Which is odd, Virgil knows. The fire escape isn’t his balcony. He doesn’t have a balcony. In fact, he dreams of the day he has the money for an apartment with a balcony. 
The other day Patton gifted him a succulent and Virgil doesn’t want it to die, so he finds a spot for it on his fire escape. 
And he’s sitting there, at eleven o'clock at night, when loud clanging sounds above him. 
Startling, Virgil forces himself to focus on keeping his tea in his mug instead of splattered across his blankets. There’s a few more noises, a window closing, some breaths. 
“Hey, Virge,” his neighbor to the north says. He’s leaning over the edge of his own fire escape, teeth and eyes bright in the starlight. Fabric drapes along his arms, soft and loose. 
“Hey,” Virgil says. He settles further into his hoodie, back pressed against a pillow, supported by the external wall of the building. He peers up at his neighbor. “Coming down?” 
His neighbor makes a noise of confirmation before disappearing. Moments later, he slips down the fire escape, touching down softly on Virgil’s private getaway. 
He sinks down, expression smoothing. He practically melts into his own pillow setup, a tired sigh escaping his lips. 
Virgil hums. Drinks some tea. Stares at the lights of the city. 
“You would not believe how the actor for Belle treated me today,” Dee starts. Virgil reaches to a spot outside the realm of blankets, grabbing another mug and handing it to Dee, who takes it without preamble. He takes a sip with one hand, the other settling on the blankets between them. 
Virgil watches his movements absently. He makes a noise deep in his throat, confirming that he’s listening to Dee’s story. 
Dee talks, and talks, and talks, but it doesn’t sound like rambling. Everything he says is concise, well-thought out, to the point. He’s only talking about his day, a day in the life of a community theater stage hand, but Virgil feels warmed all the same. 
He reaches a point where he says, “and then, the newbie says he doesn’t know how to throw weight,” and Virgil cuts in with, “seems like he can barely pull his own weight,” and Dee startles. 
The night moves forward, clouds slugging across the sky, choked by pollution. But Dee laughs, and the stars shine a little brighter, the breeze feels a little warmer, the night grows a little quieter. 
Virgil smiles into his mug. 
“You know,” Dee says. Virgil can read his hesitation on the slight stick of the word, in his fingers twining around the soft blankets, in his shoulders shifting and tightening. “We’re gonna make it, you and I.” 
Virgil tears his gaze away from Dee’s hands, their eyes locking together. He can’t see the color of Dee’s eyes in the darkness, not really, but the shine of the fairy lights and Virgil’s memory fill in the striking green easily enough. 
Dee’s staring at him like he can solve the world’s problems. No -- not the world’s problems. Dee’s problems. Like Virgil could say the word and his worries would vanish, dissipating in the cool spring air. 
Virgil doesn’t know what to do with this power. 
For now, though, he’ll keep stealing Dee’s nights, holding his time hostage as they soak in the city and each other’s company. 
Virgil doesn’t reply. He sets his mug down on a blanket-less surface to prevent spilling. He shifts, shrinking the space between them inches at a time and tangling their fingers together. 
He holds Dee’s hand with reverence, memorizing the creases and calluses for the dozenth time. I know, he says in brushing his thumb against the back of Dee’s hand. We’ll make it together, he adds, pressing nimble fingers against Dee’s strong wrist. 
Dee hums. One of his hands still holds the mug but his other slides easily into Virgil’s own halting Virgil’s wordless conversation. 
He leans back against the pillow, peering up at the tangle of metal stretching above them. Up, up, up, all the way to the apartments Virgil and Dee cannot afford, even in such a run down building as this one. 
“Roman?” Virgil asks, cutting through the gentle softness of the night. They aren’t soft, not exactly. They have jagged edges, torn through situations neither likes to talk about, but sitting on a fire escape surrounded by soft things sometimes allows them to forget. 
Like a game of pretend. Like sitting together, two shattered people trying to claw their way back up, this time legally, like sitting in the quiet and talking about easy topics will change their life. 
Well. Virgil considers. It has changed their life, even a little bit, hasn’t it? 
Dee shifts. His thumb runs circles against Virgil’s wrist. Virgil catches the glint of a smile. “He said we’re in it for the long haul,” he says. He turns to look at Virgil as he says it, and Virgil’s hit with the full force of Dee’s grin. 
Every time Dee smiles his entire face transforms. He could topple nations with the quirk of his lips alone. 
Virgil, though. His chest swells up, emotion thrumming against every nerve, and he smiles back. 
Dee looks away first, looking overwhelmed. They’re closer than they were before, their shoulders pressing. Virgil can feel warmth through the many layers of clothing between them. 
Dee takes a breath, staring pointedly at the world beyond them, and continues. “Roman got a callback for a travelling group. The callback is scheduled for next week. If he makes it, he’ll have a five month tour. If he lands a good spot, I’ll be with him.”
“That’s a long time,” Virgil says out loud. He leans, dropping his head against Dee’s shoulder. I don’t want you to leave but I want you to go. 
“Yeah,” Dee says, instead of the thousand other thoughts that Virgil knows are swirling around his head. Such as, come with me. Live with me. Leave your apartment, quit your shitty office job, become an author a poet an artist, the person you always wanted to be. Write that song. Laugh. Paint a picture so gorgeous everyone will stop and stare. Live. 
Dee settles his head against the top of Virgil’s, the two of them curled together like birds seeking warmth. “Yeah,” he says instead. 
They don’t have arguments on the fire escape. It’s their ever present unspoken rule, and Virgil knows that Dee feels just as strongly about the sanctity of existing together in a space never tainted. 
They talk about life, but not about movement. 
But, maybe this once… 
“Maybe,” Virgil whispers. The words steal away in the darkness, lost in the rumble of car engines and sounds of the city. 
Dee tenses. His arm, which has slipped around Virgil’s back, holds him tighter. Virgil can read the questions in his movement. The hope beaming out of the cracks in Dee’s facade. 
“Not now,” Virgil says. He knows the words leave a lot up to interpretation; not now what? Not now, Virgil can’t move? Can’t uproot his life? Not now, he can’t deal with hard questions? 
But Virgil just knows, he knows between the subtle shifts and parted lips, that Dee caught his meaning. Not now. Virgil can’t talk about this right now. But Virgil knows Dee also caught the underlying later. 
Virgil exhales. Between the glitter of the fairy lights and the city beyond them, Virgil feels wrapped in a little bubble of his own making. 
Safe. 
Dee moves, just enough to set his own mug down and settle more completely against Virgil’s form. I love you, Virgil says, in tapping against Dee’s thigh, in melting in Dee’s arms. 
A quiet moment, the city sounding so, so far away, then; I love you too, Dee says, fingers sliding against Virgil’s arm, cheek pressed against the crown of Virgil’s head. 
Virgil doesn’t have a balcony. He doesn’t have the money for it. 
But wrapped in Dee’s arms, lights glittering around them, the night loud far away but quiet where they sit, he thinks that maybe a balcony isn’t all that it’s cracked up to be. 
After all, Virgil has never been more content than when he’s sitting on his fire escape, Dee by his side. 
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teacupfulofstarshine · 5 years ago
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soft analodemus??? Sweet baby bois???
logan steps into the bedroom, all but dead to the world after finally submitting his capstone thesis. the room is lit with soft fairy lights, and virgil looks up from where he’s building a nest of soft, warm blankets. 
“where . . . where are re and dee?”
“here, lolobee!” remus coos, carrying a tray of mugs of steaming tea. dolos is behind him with a plate of jam thumbprint cookies, logan’s favorite. 
“we’re so proud of you,” dolos says gently. “come and rest with us, sweetheart.” logan lets dolos pulls off his shoes, lets virgil settle him into the bed and lean logan back against his chest, lets remus cuddle up to him and gently feed him cookies while dolos curls up on his other side. 
“we love you,” dolos murmurs.
“we love you!”
“we love you.”
“i love you too . . .”
logan doesn’t stay awake much longer.
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