#dave kilminster

[musicmags]

[pinkfloydhq]

‘Which One’s Pink’? 🎧 📸 Dave Kilminster

[adominguezs]

Roger Waters - The Wall. Año 2015. Edición USA. Rock Progresivo. Columbia.

Es una gira mundial del conocido álbum The Wall de la banda británica Pink Floyd, publicado en triple vinilo el 19 de noviembre de 2015.

Músicos Roger Waters - voz principal, bajo, guitarras, trompeta y clarinete. Dave Kilminster - guitarras. Snowy White - guitarras George Edward Smith - guitarras y bajo. Graham Broad - batería y percusión. Jon Carin - teclados, sintetizador, guitarras y voz. Harry Waters - piano, órgano y sintetizador. Robbie Wycoff - voz principal. Jon Joyce - coros. Kipp Lennon - coros. Mark Lennon - coros. Michael Lennon - coros.

Producción Clare Spencer - productor. Nigel Godrich - productor. Graham Boswell - recorder. Mark DeSimone - mixer.

Tracklist:

A1 In The Flesh? 4:16 A2 The Thin Ice 2:48 A3 Another Brick In The Wall, Part 1 4:09 A4 The Happiest Days Of Our Lives 1:26 A5 Another Brick In The Wall, Part 2 3:46 A6 The Ballad Of Jean Charles De Menezes 2:55

B1 Mother 6:45 B2 Goodbye Blue Sky 3:40 B3 Empty Spaces 2:47 B4 What Shall We Do Now? 1:31

C1 Young Lust4:03 C2 One Of My Turns 3:26 C3 Don't Leave Me Now 4:13 C4 Another Brick In The Wall, Part 3 1:23 C5 Last Few Bricks 3:15 C6 Goodbye Cruel World 1:35

D1 Hey You 4:43 D2 Is There Anybody Out There? 2:42 D3 Nobody Home 3:44 D4 Vera 1:09 D5 Bring The Boys Back Home 1:55

E1 Comfortably Numb 7:35 E2 The Show Must Go On 2:32 E3 In The Flesh 4:43 E4 Run Like Hell 6:28

F1 Waiting For The Worms 4:01 F2 Stop 0:31 F3 The Trial 6:31 F4 Outside The Wall 4:32

[metalindex-hu]

Már csak két hét van hátra Roger Waters koncertjéig

Már csak két hét van hátra Roger Waters koncertjéig - https://www.rockvilag.hu/hirek/koncertek/mar-csak-ket-het-van-hatra-roger-waters-koncertjeig/ -

 Alig picivel több mint két hét múlva a Pink Floyd egykori legendás basszusgitárosa, dalszerzője újra Budapesten ad koncertet. Roger Waters This Is Not A Drill turnéja 2023 tavaszán és nyarán Európában lesz látható. A 40 állomásos koncertkörút március 17-én Lisszabonban indul és 14 országot érint, köztük Magyarországot is, Roger Waters 2023. április 23-án a budapesti MVM Dome-ban lép fel.

A koncerten 20 dal csendül fel a Pink Floyd és Roger Waters klasszikusaiból, többek között az Us & Them, a Comfortably Numb, a Wish You Were Here és az Is This The Life We Really Want?, valamint debütál Roger Waters vadonatúj, The Bar szerzeménye.

Roger Waters az ének mellett gitáron, basszusgitáron és zongorán is játszik, Jonathan Wilson és Dave Kilminster gtáron, Jon Carin gitáron és billentyűs hangszeken, Gus Seyffert basszusgitáron; Robert Walter billentyűs hangszereken, Joey Waronker dobokon kísérik; valamint. Shanay Johnson és Amanda Belair vokálosok és Seamus Blake szaxofonos lép színpadra a koncerten.

Az előadásra több fajta VIP csomag is kapható, részletek a https://vipnation.eu/rogerwaters oldalon.

[raiseyourgoblet-of-rock]

If anyone has any current fan mail addresses for anyone in Pink Floyd or related to the band please drop them in this post!

[notesonnewyork]

Absurd New York #91: Quotes by Trump Edition

In a world of slogans and soundbites, a brand jingle here and a sales pitch there, with oxymoronic pairings and definitions-be-damned, where search engine optimization is more sought after than content, and “liking” what’s written or uttered more lauded than actually comprehending it, are we becoming more anesthetized to words? Is the overload of all these things making us lazy and less willing to be critical of what passes before us? If so, isn’t that frightening? For all those who have the ability, and all those who still value language, the answer is emphatically YES.

In perhaps the most poignant part of Roger Waters’ current Us + Them Tour, Waters forces the issue. Near the end of Pink Floyd’s “Pigs (Three Different Ones),” the show’s massive LED screens flash a few of the things Donald Trump has said around the arena. Whether you care about Trump or not, whether you remember what he’s composed for public consumption or not, no matter: You’re challenged to think. You’re tasked with understanding his words and considering what they mean. Any maybe, just maybe, being detached from the image he cultivates for a moment you’ll be able to take a true measure of the man. Let’s give it a try.

----

“Im not schmuck. Even if the world goes to hell in a handbasket, I won’t lose a penny.” 

On March 12, 1989, a piece by Glenn Plaskin appeared in the Chicago Tribune. The headline was “Trump: The People’s Billionaire.” Under the subheading “Tiny Trumps,” Plaskin wrote that “For R and R, in between tending to the little Trumps...Daddy raids corporations.” Also, having convinced banks and other investors to lend him money on the strength of his name alone--they gave him “instant credit” lines because they thought he had “unlimited collateral”--Trump went about building the Taj Mahal in Atlantic City for $725 million and purchasing the Plaza Hotel on Central Park South for $400 million. In reality, though, he only spent $50 million of his own money to buy the Taj. The remaining $675 million was “financed with uncollateralized junk bonds.” As far as the Plaza went, most of that $400 million was “borrowed.” 

As Trump “reflected” during the interview, Plaskin recorded his words: “I’m not a schmuck. Even if the world goes to hell in a handbasket, I won’t lose a penny.” And he wouldn’t. When Trump bankrupted the Taj in 1991 and the Plaza too in 1992, he wasn’t left holding the worthless bonds or losing income from missed interest payments, his investors were. As far as the economic losses that got passed down to his employees, well, they weren’t his problem either. None of them did any damage to his bank account. 

“A nation without borders is not a nation at all. We must have a wall.”

Trump first tweeted it out on July 14, 2015, and then again on July 28th as an attack on Jeb Bush, one of his then opponents in the Republican presidential primary. He’d double down with it again on September 17, 2016, only this time he including the hashtag “#AmericaFirst.” After being elected president, Trump decided to make his Twitter decree a cornerstone of national security policy. “Mexico will pay for the wall!” he tweeted. Of course it will, that’s why he’s spent the past year and a half trying to cajole Congress into giving him the funds. 

So aside from sounding like Pink, the megalomaniac protagonist of Pink Floyd’s album “The Wall”--who, coincidentally, also wanted to barricade himself off from the rest of the world--what gives with Trump’s definition of what makes a nation? If you peruse the nearest map, you’d notice plenty of boundaries drawn around land masses across the globe. Don’t those markings designate countries? Is Canada, for example, somehow less a country because it hasn’t defined its sovereignty with a magnificent wall on the United States’ northern border?

“It’s freezing and snowing in New York--we need global warming!”

Although Trump has offered variations on this theme over the years, the original appeared via Twitter on November 7, 2012. Back then, the high temperature in New York was 41 degrees fahrenheit and the low 34. Sounds like just another pre-winter day in the Northeast, right? 

Well, according to the folks at Custom Weather, not exactly. From 1985 to 2015, the average November day posted a high of 54 and a low of 41. Now, granted that particular November 7th was colder than normal, but it’s not as if the recorded high were zero and the low -15 as Trump would have had Twitter believe. Besides, his conclusion was wrong anyway. Given that November 7th’s readings were outliers, perhaps they were actually the predicted effect of a climate in flux. If so, he needn’t have clamored for global warming at all. It had already arrived. 

“I was down there and I watched our police and our fireman, down on 7-Eleven, down at the World Trade Center, right after it came down.”

On April 18, 2016, that’s what Trump said at a presidential campaign stop at the First Niagara Center--today’s KeyBank Center--in Buffalo, NY. Yes, he inexplicably confused 9-11 with the Japanese-based chain store, sure, and didn’t bother to correct his mistake, but the core of what he proclaimed wasn’t true anyway. 

On the morning of September 11, 2001, Trump actually called into the live broadcast on WWOR-TV Fox 5 Local News. (Although the station’s antenna was destroyed with the Twin Towers, its signal was being transmitted by other conduits.) He told anchors Alan Marcus and Brenda Blackmon that he saw the tragedy unfold from his apartment in Trump Tower at 5th Avenue and 56th Street--several miles from ground zero. Moreover, when Marcus asked “Did you have any damage, or did you--what’s happened down there?” he replied:

“40 Wall Street [a 71-story building he owned under the guise of “40 Wall Street, LLC”] actually was the second tallest building in downtown Manhattan, and it was actually, before the World Trade Center, was the tallest--and then, when they built the World Trade Center, it became known as the second tallest. And now it’s the tallest.”

Despite the horrific circumstances, he apparently couldn't resist promoting his interests. He even threw in an extra hyperbole. According to city property records, the 66-story building at 70 Pine Street--formerly known as the American International Building and the Cities Service Building--was actually 25 feet higher than his 40 Wall Street at the time. And still is. 

Now 40 Wall Street didn’t suffer any damage in the terrorist attack, but the Trump Organization still applied for a $150,000 grant being offered to help small businesses in the aftermath. Known as World Trade Center Business Recovery Grants, they were given to businesses in Lower Manhattan with less than $8 million in annual revenue. However, in spite of generating $16.8 million that year, 40 Wall Street was still awarded a grant by the Empire State Development Corporation. 

“You know, it really doesn’t matter what the media write as long as you’ve got a young, and beautiful piece of ass.”

While researching a story printed in the May 1991 edition of Esquire called “Donald Trump Gets Small,” Harry Hurt III was expertly entertained by the man himself. Trump took him on a VIP tour of the Trump Taj Mahal in Atlantic City and that apparently had the desired effect. When Hurt began his story, he scribed, “Given the kind of year he has had, Donald J. Trump might be forgiven a little ego candy.” What? Even then, the media seemed unfazed by what was happening under his shiny veneer. 

At the time, the very casino Trump was showing to Hurt, the Taj Mahal, was going bankrupt. The Trump Castle, another Atlantic City casino, was destined for a similar fate until his father forestalled the inevitable. In December 1990, Fred Trump bought $3 million worth of chips at the Castle and left them in the casino cage so his son could use them pay off a bond payment on the property. Meanwhile, as Ivana Trump argued for more money from their divorce settlement, Marla Maples, the woman with whom Trump committed adultery while married to Ivana, was “pressuring him to propose in the wake of his highly publicized dalliance with model Rowanne Brewer.” But all that was seemingly of little consequence. Hurt remarked:

“One might think that the chill breath of potential collapse and enough tacky publicity to shame Pia Zadora might have taken the swagger out of Donald J. Trump. One would be wrong.

‘You know,’ [Trump] muses philosophically as we return to our ringside seats [in the Taj Mahal for the Ray Mercer-Frabcesci Damiani heavyweight fight], “it really doesn’t matter what they write as long as you’ve got a young and beautiful piece of ass.

‘But,’ he adds after a pause that suggests this is a distinction with a difference, ‘she’s got to be young and beautiful.’”

In other words, he’d never be held accountable by the media, by investors, by anyone if he could razzle-dazzle them with the women he attracted. Case and point: Hurt’s profile reads like a breezy apology for the economic havoc Trump was soon to unleash on Atlantic City. Something like “Give him a break, he’s too nice a guy to punish. After all, he gave me ringside seats, a few fun girls, and a comped penthouse suite for the night.”

-----

So how did you do? Did you measure the man by his words, or were you dumbfounded again by the show?

-----

(With Roger Waters and company at Barclays Center. Photos by Riff Chorusriff. Reading the Trump quotes pulled and projected under the watchful eye of Waters’ creative director/set designer Sean Evans. You can view more of Evans’ ingenuity on Instagram @deadskinboy. September 12, 2017.)

[progtopus-blog]

Song: Nowhere Now Album: To The Bone Artist: Steven Wilson Purchase Here

[krispyweiss]

Roger Waters at Heritage Bank Center, Cincinnati, Ohio, Aug. 2, 2022

Roger Waters and his band paraded off the in-the-round stage and into their dressing room where they performed the final measures of the funereal “Outside the Wall” - their images beamed onto the large screens that towered over the stage they’d just vacated.

The lights came up. And it was over.

It was a quiet - yet powerful - conclusion to a bombastic display of music, sound and lighting effects, inflatable pigs and political messaging inside Cincinnati’s Heritage Bank Arena on Aug. 2, after a 731-day, pandemic delay.

The show - advertised as starting “promptly at 8” - was played to a bunch of empty seats and started promptly at 8:30 after a 15-minute countdown and a disembodied emcee telling the audience: “If you’re one of those ‘I-love-Pink-Floyd-but-I-can’t-stand-Roger’s-politics people,’ you might do well to fuck off to the bar right now.”

A cheer arose as Waters and band - guitarists Jonathan Wilson and Dave Kilminster (who sang “Money” and “Us and Them”); keyboardists Jon Carin and Robert Walter; bassist Gus Seyffert; drummer Joey Waronker; saxophonist Seamus Blake; and singers Shanay Johnson and Amanda Belair - began a dirge-like reading of “Comfortably Numb.” Still, some numbskulls chanted “USA!, USA!” as the eight intersecting screens showed images of U.S. bombs killing innocent photographers in Iraq.

Across sets of 60 and 75 minutes, respectively, Waters - on electric bass, piano and acoustic guitar - spanned his much of his career from The Dark Side of the Moon’s second side (which appeared in the homestretch) to 2017’s Is This the Life We Really Want?, whose “Déjà Vu” was one of multiple highlights in the 23-song concert.

At 78, Waters seems to have lost nothing except for some animosity for his former bandmates. He spoke of Pink Floyd with pride - notably using the word we when discussing the making of Animals - and shared video of the band during what may have been the happiest days of their lives.

A song with a similar title was played. As were “Shine On You Crazy Diamond (Parts VI-IX),” “Sheep,” “In the Flesh” - which opened set 2 with Waters in his faux-Nazi getup and persona - and “Two Suns in the Sunset,” which found Waters stopping during the intro to switch guitars.

These, too, were highlights.

Honestly, though, every track was a winner, with the possible exception of “Wish You Were Here,” which would’ve benefitted from Kilminster on the mic.

“Fuck the Supreme Court, “Free Julian Assange” and “Human Rights” were among the messages that appeared on the screens intermingled with images of war, animated Pink Floyd iconography and humanity’s colorful diversity.

And while the show was macro and concerned itself with the world’s injustices, Waters summed the true micro meaning of his This is Not a Drill tour with text that scrolled across the screens alongside images of Syd Barrett as the band played “Have a Cigar” amid a run through Wish You Were Here’s second side:

“When you lose someone you love, it does serve to remind you this is not a drill,” it read.

Roger, that.

Grade card: Roger Waters at Heritage Bank Center - 8/2/22 - A

See more photos on Sound Bites’ Facebook page.

8/3/22

[earpeeler]

Australian Musician – Dave Kilminster (Roger Waters Band) Interview Dave Kilminster was recently in Melbourne as guitarist for Roger Waters' Us + Them tour. Australian Musician's Greg Phillips sat down for a chat with Dave about his gear, solo career and touring with Roger Waters

[hauntedbydesign]

The Roger Waters Us + Them concert cheered me right up after that gross ED episode. I’ve got to see him live next time he (hopefully) plays in London.

Hats off to Dave Kilminster, he played Gilmour’s guitar solos to perfection.

[effectsdatabase]

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[justmicro]

Roger waters st paul

#ROGER WATERS ST PAUL FULL#

Gilmour appeared at the show at The O2, London playing lead guitar on "Comfortably Numb" and mandolin on " Outside the Wall", on which they were also joined by Nick Mason on tambourine. Following a charity gig Waters performed with his former Pink Floyd bandmates on 10 July 2010, he confirmed that David Gilmour would guest on " Comfortably Numb" at one show during the tour.

#ROGER WATERS ST PAUL FULL#

On 23 April, the full band line-up was announced on Roger Waters's Facebook page. He was replaced by cousin Pat Lennon, also of Venice. Kipp Lennon, Mark Lennon and Michael Lennon of the band Venice were confirmed for backing vocal duties, but Michael Lennon withdrew from the band due to rehearsal difficulties. Snowy White (who was a session and tour musician with Pink Floyd in the 1970s, and was in the tour band for the original 1980–81 tour for The Wall) and Dave Kilminster were the first musicians confirmed to be in Waters's touring band. Waters, a pacifist, incorporated an increased emphasis on the show's anti-war message, and he requested fans to send him pictures of loved ones who have died as a result of wars. After the 21 September 2013 Paris show he claimed on stage this to be possibly the last The Wall show, confirming rumours that there will be no further tour dates planned for 2014. The tour returned to European stadiums again in summer 2013. This last show in Quebec City was the second largest outdoor production of "The Wall" ever – the largest being the Live in Berlin show in 1990. It was confirmed by Waters during an interview with Jimmy Fallon that he would be returning to North America for yet another leg of The Wall tour, beginning 27 April 2012 in Mexico City and ending 21 July 2012 in Quebec City on the Plains of Abraham, a former battlefield. In 2012, the tour included Australia, New Zealand, and South America, resuming 27 January in Perth, and ending 1 April 2012 in São Paulo. The European tour began 21 March 2011 in Lisbon, Portugal, and ended 12 July 2011 in Athens, Greece. The tour opened on 15 September 2010 in Toronto, and moved through North America before ending the first leg of the tour in Mexico City, 21 December 2010. It is currently the 7th highest-grossing tour of all-time. In 2013, the tour held the record for being the highest-grossing tour for a solo musician, surpassing the previous record holder, Madonna (the record was later eclipsed by Ed Sheeran). It was the second-highest-grossing concert tour in North America in 2010 and the third-highest-grossing concert tour worldwide as of 2013. The first leg of the tour grossed in North America over $89.5 million from 56 concerts. The tour is the first time the Pink Floyd album The Wall has been performed in its entirety by the band or any of its former members since Waters performed the album live in Berlin 21 July 1990. The Wall Live was a worldwide concert tour by Roger Waters, formerly of Pink Floyd.

[progtopus-blog]

Song: Happy Returns Album: Hand. Cannot. Erase. Artist: Steven Wilson Purchase Here

[laguitarschool-blog]

#musicianmonday #artist #musician #guitarist #teacher #dave #kilminster Dave kilminster guitarist for Steven Wilson and Rodger Waters, and proud to say one of my teachers in 1994.

[bolannezswish]

who's your favourite bassist and drummer? :)

That's a tricky one! I'd say that my favourite bass player is either John Entwistle or Lemmy Kilminster (from Motorhead) and my favourite drummer is either Keith Moon or Dave Grohl. Thanks for asking. How about you?

[progspherepromotions]

STEVEN WILSON: "I've Always Been More Interested in Musicians That Serve the song"

Steven Wilson talked about recording the vast majority of guitar tracks on his latest album To the Bone, explaining to Innerviews: “I think it was a natural consequence of the decision to make a more song-based record. “The one thing I felt strongly when it came to solos on this album is I wanted them to be an extension of the vocal melodies. “When you bring in a superstar guitarist like Guthrie…