#death-from-above

[captainchaosartworks]

Ixtia Drops In

Ixtia about to give some ne'er-do-well a very close shave. 🦇🗡️😱

I wasn't sure about the side-view of her face for a while in this piece, but I received some reassurance from discord peeps that it looked good. Thanks guys. 👍

Posted using PostyBirb

[bigcatbulges]

Source - SnaftFC_ (Nude version in link)

(Artist's Telegram Channel)

[childofthestone]

if the world was ending id want to be next to you

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.

[narikill]

aughdhshfjjsjcjdjfjsbgsknfjs <- leshy in this art probably

[demigods-posts]

while the stables scene is a great example of percabeth's growth as a couple, particularly regarding their switch of roles in who plans for their future. an even better example is when they first told the other they loved them. annabeth, who is a well-respected strategist due to how well she can plan for the future, tells him as quickly as possible before something or someone could take him away from her again. she seized the first opportunity she had free of plan. percy, on the other hand, who is known for his impulsiveness and reckless planning, tells her two books later. not because he wasn't head over heels the entire hoo series. but because he was planning for the right moment. he wanted to wait until he could give her permanence and stability on a silver platter because he knows how much it means to her.

[shakingparadigm]

NOBODY is allowed to be happy and EVERYONE is doomed

[fuckyeahchinesefashion]

OP: Check out. The fully-sexual charged cinematic movement design.

Cnetizens: How did the director come up with the idea to have him kneel on a playing card, adding so much aesthetic energy, is that some kind of genius?

[soni-dragon]

apologies to the bagginshield nation

[mollysunder]

The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.

In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.

Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.

It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.

Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.

One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?

It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.

[group-dynamic]

Very Minor Spoiler for Episode 7 (S2) of Rings of Power

Thinking casually about Galadriel's declaration earlier this season that caring for that which is most fragile and most dear is the duty entrusted to all elves and how Celebrimbor's gentle care in noticing and greeting that little mouse is what allowed him to see past Sauron's deception. :)

[mariocki]

RIP Christopher Benjamin (27.12.1934 - 15.1.2025)

"That was another reason, in a way, that I decided to give [stage acting] up, because I was getting a bit - a bit dicey with the lines. People sort of wrote down, quite often, the things I said... instead of the things I should have said. They were known as my bloopers: 'Benjamin bloopers'. Some of my inventions were very good, I must admit. My feeling was, if I dried, I had to say something - and so that something was something that amused the rest of the cast considerably, quite often."

[omo321]

“Are you crying?” Fina exclaims in alarm. Tsurumi is equally startled when he wipes at his face and his hand comes away wet. Not once had he shed tears, not even when he’d lost them. Pulling a chair up to him, Fina dries his cheeks with soft dabs of her handkerchief. With her hand on his shoulder and her beautiful, bright eyes soft with more love than Tsurumi can bear, she waits for an explanation that he cannot give.

gnawing on "theatre" by Saengak again... it's free serotonin to me

[ancientbygone]

i didn’t do it, i didn’t do it for love; what did i do it for?

[sequel piece to kill the sparrow]

[thedenofravenpuff]

Still working my way through @theinfamousdoctorf's SAMS AU fic "Eclipse Meets His Match", so here's an illustration of that one scene where Sun and Eclipse is having a rather sweet moment until Lunar walks in on them ready to kill Eclipse on sight due to circumstances.

This mental image of that wouldn't leave my head until I drew it.

Enjoy!

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[reservedwall]

I made the Max hand puppet from the Sam & Max TV show

“Max’s terrifying head is a universal symbol of something or other”