#death of captain america
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wntrsnat · 2 years ago
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If you’re a 616 fan and don’t worship the ground Ed Brubaker walks on, I don’t trust you.
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agentxthirteen · 1 year ago
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On this day (June 24, late) in Sharon Carter history, Sharon appeared in:
Fallen Son: The Death of Captain America HC (Reprint of Fallen Son: The Death of Captain America #5) (2009)
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holy-shit-comics · 2 years ago
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maplefiasco · 2 years ago
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Steve's choices / Bucky's lack thereof
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gracepureautumn · 1 month ago
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“Who the hell is Bucky?”
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darkficsyouneveraskedfor · 2 months ago
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Death Wish 1
Warnings: non/dubcon, mentions of crime, violence/abuse and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: mob!Bucky Barnes
Part of the mob drabbles au
Summary: you're desperate for a way out of your life and you ask a powerful man for help (plus!reader)
As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️
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Adrenaline buzzes in your ears and sears through your veins. You shouldn’t be here. Yet this place is no more treacherous than your home. Thing’s can’t get much worse so you may as well try to make them better. 
Or maybe you’re so desperate for it to end, that you don’t care how. 
You stand before the two men in their dark suits. They mutter as if you can’t hear them, “Warren’s girl.” 
“One of them,” the other intones. 
“Boss said not to bother.” 
You sway, your hands twined up behind your back. You expect to be turned away but you’re not ready for it. You chew the tip of your tongue. 
“I can wait,” you say. 
The don’t acknowledge you. They turn to block you out with their shoulders and lower their voices. One glances over his shoulder at you, Walker? Or something. 
“Your daddy send you?” He asks. 
You shake your head. You should probably lie but you’re no good at that. The throbbing in your swollen lip assures you of that. 
“So why should we let you in to see the boss? You out here at midnight looking like a tramp,” he challenges as he faces you again. 
“Hey, she looks like she’s had it bad enough. Don’t be a dick,” the other man reproaches. “Look, sweetheart,” he steps forward. “Man’s busy. With important business. Whatever you’re looking for, ask your daddy.” 
You could sob. Your father has no idea you’re there. If he did... if he knew why... 
Your shoulders slump and you hang your head in defeat. Why did you think this would work? It’s a fantasy. That same escapist wish you make every night when you cry yourself to sleep. 
You close your eyes and see Adrienne’s teary-eyes and Kitty’s helpless expression. You can’t let your sisters down. You can’t stand to see them suffer any longer. You can take it all, but it’s seeing him raise his hand to them that guts you. 
“I need to see him,” you raise your head. “I can wait.” 
You say you can but if your father realises you’re gone, if he finds out where you’ve gone, or even manages to guess why... 
Walker sighs. He elbows the other man. “Go tell him so can come back and tell her to scram on his orders.” 
The other man returns a dark look but goes inside. You hug yourself and shiver in the night air. You have only your quarter-zip sweater and a pair of silky pajama pants. You’re not surprised the men can barely keep from laughing at you. 
You wait. It takes longer than you expect. If anything, you would think they would only pretend to tell the boss. That’s what they all do. They lie. They ignore you. They just don’t care. So why are you here? Why would this go any other way? 
Before you can wave the white flag, the door opens. 
“In,” the man holds the door as he steps out.  
You flinch and Walker sneers at his partner in confusion. You’re just as surprised. The other man huffs. 
“Well, he said you got five minutes, so get.” 
You waver on your feet then scurry forward. You step inside the dark brick building, another man waiting just inside. He’s silent as he points you down the hall. He directs you with the terse gestures; upstairs, to the left, around another corner.  
You stop before a door with another duo standing vigil by the door posts. The left one knocks, tilts his head to listen, the opens it. You’re pointed inside.  
Your nerves flurry and wrap you up in a billowing storm. What are you doing? That question doesn’t matter. It’s too late. 
You drag your feet inside. The door slams at your back. The room is dim, lit only by a lamp with a glass shade on the large desk across from you. Behind that, sit a man. The man. Bucky Barnes. The boss. The king. 
He sits with his elbow bent over the armrest of his chair. He watches you calmly. You stand in silence by the door. He beckons you closer with two fingers. 
“Can’t see you back there, doll.” He says. 
You hold your breath and come forward. You gulp as you stop within a foot of the carved desk. Your eyes scour the vintage print of the wallpaper and the wooden paneling. This place is steeped in history. 
He raises his hand, cradling his face as he brings to fingers to his lips. He watches you patiently. Waiting. You stare back at him. You’ve never seen him this close. You don’t even know if your father has. 
“Why are you here?” He asks at last. 
Your eyes narrow on the gold sheen on his pinky. It’s the only safe place to look. You feel like you’ll melt in the blaze of his oceanic irises. You exhale. 
“I need someone dead.” 
He doesn’t answer. Your words dangle in the air as he mulls them. You purse your lips and wince at the pain in the split along the swollen flesh. 
“A man. The one who did that to you?” He sits up straight and points at you. You follow the glint of his ring. You nod. “Low life. Let me guess, daddy doesn’t know you been sneaking around.” 
You shake your head, “he doesn’t know I’m here. Or that I’m asking.” You take another breath as your eyes water. You bring your hand up to your cheek as it pulses. Your father’s knuckles left a nasty welt. “Because it’s him. He’s the one who did this. And I want him dead.” 
He scoffs, more amused than disbelieving. 
“Warren’s a soldier of mine. You're asking me to off him?” 
“I’m begging,” you finally make yourself look him in the eye. His is formidable man. Dark hair, dark beard, a touch of grey here and there. Even at this hour, he wears a nice suit and sits with authority. “Please, my sisters--” 
“And how are you and your sisters going to make up for his cut. He brings in money. What can you give me?” 
“You can take everything. We just want to be free,” you say. 
He clucks, “what he has now is nothing compared to a lifetime of what he can get.” 
You lower your lashes. That’s it. At least he didn’t laugh because you almost did when you said it out loud. Your father isn’t going to die. He’s so rancid, even death doesn’t want him. He’s not human, he’s a curse. And this man you’re asking for mercy, he’s the same kind. 
“Sorry for the bother,” you eke out. “I was mistaken.” 
“So you were,” he agrees. “Go home. Put some ice on it.” 
It’s like another punch in the face. You nod, “thank you, sir.” 
“You can go,” he dismisses. 
“Yes, sir.” You put your head down and drag your foot back. 
“Ah,” he tuts. 
Your eyes flick up. He extends his hand across the desk. Right. He is still who he is. You step closer as he holds his hand steady. You bow down and kiss the sigil on his ring. An outdated and demeaning gesture. 
Before you can stand straight, his large hand frames your chin. He pushes your head up as your eyes round. You stare at him as his gaze drifts down to your neck. The bruises by the zipper of your sweater tingle. 
“You were never here,” he lets you go. 
“Understood,” you retreat, “sorry again for wasting your time.” 
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lefthandarm-man · 7 months ago
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Bucky Barnes // The Winter Soldier Captain America: Civil War (2016)
the way he looks at steve (part 1, part 2, part 3)
(steve vers.)
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shugthedug · 1 year ago
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Insane to me that people, including other film makers, are so ready to throw down against Scorsese. If the trolley problem was the entirety of marvels output on one track and one more Scorsese film on the other, I’d ram that bitch through the mcu so hard it would obliterate every trace of iron man from time and space. God bless ‘em but I would 💖
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vertigoartgore · 3 months ago
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1982's The Death of Captain Marvel Vol. 1 #1 cover by Jim Starlin and Steve Oliff (based on Michelangelo's famous Pieta sculpture).
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mintaikk · 10 days ago
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Permanently stuck between "I love Sam Wilson Captain America omg he's amazing" and "Why the FUCK did Steve abandon all his friends?"
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wntrsnat · 2 years ago
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Brb, just gotta cry myself to sleep rn 🫠🥹
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Steve, trying to convince Tony to confide in him: look im incredible at keeping secrets, my ma thought I only liked girls for years.
Tony, no longer caring about his mental breakdown: WhAt
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at1r1-p4rk3r · 2 months ago
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If Bucky dies in Thunderbolts I quit
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alice1939 · 1 year ago
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[Commission I ordered]
[Artist: Milerva Rosewall - Fb] I'm obssessed with Stony's funeral scene and Tony crying for Steve in The Confession, so I decided to order this. The flower in Steve's coffin is Columbine, which symbolizes honesty, reverence, strength and wisdom. I think it fits Steve, so I put it there.
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atomic-chronoscaph · 6 months ago
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Captain America II: Death Too Soon (1979)
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darkficsyouneveraskedfor · 1 month ago
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Death Wish 11
Warnings: non/dubcon, mentions of crime, violence/abuse and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: mob!Bucky Barnes
Part of the mob drabbles au
Summary: you’re desperate for a way out of your life and you ask a powerful man for help (plus!reader)
As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️
Photo Inspo
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You feel like a child again. Crammed in the back seat between your sisters. The motion of the car makes you queasy but you’re not so certain it isn’t something else stirring your guts. You’re all silent, as if on your way to another funeral. 
Any other woman might be ecstatic. You can’t feel anything by acidic dread. The weigh on your finger keeps you from forgetting the inevitable. 
Kitty reaches to still you as you twist the oversized band against your chafed finger. You dip your head embarrassed and she holds your hand gently in yours. 
“We will get through it.” Kitty says. 
“We have to,” you say. 
Adrienne hums and jostles you from her side. You must all be thinking of the same thing. This is a day when your mother should be there. One where you miss her deep in your soul. 
The car stops. Barnes’ man opens the door and you get out. You feel like an inmate on some sort of excursion. You have a guard close though you have nowhere to go. You can’t see them but you have shackles around you. 
The dress shop stands in stark contrast to the mood. You enter the ivory lobby and approach the tall counter where a woman stands. She greets you with a smile. There’s a group of women in the cushy chairs nestled between garishly-adorned mannequins. 
You give your name, anxiously swaying. He told you to be here at this time. He ensured you would be by sending the car. 
“Ah, there she is,” a voice rises from the cluster of ladies in the sitting area. “We’ve been waiting.” 
A steely-haired woman rises before the associate behind the counter can confirm your appointment. She approaches with the flock at her back. You face her in surprise, your sisters closing the ranks at your sides. 
“Winnifred Barnes,” the woman introduces herself, “you are the one my son has chosen.” She grabs your hand and shakes it. Her grip is tight. “My daughter, Rebecca,” she lets go of you and gestures to the pretty brunette at her left, “Wanda,” she waves at a blond, “and dear Natasha.” A redhead nods with a stony expression. 
“Oh, hello, ma’am,” you know who she is. Barnes’ own mother; your future in-law. “My sisters--” 
“Adrienne and Kitty,” she addresses them each with a smile and a handshake. “Yes, the three sisters.” She turns her attention back to you, “my regrets your own mother could not be here but when my son told me, I insisted. It isn’t fair of a woman to pick a dress without a maternal shoulder to lean on.” 
“Right,” you agree thinly. “I...appreciate it very much. Thank you for being here.” 
“Did he not tell you?” Rebecca intones from her mother’s shoulder, “typical.” 
“It’s a happy surprise,” Kitty insists. 
Winnifred smiles at her, “entirely correct. We’ve had a bit of a peek around, not going to lie.” 
“Oh, my,” your eyes scan the walls full of ivory, cream, and pearl. “I have to admit, I don’t really know what I’m looking for.” 
“Never worry. You’ve got a dozen other eyes to help you,” Winnifred takes your hand, “they have a room ready for us but we should have a look around first.” She tugs you along as the associate beckons her past the front counter. You let her lead the way. This is all easier if you just let it happen around you. “And your sisters, they will be bridesmaids?” 
“I... yes,” you answer in a hollow tone. You hadn’t even thought of that. It only sinks in at that moment. 
You’re getting married. You’re going to have a full-fledged wedding and you’re going to leave your sisters forever. Your daddy is gone and so is your old life. 
“Why don’t you see what catches your eye?” Winnifred gestures to the wall of fluffy gowns. “We all know the men don’t care what we wear, they’re less concerned with the day and more eager for the night.” 
She cackles and you turn to the hangers of fabric. That’s better than thinking about the implications of the choice. Pick a dress. Whatever one you choose won’t change what comes next. 
“Ladies, you know your mission,” Winnifred claps. She nears you and pulls on puffy piece, “would you look at that? Like a princess.” 
You peek over. It’s too much. The layers and layers, the sequins and lace. Why not one or the other? It’s all too much. You never had to worry about silk or mesh, tulle or chiffon. You wore whatever you had. 
“No, you don’t like it,” she clucks. “A mother always knows.” 
“Sorry,” you murmur and push apart the dresses in front of you. 
You shuffle through, one by one. Too much frill, too sheer, too heavy, too Victorian. You don’t even think you should wear white. It feels like an occasion better suited to black. 
“Pull as many as you like. We have all day. You want options. You never really know what you like until it’s on,” Winnifred advises. 
“Hey,” Kitty calls to you and shows you a dress, “you like this?” 
You look over at your sister as she presents a dress with short sleeves and lacy tiers on the skirt. It’s nice but you’re not sure. 
“I can try it,” you say and turn back. 
You go down the full wall before you find something that gives you pause. There’s nothing special about it. It's plain. Straps, a skirt. No ruffles, no lace, no ribbons or beads. Just a dress. And this is just a wedding. 
You take the hanger and hand it to the associate. She goes to add it to the selection. That’s your choice. You’ll see what the others found. 
You wander but don’t look at anything else. Winnifred has an armful as she nears, “well, think we’ve got a good lot. Let’s go see how it looks.” 
She’s happy. It’s strange. To her, it is a joyful time. Her son is getting married and she’s there to help her soon-to-be daughter-in-law pick a gown. You smile, or try to. 
You are led into a room with velvet chairs and a matching chaise. The women settle in. Your sisters in the chairs, and Winnifred between the three other women on the cushioned bench. The associate takes you to the curtained changing room. 
There’s at least a dozen hangers waiting for you. 
“Do you have a preference of which one to try first?” She asks. 
“This one last,” you point to the one you picked. 
“Okay,” she agrees easily. “Better get started.” 
“Sure,” you say, “it’s going to be a long day.” 
She helps into the first one. A ballgown with flowery lace all over and off-the-shoulder straps. This isn’t for you but you’ll let them see it. You lift the skirts above your feet and go out. 
There’s a few gasps as you get in front of the mirror and face your reflection. You hide your displeasure. It’s just not you. 
“Gorgeous,” Wanda and Rebecca praise. 
“I like the skirt,” Adrienne offers. 
“No, it’s not right,” Kitty hums. 
“It isn’t,” Winnifred agrees. 
You nod and turn to the associate, “next, please.” 
You step away from the mirror and hurry back to the shelter of the curtain. This is torture. If Barnes is so set on owning you, can’t you just sign the papers and be done with it? 
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