#david j harman | Explore Tumblr posts and blogs

audio-luddite · 21 days ago

Text

Audio Demi-gods and Hi-Fi.

At least one personality I check out does not like the term Audiophile. There is a definite sneer to his use of that word. He uses Hi-Fi often.

I like that term. High Fidelity means exactly that. A high degree of accuracy and precision in reproducing music signals. It avoids the conceit of being an audiophile as well as reduces the weight of opinion. Another way to think about that is it is for the "testing people".

The idea of accuracy is codified by low distortion and noise, not by liking the sound. It was that the early designers were pursuing. Not a particular voice. The voice was on the recording.

In the 1950s to 1970s the hobby was about Hi-Fi.

The early designers of Hi-Fi audio equipment were legends. They mentored a second generation that climbed even higher. But as things developed low test figures were relatively easy to get under lab conditions. Things got more complicated.

David Hafler founded the Dynaco and the Hafler brands. He designed the Tube amplifiers that still influence the hobby today by their relatively huge numbers out in the wild. Later he hired some of the second generation of brilliant designers for doing transistor designs.

Stewart Hegeman worked for many companies including Dynaco and Harman Kardon and was the designer of the still coveted Citation tube amps. He also designed speakers and tuners. His Citation II tube amp is probably the best classic (late 1950s) vacuum tube design out in the wild.

William Zane Johnson was Audio Research. He kept the Vacuum tube banner flying after it was abandoned by everyone else. His SP3 series preamps were the state of the art in the 1970s. His D76 amplifier series sealed his place in audio Olympus. He preferred the results, the voice, he got with tubes though as FET ideas became better he drifted.

Arguably it was WZJ who nurtured the culture of the audiophile. He got the hi-fi test numbers, but many people just preferred the sound he got. (Include me there)

Those guys were the big names.

The second generation was evolving. Bob Carver invented BIG transistor amps with Phase Linear by using gangs of the biggest transistors he could find. He was originally a numbers guy. Later he proved he could make one of his not expensive transistor amps sound exactly like an expensive high end amp by fiddling with components to create a voice.

James Bongiorno left his mark on the Dynaco 400, the big SAE amps, the Ampzilla, and several other products that had in common big power and amazing fidelity. Great numbers.

Nelson Pass worked for several companies and left a trail of products that some people buy just because he had a hand in it. He is still kicking around in the mountains of California doing interesting things with transistors. He became a champion of good distortion. If you like it, it is good. Numbers don't matter.

I think this maps a migration of taste from being accurate to having a voice you prefer. In the same way the job of reviewers drifted from running tests on a piece to listening and judging. Publications were founded specifically because of that. Stereophile was founded by J Gordon Holt for exactly that reason. Later "The Absolute Sound" was founded by Harry Pearson because he felt JGH was compromised by the need to advertise in his magazine. Opinions became paramount.

I do not want to simplify the Hi-Fi problem too much. Lab tests can show two devices give exactly the same results. Those two devices can then sound different. One side of the argument says this proves tests mean nothing. The other rightly claim the conditions are different. Once you know it is good choose by preference.

I am an engineer. I gotta know why.

I own two radically different amplifiers. One is a high power full complementary symmetry transistor amplifier with global negative feedback designed in the early 1970s and modified a bit. The other is a legitimate high end medium power ARC Tube amplifier with FETs and power vacuum tubes running as triodes. It too has negative feedback. It is absolutely stock. (Well except for some test point access)

They are both high end, and high fidelity. They actually sound similar in the most general sense. They are pretty accurate. But they also have subtle differences in voice and textures. I go on and on about the differences, I seldom emphasize how small these things are. That is because, yes I am an audiophile and I notice this stuff.

Audiophiles can get fooled by trickery and salesmanship. So it is not an extension or a refinement of Hi-Fi. It is not better than Hi-Fi. It is a different perspective. If it tests bad it is bad.

What was I actually trying to say?

PS***

I should note that obviously I am talking about the North American Hi-Fi world. That is what I know. Very few products came across that ocean. In the old days. Those I know about are from the UK. Quad speakers, and electronics. SME tone arms. Some turntables. Oh and that DECCA phono cartridge. All were niche items. Oh and very good.

#high end audio #audioblr #cheap audiophile #tubes vs transistors #hi-fi #high fidelity

2 notes · View notes

ptbf2002 · 6 months ago

Text

All My Favorite Characters Hate Primos

Original Template: https://www.deviantart.com/tagirovo/art/40-Angry-Characters-Reaction-Template-1038191867

Credit Goes To @Tagirovo

SpongeBob SquarePants Belongs To Stephen Hillenburg, Rough Draft Studios, Inc. Carbunkle Cartoons, SEK Animation Studio, Wang Film Productions Co., Ltd. Rough Draft Korea Co., Ltd. United Plankton Pictures Inc. Joe Murray Productions Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Global

Mickey Mouse (2013) Belongs To Walt Disney, Ub Iwerks, Paul Rudish, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Looney Tunes Show Belongs To Leon Schlesinger, Hugh Harman, Rudolf Ising, Sam Register, Spike Brandt, Tony Cervone, Yearim Productions Co., Ltd. Toon City Animation Inc. Lotto Animation, Inc. Rough Draft Korea Co., Ltd. Crew 972 Ltd. Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Oggy and the Cockroaches Belongs To Jean-Yves Raimbaud, Big Star Enterprise, Armada TMT, Digital Emation, Inc. Neon Pumpkin, DongWoo Animation Co. Ltd. Gaumont Multimedia, The Gaumont Film Company, Xilam Animation, France 3, France Télévisions S.A. CANAL+ Family, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, Metropole Télévision S.A. And Groupe M6

The Simpsons Belongs To Matt Groening, Anivision, DR Movie, Film Roman, LLC Hanho Heung-Up Company, Klasky-Csupo, Inc. Rough Draft Korea Co., Ltd. Toon Boom Animation, Toonzone Entertainment, Wild Horse Animation Group, Gracie Films, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

The New Woody Woodpecker Show Belongs To Walter Lantz, Bob Jaques, Kelly Armstrong, Big Star Enterprise, Inc. Studio B Productions, Inc. DHX Media Vancouver, WildBrain Studios, DHX Media, Ltd. WildBrain Ltd. Duck Soup Studios, Mercury Filmworks, Sunwoo & Company Co., Ltd. Walter Lantz Productions, Universal Cartoon Studios, Universal Animation Studios LLC, Universal Television LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, And Comcast Corporation

Pink Panther and Pals Belongs To Blake Edwards, Maurice Richlin, David H. DePatie, Friz Freleng, Toon City Animation, Inc. DQ Entertainment Animation Studio, DQ Entertainment International Limited, Desert Panther Productions, Mirish-Geoffrey-DePatie-Freleng, Rubicon Studios, Rubicon Group Holding, MGM Worldwide Television Distribution, MGM Television, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Hilda Belongs To Luke Pearson, Mercury Filmworks, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Nobrow Press, Flying Eye Books, Silvergate Media Limited, Sony Pictures Television Kids, Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

Animaniacs (2020 Reboot) Belongs To Tom Ruegger, Wellesley Wild, Steven Spielberg, Digital eMation, Inc. Saerom Animation, Inc. Snipple Animation Studios, Tiger Animation, Titmouse Animation, Inc. Tonic DNA Animation, Toon City Animation, Inc. Yowza! Animation, Giant Ant Animation, Studio Yotta, Birdo Studio, Flystudio, Screen Novelties, Amblin Television, Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Danger Mouse (2015 TV series) Belongs To Brian Cosgrove, Mark Hall, Cosgrove Hall Fitzpatrick Entertainment, CHF Entertainment, FremantleMedia Kids & Family Entertainment, Fremantle Limited, Boulder Media Limited, Boat Rocker Media Inc. CBBC Production, Windmill Lane Studios, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)

Trolls The Beat Goes On! Belongs To Jonathan Aibel, Glenn Berger, Erica Rivinoja, Matthew Beans, Hannah Friedman, Sam Friedman, Digital emation, Inc. NE4U, Inc. DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

The Loud House Belongs To Chris Savino, Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Global

The Casagrandes Belongs To Chris Savino, Michael Rubiner, Miguel Puga, Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Global

Magiki Belongs To Eryk Casemiro, Cyril Deydier, Pegbar Animation, Animasia Studio, Rainbow S.P.A. Paramount Media Networks, Inc. Paramount Global, DeAgostini Publishing Italy S.P.A. DeAgostini Editore S.P.A. DeAKids, DeA Junior, DeAgostini S.P.A. DeAPlaneta Kids And Family, DeAPlaneta Entertainment, Télé Images Productions, Zodiak Kids Studios France, Zodiak Kids & Family, Banijay Kids & Family, Banijay S.A. Ketchup TV, KidsMe S.R.L. Gulli, TiJi, Metropole Télévision S.A. Groupe M6, Frisbee, Switchover Media, Discovery Italia S.R.L. Discovery Networks Italia, Discovery Networks EMEA, Discovery Networks International, Discovery, Inc. And Warner Bros. Discovery, Inc.

Amphibia Belongs To Matt Braly, Saerom Animation, Inc. Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Harvey Street Kids/Harvey Girls Forever! Belongs To Alfred Harvey, Emily Brundige, Dave Enterprises, Digital Emation, Inc. NE4U, Inc. The Harvey Entertainment Company, Classic Media, LLC, DreamWorks Classics, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

South Park Belongs To Trey Parker, Matt Stone, Bardel Entertainment, Inc. Titmouse Canada Animation Inc. Titmouse, Inc. Celluloid Studios, Braniff Productions, Parker-Stone Productions, South Park Studios, MTV Entertainment Studios, Comedy Central, Comedy Partners, MTV Entertainment Group, Paramount+, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Paramount Streaming And Paramount Global

Rise of the Teenage Mutant Ninja Turtles Belongs To Kevin Eastman, Peter Laird, Andy Suriano, Ant Ward, Digitoonz Media & Entertainment Pvt. Ltd. Flying Bark Productions Pty. Ltd. Studio 100 N.V. Mirage Studios, Image Comics, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Atomic Betty Belongs To Trevor Bentley, Mauro Casalese, Rob Davies, Olaf Miller, 2 Minutes Animation, Hong Guang Animation (Su Zhou), Caribara, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Breakthrough Entertainment, Télé Images Kids, Télé Images Productions, Marathon Media, Marathon Animation, Marathon Productions, Marathon Media Group, Zodiak Kids, Zodiak Kids Studios France, Zodiak Kids & Family, Banijay Kids & Family, Banijay S.A. TELETOON, TELETOON Canada, Inc. Corus Entertainment Inc. M6 (TV channel), Metropole Télévision S.A. Groupe M6, TÉLÉTOON+, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Phil Roman Entertainment, Breakthrough Distribution, Cartoon Network, The Cartoon Network, Inc. Turner Broadcasting System, Inc. WarnerMedia Entertainment, WarnerMedia Studios & Networks, Warner Bros. Entertainment Inc. WarnerMedia, AT&T Inc. The Hub, Hub Network, Discovery Family, Hasbro Entertainment, Hasbro, Inc. Discovery Networks U.S. Discovery Networks International, Discovery, Inc. And Warner Bros. Discovery, Inc.

The Owl House Belongs To Dana Terrace, Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Sonic Prime Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Joe Kelly, Joe Casey, Duncan Rouleau, Steven T. Seagle, Jam Filled Entertainment, Boat Rocker Media Inc. Flixzilla Aura, Sonic Team, SEGA of America, SEGA Corporation, SEGA Sammy Holdings Inc. Man of Action Entertainment, WildBrain Studios, WildBrain Ltd. Netflix Animation Studios, Netflix Worldwide Entertainment, LLC, And Netflix, Inc.

Cleopatra in Space (TV series) Belongs To Doug Langdale, Fitzy Fitzmaurice, Titmouse, Inc. Inspidea Sdn. Bhd. Digitoonz Media & Entertainment Pvt. Ltd. DreamWorks Animation Television, DreamWorks Animation LLC, Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, And Comcast Corporation

Avatar: The Last Airbender Belongs To Michael Dante DiMartino, Bryan Konietzko, DR Movie Co., Ltd. JM Animation Co., Ltd. MOI Animation, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Paramount+ Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Streaming, And Paramount Global

The Legend of Korra Belongs To Michael Dante DiMartino, Bryan Konietzko, Studio Mir Co., Ltd. Pierrot Co., Ltd. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Curse of Molly McGee/The Ghost and Molly McGee Belongs To Bill Motz, Bob Roth, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Proud Family: Louder and Prouder Belongs To Bruce W. Smith, Ralph Farquhar, Snipple Animation Studios, WildBrain Studios, WildBrain Ltd. Bar Productions, Disney Television Animation, Disney+, Disney Streaming, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Hazbin Hotel Belongs To Vivienne Medrano, Bento Box Animation, Princess Pictures, SpindleHorse Toons, Bento Box Entertainment, FOX Entertainment, FOX Corporation, A24 Television, A24 Films LLC, Amazon Prime Video, Amazon MGM Studios, Amazon Content Services, LLC, And Amazon, Inc.

Unikitty! Belongs To Phil Lord, Christopher Miller, Ed Skudder, Lynn Wang, Renegade Animation, Snipple Animation Studios, Rideback, Lord Miller Productions, VERTIGO Entertainment, LEGO System A/S, Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, HBO Max, WarnerMedia Direct, LLC. Warner Bros. Discovery Global Streaming and Interactive Entertainment, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Star vs the Forces of Evil Belongs To Daron Nefcy, Mercury Filmworks Toon City Animation, Inc. Rough Draft Korea Co, Ltd. Sugarcube Animation, Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Rocko's Modern Life Belongs To Joe Murray, Animal-Ya, Klasky-Csupo, Inc. Pacific Rim Productions, Inc. Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. Sunwoo Entertainment, Co., Ltd. Shanghai Rainbow Animation Tama Production, Wang Film Productions Company, Joe Murray Productions Inc. Games Animation Inc. Nickelodeon Animation Studio, Nickelodeon, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Angry Birds: Summer Madness Belongs To Rob Doherty, Scott Sonneborn, Yowza! Animation, Kickstart Entertainment, CAKE Entertainment Ltd. Rovio Animation, Ltd. Rovio Entertainment Corporation, SEGA Corporation, SEGA Sammy Holdings Inc. Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

Moon Girl and Devil Dinosaur Belongs To Brandon Montclare, Amy Reeder, Natacha Bustos, Jack Kirby, Steve Loter, Jeffrey M. Howard, Kate Kondell, Flying Bark Productions Pty. Ltd. Studio 100 N.V. Cinema Gypsy Productions, MARVEL Animation, Inc. MARVEL Television, MARVEL Studios, LLC, MARVEL Entertainment, LLC, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Family Guy Belongs To Seth MacFarlane, Digital eMation, Inc. Film Roman, LLC, CNK International, Grimsaem Animation Co. Ltd. Sunwoo Entertainment, Co., Ltd. Rough Draft Korea Co., Ltd. Rough Draft Studios, Inc. Toon Boom Animation Inc. Yeson Entertainment, Yearim Productions Co., Ltd. Fuzzy Door Productions, Inc. 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

Teen Titans Belongs To Bob Haney, Bruno Premiani, Glen Murakami, David Slack, Sam Register, MOI Animation Co., Ltd. Lotto Animation, Inc. DongWoo Animation Co. Ltd. DC Comics, Inc. DC Studios, DC Entertainment, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

My Life as a Teenage Robot Belongs To Rob Renzetti, Rough Draft Studios, Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Ninjago Belongs To Thomas Sørensen, Tommy Andreasen, Thomas Kristensen, Simon Lucas, Nelson LaMonica, Menelaos Florides, William Stahl, Scott Godon-Decoteau, Maarten Simons, Michael Svane Knap, Toby Dutkiewicz, Brian Nielsen, Lars Danielsen, Tommy Kalmar, Cerim Manovi, Robert May, Heidi Rathschau Nielsen, Kevin Burke, Chris "Doc" Wyatt, LEGO System A/S, WILFilm ApS, WildBrain Studios, WildBrain Ltd. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Lego Monkie Kid Belongs To Simon Lucas, LEGO System A/S, Flying Bark Productions Pty. Ltd. Studio 100 N.V. WildBrain Studios, WildBrain Ltd. Tencent Video, Tencent Holdings Ltd. Youku Tudou Inc. Alibaba Group Holding Limited, iQIYI, Baidu, Inc. 9Go! Nine Network, Nine Entertainment Co. Holdings Limited, Cartoon Network (Australia & New Zealand), Discovery NZ Limited, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Kung Fu Panda: The Dragon Knight Belongs To Mitch Watson, Peter Hastings, Technicolor Animation Productions, Mikros Animation, Dave Enterprises, Stellar Creative Labs, 88 Pictures, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

Hailey's On It! Belongs To Devin Bunje, Nick Stanton, Saerom Animation, Inc. Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Bravest Warriors Belongs To Pendleton Ward, Breehn Burns, Will McRobb, Chris Viscardi, Portfolio Animation, Portfolio Entertainment Inc. 9 Story Media Group Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. YouTube Studio, YouTube, Google LLC, Alphabet Inc. TELETOON, TELETOON Canada, Inc. VRV, Crunchyroll, LLC, Aniplex, Inc. Sony Music Entertainment (Japan) Inc. Sony Group Corporation, Disney XD (Canada), Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, The Walt Disney Company Cartoon Network (Japan), Discovery Japan, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

3 notes · View notes

jules-has-notes · 5 months ago

Text

Aca Top 10: 80s Cartoon Themes — VoicePlay music video

youtube

The VoicePlay boys might technically be grown-ups, but they'll always be big kids at heart. So for their first "Aca Top 10" countdown of the year, they decided to revisit the joy of Saturday mornings spent in front of the TV with bowls of sugary cereal. Everybody sing along!

Details:

title: Aca Top 10 — 80s Cartoon Themes

original songs / performers: "La La Song" by the cast of The Smurfs (1981); [0:18] Inspector Gadget (1983) theme song; [0:35] Teenage Mutant Ninja Turtles (1987) theme by Chuck Lorre; [0:57] Scooby-Doo theme by Larry Marks; [1:16] G.I. Joe: A Real American Hero (1983) theme; [1:36] Adventures of the Gummi Bears (1985) theme by Joseph Williams; [2:03] Chip 'n Dale: Rescue Rangers (1989) theme by Jeff Pescetto; [2:24] My Little Pony (1986) theme; [2:34] "JEM – Truly, Truly, Truly Outrageous" by the singing cast of Jem and the Holograms (1985); [2:55] The Transformers (1984) theme; [3:14] "DuckTales" by Jeff Pescetto for DuckTales (1987)

written by: "La La Song" by Hoyt Curtin; Inspector Gadget theme by Shuki Levy & Haim Saban; Teenage Mutant Ninja Turtles theme by Dennis C. Brown & Chuck Lorre; Scooby-Doo (1969) theme by David Mook & Ben Raleigh; The New Scooby-Doo Mysteries (1984) theme by Hoyt Curtin; G.I. Joe theme by Ford Kinder & Spencer Michlin; Adventures of the Gummi Bears theme by Michael & Patty Silversher; Chip 'n Dale: Rescue Rangers theme by Mark Mueller; My Little Pony theme by Ford Klinder, Anne Bryant, & Barry Harman; "JEM – Truly, Truly, Truly Outrageous" by Barry Harman; The Transformers theme by Ford Kinder & Anne Bryant; "DuckTales" by Mark Mueller

arranged by: VoicePlay

release date: 30 March 2018

My favorite bits:

kicking things off with an extra dramatic fanfare

Layne's incredible ratchet sound and miming for the safe's lock dial in the Inspector Gadget theme

Earl giving an excellent Dr. Claw impression

the couch trio doing enthusiastic karate chops at the air 🥷 🐢

J.None taking over the bass line while Geoff sings lead

Layne making the pew-pew noises of the G.I. Joe lasers

Eli, Earl, and J delighting in how springy the couch cushions are at the start of the Gummi Bears theme

Layne and J crooning ♫ "my little brony" ♫ at Geoff while he scowls until he can't resist smiling anymore 🐎

Earl half-heartedly protesting at Eli and J singing the Misfits' part of the Jem! theme whlie he's wearing their signature colors / print

all the electronic-sounding elements they added to the Transformers theme

♫ "here in… Duckburg" ♫ ::quack:: 🦆

Gotta get in a bell chord somewhere, and that's a very good spot.

finishing on a joyful ♫ "Woo-ooo!" ♫

Eli quietly playing with a Transformer and Earl's enthusiastic "Cowabunga, dude!" in the outro

Trivia:

○ This was the first full-length video released on VoicePlay's YouTube channel in 2018. They started the year with a short video of "Happy Birthday", in between two collaborations they had recorded the previous fall that are on other channels — "Waving Through a Window" with Kurth Hugo Schneider, and "Look What You Made Me Do" with pocket.watch.

○ According to their replies to some YouTube comments, there was quite a debate about which songs to include or not, and "Thunder Cats was about a 2 hour argument. Shoes were thrown." 😆

○ Despite being very recognizable as The Smurfs theme, the version of the "La La Song" with lyrics was only used for the show's opening credits during season 2 in the U.S. However, an instrumental version was used for the closing credits from then on.

○ At least one of the guys came by his martial arts moves honestly. Eli studied karate from age six until he was sixteen.

○ For the Scooby-Doo theme, VoicePlay combined the original 1969 song from Scooby-Doo, Where Are You? (which was still airing in reruns) with some jazzier elements from the 1984 New Scooby Doo Mysteries opening.

○ The silliness in the YouTube description for this one is another misheard lyric — "JIM is truly outrageous / Truly Truly Truly outrageous / Woh oh oh JIM - JIM!!!" // "That's such a weird song. Who the heck is Jim anyway..?"

○ The guys' shirts reflect some of their childhood favorites:

Eli — Scrooge McDuck from DuckTales half-buried in the gold pile in his money vault with the inscription "living the dream"

Earl — Ultimate Warrior (WWF / WWE) facepaint, sort of referencing Hulk Hogan's Rock 'n' Wrestling, though the show was cancelled before that character could appear; bonus charteuse zebra-print leggings for The Misfits from Jem! and the Holograms

J.None — face masks of the Teenage Mutant Ninja Turtles (which aired into the mid-90s for the younger guy)

Geoff — Autobot mask symbol from The Transformers

Layne — Rainbow Dash from My Little Pony (a slight cheat with a character from the 2010s series, but probably inspired by one or more of his daughters). I cannot for the life of me figure out where that specific design came from, but I found a couple close-ish approximations.

○ Layne posted some videos of both the final rehearsal and cleanup process on his Instagram.

View this post on Instagram

A post shared by Layne Stein (@laynestein)

instagram

View this post on Instagram

A post shared by Layne Stein (@laynestein)

instagram

Those light diffusers can be a handful.

#VoicePlay #music video #a cappella #live recording #music medley #tv theme songs #music #video #series: Aca Top 10

5 notes · View notes

unbblog · 1 year ago

Text

https://youtu.be/t0LUeq_puno Here is our latest Runway Show doing Miami SwimWeek 2023 with FASHION WEEK HAUS @FASHIONWEEKHAUS by @styleonthespot @miamiswimweekofficial GOSTOSO SS24 @gostoso @gostosowear & @cariocawear Special thank you to all our great models and crew DESIGNER Gil Even @sungaguy STYLE BY : Tomas Picek @tomas_picek Carlos Campos @carloscamposmiami @carloscamposphoto MODELS: Anderson Diaz @andersndiaz Joaquin Collini @joaquin_collini Owen Lindberg @owenlindberg Steve Mikuta @Steve.swish Joey Gutierrez @Joeygutierrezforthewin Luis Corrales T @luancor88 James Deuso @Jamesdeuso George Gersky @Gerskyfitness Caleb Branham @calebsthetic DJ Davis @Djnotdiscjockey Jose Luis Villchez @Jhose7788 Daniel Jiawei Li @dlisbergsonton David J Harman @davidjoharman Patrick Callahan @thepatcallahan Joe Catalano @joey_dean Rodrigo Garcia @R.garcia002 Ty Talley @Tytalleyofficial Von Blackwell @vondeon Nahuel Broin @Nawelbroin Shayne @shaynethefox Music by Anitta - Funk Rave @anitta Music Mix by DJ Hector Fonseca @djhectorfonseca Videography & Editing Victor Mayol @visualspride @vicmayol Social Media videos Maor Luz @maorluz_lens Photographers Carlos Campos @carloscamposphoto Anthony Kosinchuk @antonykozz Shop Now @ GOSTOSOWEAR.COM

5 notes · View notes

ulkaralakbarova · 4 months ago

Text

A victim of his own anger, the Kid is a Minneapolis musician on the rise with his band, the Revolution, escaping a tumultuous home life through music. While trying to avoid making the same mistakes as his truculent father, the Kid navigates the club scene and a rocky relationship with a captivating singer, Apollonia. But another musician, Morris, looks to steal the Kid’s spotlight — and his girl. Credits: TheMovieDb. Film Cast: The Kid: Prince Apollonia: Apollonia Kotero Morris: Morris Day Jerome: Jerome Benton Mother: Olga Karlatos Father: Clarence Williams III Billy: Billy Sparks Wendy: Wendy Melvoin Lisa: Lisa Coleman Bobby: Bobby Z Matt: Dr. Fink Mark: Brown Mark Jill: Jill Jones Susan: Susan Moonsie Brenda: Brenda Bennett Beautiful Babe: Sandra Claire Gershman Stage Hand: Alan Leeds “Jellybean” Johnson – The Time: Garry Johnson Jesse Johnson – The Time: Jesse Johnson Mark Cardenas – The Time: Marc Cardenas Jerry Hubbard – The Time: Gerald E. Hubbard Jr. Paul Peterson – The Time: Paul Peterson Taste M.C.: Israel Gordon …: Joel Thingvall Film Crew: Producer: Robert Cavallo First Assistant Director: Anthony Brand Director of Photography: Donald E. Thorin Supervising Sound Editor: Richard C. Franklin Additional Editor: Sonny Baskin Production Design: Ward Preston Set Decoration: Anne D. McCulley Stunt Coordinator: Al Jones Songs: Prince Executive In Charge Of Post Production: Anthony DiMarco Original Music Composer: Michel Colombier Production Manager: Mike Frankovich Jr. Writer: William Blinn Writer: Albert Magnoli Costume Design: Marie France Stunts: Ron Oliney Best Boy Electric: Peter Davidian Key Grip: Daniel R. Jordan Dolly Grip: Donald Schmitz Color Timer: Aubrey Head Makeup Supervisor: Richard Arrington Additional Editor: Mitchell Sinoway Assistant Sound Editor: Noah Blough Sound Editor: James Beshears Sound Re-Recording Mixer: Jim Cook Sound Re-Recording Mixer: Robert L. Harman Sound Editor: David Kern First Assistant Director: Britt Lomond Assistant Camera: Chris Squires Electrician: Jeffrey W. Petersen Script Supervisor: Kerry Lyn McKissick Additional Editor: Warren Chadwick Sound Editor: Marshall Winn Boom Operator: Douglas J. Schulman Sound Mixer: Bruce Bisenz Music Editor: Jim Harrison Producer: Steven Fargnoli Producer: Joseph Ruffalo Editor: Ken Robinson Casting: David Graham Best Boy Grip: Bill Fleming Sound Editor: Mike Dobie Stunt Double: Brad Orrison Key Makeup Artist: Lee Romanoff Additional Editor: Allan Schultz Lighting Artist: LeRoy Bennett Electrician: Edward R. Nedin Lighting Technician: Robert W. Peterson Sound Re-Recording Mixer: Neil Brody Props: Keane Bonath Construction Coordinator: Robert Scaife Camera Operator: Craig Denault Leadman: Howard McCormick Production Accountant: Jonathan Wolf Assistant Camera: Jack Lee Gary Casting: Peter Golden Location Manager: Kirk Hokanson Second Assistant Director: Don Wilkerson Makeup Artist: Susan Wenzel Stunts: Kathleen O’Haco Lighting Technician: Dean Hassen Lighting Technician: John Huddleston Lighting Technician: Dave Hetschiesch Production Coordinator: Maxine Davis Production Secretary: Jennifer Walton Property Master: Jim Johnson Props: Clare M.S. Fishman Costumer: Jimmell Mardome Costumer: Sonja Berlovitz Key Makeup Artist: Jayson Jeffreys Hairstylist: Earl Jones Hairstylist: Susan Caldwell Hairstylist: Todd Prost Electrician: Dennis A. Frank Electrician: Matt Rice Electrician: Bob Guthier Grip: Steve van Osdale Grip: Gerald Hoy Grip: Neal Dalen Grip: Craig Kinchel Grip: Joe Rice Unit Publicist: Bonnie Metzger Still Photographer: Robert Reiff Production Secretary: Geri Rosenberg Production Secretary: Barbara Sobocinski Production Secretary: Dona Lien Movie Reviews:

#aspiring singer #pop star #suicide attempt #Top Rated Movies

0 notes

sandythereadingcafe · 2 years ago

Photo

COVER REVEAL! Something Unexpected by Author Vi Keeland releases July 3! A new, sexy standalone from #1 New York Times Bestseller, Vi Keeland. Pre-order today! Apple Books: https://apple.co/3MSAFr3 Paperback: https://amzn.to/3KVZeQX Cover Design: Sommer Stein, Perfect Pear Creative Model: David J. Harman Add to your Goodreads TBR ➩ https://bit.ly/41oaPzq When my grandmother found out she didn’t have long to live, she embarked on a crazy trip—jumping out of airplanes and scuba diving with sharks. After I repeatedly voiced my concern, Gram blocked me—her own grandson—on text and social media, leaving me only her travel companion Eleanor’s number. Eleanor started sending me pictures of Gram’s adventures. At first she seemed nice, but when I attempted to persuade her to talk some sense into her friend, she told me where I could stick my advice. After that, photos arrived with snarky comments, and Eleanor and I got into it on more than one occasion. When I heard Gram’s upcoming plans were more dangerous than ever, I hopped on a plane. Since I arrived late, I headed to the bar for a drink, figuring I’d surprise her in the morning. To my delight, I met a gorgeous woman looking for a no-strings-attached night. Nora was just what I needed. She invited me back to her room, telling me to give her a ten-minute head start. But when I went to pay her bar tab, I realized how much she’d had to drink. As much as I wanted to ignore it, I couldn’t. So I stood Nora up. I knew she’d be pissed, but I also knew I’d never see her again. Except never came a little early. Namely, the next morning when I went to meet my grandmother and her evil-spinster friend. Because old Eleanor turned out to be young Nora from last night. And if I thought the woman disliked me before, that was nothing compared to how ticked-off she was now. Or how unhappy she was going to be that their party of two was about to become a party of three. Sign up for Vi’s mailing list now and be the first one notified when it goes live! ➜ https://www.subscribepage.com/i6h3o5 #SomethingUnexpected #ViKeeland #coverreveal #contemporaryromance #coverlove #standaloneromance #givemebookspr

#books #cover reveals #Something Unexpected #Vi Keeland

0 notes

tastywordgasms · 2 years ago

Text

👀📚ᑕᗝᐯᗴᖇ ᖇᗴᐯᗴᗩᒪ📚👀 Something Unexpected by Vi Keeland. PRE-ORDER LINKS with Apple Books or getting a Paperback. Sign up for texts for Vi's ᑎᗴW ᖇᗴᒪᗴᗩᔕᗴᔕ! Releasing on July 3rd! @ViKeeland @GiveMeBooksPR @vi_keeland

Title: Something Unexpected Author: Vi Keeland Genre: Standalone Contemporary Romance Cover Design: Sommer Stein, Perfect Pear Creative Model: David J. Harman Release Date: July 3, 2023 BLURB When my grandmother found out she didn’t have long to live, she embarked on a crazy trip—jumping out of airplanes and scuba diving with sharks. After I repeatedly voiced my concern, Gram blocked…

View On WordPress

#Something Unexpected #Vi Keeland

0 notes

buildingrelationshipsinanarchy · 4 months ago

Text

Here's a list of them in no particular order:

Theorizing Multi-Partner Relationships and Sexualities: Recent work on Non-Monogamy and Polyamory Christian Klesse Manchester Metropolitan University, UK

Beyond the non/monogamy system: fluidity, hybridity, and transcendence in intimate relationships Jorge N. Ferrer

Need Fulfillment in Polyamorous Relationships Melissa E. Mitchell, Kim Bartholomew & Rebecca J. Cobb

“I wish people knew that there are other flavors” Reflections on the representation of poly-kink in mainstream media by polyamorous kinksters in the Netherlands Suzanne van der Beek, Laura Thomas Tilburg University Tilburg School of Humanities and Digital Sciences, The Netherlands

‘My [asexuality] is playing hell with my dating life’: Romantic identified asexuals negotiate the dating game Tina Vares University of Canterbury, New Zealand

The Fewer the Merrier?: Assessing Stigma Surrounding Consensually Non-monogamous Romantic Relationships Terri D. Conley,Amy C. Moors, Jes L. Matsick, Ali Ziegler University of Michigan

Implicit and Explicit Attitudes Toward Sex and Romance in Asexuals Maria Bulmer & Keise Izuma Department of Psychology, University of York

Asexuality in Disability Narratives Eunjung Kim University of Wisconsin, Madison, USA

Contested intersections: Asexuality and disability,illness, or trauma Anna Kurowicka University of Warsaw, Poland

Asexuality, Graysexuality, and Demisexuality: Distinctions in Desire, Behavior, and Identity Daniel Copulsky & Phillip L. Hammack Department of Psychology, University of California, Santa Cruz

An International Survey of BDSM Practitioner Demographics: The Evolution of Purpose for, Participation in, and Engagement with, Kink Activities Bryce Westlake & Isabella Mahan Department of Justice Studies, San Jose State University

Radical Refusals: On the Anarchist Politics of Women Choosing Asexuality Breanne Fahs Arizona State University

Demographic Comparison of American Individuals in Polyamorous and Monogamous Relationships Rhonda N. Balzarini, Christoffer Dharma, Taylor Kohut & Lorne Campbell Department of Psychology, University of Western Ontario Bjarne M. Holmes Department of Psychology, Champlain College Justin J. Lehmiller The Kinsey Institute, Indiana University Jennifer J. Harman Department of Psychology, Colorado State University

Queer Intimacies: A New Paradigm for the Study of Relationship Diversity Phillip L. Hammack Department of Psychology, University of California, Santa Cruz David M. Frost Department of Social Science, University College London Sam D. Hughes Department of Psychology, University of California, Santa Cruz

Gendering asexuality and asexualizing gender: A qualitative study exploring the intersections between gender and asexuality Kristina Gupta Department of Women’s, Gender, and Sexuality Studies, Wake Forest University, USA

Polyamory Is Deviant–But Not for the Reasons You May Think Elisabeth Sheff Sheff Consulting, Chattanooga, Tennessee, USA

Poly/logue: A Critical Introduction to Polyamory Special Issue Editors: Jin Haritaworn London South Bank University, UK Chin-ju Lin Kaohsiung Medical University, Taiwan Christian Klesse Manchester Metropolitan University, UK

Sexual and Affectionate Behaviors in Asexual and Allosexual Adults Alyssa N. Clark, Eva S. Lefkowitz, Department of Human Development and Family Sciences, University of Connecticut, Storrs, Connecticut; Corinne Zimmerman Department of Psychology, Illinois State University Illinois, Normal, Illinois

Algorithmic heteronormativity: Powers and pleasures of dating and hook-up apps Diana C. Parry, Eric Filice, Corey W. Johnson University of Waterloo, Waterloo, ON, Canada

Personality and Sexual Orientation: Extension to Asexuality and the HEXACO Model Anthony F. Bogaert Department of Health Sciences, Brock University Michael C. Ashton Department of Psychology, Brock University Kibeom Lee Department of Psychology, University of Calgary

Rethinking Asexuality: A Symbolic Interactionist Account Susie Scott University of Sussex, UK Matt Dawson University of Glasgow, UK

So through my university I've been able to get my hands on a lot of scholarly research around, nonmonogamies, polyamory, sexuality and all sorts of gender, race, class intersections on those topics.

Anybody interested in me posting them? Maybe even commenting on them as well?

#relationship anarchy #alternative relationships #solo poly #nonmonogamy #polyamory #ra #poly #kink mention #relationship dynamics #asexuality #aspec #acespec #queer #lgbtqia #lgbtq community

139 notes · View notes

wecouldstillbegreat · 4 years ago

Text

Master List of Books

Here is the master list of books to read. Please support black authors by visiting your library or purchasing these instead of downloading!

Intro to Black Radical Politics

assata: autobiography

angela davis an autobiography

angela davis: freedom is a constant struggle

huey p newton: revolutionary suicide

what is marxism all about?

beginners guide to marxism

huey p newton: to die for the people, collected writings

w.e.b du bois: w.e.b du bois speaks

the autobiography of malcom x

muammar gaddafi: the green book

walter rodney: groundings with my brothers

lenin: state and revolution

kwame ture: stokely speaks, from black power to pan-africanism

thomas sankara: women’s liberation and the african freedom struggle

harry haywood: black bolshevik

w.e.b. du bois: essay collection

debunking anti-communism myths & propaganda

karl marx & frederick engels: the communist manifesto

joseph stalin: dialetical & historical materialism

reading marx’s “capital” with david harvey

marxism-leninism study guide

basic marxism-leninism study plan

paulo freire: pedagogy of the oppressed

michael parenti: left anticommunism

Black and Marxist Feminism

keeanga-yamahtta taylor: how we get free, black feminism and the combahee river collective

bell hooks: yearning; race, gender, and cultural politics

oyèrónkẹ́ oyěwùmí: african women and feminism

audre lorde: sister outsider

claudia jones: an end to the neglect of the negro woman!

silvia federici: caliban and the witch

audre lorde: i am your sister

bell hooks: ain’t i a woman, black women and feminism

angela davis: modern motherhood, women and family in england

Prison Abolition

george jackson: blood in my eye

soledad brother: the prison letters of george jackson

angela davis: are prisons obsolete?

angela davis: political prisoners, prisons, and black liberation

paula c. johnson: voices of african american women in prison

On Racial Capitalism

jackie wang: carceral capitalism

e. franklin fraizer: black bourgeoisie

robin d.g. kelley: hammer and hoe

cedric j. robinson: black marxism

Critical Race Class Studies

w.e.b. du bois: black reconstruction

frantz fanon: black skin, white masks

patrick wolfe: traces of history; elementary structures of race

Black Studies Manifesto- Darlene Clark

Criteria of Black Art- W.E.B Dubois

Lynch Law- Ida B. Wells

On Being White and Other Lies- James Baldwin

James Baldwin Speech from 1965 Debate

The American Dream and the American Negro- James Baldwin

The Souls of Black Men- Hazel Carby

The Case for Reparations- Ta Nehisi Coates

Cultural Identity and the Diaspora- Stuart Hall

The Fact of Blackness- Franz Fanon

Negritude

Fragments of Epic Memory- Derek Walcott

The Groundings with My Brothers- Walter Rodney

The Politics of Healing in the Black Lives Movement- Deva Woodley

Unapologetic- Charlene Carruthers

Emergent Strategy- Adrienne Maree Brown

The Use of the Erotic as Power- Audre Lorde

On Capitalism, Fascism, Imperialism, Neocolonialism, Settler-Colonialism

frantz fanon: the wretched of the earth

walter rodney: how europe underdeveloped africa

eduardo galeano: open veins of latin america

samir amin: eurocentrism

michael parenti: blackshirts & reds

glen sean coulthard: red skin, white masks

clr james: the black jacobins

chris harman: a people’s history of the world

��decolonization is not a metaphor”

Indigenous Studies

nick estes: our history is the future

“decolonization is not a metaphor”

oyèrónkẹ́ oyěwùmí: women in the yoruba sphere

On Revolution:

frantz fanon: towards the african revolution

kwame nkrumah: africa must unite

black panthers speak

kwame ture: ready for revolution

steve biko: i like what i like; selected writings

black like mao, red china & black revolution

che guevera: guerilla warfare

walter rodney: a history of the guyanese working people, 1881-1905

return to the source – selected speeches by amilcar cabral

https://dialecticalartist.wordpress.com/politicalresources/

On Slavery:

stephanie e. jones-rogers: they were her property

Whiteness Studies

nell irvin painter: the history of white people

theodore w allen: the invention of the white race volume I

theodore w allen: the invention of the white race volume II

david r. roediger the wages of whiteness

david r. roediger: seizing freedom, slave emancipation & liberty for all

karen brodkin: how jews became white folks & what that says about race in america

On Gender, Sexuality, and Masculinities

c. riley snorton: black on both sides a racial history of trans identity

essex hemphill: ceremonies

robert f. reid-pharr: black gay man, essays

bell hooks: we real cool

maria lugones: heterosexualism and the colonial modern gender system

marlon m. bailey: butch queens up in pumps: gender, performance, and ballroom culture in detroit

robert aldrich: colonialism and homsexuality

eve kosofsky sedgwick: epistemology of the closet

https://www.aaihs.org/excavating-black-queer-thought-a-pride-bibliography/

“the roots of lesbian & gay oppression: a marxist view” by bob mccubbin

afsaneh najmabadi: women with mustaches and men without beards: gender and sexual anxieties of iranian modernity

anne mcclintock: imperial leather: race, gender, and sexuality in the colonial conquest

oyèrónkẹ́ oyěwùmí: gender epistemologies in africa

oyèrónkẹ́ oyěwùmí: the invention of women: making african sense of western gender discourses

oyèrónkẹ́ oyěwùmí: african gender studies a read

oyèrónkẹ́ oyěwùmí: the invention of women

oyèrónkẹ́ oyěwùmí: what gender is motherhood?

Disability Studies

disability studies

Critical Reads

marx’s das kapital for beginners

black panther ten point program

Articles, Speeches, and Essays

w.e.b. du bois: essay collection

amiri baraka: essay collection

james baldwin: the free and the brave

adrienne rich: compulsory heteorsexuality and lesbian existence

david m. halperin: essay collection

e. patrick johnson: black queer studies a critical anthology

stuart hall: essay collection

audre lorde: the masters tools will never dismantle the master’s house

kwame nkrumah: axioms of kwame nkrumah

angela davis essays on liberation

clr james: black power, its past, today, and the way ahead

edward said’s lecture at york university

kwame ture: we are all africans

the death of stockley carmichael (and later kwame ture)

raewyn connell essay collection

stalin: marxism versus liberalism

what is dialectical materialism?

racism in the communist movement

the logic of lesser evilism

lenin: the three sources and three component parts of marxism

oyèrónkẹ́ oyěwùmí: de-confounding gender: feminist theorizing and western culture,

Cultural Texts

Bell hooks: all about love

James Baldwin

go tell it on the mountain

giovanni's room

another country

the fire next time

if beale street could talk

Sonny’s blues

just above my head

notes of a native son

nobody knows my name

rap on race

no name in the street

a dialogue

devil finds work

the evidence of things not seen

baldwin: collected essays

the cross of redemption

Toni Morrison

the bluest eye (1969)

sula (1971)

song of solomon (1977)

beloved (1986)

paradise (1997)

a mercy (2008)

the source of self-regard: selected essays, speeches, and meditations (2019) V

#black lives matter #support black authors and writers #master list #books

24 notes · View notes

weirdletter · 4 years ago

Photo

The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia, by William Brown, David H. Fleming, Edinburgh University Press, 2020. Info: edinburghuniversitypress.com.

Here be Kraken! The Squid Cinema From Hell draws upon writers like Vilém Flusser, Donna J. Haraway, Graham Harman and Eugene Thacker to offer up a critical analysis of cephalopods and other tentacular creatures in contemporary media, while also speculating that digital media might themselves constitute a weird, intelligent alien. If this were not enough to shiver ye timbers, the book engages with contemporary discourses of posthumanism, speculative realism, object-oriented ontology and animal studies to suggest that humans are the products of media rather than media being the products of humans. Including case studies of films by Denis Villeneuve, Park Chan-wook and Céline Sciamma, The Squid Cinema From Hell also provides a daring engagement with various media beyond cinema, including literature, music videos, 4DX, advertising, websites, YouTube, Artificial Intelligence and more. Zounds! This unique and Lovecraftian book will change the way you think about, and with, our contemporary, media-saturated world. For as we contemplate the abyss, the abyss looks back at us – and chthulumedia, or media at the end of human times, begin to emerge.

Contents: Acknowledgments Beaky prepostface 1. Introducing the End 2. Pulp Fiction and the Media Archaeology of Space 3. Encounters with a 4DX Kino-Kraken 4. Actorly Squid/Sets and Cephalopod Realism 5. The Erotic Ecstasy of Cthulhu 6. Cosmic Light, Cosmic Darkness 7. The Backwash of Becoming Cthulhu, Or, L∞py, Tentacular Time 8. From the Modern Prometheus to the Modern Medusa

#book #essay #weird essay #cinema essay #chthulumedia #tentacles in cinema #squid cinema #science fiction movies #science fiction cinema #lovecraftian essay

12 notes · View notes

kfromthecastle · 4 years ago

Text

Malign Velocities: Accelerationism and Capitalism, Benjamin Noys, Zero Books, 31 October 2014, 978-1782793007

Signs and Machines: Capitalism and the Production of Subjectivity, Maurizio Lazzarato, MIT Press, 3 June 2014, 978-1584351306

Trouble in Paradise: From the End of History to the End of Capitalism, Slavoj Žižek, Allen Lane, 27 November 2014, 978-0241004968

Seventeen Contradictions and the End of Capitalism, David Harvey, Profile Books, 3 April 2014, 978-1781251607

After the Future, Franco Bifo Berardi, AK Press, 1 October 2011, 978-1849350594

Non Stop Inertia, Ivor Southwood, Zero Books, 1 March 2011, 978-1846945304

Factories of Knowledge, Industries of Creativity, Gerald Raunig, MIT Press, 12 April 2013, 978-1584351160

This is Not a Program, Tiqqun, MIT Press, 3 June 2011, 978-1584350972

The Thing: A Phenomenology of Horror, Dylan Trigg, Zero Books, 29 August 2014, 978-1782790778

The Last Night: Anti-Work, Atheism, Adventure, Federico Campagna, Zero Books, 25 October 2013, 978-1782791959

Empire, Michael Hardt, Antonio Negri, Harvard University Press, 15 August 2001, 978-0674006713

Thousand Machines, Gerald Raunig, MIT Press, 26 April 2010, 978-1584350859

Postmodernism: Or, the Cultural Logic of Late Capitalism, Fredric Jameson, Verso Books, 14 January 1992, 978-0860915379

First As Tragedy, Then As Farce, Slavoj Žižek, Verso, 19 October 2009, 978-1844674282

Capital and Affects: The Politics of the Language Economy, Christian Marazzi, MIT Press, 9 August 2011, 978-1584351030

Caliban and the Witch: Women, the Body and Primitive Accumulation, Silvia Federici, Autonomedia, 15 June 2004, 978-1570270598

Never Let a Serious Crisis Go to Waste: How Neoliberalism Survived the Financial Meltdown, Philip Mirowski, Verso Books, 23 July 2013, 978-1781680797

Speculative Realism: Problems and Prospects, Peter Gratton, Continuum Publishing Corporation, 31 July 2014, 978-1441174758

The Universe of Things: On Speculative Realism, Steven Shaviro, University of Minnesota Press, 1 October 2014, 978-0816689262

Fanged Noumena: Collected Writings 1987-2007, Nick Land, Urbanomic, 1 March 2011, 978-0955308789

A Grammar of the Multitude, Paolo Virno, Semiotext[e], 6 February 2004, 978-1584350217

The New Spirit of Capitalism, Luc Boltanski, Eve Chiapello, Verso, 1 September 2007, 978-1844671656

Agony of Power, Jean Baudrillard, MIT Press, 28 January 2011, 978-1584350927

Technics & Civilization, Lewis Mumford, University of Chicago Press, 30 November 2010, 978-0226550275

Speculative Aesthetics, James Trafford, Robin Mackay, Luke Pendrell, Urbanomic, 22 October 2014, 978-0957529571

Cyclonopedia: Complicity with Anonymous Materials, Reza Negarestani, re.press, 30 August 2008, 978-0980544008

The Great Accelerator, Paul Virilio, Polity Press, 4 May 2012, 978-0745653891

Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning, Karen Barad, Duke University Press, 25 March 2007, 978-0822339175

Onto-Cartography, Levi R. Bryant, Edinburgh University Press, 17 February 2014, 978-0748679973

Appropriation, David Evans, Whitechapel Art Gallery, 1 April 2009, 978-0854881611

The Consequences of Modernity, Anthony Giddens, Polity Press, 18 April 1991, 978-0745609232

The Power at the End of the Economy, Brian Massumi, Duke University Press, 26 December 2014, 978-0822358381

The Medium is the Massage: An Inventory of Effects, Marshall McLuhan, Penguin Classics, 25 September 2008, 978-0141035826

Detroit, Lisa D’Amour, Faber & Faber, 17 May 2012, 978-0571290161

Understanding a Photograph, John Berger, Penguin Classics, 7 November 2013, 978-0141392028

The Postmodern Condition: A Report on Knowledge, Jean-Francois Lyotard, Manchester University Press, 9 August 1984, 978-0719014505

Individualization: Institutionalized Individualism and its Social and Political Consequences, Ulrich Beck, SAGE Publications, 21 November 2001, 978-0761961123

Let Us Now Praise Famous Men, James Agee, Penguin Classics, 6 April 2006, 978-0141188492

Culture and Materialism, Raymond Williams, Verso Books, 21 October 2005, 978-1844670604

Testo Junkie : Sex, Drugs and Biopolitics in the Pharmacopornographic Era, Beatriz Preciado, The Feminist Press CUNY, 14 November 2013, 978-1558618374

The Consumer Society: Myths and Structures, Jean Baudrillard, SAGE Publications, 1 February 1998, 978-0761956921

The Persistence of the Negative: A Critique of Contemporary Continental Theory, Benjamin Noys, Edinburgh University Press, 14 March 2012, 978-0748649044

Archaeology of Knowledge, Michel Foucault, Routledge, 9 May 2002, 978-0415287531

The Ontology of the Accident: An Essay on Destructive Plasticity, Catherine Malabou, Polity Press, 1 June 2012, 978-0745652610

Self: Philosophy In Transit, Barry Dainton, Penguin, 24 April 2014, 978-1846146206

Runaway World, Anthony Giddens, Profile Books, 13 June 2002, 978-1861974297

Pastoralia, George Saunders, Bloomsbury Publishing, 3 September 2001, 978-0747553861

The Demolished Man, Alfred Bester, Gollancz, 8 July 1999, 978-1857988222

Motherland Fatherland Homelandsexuals, Patricia Lockwood, Penguin Books, 27 May 2014, 978-0143126522

Uncommon Places: The Complete Works, Stephen Shore, Thames and Hudson, 20 October 2014, 978-0500544457

Post-Photography: The Artist with a Camera, Robert Shore, Laurence King, 8 September 2014, 978-1780672281

Post-Scarcity Anarchism, Murray Bookchin, AK Press, 12 January 2004, 978-1904859062

True Detection, Gary J. Shipley, Edia Connole, Schism, 17 August 2014, 978-0692277379

Fire and Forget: Short Stories from the Long War, Colum McCann, Da Capo Press, 21 February 2013, 978-0306821769

Mapping It Out: An Alternative Atlas of Contemporary Cartographies, Hans-Ulrich Obrist, Thames and Hudson, 16 June 2014, 978-0500239186

The Social Life of Things: Commodities in Cultural Perspective, Arjun Appadurai, Cambridge University Press, 29 January 1988, 978-0521357265

The Flame Alphabet, Ben Marcus, Granta, 2 May 2013, 978-1847086242

Realist Magic: Objects, Ontology, Causality, Timothy Morton, Michigan Publishing, 9 August 2013, 978-1607852025

In the World Interior of Capital: Towards a Philosophical Theory of Globalization, Peter Sloterdijk, Polity Press, 6 September 2013, 978-0745647692

Suspended Sentences: Three Novellas, Patrick Modiano, Yale University Press, 4 November 2014, 978-0300198058

Ulrich Beck: A Critical Introduction to the Risk Society, Gabe Mythen, Pluto Press, 20 April 2004, 978-0745318141

Radio Benjamin, Walter Benjamin, Verso Books, 7 October 2014, 978-1781685754

Militant Modernism, Owen Hatherley, Zero Books, 24 April 2009, 978-1846941764

The Transparency of Evil: Essays on Extreme Phenomena, Jean Baudrillard, Verso, 15 June 2009, 978-1844673452

The MET Office Book of the British Weather, The Met Office, David & Charles, 25 June 2010, 978-0715336403

The Dispossessed, Ursula Le Guin, Gollancz, 12 August 1999, 978-1857988826

Negative Capitalism: Cynicism in the Neoliberal Era, J.D. Taylor, Zero Books, 29 March 2013, 978-1780992600

Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order, Ulrich Beck, Anthony Giddens, Scott Lash, Polity Press, 25 September 1994, 978-0745612782

Chromophobia, David Batchelor, Reaktion Books, 1 September 2000, 978-1861890740

Introducing Meteorology: A Guide to Weather, Jon Shonk, Dunedin Academic Press, 14 February 2013, 978-1780460024

State of Insecurity: Governement of the Precarious, Isabell Lorey, Verso Books, 3 February 2015, 978-1781685969

Shooting Space: Architecture in Contemporary Photography, Elias Redstone, Phaidon Press, 13 September 2014, 978-0714867427

We Have Never Been Modern, Bruni Latour, Harvard University Press, 31 December 1993, 978-0674948396

Viriconium, M. John Harrison, Gollancz, 13 July 2000, 978-1857989953

Manhunts: A Philosophical History, Grégoire Chamayou, Princeton University Press, 22 July 2012, 978-0691151656

The Corporate Control of Life, Vandana Shiva, Hatje Cantz, 15 April 2011, 978-3775728614

Stuff, Daniel Miller, Polity Press, 23 October 2009, 978-0745644240

The Quadruple Object, Graham Harman, Zero Books, 29 July 2011, 978-1846947001

Stupeur ET Tremblements, Amélie Nothomb, Magnard, 2 February 2009, 978-2210754959

Road to Seeing, Dan Winters, New Riders, 15 March 2014, 978-0321886392

The Language of Things, Deyan Sudjic, Penguin, 27 August 2009, 978-0141031170

The Spectacle of the Void, David Peak, CreateSpace, 1 December 2014, 978-1503007161

Rich and Poor, Jim Goldberg, Steidl, 30 June 2014, 978-3869306889

House of Coates, Brad Zellar, Coffee House Press, 30 October 2014, 978-1566893701

The Technological Society, Jacques Ellul, Random House, 22 February 1973, 978-0394703909

Survey, Stephen Shore, Aperture, 3 November 2014, 978-1597113090

Dictionary of Untranslatables: A Philosophical Lexicon, Barbara Cassin, Princeton University Press, 9 February 2014, 978-0691138701

Time Without Becoming, Quentin Meillassoux, Mimesis International, 28 December 2014, 978-8857523866

What Animals Teach Us about Politics, Brian Massumi, Duke University Press, 15 August 2014, 978-0822358008

Gateway, Frederik Pohl, Gollancz, 29 March 2010, 978-0575094239

10:04, Ben Lerner, Granta, 1 January 2015, 978-1847088918

thN Lng folk 2go: Investigating Future Premoderns, The Confraternity of Neoflagellants, Punctum Books, 31 October 2013, 978-0615890258

Phantom Noise, Brain Turner, Bloodaxe Books, 30 October 2010, 978-1852248765

The Brief and Frightening Reign of Phil, George Saunders, Bloomsbury Publishing, 16 April 2007, 978-0747585961

Here, Richard McGuire, Hamish Hamilton, 4 December 2014, 978-0241145968

The Female Man, Joanna Russ, Gollancz, 11 November 2010, 978-0575094994

Hello World: Where Design Meets Life, Alice Rawsthorn, Hamish Hamilton, 7 March 2013, 978-0241145302

Liquid Modernity, Zygmunt Bauman, Polity Press, 15 March 2000, 978-0745624105

Time Out Of Joint, Philip K. Dick, Gollancz, 11 September 2003, 978-0575074583

The Machine Stops, E.M. Forster, Penguin Classics, 15 February 2011, 978-0141195988

Martin John Callanan. I Cannot Not Communicate (a library consisting of the first 100 books recommended to Callanan by Amazon, based on everything he read and bought since the online retail giant first launched its recommendation algorithm over 15 years ago), 2015.

#martin john callanan #amazon

10 notes · View notes

whiteysredux · 5 years ago

Text

Moral Relativism For Breakfast

“ Moral relativism is an important topic in metaethics. It is also widely discussed outside philosophy (for example, by political and religious leaders), and it is controversial among philosophers and nonphilosophers alike. This is perhaps not surprising in view of recent evidence that people's intuitions about moral relativism vary widely. Though many philosophers are quite critical of moral relativism, there are several contemporary philosophers who defend forms of it. These include such prominent figures as Gilbert Harman, Jesse J. Prinz, J. David Velleman and David B. Wong. The term ‘moral relativism’ is understood in a variety of ways. Most often it is associated with an empirical thesis that there are deep and widespread moral disagreements and a metaethical thesis that the truth or justification of moral judgments is not absolute, but relative to the moral standard of some person or group of persons. Sometimes ‘moral relativism’ is connected with a normative position about how we ought to think about or act towards those with whom we morally disagree, most commonly that we should tolerate them.”

-Stanford Encyclopedia of Philosophy

“...a normative position about how we ought to think about or act towards those with whom we morally disagree.”

Therein lies the problem. Just who in the ever-living FUCK determines just what the “normative” position is, and why in the world would anyone think they have the moral high ground enough to think for one second they have ANY business deciding how ANYONE ought think or act about ANY moral stance?

The so-called liberal minded academia is failing us in the U.S. due to unclear definitions provided in certain institutions of higher learning, mainly between this version of moral relativism and critical theory. Yes, there is a certain line of rhetoric involved in this statement and NO, that does not automatically make it invalid and certainly not conservative. The closest meandering we as humans have to “truth” is by way of inherently abstract language in forming definition, a common basis of understanding that we assign meaning. By it’s very definition,seeking or finding truth in any matter requires a higher degree of objectivity as opposed to subjectivity, or NO moral standing could possibly exist.

In other words, truth isn’t based on what the groupthink of the time dictates (ya know, spewing the party line, determining who is on your team or not). Truth is based on the empirical fact of the matter, not the empirical “theory” favored by those who are regurgitating propaganda for the sake of maintaining funding. The purpose, nay, the MISSION academia is charged with here is not the propagation of truth but the encouragement of individuals to contribute to the further definition of said truths.

Yeah, dude, The Enlightenment, it was a thing, derp.

Author’s note: reblogging of this post must be done in its entirety, creative editing will get you blocked and reported. Not that I believe anyone will reblog it, let alone enter the conversation. Because look, CATS, lol.

#essay #moral relativism #critical theory #stanford #liberal

1 note · View note

ptbf2002 · 2 months ago

Text

Everyone Are Not Happy With Teen Titans GO! 400th Episode

Original Template: https://www.deviantart.com/tagirovo/art/40-Angry-Characters-Reaction-Template-1038191867

Credit Goes To @Tagirovo

0 notes