#de: 1860s

[humanoidhistory]

Total eclipse of the Sun, July 1860, illustrated by astronomer Warren de la Rue.

[majestativa]

VICTOR HUGO Le chateau des-Cris-la-Nuit, (1860) Femme masquée retenant son manteau, (1866) Justitia, (1857)

[daguerreotyping]

Carte de visite of a dashing young Union soldier with pomade in his hair and worry in his eyes, c. 1861-65

[jeannepompadour]

Princess Alice of the United Kngdom by Eduardo de Moira, 1860

[chic-a-gigot]

La Mode illustrée, no. 30, 25 juillet 1869, Paris. Toilettes de M.me Bréant-Castel 28.r Nve des P.ts Champs. Collection of the Rijksmuseum, Netherlands

Robe de linos gris lilas, composée d'une jupe à large volant plissé, bordé de chaque côté avec une dentelle noire très-étroite. Tunique pareille, drapée en pouff, à l'aide d'un biais de même étoffe, garni de chaque côté d'une ruche étroite; corsage ouvert en carré; manches longues; à l'intérieur guimpe de mousseline blanche.

Lilac gray linoleum dress, composed of a skirt with a large pleated flounce, bordered on each side with very narrow black lace. Similar tunic, draped in a pouff, using a bias of the same fabric, trimmed on each side with a narrow ruffle; open square bodice; long sleeves; inside white muslin wimple.

—

Petite fille de sept ans. Robe de linos fond blanc, à filets verts et noirs formant des carreaux; le devant de la jupe et celui du corsage ont une garniture de frange verte disposée en brandebourgs; ceinture verte.

Seven year old little girl. Linen dress on a white background, with green and black lines forming checks; the front of the skirt and that of the bodice have a trim of green fringe arranged in frogs; green belt.

—

Robe de dessous en faye maïs foncé, garnie d'un large volant dentelé de chaque côté et fixé à l'aide d'un rouleau, de façon à former une tête. Tunique en crêpe de Chine de même couleur, garnie d'une large frange et drapée de chaque côté, sous les bras, à l'aide d'un gros nœud de ruban; corsage pareil à la robe de dessous, ouvert en carré, avec manches demi-longues, garnies d'un volant; fichu en linon blanc à l'intérieur du corsage; manches de linon blanc bouillonné.

Underdress in dark maize faye, trimmed with a large jagged ruffle on each side and fixed with a roller, so as to form a head. Tunic in crepe de chine of the same color, trimmed with a large fringe and draped on each side, under the arms, with a large ribbon bow; bodice similar to the underlying dress, open in a square, with half-long sleeves, trimmed with a flounce; white lawn scarf inside the bodice; sleeves of bubbled white lawn.

[history-of-fashion]

1863 Federico de Madrazo y Kuntz - Portrait of Rosa Guardiola, Baroness of Andilla

(Private collection)

[artthatgivesmefeelings]

Francisco Aznar y García (Spanish, 1834-1911) Ávila, Exterior del ábside de la iglesia Catedral, ca.1860 Serie Monumentos Arquitectónicos de España

[agelessphotography]

Notre-Dame (façade), Édouard Baldus, 1860s

[sayxit]

The ring of fire

[garadinervi]

Edgar Allan Poe, (1848), Eureka, Translation by Charles Baudelaire, «Bibliothèque contemporaine», Michel-Lévy frères, Paris, 1864 [Département Réserve des livres rares, Bibliothèque nationale de France, Paris]

[anastasiamaru]

Old Kyiv

"Ch��teau de Fleurs"

In 1863, a French entrepreneur opened the entertainment venue "Château de Fleurs" (Castle of Flowers) on the site of the modern-day Dynamo Stadium. The cafe-chantant, as it was called in French style, housed a restaurant, concert halls for performances, a dance hall, a summer theater, and a beer bar. It also featured the city's only park with a paid entrance fee of 40 kopecks on the busiest days. Dining at "Château de Fleurs" was also available only by subscription, costing from 9 to 15 rubles per month, depending on the number of meals one could have per day.

The name of the park fully reflected its concept. The park was adorned with flower beds featuring a wide variety of flowers.

Every season at the Château was marked by the emergence of a new pop star, a new spectacle, or attraction.

Ivan Nechui-Levytsky( Ukrainian writer, one of the founders of Ukrainian realism. His works are known for their depth and humanism)described the Château in his novella "Clouds":

..."At the Château, there was a grand celebration. The posters announced that that evening there would be Tyrolean songs sung in the garden, then fireworks would be set off, and at the end, Bengal lights and a fireworks display. A large crowd gathered! The entire Château in the valley was filled with masses of people."

Шато Де Флер👆

An old map where the Château de Fleurs still exists

Château de Fleurs closed in 1894 due to financial difficulties and changes in management. Later, Dynamo Stadium was built on its site.

[visionsofour-past]

• No title (Man), carte-de-visite.

Date: 1860-1867

Photographer: Freeman & Prout (Sydney)

Medium: Albumen silver photograph

[vintage-russia]

From "Journal des demoiselles" (1861)

[daguerreotyping]

Will you take Beef, carte de visite of a very courteous kitty circa 1865

[semioticapocalypse]

Gaudenzio Marconi. Ecole des Beaux Arts [School of Fine Arts]. C. 1868

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[chic-a-gigot]

La Mode illustrée, no. 32, 11 août 1867, Paris. Toilettes de Mme Bréant-Castel 28.r. Nve des Pts Champs Envois de la Mon de Commission-generale. 53. rue d'Hauteville. Collection of the Rijksmuseum, Netherlands

Jupon de taffetas gris-Suède, bordé d'un volant ruché dont la tête est fixée par un galon de paille. Robe de dessus pareille au jupon; deux écharpes très-longues, encadrées de grelots en paille, forment par devant une ceinture en se croisant, puis passent sous les bras, et sont encore croisées par derrière; des grelots en paille simulent une sorte de pèlerine sur le corsage montant; manches très-larges et très-longues; manches étroites en mousseline bouillonnée; entre chaque bouillon un galon de paille. Chapeau en tulle gris de Suède, orné de roses. Ombrelle pareille à la robe.

Grey-Suede taffeta petticoat, edged with a ruched flounce whose head is fixed by a straw braid. Overdress similar to the petticoat; two very long scarves, framed with straw bells, form a belt in front by crossing, then pass under the arms, and are crossed again at the back; straw bells simulate a sort of cape on the rising bodice; very wide and very long sleeves; narrow sleeves in bubbled muslin; between each bubble a straw braid. Hat in grey-Suede tulle, decorated with roses. Parasol similar to the dress.

—

Costume en deux teintes Bismark. Le jupon (teinte claire) est bordé de dents foncées, surmontées d'un biais. Robe courte (teinte foncée) avec rouleaux clairs sur toutes les coutures, et sur le bord inférieur dents claires, surmontées d'un biais. Depuis le col jusqu'au bord inférieur, gros boutons recouverts en teinte clair; corsage montant en teinte claire; corselet de teinte foncée, orné de dents claires; manches étroites, claires; manches larges et longues, foncées doublées de teinte claire, avec dents claires. Chapeau de même couleur que le costume.

Two-tone Bismark suit. The petticoat (light shade) is edged with dark teeth, topped with a bias. Short dress (dark shade) with light rolls on all seams, and on the lower edge light teeth, topped with a bias. From the collar to the lower edge, large buttons covered in light shade; high bodice in light shade; dark bodice, decorated with light teeth; narrow, light sleeves; wide and long, dark sleeves lined with light shade, with light teeth. Hat in the same color as the costume.