#gus seyffert

[longliverockback]

Roger Waters The Dark Side of the Moon Redux 2023 Cooking Vinyl ————————————————— Tracks: 01. Speak to Me 02. Breathe in the Air 03. On the Run 04. Time 05. The Great Gig in the Sky 06. Money 07. Us and Them 08. Any Colour You Like 09. Brain Damage 10. Eclipse —————————————————

Jon Carin

Gus Seyffert

Johnny Shepherd

Joey Waronker

Roger Waters

Jonathan Wilson

* Long Live Rock Archive

[radiomaxmusic]

Friday, October 6, 2023 3pm ET: Feature LP: Roger Waters - Dark Side of The Moon Redux (2023)

The Dark Side of the Moon Redux is the seventh studio album by the English musician Roger Waters, released October 6, 2023. It is a rerecording of The Dark Side of the Moon (1973) by Waters’ former band, Pink Floyd, released for the album’s 50th anniversary. Redux was produced by Waters and Gus Seyffert. Waters co-founded the rock band Pink Floyd in 1965. Their 1973 album The Dark Side of the…

[coffeeoysterlayaway]

"You, you know just what I am And you, accept the boy inside the man And I keep hoping you can hold on if I can"

Gus Seyffert

[adominguezs]

Roger Waters - The Dark Side Of The Moon Redux. Año 2023. Edición Europea. Rock Progresivo. SGB.

Es el septimo álbum del músico. Es una nueva versión del disco de Pink Floyd, "The Dark Side Of The Moon", lanzada por su 50 aniversario.

Sencillos: "Money", "Time" y "Speak to me / Breathe".

Músicos Roger Waters - voz, bajo y VCS3. Gus Seyffert – bajo, guitarra, percusión, teclados, sintetizador y coros. Joey Waronker - batería y percusión. Jonathan Wilson - guitarras, sintetizador y órgano. Johnny Shepherd - órgano y piano. Vía Mardot - theremín. Azniv Korkejian - voz. Gabe Noel - arreglos de cuerdas, cuerdas y sarangi. Jon Carin - teclados, lap steel , sintetizador y órgano. Robert Walter - piano en "The Great Gig in the Sky"

Producción Roger Waters - productor. Gus Seyffert - productor.

Tracklist: A1 Speak to Me 1:54 A2 Breathe 3:22 A3 On the Run 3:47 A4 Time 7:19

B1 The Great Gig in the Sky 5:47 B2 Money 7:33

C1 Us and Them 7:36 C2 Any Colour You Like 3:18 C3 Brain Damage 4:55 C4 Eclipse 2:20

D1 Untitled

[dont-read-the-latin]

HEY!! so i found this album a year or so ago and i love it so much. i don't think they have any other stuff because i'm only able to find this one album on any music streaming platform i check. i know the lead, gus seyffert, has some solo stuff. i'm mainly just posting this because i really like this album and think more people should hear it. :)

the album is "i know what you're up to" by willoughby. here's the link to the album on youtube music:

[brn1029]

Time for your Rock Report

Roger Waters is set to drop The Lockdown Sessions, an album of material recorded during the pandemic, on CD and vinyl on June 2. The Lockdown Sessions was produced by Waters and Gus Seyffert and feature five seminal tracks from Waters' time with Pink Floyd and his solo career. The tracks on the album include "Mother" and "Vera" from The Wall; "Two Suns In The Sunset" and "The Gunner's Dream" from Waters final Pink Floyd album, The Final Cut; and "The Bravery of Being Out Of Range" from his highly acclaimed solo album, Amused To Death. Additionally, Waters' new version of the classic Pink Floyd song "Comfortably Numb" features as the final track on the project.

Rock legends the Rolling Stones recently shared a newly restored music video for "Child of the Moon." "Child of the Moon," which was written by Mick Jagger and Keith Richards, was released as the B-side track to the band's superhit song "Jumpin' Jack Flash." The video, which was directed by Michael Lindsay-Hogg, was originally shot in 1968. It features all five original members of the band, along with actress Dame Eileen June Atkins. The video is now being released in both a standard color and a 4K resolution black and white version. The band has previously shared restored videos for "Jumpin' Jack Flash," "We Love You," "Have You Seen Your Mother, Baby, Standing in the Shadow?" and "2000 Light Years From Home," with more expected to drop this year.

[metalindex-hu]

Már csak két hét van hátra Roger Waters koncertjéig

Már csak két hét van hátra Roger Waters koncertjéig - https://www.rockvilag.hu/hirek/koncertek/mar-csak-ket-het-van-hatra-roger-waters-koncertjeig/ -

 Alig picivel több mint két hét múlva a Pink Floyd egykori legendás basszusgitárosa, dalszerzője újra Budapesten ad koncertet. Roger Waters This Is Not A Drill turnéja 2023 tavaszán és nyarán Európában lesz látható. A 40 állomásos koncertkörút március 17-én Lisszabonban indul és 14 országot érint, köztük Magyarországot is, Roger Waters 2023. április 23-án a budapesti MVM Dome-ban lép fel.

A koncerten 20 dal csendül fel a Pink Floyd ��s Roger Waters klasszikusaiból, többek között az Us & Them, a Comfortably Numb, a Wish You Were Here és az Is This The Life We Really Want?, valamint debütál Roger Waters vadonatúj, The Bar szerzeménye.

Roger Waters az ének mellett gitáron, basszusgitáron és zongorán is játszik, Jonathan Wilson és Dave Kilminster gtáron, Jon Carin gitáron és billentyűs hangszeken, Gus Seyffert basszusgitáron; Robert Walter billentyűs hangszereken, Joey Waronker dobokon kísérik; valamint. Shanay Johnson és Amanda Belair vokálosok és Seamus Blake szaxofonos lép színpadra a koncerten.

Az előadásra több fajta VIP csomag is kapható, részletek a https://vipnation.eu/rogerwaters oldalon.

[rainingmusic]

Roger Waters - Smell The Roses 

[notesonnewyork]

Absurd New York #91: Quotes by Trump Edition

In a world of slogans and soundbites, a brand jingle here and a sales pitch there, with oxymoronic pairings and definitions-be-damned, where search engine optimization is more sought after than content, and “liking” what’s written or uttered more lauded than actually comprehending it, are we becoming more anesthetized to words? Is the overload of all these things making us lazy and less willing to be critical of what passes before us? If so, isn’t that frightening? For all those who have the ability, and all those who still value language, the answer is emphatically YES.

In perhaps the most poignant part of Roger Waters’ current Us + Them Tour, Waters forces the issue. Near the end of Pink Floyd’s “Pigs (Three Different Ones),” the show’s massive LED screens flash a few of the things Donald Trump has said around the arena. Whether you care about Trump or not, whether you remember what he’s composed for public consumption or not, no matter: You’re challenged to think. You’re tasked with understanding his words and considering what they mean. Any maybe, just maybe, being detached from the image he cultivates for a moment you’ll be able to take a true measure of the man. Let’s give it a try.

----

“Im not schmuck. Even if the world goes to hell in a handbasket, I won’t lose a penny.” 

On March 12, 1989, a piece by Glenn Plaskin appeared in the Chicago Tribune. The headline was “Trump: The People’s Billionaire.” Under the subheading “Tiny Trumps,” Plaskin wrote that “For R and R, in between tending to the little Trumps...Daddy raids corporations.” Also, having convinced banks and other investors to lend him money on the strength of his name alone--they gave him “instant credit” lines because they thought he had “unlimited collateral”--Trump went about building the Taj Mahal in Atlantic City for $725 million and purchasing the Plaza Hotel on Central Park South for $400 million. In reality, though, he only spent $50 million of his own money to buy the Taj. The remaining $675 million was “financed with uncollateralized junk bonds.” As far as the Plaza went, most of that $400 million was “borrowed.” 

As Trump “reflected” during the interview, Plaskin recorded his words: “I’m not a schmuck. Even if the world goes to hell in a handbasket, I won’t lose a penny.” And he wouldn’t. When Trump bankrupted the Taj in 1991 and the Plaza too in 1992, he wasn’t left holding the worthless bonds or losing income from missed interest payments, his investors were. As far as the economic losses that got passed down to his employees, well, they weren’t his problem either. None of them did any damage to his bank account. 

“A nation without borders is not a nation at all. We must have a wall.”

Trump first tweeted it out on July 14, 2015, and then again on July 28th as an attack on Jeb Bush, one of his then opponents in the Republican presidential primary. He’d double down with it again on September 17, 2016, only this time he including the hashtag “#AmericaFirst.” After being elected president, Trump decided to make his Twitter decree a cornerstone of national security policy. “Mexico will pay for the wall!” he tweeted. Of course it will, that’s why he’s spent the past year and a half trying to cajole Congress into giving him the funds. 

So aside from sounding like Pink, the megalomaniac protagonist of Pink Floyd’s album “The Wall”--who, coincidentally, also wanted to barricade himself off from the rest of the world--what gives with Trump’s definition of what makes a nation? If you peruse the nearest map, you’d notice plenty of boundaries drawn around land masses across the globe. Don’t those markings designate countries? Is Canada, for example, somehow less a country because it hasn’t defined its sovereignty with a magnificent wall on the United States’ northern border?

“It’s freezing and snowing in New York--we need global warming!”

Although Trump has offered variations on this theme over the years, the original appeared via Twitter on November 7, 2012. Back then, the high temperature in New York was 41 degrees fahrenheit and the low 34. Sounds like just another pre-winter day in the Northeast, right? 

Well, according to the folks at Custom Weather, not exactly. From 1985 to 2015, the average November day posted a high of 54 and a low of 41. Now, granted that particular November 7th was colder than normal, but it’s not as if the recorded high were zero and the low -15 as Trump would have had Twitter believe. Besides, his conclusion was wrong anyway. Given that November 7th’s readings were outliers, perhaps they were actually the predicted effect of a climate in flux. If so, he needn’t have clamored for global warming at all. It had already arrived. 

“I was down there and I watched our police and our fireman, down on 7-Eleven, down at the World Trade Center, right after it came down.”

On April 18, 2016, that’s what Trump said at a presidential campaign stop at the First Niagara Center--today’s KeyBank Center--in Buffalo, NY. Yes, he inexplicably confused 9-11 with the Japanese-based chain store, sure, and didn’t bother to correct his mistake, but the core of what he proclaimed wasn’t true anyway. 

On the morning of September 11, 2001, Trump actually called into the live broadcast on WWOR-TV Fox 5 Local News. (Although the station’s antenna was destroyed with the Twin Towers, its signal was being transmitted by other conduits.) He told anchors Alan Marcus and Brenda Blackmon that he saw the tragedy unfold from his apartment in Trump Tower at 5th Avenue and 56th Street--several miles from ground zero. Moreover, when Marcus asked “Did you have any damage, or did you--what’s happened down there?” he replied:

“40 Wall Street [a 71-story building he owned under the guise of “40 Wall Street, LLC”] actually was the second tallest building in downtown Manhattan, and it was actually, before the World Trade Center, was the tallest--and then, when they built the World Trade Center, it became known as the second tallest. And now it’s the tallest.”

Despite the horrific circumstances, he apparently couldn't resist promoting his interests. He even threw in an extra hyperbole. According to city property records, the 66-story building at 70 Pine Street--formerly known as the American International Building and the Cities Service Building--was actually 25 feet higher than his 40 Wall Street at the time. And still is. 

Now 40 Wall Street didn’t suffer any damage in the terrorist attack, but the Trump Organization still applied for a $150,000 grant being offered to help small businesses in the aftermath. Known as World Trade Center Business Recovery Grants, they were given to businesses in Lower Manhattan with less than $8 million in annual revenue. However, in spite of generating $16.8 million that year, 40 Wall Street was still awarded a grant by the Empire State Development Corporation. 

“You know, it really doesn’t matter what the media write as long as you’ve got a young, and beautiful piece of ass.”

While researching a story printed in the May 1991 edition of Esquire called “Donald Trump Gets Small,” Harry Hurt III was expertly entertained by the man himself. Trump took him on a VIP tour of the Trump Taj Mahal in Atlantic City and that apparently had the desired effect. When Hurt began his story, he scribed, “Given the kind of year he has had, Donald J. Trump might be forgiven a little ego candy.” What? Even then, the media seemed unfazed by what was happening under his shiny veneer. 

At the time, the very casino Trump was showing to Hurt, the Taj Mahal, was going bankrupt. The Trump Castle, another Atlantic City casino, was destined for a similar fate until his father forestalled the inevitable. In December 1990, Fred Trump bought $3 million worth of chips at the Castle and left them in the casino cage so his son could use them pay off a bond payment on the property. Meanwhile, as Ivana Trump argued for more money from their divorce settlement, Marla Maples, the woman with whom Trump committed adultery while married to Ivana, was “pressuring him to propose in the wake of his highly publicized dalliance with model Rowanne Brewer.” But all that was seemingly of little consequence. Hurt remarked:

“One might think that the chill breath of potential collapse and enough tacky publicity to shame Pia Zadora might have taken the swagger out of Donald J. Trump. One would be wrong.

‘You know,’ [Trump] muses philosophically as we return to our ringside seats [in the Taj Mahal for the Ray Mercer-Frabcesci Damiani heavyweight fight], “it really doesn’t matter what they write as long as you’ve got a young and beautiful piece of ass.

‘But,’ he adds after a pause that suggests this is a distinction with a difference, ‘she’s got to be young and beautiful.’”

In other words, he’d never be held accountable by the media, by investors, by anyone if he could razzle-dazzle them with the women he attracted. Case and point: Hurt’s profile reads like a breezy apology for the economic havoc Trump was soon to unleash on Atlantic City. Something like “Give him a break, he’s too nice a guy to punish. After all, he gave me ringside seats, a few fun girls, and a comped penthouse suite for the night.”

-----

So how did you do? Did you measure the man by his words, or were you dumbfounded again by the show?

-----

(With Roger Waters and company at Barclays Center. Photos by Riff Chorusriff. Reading the Trump quotes pulled and projected under the watchful eye of Waters’ creative director/set designer Sean Evans. You can view more of Evans’ ingenuity on Instagram @deadskinboy. September 12, 2017.)

[bolachasgratis]

Bolachas Now Playing, a new music Spotify playlist updated every Tuesday.

We’re back from Le Guess Who?, one of the few festivals in Europe where we could choose between four or five quality club nights in various venues or a packed Xylouris White gig post-midnight on a Saturday. We were lucky to get in and witness one of the best concerts of the festival, which doubled as a release show, since the duo composed of Greek singer/laouto player George Xylouris and Dirty Three’s Jim White has just released their fourth album in six years, The Sisypheans. Plus: new tracks by Oiseaux-Tempête, 10 000 Russos, Katie Gately, FKA twigs, SebastiAn, Moor Mother, Vanishing Twin, Gus Seyffert, Wolf Parade, Jeffrey Lewis, Jonathan Wilson, Itasca, Mount Eerie & Julie Doiron, The Delines, Twain, Sea Lion, and The Good Ones.

Bolachas Now Playing, 39/2019 (#209):

Oiseaux-Tempête - He Is Afraid and So Am I 10 000 Russos - The Wheel Xylouris White - Inland Xylouris White - Ascension Katie Gately - Bracer FKA twigs - thousand eyes SebastiAn - Doorman (feat. Syd) Moor Mother - Black Flight (feat. Saul Williams) Vanishing Twin - Cryonic Suspension May Save Your Life Gus Seyffert - Make It Out Wolf Parade - Forest Green Jeffrey Lewis - Depression! Despair! Jonathan Wilson - 69 Corvette Itasca - Plains Mount Eerie & Julie Doiron - Enduring the Waves The Delines - Eight Floors Up Twain - Royal Road Sea Lion - Some Peace At All The Good Ones - My Smartest Friend Has Lost His Mind

[radiomaxmusic]

Feature LP / Roger Waters - Dark Side of The Moon Redux (2023) / September 5, 2024 / 6pm ET

The Dark Side of the Moon Redux is the seventh studio album by the English musician Roger Waters, released October 6, 2023. It is a rerecording of The Dark Side of the Moon (1973) by Waters’ former band, Pink Floyd, released for the album’s 50th anniversary. Redux was produced by Waters and Gus Seyffert. Waters co-founded the rock band Pink Floyd in 1965. Their 1973 album The Dark Side of the…

[coffeeoysterlayaway]

"I could not refuse I never meant to use You're such a pretty view and you could be my muse My muse My muse"

Gus Seyffert

[adominguezs]

Roger Waters - Is This the Life We Really Want? Año 2017. Edición USA. Rock Progresivo. Columbia.

Es el cuarto álbum de estudio del músico. Fue lanzado al mercado el 2 de junio de 2017 a través de la compañía discográfica Universal Music en todo el mundo.

Músicos Roger Waters - voz, guitarra acústica y bajo. Nigel Godrich - teclados, guitarra y arreglos. Gus Seyffert - guitarra, teclados y bajo. Jonathan Wilson - guitarra y teclados. Roger Joseph Manning, Jr. - teclados. Lee Padroni - teclados. Joey Waronker - batería. Jessica Wolfe - voz. Holly Laessig - voz.

Producción Nigel Godrich - productor y mezclas.

Tracklist:

A1 When We Were Young 1:38 A2 Déjà Vu 4:27 A3 The Last Refugee 4:12

B1 Picture That 6:47 B2 Broken Bones 4:57

C1 Is This The Life We Really Want? 5:55 C2 Bird In A Gale 5:31 C3 The Most Beautiful Girl 6:09

D1 Smell The Roses 5:15 D2 Wait For Her 4:56 D3 Oceans Apart 1:07 D4 Part Of Me Died 3:12

[nofatclips]

The Last Refugee by Roger Waters from the album Is This The Life We Really Want? - Director: Sean Evans

[brn1029]

Time for your Rock Report

Iconic rock band The Who have announced their first European dates in seven years.

The European tour will feature the legendary rockers bringing their orchestral rock shows to Berlin, Paris and Barcelona for the first time.

The Who will perform with a full orchestra at Palau Sant Jordi in Barcelona on June 14, at Waldbühne in Berlin on June 20 and at La Défense Arena in Paris on June 23.

Pete Townshend, Roger Daltrey and company will be performing music from throughout the band's nearly 60-year career, including sections devoted to classic albums Tommy and Quadrophenia as well as other beloved Who tracks and songs from their 2019 WHO album.

The 2023 European shows follow this year's highly acclaimed The Who Hits Back! tour of Canada and the U.S..

Billy Joel and Stevie Nicks have added two co-headlining shows in Philadelphia and Foxborough.

Their one-night show at Lincoln Financial Field on June 16, 2023, marks the first time the two music legends have performed on the same stage in Philadelphia.

Tickets will go on sale to the general public beginning on December 16 at 10 a.m. at LiveNation.com. Citi cardmembers will have access to presale tickets beginning on December 13 at 10 a.m. until December 15 at 10 p.m. through the Citi Entertainment program. Presale details are available at www.citientertainment.com.

Another co-headlining show by Joel and Nicks is scheduled to take place at Gillette Stadium in Foxborough, Massachusetts, on September 23, 2023.

Roger Waters' new album, The Lockdown Sessions is now available on all streaming platforms.

Waters has confirmed the album's songs were recorded and filmed at home during the Covid-19 lockdown between 2020 and 2021.

Waters and Gus Seyffert produced the record. The five seminal tracks are from Waters' time with Pink Floyd and his solo career.

The tracks "Mother" and "Vera" are from Pink Floyd's 1979 album The Wall. "Two Suns In The Sunset" and "The Gunner's Dream" are from Waters final Pink Floyd album, The Final Cut, while "The Bravery of Being Out Of Range" is from Waters' highly acclaimed solo album, Amused To Death.

The Lockdown Sessions also features Waters' new version of the classic Pink Floyd song "Comfortably Numb."

[vandalamagazine]

Howling Bells' Juanita Stein Music Video "Dark Horse from Debut Solo Album

Howling Bells’ Juanita Stein Music Video “Dark Horse from Debut Solo Album

Juanita Stein will release her debut solo album, ‘America’, on Nude Records on 28th July 2017. Stein, who is already known as the singer-songwriter with Howling Bells, recorded the album with producer Gus Seyffert (Beck, Ryan Adams) in Los Angeles. Following recent tours with Michael Kiwanuka and Richard Hawley, Stein will follow a North American tour in May with UK dates over the summer…