#david gascoyne

[kristopherbiernat]

25 Books for 2025

Below I will outline 25 books that have had a profound impact on my life. Each book should be easily readable within approximately 2 weeks, meaning that all 25 could, in theory, be read over the course of 2025. All of the books, with a few exceptions, should be available for purchase through the Amazon links I provide. Disclosure: by purchasing through these links you are helping support me and…

[kaggsy59]

Provocative Poetics Part 1! @Blackheraldpres @brokensleep

I had a weekend recently where the mood for short and poetically inspired works took over; I was in the depths of “The Book of Disquiet”, and although I absolutely adore it, it’s a book which can’t be rushed. So I needed something to read alongside it and I spotted some slim volumes sitting on my shelves which looked perfect. In the end, I read four different titles and I thought I would split…

[hermeticmelancholy]

David Gascoyne "And the Seventh Dream is the Dream of Isis"

1 white curtains of infinite fatigue dominating the starborn heritage of the colonies of St Francis white curtains of tortured destinies inheriting the calamities of the plagues of the desert encourage the waistlines of women to expand and the eyes of men to enlarge like pocket-cameras teach children to sin at the age of five to cut out the eyes of their sisters with nail-scissors to run into the streets and offer themselves to unfrocked priests teach insects to invade the deathbeds of rich spinsters and to engrave the foreheads of their footmen with purple signs for the year is open the year is complete the year is full of unforeseen happenings and the time of earthquakes is at hand

today is the day when the streets are full of hearses and when women cover their ring fingers with pieces of silk when the doors fall off their hinges in ruined cathedrals when hosts of white birds fly across the ocean from america and make their nests in the trees of public gardens the pavements of cities are covered with needles the reservoirs are full of human hair fumes of sulphur envelop the houses of ill-fame out of which bloodred lilies appear.

across the square where crowds are dying in thousands a man is walking a tightrope covered with moths

2 there is an explosion of geraniums in the ballroom of the hotel there is an extremely unpleasant odour of decaying meat arising from the depetalled flower growing out of her ear her arms are like pieces of sandpaper or wings of leprous birds in taxis and when she sings her hair stands on end and lights itself with a million little lamps like glow-worms you must always write the last two letters of her christian name upside down with a blue pencil she was standing at the window clothed only in a ribbon she was burning the eyes of snails in a candle she was eating the excrement of dogs and horses she was writing a letter to the president of france

3 the edges of leaves must be examined through microscopes in order to see the stains made by dying flies at the other end of the tube is a woman bathing her husband and a box of newspapers covered with handwriting when an angel writes the word tobacco across the sky the sea becomes covered with patches of dandruff the trunks of trees bust open to release streams of milk little girls stick photographs of genitals to the windows of their homes prayerbooks in churches open themselves at the death service and virgins cover their parents' beds with tealeaves there is an extraordinary epidemic of tuberculosis in yorkshire where medical dictionaries are banned from public libraries and salt turns a pale violet colour every day at seven o'clock when the hearts of troubadours unfold like soaked mattresses when the leaven of the gruesome slum-visitors and the wings of private airplanes look like shoeleather shoeleather on which pentagrams have been drawn shoeleather covered with vomitings of hedgehogs shoeleather used for decorating wedding-cakes and the gums of queens like glass marbles queens whose wrists are chained to the walls of houses and whose fingernails are covered with little drawings of flowers we rejoice to receive the blessing of criminals and we illuminate the roofs of convents when they are hung we look through a telescope on which the lord's prayer has been written and we see an old woman making a scarecrow on a mountain near a village in the middle of spain we see an elephant killing a stag-beetle by letting hot tears fall onto the small of its back we see a large cocoa-tin full of shapeless lumps of wax there is a horrible dentist walking out of a ship's funnel and leaving behind him footsteps which make noises on account of his accent he was discharged from the sanatorium and sent to examine the methods of cannibals so that wreaths of passion-flowers were floating in the darkness giving terrible illnesses to the possessors of pistols so that large quantities of rats disguised as pigeons were sold to various customers from neighbouring towns who were adepts at painting gothic letters on screens and at tying up parcels with pieces of grass we told them to cut off the buttons on their trousers but they swore in our faces and took off their shoes whereupon the whole place was stifled with vast clouds of smoke and with theatres and eggshells and droppings of eagles and the drums of the hospitals were broken like glass and glass were the faces in the last looking-glass.

[thequietabsolute]

5th September, 1938

The present political situation is almost comic, diabolically comic, if one has enough detachment to see it that way: the whole of Europe waiting with bated breath for the 'inspired' utterances of a madman! Everything seems to depend on what Hitler will say at Nuremberg this week. All these diplomatic conversations, and 'exchange of views' and sending of notes, and 'attempted conciliations', – all this flurry and nervous chatter in the international henroosts, – because of the lunatic whims of a paranoic little mediocrity of an Austrian housepainter! — The newspapers talk of nothing but the possibility of war. It's all too desperately futile and disgusting to meditate on, our Western civilisation!

— David Gascoyne, from his Collected Journals, 1936-1942 (1991.)

[mote-historie]

Claude Cahun (Lucy Schwob), La vitrine de chaussures (shoe showcase), London, 1936

Claude Cahun (French pronunciation: [klod ka.œ̃], born Lucy Renee Mathilde Schwob; 25 October 1894 – 8 December 1954) was a French surrealist. Lucy Schwob was a writer, actress, and outspoken member of the Parisian lesbian community between the two world wars. She and Suzanne Malherbe, her stepsister, became partners in life, love, and art, and took the ambiguously gendered pseudonyms Claude Cahun and Marcel Moore for their collaborative theatrical and photographic works. The images they made mostly depict Cahun, and sometimes Moore, in a variety of masculine, androgynous, and feminine personas set in minimally staged scenes in their home. (x)

Claude Cahun and his companion Suzanne Malherbe accompanied Jacqueline Lamba and André Breton to London during the first international exhibition of surrealism, organized by David Gascoyne, Roland Penrose and ELT Mesens, inaugurated on June 11, 1936.

[Anne Egger, 2023, Atelier André Breton] (x)

[artdecoandmodernist]

Claude Cahun (Lucy Schwob), La vitrine de chaussures, London, 1936.

Claude Cahun (French pronunciation: [klod ka.œ̃], born Lucy Renee Mathilde Schwob; 25 October 1894 – 8 December 1954) was a French surrealist. Lucy Schwob was a writer, actress, and outspoken member of the Parisian lesbian community between the two world wars. She and Suzanne Malherbe, her stepsister, became partners in life, love, and art, and took the ambiguously gendered pseudonyms Claude Cahun and Marcel Moore for their collaborative theatrical and photographic works. The images they made mostly depict Cahun, and sometimes Moore, in a variety of masculine, androgynous, and feminine personas set in minimally staged scenes in their home. (x)

Claude Cahun and his companion Suzanne Malherbe accompanied Jacqueline Lamba and André Breton to London during the first international exhibition of surrealism, organized by David Gascoyne, Roland Penrose and ELT Mesens, inaugurated on June 11, 1936.

[Anne Egger, 2023, Atelier André Breton] (x)

[mergingonthefreeway]

Greenpeace - Don't Stop from Samona Olanipekun on Vimeo.

This is no ordinary cover: Don’t Stop is a contemporary fable about being young in the world today. The song is a call to action for people worried about their future and the state of the planet, and a rallying cry for those who dream of a better tomorrow. Together we can stand up to the fossil fuel industry. Add your name now: act.gp/3qIN8o6

Production Company: Lammas Park @lammas_park_productions

Director - Samona Olanipekun @samona_o Exec Producers - Steve McQueen, Bona Orakwue @bonaclara7, Anna Smith Tenser @smithspanna Producer - George Telfer @gtelfs

Production Manager - Chanel Parkinson @chanellyonthetelly PA - Hannah Lockwood @hanlockwood Cast Coordinator - Beth Rubery @beth.rubery Production Runner - Tom Gimlette @tomgimlette

Researcher - Shireen Bahmanizad @shireen_bahmanizad Researcher - Conall O’Brien @conallobrien Bidding Producer - Nat Baring @natanatics Lammas Park Head of Operations - Nicholas Horne Lammas Park Production Assistant - Umashni Puvanendran

1st AD - Gabriel O’Donohue @_gabriel.odonohue_

Movement Director - Liara Barussi @liarabarussi Casting Director - Coralie Rose @coralie_blamo_rose

DOP - Annika Summerson @annisummerson Steadicam / Camera Op - Jonathan Tyler @jonotyler Focus Puller A Cam - Kate Mollins @kate__mo_ Focus Puller B Cam - Sam Ebrahim Riley @samrileyac Clapper / Loader - Sonia Rogriguez Camera Trainee - Lucas Murray Reynolds Grip - Warwick Drucker

Video Playback - Robbie Ross @rsvp.london DIT - Ben Grady @colour.grady Sound Recordist - Anthony Leung @anthonyleungsound

Gaffer - Salvador Lopez-Gomez @glofilmlighting Best Boy - Jamie Hitchens @jamiehitchens Desk Op - Noah Furrer Electricians - Charlie Lodge, Lee Madigan, Nathan Rubins Rigger - Steve Daly @steve_daly

Production Designer - Jade Adeyemi @adeyumyum Prop Buyer - Martha Howe @martha.howe, Matty Mancy @matty.mancey Led Art Assistant - Lea Otovic @leaotovic Art Dept Assistant - Isabelle Bryan, Nana-yaw Mensah @nyk_mensah, Lucia Barsegian @luciabarsegian, Daisy Alexander, Fenella Evans @fen.art_, Sofia Karavis @sofiakara

Construction by Cous De La @cousdela

SFX Supervisor - Neil Gawthrop SFX Technicians - Miguel Ferreira, Jonathan Long SFX by Machine Shop @machineshopsfx

Costume Designer - Verity May Lane @veritymaylane Costume Assistants - Amy Thompson @a_thompson, Johanna Yohannes, Ellie Rimmer @ellie_r1

Make Up Designer - Maya Man @mayamanartist Make Up Assistants - Chelsea Murphy @sculptedbychelsea, Nic Marilyn @nicmarilyn Hair Designer - Kreszend Sackey @kreszendsackey Hair Assistant - Viviane Melo @vivianemelomua

Medic - Verity Stacy

Editor - Jack Williams @__jackwilliams_ Edit House - The Assembly Rooms @the_assembly_rooms Edit Producer - Phoebe Armstrong-Beaver Sound Designer - Jack Sedgwick @snappajack Audio Post - King Lear @kinglearlondon Audio Producer - Suzy McGregor Colourist - George Kyriacou @georgekcolourist Post - Black Kite Studios @blackkitestudios VFX - Mark Stannard Colour Producer - Holly Tidwell @holly_tidwell, Jade Denne @jadedenne

Camera - Panavision @panavisionofficial Lighting - Panalux @panaluxworld Studio - Dukes Island Studios Insurance - Dan Woods at Media Insurance Brokers Accountancy - Robert Okonski & Emmanuel Lindsay at Clay GBP

Casting Assistants - Laura Meredith Additional Casting - Lauren Patterson @ Jukebox Collective Agency

CAST:

Speech Givers: Kyle Osbourne Lili Chin

Tomorrow’s Warriors: Kyle Osborne, Emily Tran, Cassius Cobbson, Shanise, David, Tami Lisa Smith

Waiters & Kitchen Staff Cameron Berryman, Izaebella Cresci, Christopher Mbaki, Jinessa Meggi, Ebony Aboagye, Oliver Manley, Kade Turner, Geddy Stringer

Party Guests: Graham Collier, Anja Kick, Philippa Casares, Noreen Goodwin, Benji Ming, Catherine Cornwall, Huma Mohyuddin, Ellie Madden, Albert Graver, Rainier Manzano, Ruby Gascoyne, Sharifa Butterfly, Haseeb ‘Chilly’ Hearn, Duran Abdullah, Mikael Rivieri, Patrick Gabco, Ellie Harlulow, Rogerio Ghesti, Katerina Bragin, Michael Ahfong, Kesiena Banye, Beverly Connel, Jeanette Maskell, Peter Wilkinson

and Featuring: Will Poulter, Fraser T Smith and Avelino

MUSIC

Written by: Christine McVie / Universal Music Publishing Group Produced by: Fraser T Smith / 70Hz Original Rap verses: Avelino Music Supervision and Consultancy: Ed Bailie and Seb Whyte / Leland Music Music Marketing: Olivia Hobbs and Clare Wright / Blackstar Agency Performed by: Future Utopia X Avelino X Tomorrow's Warriors With thanks to: House Gospel Choir, Benjamin Kwasi Burrell, Janine Irons, Fish Krish, Gabriel Starkey, Patricia Pascal

AGENCY

Creative Agency: Mother London Creative Director: James Sellick @jamessellickauthor Creative: Scott Anderson @scottanders44 Title Design: Ben McNaughton Head of Production: Anna Murray @annasedgwick Producers: Tommy Frankau @tommyfrankau, Nic Akinnibosun, Joseph Ogunmokun Epilogue: Written by Scroobius Pip in collaboration with Greenpeace, performed by Lilli Chin Special Featured Performance: Will Poulter

[ulkaralakbarova]

The story of Florence Foster Jenkins, a New York heiress, who dreamed of becoming an opera singer, despite having a terrible singing voice. Credits: TheMovieDb. Film Cast: Florence Foster Jenkins: Meryl Streep St. Clair Bayfield: Hugh Grant Cosmé McMoon: Simon Helberg Kathleen Weatherley: Rebecca Ferguson Agnes Stark: Nina Arianda Phineas Stark: Stanley Townsend John Totten: Allan Corduner Earl Wilson: Christian McKay Carlo Edwards: David Haig Dr. Hermann: John Sessions Kitty: Brid Brennan Arturo Toscanini: John Kavanagh Mrs Vanderbilt: Pat Starr Mrs. James O’Flaherty: Maggie Steed Mrs Oscar Garmunder: Thelma Barlow Mrs EE Patterson: Liza Ross Baroness Le Feyre: Paola Dionisotti Mrs Patsy Snow: Rhoda Lewis Lily Pons: Aida Garifullina Augustus Corbin: David Mills Carlton Smith: David Menkin Cpl. Jones: Sid Phoenix Pvt. Smith: Tunji Kasim Orlando Adams: Carl Davis Microphone Engineer: Lloyd Hutchinson Elevator Operator: Richard Kilgour Ernest Ziegler: Jonathan Plowright Donaghy: Josh O’Connor Tallulah Bankhead: Nat Luurtsema Colonel: Ewan Stewart Gino: Cameron Cuffe News Vendor: John Guerrasio Edgar Booth Cunningham Jr: Elliot Levey Clifford B. Thornton III: Danny Mahoney Cole Porter: Mark Arnold Film Crew: Writer: Stephen Frears Director of Photography: Danny Cohen Screenplay: Nicholas Martin Producer: Michael Kuhn Producer: Tracey Seaward Editor: Valerio Bonelli Casting: Kathleen Chopin Casting: Leo Davis Casting: Lissy Holm Art Direction: Gareth Cousins Art Direction: Christopher Wyatt Production Design: Alan MacDonald Costume Design: Consolata Boyle Supervising Art Director: Patrick Rolfe Script Supervisor: Sue Hills Music Director: Terry Davies Music Editor: Stuart Morton Music Supervisor: Karen Elliott Assistant Costume Designer: Rosie Grant Costume Supervisor: Marion Weise Camera Operator: Iain Mackay Gaffer: Paul McGeachan Camera Operator: Lucy Bristow First Assistant Camera: Andrew Banwell First Assistant Camera: Iain Struthers Additional Camera: Jason Ewart Special Effects Supervisor: Manex Efrem Visual Effects Coordinator: Jenny King Visual Effects Producer: Noga Alon Stein Visual Effects Supervisor: Adam Gascoyne Visual Effects Editor: Edd Gamlin Sound Effects Editor: Phil Lee Sound Re-Recording Mixer: Dafydd Archard Sound Re-Recording Mixer: Mike Dowson Supervising Sound Editor: Becki Ponting Supervising Sound Editor: Ian Wilson Makeup Artist: J. Roy Helland Hairstylist: Anita Burger Hairstylist: Andrea Cracknell Hairstylist: Beverley Binda Makeup Designer: Daniel Phillips Makeup Artist: Karen Cohen Makeup Artist: Tahira Herold Wigmaker: Ray Marston Digital Intermediate: Rob Farris Digital Intermediate: Patrick Malone Digital Intermediate: Gemma McKeon First Assistant Editor: Karenjit Sahota Stunt Coordinator: Eunice Huthart Stunt Coordinator: Jo McLaren Assistant Art Director: Aoife Warren Original Music Composer: Alexandre Desplat Foley Artist: Andrea King Conceptual Design: Elo Soode Carpenter: Josh Wood Movie Reviews: Reno: **Nothing is greater than to have a supportive life partner by side.** I follow closely what films are announced and what are getting released. Sometimes its common that some films comes out without my knowledge, particularly non-Hollywood English language films. This British film was about a wealthy couple from the New York, especially the husband who tries his best to fulfill his seriously ill wife’s dream to be an opera singer. The problem is she’s not any good. Not just him, but everybody who is close to them and once laughed at her, try to understand them and give their support. But not all the occasion seems to remain the same. So on one such a big event, the disaster strikes and how it affects the couple is the rest of the tale to disclose. A very surprising film. I thought it was just a comedy like it brings small smiles on our face, but I laughed out loud on many occasions. This is definitely a right time, because I felt like it was a music and cinematic version of the American presidential candidate Don Trump. Yep, there not much difference, but still this ...

[emzeciorrr]

Let's Not Go Away from Blue Zoo on Vimeo.

Watch the Making of: vimeo.com/379284359

Every Christmas we do something a bit unique that represents and challenges our studio's diverse styles and skills. This time we have turned to our new dedicated 2D animation studio who have created something very special.

The first 2D #BZshorts film is directed by People and Talent Coordinator, Katie Gascoyne. Our commitment to pioneering new talent and giving opportunities to ALL staff is at the heart of the shorts program. This year, there was a blind pitch where the whole company was invited to pitch an idea for the music video to Scouting for Girl’s Christmas single. Specifically, the brief asked for an “odd couple.” Katie won the blind pitch with a heart-warming pairing between Dan, a living gingerbread man, and his human girlfriend, Mandy.

Directed By Katie Gascoyne

Storyboard By Luke Allen Jacques Gauthier

Art Direction Jacques Gauthier

Development Andrew Scott Jovan de Melo Maeva Verdun Adam Willis Larisa Bumb Francesco Guarini

Character Design Tena Galovic Katie Gascoyne

Prop Design Eva Strautkalne

Illustration Sophie Gallo

Rigging Plamen Ananiev Niki Kehoe Elijah Mazur Sonia Naqvi Georgia Read-Smith

Background Design Sam Bailey Kasia Brzezińska Charlotte West

Background Layout Farhad Chams Sebastian König Charlotte West Wei Wu

Background Paint Alice Geoffriault Lucy Munro Niccolo Magni Jovan De Melo Junior Nicola Coppack Katie Barry Maeva Verdun

Animation Lead Mateus Lima

Animators Emilliano Alcocer Stefanos Chrysanthou Michael Logar Lewis Nash Marcelo Perin Giulia Ranialo Saeed Rezvani Billy Shing Joe Sutherland Fernanda Valverde Eduardo Vazquez Elnaz Forouhari

Comp & FX Stuart Geddis Millie Spouse Jodi Henry Tania Maccaferri

Pipeline TD Chris Carter

Edit Alec Smith

Music ‘Let’s Not Go Away’ a Song by Scouting For Girls Music & Lyrics by Roy Stride, David Freedman, Jackson Freedman

Sound Design John Sutherland

Exec producer Oli Hyatt

Producer Denise Green

Production Manager Nikitha Mannam

Special Thanks Tom Box Adam Shaw Laura Annis Sony Music All @ Blue Zoo

Made by Blue Zoo Animation Studios © Blue Zoo Productions Ltd 2019

[yourdailyqueer]

David Gascoyne (deceased)

Gender: Male

Sexuality: Gay

DOB: 10 October 1916  

RIP: 25 November 2001

Ethnicity: White - British

Occupation: Poet, activist

[ubu507]

I always see once more the room where I came to break with you the bread of our desires, I always see once more your undressed pallor which unites in the morning with the disappearing stars. I know I am going to close my eyes again in order to rediscover the colors and conventional forms which allow me to approach you.

--  Paul Éluard

[werkboileddown]

[tabernacleheart]

Always, wherever, whatever, however,

When I am able to resist

For once the constant pressure of failure to exist,

Let me remember

That truly to be man is to be man aware of Thee

And unafraid to be. So help me God.

David Gascoyne, ‘Fragments towards a religio poetae’

[sistridargento]

The Cage

In the waking night The forests have stopped growing The shells are listening The shadows in the pools turn grey The pearls dissolve in the shadow And I return to you Your face is marked upon the clockface, My hands are beneath your hair And if the time you mark sets free the birds And if they fly away towards the forest The hour will no longer be ours Ours is the ornate birdcage The brimming cup of water The preface to the book And all the clocks are ticking All the dark rooms are moving All the air's nerves are bare. Once flown The feathered hour will not return And I shall have gone away.

David Gascoyne

[soul-and-blues]

Vivre, et respirer Et aspirer, sentir le feu Surgir à travers la partie mortelle et gagner Par des veines calcinées encore plus haut ! Mais qui n’a pas vécu une heure Dans la condition condamnée de notre sang Sans connaître comment une blessure comme une flamme noire Exquise, irréparable, peut éclater dans son éclosion Dans ce qui est immortel en nous, sans recevoir Notification de la faute : être vivant !

David Gascoyne