#dark academia book recommendations

[punki-miltonia]

Ten Word Book Reviews: The Maidens

All the possibility, none taken; inauthentic, vapid; left wanting more

[stardustscripted]

[belle-keys]

The Ultimate Dark Academia Book Recommendation Guide Ever

The title of this post is clickbait. I, unfortunately, have not read every book ever. Not all of these books are particularly “dark” either. However, these are my recommendations for your dark academia fix. The quality of each of these books varies. I have limited this list to books that are directly linked to the world of academia and/or which have a vaguely academic setting.

Dark Academia staples:

The Secret History by Donna Tartt

If We Were Villains by M.L. Rio

Dead Poets Society by Nancy H. Kleinbaum

Vita Nostra by Maryna Dyachenko

Dark academia litfic or contemporary:

Bunny by Mona Awad

The Idiot by Elif Batuman

These Violent Delights by Micah Nemerever

White Ivy by Susie Yang

The Cloisters by Katy Hays

Never Let Me Go by Kazuo Ishiguro

The Lake of Dead Languages by Carol Goodman

A Separate Peace by John Knowles

Black Chalk by Christopher J. Yates

Attribution by Linda Moore

Dark academia thrillers or horror:

In My Dreams I Hold a Knife by Ashley Winstead

The Maidens by Alex Michaelides

Ghosts of Harvard by Francesca Serritella

Catherine House by Elisabeth Thomas

Plain Bad Heroines by Emily M. Danforth

They Never Learn by Layne Fargo

The It Girl by Ruth Ware

Never Saw Me Coming by Vera Kurian

Dark academia fantasy/sci-fi:

Babel: An Arcane History by R.F. Kuang

The Atlas Six by Olivie Blake

Ninth House by Leigh Bardugo

A Lesson in Vengeance by Victoria Lee

The Starless Sea by Erin Morgenstern

Vicious by V.E. Schwab

A Discovery of Witches by Deborah Harkness

The Betrayals by Bridget Collins

Dark academia romance:

Gothikana by RuNyx

Alone With You in the Ether by Olivie Blake

Dark academia YA or MG:

Truly Devious by Maureen Johnson

A Deadly Education by Naomi Novik

Ace of Spades by Faridah Àbíké-Íyímídé

The Raven Boys by Maggie Stiefvater

Legendborn by Tracy Deonn

Crave by Tracy Wolff

Wilder Girls by Rory Power

The Harry Potter series by J.K. Rowling

Dark academia miscellaneous:

My Dark Vanessa by Kate Elizabeth Russell

Disorientation by Elaine Hsieh Chou

Alphabet of Thorn by Patricia A. McKillip

[booklovers-hub]

The sluttiest thing a hero can do is showing up at the villain's doorstep while they're hurt and saying, "I didn't know where else to go."

[thereviewverdict]

Despite all my saddened rage, I am still a girl in her room reading her silly little books, watching her silly little films, listening to her silly little playlists.

[lovesdaya]

@lovesdaya

[ambxtxo]

donna tartt’s reading list

In an interview, Tartt lists her favorite authors and the names of a few works. I have listed the most popular works from each author and the specific ones she recommended as well.

Homer

The Iliad

The Odyssey

Greek Poets and Tragedians

Argonautica

Antigone

Prometheus Bound

The Oresteia

Medea

Oedipus Rex

The Bacchae

The Frogs

Dante

Inferno

Purgatorio

Paradiso

Shakespeare

“I went back and read Macbeth and Hamlet during the pandemic”

Macbeth

Hamlet

Dickens

“Dickens was a part of my familial landscape, the air I breathed.”

A Tale of Two Cities

Great Expectations

Nabokov

Pale Fire

Lolita

Proust

In Search of Lost Time

Swann’s Way

Dostoevsky

Crime and Punishment

The Brothers Karamazov

Yeats

The Collected Poems of W.B. Yeats

Irish Fairy and Folk Tales

Borges

Labyrinths: Selected Stories and Other Writings

Edith Wharton

The House of Mirth

Ethan Frome

Evelyn Waugh

Brideshead Revisited

Helena

Salinger

Catcher in the Rye

Virginia Woolf

Mrs. Dalloway

Orlando

Edward St. Aubyn

The Patrick Melrose Novels

Haruki Murakami

Kafka on the Shore

Norwegian Wood

Olga Tokarczuk

Drive Your Plow Over the Bones of the Dead

Don DeLillo

White Noise

Underworld

W.G. Sebald

Austerlitz

The Rings of Saturn

Joan Didion

The Year of Magical Thinking

The White Album

Other Specific Books

Memoirs d’Outre-Tome by Chateaubriand

Jigsaw by Sybille Bedford

All for Nothing by Walter Kempowski

A Balcony in the Forest by Julien Gracq

[poppletonink]

Best Quotes From 'If We Were Villains'

"You can justify anything if you do it poetically enough."

"You can't quantify humanity. You can't measure it - not the way you mean to. People are passionate and flawed and fallible. They make mistakes. Their memories fade. Their eyes deceive them."

"I don't know, it's like I look at you and the sonnets make sense. The good ones, anyway."

"Do you blame Shakespeare for any of it?" The question is so unlikely, so nonsensical coming from such a sensible man, that I can't help but suppress a smile. "I blame him for all of it."

'She says, “Were you in love with him?” “Yes,” I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. “Yes, I was.” It’s not the whole truth. The whole truth is, I’m in love with him still.'

'I need language to live like food - lexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.'

'Below was the motto: Per aspera ad astra. I'd heard a variety of translations, but the one I liked best was Through the thorns to the stars.'

"We cracked up. [...] But we didn't really shatter until we were all back together again."

'The clock on the mantel struck twelve, and we stirred, one by one, like seven statues coming to life.'

'Actors are by nature volatile - alchemic creatures composed of incendiary elements, emotion and ego and envy. Heat them up, stir them together, and sometimes you get gold. Sometimes disaster.'

[nejjcollectsbooks]

“Book collecting is an obsession, an occupation, a disease, an addiction, a fascination, an absurdity, a fate. It is not a hobby. Those who do it must do it.”

― Jeanette Winterson

[ariasmontage]

something for the mind, something for the body

[moonlight-s0nata]

| A thousand splendid suns, Khaled Hosseini

[literatureaesthetic]

to anyone wanting to read about palestine / israel, i highly recommend mornings in jenin by susan abulhawa. i wrote my dissertation on this book. it has so many layers, it's so complex, and it's a really good novel if you're looking to develop a better understanding of the history between palestine and israel

[belle-keys]

Recommendations for media about translation, interpreting, and foreign languages

Movies and TV

Quo Vadis, Aida? (2020) The Interpreter (2005) The Last Stage (1948)

Books

Babel: An Arcane History by R.F. Kuang The Centre by Ayesha Manazir Siddiqi Translating Myself and Others by Jhumpa Lahiri The Interpreter by Suki Kim Girl in Translation by Jean Kwok Translation Nation by Héctor Tobar Alphabet of Thorn by Patricia A. McKillip Translation State by Ann Leckie

Other Important Topics and Subjects

La Malinche The Rosetta Stone The Tower of Babel The Adamic Language Esperanto Philology Goethean World Literature

Documentaries and History

The Interpreters: A Historical Perspective The Nuremberg Trials Biblical Translation St. Jerome - patron saint of translators Shu-ilishu's Seal (first depiction of an interpreter)

[thereviewverdict]

it's me, my 17 personalities, 228 playlists and 479 unread books against the world

[liketwoswansinbalance]

In the modern publishing landscape, these days, I think like we do not have many (if any) point-of-view characters with low social motivation for whatever reason.

Sure, there are lots of characters with social anxiety or other perceived or legitimate foibles to overcome, there are many YA villain origin stories, and there are many unpalatable, traditionally "unlikable" men in classics, but disregarding those, who else do we have?

Can the state of openly being alone (and content) rarely be presented as morally-neutral or as the end result of a narrative? Must it always be that either being alone is the starting point, so there's room for "personal growth," or that being alone is seen as "undesirable" and/or an indication that the person alone has a "problem" or something otherwise wrong with them, like a deficit or moral failing that in some kind of karmic way gives them "what they deserve," which is being alone and discontent with it?

Characters with society anxiety, any differences in communication, or other reasons that interfere with forging connections "don't count" because they may still be motivated. Traits such as these only stand in the way of gaining relationships, as plot obstacles. They aren't intrinsically tied to indifference or to low motivation. So, these characters clearly are not experiencing a lack of interest. And they are not the ones rejecting others. Thus, they "don't count" as far as the archetype that I'm looking for goes.

Characters who undergo villain arcs or otherwise negative arcs may want to maintain their relationships or gain them, so some examples are immediately disqualified (hence not having low social motivation), even if they are the type of character most likely to alienate themselves by a story's end, conflicting with what they wanted.

(Unfortunately, Coriolanus Snow, who is quite close to the type of protagonist I'm searching for "doesn't count" because he has some drive to keep people in his life.

Rafal Mistral partially "counts," and is satisfying as a character, but also doesn't count because he temporarily makes "friends" or allies, depending on how you look at his exploits. Yet, despite all this, not having friends isn't exactly framed as a morally-neutral state either, so he is also disqualified by the end. Basically, he does have low social motivation, but his narrative lacks the conditions that would make the natural consequences of that low motivation play out for themselves. He is always surrounded by people, even if he hates every last one of them.

And, generally speaking, the usual, moody-broody, "misunderstood" YA love-interests very easily "don't count" because they have a desire to get closer to their object of affection.

Even Katniss Everdeen, an overall good person, who usually views herself as "unlikable," befriends others, originally for pragmatic, survival purposes. However, she does start with low social motivation, so that's something in her favor.

And yes, I'm aware that we need other people in this world—I would just like to see someone prove that supposed truth wrong once. And perhaps succeed in their world, if that's not too much to ask for.)

Also, are there any instances of characters who progressively alienate themselves from others, in which that progression is not inherently seen as negative? Like, what about non-corrupt misanthropes? Are there few of those in literature? (Maybe—Eleanor Oliphant from literary fiction counts, but something about that book did not appeal me and I didn't finish it.)

Classics guys sort of "count," but I haven't really seen examples of any comparable protagonists today since many authors and readers write and look for "relatability" in blank slate everyman figures oftentimes.

(I'm not done with Crime and Punishment yet, but Raskolnikov is very tentatively looking like a safe bet for a character who may end up alone and who may not be completely malcontent over such a fate, even if I'm expecting tragedy. I'm that not far along, but I also wouldn't mind it too greatly if he died, I suppose.

And even Sherlock Holmes has Watson as his constant, even if he's notoriously asocial! So he "doesn't count" either.

Carol from Main Street also comes close, but still ultimately desires approval from others.

Maybe no one is truly immune to humanity and I should give up on this notion?)

How many pov characters out there are 1) apathetic toward the masses and 2a) either alienate themselves as the plot progresses or 2b) do not make any friends? (I will allow them making friends and consequently losing them though because that still ends in net zero!)

Indeed, this "gap" in protagonists I've been running into lately, especially with coming-of-age arcs and protagonists whose arc is some form of "getting out of their shell," is: why do we (almost?) never see protagonists who just flat-out don't progress in terms of connecting with fellow humans?

Wouldn't having even a handful of those types be reflective of reality? (We as a society are more disconnected than ever, to be fair, despite constantly having access to one another via technology.)

Or I would completely understand it, if it were narratively impractical to have a plot in which a protagonist makes zero friends. Maybe, it's a near-unwritable form for a story?

So, my question is: does anyone have book recommendations, which present a character whose end goal is not to make friends or forge connections (any other ambitions or motivations are fine) and whose state of being friendless both lasts and is regarded as morally-neutral or as not outright evil? Any genre is fine. High fantasy is preferable. I am stumped.

(I also wouldn't mind recommendations of books in which the protagonist is vilified due to being alone, even if that is not my primary query here.)

[hopedrunkminx]

No because when Lionheart Draco told Hermione “Do you know what I see, Granger, when I think about joining up? The moment I offered up my wand, the Dark Lord would put me on my knees and crack open my skull, to make sure I wasn’t a deserter or double-agent, and he’d find you, and I’d be dead in seconds if he was merciful.”

And when Hozier said “honey, you’re familiar like my mirror years ago—idealism sits in prison, chivalry fell on its sword / innocence died screaming honey ask me I should know / I slithered here from Eden just to sit outside your door” you cannot tell me this isn’t about them. this is my canon.

—

FF: Lionheart by @greenerteacups