#dc fan first person second

[call-me-strega]

Dc x Dp Prompt #24: The Midwest Prince(ss)

Danny is a Singer/Siren/Banshee au where he’s basically a Chappel Roan-type figure.( Also, I'm Dead on Main trash so Strangers-to-Friends-to-Lovers, Celebrity x Civilian romance for two of my favorite boys)

Danny’s Ghostly Wail develops into vocal manipulation bc he’s a siren or banshee. Ember teaches him to sing and control the power. He finds music is a good outlet for his emotions and decides to pursue music as Danny. It takes him a few years but he develops a style and brand that he bases off the Realms. However, he doesn’t anyone to connect him to Phantom so he uses parts of his ancestors’ names to become “Walker Gale”(shout out to my beautiful mutual @mirigold-mayflowers for helping me pick that name), ordinary small-town midwestern boy turned Music Icon. He hires Val as his personal bodyguard, Sam as his manager, and Tucker as his head stage tech.

He dresses in really campy clothes the low-key mimic his ghost form as well as other ghosts he’s met. The outfits change to match the vibe of the song. So a rock ballad with an outfit inspired by Ember, Show Tunes-Murder Mystery-type-beat with a costume for Amorpho, EDM-techno-hyperpop themed song styled after Technus or Skulker, etc. He just has a lot of fun experimenting with his appearance and he’s an icon for it. He even makes friends with Star and Paulina through this and they give him feedback and help with new looks. The eventually join the team as his PR and Styling team.

Since he’s a banshee/siren all his songs have this underlying despair/sadness even if they have a fun and bubbly beat. He also references his feelings about being/hiding as Phantom and being partially dead and shit but vaguely so no one actually knows or assumes it’s a metaphor. Many of the themes are actually things lgbtq people identify with, specifically trans and bi fans. He also references battles he’s fought and ppl assumes he’s talking about mental illness or abuse which attracts another category of fans altogether. Again inspired by Chappel Roan his first album his called "The Ascent and Downfall of a Midwest Prince" gaining him the nickname the "Midwest Prince".

He’s weird and unfiltered and full of emotion and he gains a few fans in the hero community too. Raven and Zatanna start a fan club for him, well aware he’s some type of banshee/siren but knowing that the extent of his powers are being used to deliver beautiful performances. The are staunch supporters of him and his music and spread it to their friends. The current fan club is Co-Presidents Zatanna + Raven, VP Greta(Secret, a.k.a: a ghost hero), Starfire, Bart, Cassie, Tim, Kon + Jon, Steph, Cass, and Billy.

His identifying features are a signature make-up look and white underdye (when the color is on the underside of the hair). He’s grown his hair longer so it’s not super visible when he has it down and not styled. He also looks different without make-up so he can totally go unrecognized in public and live life semi-normal (as normal as a half-ghost vigilante powerhouse superstar can be). He actually planned it to be that way so that he could still go to college and stuff even though he’s doing it mostly online. All this to say that Danny has low-key got a Hannah Montana thing going on. Also, let's mix it up a bit and say he's based in Star City.

One day Danny goes to a second-hand book store because he's looking for a cheap textbook when he bumps into an absolute hunk of a man who doesn't seem to recognize him. Jason had been in Star City to visit Roy and Lian. He stopped at a second-hand bookstore to see if he look for some older editions of books (one time he found a second edition copy of Persuasion so he likes to peruse) and ran into a super pretty boy who made his chest feel funny and doesn't realize he's a Wayne. They got to talking about started really connecting. They decided to exchange numbers and kept in touch, meeting up every now and then when they had the chance. Danny gave him his private social media accounts so Jason never learned much more beyond that Danny worked in the music industry but not his exact role in it.

Eventually Danny moves to Gotham, either bc he switched labels or to be closer to Jazz whose doing her doctorate thesis on reforms that need to be made in Arkham. He and Jason begin meeting up in person more frequently and start catching feelings. Danny really wants to ask him out but feels sleazy doing it without telling Jason about his past and superstar alter ego. However, he also doesn't want to lose the mostly normal friendship they have. On the flipside Jason wants to date Danny but doesn't want to drag him into the life of a vigilante or the life of a Wayne. Both of them Pine and Agonize over this. In the end Danny decides to bite the bullet and tell Jason who he is, every part of who he is. He invites Jason over for a movie night and tells him he's got something important to tell Jason.

That same day Starfire decides to introduce Walker Gale's work to the other Outlaws and Jason really resonates with his work. He identifies with the lyrics on a literal and physical level and recognizes the underlying emotions that usually only other ghosts or liminals can. Starfire overjoyed that her friend likes his music decides to show Jason some of his music videos and photos. Jason, not being blind or an idiot, recognizes not only the props and costumes but his crushes face under that (very well done) make-up.

Jason is stunned and conflicted: it’s not like Danny lied to him about who he was, but he was entirely truthful either. Did he assume Jason knew? Or did he just not trust Jason? Why did he even bother with Jason, a seemingly regular guy, if he had such a claim to fame? And Jason keeps listening to his music and it’s speaks to him the same way hanging out with Danny does, making him feel seen and connected. It makes him all the more sure that someone incredible as Danny doesn’t need someone like Jason. He heads to Danny’s place that night very subdued.

He gets to Danny’s place and the smile that greets him twists him up inside. He puts on a mask and tries to act normal but Danny can tell somethings up but persists as he has made up his mind to be clear with Jason. He sits him down and tells him there is something important he wants to tell Jason. He starts by letting Jason know that he cares about him very much and appreciates the normality and closeness of their friendship. He confesses that he doesn't normally get that bc well, he's the superstar "Walker Gale". Danny goes onto say that the reason he didn't say anything earlier was because he treasures the simplicity of what he had with Jason and the reason he's telling him now is because he couldn't continue a relationship that he wants more from without being completely honest.

Jason's heart thunders in his chest and he stares at Danny with a slightly constipated look. Danny asks Jason what's wrong and on an impulse Jason word vomits his feelings. That he actually found out through a friend earlier today, that he really connected to his music the same way he did with Danny, that he's never felt seen the way Danny sees through him, that he's never felt the same way as deeply before, that he's completely and utterly in love with Danny but was scared to say anything and get him involved with his crazy life and the Waynes. And Danny sits and listens shellshocked.

And the only thing Danny can think to do is kiss this incredible boy senseless and tell him that if he likes him back then they can figure it out.

[emo-batboy]

Somewhere out there in the DC multiverse, there’s a world where Battinson’s parents didn’t die, and he became the Lance Stroll of Formula One racing. Wayne Enterprises has an F1 team, Thomas brought Bruce to races when he was young, they indulged his love of cars until he was winning kart races at 8. He BEGGED to help design the race cars, ended up making a great car, and now Wayne has turned from a midfield team to nearly top three.

You’d think everyone hates Bruce because he’s a nepo baby, but he’s just so nice and smiley (like Lance lol) that everyone loves him anyway. His dad is the team’s chairman and pretty hands-on just like Lawrence Stroll. Fans call Bruce the F1 Princess as a joke since he’s already the Prince of Gotham, but then it sticks, and now everyone makes edits of him with tiaras on every time he makes it to the podium. He doesn’t get it, but he’s not going to complain either. His fans are just silly. (He blushes so much when anyone calls him princess to his face, though. Fight me.)

Bruce still insists on everything being black because it’s his favorite color. It was already mostly black before he joined, but now it’s even blacker. His suit is all black. The car is all black. The helmet is all black. He loves it. He looks just like the dark, regal old money rich boy you’d imagine until he’s smiling and talking about racing. (Imagine a meme with two cars next to each other, one being WE’s. It says: “Bruce’s Car v. Bruce’s Personality.” The other one is covered in glitter obv.) One time, a little girl gives him a tiara that she painted black herself and asks him to wear it if he wins. (He does win. He puts it on at the podium. He’s embarrassed the entire time. The champagne rubs some of the black away. It’s a treasured memory and sits right on top in his trophy case.)

His fellow drivers call him Brucie to tease him. He’s a bit awkward during interviews, but that just makes him endearing. He’s also tall for an F1 driver (nepo baby core) so there’s always jokes about him towering over everyone. One time, he came second to Lewis Hamilton, but you could still see he was visibly standing taller on the podium, and people would not stop making jokes about it. (It was mostly his hair, but you know how Twitter is.) Speaking of hair, it will NOT stay flat. He looks insane every time he takes his helmet off. He could be sweating for hours in there but when he takes the thing off, he looks like he’s through in a tornado. (Again, memes.) He knows so much about car mechanics, even for a driver, and will regularly start talking to other drivers or the press about the tiniest of parts in the engine or break system, unaware that everyone is completely lost. (Also memes about that.)

When he’s 23, he suffers a pretty bad crash. It knocks him out for about twenty seconds, and his mom and dad are ready to pull him completely from the sport, but he refuses to stop, and despite missing a few races to recover—his dad’s still a doctor—he ends up winning the next race and gets to stay.

During his F1 career, it’s pretty much guaranteed that he’ll get fastest laps, but he only gets podium like 40–50% of the time. There’s always drama that apparently Wayne Enterprises is trying to become top three, but they insist that they’re not as competitive. They will always have respect for every team, and it shows. They never join in on protests. They always wish the other teams luck, and they genuinely congratulate the winners. Bruce is always the first to hug the winner :)

Before Bruce joined, the Wayne team was always a midfield team, and they were perfectly comfortable with it. WE had good-looking cars, they designed good-looking cars, and they sold good-looking cars, and F1 was just a way of promoting that. Thomas loved watching the races, and he was happy to see them get podium a few times per season, and that was it.

Until Bruce became their lead driver, and he wanted to really earn his seat, and he wanted to get podium, and he wanted to design a faster car, and he wanted to win, and Thomas Wayne couldn’t say no to his son, and suddenly Wayne Enterprises was inching closer and closer to the front of the grid. Now, they’re still not The Best, but they’re a team that future drivers look up to.

During a season of DTS, Bruce is 27. Netflix films the Wayne episode when there’s a fatal crash in F2, and Bruce was nearby when it happened. He ends up crying on camera for ten minutes. They had to cut almost all of it, but we get the most gut-wrenching confessional about how after he heard the news, in that moment, he didn’t want to be an F1 driver. He admits that if he hadn’t become a driver, he was going to become a doctor like his father, and he wonders if he could have saved the driver’s life if he did that instead. “What am I really doing if I can’t help others? I could have been anything…Maybe being a driver was selfish. Maybe I don’t belong on the track anymore.”

He’s visibly distraught during the moment of silence on the day of the race, but Bruce decided to continue because he wants to make the fans and spectators happy. (That’s his job, anyway. That’s what he does.) Despite getting pole position the previous day, he doesn’t get fastest lap or make it to the podium, but he still gets fourth. He has a long talk with his father away from cameras and calls his mom. The future’s uncertain for a few days until Bruce comes back to training. To finish the episode, he says he’s going to continue driving, even if he might need a bit of time to get his confidence back, and he pledges to one day make the safest F1 car ever seen. Even if it’s part of the risk of being a driver, he doesn’t want to see any more drivers losing their lives to the sport they love.

When he’s around 35 or 40, he retires from Formula One so he can inherit Wayne Enterprises, and he takes his father’s place as chairman of the team. Since he has the time now, he holds up on his promise to make an even safer car—the designs inspiring safer car designs for other teams as well—and they pick out two incredible drivers who end up finally (FINALLY) moving Wayne Enterprises into one of the top three teams. They win the world championship twice in a row before falling back a bit and only winning it every couple of years, but they’re nonetheless fierce competitors. Bruce still has a ton of kids, some of which like F1 just like he does, but he is the only Wayne to become a Formula One driver.

I just think Battinson would love driving for F1 :)

[grahambaham]

Controversial opinion, especially for any Jason Todd fans out there (I'm one of them), but I completely understand why the fans in, the 80' I think, voted to kill him off. Hear me out, okay?

Jason was at first a literal Dick Grayson copy, was legit given his backstory and personality with the name being the only change. And for a while that was all they knew about and, rightfully so, hated about him. Now I'm not sure whether he was given the whole Alley kid who tried to steal Batman's tire story before or after his death but either way, in those fans' minds, Jason Todd was just a boring replica of Dick Grayson and no one liked him. If I was alive and a fan back then, I honestly would have done the same thing.

WHICH IS WHY I HAVE SUCH A HUGE PROBLEM WITH THE WRITERS DOING TO JASON THE EXACT SAME THING THAT GOT HIM KILLED OFF BEFORE!!!

Jason immediately after getting brought back to life was a villain. He wasn't misguided, he wasn't an antihero, my man was a Villain with a capital V. He didn't protect workings girls or children from any drugs or anything, he just made one off hand comment to a guy not to sell to kids and that's it. One of his only interactions with any prostitutes is to mock her for her past and decisions that led to her becoming one. Bruce did not abuse him or attack him unfairly. Jason had not only tried to kill Joker or other horrible villains, he killed anyone whether they were rapists, or robbers, or petty fucking thieves and he didn't do it for justice or whatever the fuck but because he was angry and taking it out on everyone he could get his hands on. He stopped Batman from going after Nightwing after Bludhaven blew up with him in it. He blew up a school. He beat up Tim in his little Robin panties and was a fucking villain.

I love Jason. But I love him as the messed up asshole he is. Not as some misguided wittle antihero. Which is why I despise the fact that the fandom latched onto the completely inaccurate version of him, because the writers of DC had started writing him the way the fandom wanted and he is now irreversibly ruined. Aside from the already mentioned stuff, they made him into a copy of Dick Grayson (for the second fucking time) and Helena Bertinelli.

Helena is the one protecting women and children, the antihero that often uses violent force. She's the one with the reluctant sibling relationship with Tim. Jason was not Tim's Robin by the way, Dick was. Tim does not like Jason one fucking bit and spends most of their forced interactions roasting him so bad he has to buy burn salves. Also her personality was taken and given to Jason in some ways too, like her manner of speech and stuff, but I'm willing to let that slide as accidental.

From Dick Grayson, they mostly took his relationships, romantic and platonic. Jason slept with Barbara and Kori both, which aside from just being dumb as hell is also weird and creepy because Jason is six years younger than them at least and they knew him as a fourteen year old when they were at least twenty, and they would never date someone so much younger than them, they aren't fucking creeps. Then they took Starfire and Arsenal and made them forget their own lives to join Jason's little antihero team (neither of them are antiheroes what the fuck) and act like the sun shines out of Jason's ass and he's their leader or some shit when they would never follow him before that, especially Roy who has led so many other teams and does not deserve that shit. Some fans also ship him and Jason, which is both creepy and character assassination for Roy's entire character more than him being friends with Jason and in the Outlaws already is.

Also, Pit Madness is not a thing you fucking brainless losers. Stop trying to justify and erase the flaws that make him an interesting character. His anger has always been due to the trauma of being tortured and dying and the misguided feeling of betrayal he felt for Bruce. He was unwell and taking his problems out on others. So, repeat after me: PIT MADNESS IS NOT A REAL THING!!!

Thank you for reading <3

[phantom-0-writer]

*standing menacingly at the door* i made u something

anyways lol. i had a lot of school work and was really busy freaking out and stress studying for a singular test that was 4 questions and would be over in like an hour and then i proceeded to cry about it in my car for various reasons.

but yk what that means!

time for our irregular and unscheduled update of

Gotham Academy's Mentorship Program

this episode featuring a fan favorite: Duke Thomas (aka The Signal - but thats kind of irrelevant for this)

you were supposed to read that like it was from a '90s sitcom and the off screen crowd cheers rly loudly.

some house keeping updates: this scene happens in the beginning of the school year (going by the american system should be september) danny meets damian (and upsurges tim on the same day) around midterm which is around october and then the stuff with jason and damian's drawing happens around december. i kinda accidentally burned the irl timeline for anything dc first scene so now im just gonna do whatever i want.

anyways with out further ado:

table of contents

scene 04: after school activities for normal kids

Duke stood around the corner of the classroom awkwardly, wondering if he had made the right call. Sure the bats and the birds had a plethora of hands on deck any time, but most of them specialized as night time heros. Not to say that they were incompetent or anything, they were some of the most skilled and innovative people Duke had ever had the pleasure of meeting. Sure if anything happened, they could handle it, at least until Duke could slip away and show up as the Signal- Alfred and Bruce had assured him so much. But Duke couldn’t slip the guilt of busying away more of his time to after school activities when he could be patrolling or studying instead, 

But Duke had wanted to do something outside of those things, which was specifically why he had made the difficult decision to join a few clubs and after school activities. He could use a break from being surrounded by people who worked the vigilante life-style just to remember how to be a normal civilian. Let himself take a break from constantly be consumed by one case or another, one disaster or another, not being able to do enough no matter how much he tried or how much time he spent patrolling. 

Duke needed to feel grounded, like his feet were on the ground and he could press the brakes and smell the fragrance of life. Even if the fragrance was a forgotten pile of dog s-

“Alright,” The instructor for their culinary club started with a weird German accent that sounded really fake. “I am Herman. You can call me Chef or Chef Herman or just Chef. I will not bore you all with the boring introductions, and let's head right into the cooking, yes. On this paper here I made the partners for all of you to cook with for the rest of the year. If you have problem with it then quit.” 

This Herman guy seemed like quite the character, and was definitely not helping any of Duke’s previous anxieties. Many of Duke’s clubmates seem to think so too, sending their friends various looks. But no one spoke out, and instead shuffled to the front to look at the singular sheet of paper that would assign them their partners. Duke finally made it to the front and saw that he was paired with a Daniel Fenton at Station 7. 

Crossing his fingers that Daniel had at least only a half-rotten personality, Duke made his way over to station 7. The station was already prepped with an assortment of ingredients and cooking equipment. Duke had already set his stuff down claiming the seat closer to the exit (in case) when a lanky kid comes over, “Uh, your Duke Thomas?” He asks hesitantly looking back at the front counter the partner assignment sheet was. 

It took Duke an awkward second longer to realize that this kid was probably his partner. “Oh yeah I am.” He laughed apologetically, “You must be Daniel.” 

“Danny’s fine.” The boy smiled, absentmindedly brushing his messy black hair out of his face, his glacier blue looking at the equipment. Duke couldn’t help but feel like there was something off about Danny. Not in Gotham’s usual psycho-maniac-out-to-terrorizer-the-city-and-kill-innocent-people kind of off, more in a he’s not in sync with the rest of the world off. While Chef Herman explained the general structure of various types of kitchen and kitchen hierarchy that Duke was already familiar with, Duke tried to get a read on him. 

Weird did not mean threat, after all many of the Justice League- heck even the local Wayne/Batclan were pretty weird- and they (usually) didn’t mean any harm. It wouldn’t be fair of Duke to jump the horse like that. 

Deciding he should try to be friendly with him, Duke leaned over, “Is it just me or is Chef Herman’s accent totally fake?” he whispered. 

“Oh, Ancients,” Anciets? “I thought I was just going insane.” Danny sighed in relief with a small chuckle. There was a moment of silence between the two of them where no one said anything for longer than socially acceptable and Duke debated using his powers to see if he could find a clue or something. That seemed kinda invasive, though. 

When the Chef had started instructions on making today's recipe, Chocolate Chip Cookies, Danny helped Duke measure out the ingredients. “So,” Danny tried again, “What are you in for?” 

“What am I…” Duke repeated confused, 

Danny chuckled awkwardly, “Like why you joined the club.” 

Duke seriously needed to get his head in the present; this was getting embarrassing. “Oh.” He nodded in understanding, “I’ve always liked cooking,” Duke shrugged, “When I was little my parents and I would always cook together, and it was always one of my favorite things to do. And I’ve kinda always liked it, but I fell off of it for a while with school and stuff,” emphasis on the stuff “I thought joining a club could help me get back into it and get away from… everything.” That was a little more candid than Duke had planned on being with someone he had met quite literally a few minutes ago, but it felt good to have that out of his chest. The pleasant memories of his parents swimming in his mind. Mixing the dry ingredients, “Sorry that was kind of a lot.” Duke laughed genuinely this time. 

“Dude, no it’s actually so cool that you like to cook.” Danny said admiration was easy on his face, and Duke couldn’t help but feel a little embarrassed. 

“What about you, then?” 

“Ugh,” He groaned jokingly, “You can’t seriously be asking for my lame ass reason after you pulled out the flashbacks.” Danny whined, letting the oven preheat like Chef told them to. 

“C’mon, it’s only fair.” Duke played along, already ahead of the other groups. 

Danny sighed, “Promise you won’t laugh.” 

“Okay, it can’t be that bad.” Duke could already feel the smile cracking on his face. 

“It is.” Danny drawlled, “So I live in the dorms right, and I got to pull some strings and room with one of my friends from back home this year. And well, let’s just say my family has a bit of a reputation for causing problems, and the kitchen definitely wasn’t an exception. One time my dad tried to make some soup for my mom because she got sick.” Duke nodded approvingly, that was a sweet gesture, “It was all fun and games until the bomb squad had to show up and long story short we had to move.” 

“You’re joking.” Duke gaped at the bizarre story, but at Danny’s solemn expression, Duke couldn’t help but be appalled, “A bomb squad over soup.”

“My parents were never really heavy on lab safety,” Danny added, as if that explained everything, “But I burn one pot of water and maybe make a few extra-crispy eggs, and suddenly its all ‘Danny you’re not allowed in the kitchen unless you start taking actual classes’ and ‘Danny that's a biohazard’.” 

“You burned a pot of water.” Duke echoed, Danny nodded innocently, “Water doesn’t burn.”

“Well, maybe you’re just not trying hard enough.” Danny sneered, trying to crack an egg on the corner of the bowl only for all the shell to fall in the bowl and the yolk on the counter. 

“Somehow, I don’t think that’s true.” Duke said, taking the bowl from him and expertly cracking an egg single handedly. Danny looked on in awe. “You said you live in the dorms?” Duke asked easily. 

“Oh yeah, all of the non-local scholarship kids have to.” 

Before Duke could respond, a girl from the station in front of them whips her head around, “You said you’re here on a scholarship?” She asked almost oppressively. 

Danny just as taken aback as Duke felt, “Uh, yeah.” 

“Me, too. Have you heard anything about the Mentorship Program here? Apparently we all have to join.” The girl’s partner was looking between Duke and Danny confused, but returned to their cooking uninterested. 

“Oh, yeah. They make us all join.” Danny nodded. 

“I heard from some of the older kids, that no one actually gets picked for that. It’s just like a weird formality thing.” The girl spoke animatedly, “What department are you in?” 

“Applied physics and engineering design.” The oven beeps that it was ready but no one moved. 

The girl seemed to deflate that answer, “Oh, I’m doing culinary science.” And with that solid conclusionary statement, she turned around and got back to her work station. 

Danny blinked, processing what just happened and slowly turning to look at Duke for proof that just happened. But the second the both of them met each other’s eyes, they burst into a fit of silent laughter. 

Bent vunuralably over the table, trying to catch their breath, they were accosted by Chef Hermon. “The two of you are having a comedy club, not a cooking club.” Chef crossed his arms at the edge of the table. Duke was pretty sure he was trying to sold them, but the fake accent was making it hard to tell. 

Danny cleared his throat and striated up, “Sorry, Sir.” He apologized quickly. 

“Chef.” Hermon peered at them, his hat looking comically large and lopsided on his head now that Duke was getting a closer look. 

“Sorry, Chef.” Duke amended, trying to keep his cool. 

“Yes, finish cooking your cookies.” He nodded satisfied, leaving their station. 

“Okay so,” Duke tried to recount what the last thing they did was, but one look at Danny trying desperately to hold in his laugh had ruined all of Duke’s efforts as well. Barely managing to get their cookies in the oven, over Chef’s fake german accent and floppy oversized chef’s hat. 

“So scholarship for applied physics and engineering design, huh.” Duke recounted from earlier, impressed. 

“Yeah…” Danny trailed off embarrassed, “It sounds kinda snotty.” 

“Dude. That’s literally one of the hardest departments to get into, and the scholarship is no sneeze either. There’s no doubt you worked your butt off to get that.” Duke assured Danny as they sat in their stools waiting for the cookies to finish. 

“Thanks,” Danny smiled sheepishly. They sat in a much more comfortable silence now before Danny spoke again, “What grade are you in by the way?” 

“I’m in 10th. General studies for now, but I was thinking of doing medicine. You?” 

“I could totally see you as a hot-shot doctor.” Danny nodded approvingly, “11th. Technically, I’m your upperclassman then.” 

“Technically?” Duke asked.

“I mean, how old are you?” 

“15.” Duke supplied confused. 

“Me too. I skipped a grade in elementary school, so we’re actually the same age.” Danny explained, sheepishly. 

“Dude, you're actually way smart.” Duke gaped in awe. 

“Hey medicine isn’t a day walk either.” Danny nudged his arm playfully, “I’m glad the mentorship thing is just for show, though. Now that we’re upperclassmen, y’know. I would not want my hands full with some random rich kid.” 

Duke laughed, “Yeah, that definitely sounds like a lot of work.” 

Easily unfolding the conversation into various topics and interests Duke found that he didn’t mind that the cookies were burnt. Or that Danny was definitely weird. But in a good way. Duke was glad they met and would get to hang out and cook with their weird not-German Chef every week. And if Danny and Duke exchanged numbers and planned to hangout outside of club activities, then well who was going to stop them.

[lintwriting]

I'm making this post to compile the Weibo allegations against Jullian Champenois, the voice actor for Kim Kitsuragi, since I found navigating the screenshots to be a bit confusing. I've translated some of them to the best of my ability and would definitely be open to others reviewing these translations for errors, as I am Chinese American and therefore could be missing some cultural context. I've linked to Chinese definition websites to explain some of the translation choices that are more inferences.

The rest of the translations are from 阿阮 @woon__ton on twitter, who has been in contact with the original Weibo poster to ask for permission for their translated reposts, as well as permission for my repost here.

Outline of the Weibo Post

The allegations originated from a post on Weibo by a Chinese artist. The body of the post contains a summary of their experience, and attached are:

Screenshots of their personal Instagram DMs with Jullian

A screenshot of an older post where they express feeling weary about Jullian's DMs

Screenshot of vent messages demonstrating how this experience has affected their work.

After posting, other commenters chimed in with similar experiences, and this caused the original poster to update the original post.

They first updated it with a screenshot showing them blocking Jullian Champenois

Next, a testimony from a commenter

A second testimony from another commenter

Screenshots of DMs from that second commenter

*Update: Additional testimony from the original poster

The Body of the Original Weibo Post

Below will be screenshots of the body of the original Weibo post, with translations from @woon__ton on twitter.

(via 阿阮 @woon__ton on twitter)

This text was later edited to update about the additional testimonies and to add greater context. The added context explains how the Weibo poster could tell that Jullian Champenois's DMs were targeted, unprofessional, and sexual in nature, as the poster had gone through a similar situation before with another creator. The updated context is translated below.

* I realized something was wrong so quickly because I had a similar experience at the end of 2019. Scott lobdell, a DC comic writer and screenwriter of Happy Death Day, came back to like my drawings and privately messaged me after I followed him on Instagram. His account at that time was nuked (chinese internet slang for when accounts get banned or suddenly have all their content taken down) [so I can't access the logs anymore], so I don’t remember the content of the chat, but for specific news discussions, you can google the keyword “Scott Lobdell sex harrasment”. This situation is very common in the industry. They deliberately prey on people from their fan lists.

For context, Scott Lobdell, from what I can tell, would hit on young female artists working at the same cons as him, both in person and in text messages, with implications of him holding his position in the industry over them.

Although the Weibo poster can no longer access the log of Scott's harassment of them because his account got banned/deleted (at least, I think that's what the usage of 'nuke' is saying, they could also be saying that their own account got nuked), they note how their chat with Jullian Champenois was reminiscent of the same conversation they had with Scott Lobdell—a man known and 'retired' for his harassment of young female artists.

Lobdell's harassment is a good example for context due to how he demonstrates the inappropriateness of 'flirting' and hitting on young female artists in professional contexts.

1. Screenshots of their personal DMs with Jullian Champenois

Below are the screenshots of the Instagram DMs the Weibo Poster had with Julllian Champenois. Note the profile picture, as his profile picture will look the same across other screenshots with him in it.

Also note the way the conversation starts out polite, focused on both of their respective arts. Then he shifts the conversation to sexual topics, first by mentioning his explicit song, then by suddenly bringing up an explicit art account, @ken_chk, they were both following. The Weibo poster steers the conversation away from these topics.

They also mention this in the comments, but they find the fact that he asked their age, ethnicity, and sexuality afterwards to also be suspicious/sexual in nature. The sentiment being "Why would the artist's age matter?" or "Why would you fixate on me potentially being 17 years old when I've mentioned college graduation finals?" or "Why would you ask that if not for sexual reasons?"

@woon__ton on twitter notes that he is seemingly consistently looking for college aged girls, and other commenters/victims got the sense that the strange insistent questions about nationality were related to "yellow fever."

2. Weibo Screenshot of an older post where they express feeling weary about Jullian's Dms

The next attached photo was a screenshot of a Weibo post the Weibo poster had made in 2023. I'm assuming that in this screenshot that they're talking about Jullian Champenois, since this whole post is about him.

First I'll be transcribing the translation. Then I'll be clarifying the idioms/translation choices with asterisks, before giving an overall summary of the screenshot.

Feel free to skip to the 2. Summary section, as the translation clarification section is a little long.

“It reminds me a bit of my PTSD, the last time I was praised in private [instagram] DMs it was the Scott Lobdell [situation] where [he] later disappeared from the internet for some reason[.] I don't remember the reasoning, but at the time I had suddenly felt that he was kind of creepy so I indirectly lost my interest on Jason Todd(桶 is the Chinese nickname of Todd/Red Hood, Lobdell was the writer of n52 Redhood comic). It was not a good experience haha..." * "I feel that there is a cultural difference where Chinese people may take getting sent private messages out of nowhere a bit harder. It may also be a me problem. Maybe I am a Sakura girl at heart (internet slang, sakura is the culture symbol of Japan so it’s the nickname of Japanese girl, they tend to be a little bit more shy and social in a more careful and polite way to avoid offending anyone, no negative meaning behind this). uneasy desu ('I am anxious' but using the word desu to stand in for "I am")" "I don't remember the timeline, but it seemed like someone in the industry accused him of sexually harassing young female artists." “As a result, even when I am excited, I am still very wary of people because I have become disillusioned."

*UPDATE: I have updated this post''s translation with clarification from the Weibo poster.

I translated a phrase as "pulled up carrot," but it was actually the transliteration of Scott Lobdell's name into Chinese. I translated a phrase as "climbing the wall" "bucket," but it was actually the Chinese fandom term for 'no longer liking' and the Chinese name for Jason Todd.

In addition, I translated Sakura Girl as (slang based on Japanese animation, meaning a delicately stupid young girl) but the poster has clarified that Sakura girl is not supposed to have a deprecating connotation. The focus is on shyness or politeness, not stupidity!

I will keep my first translations in the next few paragraphs in to maintain transparency and to keep some necessary information, but they are no longer accurate. The paragraphs in brackets can be skipped over.

[[[[[The full idiom goes "the pulled up carrot also pulls up mud," or the idea that investigating a criminal who was arrested first can lead to the exposure of other criminals. The same way pulling a carrot out will pull loose some dirt, exposing one person may also dig up dirt on their associates.

With the mention of "later disappeared from the internet," I think the Weibo poster was referencing Scott Lobdell, whose account was nuked and who also had privately DM'd them with praise/sexual advances. The implication could be that the last time they got DM'd like this, it was in a creepy way and they were too afraid to speak out for fear of getting attacked/exposed themselves. Or that he disappeared to avoid getting exposed. This paragraph is a little unclear.

The 'pulled up carrot' situation might also have something to do with the explicit artist, ken_chk, mentioned in the DMs with Jullian. The weibo poster clarifies in a later edit that they didn't censor @ken_chk's handle in the screenshots because ken_chk was also embroiled in a sexual scandal involving targeting his fans.

"*About why I didn't delete the artist Ken mention in the chat history—because he was the reason why I raised the alarm. One of the reasons is that I read something about his character on Weibo about a few months ago. I just forgot to unfollow him on Instagram. I can’t find any evidence about what he did, but the Internet has testimonies, so I won't write it off." "* Regarding the artist Ken, the matter has been issued with the consent of the person involved. According to the person involved, Ken will also select fans to target. Please see the person’s experience for details"

So another implication could be that Jullian bringing up such a shady person in the DMs unprompted demonstrates his shady associations. Jullian is the 'carrot pulling up the mud' by doing so.

For context, the poster had felt the need to disavow ken_chk by clarifying that they had only been still following ken_chk by accident. Jullian still following him and even bringing him up unprompted could be a bad look in light of the similar allegations of misconduct surrounding both him and ken_chk.

I am unsure though, as I am not very familiar with this idiom, nor am I familiar with the allegations against ken_chk listed here. I could be totally misinterpreting this line of the post and the ken_chk edit, as I've had to infer some pronouns and commas that weren't originally there due to the nature of Chinese grammar.

'Climbing the wall,' in addition to cheating, can seem to mean getting over obstacles in various contexts, like getting over the firewall to pirate stuff. However, I've translated it as 'cheating' as there's the word "bucket" that follows it. Bucket is also a word for 'trash,' so it'd make sense to translate it as 'cheating trash.'

Later another victim who responded in the comments accounted that by sexually harassing them, Jullian Champenois was also potentially cheating on his girlfriend that they knew he had at the time, lending more credence to the idea that wall climbing comment is about Jullian, though I am still unsure.]]]]]

2. Summary Section

I think this post was first made right after Jullian first messaged the Weibo poster with the innocent messages about their art back in October 2023, months before the more recent sexual DMs from him on March 30th, 2024.

Despite the polite nature of these October DMs, the Weibo poster was weary of Jullian's DMs in this first 2023 post, mentioning how in the past they had gotten similar DMs from Scott Lobdell, only for those complimentary DMs to later be revealed as openings for sexual advances. Their 'PTSD,' as they put it.

In addition, they note a potential cultural difference between Chinese netizens and Western/English-speaking ones. It might be a bigger deal in China to get send someone DMs. Maybe it's more intimate/intimidating/professional, in contrast to it potentially being more casual in the West.

With the summary out of the way, I do want to say that some Western netizens have responded to the later DMs with the sentiment of "these are not examples of harassment, just flirting in bad taste," but this could be related to the cultural mismatch the poster mentioned here.

Getting flirted with in the DMs is very normal to a lot of people in the West, as 'sliding into their DMs' is synonymous with flirting, but perhaps in China, either this is not the norm or Jullian's type of flirting is not the norm, especially within the context of a professional art account.

If you find yourself thinking the same way as those western netizens, I'd ask you to reframe Jullian's DMs less as a casual instagram DM, and more like a work slack or LinkedIn message from a colleague/client, as the DMs we have been/will be talking about are in the context of their own work or hiring him for work. This should help you get a better sense of why the victims felt uncomfortable.

3. Screenshot of Weibo poster's vent messages demonstrating how this has affected their work

The next attached photo was a screenshot of vent texts. I'm not sure the context of the texts, but the content is definitely about their regrets with Jullian Champenois.

Why shouldn't I just be frank and rant a little? I want to be so woke (as in another way to say clear-headed, not related to American progressive slang) that you'll see me awake, anaesthesia-free on the operating table when they cut me open[.] Do you get me[?] Well Any way you look at it, I'm miserable On top of all this, I've got a big graduation project that's in comic form. That comic was adapting the poem that is currently acting as my temporary nicotine replacement for my disco elysium withdrawals*** So I would listen to [Jullian Champenois's] songs at the time God, it hurts so much Luckily, my nicotine replacement was for another character (they're probably saying that the poem reminded them of another disco elysium character, not Kim Kitsuragi, hence their relief) For a moment there, I was thinking of to talking to him about my graduation project and about disco elysium.

*** So I'm making the assumption that the original poster is talking about a graduation project that they're working on. Since they're an artist, it's a comic that they're making. They then say something about an original poem. They use the word that means "original" in the context of adaptation, like the original book a movie is based off of. So the full phrase is 'the comic's original poem,' which I'm taking to mean that they're adapting a poem into comic form.

This is relevant because I think they're trying to say that the poem is currently the thing they're obsessing over while waiting for more Disco Elysium content. They use the term "meal replacement," which seems to be a Chinese fandom term referring to the content people look at during a fandom drought—like people hitting the end of all the Disco Elysium content out there and deciding to check out Pathologic, since they've heard that game scratches the same itch.

So I think this screenshot is supposed to be them venting their feelings about how this situation with Jullian made them feel. They want to be clear-headed about his actions, even if it makes them feel miserable. And they note how his actions have tainted their experience working on a Disco Elysium-inspired comic.

1. Screenshot of the Weibo Poster Blocking Jullian Champenois

After talking with other commenters, the Weibo poster posted their closing remarks with Jullian Champenois, especially noting how he used their work and their interest in his work as a pretense for flirting with them instead of genuine artistic interest.

2. Next, testimony from a commenter

(translation via 阿阮 @woon__ton on twitter)

阿阮 @woon__ton also notes that "If anyone questions why I didn't release the screenshots, it's because this fan suffered severe trauma and was unable to provide the original chat log."

3. A second testimony from another commenter

Hello blogger, I also suffered sexual harassment from Jullian at the end of last year. Because my friends know that I like Disco Elysium very much, [they] said [they] could give me an autograph. I was very excited and happy at the time. A few days later, Jullian himself said that he could add me on WeChat, so I could directly tell him what I wanted him to sign. I was so happy and felt very lucky. After that, he was always very polite and took the initiative to chat with me, but within a few days he started to sexually harass me. I can't find the chat records from that time, only one or two that were sent to friends. I was very disillusioned at the time…so I blocked him, but he added me on New Year's Day. After I saw your Weibo, I remembered this incident again. He was really disgusting… I loved Disco Elysium so much, but he ruined it all. Okay, I hope you can share this. He is a habitual criminal and has yellow fever, and likes to chat up Chinese girls. At the same time last year, I searched for his name on Weibo and found that many people who followed him on Instagram were greeted by him. Everyone thought he was very nice, but that‘s not the case. When I first added him, I didn't expect him to talk to me a lot. Because it was such a surprise, I expressed a lot of my love for Disco Elysium and Kim. He asked me if I knew about Kim's sexuality. When I told him that I knew, he emphasized that he was a straight man, and then asked a lot about exchanging private information. After he sexually harassed me, I couldn't even tell him off for it because my friend was_____, I was waiting until he left _____ before I could block him. After I rejected him, he was still interested in striking up another conversation. I said that I knew he had a girlfriend, and it was very strange to do this. He said that his girlfriend didn't care and knew that he was doing it, which 'was its own kind of fun.' Made me feel very sick.

4. DM Screenshots from the Second Commenter

This commenter then submitted DMs that Jullian had sent them. The original poster has shared them, noting that the profile pic is clearly Jullian's.

This commenter also commented that the friends they had mentioned also had similar experiences with Jullian Champenois, which could push the number of victims to 4+.

I'd also like to share a comment on the original Weibo post from this same commenter:

"This incident did not affect my playing of Disco Elysium (the voice will be turned off hhh), but I really felt a huge spiritual pain, like my faith was completely shattered, like the statue of the Innocence in the church turned into a smelly rotten rag."

Additions

In addition, there is a testimony from a third person not attached on the post, which @woon__ton posted on twitter. It can be found here, and it outlines how an anonymous user paid Jullian in a professional context to voice for a product for her, only for him to make an unprofessional advance on her. Although the harassment is not directly shown in the WeChat screenshot, his apology for his inappropriate behavior is shown.

This testifier would like to remain anonymous.

*5 Update: Additional Testimony from the original poster on Weibo

The original poster is emphasizing the predatory nature of Jullian's DMs, differentiating them from the "just awkward flirting" narrative that some Western/English speaking people have had in response to these allegations.

First of all, his "yellow fever" aspect of specifically asking about Chinese girls, who are often fetishized to be more shy/submissive/less likely to talk. But in this case, it's also him specifically being inappropriate with people for whom there is a language/cultural barrier, making it harder for them to speak out—either due to a literal language barrier between them and his Western audience, or the plausible deniability of all this being a 'cultural misunderstanding' (which is very unlikely, since Jullian has apparently lived in China and therefore is very aware of the norms there).

Second of all, his usage of a professional/work account to make sexual advances. Again, comparisons to the Scott Lobdell situation should be made, as they highlight why it's sleazy to use their work as an excuse/opening to make sexual advances on someone. Not only does it cross boundaries, but it's also not treating the artist with the respect they deserve as someone just trying to work.

Closing

The Weibo poster would prefer if people not follow them on Weibo over this situation, as they posted the situation on their work/professional art account, and it is painful for them to see too many notifications about this.

They also note that they still love Disco Elysium and Kim Kitsuragi and that the allegations against Jullian Champenois should not reflect on the dev team of Disco Elysium, as there were also women working on the team, etc.

With this post, I've tried my best to accurately convey the sentiments of the original poster of the Weibo without commenting on the proof or the legality or what the ramifications should be or how we should interpret this, etc (beyond a quick mention of a potential cultural clash). I'll update the post with better translations if something comes up or if anybody mentions any suggestions/clarifications.

[youngbounty]

I’ve heard some criticisms of when this could’ve taken place and Damian having forgotten his pets. Something to understand is that the comic itself isn’t entirely blaming Damian. The narration is clearly speaking about the Bat Family as a whole. In the line, “They mean well, but their lives are complex,” it is talking about the Bat Family. Damian just happens to be the only one taking responsibility when his dad and family should’ve taken equally responsibility for letting Damian down.

It’s also clear this is an apology to the fans. When a comic apologizes to its fans for anything, it recognizes where the story went wrong. It only fails when it never did. So, let’s first ask the question: did any of the recent comics neglect to mention all the pets seen here? Yes. Even with their appearances lately, it’s often been Goliath during two separate occasions by Joshua Williamson.

The second thing to recognize is how these pets get into this situation. According to the comic, they were taken to a farm on the outskirts of Gotham. It clarifies that “Our people in Gotham rarely had time for us.” Again, the Bat Family (not Damian specifically), didn’t have time for them.

Next, it says that those at the farm spoke about scientific value before sending these pets to a bio-tech company. The people at the farm were likely those The Bat Family thought could be trusted. If we go by past continuity, we can likely assume the Bat Family that put the pets on that farm was likely Bruce or Dick. This is because during the events of Gotham War and Zurr Failsafe, the Vandal Savage buys off the Bat Cave and nothing is ever said about the pets. Even Batman leaves Jason alone after lobotomizing him.

Claiming this story is placing full blame on Damian is completely unfair and ignores any subtlety. It also ignores the terrible storylines that would have placed Damian in this situation. Damian would not have been able to care for his pets properly. The Bat Cave wasn’t there, he was being thrown between his father and brothers, his father was being possessed by Zurr-En-Arrh, Failsafe was making a mess of things and Damian had to depend on his family to do what he couldn’t at the moment. Is it fair to call it negligence just because that’s from his pets’ perspective or because Damian is the only one taking responsibility.

This storyline is creating a parallel to what happened with the pets and what’s been going on in DC. The name of the Bio-Tech, Morrison Bio-Tech, gives us a much deeper meaning to this apology. Just as the Bat Family have complex lives, so do the writers and artists at DC. We don’t know what goes on in DC and it’s easy to place the blame of bad writing to one writer instead of recognizing the whole DC company. If Damian represents the writer/artist and the people at the farm that sold his pets as DC heads, then this demonstrates that negligence over the DC story and characters aren’t often on the writers/artists alone.

I enjoyed this storyline personally. The only criticisms I’ve heard are the ones I’ve explained. Thankfully, it’s from a small minority, but still nitpicky to me.

[graysoncritic]

A (Negative) Review of Tom Taylor's Nightwing Run - What Went Wrong? Dick's Characterization

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

In the previous section, we explored not only who Dick Grayson is and why he is so beloved by his friends, but why many people — including Taylor and others at DC — have a hard time  understanding his character. By reducing Dick to a hero who is “good” and transforming into an “everyman” that anyone can project themselves onto, Taylor fundamentally removes that which makes Dick special, transforming him into a different character.

But there are other ways in which Taylor and DC mischaracterize Dick by erasing his history and transforming into a more “palatable” mainstream hero. That is what I wish to explore in more detail now. 

Let’s begin by examining how Taylor’s framing Dick’s story in Nightwing (and that of the Titans in Titans) as a coming-of-age tale contributes to a grand erasure of Dick Grayson’s greatness.

In Taylor’s run, Dick is treated as if he were a new superhero. However, even if this run (not the entire title that started in 2016 with Rebirth, but just Taylor’s run) were to become a new stand-in for the 1996 Nightwing solo in which Dick arrives in Bludhaven for the very first time, Dick Grayson should not be portrayed as someone new to vigilantism. Even if one were to generously interpret Taylor’s Dick as being only twenty-two years old after starting as Robin at twelve years of age and only recently having become Nightwing, Dick would still have a decade of experience doing detective and hero work. It is notable that most of that decade was spent with him leading the Titans, serving as Batman’s partner and second-in-command, and mentoring numerous young heroes.

(Wolfram, Amy, writer. Kerschl, Karl, illustrator. In the Beginning… Part Three. Teen Titans: Year One no. 03, e-book ed. DC Comics, 2008. pp. 09)

One of Dick’s core traits is that he is a natural, if at times reluctant, leader. Many key moments in his character history are defined by Dick feeling the weight of the responsibilities placed upon him and having to push through his personal reservations for the sake of others. 

Dick was the first child hero. He was the first sidekick. Out of universe and in universe. (In the introduction to  Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman, Kristen L. Geaman mentions that some argue Mister America from Action Comics #2 is, in fact, the first side-kick. However, this claim is debated since Mister America played more of a comedic and “Watsonian” role [as Dick Grayson Fan C suggested], and Dick was the one who popularized the formula of the role.) He was the proof that the concept of a sidekick — a partner — could work. Proof that kids could be trained into this life. Proof that they did not need powers in order to be a hero. That is one of the reasons why, in-universe, he is admired by so many characters – because he is the trailblazer who opened the doors for every young hero and side-kick that came after him. Dick’s history is also why he has so many connections — it is because he was the one who opened the doors for everyone else, mentored so many people, and partnered with those who were his age and those who were much older that he gained so much respect in the superhero community. 

And yet, that history is called into question in Taylor’s narrative when he frames Dick as a young, new hero who is just beginning to assess what he wants to do with his life. Not only is it bad storytelling to portray Dick’s connections without factoring in the experience tied into them, it also demonstrates a fundamental lack of understanding of who Dick is, what he represents, and why he’s been so beloved for over 80 years.

This lack of appreciation and of respect towards Dick is extended to the other Titans in Taylor’s Titans (2023) run. As he himself pointed out, the first arc is called Out of the Shadows because, in his words, the Titans are “stepping out of the shadows of the Justice League.”

(Taylor, Tom [TomTaylorMade]. Twitter, 22 June 2023, https://twitter.com/jesswchen/status/1636971185782259716?s=20.)

And yet, to its fans, the Titans were never in the Justice League’s shadows. They were not inferior or subordinate to the Justice League, even if they may be less known. In-universe, the Titans may have modeled themselves after the Justice League and they may be allies, but the Titans are still an independent entity. From their very inception they defined themselves in contrast with how the Justice League operates. 

In fact, in JLA/Titans #02, Dick himself draws this distinction when arguing with Bruce and calling him out on his condescending behavior towards the Titans.

(Grayson, Devin; Jimenez, Phil, writers. Jimenez, Phil; Brown, Eliot R., illustrator. The Generation Gap. JLA/Titans no. 02, e-book ed. DC Comics, 1998. pp. 23)

Trying to repackage Dick and the Titans as newbie heroes who are only now experiencing independence demonstrates a lack of understanding of their history and who the Titans are meant to be. The Dark Crisis and The Dawn of the DCU attempt to frame Dick’s Nightwing series and Titans as coming-of-age tales, where only now the characters are stepping into adulthood. Taylor’s writing goes a step further and portrays them as making rookie mistakes, coming across as newbies, and as a result, erasing all of the rich history that have built these characters into who they are today.

As I mentioned above, even if we generously interpreted that Dick never lived in Bludhaven before, Dick should still have plenty of experience being a hero and living on his own. The moment in which he transitions from Robin to Nightwing (willingly or unwillingly depending on your preferred Nightwing origin story) is Dick’s coming-of-age moment. By the time he comes to Bludhaven, Dick already knows who he is, what he wants, and he knows how to care for himself. By the time Dick comes to Bludhaven, his internal struggles are not that of a young adult who just left the nest and does not yet feel like an adult, but rather that of an adult who knows his own abilities and is confident in who he is. 

And yet, in Nightwing #84, the first issue in Nightwing: Fear State, Taylor has Dick pondering on the responsibilities of taking care of Bludhaven. Right on the first page, he says “Fighting an entire corrupt system? Saving a whole city? There’s no training for that.” 

(Taylor, Tom, writer. Rodriguez, Robbi, illustrator.  Fear State Part 1 of 3. Nightwing: Rebirth. 84, e-book ed. DC Comics, 2021. pp 03)

Except even the most basic knowledge of Dick’s character shows that he was, in fact, trained to save an entire system and to fight a corrupt system — he was trained to care for Gotham and to take out the corrupt systems that prevail in that city. Not only that, Dick has also been Batman, at which point he was also Gotham’s main protector. 

This mistake becomes even more outrageous when one considers that, though Taylor’s run is at times treated as a soft-reboot, Dick is still shown to have lived in Bludhaven while operating as Nightwing. This means that that generous interpretation I’ve been alluding to is not, in fact, compatible with the story as it is written. It is a falsehood, and therefore cannot be used to excuse the “new-in-town” approach Taylor uses when writing Dick. 

Dick’s apparent inexperience and, frankly, incompetence, is further highlighted by the amount of times Dick is saved by others, or the amount of times when he is dependent on others to do the work for him. These instances include, but are not limited to:

The people of Bludhaven answering Nightwing’s call when Heartless sets the tent city on fire in #81

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 13)

Dick being knocked out with a single blow and then unmasked during his first attempt to investigate Melinda also in issues #81

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 20 - 21)

Babs calling people to Dick’s rescue rather than trusting he could get out of it on his own in #82.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Leaping into the Light Part 5. Nightwing: Rebirth. 82, e-book ed. DC Comics, 2021. pp 03)

(Taylor, Tom, writer. Redondo, Bruno, illustrator. The Battle for Bludhaven’s Heart Part Four. Nightwing: Rebirth. 95, e-book ed. DC Comics, 2022. pp 24 - 25)

In #90, when his building blew up and Wally came to save him, then proceeded to force him to rest away from Bludhaven instead of letting him take action.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Get Grayson Act Three. Nightwing: Rebirth. 90, e-book ed. DC Comics, 2022. pp 15)

And needing Babs’ help during a car chase in #106,

(Taylor, Tom, writer. Byrne, Stephen. The Crew of the Crossed Part One. Nightwing: Rebirth. 106, e-book ed. DC Comics, 2023. pp 16)

Which greatly contrasts how, in #113 of the Nightwing (1996), Dick handles a similar situation while simultaneously mentoring Rose Wilson.

(Grayson, Devin, writer. Chian, Cliff, illustrator The Scorpion and the Frog. Nightwing no 113, e-book ed. DC Comics, 2005. pp. 19)

The thesis of Taylor’s run is that people need to rely on one another — we have to be each other’s safety net. And while that is an interesting theme to explore and one that certainly speaks to Dick’s history of doing things on his own out of fear of putting others in danger, Dick should still, more times than not, be able to do things by himself. After all, this is not an ensemble piece — this is Nightwing’s story and as his fans, we want to read about him. Cameos are fine. They can be fun, in fact. But cameos are different from Dick constantly struggling and needing help whenever he faces a challenge – the former portrays Dick as someone with powerful connections that deeply love him; the latter portrays Dick as being incapable of doing things without someone holding his hand.

This is another thing that Waid understands about Dick and portrays it clearly in World’s Finest. When Kara explains to Clark what first attracted her to Dick, she emphasizes how, despite the fact he had no powers, he could still save himself. 

(Waid, Mark, writer. Lupacchino, Emanuela, illustrator. Scream of the Chaos Monkey. Batman/Superman: World’s Finest no. 12, e-book ed. DC Comics, 2023. pp. 06 - 07)

Being not just competent, but exceeding even the highest expectations is at the core of Dick’s character. And, as was pointed out in the previous section, it also serves to feed into his toxic perfectionism — he is one of the top tier heroes, therefore people expect excellence from him. Dick does not want to fail those who put their trust in him, and so he demands perfection of himself to the point of self-destruction.

Beyond that, we cannot give Taylor credit for trying to tell a story about Dick growing out of his perfectionist bad habits by learning to rely on others. After all, if Dick is constantly asking for help, then he is not resisting help. And that removes his chance for growth. A character arc requires development and change, which means one cannot start at the endpoint. Therefore, it cannot be claimed that Taylor’s intentions are for Dick to learn to rely on others, for he has been doing so without hesitation since the beginning. 

As a result, the story is not about Dick being Bludhaven’s safety net while learning that he also has a safety net of his own, but rather about Dick always relying on his safety net, always knowing it was there, and having them also shoulder the responsibilities he took when he named himself Bludhaven’s protector. There is no room for Dick to grow because he is already at the end of his journey. And there is no room for Dick to be the hero of his story because others are constantly coming to his rescue when things get too difficult.

Once more, I must clarify that I’m not saying that Dick is not loved, or that Dick is not important to many people. I’m simply stating that the way his relationships are built gives him very little room to rely on them. He is their safety net but he doesn’t trust them to be his safety net. Exploring this requires going into the nuances of each relationship, where conflicts are created, and where people hurt the other in the heat of an argument. It would mean dealing with the messiness of complex human emotions, forcing characters and the audience to sit with uncomfortable feelings as we get to the root of Dick’s perfectionism and his fears.  

In June of 2022 a reader on Twitter asked Taylor about his decision to have Dick constantly falling, for, as they pointed out, this makes Dick look incompetent.

(Jonathan [@Nightwingdagoat]. Twitter, 21 June 2022, https://twitter.com/Nightwingdagoat/status/1539267708310765568)

Taylor responded by saying that these instances were Redondo’s call, and that it was their attempt to humanize Dick.

(Tom Taylor [@TomTaylorMade]. Twitter, 21 June 2022, https://twitter.com/Nightwingdagoat/status/1539267708310765568)

In fairness to Taylor, the following criticism will then be directed primarily at Redondo who believed these instances were the best way to “remind people that Nightwing is human.” That being said, as Taylor appears to support such a position, and as he has written numerous incidents where Dick is conveniently knocked over by others, I do believe this can be directed at him as well. 

Simply put, to have a character constantly fall is a superficial and lazy way to humanize said character. Casual falls like this, after all, are not failures. They contribute little to the story and have very little consequence.  

Nothing happens once Dick falls. The bad guy doesn’t get away, the innocent civilian is not hurt, the crucial piece of evidence needed to crack the case is not destroyed. There are no lasting consequences for Dick to deal with, no conflict that can arise from these falls, no tension to make Dick’s future success more emotionally effective. Furthermore, these falls are completely out of Dick’s control, taking away any responsibility he might have for his mistakes. 

If the flaws that are meant to “humanize” Dick are falls which he bears no agency over, then he, the good guy, has no responsibility over his own “failures.” Said “failures” also end up having no consequences to the plot, which gives Dick no crisis to respond to (furthering his passivity), and this robs Dick of character development opportunities. 

It creates a stasis in the story where the only conflicts Dick faces are the ones against really bad guys that always – always – lose to Dick and his connections, and ones which do not ask for moments of introspection.

Despite almost never falling in The Untouchable, Dick is far more human there than in Taylor’s and Redondo’s run. This is because Dick is forced to face the consequences of his “failure” to capture the Judge twice in the past. Dick is constantly thinking about the Judge’s victims, forcing himself to carry their lives on his shoulder. He pushes himself to toxic lengths. Whenever the Judge escapes his grasp, the conflict evolves, the stakes are raised, and the tension builds. Dick’s desperation becomes visceral to the reader, and that is what humanizes him to the reader. Similarly, the emotional pay-off of the climactic battle in the end grows with each obstacle Dick faces.

(Humphries, Sam, writer. Chang, Bernard, illustrator The Untouchable: Chapter Four: Infiltration. Nightwing: Rebirth no. 38, e-book ed. DC Comics, 2018. pp. 09)

But Dick’s newbie incompetence is not the only way Taylor mischaracterizes Dick. It is by combining the lighthearted tone of his story, his depiction of Dick as a blank canvas “good guy,” his avoidance of conflict, and his attempts at answering difficult real-world problems that Taylor ends up creating a version of Dick Grayson that is utterly self-absorbed and lacking in foresight.

Telling and not showing is an immense problem in Taylor’s writing. There’s a difference between how a writer attempts to portray a character and how, given their actions in the context of the narrative created, the story shows them to be the complete opposite. In such cases, the story triumphs over the writer. This is why I claim that, though Taylor tells the reader that Dick is caring, intelligent, and a hard worker, he actually shows Dick as as selfish, incompetent, and naive.  

Take, as an example, how Taylor sidelines the Heartless storyline in favor of slice-of-life scenes. If Heartless was not there, perhaps those sweet moments could be just that. However, as in the world of the story there is currently a serial killed running around free, making orphans out of the youth Dick vowed to protect, the fact that Dick is not constantly working to catch Heartless is not only out of character, it makes it so it seems he doesn't care what happens to the people of Bludhaven (And now also Gotham, given #111, which was released as this essay was being edited). Rather than stopping crime and bringing justice to Heartless’ victims, Dick would rather spend his nights in his apartment, enjoying a relaxing evening with his girlfriend and his dog. 

Please do not take this to mean that I consider a slice-of-life story to be inferior to other genres. My reason for highlighting this is not to undermine the value of slice-of-life, but rather to argue that such scenes do not live in isolation. They exist within the context of a larger narrative, and what would be sweet in a sitcom-style story comes across as something entirely different when other characters are facing life-and-death stakes. It does not matter how much the writer tells us that these characters are caring and compassionate — their lack of action and urgency portrays them as self-centered. 

Just as Taylor attempts to write the big climatic moments without properly building the momentum necessary to make them impactful, he similarly forgoes the work required to win the reader’s trust, and instead expects his audience to simply accept that important plot and character developments are happening off-screen. Rather than letting the audience experience the intrigue and devastation of the Heartless mystery by showing us how the horrors of these murders motivate Dick to continuously search for this cruel killer, Taylor instead advances these elements off-screen, opting instead to tell the reader they’ve occurred.

That is not to say that writers cannot streamline plots. They absolutely can and, in some cases, they absolutely should. However, streamlining a subplot is a far more complicated matter than just telling the reader said events happened off-screen and expecting them to simply accept it. 

While it is impossible to provide a precise checklist with the step-by-step guidelines on how to properly streamline a subplot, I believe one of the factors one must consider is whether that plot should be streamlined or not. Personally, I believe that Dick investigating the character who was meant to be this run’s main villain is too big and too important of a story to be played off offscreen.

Dick has hardly spent any time attempting to apprehend Heartless. Instead, as time of writing, his investigation of Heartless has practically nonexistent. Instead, after not focusing on him for the majority of the run, we are simply told by Dick and Babs that they’ve been keeping an eye on Heartless, even if their investigation is never shown to us. 

(Taylor, Tom, writer. Basri, Sami Nightwing. Nightwing: Rebirth. 111, e-book ed. DC Comics, 2023. pp 09)

If we, as readers, are to believe that Dick is the selfless detective and hero — the Heart of the DCU — that Taylor tell us he is, then finding and apprehending Heartless should be one of his top priorities. If Heartless was meant to be Nightwing’s big nemesis, then their confrontation should always be a source of great tension and conflict. Such importance would be demonstrated by showing Dick working towards stopping him at every moment he has free. But either those moments are not happening at all, or they are happening off-screen.

Having such an important conflict and such a crucial antagonistic dynamic develop does nothing to enrich the plot — in fact, it only detracts from them, for because we do not get to witness this relationship grow and we are only told that it is happening, the pay off that must come when Nightwing and Heartless finally have a big confrontation will be cheapened as a result. 

Heartless' actions are so brutal and create such urgency that not prioritizing Heartless' arrest makes it seem like Dick doesn't care about his victims. Batman doesn't wait around when the Joker breaks out of Arkham – he hunts the Joker down. Similarly, Dick didn't wait around on the Judge – he hunted him down. 

For Heartless to be the Big Bad, Dick should have put him in jail already and Heartless should have escaped. DIck should have faced him multiple times. He should have been Dick's priority because of how cruel and urgent his actions are.

Finally, there are three particular moments that I wish to discuss to illustrate how ambivalent Taylor is when it comes to Dick’s characterization, choosing to prioritize online discourse over who Dick Grayson’s established history and personality. 

The first one comes from a throwaway line. And yet, because this was a throwaway line that demonstrated how little thought Taylor gives to his main character. 

When Tim makes his first appearance in Taylor’s run in #80, Dick’s narration says that many would consider Tim to be the best Robin, and that he “totally gets it.”

(Taylor, Tom, writer. Redondo, Bruno, illustrator.  Leaping into the Light Part Three. Nightwing: Rebirth. 80, e-book ed. DC Comics, 2021. pp 09)

“Who is the best Robin” is a discourse that I, admittedly, care very little for. It serves no purpose other than to get fans to fight one another, bashing each other’s favorite characters in order to prop up their own. When posed on social media, this question becomes a thinly veiled attempt to generate high engagement. In reality, when people discuss “who is the best Robin,” they are, most often than not, truly arguing about who is their favorite Robin. But the question is framed in a way to be purposefully divisive, creating conflict within the fan community. The fact that DC plays into that divisiveness that requires their characters to be brought down so others can be lifted up for marketing material is concerning, but the fact that writers such as Taylor are letting that fan perception bleed into in-universe narration is nothing less than lazy writing that prioritizes online leaning into buzz over good storytelling.  

Naturally, as a Dick Grayson fan my opinion is that Tim is not the best Robin. Dick is. But my problem is not that Taylor said that Tim was the better Robin, but that I think Dick would never concede to the existence of a “best Robin.” In fact, not only do I believe that it is out of character for Dick to believe that one Robin can be defined as the best Robin, I would argue that Dick would be offended that such a question could be asked.

Dick, more than any of the other Robins, understands the purpose of a Robin, as he was the one who created the mantle. By seeing so many others inherit his family’s colors and his mother’s name for him, he also understands better than anyone that each person who becomes Robin has their purpose in their own unique way. Dick would understand how each of them made the Robin mantle unique, how they added to its mythos in their own way, and how all of their contributions are equally valid and equally important. He would never single out one of them as the best because he knows that Robin is about an ideal of justice by bringing light into the darkness. Most importantly, understanding how many Robins tied their self-worth to the mantle, Dick would never want others to feel as if they fell short of some arbitrary measure by proclaiming they are not “the best.” Dick would be against that measure, against the very idea of ranking Robins, as if they were interchangeable, as if they each didn’t make relevant contributions. He would hate the idea of the mantle he created in honor of his parents being used to judge and measure the worth of those he loves. Dick would argue that there can never be a "best Robin" because Robin is always about being your best self in the service of those who need your help, and you can't quantify that.

The concept of a “Best Robin” is a marketing strategy and a fan-oriented discourse that Taylor casually imposed into the narrative without considering whether his protagonist would adhere to such ideas. He prioritized internet discourse over characterization, and while the former may be immediately fulfilling as the page is cropped and shared a few thousand times in the first few days after publication, only the latter will leave an impression that will last decades. Taylor is embodying a current DC Comics trend to favor the former over the latter. As scholar Steve Baxi said in his review of Leaping into the Light, that page “doesn’t feel like Dick Grayson appreciating his brother, it feels like Dick Grayson saying what the audience wants to hear.” (Baxi, Steve, “TRADE COLLECTION REVIEW: Nightwing Vol. 1 - Leaping Into The Light” Comics Bookcase, August 2021)

Although they share similar problems, unlike the “Tim is the best Robin” throwaway narration, the second example I wish to discuss in detail became a big plot point in the beginning of Taylor’s run. I’m referring to the choice of having Dick become a billionaire due to the inheritance Alfred left to him.

To be more clear, my problem is not with the fact that Taylor made Dick into a billionaire (after all, Dick inheriting wealth from his parents is not a novel concept), but rather with Dick’s musings on the subject. (Dick’s financial situation is inconsistent across the years. While some like Dixon and Wolfman allude to him having a trust fund his parents set aside and that remained untouched until Dick’s adulthood, other writers like Humphrey who portray him as more middle class and sometimes struggling financially. Then there are the numerous times in which Dick was left homeless, implying that he did not have a safety fund to go to when tragedy struck.) On #79, Dick says, without a hint of irony, that he always thought that Bruce could do more to help Gotham with Bruce Wayne’s money than he does as Batman. 

(Taylor, Tom. writer, Redondo, Bruno, illustrator Leaping into the Light Part Two. Nightwing: Rebirth. 79, e-book ed. DC Comics, 2021. pp 07)

This is a popular online discourse that reveals lack of knowledge about Batman and a naive understanding of how corrupt systems function. I understand we are currently very critical (and rightly so) of billionaires and the hoarding of wealth. I understand that this leads many — media critics and everyday fans — to analyzing how wealth is portrayed in the stories that resonate within our culture. But anyone who claims that Bruce has not used his wealth for the benefit of Gotham outside of funding his Batman endeavors has not engaged properly with Batman media. I’m not going to go into the merits of how Bruce’s wealth should or should not be portrayed and how DC has currently been handling this issue (that is the subject for an entirely different essay that is not relevant to this discussion), but I will say that Bruce has, canonically, used a lot of his money to fund safety net programs in Gotham, to invest in small businesses and on individuals, and in trying to make the city more affordable and kinder to those with less. 

Twitter user Ashley|TheBatFamily 🦇 (@TheBat_Family) created a comprehensive Twitter thread of examples. These are but some of the ones that stood out to me and that feel most relevant to this essay:

In Cataclysm, Bruce attempted to lobby the US government to offer aid to Gotham after the earthquake; 

Bruce used his money to rebuild the city during No Man’s Land;

Bruce invested in the people who were ready to start new businesses so Gotham could offer jobs to its people and rebuild itself without being fully dependent on others;

Bruce created scholarships so more people could attend university;

Bruce funds Leslie’s free clinic as well as other hospitals around Gotham;

Bruce invested on low-income housing developments in Gotham by working with local firms, providing accommodations to local residents so no one would be displaced;

Bruce expanded and modernized Gotham’s public transportation system;

Bruce ensured all Wayne properties were secured against earthquakes (which led to those residences being the only ones standing during NML);

Bruce funds libraries and museums;

Bruce funds green efforts not just in Gotham, but in other places by buying land and making them nature preserves;

Bruce funds orphanages and provided them resources (from educational supplies to toys for the children);

Bruce provided support for immigrants;

Bruce funds appeals for wrongful convictions;

Bruce provides employment for former convicts;

(Ashley [TheBat_Family]. Twitter, 13 October 2020, https://twitter.com/TheBat_Family/status/1316006509923520512.)

In short, Bruce Wayne has done everything and more that Dick claimed he wished to do for Bludhaven. There’s nothing novel about the idea. Batman narratives don’t put as much focus on these endeavors and do not place as much emphasis on Bruce’s philanthropy simply because they Batman stories are, at their core, detective stories first and foremost. Their focus is on investigation and crime solving (Though I would argue that Cataclysm and No Man’s Land put a lot of focus on issues of wealth, class, and examine Bruce’s financial responsibility towards the city).

But just because these examples are not the focus of the stories in which they are present, it does not mean that they do not exist. Neither does it mean that Batman stories do not engage with themes of wealth and class inequality, as well as systemic corruption. In fact, I would argue that many of the best ones know how to use Bruce’s privileged status to explore these issues. The Court of Owls by Scott Snyder, for example, brilliantly uses the Court and the Talons to engage with these themes. (An essay analyzing the Court of Owls through such a lens would be a fascinating study, especially when exploring the parallels and foils between the Court and the Talons, and Bruce and Dick. Alas, this is not the place for it.)

Dick, who not only has always been characterized as knowing Bruce better than most people,  but who was also raised by Bruce, would know about every single one of the examples listed above. Dick, of all people, had a front row seat to all the ways in which Bruce helped Gotham with his wealth, both in examples that were covered by the press, and the ones Bruce did secretly without taking credit. Dick attended countless fundraising events, press briefs, boardroom meetings. But most importantly, Dick would have witnessed with his very own eyes that lack of funding is not at the root of Gotham’s problems.  The problem in Gotham is not lack of money or safety nets, but rather, it is that its systems are so corrupt that pumping more funds into it will do nothing to help those in need. Instead, it will only further enrich those who are already in power. That’s why in this comic book world with comic book conventions and comic book logic, Batman is needed. Batman is a disruption to the system, forcing it to change, dismantling it from both the outside and the inside. In Dixon and Grayson’s Nightwing runs, Dick’s understanding of systematic problems can be observed in his motivation to become a police officer, as he joins the force with the goal to weed out the corruption and dismantle the system from within. Money alone cannot save a city if the foundation was purposefully designed to favor those on the top by taking from those at the bottom.

(Dixon, Chuck, writer. McCarthy, Trevor, illustrator The Threshold. Nightwing. 60, e-book ed. DC Comics, 2001. pp 22)

But of course, Taylor never takes a moment to wonder how being raised by Bruce Wayne would influence Dick’s perspective on this matter. Instead, he once more takes a popular online discourse and makes Dick say it out without considering characterization. A more in-character and canonically accurate approach to such a story moment would have Dick comment on all the ways Bruce used his money behind the scenes to help Gotham, and how he wishes to do the same for Bludhaven. A single line change would have demonstrated Taylor's willingness to engage with Dick’s character history rather than just copying the hot takes he sees on social media. 

Not only that, this change in dialogue would also establish Bruce and Dick’s closeness as it would show that not only is Bruce a source of inspiration for Dick, but that Dick is one of the few people who have seen this side of Bruce. That would have also made the hug between Bruce and Dick in the #100 more emotionally effective and thematically cohesive, especially as they are in front of Alfred’s grave.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Power Vacuum: Part Four: The Leap. Nightwing: Rebirth. 100, e-book ed. DC Comics, 2023. pp 44)

The truth is that Dick's Haven project engaged with issues homelessness only in the most shallow of manners. Rather than discussing the realities of this matter, it simply used it as a backdrop. It is an appropriation of hardships by someone who is unwilling to engage with the difficulties brought upon by said hardships. It is substance-less writing masquerading as social consciousness.

The third example I wish to cite which demonstrates Taylor’s lack of consideration for Dick’s character or his backstory comes when Haley is taken in #87. Dick’s internal monologue reads that “The last thing I’d want is for anyone to be threatened because they’re close to Dick Grayson,” referring to the fact that he is now a public figure thanks to the press conference he gave about his plans for Bludhaven. 

(Taylor, Tom, writer. Redondo, Bruno, illustrator Get Grayson. Nightwing: Rebirth. 87, e-book ed. DC Comics, 2021. pp 09)

The idea that Dick Grayson, billionaire Bruce Wayne’s first child, was unaware of the dangers faced by those associated with a public figure is laughable. The idea that the first Robin, who was often taken hostage by villains who wished to get to Batman (so much so that Frank Miller famously nicknamed him “Boy Hostage”), did not understand the threat posed to those who are close to powerful figures is insulting. After well over a decade as a superhero, and after well over a decade of being associated with a wealthy public figure, Dick should know better than most how such ties can put loved ones at risk. 

In-universe, this line makes Dick appear so self-centered that he does not take into consideration how his actions affect his loved ones. It makes him appear dense, unable to think through his actions and strategize contingency plans and safety precautions before taking such a giant risk. 

Out of universe, this betrays a lazy way of storytelling, with Taylor going for low-hanging fruits without thinking of how that might affect the characterization of his protagonist. Out of universe, a collection of throwaway, thoughtless lines like this demonstrates just how uninterested Taylor is in giving even the slightest consideration to who Dick Grayson is meant to be, instead putting his focus on the gimmick that will get him noticed on social media.

[blackbatcass]

helloo :D

So, I keep seeing people saying that Jason is Bruce’s favorite child, and the only one that was actually like a son to Bruce. (aside from Damian) Also that just because Dick and Bruce were partners/brothers too, it means that Dick isn’t really like Bruce’s son. How Jason and Bruce are each other’s favorite and Dick wishes he could be Bruce’s son (basically it just gets worse and worse jekskenjske)

AND I DON’T REALLY GET THIS AT ALL.. I COMPLETELY DISAGREED

But then I saw SO MANY posts about this (just getting harsher and harsher LMAO) and I thought I’d ask someone who knew more. So, yeah, here I am!

Thanks for answering if you do, and have a wonderful day!

anon do you want me dead. is that what's happening here

JK JK my first fanon jason ask... what a historic day! basically you're completely right. I don't know where this frankly insane take comes from but whenever me, my mutuals, and pretty much anyone in this corner of the dc fandom sees a post like it we roll our eyes to the heavens. to put it simply the idea that jason is bruce's favorite and the only one he actually loved like a son is a complete fucking lie lol.

first of all to claim that bruce didn't love dick like a son is......I mean. let's just say people saying that have probably never read a comic with bruce and dick before. literally the number one thing to know about these characters is that the love bruce and dick have for each other can be seen from outer space. they have never been normal about each other. bruce raised dick since he was eight. they are thee og codependent father-son partners 'we saved each other we are pack bonded for life if anything happened to him i'd kill everyone in this room and then myself' duo. I mean... there is nuance to be had where they had a very complicated tangled up hard-to-label relationship that had elements of being father & son, elements of being brothers, and ofc partners as batman and robin but that is a function of their relationship being TOO crazy and close not the other way around lol. it is patently true that bruce and dick know each other better than anyone else in the world. it is pretty much true that if you're going to play the favorites game, it's hard to deny that dick is bruce's favorite. that's his eldest his most trusted his saving grace his person who understands him better than anyone. I could pull like an endless amount of panels as evidence that dick was bruce's favorite. there are so many 'dick is the only thing i did right' 'i only feel pride when i look at nightwing' etc etc. dick is his child in every way that matters basically

which is not to say that jason isn't bruce's son! he definitely is! bruce does love jason, but jason was his second kid lol. and it's...i mean jason was robin for a very short time in the grand scheme of things. you can blow through his robin run super fast because it's just not very long. the idea that bruce loved jason more or there's more of a father-son bond to be found in the few issues they were together for as opposed to the 10 years dick was robin is actually insane. bruce literally admitted that the reason he let jason be robin was because he missed dick. lol. lmao even.

basically yeah claiming that jason is bruce's favorite and dick was never treated as bruce's son is just a lie. it's not true. it's like that 'jason is tim's favorite robin' nonsense that was going around a few months ago; it completely ignores canon and essential character elements in jason's favor. I don't know why some jason fans are so obsessed with putting him up on a pedestal by bashing other characters on his behalf. and like...it is possible to have two sons? and love them both? lmfao? and that's not even getting into like tim and cass (also bruce's adopted children). I don't know why people just decided this was a thing but it is false<3

[punkeropercyjackson]

Miles Morales is just like Jason Todd but pre reboot Robin!Jason Todd specifically.This includes being the second mantle holder for one of the most influential and well-known and beloved superhero titles.Jason is claimed by afrolatino DC fans for a long time now and Miles is canonically afro-puerto rican and had the offensive innacuracies in his origin story by Bendis fixed in Spiderverse.Miles Morales is the paragon of REAL teenage superheroes,what they were when they started and are meant to be and deserve to be for irl kids who read comics that they're supposed to see themselves in.Even black fake geek dudebros hate Miles because he threatens their incorrect idea that superheroes are supposed to be a racist cishet abled male power fantasy and this was also reflected in the 80s when classism was even worse which led to Jason being voted to be killed for being a street kid.Superheroes are SUPPOSED to make these kinda people angry,it's built into them-Clark Kent's first nickname was 'Champion of the Oppressed'.When they don't hate them they turn them into a Spidergigachad with no personality and all the Spiderwomen despite being written to defy black male stereotypes and misogynoir by extension by having him prioritize black women and an overpowered ghost/death deity despite how miserable he was about dying and what lingered in him as seen by how happy and well-written he is when he really gets to live.All of this is why Miles Morales is thee Spiderperson.He's like other teen heroes in the important ways,a love letter to older comics before all the reboots bullshit,but not a copy and paste like those fanon 'four' Batboys 'jokes' that aren't actually jokes,much less funny and are only made by people who can't cosume Batfam content that's not smut or shitposts,and has his own unique assets-Being The Anomaly gives him the magic of doing his own thing

[kitkats-and-kittens]

I know stan culture is a huge part of fandom and while yes, sometimes I find it annoying it doesn’t really hurt anyone, so I find it okay.

That said I need words with Percy Jackson and Tim Drake stans, because I am sick and tired 😭😭.

I was scrolling through the Will Solace tag because he is my baby and I will defend him for life and obviously as consequence I see a lot of artwork about the battle of Manhattan and all the angst that comes along with it.

I don’t usually see people blaming Percy for Michael’s death which is fine cause it absolutely wasn’t Percy’s fault, even if I personally don’t believe a 12 year old would be mature enough to see it that way.

Still, I saw a post talking about how sad it was that Will got dragged away to heal Annabeth and couldn’t help the Apollo Cabin search for his bother. It was mostly going into detail about how he might feel responsible for not being there when most of his siblings died.

And I thought wow, that’s really angsty and then I went to the comments and the first thing I saw was a Percy Jackson fan saying it’s not Percy’s fault and Will should get over it because it’s war and shit happens.

Like hello? That is a 12 year old??? No one’s saying it was Percy’s fault, but how the hell do you expect a literal 12 year old to get over his brothers death seconds after it happened?!?!

And again in Dc comics.

This happens way too often, but specially in that one scene where Damian finds out Tim has him on like this hit list-contingency plan thing and obviously he gets upset, because he sees it as Tim still punishing him over something he is trying really hard to redeem himself for.

And then I look at the comments and someone’s going.

Well Damian shouldn’t be upset, his actions have consequences and he was the one that broke into Tim’s computer. He shouldn’t get mad.

He’s 10???? Have you met children? Have you met a 10 year old?? They call you names and bully you but the moment you turn it back on them they start crying. Why? Cause they’re 10!

I don’t understand the disconnect some people have when trying to understand children. Like hasn’t everybody been a child? They aren’t mature enough to handle big emotions and nuanced situations cause they don’t have a frontal lobe yet.

I really don’t understand how anyone can get mad at the child character for not being ‘mature enough’ to handle a situation and it drives me insane.

[sgiandubh]

A tale of two brands

Sophie Mancini's Departures paper on S in NY started a flurry of comments even before the whole content was made available on blogs. That people - mostly in Mordor - jumped in to add their two booing cents on the matter, based on two or three Instagram Story screencaps only, is a testimony to Tumblr's community deep interest in S's slightest PR/sales move and the easiness with which people like *urv managed to push their own agenda, in the process, to her unsuspecting, bicep-loving crowd.

Many of these comments asked just one question, more or less kindly and more or less openly: who are you, Sam Roland Heughan? Some of them, more along my alley, took a different angle: who are you talking to, Sam Roland Heughan?

Let me count the US crowds: the Wall Street yuppie crowd? the old money, WASP Knickerbocker / Colony Club crowd? Tribeca's sophisticated, culture-ish snob crowd? the UN international crowd? the laid-back (-ish) brownstone Brooklyn crowd? the DC politico types? the Boston Brahmin crowd? the Silicon Valley Bitcoin crowd? the Florida Latino crowd? the Bible Belt crowd? the Deep South charmingly old-fashioned crowd? the yee-haw, witty and ambitious Texans? the gourmet, nature-loving Seattle crowd? I am sure I am missing some (it's been a while I haven't traveled to the States and I have to say I miss all 50 of them, plus and perhaps above all my beloved DC :), but you get the idea. And the problem, or rather its first layer.

The second question this very poorly written article prompted is: what are you talking about, Sam Roland Heughan? I mean, what destination are you trying to promote? Scotland, through your Scottish gin, which I truly believe is exceptional? The Big Apple, like a counterpart to Sting, you know - a Scotsman in New York? That's not very clear, since that superficial girl just whirled you to a couple Chinatown speakeasies, rat pitter-patter included (bye-bye, Knickerbocker crowd right there) and that's pretty much it. New Zealand, that you mention at length, Maori tattoo story re-hashed, just because the book comes out next Tuesday? Ha-wa-wee, perhaps in a belated attempt to mitigate Tunagate? California, even, because it takes you back to humble beginnings? Granted, the Frisco one, not LA: that would be a horrible faux-pas, in a NY centered paper, much like me whimsically and idiotically mentioning Istanbul (instead of Constantinople), in a conversation with my Greek friends.

My head spins. And then let's add to that a ladle of recycled talking points, yours and C's altogether, like this gem:

Aspirational. Mmmhm. She said that. You said that. Multiple times, in multiple contexts that probably didn't even call for it. This is *** PR right there. I am not JAMMF. I am not Claire. But we aspire to that. Stop thinking we are these characters. No sane fan ever did: the insistence is unnecessary and has a real backfire potential. Stop thinking, period. But let it be my shipper sin, then, not to believe an iota of it and stubbornly think you people are, by now, way past the aspirational stage.

So, I took a long walk down memory lane today, while driving, trying to understand what the hell your personal brand is. Once upon a time, things were clear: you and C were a single brand. S&C - the fresh-faced, candid, witty and funny and oh, so in love new kids on the block. The spark was real and it was strong (it still is, only dampened and muted by PR-prompted shenanigans) and OL's audience was under its spell. People loved you, both of you, and some of us still do. You showed us as much as you could and for a while, it seemed to be convenient for just about everybody. That created expectations, but at the same time, you could have sold us land concessions on the Moon and we would have bought them, no questions asked.

And then, things happened. We know what: IFH, EFH, Remarkable Week-end. The spell was broken for many, who left in droves. Fans turned into bashing other fans. The S&C brand was progressively compromised and along with it, your Barbour Ambassadorship (for different reasons). Let's stop a bit at this point, in fond remembrance: that was the perfect pitch, for the perfect kind of corporate brand, for the perfect niche, for the perfect guy. A guy who had a credible, authentic story to tell, with a really strong potential to attract people outside of OL's crowd. Image and message perfectly aligned. Best case scenario.

So, with ***'s and your own PR benediction, what once was your solid gold starting point was ridiculed, trampled, shot to shambles, in a (failed) attempt to be sent to complete oblivion. You then had to think of something and try to branch out of both the blessing and curse of it.

MPC suddenly became more important than just any other charity project, of which there were a few (Cahonas Scotland comes to mind, the blood cancer one, as well). Cue in Sam the Athlete, Sam the Healthy Living Evangelist. The project was turned into a lucrative business, with a strong charity side. People bought subscriptions, people changed their eating and lifestyle habits, people lost weight - but really, I shouldn't write 'people', but 'women'. This was a women-oriented endeavor. A problem, again, on the long term.

Ha-wa-wee 1 happened, to more scandal and shrieks (that, I believe, was the reason you lost the Barbour project, another gold opportunity squandered because ten Internet bitches knew better). Then we were told another avatar was born: Sam the Entrepreneur. With a genuine, carefully curated, labor of love first alcohol product that clearly used the discarded S&C brand: The Sassenach and believe what you want, but just buy it. Mommies obliged. Antis obliged. Shippers obliged. All wallets are created equal, as I (often) use to say. And then COVID-19 came, putting a very real, very dangerous logistic strain on it.

Yet, you still had to somehow mitigate delays and losses. The Sassenach went exotic, with that limited edition tequila that probably won't be remembered by many outside OL's fandom, and that is a pity and a shame. The reason it won't be remembered is that you almost did not promote it, spare one or two Tick-Tock and Instagram clips. Does that justify the investment, the trips to Mexico, the very expensive retainers and commissions your tequila friends took for their trouble? I very much doubt it. That was, until being proved completely wrong, a flop. It brought absolutely nothing in terms of personal branding, spare perhaps a new faction in this paranoid cesspool of a fandom: the Gay Crowd, fueled by the image of a Lonely Bandana Cowboy, instead of the intended Sophisticated Traveler and Connoisseur. Yes, people are stupid, like that. Your PR and Sales team, too - and this comes from a place of deep understanding and appreciation.

We are now talking gin and boy, am I glad we do! This is perhaps an opportunity. Finally, a more democratically price-tagged, carefully tailored (again) drawing card product. But who is selling it to me? The California Boat Party Host? In that case, I won't buy it, but never mind me: maybe the fun-loving California Millennials would (we know the Smuggling Mommies would do it, anyways). The Sophisticated Traveler and Connoisseur you tried to show us again in Mancini's abysmal Departures paper and who is invited to important events, in recognition of his efforts?

You can't have the two of them, Sam, whatever those incompetents told you. You're either a 43-years old midlife crisis-stricken and shirtless clown or an Old World Industrious Thespian, with a stature and a status to match. A real Entrepreneur, not a cartoon scuba diver/beach boy Influencer. Eye Candy vs. Brain Power: after all, you are a '3x NYT best selling author', aren't you? Your pick, not mine. Stop the Sri Mataji-style Hugging and Booze tours: it's nonsense and that geriatric crowd is nowhere near what you need to make your dream come true. Do some real soul searching and stop listening to clueless 28-year old journalists, who tell you tacky rings are fun: they aren't. They make you look like an ageing Atlantic City Sinatra wannabe:

Sam Roland Heughan: currently at crossroads, trying to not choose between two opposite personal brands. Tricky position and an even trickier context, with the strike still lingering on and the pressing need to find an after OL strategy.

I promised you a tale of two brands and I think you wonder, by now, what happened to C, the other half of the primary SC brand?

The answer is, I honestly believe, not much. She has no personal brand, so to speak. Until now, she is just an Enthusiastic Dilettante. Book Club - started, unfinished and with that, farewell to any fan engagement. Cinema production rights - bought and then silence. Botanical Gin - first batch released (?) with no promo, no interviews (mentioning it in a podcast does not count), no reviews. Then teasing, then crickets again: a bit late, now, for the end of year celebrations. And I have to say I miss her or the part of her I never witnessed in real time (is such a thing possible?). I miss that starry-eyed, funny and witty girl. That girl was somehow completely swallowed by an Acrid Matron, who thought it was intelligent to yell at an Internet nobody, on Christmas Day, 'I am not married to Sam!' (ok, you aren't, but you're still lying). And I honestly don't know which one is best (or worst, for that matter): try to build something and make mistakes and try again until you hopefully find your way, or say nothing, do nothing and of course, never be controversial.

Now I am really interested to see how is she going to promote her gin. But you know what, I am not holding my breath, for some reason.

[narujenreacts]

Will Murder Drones get a Season 2?

Alrighty. So, after GLITCH's post yesterday of Digital Circus that also mentioned "We're also working hard on Murder Drones & will be releasing final episodes soon!", which sent a lot of the fandom (including yours truly) into a panic that this meant these are the final episodes for the SERIES and not the 1st season. However, that felt off to me since GLITCH has been promoting MD as Season 1 and not a short series, which, if it had always intended to be only 8 episodes, it would've been. That's just how it goes in the industry for online series. And I believe GLITCH wouldn't make that kind of mistake in marketing. It'd be different too if it was only promoted as Season 1 for the teaser, but it's been that way up until that Digital Circus post. Hell, here are some of the things Kevin and Liam said during GlitchX:

"I remember when we were coming up with the, uh, this is like way before when, you know, Murder Drones was really, like we were really going for a smaller, smaller show-" - Kevin

"The whole oil thing that was getting set up in the pilot, that was gonna be like a MASSIVE sort of plot thread throughout the season." - Kevin

"Because in terms of importance to kind of where I want the story to go, it just ended up being less relevant." - Liam

"We, um, did the opposite of that. I think the series as it progressed, which I think is - it is intentional, I would say. We have gone from, I think, supremely silly to supremely kind of self-serious." - Liam

"There's so many dog easter eggs if you go and watch through the entire season." - Kevin

"We are announcing the finale of the season." - Kevin

With everything they said, none of it sounds like Murder Drones was intended to be a single season series. Now, this leaves two questions myself and I'm sure some of you have, "Why haven't they announced a S2 yet then and why are they barely posting MD?" I decided to enter analyzation mode and went digging through GLITCH's Twitter and YouTube. What I found was that this isn't GLITCH's first time handling their series like this.

Meta Runner Season 1 (Animated Movie Cut) was released on Aug 28, 2020 and in the description Season 2 was immediately announced since they already had it done.

Meta Runner Season 2 - EP 1: Hard Reset released Oct 16, 2020. The final episode for S2, "EP 10: Fatal Error" was released Dec 18, 2020 and there was no mention of the 3rd and final season.

Want to know when they announced it? Not until Nov 29, 2021. Over a YEAR later.

And before that they barely posted anything of MR. At first it was Sunset Paradise, and then once that series was about to conclude they started posting about MD. A lot. Way more than they have for DC. And when they announced S3 for MR they didn't even mention it was the series finale! That wasn't announced until May 6, 2022, 6 months after S3 was even announced.

However, once they did they made it VERY clear it was the final season. 99% of their posts of MR after that mentioned it was the final season.

So, to conclude my thoughts. I don't think we should be worried. I wouldn't suggest getting our hopes up TOO high, because despite GLITCH handling MD the same way they did MR, there's always the chance MD doesn't get a second season. That way we're not deeply disappointed if it doesn't, but after looking into it I personally feel a lot more confident MD will get a S2. Just be prepared that if GLITCH doesn't say anything, it could be up to a year before they do, but if MR fans could hold out for as long as they did, we can too. Don't forget either GLITCH isn't only working on the first season of DC. They're also working on the pilot for Gaslight District.

[white-poppie]

ST✩RBOY: random hxh hcs

Now playing- STARBOY by The weekend ft. Killua, Kurapika, Chrollo, Illumi Tw: dissociation

💿 Kurapika

The most perfect man there is to exist!!?!!

So I know Kurapika had to almost grow up by himself, so I think he can handle household chores very well.

I would like to think that he somehow discovers baking. I just know he would be good at it <3

I just know he has super pretty cursive handwriting -sighs dreamily-

If you hug him, I know he would be so hesitant, but would slowly nuzzle deeper. If you were close to him and finally hug him, he would literally try his best to hold back tears (Please tell him, it's okay to cry!)

He smells so good omfg. I can't decide between Vanilla or some earthy smell, either way, it's so comforting yet at the same time it's like *eyes roll to the back of head*

You can read this for more scent hcs: Serenade my Senses

Call him pretty boy and he would be so shocked the first time, but as he gets used to it, he gives coy smile <33

I like the think it takes him a long time to get comfortable, but when he does it's so soft that it feels like breathing air. He is so touch-starved tho, so I can imagine him getting clingy after a while. (same bro same)

He is the knuckle and neck kisses type of dude *cue the flusters*

He hates Andrew Tate and his fans like he would go spit on them if could, this guy has the most healthy masculinity in all of anime and I love him for that.

Doesn't really understand the concept of memes tbh, he needs some explaining but he will laugh a little when you send them, he will once in a blue moon send memes but only the cat ones.

(realises how much I wrote for him while about to write more. This man has me on a chokehold frfr)

💿 Killua

He has trans-supporting t-shirts for him and Alluka. They are all matching.

Takes Alluka to pride parades! He has them sat on his shoulder the entire time too!!

Cant comfort a person even if his life depends on it. If you are crying he is just there like 🧍, awkwardly offering you some chocolate robots tho.

He just can't sit without moving every second! Literally a cat 😒

Older! Killua around 16-17 is a massive flirt! He is so quick to pull out reactions from anyone and takes a sick pleasure in it too??

Calls himself 'The Rizz lord' unironically.

His top Spotify artists would be Chase Atlantic, Mother-mother, The Scotts, Nirvana, Mitski and the Arctic Monkeys. Basically really an alt-rock/indie thing going on (us bro.)

💿 Chrollo

Mansplain, Manslaughter, Manwhore, Manipulate, Malewife ™️

Reads macabre literature like Crime and Punishment, No longer human, if we were villains, the secret history etc.

Tbh I feel like unlike how the fandom portrays him, he is a rather normal dude.

Gothic Academia ultra pro max.

Did the Soldier/Poet/King test, wanted 'king' but got 'poet'

Doesn't have pets because he thinks he can not take care of them

He loves animals tho, idk he seems the birds type of guy.

He likes the 'ominous' kind of birds more; like Ravens, Crows, Vultures and eagles.

Listens to Lana Del Ray and Maneskin, no questions asked.

Is scared of diving into conspiracy theories because he knows he would get sucked into the black hole because he is very interested in morbid things.

He is a DC fan, especially Gothan chronicles. (is that what it's called? Yk the things related to Gotham: joker, poison ivy, harlequin etc.)

Tried journalling once, failed terribly, and stopped after a week.

💿 Illumi

Oh wow, he is a difficult one to write about, but you guys love him, so ¯\_(ツ)_/¯

I hate to say this, but I think he frequently dissociates, usually for very short periods of time, he doesn't even know it tbh, just thinks he is out of the element.

He is subconsciously under a lot of stress so his mind tries to flee from it by dissociating.

I wrote a little more about this here: Stuck in a vicious cycle

I think he likes potted plants, especially succulents. He is patient so I can see him take care of even the very difficult ones.

If he is going on a mission, he would go to his mother (because he cannot trust his siblings and father in this matter) like 'take care of my child.'

She actually manages to keep it alive somehow??

I think he knows how to do origami (he saw a child making a paper crane once and got curious.)

Illumi genuinely doesn't know how to care for his hair, he just follows whatever his mom tells him to do, so thank Kikuyo for those luscious tresses.

He has a hyper-fixation on mushrooms (not the psychedelic kind you weirdo). He knows the names of a lot of mushrooms.

Just imagine him and Hisoka taking walk and he randomly spots a mushroom and mumbles to himself 'Coprinus comatus'

and Hisoka is like:

(yes it's a bad meme, but it's the effort that counts)

🏷 Tags: @denkis111, @jazzylove, @lordmypantsaresocool, @futuristicallykawaiiturtle, @kristaline2dmensimp,@rintaroubby @nanaseishiro @innerpurple, @cleaningfairylevi, @webawee

⤷‧₊˚ Hunter x Hunter (ハンタ x ハンタ)

🥀 BYI/DNI ♡⌇ Request Rules 𓏸 🗝️ ₊﹒《 Join my Taglist •

[on-leatheredwings]

i've found your account only a few days ago but ever since then I've been STUCK here rereading your fanfics, especially ones with damian. i wasn't even a dc fan (heard about some stuf, watched some films and cartoons, but that's it) but now im reading comics since im Obsessed and need more batboys in my life (rip my productivity😔)

Anyway, after Sleepover i'm curious what will Bruce (and maybe even Thalia) think of batboys strange behaviour towards reader. He's smart, so he definitely notices it early on, but how he'll react....

I can see him being weirded out (like he was by Jason's anger issues, before his death), but he also can be an enabler, since Robin (literaly any of them) had a hard life, so if those relationships can help him why not pretend that everything is normal? you'll be safer in a Wayne's Manor anyway

All in all, thanks for a new hyperfixation 💞💞

P.s. About games:

1. Boyfriend to death 1&2 - since you're into yanderes you might want to check this game out. I prefer the second game, but the first is also fun. But beware the trigger warnings!!

2. Long live the Queen - more of a raising sim than dating sim but you still can romance some guys and girls.

,3. Hatoful Boyfriend - mostly a comedy, but there is a yandere.

4. The Royal Trap - it's been a long time since i played it, but it used to be one of my favorites so i'll just mention it.

5. Higurashi - once again not really a romance sim, but its an interesting horror mixed with a slice of life

;A; AWWWW THANK YOU IM SO HAPPY YOU LIKE MY STUFF.... THAT MAKES ONE OF US GIJSDOFAFGHFOJDSD

and yes yes get into DC!!! (girl who hasnt even read a full run since like. injustice)

damn now you got me thinking and excited. incoming spiel

i agree entirely about bruce just knowing how Bad things can get, so to make things simpler, he's like "yes, your darling(s) can stay in the manor, boys. 🙄"

mmm yes..... when it comes to bruce noticing the batboys are yandere, i think it's always sinfully delightful to just have him be reluctantly okay with it. 😈 it's also easier narratively ngl but i also like the idea that the batfam is all just corrupted.

bruce's thoughts are that they (his sons) fight for vengeance and justice but this is where they could use some leeway.... we all need our vice... they fight so hard for gotham, they deserve a little treat (getting rid of your human rights)... it's very "Dad who wants his sons to have happiness even if its not healthy" of him. in fics where bruce is a yandere, well, he's the exact same way so he can't judge. although if that's the case, i like the idea of bruce just being like "yes what we do isn't right. let's not talk about it. just don't kill <3"

still wondering what i like more. a yan!bruce who's self aware what he's doing is wrong but he just refuses to think about it. or a yan!bruce that justifies it all because of his paranoia, Tower of Babel style (if you don't know, that's when it's revealed batman has plans to subdue/kill the justice league just in case they go rogue.)

for the batboys depends on their personality... for damian, he's so resolute in things that i prefer when he just believes 100% what he's doing is okay, if not actually righteous. ^_^

hmmm talia.... I'M STILL UNSURE HOW I PREFER THAT AS WELL... i think talia being a you-arent-good-enough-for-my-son mom is a little cliche but also. she kinda would say that. you'd have to prove your worth somehow but idk how tf darling would do that LOL. in the end, i think talia is just relieved/comforted that her son indeed feels desire and wants love and will continue the family legacy (regardless if youre afab/can biologically have children.)

no THANK YOU FOR THE ASK!!! AND THANKS FOR RECS!!!! heheh yeah ive checked out btd and im not averse to the warnings its more like im not that most of into the designs ngl. fox guy seems cute? AND LMAO FUNNY BC IM ON A HIGURASHI REWATCH (never played it tho)

[gilmore-angel]

you belong with me || steve harrington x reader

swiftmas ♱ second fic for my swiftmas!!! important note is that I'm not following the shows canon, so that's why the timeliness is off. I hope you enjoy this fic. im not the biggest fan of how it turned out, but i still am okay with it lol! if you'd like to see the December 1st fic you can click the first link below!! also SO SORRY this is late!!

summary ♱ you love Steve, but he must be stupid if he doesn't realize you two are meant to be together.

warnings/contains ♱ bit of jealousy, friends to lovers, breakup.

swiftmas ♱ navigation ♱ follow my library account @baysfics !!

it was a tuesday night, you sat in your room on your bed, listening to AC/DC. your pajamas were loose and comfortable as you wrote in your diary.

you suddenly hear a tap, tap, tap coming from your window. you furrow your brows, standing up to investigate. any vit of panic settles down when you see it's just your best friend, steve. but as soo. as panic left you worry took its place. why did steve come here so late while it was snowing?!

he gives a bashful smile as he continues to knock on your cold window. he was thankfully wearing a big jacket, covered with melting snow. you quickly rush over and open the window. he ungracfully climbs through and lands on your floor, getting everything around him wet in the process.

you scoff, shaking your head. "are you insane? like actually? what are you doing here so late?" you grab a random dirty tee you had laying on your floor to wipe some of the water now on your windowsill and floor.

he closes the window and takes off his wet coat. he sighs, tossing it on the ground and flopping onto your bed. "just felt like it."

you sigh, shaking your head. you toss the shirt next to his jacket and sit next to him. you can't help but feel your cheeks warm at his appearance. he's all messy hair, flushed cheeks and pretty smiles. you hate your heart for fluttering.

"I thought you were spending the night with nancy?" you liked nancy, you really did. but she didn't come off as the right girl for steve. he needed someone who fully understood him. his personality, his story, his everything. someone like you.

his smile wavers at the mention of his girlfriend. he shrugs, letting out a forced chuckle. "yea well, I pissed her off again so that didn't happen."

you furrow your brows. it seems like she's always upset with him. "what did you do now?"

he adverts his eyes down, shrugging. "you tell me... but it's fine. we'll move past it, we always do."

"a relationship shouldn't feel like a constant battle, you know." you hate seeing how stressed steve had become. their relationship clearly wasn't working.

"yea, whatever. can i sleep here tonight?" he huffs out a bit of air, his voice low. he looks back at you, effortlessly giving the best puppy dog eyes.

you nod, tossing your diary on your bedside table and pulling back the covers. he wordlessly climbs in, laying his head comfortably against your pillow. you lay down next to him, keeping a good distance still. you turn off your lamp, the room devoid of any light except from the moon.

steve closes his eyes, squirming around until he was comfortable. you turn your head to stare at him. his pouty lips, his long eye lashes, his perfect nose. you can hear his soft breath and feel his warmth. you can't help thinking this is how ought to be. always.

——

you and steve arrive at school together, but he soon gets swept away by nancy, who had apparently needed only one night to once again forgive him. she looked pretty and put together as always. her white button up, her red short skirt, her white stocking and heeled mary janes. seeing her made you notice your lackluster outfit. a tee shirt, jeans and sneakers.

you barely saw steve until it was time to leave, since he was your ride. you got to his car before him, so you leaned against it waiting for him. finally you saw him walking up to the car, a almost confused expression on his face. he doesn't look at you as he gets in the car and turns it on. you get into the passenger seat. you place your hand on his shoulder.

"hey, are you feeling okay?" you furrow your brows. he stares at the wheel, nodding absent-mindedly.

"me and nancy broke up." your eyes widened, looking down.

"shit, I'm sorry... are you okay?" he nods again, turning to look at you. you were surprised at the lack of sadness in his eyes, only seeing realization.

"she never liked my jokes, or my music, or my anything... but you do." you notice him getting closer. your heart rate picks up, feeling your cheeks heat up.

"steve..." he finally makes the big move, pressing his soft lips against yours. you gasp softly but respond by kissing him back, gently cupping his cheeks.

you didn't know what this would mean for your relationship long term, but you hoped he finally understands he belongs with you.

[esperastra]

It’s been three weeks and I still have not sorted my feelings about Legends Con. So have this random, unorganized list of things that happened that I still remember (more under the cut):

Nick tried to flash (stood on a chair and pulled up his shirt) Tala and Maisie during their panel but no one noticed him in the back

On the other hand when Arthur showed up during Caity and Jes’ panel they immediately saw him and greeted him

Caity was asked what Sara’s safe word is at the Meet&Greet and her answer was “Chiquita Banana”

When asked who they would eat first on a deserted island, pretty much everyone immediately said “Dom”

Caity and Jes kept talking about doing a podcast and asking people for stuff to talk about. Jes suggested they should just do Stabcast but Caity said she doesn’t like True Crime (which fair, I don’t either lol)

Adam said Avalance’s kid is named Rose and that Gary would be a great babysitter but he definitely would lose her at some point

At the opening ceremony Caity was like “I think the last time I said I was getting married. And I did it. *shows her ring* And Jes had our baby!”

When talking about the hardest goodbyes, Caity being Caity forgot Dom left and wasn’t even in the final season. Her answer was Franz btw.

A kid asked Amy, Caity and Jes if they would rather jump in lava or drown in water if they had to die and Jes was like “How old are you? Where is your mother?!” lmao

Jes recited the condolence card from Meet The Legends to the best of her recollection and kept laughing

Arthur kept mentioning how weird it is that all these fans and the cast are in his hometown

I could listen to Maisie talk for hours, just wanted to throw that in here

Jes was talking about how beautiful the gold dress from 502 was and Caity replied with “Anything you wear is beautiful 🥰” before Amy chimed in that she is still looking for the video of Liv and Jes laughing at Matt falling off his chair that was mentioned earlier lol

When asked about a crack ship (Rishop = Rip/Bishop) Arthur went on to talk about how he loves fanfiction lol

When asked if Nick or Matt is the better kisser Tala said “Maisie”

Adam started singing I Will Always Love You (forgot why) and Maisie left him hanging by not joining in and just smiling/laughing

Poor Matt didn’t know about the Human Centipede but now he does

Jes came up with the pick up line “I can be your legend until tomorrow” and then was like “someone try this tonight at the bar!”

On the second day Adam brought a water pistol to the panel and used it on everyone who got up to ask a question

Adam was THE hype man all weekend. He kept starting “When I say DC you say Legends of Tomorrow” chants

The fandom organized a group gift to give each cast member a trophy of the Waverider. We were allowed to present it to them at the closing ceremony.

Nick was called “Brad Pitt” during the trophy ceremony and Adam being Adam stood up instead

Amy sang Future Favorite with one of the kids at the closing ceremony

Adam said something about how he doesn’t like being emotional in front of people and everyone started chanting “SHOW EMOTIONS”

By the end of the closing ceremony everyone was super emotional. Caity was too emotional to speak when it was her turn and started crying and Jes hugged her. She said “I miss you guys” to the cast and went back for another hug. Jes was like “stop the emotions. stop the emotions” in reference to the earlier chant

A small list of some of the things that happened to me personally. I won’t share it all in detail here though, for reasons:

When I got my solo photo op with Caity, she saw my Real Housewives Sara shirt and was like “That’s funny. Can I take a picture?” and then she posted it on her IG Story

Amy spoke German to me out of nowhere when she noticed my accent. She also called me back during our photo op to ask me how I was and if I slept alright.

Jes gave me this 🥺 look when I talked to her at the autograph table

Nick held my hand for like a minute which was super overwhelming especially cause I struggle with eye contact lol. He also kept lovingly teasing me the whole weekend.

Me and a bunch of people did the 709 costumes as cosplay and won ‘Best Group’. It was a lot of fun.