#de-escalators perhaps
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lanternlightss · 2 days ago
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it will always be so interesting to me that the two to die out of the main cast we know were amos and nameless bard. one who had dearly loved and stood by a god, witnessing his actions up close, until she could not take him not listening anymore. one who befriended a thread of the thousand winds, istaroth’s thread, and (presumably) taught them more of how humanity is.
what a particular pair.
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yandere-daydreams · 1 year ago
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With all the respect and love for your writing in the world, I would not count the neutral votes. The thought of you writing that fills me with horror and disgust, but I did vote neutral because it’s your blog and ultimately your choice. If, however, you’re going to count the neutrals as part of the yes group, I’m going in to change my vote to no. I love your writing, but that’s a level of depravity that makes me physically ill and I will not be part of its arrival. That is a slippery slope and I want off the sled.
girl it's just urine calm down.
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pucksandpower · 6 months ago
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In Another Life
Charles Leclerc x Reader
Summary: in which two soulmates are destined to always find each other only to be torn apart lifetime after lifetime after lifetime … until finally, they’re not (aka the reincarnation AU)
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Rome, 79 AD
The bustling streets of Rome pulse with life as you make your way through the crowded forum. The scent of fresh bread and roasted meat wafts through the air, mingling with the chatter of merchants and citizens going about their daily business. You adjust your stola, the flowing garment feeling unusually constricting today as you hurry towards the Temple of Venus.
“Watch where you’re going!” A gruff voice shouts as you accidentally bump into a burly man carrying an amphora.
“My apologies,” you mutter, quickening your pace. Your heart races, not from the near-collision, but from anticipation. You’re running late for your clandestine meeting with Charles, the young patrician who has captured your heart.
As you approach the temple, you spot him pacing nervously at the base of the steps. His toga gleams white in the afternoon sun and his usually perfectly coiffed hair is slightly disheveled, as if he’s been running his hands through it anxiously.
“There you are!” Charles exclaims as you draw near. His face breaks into a relieved smile, and he reaches for your hands. “I was beginning to worry you wouldn’t come.”
You can’t help but return his smile, your earlier stress melting away. “As if I could stay away,” you tease, giving his hands a gentle squeeze. “Though I must say, your choice of meeting place is rather bold. The Temple of Venus? Are you trying to tell me something?”
He laughs, a warm, rich sound that never fails to make your heart skip a beat. “Perhaps I’m simply hoping the goddess will smile upon us,” he replies, his eyes twinkling with mischief. “After all, we could use all the divine favor we can get.”
Your smile falters slightly at his words, reality creeping back in. “Have you spoken with your father?” You ask, unable to keep the worry from your voice.
Charles’ expression grows serious. “I have,” he says, leading you to a secluded corner of the temple grounds. “He’s ... not pleased, to say the least. He still insists on the marriage to Claudia.”
You feel a pang in your chest at the mention of Charles’ intended bride. “And what did you tell him?”
“The truth,” Charles replies firmly. “That my heart belongs to you and I won’t marry another.”
Your breath catches in your throat. “Charles,” you whisper, “you know the consequences-”
He cuts you off, cupping your face in his hands. “I don’t care about the consequences. I love you, Y/N. I won’t let my father’s ambitions or society’s expectations keep us apart.”
You lean into his touch, torn between elation and fear. “But your family, your position ... you’d lose everything.”
“Not everything,” Charles insists. “I’d have you. That’s all that matters.”
You’re about to respond when a commotion near the temple entrance catches your attention. Your blood runs cold as you spot Charles’ father, Senator Leclerc, striding towards you, flanked by several burly slaves.
“Charles!” The senator bellows, his face contorted with rage. “Step away from that girl at once!”
Charles instinctively moves to shield you. “Father, please,” he begins, but the senator cuts him off.
“Silence! You shame our family with this ... this dalliance. I won’t stand for it any longer.”
You feel Charles tense beside you. “It’s not a dalliance, Father. I love her.”
The senator’s face grows even redder. “Love? You know nothing of love, boy. You have a duty to your family, to Rome. I won’t let you throw it all away for some common girl.”
“She’s not common,” Charles argues, his voice rising. “She’s extraordinary, and I won’t let you or anyone speak ill of her.”
The tension in the air is palpable as father and son face off. You want to intervene, to de-escalate the situation, but you’re frozen in place, your heart pounding.
Suddenly, one of the senator’s slaves moves forward, reaching for Charles. Without thinking, you step between them. “Don’t touch him!” You cry out.
Everything happens in a blur. The slave’s hand connects with your shoulder, shoving you back. You stumble, your foot catching on the hem of your stola. Time seems to slow as you feel yourself falling, tumbling down the temple steps.
“Y/N!” Charles’ anguished cry is the last thing you hear before pain explodes through your body and the world goes dark.
You drift in and out of consciousness, aware of frantic voices and the sensation of being carried. Charles’ face swims into view, streaked with tears.
“Stay with me, love,” he pleads, his voice cracking. “Please, don’t leave me.”
You try to speak, to reassure him, but no words come. The pain is fading now, replaced by a strange numbness. You manage to lift a hand to Charles’ cheek, wanting to wipe away his tears.
“I’m sorry,” you whisper, your voice barely audible. “I love you, Charles. In this life and the next.”
As darkness closes in, your last thought is a desperate hope that someday, somehow, you’ll find each other again.
Genoa, 1348
The acrid smell of smoke and death hangs heavy in the air as Charles makes his way through the narrow, winding streets. His eyes water, both from the stench and the unshed tears he’s been holding back for days. The plague has ravaged the city, leaving behind a trail of devastation and despair.
Charles pulls his cloth mask tighter over his nose and mouth, though he knows it’s likely futile. He’s a physician, one of the few brave — or foolish — enough to still tend to the sick. But today, he’s not seeking out patients. He’s searching for you.
“Y/N!” He calls out, his voice muffled by the mask. “Y/N, where are you?”
A nearby door creaks open, and a haggard face peers out. “Keep your voice down, fool,” the old woman hisses. “You’ll bring the afflicted running.”
Charles ignores her, pressing on. His heart races with each step, fear and hope warring within him. He hasn’t seen you in days, not since you left to care for your ailing aunt. The memory of your parting plays in his mind, as vivid as if it were happening now.
“I have to go,” you had said, your eyes filled with determination and fear. “She has no one else.”
He had tried to dissuade you. “It’s too dangerous. The plague-”
“I know the risks,” you’d cut him off. “But I can’t abandon her. You’d do the same if it were your family.”
He couldn’t argue with that. It was one of the things he loved most about you — your unwavering compassion, even in the face of danger.
“Promise me you’ll be careful,” he’d pleaded, pulling you close. “Promise me you’ll come back to me.”
You’d kissed him then, soft and sweet. “I promise. Nothing could keep me from you, my love. Not even death itself.”
Now, as he rounds another corner, Charles clings to that promise like a lifeline. “Y/N!” He calls again, desperation creeping into his voice.
Suddenly, he spots a familiar figure stumbling down the street. His heart leaps. “Y/N!”
You turn at the sound of his voice, and Charles feels his world tilt on its axis. Your face is pale, your eyes glassy with fever. As he watches in horror, you collapse to the ground.
“No, no, no,” Charles mutters, rushing to your side. He gathers you in his arms, his physician’s training warring with his lover’s panic. “Y/N, can you hear me? Open your eyes, love.”
Your eyelids flutter, and you manage a weak smile. “Charles,” you whisper. “You found me.”
“Of course I found you,” he says, trying to keep his voice steady. “I’ll always find you. Now, let’s get you home and take care of you.”
You shake your head slightly. “No, it’s too late. The plague-”
“Don’t say that,” Charles interrupts fiercely. “It’s not too late. I’m a physician, remember? I’ll cure you. I have to.”
Despite your condition, you manage a soft laugh. “My stubborn love. Always fighting the impossible.”
Charles lifts you gently, cradling you against his chest. “Nothing’s impossible when it comes to you,” he insists, starting the journey back to his home. “We’ve overcome so much already. Remember when we first met? You were convinced a lowly apprentice physician could never court a merchant’s daughter.”
You smile at the memory. “And you were determined to prove me wrong.”
“Which I did,” Charles says, a hint of his old cockiness creeping into his voice. “Rather spectacularly, if I recall correctly.”
“Mmm, yes,” you murmur. “That night under the stars, when you recited all those ridiculous poems ...”
Charles chuckles. “They weren’t ridiculous. They were romantic.”
“They were terrible,” you counter weakly. “But your heart was in the right place.”
As they near Charles’ home, your breathing becomes more labored. Fear claws at Charles’ chest, but he forces it down. “Stay with me, love,” he pleads. “We’re almost there.”
Once inside, Charles lays you gently on the bed. He works tirelessly, applying every treatment and remedy he knows. Hours blur together as he fights against the inevitable, refusing to give up hope.
But as night falls, he can no longer deny the truth. The plague is winning and he’s powerless to stop it.
“Charles,” you whisper, your voice barely audible. “It’s time to let go.”
He shakes his head vehemently, tears streaming down his face. “No, I can’t. I won’t lose you again.”
Your brow furrows in confusion. “Again?”
Charles pauses, unsure where that thought came from. “I ... I don’t know. It just feels like I’ve lost you before, somehow.”
You manage a small smile. “Perhaps in another life,” you muse. “But in this one, we found each other. We loved. That’s what matters.”
“It’s not enough,” Charles insists, his voice breaking. “We were supposed to have more time. We were going to get married, have children, grow old together.”
“We’ll have that chance,” you say with surprising conviction. “If not in this life, then in the next. Our souls are bound, Charles. I feel it. This isn’t the end for us.”
Charles wants to believe you, but the grief is overwhelming. “How can you be so sure?”
“Because I know our love,” you reply, reaching up to touch his face. “It’s stronger than death, stronger than time itself. We’ll find each other again, my love. I promise.”
As your hand falls away, your eyes close for the last time. Charles pulls you close, his body wracked with sobs. “I’ll find you,” he vows through his tears. “In this life or the next, I’ll always find you.”
Days pass in a haze of grief and determination. Charles throws himself into treating the sick with renewed vigor, heedless of the risk to himself. And when the telltale symptoms begin to appear — the fever, the chills, the aching limbs — he faces them without fear.
As he lies in his sickbed, Charles’ thoughts are only of you. “I’m coming, my love,” he whispers to the empty room. “Wait for me.”
His last conscious thought is a fervent hope that somehow, somewhere, you’ll be reunited once more.
Paris, 1789
The streets of Paris echo with the sound of angry voices and marching feet as Charles makes his way through the city’s winding alleys. His heart races, not from the exertion of his hurried pace, but from the fear of what’s to come. The revolution has begun in earnest, and his world is crumbling around him.
“Charles!” Your voice cuts through the chaos, and he turns to see you running towards him, your skirts hiked up to allow for faster movement. “Thank God I found you. We have to go, now!”
He grabs your hand, pulling you into a shadowy doorway. “Y/N, what are you doing here? It’s not safe!”
You cup his face in your hands, your eyes blazing with determination. “I couldn’t leave without you. The mob is heading for your family’s estate. We need to get you out of the city.”
Charles feels a rush of love for you, even as fear grips his heart. You, a baker’s daughter, risking everything to save him. “And what of you? Your family?”
“They’re safe,” you assure him. “Papa closed the bakery and they’ve gone to stay with relatives in the countryside. But you ... Charles, they’ll kill you if they find you.”
He knows you’re right. His family name, once a source of pride, is now a death sentence. “Where can we go?” He asks, his mind racing.
“I have a plan,” you say, tugging him back into the street. “There’s a farmer who owes my father a favor. He’s agreed to hide us until we can secure passage to England.”
As you hurry through the streets, the sounds of the mob grow louder. Charles can’t help but look back, his heart heavy with the knowledge of what he’s leaving behind.
“Charles, focus,” you urge, squeezing his hand. “We’re almost there.”
Suddenly, a group of revolutionaries rounds the corner ahead of you. Their eyes lock onto Charles, recognition dawning on their faces.
“Aristocrat!” One of them shouts, pointing an accusing finger. “Seize him!”
“Run!” Charles yells, pulling you in the opposite direction. You flee hand-in-hand, weaving through the narrow streets as shouts and footsteps echo behind you.
“This way,” you pant, yanking him down an alley. “I know a shortcut.”
You lead him through a maze of backstreets, the angry voices growing fainter. Just as Charles begins to hope you’ve lost them, you emerge onto a main road … and straight into the path of another group of revolutionaries.
“Halt!” A burly man with a tricolor sash shouts, leveling a musket at Charles.
Charles pushes you behind him, shielding you with his body. “Please,” he says, raising his hands. “We mean no harm. We’re just trying to leave the city.”
The man’s eyes narrow. “You’re Leclerc’s boy, aren’t you? The one who’s been helping nobles escape?”
Charles feels you stiffen behind him. He’d kept his activities secret, even from you, to keep you safe. But now ...
“Yes,” he admits, straightening his spine. “I’ve been helping innocent people escape persecution. If that’s a crime, then I’m guilty.”
The man’s face twists with rage. “Traitor to the revolution!” He spits. “You’ll pay for your crimes against the people!”
As the man raises his musket, time seems to slow. Charles is acutely aware of your rapid breathing behind him, of the sweat beading on his brow, of the hammering of his heart.
“No!” You cry out, trying to push past Charles. “Please, he’s a good man! He’s helped people, saved lives!”
“Y/N, don’t,” Charles pleads, holding you back. He turns to face you, drinking in the sight of your face, committing every detail to memory. “I love you,” he says softly. “In this life and the next.”
The words trigger a flash of memory — or is it déjà vu? Charles has a sudden feeling that he’s said those words before, in another time, another place.
The moment is shattered by the deafening crack of the musket firing. Charles feels a searing pain in his chest, and then he’s falling, the world tilting sideways.
“Charles!” You anguished scream seems to come from far away. He feels your arms around him, cradling his head in your lap. “No, no, no. Stay with me, my love. Please!”
Charles tries to speak, but only a wet cough comes out. He can taste blood in his mouth. The pain is fading now, replaced by a spreading numbness.
“I’m sorry,” he manages to whisper. “I’m so sorry, Y/N.”
Tears stream down your face as you bend over him. “Don’t apologize. You have nothing to be sorry for. You’re a hero, Charles. My hero.”
He wants to tell you how much he loves you, how meeting you was the best thing that ever happened to him. But the darkness is closing in, and he can feel himself slipping away.
As his eyes flutter closed, Charles has a strange sensation of déjà vu. He sees flashes of other lives — ancient Rome, plague-ridden Genoa — where he loved you and lost you. Or did you lose him?
With his last breath, Charles makes a silent vow. Somehow, someway, he’ll find you again. In the next life, you’ll get it right. You have to.
The world fades to black, but Charles isn’t afraid. He knows this isn’t the end. It’s just another beginning.
You hold Charles’ lifeless body, your sobs echoing in the suddenly quiet street. The revolutionaries stand awkwardly, some looking ashamed, others defiant.
“What have you done?” You cry out, your voice raw with grief and anger. “He was a good man! He helped people!”
The man with the musket shifts uncomfortably. “He was an aristocrat,” he mutters, but there’s less conviction in his voice now.
You look up at him, your eyes blazing through your tears. “He was a human being,” you say fiercely. “And you murdered him.”
As the reality of what they’ve done sinks in, the crowd begins to disperse. You’re left alone with Charles, cradling his body in the middle of the street.
“I’ll find you,” you whisper, pressing a kiss to his forehead. “In the next life, my love. I promise we’ll be together again.”
As night falls over Paris, you sit vigil over Charles’ body, your heart broken but your spirit undefeated. Somewhere deep inside, you know this isn’t the end of your story. It’s just another chapter in a love that spans lifetimes.
London, 1942
The steady tick of the clock on the mantle seems to echo through the small London flat as you pace anxiously, your eyes darting to the window every few seconds. The air raid sirens have been silent for days, but the tension in the city remains palpable. It’s been weeks since you’ve heard from Charles, and the knot of worry in your stomach grows tighter with each passing day.
A sharp knock at the door makes you jump. Your heart races as you rush to answer it, hope and fear warring within you. But instead of Charles’ warm smile, you’re met with the solemn face of his fellow RAF pilot, James.
“James,” you breathe, your voice barely above a whisper. “What is it? What’s happened?”
James removes his cap, twisting it in his hands. “May I come in? I’m afraid I have some news about Charles.”
The world seems to tilt on its axis as you step back, allowing James to enter. You lead him to the small sitting room, your movements mechanical, as if you’re watching yourself from a distance.
“Please,” you say, gesturing to a chair. “Sit down and tell me everything.”
James perches on the edge of the armchair, his discomfort palpable. “There’s no easy way to say this. Charles’ plane was shot down over the Channel three days ago. We ... we haven’t found any survivors.”
The words hit you like a physical blow, driving the air from your lungs. “No,” you whisper, shaking your head. “No, that can’t be right. Charles is too good a pilot. He promised he’d come back to me.”
James leans forward, his eyes filled with sympathy. “I’m so sorry, Y/N. Charles was one of the best pilots I’ve ever known, but the Jerries caught us by surprise. There was nothing he could do.”
You sink onto the sofa, your legs suddenly unable to support you. “Tell me what happened,” you demand, your voice stronger than you feel. “I need to know everything.”
James nods, taking a deep breath. “We were on a routine patrol over the Channel. Everything seemed quiet, and then suddenly the sky was full of Messerschmitts. They came out of nowhere, diving out of the sun.”
He pauses, running a hand through his hair. “Charles ... he was incredible. He managed to take down two of them before they could even react. But there were just too many of them.”
You close your eyes, picturing Charles in the cockpit of his Spitfire, his face set with determination as he faced impossible odds. It’s an image that both comforts and devastates you.
“I saw his plane take a hit,” James continues, his voice rough with emotion. “He was trying to draw their fire away from the rest of us. The last thing I heard over the radio was him saying, ‘Tell Y/N I love her. In this life and the next.’”
A sob escapes you at those words, so achingly familiar. “He’s said that before,” you murmur, more to yourself than to James.
“I’m sorry?” James asks, leaning closer.
You shake your head, unsure how to explain the strange sense of déjà vu. “It’s nothing. Please, go on.”
James nods, though he looks at you curiously. “His plane went down fast after that. We searched for hours, but with the weather and the waves ...” He trails off, leaving the grim implication hanging in the air.
“So there’s still a chance?” You ask, clinging to a shred of hope. “If you didn’t find ... if there’s no body, he could still be out there, right?”
The pity in James’ eyes is almost unbearable. “Y/N, I know it’s hard to accept, but the chances of survival in those conditions ... it would take a miracle.”
You stand abruptly, pacing the small room. “Then I’ll believe in miracles,” you declare fiercely. “Charles is strong, and he’s a survivor. He wouldn’t leave me, not like this.”
James rises, reaching out to place a comforting hand on your shoulder. “I understand. Charles spoke of you often, you know. He loved you more than anything in this world.”
“Loves,” you correct him sharply. “He loves me. Present tense.”
James nods, not arguing. “Of course. I’m sorry, I should go. Is there anything you need? Anyone I can call for you?”
You shake your head, suddenly desperate to be alone. “No, thank you. I just ... I need some time.”
As you show James out, he pauses at the door. “Charles was more than just my commanding officer. He was my friend. If you need anything, anything at all, please don’t hesitate to ask.”
You manage a weak smile. “Thank you, James. That means a lot.”
As the door closes behind him, the flat seems to grow impossibly quiet. You lean against the wall, feeling as though you might shatter into a million pieces at any moment.
Your eyes fall on a framed photograph of Charles, taken just before he left for his last mission. His smile is radiant, his eyes full of life and love. You pick up the frame, tracing his features with a trembling finger.
“You promised,” you whisper to the image. “You promised you’d come back to me.”
A memory surfaces, unbidden. Charles, laughing as he spun you around in the park on your first date. “You know,” he had said, his eyes twinkling, “I have the strangest feeling I’ve known you forever.”
You had felt it too, that inexplicable sense of familiarity, of coming home. “Maybe we knew each other in a past life,” you had joked.
Charles had grown serious then, cupping your face in his hands. “If that’s true,” he had said softly, “then I’m certain I loved you just as much then as I do now.”
The memory is too much. Your knees buckle, and you sink to the floor, still clutching the photograph to your chest. Sobs wrack your body as the full weight of your loss crashes over you.
“Come back to me,” you plead between gasping breaths. “Please, Charles. Find me again. In this life or the next, just find me.”
As you kneel there, lost in your grief, a strange calm settles over you. Deep in your soul, you feel a certainty that this isn’t the end. Somehow, someway, you and Charles will find each other again.
You have to believe it. It’s the only thing that will get you through the long, dark nights ahead.
Berlin, 1961
The cold November air bites at Charles’ face as he paces along the western side of the Berlin Wall, his breath forming small clouds in the dim light of dawn. His eyes scan the imposing concrete barrier, searching for any sign of movement on the other side. He checks his watch for the hundredth time, willing the minutes to pass faster.
“Come on, Y/N,” he mutters under his breath. “Where are you?”
As if in answer to his plea, a small pebble arcs over the wall, landing at his feet. Charles’ heart leaps as he bends to retrieve it, unfolding the small piece of paper wrapped around it.
I’m here, the note reads in your familiar handwriting. Same spot. Be careful.
Charles moves quickly to a section of the wall where a drain pipe creates a small blind spot from the watchtowers. He pulls out a compact mirror, angling it to catch a glimpse of the other side.
“Y/N,” he whispers urgently. “Can you hear me?”
“Charles!” Your voice comes back, barely audible. “Thank God. I was worried you wouldn’t come.”
“I’ll always come for you,” he says, his voice thick with emotion. “Are you alright? Did anyone follow you?”
“I’m fine,” you assure him. “I was careful. But Charles, we don’t have much time. They’re planning to move me to Moscow next week. This might be our last chance.”
Charles feels his stomach drop. “Moscow? No, we can’t let that happen. We have to get you out of there tonight.”
“How?” You ask, a note of desperation in your voice. “The security has been tightened since the last escape attempt. There are patrols everywhere.”
Charles runs a hand through his hair, his mind racing. “I have a contact in the American sector. He might be able to help. But Y/N, it’s risky. If we’re caught ...”
“I know,” you interrupt. “But I can’t stay here anymore. I can’t keep pretending to be loyal to a system I despise. And I can’t bear to be separated from you any longer.”
His heart swells at your words. “I feel the same way. Okay, listen carefully. Meet me back here at midnight. Wear dark clothes and bring only what you can carry in a small bag. I’ll have everything else ready on this side.”
“Midnight,” you repeat. “I’ll be here. Charles ... I love you.”
“I love you too,” he says softly. “More than you could ever know. Be safe, Y/N. I’ll see you soon.”
As Charles turns to leave, he’s struck by a sudden, overwhelming sense of déjà vu. He’s had this feeling before when talking to you, as if your souls have known each other across lifetimes. Shaking off the strange thought, he hurries away to set the plan in motion.
The hours crawl by as Charles makes preparations. He meets with his American contact, secures false documents, and plots the safest route to the western sector. As night falls, he returns to the wall, his nerves on edge.
Midnight comes and goes. Charles waits, every muscle tense, straining to hear any sound from the other side. Five minutes pass. Then ten.
“Y/N?” He whispers urgently. “Are you there?”
Silence answers him. Charles feels panic rising in his chest. Something’s wrong.
Suddenly, the night is shattered by the sound of shouting and dogs barking. Floodlights blaze to life on the eastern side of the wall.
“No,” Charles breathes, horror washing over him. “Y/N!”
He presses himself against the wall, desperate to hear something, anything. The chaos on the other side grows louder. Then, cutting through it all, he hears your voice.
“Charles!” You cry out. “Charles, help me!”
Without thinking, Charles begins to climb the wall, heedless of the danger. He has to get to you, has to save you.
“Stop right there!” A gruff voice shouts in German. Charles freezes, realizing he’s been spotted by a guard on the western side.
“Please,” Charles begs in German, “You don’t understand. There’s someone over there who needs help. I have to-”
His words are cut off by the sharp crack of gunfire from the eastern side. Charles’ blood runs cold.
“Y/N!” He screams, no longer caring who hears him. “Y/N, answer me!”
But there’s no response. The night falls eerily quiet, broken only by the sound of hurried orders being given in Russian.
Charles slumps against the wall, his mind refusing to accept what his heart already knows. You’re gone. He was too late.
Hours pass in a blur. Charles remains by the wall, numb with grief and shock. As dawn breaks, he hears someone approaching from the western side.
“Mr. Leclerc?” A voice says softly. It’s his American contact. “I’m so sorry. We ... we heard what happened.”
Charles looks up, his eyes red-rimmed and hollow. “Tell me,” he says hoarsely.
The man sighs heavily. “She was caught trying to reach the wall. There was a struggle. The guards ... they didn’t hesitate to use lethal force.”
Each word is like a knife to Charles’ heart. “Did she suffer?” He asks, dreading the answer.
“It was quick,” the man assures him. “If it’s any consolation, our sources say her last words were about you. She said, ‘Tell Charles I’ll find him again. In this life or the next.’”
Charles closes his eyes, a single tear rolling down his cheek. Those words ... why do they sound so familiar?
“Mr. Leclerc,” the American says gently, “it’s not safe for you to stay here. We need to get you out of Berlin. There will be questions, investigations.”
But Charles barely hears him. His mind is reeling, flashes of memories — or are they dreams — flooding his consciousness. Ancient Rome, plague-ridden Genoa, revolutionary France, war-torn skies over the English Channel. In each scene, he sees your face, hears your voice promising to find each other again.
“This isn’t the end,” Charles murmurs, more to himself than to the confused American.
“I’m sorry?” The man asks.
Charles stands, a strange calm settling over him. “Nothing,” he says. “You’re right. We should go.”
As they walk away from the wall, Charles makes a silent vow. He will live, he will remember, and he will find you again. Somehow, somewhere, in another life, you will have your chance at happiness.
The Berlin Wall may have separated you in this life, but Charles is certain now that your souls are bound across lifetimes. And no wall, no war, no force on earth can keep you apart forever.
Abu Dhabi, 2025
The roar of engines fills the air as Charles crosses the finish line, clinching his first Formula 1 World Championship. The crowd erupts in cheers, but Charles barely hears them. His eyes scan the barriers, searching for one face among thousands.
As he brings his Ferrari to a stop, he sees you pushing through the throng of celebrating team members. Your eyes meet, and suddenly everything else fades away. Charles leaps from the car, not even bothering to remove his helmet as he runs towards you.
“We did it!” He shouts, sweeping you into his arms and spinning you around. “We actually did it!”
You laugh, tears of joy streaming down your face. “You did it, Charles! I’m so proud of you!”
He sets you down gently, finally removing his helmet. His hair is matted with sweat, his face flushed with exertion and excitement. To you, he’s never looked more handsome.
“No,” Charles says, cupping your face in his hands. “We did this together. I couldn’t have done any of it without you.”
Before you can respond, he pulls you into a passionate kiss. The world around you explodes with camera flashes and cheers, but neither of you notice. In this moment, you’re the only two people in the world.
As you finally break apart, Charles rests his forehead against yours. “I love you,” he murmurs. “In this life and-”
“And all the others,” you finish, a strange sense of déjà vu washing over you.
Charles pulls back slightly, his brow furrowed. “You feel it too, don’t you?” He asks. “Like we’ve said these words before?”
You nod, a bit dazed. “It’s strange. Sometimes when I look at you, I get flashes of ... I don’t know, other times, other places. But it’s always us, always together.”
A grin spreads across Charles’ face. “Maybe we’re soulmates,” he teases, but there’s a hint of seriousness in his eyes.
“Charles! Y/N!” A voice calls out. You turn to see Fred Vasseur approaching. “Sorry to interrupt, but Charles has to get weighed.”
Charles nods, then turns back to you. “Wait for me?” He asks.
You smile, giving him a quick kiss. “Always,” you promise.
As Charles is whisked away for obligations, you find yourself lost in thought. The strange feeling of familiarity, of a love that transcends time, has been with you since the day you met Charles. You’ve never mentioned it to him before, afraid he’d think you were crazy.
The podium ceremony is a blur of champagne and cheers. Charles’ radiant smile never wavers as he hoists the trophy, but his eyes keep finding you in the crowd. When it’s finally over, he makes a beeline for you, ignoring the clamoring reporters.
“Let’s get out of here,” he says, taking your hand.
You raise an eyebrow. “What about the press conference? The team celebrations?”
Charles shakes his head. “They can wait. Right now, I just want to be with you.”
Hand-in-hand, you sneak away from the track, laughing like teenagers as you dodge team members and journalists. Charles leads you to his car and soon you’re speeding down the winding roads of the Emirati capital.
“Where are we going?” You ask, the wind whipping through your hair.
Charles grins, his eyes sparkling with mischief. “You’ll see.”
As the sun begins to set, Charles pulls off onto a small dirt road. It leads to a secluded hilltop overlooking the valley below. The view is breathtaking, the entire landscape bathed in the warm glow of twilight.
“Charles,” you breathe, taking in the scene. “It’s beautiful.”
He comes to stand behind you, wrapping his arms around your waist. “Not as beautiful as you,” he murmurs, pressing a kiss to your neck.
You turn in his arms, struck once again by the intensity of his gaze. “What are we doing here, Charles?”
He takes a deep breath, suddenly looking nervous. “Y/N, do you remember the day we met?”
You smile at the memory. “Of course. I was lost in the paddock and you offered to help me find my way.”
“The moment I saw you,” Charles says softly, “it was like ... like coming home. Like I’d been searching for you my whole life without even knowing it.”
Your heart races as he continues. “And ever since then, I’ve had these ... dreams, I guess. Flashes of other lives, other times. But always with you.”
“Charles,” you whisper, hardly daring to believe what you’re hearing. “I’ve had them too. I thought I was going crazy.”
He shakes his head, a look of wonder on his face. “Not crazy. Just ... connected. In a way I can’t fully explain.”
Charles takes your hands in his, his thumbs tracing gentle circles on your skin. “I don’t know if it’s past lives or parallel universes or just some cosmic coincidence. But I do know this: in every life, in every version of reality, I love you. And I want to spend the rest of this life, and all the ones that come after, loving you.”
Your breath catches as Charles drops to one knee, pulling a small velvet box from his pocket. “Y/N,” he says, his voice thick with emotion, “will you marry me?”
Tears blur your vision as you nod emphatically. “Yes,” you manage to choke out. “Yes, of course I’ll marry you!”
Charles’ face breaks into a radiant smile as he slips the ring onto your finger. He stands, pulling you into a kiss that feels like coming home and embarking on a new adventure all at once.
As you break apart, both of you laughing and crying, a sense of rightness settles over you. Whatever strange connection you share, whatever cosmic forces have brought you together time and time again, you know that this — right here, right now — is where you’re meant to be.
“I love you,” you say, looking into Charles’ eyes. “In this life and all the others.”
“And I love you,” he replies, holding you close. “Always and forever.”
The future stretches out before you, full of promise and possibility. And though you don’t know what challenges it might bring, you’re certain of one thing: whatever comes, you’ll face it together.
Just as you always have, and always will.
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arscorpii · 5 months ago
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the way utena held onto wakaba and anthy's hands, trying her best to not let go (even though utena was barely holding onto anthy's hand, i'm sure she never wished to let anthy slip away from her grasp). both shots were lit with soft lighting ⟶ to highlight the importance of the person utena was holding onto and their bonds to utena.
the fact that she reached out to them with her left hand, the hand on which she wore her rose crest ring (the ring being clearly visible in both shots) ⟶ utena believed that she could only save wakaba and anthy by being a prince/playing the role of a prince.
utena caught wakaba's right hand with her left hand; wakaba wasn't holding back. meanwhile, anthy reached out to utena's left hand with her left hand as well. i think the difference in how each pair held hands may lie within the ideals between the pairs in their respective circumstances. with regard to wakaba, she harboured lots of pent-up emotions and thoughts about how unfairly the (ohtori) world treated the people it regarded as "special" and "ordinary," such as utena and herself. wakaba was clouded with feelings of inferiority and wanted to be special, to put it simply. utena didn't understand/wasn't aware of these dichotomous mechanisms/systems at play, at this point at least. these conflicting ideals, as in, awareness versus ignorance, were represented in the way they held hands; the hero/chosen one with her firm grasp on the motionless hand of the underdog/forgettable one.
with regard to anthy, the moment utena cracked open her coffin was the first time the both of them saw each other as they truly were. utena believed in a world beyond eternal pain and suffering anthy had to endure and wanted to share that view with her, wanted anthy to see and experience such a world, to save her from this needless perdition for good. eventually, anthy took the chance on the possibility, given how unyielding utena was in trying to reach her despite being stabbed by anthy herself; anthy hesitantly reached out to utena. both utena and anthy wanted to believe in a world where suffering is transient when they reached out to one another through the coffin opening, and not an eternally all-consuming pain as their fates in ohtori. they shared similar hopes in that moment.
utena reached out to both wakaba and anthy with kindness and love:
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in the duel with wakaba, she never drew out the sword of dios or fought her. utena de-escalated the duel carefully by taking hold of wakaba's sword (the sword pulled out of saionji) and cutting off the black rose. despite not understanding the sequence of events that had them facing each other off in the dueling arena, wakaba was one of utena's closest friends and utena would save her. it's a little interesting to note that the audience (and utena, too i believe) didn't get a glimpse of wakaba's face during utena's speech as above. in addition, the focus on their interlocked hands when utena mentioned about not understanding the situation and saving wakaba is also interesting (even though the interlocked hands were due to them struggling against each other). it's possible what utena said at that moment may have reached her heart even while being under the control of the black rose. perhaps the speech may have made wakaba realise that she was indeed special. this "specialness" was emphasised by utena not letting wakaba fall into the outline of one of the bodies like the other black rose duelists; because she mattered to utena. "to not be chosen is to die" but in a way, she was chosen by utena here beyond the presented choice between her or anthy. utena chose wakaba and anthy.
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in episode 39, akio used the sword pulled out of utena to break through the rose gate. utena was injured and incapacitated by anthy's stab, while anthy was relentlessly impaled with millions of swords embodying humanity's hatred. akio's futile attempts eventually broke the sword and he gave up on the pursuit. so long as he had anthy, he could try again, as in, try again to gain the power to "revolutionise the world" instead of freeing his little sister. utena tried opening the rose gate with her bare hands; dragging her injured body there, clinging onto the thorny vines of the roses on the gate, pushing through the large stone doors. she only wanted to stop the swords from hurting anthy, to help her. utena's love and care for anthy finally unlocked the rose gate into anthy's coffin. utena steadfastly held out her hand to anthy despite anthy's protests. utena's efforts moved anthy to tears, and she reached out to her. in episode 38, utena chose anthy over akio, and all the way back to episode 11, utena chose anthy over the power to revolutionise the world. utena had always chosen anthy against all odds and choices.
the aftermath:
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wakaba wasn't holding back possibly due to being under the control of the black rose while anthy's hand eventually slipped away from utena's hold.
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nevertheless, utena's efforts matter, very much so, because wakaba will always be on utena's side no matter what happens and anthy will find utena no matter where she is.
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helpful-writing-tips · 2 years ago
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power signalling
Kneeling.
Ordered to kneel as punishment or as a show of deference.
Shoved physically to the ground by hands on their shoulders, maybe a kick to the back of the knee.
Picking themself up off the ground but only getting as far as hands and knees.
Crawling because they haven't got the strength to stand anymore.
Dropping to their knees from exhaustion or despair.
Personal space.
Casually invading it.
Uninvited touch - from the deeply creepy to something as simple as a firm hand on the shoulder.
Standing too close - especially if taller or otherwise physically stronger.
Conversely, hurrying to get out of someone's way.
Eye contact.
Staring someone down. Who is the first to look away?
Averting eyes for one's social superiors. Trying to de-escalate by avoiding eye contact.
Too frightened or ashamed to look someone in the eye.
Insisting that someone maintain eye contact while you're talking to them. Insisting that someone never look you in the eye.
Singling someone out just by looking at them.
More generally, Attention.
The room falls quiet when they walk in.
Who cuts in, and who gets talked over. Ignoring those who are beneath your attention.
The excited attention given to the object of respect and idolization.
The careful, wary focus given to a potential threat.
Deliberately attending to something else to appear less threatening. Deliberately burying oneself in something else to avoid attracting unwanted attention.
Codified status behaviours.
Bowing to one's superiors. Bonus points if there are differentiated kinds of bowing for different status differentials.
Soldiers coming to attention when a superior officer comes.
Saluting. Who greets whom first?
Serving food in a particular order.
Standing up when a respected person enters the room.
Non-verbal threats.
Just resting a hand on a weapon, or perhaps even just near a weapon.
Cracking knuckles or rolling shoulders. Clenched fists. The little come-get-some-then life of the chin.
Stepping from a conversational stance into one that's balance for fight or flight.
Pointing a weapon at someone. Casually brushing aside a weapon.
Conversely, de-escalation and surrender.
Open hands, spread in front of them. Hands above head.
(Raised slowly, transitioning from the simple whoa-calm-down gesture to full on surrender as the situation gets tenser.)
Going still. Slow, careful movements being sure to keep hands where they can be seen. Laying down weapons.
Hands on head. Getting down on the floor. Deliberately making oneself vulnerable to prove non-hostile (or non-resisting) intent.
Alternately, deliberately showing "vulnerability" to demonstrate how little of a threat you consider the other person.
The slouch of villainy. Open posture, casual, relaxed in the face of apparent danger.
Casually putting weapons away or turning one's back, confident that they won't do anything.
Signs of fear.
Flinching. Trembling. Closed defensive posture. Tension. Backing away. Fidgeting. Lip-biting.
Arms hugged close to chest. Or refusing to lower defences. Checking for escape routes. Trying to insist that they don't come any closer.
Offer of or requests for help.
Extending a hand to help someone up off the ground. Reaching out a hand in silent plea.
Do they have to ask for help? Are they willing to accept it? Do they get a choice? Who has plenty and who has to rely on the other's goodwill?
Picking someone up off the ground. Carrying them. (Dropping them?)
Adjusting someone's clothes. Withholding aid.
credit:@just-horrible-things // @whetstonefires suggests:
A character can vastly expand their area of influence by laying a hand on a table, for example. If you're standing on opposite sides of a large table, and one of you puts your hand down, that can symbolically take you up into the other party's personal space in a much subtler and more deniable way than actually getting up in their face.
This can be used equally well to convey affection or threat.
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hardlyinteresting · 1 year ago
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Love, Guilt and Other Wounds
Aaron Hotchner x female reader
When Aaron and his partner are taken hostage, he has to break her heart to save her life.
Warnings: angst, hurt/comfort, a little bit of domestic fluff, mention of blood, injury (non-graphic), hostage situation, knives, cannon-compliant themes of violence, non-detailed discussion about religion (Christianity), themes of childhood abuse, please let me know if you want me to add anything else.
Word count: (less than I expected, sorry) 3.7k  Request here! | Masterlist
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"Of course, I’ll hurt you. Of course, you’ll hurt me. Of course, we will hurt each other. But this is the very condition of existence. To become spring means accepting the risk of winter. To become presence, means accepting the risk of absence". - Antoine de Saint-Exupéry
Aaron isn't sure if he believes in a God or a higher power. He was taught to read scripture; and spent Sunday mornings perfecting his posture in church pews-- starched shirts and neckties pulled too tight. The preacher's sermons left him wanting-- wondering how this man of God could stand over his congregation preaching every week, and not see all the lies they were holding back. How could he not see the secrets Aaron seemed to read so clearly? At just fourteen Aaron knew who was having an affair and with whom. He could see which children feared their fathers. Every pew had another story, another family growing together, or falling apart. The hypocrisy of it all drove him mad, and he imagined standing from his seat to shout it, overwhelmed as he realized he had unintentionally become the keeper of everyone's secrets. He learned that everyone in that church was a liar in their own right, and he hated it. But, when he left for college, his mother called to ask if he was still going to church on Sundays, and he lied and said yes. 
He should have paid more attention. Maybe then he'd understand how he ended up here. Perhaps it's some sick retribution. A cosmic evening of the scales; his penance for his sins. He just wishes you weren't here with him. How dare he think he could love someone when all he's ever done is punish those who love him? His hands are stained with blood; he taints everything he touches. 
Very early on in his career, Aaron learned he couldn’t take cases personally. As devastating as it was to have another victim show up while hunting a killer, it wasn’t a personal failure. Compartmentalize. Use logic. Move forward. He repeated the process again and again. Logically he knows that he is not responsible for the actions of the aggressive sociopath who is now holding the two of you hostage; but, he blames himself for not keeping you safer, for bringing you with him, and for putting you in harm's way. He knows he will not recover if you don’t make it out of here. He won’t forgive himself. 
The profile said this man would be anti-social. Physically, he’d be small in stature. It was clear he’d been sneaking up on his victims. He had been taking couples, knocking out the men with a blow to the back of the head, and then the women. It’s a method that the team had seen before, common for UNSUBs without the social ability to lure their victims, or the physical strength or confidence to attack head-on. But they had not profiled that he would escalate to taking out his targets with a taser. 
After six days in San Diego, the team finally had a lead on two rental properties in the UNSUB’s comfort zone. One was an old tyre factory, listed as a multipurpose warehouse and storage space; the other was a large storage facility in an industrial neighbourhood. Both units had been paid for in cash, both offered the privacy and space required to hold and torture two people for days at a time. The team split up, Hotch and you arranged to meet the owner of the factory space to find out more about who the renter was and gain access to the property. With no response from the owner of the second property, Morgan, Prentiss, and Rossi headed over to check it out. 
The two of you had only been on the property for five minutes before Aaron had been incapacitated and taken out. He had foolishly made his way into the building while you ran back to the SUV to grab your jacket. Out cold, there was nothing Aaron could do to stop you from meeting the same fate. 
It’s not his fault. But he feels like it is as he watches you shiver from across the room. He can’t be certain how much time has passed, but it feels like hours. He can only hope that you’re being kept in the building you were attacked in, that the team will connect the dots and come and get you, but until then you’re stuck. He watches, nauseated as your eyes flutter open, and then shut again. You’re concussed, he doesn’t need to be a doctor to know that. His ears are ringing, and he’s sure the blow he took to the head has at the very least temporarily worsened his hearing. 
“Doesn’t the FBI have rules against fraternization?” The UNSUB wonders out loud, waving a knife around as he walks towards you. 
“What makes you think we’re a couple?” Hotch asks, as he tries to work his hands free from the rope that binds them behind his back, “She’s just a colleague”. 
It’s a lie. But it needs to be said. Compartmentalize. Use logic. Move forward. Buy time, shift the UNSUB’s interest away from the two of you. Ruin the fantasy.
“I think I’ve been doing this long enough to know a couple when I see a couple, Aaron,” the man taunts, obviously proud of himself. He’s feeling emboldened having taken two FBI agents, but that works in your favour. He’s getting cocky, too full of himself. It’s a level of confidence he isn’t used to having, it just gives him a higher height to fall from. Compartmentalize. Use logic. Move forward. “I think it’s time we wake your girlfriend up,” the man says, his hand gripping tightly at your hair, your head tugged back without remorse. 
Aaron resists the urge to cringe as he hears you groan, your face twisted with obvious pain as you’re rudely awakened. “She’s pretty. What’s she doing with you?” 
“I told you. She’s a colleague”. 
Your eyes are unfocused, scanning the room trying to make sense of what is going on. 
The man raises the knife, holding it to your throat. This time Aaron blinks, desperate to control his expressions and micro-expressions. In this scenario, the less he cares about you, the safer you are. 
It’s the burden of being tied to him. Time after time his love destroys people. 
The blade presses closer to your throat. Aaron controls his breathing. 
“Impressive agent Hotchner. But I’m still not convinced,” the UNSUB moves the blade but pulls your head back further. Your eyes meet Aaron’s, “Do what you’re going to do, he doesn’t care,” you say. You’re speaking to the man with the knife in his hand as much as you’re speaking to Aaron. He weighs his options, his heart pounding as he watches you hold your breath, willing the tears to leave your eyes. It’s the permission he needs but doesn’t want.  Compartmentalize. Use logic. Move forward. He knows you’re doing the same, telling him to break your heart to save your life. 
“Please, Hotc--”. 
He doesn’t let you finish, “Just shut up for once. Please,” he thinks the words cut through him more than they cut through you. Knowing his cruelty is a lie does little to soften the blow, and it breaks his heart to be the one throwing it. 
But this is all he’s good for, isn’t it? Letting people down. Surely it’s not just coincidence that so many of those who have dared to love him end up damaged. One way or another he destroys people. Who is he to say that he’s the one who is suffering when it’s he who does all the damage? 
Even as a child, he couldn’t help it. He thinks perhaps he inherited his sharpened tongue and lack of patience from his mother. She loved him in her own way but could never show it without first tearing him apart. Her biting words, and regular beatings. Prentiss had been right when she once said he was distrustful of women-- unfairly so. Not all women carry the hateful, spiteful heart his mother had. Very few had ever turned their rage at the world and their shortcomings into a personal and violent rage against him. He grew weary nonetheless. Better safe than sorry.
 At a young age, it became clear to him that there were few things, if anything, as important to his mother than appearances. On Sundays, she fussed over his clothes and his posture. She lectured him on table manners from the moment he could hold a fork. His room had to be spotless. His grades had to surpass average. Long before his brother was ever born, he learned how to live up to her expectations. But still, there was always something she could find him lacking in, an excuse to take her open fist or wooden spoon to his skin, a reason to send him to bed without dinner. He remembers crashing into the china cabinet trying to escape her one night. She was mortified on Monday when he had to walk into school on Monday with a cast around his arm. “Make sure they know this was your fault,” she told him. Perhaps I was built to fail, he had thought. She loves me and I embarrass her. I will only ever let her down. God, how disappointed she would be to see him now.  
Seconds feel like hours as the UNSUB leers expectantly. The man's mouth twists into a smile when he sees the tears forming in your waterline again. Aaron watches your fist clench presumably to distract yourself from the migraine that matches the pounding in his head, just as much as it is to pull your attention away from the hurtful lies he's about to weave. 
“You were supposed to have my back,” Arron spits with faux vitriol. “You had one job and couldn't even manage to do that”. Compartmentalize. Use logic. Move forward. 
“From the moment you showed up I knew you'd be a problem”. 
He continues to try to work his hands out from the binds. He can feel the knot loosening as he continues to buy the two of you time. “Aaron,” you beg, tears slipping down your cheeks now. 
“Following me around with some school girl crush. Look where we are now,” Aaron breathes. 
He can feel his father’s rage resting on his shoulders, as heavy as his hands were when he used to pat him on the back. It’s a quiet burning, far more silent than his mother’s anger, but it’s there and threatening him all the same. A silent shame; a fear induced by the knowledge that he’s failing but not being able to stop it. His father lived like a ghost in their home, just as Aaron has learned to haunt his life. He only ever raised his voice when he drank, but even then his hatred was self-directed. A sorrowful self-pity. A cry for help. The affairs, the gambling, the drinking; the man punished himself, stumbling home to a house with a vengeful wife, a silent boy, and a crying baby. It was a heart attack that finally killed him, but Aaron never doubted his father had stopped living long before that. 
Aaron breaks his own heart as he delivers each verbal blow. He hopes you understand. He prays that just maybe your concussion might leave the memories of this moment blurry. Selfishly, he begs you to forgive him, because he won’t forgive himself. 
He can see the way your wrists strain against your restraints. The UNSUB adjusts his grip on your hair as you struggle to distance yourself from him. Your eyelids flutter and he knows your vision must be swimming but you don’t give up. With a sadistic grin, the UNSUB wipes at the tear stain on your cheek with fake sympathy, grasping your jaw roughly he forces you to look straight at Aaron, “Poor girl… guess boss man doesn’t care about you after all. What a waste,” he sighs his breath heavy against your cheek, as he moves to hold the knife to your throat again, “She’s so pretty,” he directs his commentary at Aaron this time. 
“Oh, don’t get me wrong. I’ve slept with her. How couldn’t I when she was practically throwing herself at me?” The words taste bitter on his tongue as he speaks them. His stomach churns as he continues, “But what we have certainly isn’t love”. 
It couldn’t be further from the truth. Aaron grounds himself choosing to remember the quiet morning you two had shared only a few days earlier. Waking up without an alarm but with Jack sneaking in to jump up on the bed. As he watches you cry now he recalls how you had smiled so brightly at the little boy, ruffling his hair and cuddling Jack into your side. He had watched with a smile of his own as you bargained with his son, promising pancakes in exchange for ten more minutes of sleep on your shared day off. 
You crept into his heart so slowly he had hardly noticed. Until one day, he looked up from the bright pink sticky note you'd left on your recent report, reminding him not to work too hard; he knew, without a doubt, he was in love with you. 
For so much of his life, Aaron conditioned himself to expect a fight around every corner. He learned to make sacrifices from his happiness in fruitless attempts to keep peace. For the first time in forever he's been feeling like maybe, just maybe, he's enough. You’ve been more than patient with him; understanding his hesitance to open up to people again. You don't get upset with him for working late, but you scold him for not getting enough sleep and skipping meals. 
He smiles more. He cracks jokes the way he used to. You've helped him see the forest from the trees--  healed parts of him he didn’t know needed mending. He's tried to do the same for you. He's watched you open up and trust the team more. He's seen the way your confidence has grown and he can't take credit for your growth, but he's enamoured by the transformation just the same. 
You deserve better. You deserve better. You deserve better. The thought echoes in his head the same as it does most days. But now, it’s louder. The voice in his head matches the volume of the ringing in his ears, and the rushing sound of his pounding heart. Compartmentalize. Use logic. Move forward. He fights to remind himself, but the UNSUB is laughing now. Taunting you and your emotions, and there’s nothing Aaron can do but sit there and watch. He struggles to feign indifference, watching as you continue to make yourself smaller. It’s only then that he notices that you too are working your hands out of the rope that restrains you. The UNSUB was stupid enough to tie your wrist in front of you.
Aaron’s eyes focus on the bandaid wrapped around your index finger. You cut yourself making dinner last week. He could have sworn his heart melted when you turned to him holding your hand out, blood beading already. “Aaron, where do you keep your first aid kit?” you’d asked. Your brows furrowed, and your lips pouted. “In the bathroom, the cabinet under the sink,” he’d answered with no intention of letting you go off and tend to your wound alone. Instead, he guided you down the hall, his left hand looped in a gentle hold around your wrist, his other hand on your waist. 
Once you were sat on the countertop he took great care, making sure the wound was cleaned before he bandaged it. “My hero,” you teased, leaning in for a kiss. 
A simple cut he could manage to fix. Jack promised you could use as many of his Star Wars bandaids as you wanted while you healed as well. A little love and patience could make it better, a philosophy he adopted to heal Jack’s scraped knees, and schoolyard bruises. But the sight before him now is far worse than any kitchen mishap could be. 
Your nose is still bleeding. Bruises have already begun to form, red marks turning deep purple with every passing minute. He knows that your concussion is something you'll recover from. The contact burns from where the taser touched your skin will become new skin someday soon. The cuts and scrapes will scab over and then disappear. 
Aaron worries the damage he's done can never truly be ameliorated. Your compassion is unmatched. It’s what makes you a good agent, a good partner, and someone Jack can turn to. You are forgiving. God knows you've excused enough of his behaviour. But, he doesn't deserve to be absolved of this guilt. He will carry this day around in the darkest corner of his heart; the same place he holds the memory of Haley and how he failed her. The words “what we have certainly isn't love,” will linger uneffaced by time or kind words. 
The squeak of an old door opening piques Aaron's interest. The UNSUB doesn't react. Seemingly only interested in tracing the tear tracks on your cheeks. Your eyes are closing again. It's over now, he wants to tell you. He wants to hold you; comfort you; to apologise because you deserve to hear it anyway.
“Paul Simpson. FBI,” Morgan’s voice booms, “drop the knife and put your hands where I can see them”. Prentiss and Dave come to stand next to Morgan, their guns trained on the newly identified perpetrator. Aaron bites his tongue so hard he can taste blood-- it's all he can do to stop himself from bursting into a fit of bitter laughter. We win, he wants to say. 
Disarmed and handcuffed, Paul is escorted outside by Morgan and two members of the local police. Prentiss and Rossi make quick work of untying you and Aaron. 
“Aaron?” he can hear you mutter, breathy and quiet. 
“Yeah, I’m right here,” he promises kneeling at your side. Your eyes are glazed and unfocused as you nod and tip forward. Unconscious, your entire body falls forward into Prentiss’ arms. Aaron’s voice joins Rossi in calling for a paramedic. 
The doctors assure him that you’ll wake up soon. They dealt with his injuries quickly. Bruised ribs are the worst of his injuries. A cut at the back of his head and the taser burns were patched in only a few minutes, though he’ll readily admit he was far from a good patient. Too anxious to keep still much to the nurse’s dismay. 
You’re still asleep. A major concussion will have you out of the field for much longer than he knows you’ll be happy with. He makes a mental note to start setting aside some extra paperwork for when you inevitably start hounding him for something to do. With the lights in the room dimmed, and a comfortable silence settling he allows himself to indulge in the illusion that everything might be alright between you. 
With your hand in his, he breathes deeply trying to focus. He prays to a God he’s not sure he believes in. And when the quiet starts to get to him, he speaks out loud, as silly as he thinks he may look. He tells you about the phone call he had with Jack earlier and lets you know that Jack has a new painting he can’t wait to show you when you get home. Your hand squeezes his, encouraging him to keep talking.
“Aaron?” your eyelids flutter as you adjust to the light. The nurse had them turned to the dimmest setting but it’s still far more than you feel immediately capable of coping with. 
“Yeah, honey,” he affirms. You release the breath you’re holding your brow relaxing.  
“I love you,” you tell him. Your voice is steady and steadfast. Your resolve is impressive, unwavering and determined as you focus on making eye contact with him. “It’s not your fault,” you promise. He’s sure you don’t expect the weight on his shoulders to lighten instantaneously. You’ll tell him every day that he’s not to blame; intent on chiselling away at his guilt, shrinking it down before it manages to consume him. 
“I love you,” he swears. He knows it won’t squash any of the doubt he’s planted. Aaron knows there will soon be days that the niggling insecurity threatens to break what you’ve managed to build together; when the worry that you aren’t enough seems louder than it ever has before. He won’t blame you if you decide it isn’t worth the pain of staying with him. But, he’s hell-bent on loving you through it. He can only hope that it’s enough. 
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izvmimi · 2 months ago
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cw: fluff. fem!reader works in support tech. alcohol.
You’re not sure you should be overhearing this part of the men’s conversation, but it’s hard not to do so when Denki’s voice is so damn loud, and the chatter amongst the women in the circle you’ve broken off into, many of which are former UA goers at this mixer doesn’t match the raucous laughter between him and Sero, as they drunkenly probe at their former classmates’ romantic interests.
It’s a happy hour to celebrate those Pro Heroes who have attended this year’s Biomedical Support Gear convention, and you’ve quickly lost interest in your current circle’s chatter - not that they are not interesting, but as you weren’t in that fated UA class, rather two years ahead of them, it’s often hard to remember specific classroom lore, but you’re there to tend to your friend primarily because she was unduly afraid of running into Izuku who didn’t even bother showing up and Uraraka who was indulging in an entirely different circle.
But it’s not the only reason, you have to admit to yourself, as you toss a furtive glance towards the sound of Katsuki’s voice, hoping that it’s not met with his own piercing red eyes. He doesn’t notice you, a grimace on his face as Sero waxes poetic on which of their former female classmates have only grown prettier over the years.
“I just feel like it’s unacceptable that Hagakure is still not taken after all these years. Have you seen her?” he says. Iida would say something to object to the objectification of a classmate, but he’s stone cold drunk and standing perfectly still like a tree.
One that could easily tip over.
Katsuki hasn’t commented, you notice, perhaps a bit too interested, but Mineta mentions something about only seeing her boobs 50% of the time being a dealbreaker for him.
You roll your eyes, your listening ear starting to lose interest in the conversation, startled again by your drunk and lovesick friend grabbing you by the arm.
“I think you should talk to him today,” she slurs. She laughs a little too loud, then tiptoes to wave, but you spin her away, reminding her to drink water. 
“One of us should win!” she yells. “One of us needs to win, if I’m going to die alone you can’t-”
You clasp your hand over her mouth gently as you pull her away, taking the closest path to the bathroom with her before she cries yet again over  a man who had zero conceivable way of knowing that she’s been in love with him for years and that’s when you hear it.
“Okay but why would I want Mirio’s leftovers?”
You pause for a moment, frozen in place.
It’s very clear who the slimeball you have to look down to meet eyes with means by this, you. You, whose rumored breakup was surprisingly well known among Pro circles, an open secret, yet not yet announced to the public; you, who quickly turned your head when you realized Sero and Denki had realized you were hearing it; you who didn’t feel your friend pull out of your hold to immediately start yelling, entering her belligerence phase.
She’s not the first one to grab Mineta by the shirt collar-
Katsuki is.
“Hey, I was just kidding!!!” He yells.
The girls have stopped chatting by now too and the entire group has started to stare.
“Are you going to shut the fuck up then?”
Katsuki’s voice is low and cool, far different from his earlier days, when all he was to you was the loudmouth first year Mirio sometimes spoke of fondly, or the hothead your best friend spoke of less than fondly yet somewhat affectionately. He’s quiet enough that you can feel your own blood grow warm while you’re sure Mineta’s turns to ice, but Kirishima is already trying to de-escalate and you can hear your friend stifling a giggle.
When you want to ask her why she’s laughing, she practically saunters off, wobbly in high heels and your concern for her briefly outweighs the surprise that runs through your whole body.
But as you follow her, your eyes turn back to Katsuki’s for a moment, and meet, and his lips part for a second, before you hurry off, feeling his eyes on your back.
“I don’t know what more evidence you need that he wants to fuck you.” Your friend is full of glee, reapplying lip gloss as you adjust your hair, your heart still pounding a bit in your chest.
You have to admit a man fighting for your honor is sexy, even if it’s disruptive and unexpected.
You and Katsuki don’t talk often, and you’re aware of his crush, but you’re used to flirting enough and freely that you’d imagine someone like him wouldn’t take it too seriously. 
And even if what Mineta said wasn’t true in the slightest, you can see why he said it - the rumor mill has not always been so friendly to you, partly due to the overwhelming attention garnered by dating the current #1 hero but also in some part due to your overtly friendly and incorrectly read as seductive personality.
Pursuing any interest will read as bad, no matter how eager your friend is to encourage you.
This doesn’t stop you from ending up cozied with him by the end of the night. 
Cozied up is an overstatement, you simply sit next to him, your knees touching, and not alone, because your friend grins at you from a distance as you take Katsuki’s hand gently, playing with the plastic ring on his finger, but it looks a certain way no matter how you cut it.
Your conversation now is a long cry from an initial thank you for defending me but you didn’t have to do that, to which he had grimaced and struggling to change the subject, you decided to offer him an out yourself.
Merciful you are.
“Is this the illustrious ring?”
A rumor that Dynamight was engaged had previously spread like wildfire, which your friend had confirmed was utter bullshit.
He can’t talk to women, she’d said confidently. 
Well, he’s talking to one right now, you think. You glance at him and you notice he is concentrating a little too deftly on your touch on his hand, and when you glance at your friend she’s smiling gleefully. 
You find yourself sticking your tongue out at her, quickly rearranging your face when he looks at you.
“I’m not married obviously.” He shifts, taking his hand gently from you and folding it in his lap a little too coquettishly. “PR agent thought it would get more…” he trails off.
“Attention on you?” you ask, laughing.
He gives you an annoyed look but he twists his mouth to the side, more of a pout than a glower.
“Yeah.”
“I think you’re plenty attention-grabbing enough,” you offer him. He looks down, then looks at you for a moment, then opens his mouth for a second before closing it.
You sit in silence for another moment, and he stares at the plastic ring in his own hand, twirling it, not dissimilar from the way you did just moments earlier.
“Hey, are the rumors between you and Mirio true?” he asks.
Your eyebrows raise, then you look around, wondering if your friend can see you, but she’s off to bother someone else, possibly bully Mineta for good measure, and it seems to be just you. The happy hour is winding down, and people are filing out.
Confirming a rumor from your own lips is not a crime, but sometimes it feels hard to do.
“Yeah.”
Katsuki pauses, not looking at you for a moment.
Then all he says is, “Good to know,” before getting up to leave.
As you watch him go, wondering if he can stay a little longer, and then you consider instead of you potentially plotting on him, he might just be plotting on you.
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ddejavvu · 1 year ago
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Animangus reader x Remus where she is a cat and while he sits in the common room asleep on his lap while he readers and Sirius comes in and stops the cat immediately with a "what is that?" In disgust. When Remus responds "a cat?" Padfoot is immediately barking at her and she startals awake digging her nails into Remus before she jumps on top of a book shelf and transforms back and I stuck up there throwing a book at Sirius.
Sirius Black's voice is, perhaps, never melodic, but it's far more grating than usual today when the man stops dead in the doorway and demands to know, "What is that?"
Remus glances up at him, then down to his lap where Sirius's eyes are locked, finding only your little cat form curled up and dozing.
"A cat." Remus blinks, uninterested until he realizes that his explanation hadn't been enough to de-escalate Sirius. Apparently, he should have notified him that you are not just a cat, but that you are, in fact, his girlfriend. Sirius isn't aware of your animagus abilities yet, and before Remus can stop him, he's transforming into his own animal counterpart.
"Sirius, no-!" Remus tries, but it's too late. He finds that dogs' paws are far less gentle and comforting than cats' paws are, only when there are four of them jabbing into his thighs and torso as Sirius vaults into his lap. Fortunately, you'd escaped the dog's snapping maw, but you'd startled awake with a yelp and jumped onto the bookcase behind Remus's head, which means that you're now sleep-deprived, terrified, and stuck.
"Pads," Remus sighs despondently as the dog braces his front two paws on Remus's shoulder to bark up at you. Your back is arched and you're yowling down at Sirius, until you manage to scramble to the top of the bookshelf and find yourself on a steady surface. You have space to transform back now, and you do so while perched precariously atop the bookshelf, eyes just as sharp and unnerving as they were in your cat form when you glare at Sirius.
"You stupid mutt," You accuse, "I just wanted to nap!"
Now Remus has a lapful of Sirius, fur giving way to pale skin and messy black locks. He glares rather unimpressed at his best friend, but Sirius pays him no mind, gaping up at you where you balance on the top of the bookshelf.
"You're an animagus!" He realizes, and you scoff at his inspiring observational skills.
"Well done, Sirius" You sneer, "I didn't know becoming a dog animagus meant you'd retain the same intelligence level even as a human."
"Dogs are very smart," Sirius muses, unphased, "I didn't know you were an animagus!"
"That's because you were too busy collecting sticks beneath your bed," Remus grumbles, pushing at Sirius's chest, "Come on, Pads, off."
"Alright, alright," Sirius whines, pitching himself rather dramatically off of Remus's lap and offering a hand to you where you're still balanced on the bookshelf, "Here, Y/N, jump off this way."
"Absolutely not!" You vow, then with a whirl of limbs and fur, reside in a cat's body once more. Sirius watches as you bat a paw at his outstretched hand, then leap gracefully back into Remus's lap, hissing warningly at him before curling up once more to doze.
"Prissy," Sirius scoffs, and Remus juts out a gentle hand to stroke along your back when you look like you might leap at him. You're placated enough, for the time being, and Sirius stalks away to busy himself with something, hopefully homework but probably his aforementioned stick collection.
"Well I suppose the cat's out of the bag now," Remus muses, a sound between a laugh and a grunt managing to escape his lips when you dig your claws into his jeans at the poor joke, "Alright! Alright, sorry. But don't let him bother you, darling, okay?" Remus strokes a finger between your ears and grins when they twitch, "He's just a dumb dog."
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ddarker-dreams · 1 year ago
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mini love report — blade
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relationship health diagnosis — 65%*
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symptom one — fiercely protective
someone could accidentally bump into you and he'd be willing to kill them. they'd better hope it was on accident, or they'll receive a visit later that night, regardless of your de-escalation. ever since his flesh merged with an abomination, he's held nothing sacred. orders are wordlessly received and executed. so when you stumbled along, knocking him off his equilibrium in the process, he had to latch onto something. you ended up being that 'something.'
he isn't confident in his abilities as a romantic partner. he considers himself unsightly, a blight upon the universe itself. then there's you... doing whatever it is you do... like complimenting a house plant that's been growing well recently. how did he ever catch your attention? it's baffling. nonetheless, this self-perceived gap in value has him eager to prove his worth the one way he can — bloodshed.
kafka's taken to calling him your guard dog, much to his chagrin (he doesn't deny the claim). despite how it reduces him to little more than a weapon, he prides himself on his ability to keep you safe. he won't ever come outright and admit it, though; he knows it'd sadden you.
symptom two — OMS (old man syndrome)
two pop references in a single sentence is enough to make your elderly bf stare at you as if you've spoken another language. go easy on him, he isn't hip with the times. it isn't that he's ignorant to technology, he navigates it just fine. the social media aspect and the trends that come with it are another story. he's never cared for it. should silver wolf broach the topic in his vicinity, he tunes her out.
you, however, have been given the rare privilege of never being ignored. not even if you're explaining why you enjoy a game where you've indebted to a raccoon. you might think he's uninterested, given his poker face, but don't be fooled. he's quietly absorbing your every word. one night, you'll find a plush raccoon sitting on your bed. you have to give him points for effort.
symptom three — acquiescent
blade will do just about anything you ask. he defaults to your preferences on everything from activities together to your meals. for the longest time, you mistook this for apathy on his part. why doesn't he take the initiative to plan your dates? are you boring him? what if he's going along but not enjoying himself? these doubts are a permanent fixture on your mind. voicing these concerns will be one of the few times you've ever caught him off guard. he thought he was amassing Boyfriend Points (he didn't word it this way, but the interpretation is accurate enough). the news that his boyfriend point currency is in the negative comes as a surprise (once again, not his wording).
you won't receive an in-depth monologue detailing his feelings. perhaps that's for the best, since if that was the reaction you received, you'd think he was replaced by a doppelganger. instead, he tells you that he prioritizes your happiness above all else. you look back on it as a sweet moment. the remarkably candid confession stuns you into silence. it seems so obvious in retrospect. in your defense, your intergalactically wanted boyfriend is notoriously difficult to read.
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primary area of concern
some moral gymnastics are required. there's no way you haven't seen the wanted posters — he won't sugarcoat the truth either. he's a stellaron hunter responsible for innumerable crimes. the same coarse hands that hold your face when he leans down to kiss you have ended lives. your views on the value of life are bound to diverge. it wouldn't be a passionate debate either, you're not changing his mind on the subject. the only life he values is yours and that's that.
additionally, there's the issue of encroaching madness. minor detail. you're an odd ingredient in the mara mix. there are occasions when you pacify it... but there are also instances where you ignite it. in the event of the latter, he absolutely refuses to be around you. fear is an emotion long lost to him, yet its faint echoes reverberate throughout at the thought of hurting you. you'll get updates from an unknown number (thanks kafka). nonetheless, that doesn't change the fact that your boyfriend will be radio silent for periods lasting from weeks to months.
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prognosis
it's complicated. blade treats you like you're a doll made of porcelain, handling you with the utmost care. that doesn't the carnage he's left (and will continue to leave) in his wake. you bring out a tender side in him that withers the instant he leaves your side. his involvement in your life would be far from traditional, he isn't the type you bring him to meet your parents. still, whatever part you want from him, he'll give. whether it be his heart in a literal or a metaphorical sense.
he's loyal to a fault and would have a difficult time should you ever call the relationship quits. you'd have this faint feeling of eyes following you when you're out and about. additionally, when you get back in the dating scene, you'll find yourself frequently stood up. it'd be wise to handle his affection with care.
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*the universe has tried (and failed) to wrench you apart (0-20) your friends are praying that you'll break up (21-40) 'well it could/has be worse' bargaining mindset (41-60) a lil messiness as a treat (61-80) pure and wholesome (81-100)
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mollyjames · 2 months ago
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I think perhaps I will have a healthier relationship with art if I work on gently de-escalating my overarching mindset
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thelibrarian1895 · 6 months ago
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Mandalorians hate Jedi because...
"the Jedi are child stealers" NO
And again I say NO. I saw someone claim this and it absolutely infuriated me.
First point, THE JEDI ARE NOT CHILD STEALERS. That accusation is sithspit anti jedi propaganda. If a parent or guardian told the Jedi no, they didn't want their kid to be a Jedi, the Jedi respected that. They would, however, remove children from danger. But would you call a social worker who took children from environments where they were being molested, starved, beaten, or worse, a child stealer? No? Then don't call the Jedi child stealers for the same actions.
Second point, the average Mandalorian didn't really know or care too much about Jedi. In all honestly, most Mandalorians, like the rest of the galaxy, had no real idea about the difference between Jedi or other force sects like the nightsisters or general darksiders or even the sith except perhaps the color of their lightsabers. Some Mandalorians, like our beloved Din Djarin, knew nothing at all about Jedi and only cared when in became relevant and then did as much research as possible regarding the Jedi. Others, like Jango Fett, had very personal interactions with Jedi and formed their opinions of the Jedi as a whole based on those interactions with no further reason or desire to look further into the Jedi.
Third point, for Mandalorians who studied history or listened to old stories, they knew why the Mandalorians disliked the Jedi and it was for a very simple reason that they liked to avoid actively admitting. That reason? The Jedi kicked the shebs of the Mandalorian armies.
Twice.
Quite possibly there was another point when the Jedi suppressed the Mandalorian empire but there were two times for certain. Granted, the republic played a large part and the Jedi definitely didn't all interfere in one of those two conflicts, and actually actively avoided one of those two conflicts except in a few cases, and there were definitely some terrible things done, but the fact remains that when the Mandalorian empire attempted to expand and basically take over the galaxy, the Jedi were key to stopping this. And no, the Mandalorian empire was not a good thing. But more importantly, if you thought your ancestors or your cultures' armies were in the right and they were beaten, would you like the descendants of those who beat your side?
Fourth point, would you like the side that beat your side if they refused to give you a proper rematch? The Mandalorians who know anything about Jedi know that Jedi have access to all this power, plus generally have a super cool plasma sword, but the Jedi won't fight or they'll de-escalate or generally indulge in pacifistic behavior and we all know how Mandalorians feel about presumed pacifists, right? A Mandalorian denied a fight is often a frustrated Mandalorian. A Mandalorian who sees someone who has all this strength and power often doesn't understand why that person doesn't use that power, doesn't take revenge or slaughter their enemies or a million other things that they would do with such power. So those that don't understand choose to dislike. Why won't the Jedi fight them?! (please imagine the sentence immediately previous spoken in an extremely whiney tone of voice)
Fifth point, the Mandalorians frequently throughout history worked with the Sith or were on the Sith side of conflicts because of a lack of knowledge about force sects meant the Mandalorians didn't generally realize how absolutely stupid it is to side with the Sith but beyond that the Mandalorians often learned about the Jedi from the Sith. So the Mandalorians got stories from the Sith about the Jedi being weak and cold and blah, blah, blah stupid sith propaganda that I don't want to perpetuate. And those Mandalorians would then think themselves Jedi experts, because hadn't they learned about the Jedi from another Jedi? Granted, a dark Jedi but still a Jedi, right? So they'd tell other Mandalorians the propaganda and so the Mandalorians had that Sith skewed idea of the Jedi perpetuated throughout their history.
So the Mandalorians have their own reasons for not like the Jedi, which have NOTHING to do with child stealing, just as the Jedi have plenty of reasons to want to avoid the Mandalorians. Personally though I'm going to blame a lot of those reasons on both sides on the Sith and be grumpy about the Sith and the effectiveness of their propaganda.
And finally, I'm pretty sure at least a tiny bit of the animosity between Mandalorians and Jedi arose from the Mandalorians being jealous that the Jedi had lightsabers and they didn't. To be fair, I'm a little jealous too. Lightsabers are cool.
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noirscript · 7 months ago
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call disconnected.
Yandere Hotline: 1/? | src | commissions: open
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"Why did you touch that man's hand?"
Alexei, one of your most frequent callers, asked while strained voice. "I've warned you! Multiple times! How could you do this to me?"
You decided to mute the mic on your end while listening to his rant. For some reason, he's starting to act weird around the third time he asked for your service.
"Speak while I'm still being nice," he demanded as he call your name. Your real name—the one he's not supposed to know. "Stop ignoring me!"
You took a deep breath before unmuting your mic. "Alexei..." you said with shaky voice.
"Do. NOT. Use. That. Tone. On. Me." Anyone in their right mind would've shivered upon hearing his stern warning; unless of course you're a seasoned 'darling' from a shady company like yours.
You tried speaking up once again, but you suddenly hear another man's cry for help from the other line. "Please... have mercy... have mercy..."
Your eyebrows scrunched in confusion. The other man's voice sounds familiar, but you can't tell where you've heard it before.
"Do you want to know what happens to stubborn darling like you, hm?" Alexei asked followed by other pained scream from the other man. "You'll cost them their lives."
You looked around, hoping that your immediate supervisor is available to support you at this point in time.
"Stop looking around."
You could almost hear your heart drop. Your company boast their 100% privacy rate. That they do not just value their clients but as well as their employees.
"How could you betray me like this? Why..." he let out an exasperated sigh. "Why are you trying to save this man so hard?"
"Alexei... what are you talking about? I've been following your instructions. Word by word."
You tried de-escalating the situation, hoping that it'll help you buy some time until your supervisor is near your area.
"I-I'm staying in my room, like you've instructed... I-I've no idea who—"
"—do you really think you can use that against me?" He cut-off your attempt to use the scenario he started during his second call.
He suddenly laughed before a loud bang echoed in the background. "You better watch your back, darling. If you don't want me to come and get you."
By the time your supervisor stood next to you, the call was already disconnected.
You asked for a one-on-one meeting to brief them about what happened during the phone call.
Your supervisor shook their head before spilling the beans that most people doesn't know.
None of the phone calls were recorded to ensure the privacy of the clients and the employees. But perhaps that rule only favors the clients.
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thedgeoftheuniverse · 1 year ago
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ROTTEN. | astarion
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pairing: astarion x gn!reader
warnings: healthy dose of angst and self-loathing, mild sexual descriptions and references, wrote this in less than 2 hrs so give me a break, mainly astarion's pov idk it just happened that way
word count: 2.6k
For a moment, his voice tries to betray the weight of this confession, but he knows there is no softening the blow of this—of both a confession of love, and an admission of guilt, and he is unsure if one is enough to outweigh the other. He knows this is the end; he knows you will finally see him for the wretched thing he is, and he will once again find himself alone and lonely.
He's using you.
He knows he’s using you; since the moment he laid his eyes upon the weathered lines of your face, you were his newest target—the first one of his own choosing. He initially planned to kill you; you couldn't turn on him or drive a stake through his ribs if you were already dead, and he already had enough to worry about without adding additional fuel to the already burning fear he had for his life. Not to mention, he was hungry and getting worse by the minute. He planned to call for help—play the damsel like he did countless times before, catch your attention for only a moment, just long enough to get close enough, and slit your pretty little throat.
Every step played out perfectly. You approached him just like he knew you would—his pretty face has always granted him the illusion of being a safe person; you answered his calls for help, just like he knew you would. All you had to do was get close enough, and he would take care of the rest.
Though he was completely thrown off kilter when you offered to help him, rather than leaving him to the ‘things’ in the bush. In a split second, his plan changed. If you were willing to help a stranger in the mess that the pair of you found yourselves swept up in, what would you do for someone you thought was a friend? A lover? Perhaps the wizard of—at the time—unknown power, quite frankly threatening incineration, were his knife to continue its trajectory, did encourage a modicum of restraint and de-escalation on his part, though he will never give him such credit.
However, the most unexpected change in plans was the direct, albeit slightly painful, mental link shared between him and you. You were infected—same as him—by a Mind Flayer parasite, ready to take over your body and destroy your mind in an alarmingly short timeframe.
You were an ally—a useful one and tentatively worth sparing—so long as you could continue to benefit him.
So, he started with a simple introduction: “My name's Astarion.” Spoken with a dramatic flair and a sickeningly sweet undertone that could only be found after two hundred years of charming pretty faces and innocent minds. In the moments between his introduction and the offering of your name, while the words still clung to the empty air between, Astarion formulated a new plan. It was brilliantly simple and borderline foolproof. All he had to do was convince you to fall for it, and his safety was nearly guaranteed.
(He now knows that hindsight always paints a clearer portrait than the present, and he is a fool in more ways than any would dare to calculate.)
He started small, coated his words in honey, and never oversold the part—playing into the role of the mysterious charmer that he had perfected all those years ago. He was honest, reliable, and always came to your aid during battle; he made you believe he was someone that could be trusted, no matter what your instincts may have convinced you otherwise. He was charismatic. A stolen glance here, an accidental touch there, a subtle look in his eyes that betrayed far more debaucherous intentions than what a gentleman such as himself would ever dare voice in the presence of someone as pure as you.
Perhaps, though, he erred too close to the side of caution and played his part too carefully. Vampirism is no easy condition to conceal, and the lesser creatures he managed to feast on during the night were horribly unsuitable to sustain him in the midst of such a perilous—and quite frankly, exhausting—journey. He was in a rapidly deteriorating state and worsening by the minute; he needed an intelligent, thinking creature to sink his teeth into if he wished to be of any use. He could not imagine a universe in which he would be allowed to remain in the company if he could not pull his own weight in battle or the camp.
He obscenely and undeniably fucked up when he chose to attempt to sink his fangs into the supple skin of the pretty little neck he nearly mared just a few weeks prior. He could not identify exactly why he believed he could get away with such an act undetected; his extreme hunger could be to blame, though he could not deny that the sweetness of your blood caused an insatiable stirring in his gut—he could smell it from six feet away. It permeated the air around him, nearly making him dizzy with the want—no, the need—to taste you. If hunger had driven him mad once again, then you were to blame, and therefore you were responsible for paying.
All thoughts of your reparations, however, were thrown from his mind the moment your eyes opened and he remembered that you possessed the ability to end his unnaturally long “life.”
“Shit.” His mind was completely blank. “It- It’s not what it looks like. I swear.” He could only hope that his performance would award him a standing ovation and the momentary benefit of the doubt: “I wasn't going to hurt you. I just needed... well, blood.”
It was not the confession he hoped to perform for you. He was meant to come to you, fully conscious, and present the idea as his own—he would choose to come to and confide in you. (I feel as though you and I have a… strong bond. I believe I can trust you. I cannot bear to keep this from you a moment longer.) with pretty words and round eyes. Instead, he was on his back foot and practically begging you not to ram a stake through his ribs.
And that is where his brilliantly simple plan began to pay off…
For a time.
You offered your body to him in more ways than one, and he intended to take full advantage of them all.
The sex was easy; it came to him perhaps more naturally than his flirtatious demeanor. He gave you the performance of a lifetime—he fed you borderline godly pleasures on a silver spoon while you dug your nails into grassy forest beds and moaned his name into the treetops. He knew exactly what to do to your body; he hit every single pleasure point with beautiful precision, used his mouth in all of the right places, sprinkled in the perfect praises, and made you beg just enough to make you believe you had to work for the pleasure of being underneath him and you deserved to be rewarded for it. He made sure every little word from his mouth was almost as perfect as what his mouth could do to you.
(Gods, you're beautiful.)
(Tell me how you want it. Use your words.)
(It’s as if the Gods made you to ruin me.)
He did not mean a single moment of it…
He knows he didn't. He knows, without an unparalleled doubt, that he did not mean a single sugar-coated word when he spoke in those intimate moments. He knows how vile he felt before, during, and after; he knows the suffocating self-loathing that consumed him for days after your first late-night tryst and every single night after that. He knows that, deep down, he wants you to see him as more than a sexual being, though he is not sure what else he could possibly be if not this. He knows that his manipulation was calculated and intentional; you were meant to be nothing more than a means to an end. You would help him remove this cursed tadpole embedded in his brain; you would help him kill his former master; and you would help him grasp a power that has never before been held by another vampire. You would hand him the entire world because he convinced you that he deserved it, and then he would dispose of you, as he did with the rest of his victims.
It was a brilliantly simple plan, and yet it all managed to fall apart. He is sure he played out every step perfectly, and somehow, you managed to change his plans once more.
It was never more apparent to him than right now.
Right now, as he watches you saunter around the camp, offering various greetings and the most beautiful smile he believes he has ever seen in his two hundred years of life, he realizes that you are the most incredible being he has ever gazed upon. And never has it been more apparent to him that he is a rotten thing—nothing more than a bloodthirsty monster that pretends he can believably wear the mask of a man. He thinks this is the closest thing to love he has ever felt, and even now, he will never be able to show it to you in a way that means something.
How could he have been so stupid?
How could he not have anticipated this outcome?
How could he have been so ignorant of the pining in his heart and wound up in such a situation?
His inner turmoil must have been more obvious than he would have preferred, because when you approached him, your face screamed with worry. “Astarion?” You questioned, “You look... stressed.” He was unable to find the words to respond. Something about the light shining on the hard lines of your face, leaving a shadow that danced across your cheekbones, captivated him, and he lacked the strength to look away—he doesn't think he wants to. Perhaps he could spend one hundred years gazing on the wonderful imperfections and blemishes on your skin until he has memorized every detail through the end of time, so that when you are no longer breathing, he may breathe your life once again himself, so that when another one hundred years have passed and you are nothing more than ash in the ground, he will be able to recall every minute detail of your face.
“Are you okay?”
He is on another plane of existence until the sweetness of your voice walks him back into the present.
“I… I think we need to talk.” His voice betrays him, just as his face did moments before.
You respond as you always have—with care and concern and a compassion running so deeply through your veins, it would be impossible to fabricate: “Are you alright?”
And he realizes the answer is no. He realizes that no matter the intensity of his devotion (or perhaps, is this what love is supposed to feel like?), he can never undo the damage he has caused. He can never change the sweet little lies he whispered into your ear late at night as you exposed your body to him; he can never change the intentional manipulation behind his words as he told you of your beauty; and he can never remedy the fact that he took advantage of you. You—who is made of honeysuckle and mandarins, who he has grown to so deeply care for, who he will ruin in a heartbeat if he were to ever truly love you. And perhaps he will never be able to love you. Perhaps if you are not a target, then you will never truly be anything to him; he is far too damaged to ever love you in a way that is pure and without the promise of personal gain. Perhaps he has always been and always will be a monster and deserves such treatment. He will never be able to share your bed without feeling disgust and hatred for himself. He will never be your lover, no matter how desperately he now knows he wishes to be.
“No—Yes, I just… feel awful.” Your face tells him he owes more of an explanation. He knows you are owed it. “Look, I had a plan. A nice, simple plan—seduce you, sleep with you, manipulate your feelings so that you would never turn on me. It was easy... instinctive.” For a moment, his voice tries to betray the weight of this confession, but he knows there is no softening the blow of this—of both a confession of love (is this what love is supposed to feel like? I think I would rather choose the stake.) and an admission of guilt, and he is unsure if one is enough to outweigh the other. He knows this is the end; he knows you will finally see him for the wretched thing he is, and he will once again find himself alone and lonely.
(He now realizes these are two very different states of being.)
“All you had to do was fall for it.” Your face is twisted into something resembling grief. “And all I had to do was not fall for you… which is where my nice, simple plan fell apart.”
“Why are you telling me this now?” Your eyebrows are furrowed together, and your face has morphed into something entirely unreadable, but you almost seem relieved.
“I…” Another sigh: “You deserve something real.” He cannot bring himself to look into your eyes.
A heavy sigh escapes your mouth as your eyebrows relax. “I only want you.”
“Why?”
“I don't believe you to be the monster you think you are.” If he had a heartbeat, he is confident that would have stopped it. He cannot fathom a universe where he is more than what his master made him to be.
“You don't know me.”
“Then show me who you are, Astarion.” He isn't sure when you managed to get so close to him. “Let me be here for you.”
“You don't know what you're asking for.” He can feel the tears welling up in his eyes. He will never be able to give you what you’re asking for, yet you still seem to want him all the same. He knows that he is no good, that he will never be more than the image Cazador sculpted him in; he is capable of tenderness no more than the Gods are capable of answering his cries for help. And yet, here you stand—headstrong as ever, practically begging him to give this a chance, and he desperately wants it. “It’s rotten work.”
“Not to me.” Your hand reaches into the space between you to gently cup his face.
“I can't give you what you want. Being close to someone—any kind of intimacy—was something I… performed to lure people back for him. I know this is different; we’re different, but it still feels… tainted.”
“I already told you what I want.” His eyes met yours for the first time since you approached his tent. “You. Whatever it is you have to offer, I want it. It's not a dirty job; it's just you.”
For a brief moment, Astarion is able to lose himself in such a fantasy; your eyes shine as though galaxies were constructed in your irises, and he can spot no inkling of deception. Your hand is soft against his cheek as he leans into the warmth of your touch, and it does not go unnoticed that you choose to keep your hand placement modest—as though you were a gentleman dancing with a lady in a fancy ballroom while all the guests silently stared.
“I don't know what to do from here.” He places his hand over yours and leans into your touch even harder—he almost resembles a wounded dog, searching for any ounce of tenderness he can find in this midst of such an ugly world—”But I know that this... this is nice."
As you wrap your arms around his waist and nestle your head into the crook of his shoulder, Astarion believes that this is something he may be able to get used to. 
Thank u for reading !!! Prob making a part 2 that is more .... idk angsty and more "I'll take care of you" if yall want it
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juniperpyre · 8 months ago
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canon lily evans: who is she? part 1
there have been many fanon iterations of lily j. evans over the past two decades. she's been a perfect mother and wife, a goody two shoes who plays by the rules and makes sure everyone else does, she's been a kind, intelligent, beautiful dream girl, a genuis, fighting badass who takes no shit and solves everyone's problems, she's been a bitch, she's been an incubator.
it's hard to make an argument for or against any of these traits. we see little of her in canon, and much of it from highly biased sources (petunia, severus). nonetheless, lily j. evans has a canon foundation. let us explore.
we first hear of lily as she is mourned by professor mcgonagall, hagrid, and dumbledore. we see little to no characterization beyond the intensity of sadness all three feel over lily and james' deaths. plenty of people have died in the war, but lily and james' death seem to hit hard.
we hear lily's voice with harry for the first time in the third book, as she begs voldemort to spare her son.
we do not hear about her again besides references to harry's eyes until the 5th book.
snape's worst memory
we first see lily from snape's perspective, in his memories.
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what an introduction. lily and james are at odds and it's lily that broke her way into the confrontation. she does not hesitate to command james, or to show her anger. but she also speaks cooly. she only shouts once to get james' attention as she's walking over and then chooses her words carefully. her goal is to hurt james, to shame him enough that he backs down.
we can see from her multiple insults to james—unnecessary, she could simple tell him to stop more, or appeal to his good nature, or get a teacher, or try to disarm him—that she is choosing cruelty in this moment. she believes james is behaving badly (unjustly, perhaps) and her method to stop him is publicly insulting him. the punishment matches the crime.
this all shows a decisiveness to lily's actions. she is sure of herself, quick thinking, she values justice more than popularity, and she is okay with being mean. if someone, james in this instance, has transgressed far enough outside of morality she is fine with using immoral behavior to put them in their place.
we could argue that insulting james is not immoral behavior, or that lily does not believe it is. but the fact is lily is trying to (emotionally) hurt james to protect snape when she has by-the-book options. she is not an idealist, and does not seem a goody-two shoes. (of course, she could've attacked him, but that wouldn't de-escalate. she's not a violent person, or too impulsive).
and then we come to this moment. still in the introduction to lily's character, snape calls her a Mudblood.
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lily does not shout. she blinks. she responds with an insult meant to further humiliate snape.
james shouts. james is ready to attack over the use of a slur, but lily is not. perhaps this is because the consequences will always be worse for her. perhaps she knows reacting will give the bigots watching satisfaction. perhaps her emotions are too private for this moment. whatever reason, lily is in control, and she uses insults to regain her power.
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"you're as bad as he is"
i rarely see this line worked through in jily fics. this line shows the deepest insight into lily's perspective. it is the first time she shouts, it's an emotional reaction. comparing james to snape may be a cruel statement designed to hurt james, but because lily did not deliver this line cooly, with foresight, i believe it is her true feelings.
she proceeds to insult james with, imo, fairly trivial bullshit, aside from the hexing. it's not that these actions are so horrible; lily is angry at james for his attitude. james gets to walk the halls without a care in the world and he clearly carries a sense of superiority. he isn't thinking about how his actions affect others. he doesn't have think about the sociopolitics of a situation until someone is shouting Mudblood in his face.
this is why lily sees james as bad as snape. james thinks he's a good guy, but he's contributing to a school environment where two rich pureblood boys get to torment whoever they like! he's not fighting bigotry just because he doesn't use slurs. james is ignorant and doing harm, like most teenagers.
lily sees the way both boys are hurting people, many of them vulnerable, and can't see a true difference. fair enough!
the next we hear of this is confirmation from remus and sirius that lily did not hate james, and that james became less of a dick. I'm sure both of these men remember james and lily overly-fondly. however, i believe their statements create a sketch of what happened off the page. james matured. there isn't a comment on lily maturing, however.
the memory highlights lily's self-control, her Machiavellian perspective on combating wrongdoing, her deep rooted anger and morals, her wit, and her strong sense of loyalty.
it isn't until the 6th book that we receive more insight into lily's character. this comes from horace slughorn, her potions master.
horace slughorn & lily evans
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he remembers lily as one of the brightest students he ever had. vivacious means full of life, animated. though it also indicates attractiveness, i find it meaningful that slughorn isn't commenting primarily on lily's appearance or her kindness but on her passions and spirit. it leads me to believe that slughorn did care about lily as a person.
slughorn also says lily is charming and cheeky. all of his descriptors point towards an attractive and friendly personality, but not one with a strong fondness for rules. she's cheeky to a teacher, and that is not the trait of a goody-two shoes, a stick in the mud, or a doormat of a housewife. lily has beliefs that she will be made known, even if it may go against the grain.
we saw in snape's worst memory that lily used insults to keep control of a situation and express discontent without showing too much emotion. she had a sharp tongue and a quick mind that she used in all situations. though she showed parts of herself and her beliefs that were not popular, she was keeping aspects of herself guarded. this is shrewd and indicates a keen understanding of social politics, and possibly unhealthy emotional repression.
furthermore, slughorn believes she could have been in slytherin. he could tell that she used social manipulation. i do not think lily put on a mask, but she was particular with what parts of herself she allowed people to see. this also leads me to believe lily did not play by the rules when it came to success, that she showed ambition and cunning. slughorn liked successful students—even in the horrible political climate he saw her going somewhere.
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in a highly emotional moment, slughorn says that lily is very brave and very funny. he can't imagine someone not liking her. people are better remembered in death, but slughorn is consistent in highlighting her humor. we also see a mention of her bravery. perhaps this is something he realized once she'd died. more likely he saw it in her during her school years.
the repeated traits we see from teenage lily in severus' memories and slughorn's recollection are being quick-witted, humorous, and brave/justice-seeking. she has a playful disposition and seems to have a secure sense of boundaries and decent emotional regulation for a teenager.
in her negative traits, we observe a propensity to use cruelty as a tool. however, we only see this in an intense moment. lily is not openly shown as someone with true bad traits, or as someone who changes over time, in the first six books.
james is given that complexity. snape's worst memory shows a pivotal moment for both men. this is the scene's point in the narrative: to offer complexity to these men. but is it a pivotal moment for lily? she is used to further both men's character development, but we see no change in her.
part 2 will discuss what we learn about lily in the 7th book.
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rxzennia · 10 months ago
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leviathan of the cosmos
– tales of the voracity pathstrider
✎𓂃 something unto death as the respawning boss enemy, i haven’t finished 2.1 yet
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when aventurine brings up traveling to the reverie hotel in the dreamscape alone, your eyes narrow ever so slightly and you take a step towards him. though you do truly worry for him, you can’t deny that you also want to take a peek at the off-limits-to-visitors area for yourself, too.
he’s been keeping you away from conflict, away from the dangerous games he plays on the daily, but you want to know. you want to see all that he is, his feats and evils, not just what he decides to show you. and if it means following him into the dreamscape, you won’t shy away from your quest of knowledge.
he doesn’t want you to enter the dreamscape reverie with him, but you’re very, very stubborn
“it’s dangerous for you,” he says, giving you the most serious look you’ve ever seen on him, like he’s genuinely concerned (he is)
you tilt your head. even without saying anything, he knows what you’re trying to say – you don’t understand where he’s coming from
he tries to explain, boy, he’s trying so hard to explain to you why exactly it’s a bad idea, but he feels like he’s talking to a wall
are you even listening? hello? 
he can’t see your expression because your scarf is in the way, and your eyes betray nothing
for as much as he loves talking at you, this is the one time he wants you to give him a response
“you’re strong enough.” a statement, not a question, because this man is one of the ten stonehearts, and you know he has more power than he appears to have
well, yes. but, to be honest, he isn’t confident in his ability to protect you
death is a dangerous entity, and even if he’s certain he can hold his own against it…
what if it decides that you are its next target? you, who is so precious and lovely?
he doesn’t want to run the risk. he likes having you around, both as a friend and as a secretary, and the last thing he wants is to lose you
but you’re adamant. “there’s nothing to worry about,” you say, oblivious to all the worries running miles per second in his head
he feels like if he didn’t let you tag along, you’d just follow him anyway and that would be even worse
aventurine thinks he knows you well, perhaps even better than yourself, but turns out he’s just delusional. you’re so timid, so awkward, and when you’ve warmed up to him you’re still silent and brooding most of the time, how could he have known that you have so many cards hidden up your sleeve?
he’s just dealt with a few scattered crew from the dreamjolt troupe, but he might’ve made a little too much noise when he whacked the televisions
it feels like the entire floor’s enemies are attracted by the noise, even memory zone memes are showing up
he glances towards you, who’s doing a really good job at staying out of his way and avoiding attacks
way better than he expected
you don’t seem afraid, either. he can tell that you’re relaxed from your body language
one thing he’s worried about, though, is eventually attracting death 
because that’s the one thing he’ll try his best to protect you from, but he isn’t certain if he can
he doesn’t think you can fight, and your lack of inclination towards conflict only reinforced that belief
sure, you’re built like a fortress and you’re intimidating, but he soon found out that you’re a big softie inside
which, even more unlikely that you can fight. you just feel so… vanilla
you feel like the type who’d try to de-escalate a situation that could otherwise be easily solved with fists
even if you look like your punches would send people into orbit, it's just so out of your character 
he likes that about you, really, but sometimes he wished you have some combat skills
when death inevitably appears, aventurine’s heart drops. it completely ignores him and heads straight for you – perhaps it knows who’s stronger or weaker – its wing rearing back as it coils around you, picking you up by your scarf, and –
he goes pale. he immediately acts, invoking qlipoth’s protection
but he knows how swift death is, and how easily it will lay its claws upon you and take you from him
the shield he casts on you is easily broken in one, two, three slashes
does death penetrate armor? it doesn’t quite make sense – the kind of shield he confers should not have been so easily broken!
before he could even do anything, before he could even tell you how much he treasured you…
you’ll be gone, and he’ll be all alone again
he hates that. and you know he hates that, but what could either of you do?
for as far as he’s come, he’s still powerless to protect the ones he hold dear
he tries, he really does, but his attacks won’t reach death in time, nor will his shield reach you in time
it’s dead set on taking your life, and it’s going to succeed
damn it, he should’ve just forced you to stay in the reverie in reality, or the golden hour, or something
he’d take your annoyance over watching your symbolic “death” any day
he reaches for you – in a fit of desperation, he tries to grab onto you, your scarf, anything
you blink, watching as death’s claws withdraw, and as it swings its blade-laden scythe wing towards you. you seem shocked, but you close your eyes as you welcome the darkness.
the darkness known as your leviathan. 
your white scarf sits perfectly around your neck, and your nose is still comfortably buried in the fabric
but there’s no mistaking it; it’s yours
the serpent emerging from the ends of your scarf, who wrapped around the monster known as something unto death, whose translucent body wound around it until it is no longer visible, who made it disappear…
it obeys you, holy shit, that creature obeys you
but you’ve always seemed so harmless, so sweet, so, so… so innocent
how could someone like you harbor something so terrifying?
yet here you are, swallowing the memetic entity with a gulp, like you’re simply swallowing down your food
you’re eating – no, you’ve eaten death
your leviathan settles into your scarf again, its form dissipating as if it had never existed at all
so simply, so effortlessly, disposing of it as if it’s naught but a mere worm
aventurine stares, at where death once loomed, and then at you, who looks completely fine. he stammers your name, and for the first time, he feels a primal fear in him. it’s different to the fear of uncertainty, of whether or not he’ll still be alive tomorrow, or of being left behind again. it’s a fear more powerful, a fear stemming from coming face to face with someone perhaps even more dangerous than everyone he’s encountered on penacony. the fear of prey before the apex predator on the food chain.
his gentle giant of a secretary all of a sudden doesn’t seem so gentle anymore
he can’t really tell what exactly it is hiding in your scarf, but he has an inkling
before he can make a guess, you interrupt his line of thinking
“bleh…” you cringe in disgust, your face scrunching up as you stumble to find refuge on a nearby couch
never mind, he'll take that back
honestly, you don’t look like someone to be afraid of right now
you look like you’re about to collapse, with how pale you’re getting and how you’re almost retching up your lunch behind your scarf
which you are. the only thing stopping you is the physical aspect of being unable to
he pushes his fear aside, and finds it surprising easy to do so
in fact, it’s so easy that he could almost find your reaction hilarious
if you didn't look like you're three seconds away from keeling over
“you, you didn’t just–” he approaches you slowly, kneeling down by your side, “aeons, you look sick.”
you want to give him a reply, but the sheer flavor of the meme you just swallowed makes you so queasy that you think you might puke the moment you try to speak
his hands slowly reach up to hold your face, “will you be okay?” he asks, quiet and careful
you nod, relaxing into his touch, and he can feel you turn to lean against his palm even through the fabric that obfuscates your face
how are you still so adorable when you’ve just consumed the entirety of death?
you’ve never revealed much about yourself, and you’ve been the biggest mystery aventurine has been itching to solve. but at this stage, he isn’t too sure if he wants to find out anymore. you, your path, your abilities… you’ve been hiding them all, under that guise of innocence.
then again, he’s the one who made assumptions and decided to keep you away from conflict
he still feels cheated, just with no one but himself to blame 
he wants to believe that you’ve been genuine with him! that your personality, at least, isn’t fake
you’re doing a really good job at reassuring him
well, maybe because you’re experiencing indigestion on a couch in the dreamscape after eating something that looks decidedly inedible
it doesn’t feel like you’re lying to him at all, with the way you’re behaving 
when the nausea goes away just enough for you to speak, the first thing you say is a string of curses
and “i really hope i don’t get food poisoning”
it gets silent very quickly, and you two stare at each other
“i… i don’t think food poisoning is what you should be worried about right now,” he manages to say, suppressing the urge to just chuckle, because this is his confirmation that you’re still his favorite secretary
it takes you a while before you let out a very, very quiet mumble of “please don’t fire me.”
aventurine has never expected that to come out of your mouth. “what? why would i fire you over something like this?” he raises a brow, and he’s just as relieved as you are when your shoulders sagged. “i’m just glad you’re okay…”
he tries to lift you up, and you give him an a+ for effort, even if he ends up failing. you lean onto him, letting him carry half of your weight while you try to stand.
“c’mon, let’s get you out of here. you need to rest,” aventurine says, in the most happy, truly grateful way you’ve ever heard him speak. “but, after that? you have a lot of explaining to do.”
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mariacallous · 4 months ago
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The story is told of the U.S. Secretary of State, who on a diplomatic mission to London, Moscow, and Jerusalem, decided to take a break and look for some new clothes. In each city, the secretary went to the tailor to ask, “For $100, what can you make me?” The British tailor offered to make a sweater and a tie. The Russian tailor could make a vest and a pair of pants for that sum. But in Jerusalem, the answer came as a surprise. “For $100 I can make you several shirts, a sport coat, and I’ll throw in a few pairs of pants,” the Israeli tailor said. Stunned, the U.S. diplomat asked how the same money could buy so much more in Israel. “It’s really quite simple,” the tailor replied: “Out here, you’re not so big.”
As we mark the first year of the Israel-Hamas war and the escalating crisis on another front between Israel and Hezbollah, nowhere is the United States’ “out here, you’re not so big” problem more stunningly and tragically apparent. The administration of U.S. President Joe Biden has not been a potted plant. While the flow of assistance to the suffering population of Gaza has been galactically insufficient, not a scintilla of aid would have gotten through without U.S. pressure. Nor would negotiations to secure the release of 105 out of roughly 252 hostages during the temporary cease-fire in late 2023 have succeeded without a central U.S. role. The Biden administration has also been successful through deterrence, pressure, and diplomacy in preventing the escalation of the Israel-Hamas war into a broader regional war—until now, that is.
Nonetheless, it should be painfully obvious that, despite its tireless efforts, Washington has been unable to negotiate a cease-fire to de-escalate the Israel-Hamas war, let alone end it. Indeed, over the past year, Washington has failed to fundamentally alter the strategic calculations of the conflict’s two principal decision-makers, Hamas leader Yahya Sinwar and Israeli Prime Minister Benjamin Netanyahu. While Washington and other allied stakeholders have attempted to pressure and persuade, they have yet to succeed in reshaping the two decision-makers’ convictions that continuing the conflict held greater benefits than de-escalating it. (Israel’s ground operation in Lebanon and Iran’s missile strikes on Israel this week also demonstrate the way the administration has been unable to control events in the region).
Some view the U.S. failure with moral outrage given the deaths of thousands of Palestinian civilians and the humanitarian catastrophe imposed upon the people of Gaza. Others just shake their heads, wondering why the world’s most powerful nation—with great leverage over Israel and allies who had significant sway with Hamas—couldn’t do much more to end the conflict. Why not, indeed.
That the United States could not have its way through force or diplomacy in response to perhaps the most complex Middle East crisis in decades should have surprised no one. CIA Director William Burns, one of the most astute analysts of Middle East politics, couldn’t have said it better. In his four decades of involvement in the Middle East, Burns said in January that he’d “rarely seen it more tangled or explosive.”
Indeed, the complexity of the conflict has only highlighted the limitations of outside powers. In a conflict where the stakes are perceived to be existential—involving the political or physical survival of key decision-makers and the traumas to their respective publics—the ability of outside powers to exert significant influence diminishes. At the same time, local resistance to external pressure grows.
The attack on Oct. 7, 2023, was a unique and unprecedented crisis that only magnified the “out here, you’re not so big” problem, leaving the United States in the role of a modern-day Gulliver, wandering around the region, tied up by the interests of smaller powers that were not its own and driven to try well-intentioned diplomacy that had little chance of succeeding.
The Oct. 7 Problem
Oct. 7 presented the Biden administration with a veritable mission impossible. Hamas’s indiscriminate killing, raping, torture of civilians, and hostage-taking was followed by Israel’s punishing airstrikes, which seemed to put a focus on damage rather than accuracy. The invasion that followed guaranteed thousands of civilian deaths, given Hamas’s decision to collocate its military assets in, around, and below civilian populations and structures, and virtually guaranteed that U.S. influence would be limited.
Indeed, through most of the last year, it was Netanyahu and Sinwar who controlled the trajectory of the conflict, leaving the United States to react to the table they set. Israel’s goals were maximalist: to destroy Hamas as a military organization and end its control of Gaza. And Netanyahu’s politics—his constant looking into the rearview mirror to ensure that his extremist ministers wouldn’t bolt from the governing coalition—hovered over his security decisions, making it impossible to do any postwar planning and facilitate a steady flow of badly needed assistance to Gaza.
Sinwar’s goals focused on restoring the centrality of Palestinian rights on the international and regional agenda; blocking normalization between Israel and Saudi Arabia; and demonstrating that it was Hamas, not Palestinian Authority President Mahmoud Abbas, that was to be the agent of Palestinian redemption. He also hoped to incite a broader war between Israel and regional countries. In any case, reconciling what Sinwar sought and what Netanyahu wanted was impossible. These were hardly the kind of positions that would lend themselves to a negotiation that the United States could broker.
The Biden administration’s influence was further constrained by the nature of a conflict between a close U.S. ally and a group that, by statute and force of law, the United States considers a foreign terror organization. Biden’s emotional statement in the wake of the Oct. 7 massacre and his early visit to Israel reflected his deep and abiding support for the country. These served to tether Washington to Israel’s war aims almost from the outset and left little incentive to pressure Israel, let alone break with the Netanyahu government over disagreements with Israeli tactics and how to achieve those aims. Toughness with Israel was invariably interpreted as being weak on Hamas—an unsustainable position in light of Hamas’s taking, abusing, and murdering hostages, including Americans.
Once the United States developed the idea of an Israel-Hamas cease-fire as a mechanism to de-escalate the war, Washington was forced to work within the parameters of the two leaders, neither of whom saw much value or utility in closing a deal. The United States was played by both sides. And neither Qatar nor Egypt, the primary go-betweens for Hamas, had the power, incentive, or inclination to appear to be pressing Hamas while Israelis were carrying on a war against the group—and in the process wreaking misery on the Palestinian population.
The Netanyahu Problem
Perhaps nowhere is the “out here, you’re not so big” challenge more acutely demonstrated than in the dynamic between the Biden administration and Netanyahu, the longest-governing prime minister in the history of Israel. Long mistrustful of the United States, Netanyahu has played the president and the administration, at times crudely, at times like a finely tuned violin.
Let’s be clear: Hamas leader Sinwar also played the Americans. But Sinwar heads a militant organization that executes Americans and is inimically opposed to U.S. interests. He’s not the leader of a country closely aligned with the United States and its president, whose support for Israel seemed to have no limit. No reciprocity or cooperation is to be expected from Hamas. In Netanyahu’s case, the image of a close ally seemingly exploiting the largess of another highlights the perennial problem of the small power taking advantage of the big. And when it becomes a pattern of behavior, it reflects the paradox of the small power demonstrating focus and strength and the dominant power exhibiting weakness and indecision.
U.S.-Israel relations have had their ups and downs in the past. And former U.S. presidents and Israeli prime ministers have argued over policy. But what made the current Biden-Netanyahu dynamic even worse and diminished U.S. credibility even further was the perception—grounded in reality—that the divide wasn’t so much driven by Israel’s national interests but by Netanyahu’s political interests.
What this meant in practice was that on many issues—facilitating international assistance into Gaza,  prioritizing the return of hostages, planning for postwar Gaza, and avoiding an explosive situation on the West Bank—Netanyahu’s decision-making was shaped by the demands and requirements of his right-wing government, particularly his two extremist ministers, Bezalel Smotrich and Itamar Ben-Gvir.
This dynamic was most clearly on display when it came to negotiations over an Israel-Hamas cease-fire, highlighting the humiliation and embarrassment of the big power at the hands of the small. Time and again, the prime minister would say yes, then maybe, and then no. Netanyahu would send his negotiators but with limited mandates.
Sinwar was clearly as much responsible—perhaps even more, in the wake of Hamas’s execution of six hostages—for the impasse as Netanyahu. But Sinwar wasn’t conveying commitments directly to the president and senior administration officials. Indeed, just last week, Netanyahu committed himself to a U.S.-French proposal for a cease-fire between Israel and Lebanon only to walk that commitment back, temporarily seeming to endorse its aims while knowing full well that he had set into motion the assassination of Hezbollah leader Hassan Nasrallah.
The Leverage Problem
So if the great power is being taken advantage of by smaller ones, then why doesn’t the Biden administration—or the vaunted international community, for that matter—impose a single cost or consequence on Israel or Hamas that would alter the trajectory of the conflict?
Let’s do the easy ones first. We have no answer to the question of how to alter the behavior of a Palestinian decision-maker safely ensconced in tunnels that have not been made accessible to the thousands of Palestinian civilians exposed and killed by Israeli bombs. Having spent two decades in Israeli prisons, Sinwar surely knew how Israel would respond to Oct. 7, how many Palestinians would die, and how he would at some point meet his end at the hands of Israel. Whether any single Arab state or collection of states could force Sinwar to end the conflict or agree to de-escalate it will have to remain a thought experiment. None was likely able or willing to try.
As for Israel, it should be quite clear by now that the Biden administration, like most of its predecessors, has been unwilling and unable to apply maximum pressure, let alone break with its Israeli ally over the conduct of Israel’s prosecution of its wars against Hamas or Hezbollah. Former presidents have been willing to use discrete pressure at times. The Nixon administration kept Israel from destroying Egypt’s third army to preserve prospects for a diplomatic breakthrough between Egypt and Israel. Former President Ronald Reagan suspended the delivery of advanced fighter aircraft over Israeli policies in Lebanon. The administration of GeorgeH.W. Bushdenied housing loan guarantees because of Israel’s settlement construction as it was trying to put together the Madrid peace conference.
In fact, when I first heard the anecdote about the Israeli tailor, it was attributed to Bush’s secretary of state, James Baker. I asked Baker whether it was his yarn—he laughed and said he wished it was.
But real pressure? You’d need to go back to the Eisenhower administration, when the president threatened to sanction Israel unless it withdrew its forces from Sinai during the failed British-French-Israeli campaign to seize the Suez Canal from President Gamal Abdel Nasser’s Egypt.
It’s not that the Biden administration lacks leverage on Israel. The president has many tools in his arsenal, such as conditioning or restricting U.S. military assistance to Israel; introducing or supporting a United Nations Security Council resolution that is critical of its policies in Gaza; demonstrating its displeasure by joining 140-plus countries—most recently Ireland, Spain, and Norway—in recognizing a Palestinian state, or joining near-international consensus in calling for an immediate cessation of hostilities, threatening consequences if neither side complied.
Biden chose none of these actions due to a confluence of factors: the president’s deep emotional commitment to the idea, security, and people of Israel honed over decades; the United States’ domestic political landscape, where the Republican Party has emerged as the “Israel-can-do-no-wrong” party, and a policy fixated on a cease-fire that required the agreement of both Israel and Hamas. Biden’s anger grew and slipped out from time to time. But with the exception of a delay in the shipment of some heavy bombs, that anger never translated into concrete or sustained changes in policy.
Would the application of pressure have worked? We’ll never know, though there’s reason to doubt it. Stephen M. Walt argued here in Foreign Policy that a patron’s leverage over a client diminishes when the matter at hand is of vital importance to the latter and when shared values as well as political and institutional constraints impose costs on the patron for exerting pressure. Add to that the often ignored but critically important reality that when it comes to its friends, partners, and allies, the United States rarely (if ever) uses sustained pressure or leverage on an issue that the latter considers vital to its own national or political interests. And if few U.S. presidents want to tangle with their friends that lack significant political resonance, why would a president want to break with an ally that has significant domestic support?
No U.S. administration has ever faced a situation with its Israeli ally quite like Oct. 7, where the unique nature of the conflicts with Hamas and Hezbollah were seen in near existential terms; an Israeli prime minister was determined to do most anything to remain in power; and the absence of a realistic diplomatic pathway combined with a preternaturally pro-Israeli president and domestic politics, especially in an election year, to limit the United States’ options and influence.
It’s Not Our Neighborhood
The story of the secretary and the tailor makes a powerful point that U.S. diplomats and negotiators often forget: For all their military and political muscle, great powers are not always so great when they get mixed up in the affairs of smaller ones in a neighborhood owned by the latter.
The U.S. experience in Afghanistan and Iraq, where the standard for victory was never “could we win” but rather “when can we leave and what will we leave behind,” is perhaps the most tragic cautionary tale. And the set of U.S. diplomatic successes in helping to resolve the long-term Arab-Israeli conflict is stunningly small. The United States has had great success against the Islamic State and al Qaeda and has kept the homeland secure from foreign terrorist attacks. But the Middle East is littered with the remains of great powers who wrongly believed that they could impose their will, schemes, ambitions, dreams, and peace plans on smaller ones.
Indeed, this region is more often than not a place where American ideas go to wither or die. This is particularly the case in conflicts that have long histories where identity, trauma, memory, and religion play dominant roles.
As we mark the first year after Oct. 7, we should remind ourselves that ignoring the region, let alone leaving it to its own devices, isn’t an option. But neither is transformation. The United States has allies, interests, adversaries, and vital interests there. The locals will always have a greater stake; be more invested; and be willing to run greater risks for good or ill than the United States ever will.
U.S. leadership is important, but it isn’t the key. What matters more is having Israeli and Palestinian leaders who are masters of their politics, not prisoners of their ideologies—leaders who are not extractive and who care about the future of their own people and are willing to reach out to one another with a vision of a shared future.
Without that, we have nothing; with it, we at least have a chance to create a better pathway forward for Israelis and Palestinians alike.
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