#decided to finally post my writing

[to-indeed-be-a-godd]

La Vie en rose

Neil sighed his head beginning to hurt from studying the words against the script, he had practically all his lines memorized except for the few spoken in french, specifically when his character was meant to hold an entire conversation in the language.

“je…sais..que-que je-“

he groaned unable to pronounce the words taking a deep breath and repeating them.

“je sais …que je t'aime..” He said the words finally able to pronounce them as the familiar blond walked into their room raising an eyebrow surprised.

“You speak french?” Todd asked shyly setting his things down on the bed as Neil sighed toss the script back on his bed.

“I wish, i have to say things in french for this play i’m doing” the blond made a small o shape with his mouth before taking the book from his desk and playing his walkman as he read, his face focused as a stray piece of hair dangled over his eyes, Neil’s fingers burned to tuck the stray strand of hair behind the others ear but held back still reciting the words over and over.

“je sais que je t'aime”

Eventually it began rolling off his tongue a bit however his accent was anything but believable as he sighed his headache getting worse each time he repeated his he phrase till finally his roommate set down his book and stood up.

“You aren’t saying it correctly.” He said bluntly looking at Neil before holding his hand out for Neil to give him the script which he handed over.

Todd read it carefully, “je sais que je t'aime, n'est-ce pas suffisant?” the words rolled off his tongue leaving Neil in a state of shock and completely flustered, as if this boy couldn’t get anymore perfect.

“i’m sorry…you speak french?!” He stumbled over his words looking at Todd a mix of excitement and shock.

“I learned a bit growing up…” He replied sheepishly handing Neil back the script.

“wait wait so how do you say it?” Neil asked because he needed to know how to pronounce the words and not because his roommate speaking french was the most beautiful thing he’d ever heard.

“je sais..” he said waiting for Neil to repeat after him the two following along with the other through each word.

“je sais que je t'aime, n'est-ce pas suffisant” Todd said again and Neil repeated in a good enough way that Todd gave him a proud smile.

“What does it mean anyways?” Neil asked curiously noticing the slight blush against the others features, god this boy had Neil’s heart doing backflips every second.

“Oh..I know i love you…isn’t that enough?” He mumbled sitting back down against his bed as Neil thought for a second.

“so i love you is?” he asked knowing how dangerous this game he was playing was but so desperate to hear the words come from the others mouth.

“Je vous aime” Todd said softly his eyes meeting Neil’s and oh god Neil’s heart might have stopped.

“je vos-“ he tried to say it knowing he was butchering the pronunciation.

“Je vous aime” The blond repeated slower as Neil stepped closer as they both fell into a rhythm of Todd repeating the words as Neil stepped closer trying to mimic it until Neil was practically standing between Todd’s legs neither breaking eye contact.

“Je vous aime” Todd’s voice was so small practically a whisper that made Neil’s heart sing, there was little Neil loved more then acting but for Todd, Neil would give the world for Todd, he’d give anything to hear him utter those words once more.

“puis-je t'embrasser?” Neil had no clue what he had said all he knew it sounded like a question and all he could do was silently nod before he felt soft lips press against his.

It was sweet and soft but desperate and affectionate, like both of them had been wishing for this for an eternity.

Neil was kissing the most beautiful boy he had ever met, and who apparently spoke french.

[clarionglass]

here we go :) part one of three, updates to be released weekly!

---

sam says 4 (game master cinematic universe, part 3)

Ruby was at her mum's for a family dinner she couldn't miss on pain of death, apparently, and the Doctor was many things, but a family dinner kind of guy wasn't one of them—particularly when Carla had already slapped him once in the short time he'd known her. He thought he'd broken his streak of bad luck with mums, but… well, seemingly not. So he was companionless for a few hours, and while he could wait for her to get back, maybe catch up on his reading—what was the point of waiting when you had a time machine? 

He ran his hands over the TARDIS console, marvelling at her clean lines and metallic flourishes, the way that even now she felt brand new but familiar, and paused. He’d just pop off for a quick adventure, nothing too dangerous, but—where to go?

He could scan for a distress call nearby, and pitch in to help. He could drop in on Donna and Shaun and Rose, beautiful Rose, and see how they were all doing. Or he could just hit the randomiser button, and jump in feet first wherever he ended up.

He remembered a conversation from a long time ago, when he wore a different face, and his gorgeous TARDIS wore a face too, for the first and only time.

“You didn't always take me where I wanted to go.”

“No, but I always took you where you needed to go.”

He grinned. Who could resist an offer like that? He pressed the button and whooped as the time rotor spun into action, ready to see where the universe would take him.

---

Apparently, he was needed pretty close to where he already was. Earth, 2024. Huh. Same planet, same time—within a few months of where he’d left Ruby, even. The main thing that had changed was the location: he was now in the good old US of A. California, to be more specific, and Los Angeles to be more specific still. And to really narrow it down, the Doctor discovered as he poked his head out of the TARDIS doors, he was in… a broom closet. Not bad, as a parking spot—a bit squeezy, but out of the way. And as he poked his head out of that door, he could finally see he was in the backstage corridors of a studio of some kind. Film or TV, if he was to hazard a guess, it was a different vibe from Abbey Road.

With a shrug, he decided to go exploring.

It couldn’t have been more than a minute before a young woman wearing the full-black outfit, headset, and permanently stressed expression of a production assistant came running up to him.

“Are you the fill-in Sam organised?” she asked breathlessly, and honestly, seeing the look on her face, the Doctor didn’t have the heart(s) to tell her no. And really, what was the Doctor, if not a professional fill-in? This, this was why he had a randomiser button on the control panel, because whatever he was about to get himself into was going to be fun.

“Sure!”

“Oh, thank god,” sighed the production assistant, relief dawning across her face. “When Ally tested positive this morning, I thought we were sunk for the record, because we called around and we couldn’t get a hold of anyone. But then Sam said he could get someone in, and, you know, here you are, and just in time, so—ah, yeah, if you could follow me this way?”

Smiling all the way, the Doctor followed his guide through to hair and makeup, looking around as they went. The studio seemed to belong to a company called Dropout, according to the branding scattered around, and things seemed, at least on the surface, to be… well. Fine. He couldn't tell why he'd been brought here yet, which meant that when he found the reason, it was going to be particularly tangled. He couldn't wait! 

And then he looked back at his guide, still engulfed in a miasma of anxiety, and realised he'd been too busy looking for clues to notice the person right in front of him. 

“Hey, it's cool, you've found me,” he started with a gentle smile. “You can relax. Hi, I'm the Doctor. What's your name?”

“Oh!” she said, startled. “The Doctor, yeah, of course. Um, hi, I'm Kaylin. Look, sorry, it's just that I've been so busy this morning, I'm so distracted… Shit, and I would've completely forgotten to get your details too. There's paperwork to fill in, but you can do that later. Um, just for now, though, can I get your pronouns?”

The Doctor thought for a moment. “He/him, for now.”

Kaylin nodded, making a note on her phone. “Okay, cool! And do you have any socials?”

“Not me, babes,” he replied. “I'm hardly sitting down long enough to be able to update, you know?”

“On a day like this, I know exactly what you mean,” she said. “That's okay, Lou didn't have socials either for the longest time. Right, so if you go through there, the team will get you sorted, and once you're done, someone will take you up to the greenroom. All good?”

“All great,” the Doctor replied. Kaylin flashed him a quick, relieved smile, then hurried off.

Hair and makeup was a fairly quick process, the sound mixer fitted him with a microphone, and before too long, Kaylin was back to take him upstairs. 

“This is the greenroom,” she said, pushing the door open. “The rest of the cast for the episode are already here—they’re great guys, and they’ve both been on the show a lot, so they’ll be able to help if you’ve got questions. And if you need anything else, just come find me or any of the other PAs, okay?”

The Doctor nodded, beamed at Kaylin, and walked in.

---

The greenroom was small but comfortable, and its occupants, two men around the same age as the Doctor appeared, looked up as he entered.

“Oh, you’re new,” the taller of the pair said, clearly giving him the once-over.

The other sighed with a mixture of fondness and exasperation, just as clearly used to his friend’s antics.

“Hey, I’m Brennan,” he said, levering himself up to standing from his perch on a chair arm, and holding out a hand. “That’s Grant.”

The Doctor took it warmly. “The Doctor. Just passing through, and happy to help.”

Grant’s eyebrows quirked. “Doctor… something?” he prompted.

“Or is it just ‘the Doctor’?” Brennan asked.

“Just ‘the Doctor’,” the Time Lord confirmed cheerfully. “You’ll get used to it, everyone does.”

Grant didn’t look convinced, but—

“Copy that,” Brennan shrugged, and settled back on the arm of the chair, returning his gaze to the door.

Grant, in turn, looked at the Doctor and rolled his eyes in a clear expression of ‘no, I don’t know why he’s like this, either’.

“Okay,” the Doctor said after a moment of watching the watching. “I wasn’t going to ask, but now I think I have to. What’s up with the door?”

Brennan huffed a laugh. “Well, the last time there was one of those up—” he pointed to the Out of Order sign stuck to the bathroom door, “—we got locked in here for the game.”

“He’s paranoid,” Grant interjected.

“Well, yeah, maybe,” Brennan retorted. “Or just cautious. Because Sam’s been acting weird lately, and we’re coming up to the last few records of the season, so he’s probably planning something way out of the box for the finale. And the original cast was you, me and Beardsley, so…”

He shrugged one shoulder meaningfully, and Grant nodded, conceding both the point and the potential for chaos.

“So if Sam comes in to give us the briefing, rather than waiting til we’re on set,” Brennan continued, “or there’s anything else weird going on, I’m gonna know about it right from the beginning.”

He turned to the Doctor. “The only reason I'm not quizzing you is because I know for a fact Beardsley was genuinely scheduled for this, so you can't be a plant by the production team. No offence.”

“None taken,” the Doctor smiled. “That sort of thing happen often, does it?”

Grant and Brennan exchanged a look. 

“More than you'd think,” Grant answered with a grimace. 

“Alright,” the Doctor said slowly, then brightened. “So what is it we're actually doing?”

Grant gave him a disbelieving glance. “You don't know—?”

“Very last minute fill-in,” the Doctor said breezily. “But don't worry, I'm a quick study.”

“Well, you're not that much worse off than the rest of us,” Brennan said encouragingly. “You know about Game Changer, obviously, if you know Sam, and we only find out the rules of the game once we get on set. Hopefully,” he added, with a dark look back at the Out of Order sign. 

The Doctor nodded. No, he didn't know Sam, and he didn't know Game Changer, but he could work out the situation from context clues. This was a game show. And with the Toymaker banished, and Satellite Five not coming into existence for another 198000 years, give or take, he found himself smiling. Maybe third time would be the charm. 

“Mmm, hopefully they aren't going to throw you in the deep end,” Grant said. “Because Brennan might seem lovely now, but as soon as we get out there, he's a whore for points. He'll stab you in the back and won't even blink.”

Brennan barked with laughter. “Yeah, and you wouldn't?”

“Excuse you, I'm always a goddamn delight,” Grant replied, the very picture of injured dignity. 

“Oh, absolutely!” agreed a new voice. The Doctor turned to the now-open door to see a bearded man in a pinstriped suit smiling broadly. “That's why we keep inviting you back!”

Grant bowed sarcastically. “Why, thank you, Sam. Good to know I'm appreciated by someone here.”

“Always,” Sam replied, gently but firmly ending that particular path of the conversation. He scanned the room, and his eyes lit up when they landed on the Doctor. 

“Ah, you must be the Doctor!” he said with obvious delight, walking over with his hand outstretched. “I'm Sam—thanks for filling in for us, you've made sure we're going to have a good show. Seriously, it's a pleasure to have you here.”

“Aw, cheers!” the Doctor smiled, shaking the offered hand. “Glad I could help out, I'm really looking forward to this!”

“Well, great!” Sam exclaimed, then took a step back, regarding all three players in turn. “Now, folks, I'm just letting you know that we're just about ready to start the record, so if you can start heading down, that'd be great.”

Grant and Brennan nodded—Brennan, the Doctor noticed, with relief. 

“See you down there,” Sam said, smiling. “Have a great show, and—”

His eyes caught on the Doctor's for a second, twinkling. 

“Good luck.”

---

Backstage, the Doctor, Brennan and Grant were marshalled into podium order and given a final briefing from the crew. And then, with a thumbs-up from Kaylin, that was it.

Showtime.

“Get ready for a Game Changer!” came Sam's voice from onstage. “Tonight’s guests: he can shoot off a monologue with laser accuracy; it’s Brennan Lee Mulligan!”

Brennan, his back to the camera as the curtains opened, spun on his heel and, with a stone-cold expression, pointed finger guns straight down the barrel, before letting the facade crack open. “Hi!” he exclaimed, and walked over to the leftmost podium.

“It’s his first appearance, but he’s already on fire; it’s the Doctor!”

The Doctor leant against the archway to the stage and flashed a broad smile towards the camera, then in a few skipping steps, had bounded over to the next free podium. What the hell, why not make an entrance?

“And even in the toughest of mazes, you’ll always be able to find him; it’s Grant O’Brien!”

Grant dipped his lanky frame into an approximation of a curtsey, spreading his arms wide, then sauntered over to the closest podium with a grin.

“And your host, me!” Sam announced, a ring of manic white showing around his irises as he beamed down the barrel of the camera. “I’ve been here the whole time!”

“This,” he continued, pushing his microphone shut and stowing it in his jacket pocket, “is Game Changer, the only game show where the game changes every show. I am your host, Sam Reich!” 

As he said his name, he looked at his hands, front and back, as if he was pleasantly surprised to be himself, then gestured towards the three podiums.

“I am joined today by these three lovely contestants! Now, you understand how the game works.”

“Of course not,” Grant started. “You know we don't.”

“We can't, Sam, that's the whole point of the theatre you've set up here,” Brennan said over him. 

“Not yet,” was all the Doctor said, anticipation starting to drum a tattoo of excitement against the inside of his ribcage. 

“That’s right!” Sam said brightly, shooting finger guns at the camera. “Our players have no idea what game it is they’re about to play. The only way to learn is by playing. The only way to win is by learning, and the only way to begin is by beginning! So without further ado, let’s begin by giving each of our players fifty points.”

The Doctor, biding his time, watched the reactions of his fellow contestants. Grant looked at the front of his podium, checking the point total, and nodding approvingly when he saw that yes, it was sitting at a round fifty. Brennan, on the other hand, was starting to frown.

“Players, Sam says: touch your nose,” Sam began, and Brennan sighed the sigh of someone who wasn’t happy to be proved right.

“Oh, no,” he groaned. “Oh, you son of a bitch. Wasn’t one this season enough?”

He touched his nose anyway, as did the others, and Sam smiled encouragingly. “Sam says: touch your ear.”

When they all did, Sam nodded. “Touch your other ear.”

Everybody held still, fingers on the ears they had originally touched.

Sam beamed. “Easy, players, right?”

“You say that now,” Brennan said darkly. “Which makes it worse, because all you're doing is setting us up for failure.”

Sam gasped, pretending offence. “Would I do that?”

“Yes,” Brennan and Grant replied in unison, which drew a grin from the Doctor and set Sam off chuckling.

“And I'm not having it,” Brennan continued, leaning his elbows against his podium and pointing at Sam with the hand not touching his ear. “You better watch yourself, because I know how this game works, and you're not going to get one over on me.”

“Strong words, Brennan!” Sam said, clearly delighted by this response. “Okay, then, let's start making things a bit more interesting!”

The game continued as per Sam Says usual, some rounds done as a group and some individual. Points were won, sure, but lost slightly more frequently, and even the Doctor found he was having to concentrate to avoid getting caught in the host's traps. 

It was fun. Genuinely, it was like playing a game with friends, and the Doctor felt himself leaning into it. There wasn't any sign of danger—maybe there wasn't a mystery to solve at all, and the TARDIS just decided he needed a total break. 

Well, probably not. But the way things were going, he was able to let himself hope. 

“Alright, players,” Sam said a good few rounds in, just as pleasantly as he would start any other question, and the screen behind him dinged as a new prompt popped up. “Survive the death beam.”

For a second, everything was frozen perfectly still. 

And then came the crash, the explosive noise of heavy machinery moving relentlessly through a drywall set.

The Doctor was already moving. “Everyone down!”

“Duck!” Brennan yelled at the same time.

The two of them hit the ground within milliseconds of each other, but Grant was still paralysed in the face of the giant, science-fiction type laser cannon that had just ploughed through the wall. 

It whined ominously, screaming its way to fever pitch. And then a sharp pain in Grant’s ankle made him stagger, pitching forwards onto the carpet behind the podiums as the Doctor rolled away to avoid getting pinned.

“Sorry, babes,” the Doctor whispered. “But it was either kick you to get you down, or—”

A hideous metallic screech ripped through the air, and all three of them could feel the crackle of ozone as a beam of energy swept across what had, moments ago, been neck height.

“…Or that,” the Doctor finished with a grimace.

“Jesus fucking Christ,” Grant breathed, suddenly very conscious of every inch of his 6’9 frame. “Thanks.”

“Well done, players!” Sam exclaimed delightedly from above them. “But… sorry, I didn’t say ‘Sam says’, so that’s a point off for everyone.”

“What the fuck!” Brennan snapped.

“Are you actually insane?” Grant demanded at the same time, his voice overlapping with Brennan’s.

In response, Sam just wheezed with laughter. “You can come back to your podiums,” he said, cheerfully ignoring them.

Nobody moved.

“Very good!” he acknowledged, and even without seeing his face, the grin was obvious in his voice. “Okay, Sam says: come back to your podiums.”

Although the words were innocuous, and his tone was just as light and breezy as usual, there was nevertheless an edge hiding just underneath the surface. And while the death beam loomed large in the minds of all three players, it was impossible to consider disobedience as an option.

Slowly, they stood, returning to their places. Now they had the time to look at it properly, the death beam was even more sinister, and Brennan and Grant both kept flicking nervous glances its way, ready to move if it looked like it was charging up again.

The Doctor, however, was focused purely on the man standing in front of them. Unbothered, Sam met his gaze like a challenge, a mischievous smile playing about his lips.

“Oh, you’ll love this one,” he said, and the screen changed. “Sam says, starting with Grant: say my name.”

Grant frowned in confusion, but answered quickly nonetheless. “Sam Reich?”

The man himself shrugged tolerantly, moving on. “Brennan?”

Brennan just stared at him coolly. “Do you take me for a fool?”

“Well caught, Brennan!” Sam said happily. “Sam says: say my name.”

“Sam,” Brennan replied, suspicion clear in his voice. “Samuel Dalton Reich.”

He nodded, still with a hint of indifference. “And lastly, Doctor.” His smile broadened. “Sam says: say my name.”

It was easy. Too easy. And as the Doctor looked into the eyes of the man calling himself Sam Reich, he felt his hearts stutter in recognition, because something had changed. He wasn’t hiding himself anymore, and while the face was different yet again, the Doctor would know the shape of that soul anywhere. It was impossible. It was inevitable.

“You can’t be,” he breathed. 

Sam smirked, leaning in across his podium. “Oh, but Doctor… I’ve been here the whole time,” he stage-whispered with a wink.

“He said you lost,” the Doctor said, shaking his head, looking wrong-footed for the first time that Brennan and Grant could recall. “You lost, and he trapped you.”

The other two watched, uncomprehending, but Sam just smiled, drumming his fingers against the podium with an audible beat, fast but distinct. Four taps, four taps, four taps. “I’m waiting.”

The Doctor took a slow, deep breath. Set his jaw. 

“Master.”

---

missed an installment of the game master cinematic universe?

original idea by @ace-whovian-neuroscientist: x

art by @northernfireart concept: x scissor sisters sketch: x sam and his doppelganger: x

writing by me (!) part one (escape the greenroom): x part two (deja vu): x part three (sam says 4): you are here!

[gentlemancowboy]

Sam brings it up one day when they’re sitting in the library, after Cas has just left the room.

“Why do you do that?” Sam asks.

Dean is still looking towards the hallway where Cas has just disappeared.

“Do what?” he says before turning back to his laptop.

“When Cas left the room,” Sam says, careful. “You watched him leave.”

“Hm, did I?” Dean mumbles. “Must’ve zoned out.”

“Dean.” Sam takes in a deep breath before continuing. “You always watch him leave.”

Dean feels all the blood rush to his face. He clears his throat and focuses all his energy at the screen in front of him.

“I don’t know what you’re talking about,” he says.

Sam snorts. “Sure, Dean.”

Dean sighs, and turns to give Sam a look of indignation.

“What are you getting at here, Sammy?”

“Were you…” Sam takes a beat, looking back toward the hallway, before leaning across the table and continuing in a hushed voice. “Were you checking him out?”

“What? No!” Dean says a little too quickly, averting his eyes from Sam. "W-why would I—that's not even—I, uh…"

Sam sits back laughing. “Calm down, man. I wasn’t serious.”

Dean regains a bit of his composure, but his heart is still racing.

"I, uh… Right. Knew that.”

"Whatever you say," Sam says, still chuckling as he goes back to his reading.

Dean risks a glance towards the hallway before looking back over at Sam.

"Listen. Sam.”

Sam looks back up, eyebrow raised. Dean takes in a deep breath and continues.

“I’m not checking him out. I just—" and Dean isn’t sure he wants to admit it to Sam, that when Cas leaves, he's afraid he may never come back. That at night, when he’s restless and can’t sleep, he checks Cas's room to make sure he's still there. That he has nightmares of black goo emerging from the walls of the Bunker and pulling Cas back into the abyss of the Empty forever.

Dean feels the corner of his eyes start to sting. He blinks rapidly, shaking his head, and squints back at his laptop.

“Nevermind. Not important.”

He can still feel Sam’s eyes on him as he struggles to find the spot in the news article where he left off reading.

“I do it too,” Sam says. Dean’s head snaps up and his eyes go wide, but Sam shakes his head and quickly clarifies. “With Eileen, I mean.”

“Oh?” Dean raises his eyebrows. He’s about to rib Sam for confessing to checking out his own girlfriend, but stops himself when he sees the look on Sam’s face. Realization dawns on him. “Oh.”

“Yeah, you know. Just in case she…” Sam’s voice catches, and he looks down at his lap. “I just like to know where she's at, ya know?”

Dean reaches across the table and puts a comforting hand on Sam’s arm.

“Hey. Sammy,” Dean waits for Sam to look back up at him. “She’s not going anywhere. Okay?”

Sam gives a quick nod. “Yeah. Yeah, I know.”

“Good,” Dean says, giving Sam’s arm a light squeeze before going back to his work.

“Hey, Dean?” Sam says after a moment of silence. Dean looks up at his brother.

“Cas isn’t going anywhere either.”

Dean looks from Sam to the library entrance just as Cas reappears from the hallway. He mumbles a quick, “forgot my phone,” grabbing it from the desk before heading back the way he came.

Dean’s breath hitches as he watches Cas go again, and this time, he doesn’t try to stop the tears from forming.

“Yeah,” Dean says softly, turning back to Sam and giving him a small smile. “Yeah, I know.”

[tremordusk]

Lilia, done hearing Rio talk in her ear: Fine you girls want a fight?

Agatha, readying her magic: I can drain you easily

Rio: In more ways than one

Lilia: Not the fight I was foreseeing

Rio: Madre dios

Agatha: Am I- I mean yes, my wife and I can take you in a fight *slaps Rio on shoulder to get her attention*

Rio: Mommy, break me, choke me, use me—

Agatha, covering her mouth: Too soon, dear

Lilia: I’ll teach you both a lesson

Agatha, let out a light moan: Oh, yes teach us—

Rio, shoving Agatha: Spit in my mouth, and RIDE ME—

Lilia, tired sigh: I have a long night ahead of me…

[jimimn]

dearest, darling, my universe 🤍

[blueish-bird]

In the narrow hours of the night I will wake to a downpour; through the window see your trashcans shining. I will swaddle myself in your warmest jacket, put on my big rain boots. I will brave this storm for you.

And when I am cold and wet and beyond porch light's reach, trashcans in tow, I will watch the world past your driveway. I will love the way dark turns form to silhouette, how the sound of my steps drown beneath the rain's big hush. I will want to leave you and your trashcans. To wander the earth as all lost things do.

[novantinuum]

Fandom: Steven Universe Rating: Gen Words: 2.8K~ Summary: Not too long after making peace with Homeworld and sparking the start of Era 3, Steven wakes up one morning to discover some... notable changes about himself.

AKA: The one where Steven finally hits his growth-spurt. All at once. Because of course the half-Gem kid could never experience such a human thing like puberty in a "normal" way.

[Part 1 of 2]

Just a few seconds later, knuckles rap against the door in answer to his perturbed cry. 

“Yo Steve-o, that you in there?” Amethyst calls. 

“Y-yeah?” he stammers. His brows threading inwards, he delicately runs his fingers over the ridge upon his throat, very much thrown off by the distinctly lower tenor of the sound coming from his own mouth. He swallows hard, pushing himself to speak again. Come on Steven, he berates himself, think of something lighthearted. This doesn’t have to be a bad thing. No need to completely freak out over this yet. “Who else would I be? It’s not like the whole town uses this bathroom…”

“I mean, I do sometimes. For fun.”

“Okay, fair point, but—”

“Dude, what’s wrong with your voice? Are you like, sick or somethin’?“

“No, it’s just—” 

He squeezes his eyes shut, blocking out all the nebulous, spinning distractions of his mind and the world beyond. Deep breath. It’s okay. Tons of things about his form may be entirely different right now, but like… he seems fine. Right?? Nothing about his body feels tangibly wrong like it did when he willfully stretched himself out on his 14th birthday, or when he changed all his fingers into cats, or when he lost all control of his aging and morphed into an anciently old man and almost died, it’s just… 

New.

New and wholly unfamiliar.

So what now? How can he bravely move forward with all this? What does he need to know? 

“Have, uh… have you ever shapeshifted by accident in your sleep?”

“Not that I‘m aware of,” she says, and he can practically hear the shrug in her tone. “Shapeshifting is a conscious thing you do. It’s a choice, y’know? It doesn’t just happen.”

A good long moment passes as he drinks this information in. He runs his hand through the short curls at the back of his neck as he stands there in the pair of too-small banana yellow pajamas he fit in just fine last night, musing.

“Huh… I guess that makes things pretty simple, then.”

“What d’ya’—”

“Amethyst, I think I’m finally older,” he says, still absolutely mystified by this prospect as he gawks at himself in the mirror. 

She gives a fond laugh. “Ch’a, right? You get older everyday, bud. Wild.”

“No, I mean I’m actually, physically older! Look!”

Steven whirls around and swings the bathroom door wide open to show her. Amethyst’s jaw drops.

“Whoa—! Dude!”

Chuckling nervously, he steps a few feet out, wriggling his bare toes against the wood floor. “I know, right?”

“What the heck, you weren’t kidding!” Before he can even move to say anything else, she spins on her heels and cups her mouth with her hands, hollering towards the temple door. “HEY, PEARL! GARNET! You gotta get out here and see this!”

His brows shoot towards his hairline, his heart hammering in his chest all the while at the thought of all the dumb show-and-tell he’s gonna have to deal with now. “Aww, come on, did you really have to—”

“Amethyst!” Pearl cries, scrambling through the still opening gap in the doorway with Garnet striding mere steps behind. She summons her spear from her gem and swings it to fighting stance with an artful flourish. “What happened? Where’s the threat? What do you need us for??”

Steven darts towards them, hands held up in a placating plea.

“Whoa, whoa, whoa! There’s no danger! We’re fine. I just—”

“Oh, my stars—!” she gasps, allowing her spear to dissipate in a glittery flicker of light. “You’ve grown!”

“Nice look, Steven,” Garnet nods, a supportive smile gracing her lips.

“And you’re sure this is real this time? You’re not—?”

“No, no, I’m not stretching myself out, I promise. I just woke up like this.”

“B-but—” Pearl taps her fingers against her chin, appearing thoroughly puzzled— “I thought humans were supposed to age gradually, not all at once.”

Steven’s shoulders slump. “Well… that’s what I assumed too, but—”

“Come, sit with me,” Garnet says, walking around the warp pad to enter the living room. She sets herself down on the couch, patting the cushion in open invitation.

With a heavy, far too weary for his age sigh, Steven shoves his hands in the pockets of his too-small banana pajamas and plods his way over. The rest of the Gems follow suit. He settles himself right next to Garnet, with Pearl perched opposite to her and Amethyst happily lounging on the floor, leaning on the coffee table with her elbows. 

“Steven’s aging hasn’t aligned with the norms of humanity for a very long time,” she observes, a glint of morning sun that’s beaming through the window catching on the edge on the edge of her star shaped visor. Then, turning to him: “I’m curious why you think this is.”

He hums, considering all the chaotic happenings of the past few years. Despite the rare query she poses, he gets the sense that… in her vast wisdom… she already knows the answer. Or at least, a small sum of it. It should be noted that her future vision— as far-reaching as it otherwise is with the vast possibilities of existence— can’t ever touch any knowledge that she won’t be conscious for or present to receive, let alone retroactively scry into the past.

(And honestly? Thank goodness for that.)

“I’m not sure,” he says, a half-lie.

He can think of one reason he might’ve started aging again. Though, it’s not something he’s ready to talk to the Gems about yet. It’s… far too delicate a topic to risk bringing up so soon after the start of peaceful Era 3. But after spending a whole childhood being constantly compared to and mistaken as various versions of his mom… let’s just say, having his gem torn from his body and getting to see it reform into a version of himself (and not her) was simultaneously the worst and the best thing that could’ve ever happened to him. While undeniably traumatic, this experience served as the ultimate proof that he doesn’t have to waste another second of his existence chewing away at some burgeoning identity crisis, that he can live his life however he wants. As Steven. Not as Rose, or Pink Diamond, just… Steven.

He’s not exactly sure how all this mental weirdness translates into him staying stuck looking like a little kid for like… six or so years, but after he returned home from his latest escapade on Homeworld, he could sense that— despite all the messed up stuff he and Connie went through— his spirit was lighter, somehow.

So maybe, he thinks, he simply had to peel away at all the damaged layers of his identity to ready himself to move on to the next stage of his life. Maybe he had to stare death in the eye and pass through the heart of the storm in spite of all these hardships before he could piece the foundational truths of his story back together and learn to finally live again.

To start shifting his hopeful gaze towards the dawn of their bright, sunny future…

“I mean, I always kinda thought he stopped aging because we never did,” Amethyst says then, laying her cheek on the table. “Like, it happened around the time you moved in with us, yeah?”

He purses his lips, scanning his memory. “Uh… I think so? It might have been a year before. Two, even. But I was definitely hanging out with y’all a lot by then.”

She leans over and playfully slugs him in the arm.

“See, there you go! You always wanted to be just like us when you were a kid, so much that you even wore that same ol’ star shirt every day to match ours, ha! You must’ve wanted to be a Gem so badly that you subconsciously stopped becoming older at all.”

“That’s actually a pretty solid theory, Amethyst,” Pearl chimes in. “Good thinking!”

“We have seen you shift your form in response to your perception of others around you,” Garnet says with a nod. “This has caused you to temporarily age and shapeshift in the past, but for you to age in a stable way now, your perception of self must have stabilized, too. I’m very happy for you, Steven.”

She tousles his mess of curls with her gold ringed hand, a welcome little offering of affection that he eagerly leans into.

And then, out of nowhere, Amethyst starts cackling.

“Dude,” she blurts out between her peels of laughter, nudging his foot with her elbow, “I just realized— Greg’s gonna totally lose his shit when he sees this…”

Pearl’s expression scrunches inwards with prickly displeasure. “Language!” 

“What, it’s true!”

He waves Amethyst’s comment off. “Pshhh, my dad’s seen way weirder,” he says, rolling his eyes. “Like, did I ever tell y’guys how the cat fingers incident ended?”

“No!” the quartz exclaims with intensive fervor, and leans forward in anticipation. “Gimme the juicy deets, m’man!”

Garnet adjusts her visor then, her features falling into a dutiful line. “Speaking of Greg… story time can wait until later. Steven— if you want to see your father this morning, you need to head over there now… or there’s a good chance he’ll fall back asleep until one and you’ll miss your window.”

Amethyst’s lips fall into a pout as she slumps back against the foot of the couch, her arms crossed. “Awww, phooey. Spoil sport.”

He swallows a grimace as he internalizes Garnet’s prediction. Yeah, that sounds about right. That’s become a bad habit for his old man lately, staying up super late and then sleeping in almost half the day on weekends. Ever since he received that ten million dollar residues check it’s nothing that can hinder his financials anymore, thank goodness, but then again…

“Yeah… I should probably go make sure he wakes up,” he mutters, pushing his tired body off his seat. “I’ll need his help finding new clothes, anyways.”

The second he’s up and moving again, Amethyst darts around him and snatches his spot with such swift and viscous drive that one might believe this ploy were her sole quest and purpose in life. She stretches out against the seat back with a big, dramatic yawn, crossing her arms behind her head as she speaks. 

“It’s too bad you can’t just… I dunno… summon whatever clothes you want out of light, like us. That’s like the biggest bummer of humanity, if you ask me.”

“And when do you ever experiment with your outfit enough to have a strong opinion about this?” Pearl prods, crossing her arms. “It took you almost a decade to fix that asymmetrical shoulder strap.”

“Well, P… I like to think of myself as a Gem who would experiment with my outfit. One day. If I’m ever really, really bored. Consider it an Era 3 aspiration.”

Steven rocks back and forth on his heels, absentmindedly fiddling with the fraying bottom hem of his pajama top.

“Okay, uh… well, I’m gonna dress to leave now, so—”

“Yeah, see ‘ya.”

“Send a text if you need anything!” Pearl says with a casual wave.

“And don’t forget…” Garnet begins, the ellipses in her tone practically visible with the naked eye.

He pauses in his dutiful march to the stairs— (a somewhat unsteady march… as it turns out, shooting up about a foot and a half in height overnight tends to impact one’s sense of balance for the worst, go figure)— turning back to intercept whatever life advice or future vision she’s prepared for him this time. 

She grins, flashing him a quick heart with her hands instead. “We love you!”

~~

Steven trudges across the hot sands to his dad’s car wash sans his favorite flip flops, trying his very darnedest to wipe away the developing grimace on his face all the while. 

A small segment of him felt overjoyed when he first saw his reflection this morning, eager to look his age and finally grow up alongside his human friends. But after struggling to find anything that fits him even halfway right in his wardrobe, his good mood has rapidly spoiled. There’s a decent few reasons for this.

Reason number one: his old sandals are at least two sizes too small. His heels stick out over the end now, and the plastic thong digs into his toes something terrible. He literally can’t wear them without giving himself blisters. Ergo, his bare feet right now. 

Reason number two: none of his jeans sit right around the waist anymore, plus they make him look like he’s waiting for a flood. (Though thankfully, he found a stretchy blue skirt buried in one of his drawers that will do the trick for now.) 

And perhaps worst of all… reason number three: with his newly increased height, every single one of his treasured star shirts have been turned into ill-fitting crop tops, putting his gem on full display. He’s not against the concept of a crop top, but it sure ain’t a look he’s passionate about for everyday wear. It just feels… too exposing. Like, what about winter?? He can’t bear his whole midriff in winter, he’d freeze, and like… get hypothermia, or something. And not only that, but the longer he’s awake this morning the more an inescapable, thrumming ache starts to settle within the deepest core of his body, like even his bones themselves— the stubborn things— dare to object to this abrupt growth spurt.

Just… ugh. What an annoying hassle all these changes bring.  

“Stupid shirt,” he grouses, tugging at the too-tight collar, “stupid sandals, stupid Gem puberty! Why, oh why can’t I ever go through human stuff normally?”

His bare foot catches upon a sizable stone hidden amongst the beach. On any other day he would’ve successfully broken his fall, stumbling forwards a few awkward steps before regaining his balance and continuing on his way. But with his body now so different, and his center of gravity entirely off from what he’s used to, he head plants straight into the ground.

Wow, he thinks, spitting sand out of his mouth and pushing himself back to his feet. How elegant. Truly the shining paragon of coordination and grace.

Thank goodness no one was watching. Next time he’ll just have to remember to float.

He arrives at his dad’s van with no further incident. The rear doors are— following Garnet’s prediction- cracked open. Dad’s awake, at least for now.

“Daaaaaaaad,” he hollers, cupping his hands around his mouth to project. “A really, really weird thing happened, and I kinda need your help!”

A few spare seconds pass, seconds filled with the rustles of shifting blankets, the sound of a book being shut closed, and his dad’s low murmurs. The doors swing wide, though not as wide as Dad’s eyes when they wander around their bright, sunny surroundings and eventually land square on him and his new look.

“Wh— Steven, holy smokes! Look at you!”

With an awkward chuckle, he scratches away at an itch at the nape of his neck. “Heh heh, I know, right?”

“You’re almost as tall as your old man! When did this happen? How did this happen?”

“Some point last night, I guess,” he shrugs. “I just woke up like this. But Dad—” he clings onto his arm with mounting desperation— “I need your help to find some new shirts. Don’t you have like… whole boxes of your old tour merch stashed away somewhere? I don’t wanna have to get rid of my star, I just— I just need a bigger size, or something.”

“Hmmm…” Dad muses, scratching at the scruff of his beard. “Well, maybe, but…”

“But what?”

“But if any of it’s still around, then it’s probably in Amethyst’s room. All of the stuff from the storage unit ended up with her, remember?”

“Oh…” he says, brows furrowed, not quite able to parse this fact within his memory yet. And then… 

Ugh. That’s right.

Two New Years’ ago. The huge mess of crates and mattresses and long forgotten belongings. All that ridiculous Little Butler nonsense. Amethyst’s fight with Dad.

“Oh,” he mumbles, crossing his arms. “Right. Well, then let’s go find it!”

“R- right now?”

“Yeah, why not? I need new clothes, and you could see if there’s any old junk in there you might want to keep!”

With that, he grabs his dad’s hand and yanks him along, spirit filled with renewed purpose and vigor.

“And you’re sure you need my help for this?” Dad asks, lagging a step or two behind him as they march back across the beach together. “The Gems, they… well, they don’t usually want me going into the temple—”

“Oh, Amethyst will be fine,” he says with a wave of his palm. “She never cares when I go in there to check out her trash piles. ‘Sides, I need your help to find the right box! I have no idea what your old band stuff was stashed in.”

His dad flashes a tight smile, the sort he always serves up when he’s nervous, but also too timid to tell him that he’s nervous.

“Well… if you think she’ll allow it…” he relents, and picks up his pace to match his.

~~

[End Part 1... more to be shared later.]

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[demodraws0606]

People complaining about Tsukasa5 already are pissing me off, because like, it's so unbelievably obvious what this event is trying to do and the fact that people are so hung up on "urgh dur tsukasa strong why can't he do a wall climb".

Like, first of all, a lot of Tsukasa's strength has been used as comedy before and also it's never been said that Tsukasa could specifically do a wall climb before so people calling this a retcon or a stretch is really dumb to me.

Sure we can make jokes about it, but this is not like a serious writing problem or anything.

Also are we just gonna ignore the fact this event is literally just a reference to his 3rd event in a silly trenchcoat. Or the fact that this is obviously meant to be WxS's downtime and training arc to prepare them to face the loose plotpoints in the future?

His inner dialogue when chasing the ninja is very clearly a reference to the whole Pheonix thing, how he can't reach it no matter how hard he tries.

The wall climb is like an extremely fucking on the nose metaphor to him climbing over his issues as an actor.

THERE IS ALSO THE WHOLE THING THAT HINTS THAT TSUKASA CAN ONLY OVERCOME HIS PROBLEMS IF HE HAS HELP FROM OTHERS (AKA tsukasa would've literally BEEN INJURED, if it wasn't for the fact the troupe's leader was there).

In fact this literally followed an event aka Tsukasa 4 where he FAILED to do his role correctly.

It's almost like this event is meant to be a transition point between Tsukasa 4 and 6, where Tsukasa builds up the knwoledge on how to face his problems.

But no this is just mid event because it's very silly and "wow plot is stupid why can't tsukasa wall climb".

WxS fans are slowly just turning into VBS fans in terms of how whiney they're being i swear

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[leapdayowo]

Redstone and Skulk au time!

To start off with, here’s cat!Tanguish college au

(ignore that I don’t know how to draw people holding a sandwich from memory)

Tanguish is a scrappy alley cat Tango found who one day escapes from Tango’s apartment. Tanguish ends up trying to steal Helsknight’s lunch, but fails at first and falls on his face. Helsknight feels bad and gives Tanguish bits of meat and bread from his sandwich bonding them for life. He then wraps up Tanguish in his theatre cloak (he’s definitely a theatre kid + does historical reenactment fights with swords and such) and tries to take him to a shelter or vet or something, but Tanguish spooks when a really loud car passes by and runs into an alleyway. HK almost decides to leave it at that, it’s not his problem, but then hears Tanguish yowling and hissing and the sounds of another cat doing the same. He rushes into the alley and gets Tanguish away from the biggest cat he’s ever seen (it’s the Demon), but in the process he gets a good slash of claw marks across his face.

From there he takes Tanguish to his place, cleans them both up, and from there they have a bunch of misadventures of HK trying to take care of this scrawny, half hairless cat while also trying to find its owner/take him to a shelter/keep him. Eventually, he would find the Hermits on campus (who I am imagining are a more chill fraternity), and comes across Tango hanging out with Welsknight. Tanguish and Tango are happily reunited, HK looks like he got into a fight with a lawnmower the other night, and Wels takes glee in pointing that out while the two (they’re definitely brothers) are unhappily reunited.

Later that night, Tanguish escapes again and follows Helsknight home. When HK discovers this, he begrudgingly texts Wels to tell Tango Tanguish is with him (having not thought to grab Tango’s phone number earlier). There’s probably some joint custody thing that happens and Tanguish gets to eat muffins from two different friend groups now :3

And on the other side of the multiuniversal coin: dog!Helsknight college au

This one is not as fleshed out, but essentially Helsknight is Welsknight’s dog who he keeps on campus, but HK has gradually grown to hate Wels. The coliseum group are all dogs too, and one day at the dog park, Helsknight runs away from Wels. He then stumbles across Tanguish (not a cat) who is getting harassed by these guys he used to steal things with along with other petty crime (not a crowd he wants to be with anymore), and when things get violent, Helsknight jumps in and attacks the guys (except Tanguish). Tanguish freaks out, but is trapped in the alleyway and can’t escape from this aggressive dog attacking everyone, so he holes up on a dumpster. When all the aggressors are gone, HK barks at Tanguish which scares the young man enough that he tries to scale the alley wall instead of get off the dumpster. He slips and falls down painfully next to Helsknight. More concerned if he broke a rib and finding some blood on him, he doesn’t notice HK checking him over until a rough paw tugs at his shirt.

He cautiously lets HK sniff his face and hands before getting up and slowly walking himself home. HK looks scary and is a big dog, but for some reason he has chosen to stick by Tanguish. They get to Tanguish and Tango’s apartment (roommates :3) and Tanguish has to introduce Tango to the Big Scary Dog that saved him and wants to be their third roommate, only to find out the HK is Welsknight’s dog who ran away a few days ago. At any mention of Wels’ name however, HK pins his ears back with a low growl. Regardless, Tanguish and Tango try to take HK back to Wels, and when they do everyone can tell just how unhappy HK is with Wels (he just doesn’t like the man’s vibes). Not knowing what else to do, Welsknight lets HK stay with Tanguish and Tango as a trail run to see what happens.

So yeah, Tanguish ends up with a big scary dog who keeps unwanted people away from him :3 HK eventually gets less hostile towards Wels over time, but still is not very friendly towards him. And yeah, dog versions of the coliseum crew playing in the dog park :3

Last one :) warden!Helsknight au

even less fleshed out than the other two. I like the idea of Tanguish being able to do the shrieker sound, but then thought what if he could actually summon a warden with it?

So Tanguish is an inexperienced witch (maybe, or is just magical) who can do basic ice related magic, but one day he steals from a woman part of a larger crew of bounty hunters or something, and he gets chased down by them. He gets corner in a strange part of the woods and does the shrieker noise three times to ward them off, which doesn’t work until after the third try a tall armored warden!Helsknight emerges from the soft soil and scares off the bounty hunters.

I don’t really have much else in mind except Tanguish sitting on Hk’s shoulders while the two try and figure out what to do in the world (which is very vague I know). I’m not sure what HK’s relationship to Wels is like or if Wels would also be a warden (if he was I imagine he’s been on the surface much longer).

uhhh yeah! If anyone wants to run wild with any of these ideas, go for it! Maybe just mention me as an inspiration if you make something from these, but yeah they are free for anyone to develop further if you wish :)

[spider-gem]

Alright, you know what time it is: THEORY TIME!

In Hazbin Hotel, everyone’s name correlates to their character (such as Angeldust, Vox, Sir Pentious, etc). As a writer and reader, I firmly believe that names are important and can give us a deeper look into characters. Alastor, despite keeping his real name from life, is not an exception.

In a series where names reflect their characters, I would bet that Alastor’s gives us a hint into who he was before he died. This, along multiple other reasons, leads me to believe that Alastor only targeted guilty or corrupt people in power.

Hear me out:

We don’t know much about Alastor’s past, as nothing has been confirmed in the show. So for now, let’s analyze the lore we’ve gotten from Vivziepop over the years and the context clues in the show. Let’s look at the hazbin wiki:

Now, that “weird moral code” could be directed at anyone, but here’s my reasons for believing he went after corrupt people with power:

1. I’ve never seen the show, but I know that Dexter was about a vigilante serial killer that targeted criminals that haven’t been punished by the justice system due to corruption. So I would say, seeing Alastor is being compared to Dexter, Alastor likely went after the same type of people.

2. He grew up and lived in New Orleans, Louisiana in the early 1900’s as a mixed man. If you don’t know much about American history, just remember that this during a period of segregation and heavy discrimination against Black Americans, and Louisiana was one of the most racist states at the time. I’m not going to go through a whole history lesson right now, but note that lynchings reached their height by the late 1800’s to early 1900’s as a way to enforce white supremacy and intimidate minorities. Some cases, if not most, were not regarded as homicides by police and the overwhelming majority of lynching perpetrators never faced justice. Even if they were tried, all white juries ensured that they wouldn’t be convicted. Seems like a good target for a Creole serial killer, right?

3. In the series, so far, we’ve seen that Alastor’s closest connections are with female characters, such as Rosie, Mimzy, and Nifty. He’s also been described as a “momma’s boy” before, so it’s safe to say he has high respect for women. During the period of his life span, women had little rights. Sure, they gained the right to vote in 1920, but that was about it. It wasn’t even until a few years after Alastor died before women had the right to divorce their husbands, and were often stuck in abusive households. For this reason, I could see Alastor going after domestic abusers as well.

4. He probably killed bigots that attempted to tear down his radio show as well. I don’t really have much evidence for this claim, but note that Alastor was a famous radio star. He’s also Creole. While some Creole people were considered as “white-passing”, interracial marriage was prohibited in Louisiana during this period. Alastor very likely had to struggle to succeed, and there’s no doubt that certain people in power attempted to tear him down because of his heritage.

5. Let’s look at his life in hell now. Who has he been rumored to have targeted ? That’s right, powerful overlords. Even in hell, Alastor still went after people in power. Sure, this was arguably to gain power, but the point that he only went after corrupt powerful figures still stands. Anyone else we see him kill, such as the loan sharks or the angels, threatened him and the hotel first.

To conclude, there’s no saying what sent Alastor on his path as a serial killer. I personally favor the popular fan theory that his first kill that sent him on this path was his father, likely after his father harmed/killed his mother, but anyone’s theory is as valid as that one at the moment. I suppose we’ll have to wait and see.

It could just be the social justice warrior in me saying, “Oh yeah, Alastor TOTALLY killed corrupt cops and domestic abusers”. However, I do believe that my theory on Alastor’s moral code is true based on my observations.

[madbard]

Alright… what if Color and Red were friends?

Picture this: there is a celebration in the Omega timeline. The Stars just won a decisive victory over Nightmare’s gang. Everywhere you turn, there is someone either breathing a sigh of relief, or actively cheering on the victors.

Except those two skeletons in the corner, one with scarlet eye lights and one wreathed in vivid flames. They sit. They watch the festivities, somewhat - every few minutes one or the other checks their phone or glances around apprehensively. It seems like they are waiting for bad news, and while they don’t often acknowledge the other, it is clear that they are supporting each other in that moment.

I do think Color and Red would have been very secretive at first when it came to their connections to Killer and Dust - after all, declaring any sort of bond with a member of Nightmare’s gang could spell disaster for everyone involved. In time though, they figure it out - maybe after a few runs. Maybe Color finds out when Red is forced to kill Dust. Maybe Red finds out when Killer is dusted for associating with Color. Neither of them would want to talk about it at first, it would feel like a betrayal.

But maybe one day Red sees Dust get injured in battle. Dust is unable to contact him, and Red grows increasingly concerned… until Color pulls him aside and informs him that Dust is alive still, Killer mentioned it the last time they spoke. Over time, this becomes a habit - they keep each other up to date on what’s happening at the castle, exchanging tips on avoiding Nightmare and reasoning with his high LV workers.

Maybe they meet up after battles like this one, so the moment either Killer or Dust is able to update one of them, the other will know as well.

(Maybe there are times when they find out they failed, and then they are able to grieve in the company of one of the few other people in the multiverse who would empathize with that pain - the pain of losing someone so universally hated, someone still so precious to them.)

They understand each other. And they provide each other with small moments of comfort and companionship, in a multiverse where those feelings are far too rare.