#day 2: miss you

[frenchublog]

[nemkero]

uncle ekko

[newgroundstier]

riptide xmas oneshot was fun :]

[alpacacare-archive]

day twoe ah haha

[1000sunnygo]

oh I need to read this 😩 (x)

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[skunkes]

[titsthedamnseason]

the worst part about reading a good book is when it’s done you want to read a book exactly like that one and absolutely nothing else

[daily-odile]

Hello!!! I love your blog and the daily Odile pics- they're done so well, and it's so nice to see them!! If you have a moment, could I please request Odile with a cane? Maybe sif too if you have time? Old person and chronic pain after the loops HC my beloveds <33 (thank you!!)

canes n crutches n such~

[turtleblogatlast]

Every single member of the Hamato family is equipped with the cantrip Vicious Mockery and 80% of its use is friendly fire.

[heartorbit]

i'm sending this endless melody to a nameless you

[thefrogdalorian]

I love how Din and Cobb's first encounter is clearly supposed to be a tense standoff between two space cowboys because there's only meant to be room for one of them in this town, so we as the audience are meant to be on the edge of our seats, worried for Din and wondering who's going to shoot first... but instead everyone collectively decided that moment was full of homosexual tension and they should just kiss instead.

[arachnestwilight]

Big day for autistic people everywhere (it's me, I'm autistic people everywhere).

[onehundredfallenpetals]

A new deal - something soft for early February since everyone will be sad on this shuake holiday

[fifthnailinstevesbat]

after the events of season 4, steve just wanting SO BADLY to be friends with eddie. just LOVING the idea of them getting closer and having eddie as a friend because hell yeah! a close male friendship with someone that is actually my age, and who i don’t have a weird history with involving bruised eyes and love triangles? count me IN! and eddie is FUN, he is actually hilarious! the way they share the same glances of understanding when dustin is being an absolute shit head, rambling on and on about some obscure topic, expecting everyone to always be on the exact same page as him. of course. and, although steve suspects that eddie actually probably is keeping up with everything dustin says, much better than he ever could, he knows that above it all eddie can appreciate the antics for what they are, and roll his eyes with steve at dustin, i concur, you dustin henderson, are a total butthead.

steve just about junps RIGHT IN to being friends with eddie. hey man, what’cha up to tonight? wanna watch a movie? get drunk, smoke a bit? hey eddie, how have you been, man? he starts calling eddie up on the phone regularly just to check in, shoot the shit, he loves it! he loves having this new friendship with eddie munson and he loves how much the other boy has surprised him with how much he actually enjoys being around him. he’s not a freak, really, well ok maybe he is a little bit, but only in the best ways. he’s kind, thoughtful, and is always looking out for the people he cares about, which is something steve can really respect in a dude. but he’s also so funny? steve never could’ve anticipated just how much eddie has managed to make him genuinely LAUGH over their short amount of time spent together. and he’s really, out there? with the way he presents himself, the way he takes up space with these big THEATRICAL movements, leaving no room for regret or shame or god forbid embarrassment. steve isn’t even sure munson is capable of feeling it at all.

eddie munson is a good dude, and steve could use a bit more of that kind of person around him. he loves all of his friends, the weird little bonded family he’s found himself apart of, and they are all good people, but it never hurts to have afew more added in here and there. it never hurts to know there are more good people out there to find.

so steve is all over eddie, it seems.

at least, from where eddie is standing. nobody else seems as phased as eddie does at this sudden change in steve’s demeanour, in his interest in what eddie munson spends his time doing these days. it seems like, to everyone else, to steve, it’s just a natural progression in their relationship, after being sort of role model figures to the same group of kids, both being the two single dudes, who fought the same monsters together last spring, it seems nobody questions too much that they’d start casually hanging around eachother more. especially since eddie has found himself to fit into his own special spot as one of the group now after it all, after he unwillingly became tangled in this whole upsidedown-superpowers-supernatural-monsters and demons debacle, and tangled quite dramatically at that, the rest of the group that’s been with this since the beginning seemed to find no trouble in taking him in and seeing him as “one of them” now.

so, steve asking eddie to smoke, to watch movies, to go for a drive with no real end destination, it’s not really something that earns them too many double takes. dustin makes a comment or two in the beginning, because steve since when did you like hanging out with eddie? you guys are like so opposite, you don’t like any of the same stuff he does? and steve barely gives a shrug and a dismissive yeah yeah whatever man in response, with a signature eye roll, and dustin had said it seemingly also not too seriously, poking fun at steve wherever he can, not really meaning anything by it, as he fidgets around and rambles in the backseat of steve’s car, eddie riding up front. after that, though, he’s dropped it. it’s never brought up again. part of eddie thinks, too, that dustin would actually be enjoying that his two older friends are becoming friends themselves.

robin seems to be the only other person to look a bit harder at their situation, lingering stares at their interactions, all squinted eyes and eyebrows raised, though from her all this seems to be almost always and only ever directed at steve. eddie’s not sure what to make of that. isn’t he the weird one? i mean, he’s the one that stands out, right? he’s the odd denominator that makes their friendship strange. why would steve harrington want to hang out with Him? HIM? but robin doesn’t spend her time studying eddie to try and search for what about him could possibly have piqued the interest of cherished steven harrington, no, shes always looking at steve. like she’s seeing him differently, almost. eddie doesn’t even think that steve notices it, either, because he doesn’t seem to be questioning or doubting anything odd or strange or out of the ordinary with their newfound time spent together. and maybe, maybe robin is seeing him differently. eddie knows he definitely has been. seeing him more, intensely. deeply. human. seeing the person that steve is, as just steve, not this idealised version of a boy that eddies starting to question ever really even existed at all, or if everyone around him just needed to believe that he did, and who was steve if not happy to comply to the wants of the people around him for who he should be?

eddie likes having steve as his friend, too. don’t get it twisted. he loves how unexpectedly expressive steve is about everything, even really small things. steve LOVES to raise his voice, rest a hand on his popped hip, scolding the kids for something stupid with no real heat or malice behind it. and steve is, like, kinda bitchy too. eddie knew he had the capacity to be a real asshole when he wanted to be, that’s all he knew steve for back in the day, when he was back in high school, hanging around tommy h and the basketball boys, the jocks. eddie would spend his days hearing only whispers and gossip in the hallways of the parties at king steve’s house and the fights king steve had started and won on the court or out in the fields, only ever getting as close as a shove into a locker with the guy at the time, but eddie knew how it could go. he knew all about what steve had done to jonathan, what he’d said to him, the words he’d used. eddie knew it all. he’d seen enough, and been through enough himself, to know how these guys acted in response to guys like him, like jonathan, people who were lower on the social food chain. so, eddie knew about steve’s “mean streak”, if you will, but this kind of snarky bitchiness was something new to him. harrington was almost, sassy, when he wanted to be. it was less so cruel and more just, just sass. if he’s being completely honest it kind of blew eddie away, at first. he thought steve was one of those dull headed jocks who thought with their fists more than their actual brains, but that couldn’t have been farther from the truth. steve’s insults were well thought out, they were FUNNY, he was smart with his words. and silly. oh my god steve harrington could be so fucking silly, real honest to god goofball when the moment called for it, when he felt comfortable enough. eddie had caught on multiple occasions steve mimicking lightsabers to play fight with dustin, or the stupid fucking shit he would do or say just to make robin laugh, singing along to a song playing on the radio with a funny voice.

it was all a little, intoxicating, to watch. eddie didn’t know what gave him the right to be in on this now, to get to see this side of steve and better yet to be at the other end of some of his best qualities. it was fun, all the time they spent together, but there was always something else tugging inside eddie everytime they spent close time together, too. something, he knew steve wasn’t aware of. something he knew steve wasn’t equipped to deal with. something he knew, was him. was him, making things something more than they should be, because, nobody seemed to be questioning that they could become friends, so why ruin that? why disrupt it?

- robin and steve

“Steve.”

“-but then like, it wasn’t that I didn’t want to watch it I just thought, hey, y’know, let’s try something different for a change, but then he- oh my god he honest to god TACKLED ME Robin — I mean, it was so fucking funny and it happened so quick — and all over a fucking Tom Cruise movie-“

“STEVE.” Robin lightly slammed a hand onto the counter. She had been standing behind it for no short of 20 minutes, watching Steve as he paced around, supposed to be stacking tapes onto shelves, but ended up spending the whole time going on and on, and ON, about how movie night went with Eddie last night. She thought she was bad…

Steve jumped, almost running into a shelf and knocking down his hard work, and seemed to snap out of whatever trance he had found himself in after starting to tell Robin a story about something funny Eddie had done last night.

“Shit, sorry. Sorry, what were you saying? Were you- were you saying something?”

To this, Robin just rolls her eyes and let’s out a laugh, “You, sir, are goddamn hopeless.”

“Sorry. How long was I talking for?” Steve wandered his way over to lean his arms onto the counter from the opposite side.

“Oh, I dunno Steve, just about half an HOUR?”

“That is an over exaggeration Robin, it’s only been like-“

“Honestly, man, i’m concerned for you. You are like next level OBSESSED with Eddie. Eddie Munson. You do realise this right??? You are obsessed with him, Steve.”

To this Steve sputters, lazily waving his hands back and forth.

“No, Robin, what the hell are you talking about? I am not OBSESSED. No need to be jealous, alright, Stevie-Boy here can have more than one friend. Your spot in my heart isn’t any less special now that it’s beginning to be shared by another.” He bats his eyelashes up at her, holding both hands over his chest as if to cradle his heart.

“Oh my GOD! You even SOUND LIKE HIM!”, she playfully slaps his shoulder. “Steve. You are obsessed.”

“I am not obsessed! He’s just a really great guy, alright-“

“Blah blah, yep whatever you say, lover boy.” Robin quips, plopping down onto the chair chair infront of their staff computer, turning herself to face it.

“Wha- what? Lover boy? What the hell Robin, that is not- that doesn’t even make any sense!”

She is just smiling at him now, enjoying seeing him spiral like this. Steve let’s out a sigh as he puts his hands on his hips, and shakes his head, looking at her right back.

He opens and closes his mouth afew times, like he’s really thinking about what he wants to say next. Or like he has no idea what to say next, and his brain is not moving fast enough to formulate the next sentence his mouth knows he wants to say. He wasn’t obsessed. That’s not- that’s like- no. No he was not, Robin was just playing around with him, she knew how to get on his nerves. Get him all wound up over little things just to see him react like this.

After a minute or two, Robin realises Steve was not going to reply anytime soon, so she turns fully back toward him. Saving him from his spiral.

“So, what are you’re plans for tonight Steve-O?”

He lets out a chuckle and walks around the counter till he’s behind it with Robin, leaning his back against it so he can stand across from her and face her.

“Well, not really sure. Parents aren’t home, no early shift tomorrow, might drink afew beers, listen to some music, —“

“See what Eddie’s doin?” Robin finishes for him, quirking her eyebrows up and down as she does it.

“Oh shut up!” Steve just laughs and softly throws a tape from the counter at her chest. “As a matter of fact, yeah I will see what he’s up to. Because we are friends now, Robin. Is that a problem? Actually I was also gonna ask you what you were up to after work, too, but you know what after this I’m having second thoughts, I mean, the way you’ve been treating me lately-“

“Oh my god, you are the worst. Yes, I’m free, of course I’ll hang out with you dingus. You and your tweedle dee.”

Steve laughs at this, then tilts his head.

“Wait, does that make me dumb? Tweedle dumb?! That’s how you see me?”

“Yeah it is actually, got a problem?”

“Oh wow, she’s feisty today. Can’t believe you think I’m dumb, Rob’s. When you come knockin’ tonight, do not expect a warm greeting at my front door.”

“Yeah, yeah, I’ll take my chances.”

- later. steve’s house. to be continued?

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.