#dantes inferno reference

[vannpz]

The worst sinners, in his underworld, were the traitors——those who betrayed their loved ones, friends, and their God.

[marcus-junius-brutus15]

hey guys happy pride month!!! BTW the rumor that all queer people burn in hell isn't true and it's because Dante said me and Cassius are down there for stabbing Ceasar, not for dating each other. You'll be fine. Unless. You know. You eat someone or something like that.

[shaylogic]

Messy Masterpost: I don't have the words so here's a mess of links and ideas

@captainfantasticalright's Dead Boy Detectives: a breakdown of Dante's hell. This post is a masterpiece of understanding how the Hell/afterlife dynamics work in Sandman Universe and DBDA, and it's sent my mind buzzing like crazy

My post about Simon's book

Not just any book

Theory about Simon's brother/father? Being a part of Burgess' Cult ("Order of Ancient Mysteries")

Thank you @niko-sasaki-dbd

Ba'al ==> Sa'al

Seems like Simon may have gotten a demon-summoning book that worked from his brother who may have been involved on Burgess' cult from Sandman. He died with book in hand, and that's the one he's tearing apart on repeat in Hell. Tumblr user listed above identified what the book might be, based off the image.

This interview at 12:52 George Rexstrew answering that Edwin's favorite thing about Charles is his unconditional love and acceptance of him.

Post about Charles bearing his soul to the Night Nurse like Orpheus played music to Cerberus

Interviewer talking about "straight friend" Charles "rejecting" gay Edwin, only for George, Jayden, Beth, and Steve to stiffen up slightly. Asking about how Charles didn't have a gay panic reaction to Edwin's confession. This interviewer is actually gay and interviewed on a gay network later, which threw me after this question.

=>If Charles had really gay panic rejected Edwin, it really would have ended like Eurydice, thrust back to the pit of Hell to wallow in the internalized homophobia, rather than being released with the support and healthy love of Charles.

Actors have reiterated multiple times that the case is not closed on Edwin and Charles' romance, they're just getting started and figuring it out in the midst of all the chaos.

People are stuck in Hell because they believe they belong there but Edwin gets out the second time because Charles KNOWS he doesn't belong there! And reminds Edwin of this when he's getting pulled under in it all

Charles went back to his red polo after the confession and escaping Hell with @nerdytacollama's excellent addition on episode 7 specifically!!

Edwin's whole arc was about accepting loving and being loved and his attraction to men, and his love of his best friend, specifically

Steve Yockey saying the confession NEEDED to happen on the stairs out of Hell. One reason being that Edwin may have been too afraid to go through with it after, another being that he could get dragged away forever at any second and it could be his last chance.

[above article pic quote from this]

But also based on the Hell worldbuilding of the Sandman Universe where people only go to hell if they believe in it and believe they deserve to be there > Edwin believing his want for intimacy at all letalone with other men being "such a sinful life" (Night Nurse paperwork) > the upward climb of healthy love from the Dante's Inferno Post > Edwin HAD to confess on the stairs and be accepted! It freed him of Hell~!

Simon moved on from Hell with Edwin's mutual sorrow for the two of them and somewhat understanding/forgiveness? Maybe self-acceptance from the gay guilt

Edwin's form saying he would serve in Hell for living such a sinful life and then be reassigned to a more pleasant state (Hell not an eternal afterlife, just time served and then moving one)

[image posted in @reviewcreature's post with @melefim's addition]

If Edwin went back now, loved and accepted by his friends and himself, would he pass on to the better place?

My post wondering about reincarnation in the Sandman Universe, which others weighed in on in the comments about how it's indeed canon

The parallels of the Lust room in hell being a butcher shop with bloody hanging bodies to reflect the debauchery of bloody writhing lust bodies ===> compare to "Girls' Night" when Jenny was running and hiding from stalker Maxine in her butcher shop behind meat ===> compare Edwin's arc of accepting "sodomite sin" of being attracted to men (challenge to the epitome and catalyst (ha) by the Cat King) and him having been through the Lust room of hell before and him STARING AT THE RED BULL ON THE BUTCHER SHOP WALL (as compared to directly in the first linked post)

The purity of Charles and Edwin's love compared to that and the stereotypes of how male love is depicted in media, as George, Steve, and Jayden have spoken out against gently in multiple interviews

How it's partially childlike, partially deep friendship where two men can hug and cry, partially a crush, partially potentially reciprocally romantic

The juxtaposition of Edwin's archetypical confession to Charles on the stairs of Hell on the way out of the Limbo of it, with Maxine guilty and desperate just below them, not even looking toward the open door

Fans wondering why it was so easy to get out of Hell. The worldbuilding canon saying that Hell is what you make of it (Charles says this in the original Season of Mists Ch 4 comic, Edwin says it in episode 7 to Simon). People in Hell stuck because they feel they deserve it.

@podcastenthusiast's post about being glad Edwin didn't see Simon move on, because then he'd really wonder we he himself suffered so long

==>CHARLES got Edwin out because he KNEW he didn't belong there!!!!

They push and pull each other by the arms the whole way to the top!!!!!!!

Magical weight in the snake pit "nothing's meant to leave this place"

Charles literally dragging Edwin out of Hell for the love and devotion to him!!!!!!!!!!!!

Allegory of dragging him out of his self-rejection and holding him by the face saying over and over "I love you. I accept you. I'm not leaving without you."

Openly gay producer/director Steve Yockey insisting on being the one to write Episode 7 and you can feel it in every color on the screen.

There's no higher power deciding this, despite the paperwork and minders ensuring everyone is sorted. It's an internal self-decided fate, unconscious.

I'm not gonna be able to link and list every pic and organize this in the state I'm in but--

ARE YOU SEEING ALL THE THINGS I'M SEEING?

Girl help I'm getting visions!!!!!!!!!!!!

[fishsticksart]

Francesca - Hozier

If someone asked me at the end, I'll tell them put me back in it

[Francesca, Hozier // The Ghosts of Paolo and Francesca Appear to Dante and Virgil, Ary Scheffer // Francesca, Hozier // Canto V, Inferno, Dante Alighieri // Francesca (Official Video), Hozier // Francesca, Hozier // Ship on Stormy Seas, Ivan Aivazovsky // Francesca, Hozier // Canto V, Inferno, Dante Alighieri // Paolo and Francesca, Mosè Bianchi // Francesca, Hozier // Paolo and Francesca da Rimini, Gustave Doré // Before Romeo and Juliet, Paolo and Francesca Were Literature’s Star-Crossed Lovers, John-Paul Heil // Paolo and Francesca, Frank Dicksee // Francesca i Paolo, Ludwik Wiesiołowski // Before Romeo and Juliet, Paolo and Francesca Were Literature’s Star-Crossed Lovers, John-Paul Heil // Paolo and Francesca da Rimini, Dante Gabriel Rossetti // Francesca, Hozier // Francesca (Later with Jools Holland), Hozier on BBC Music // Canto V, Inferno, Dante Alighieri // tumblr user @handgf // The Kiss, Auguste Rodin // Paolo e Francesca, or Morte di Paolo e Francesca, Gaetano Previati // Hozier // Hozier // Hozier]

[machiavellli]

Netflix just announced their new show loosely inspired by the Divine Comedy by Dante Alighieri, apparently he is a famous Italian poet if you don’t know him

[i-really-like-phrogs]

Re-design of my un-named Beetlejuice OC from back when I was thirteen

Original Reference under the cut:

[33misc]

for the girlies who understand, I’m out here tying to turn a Almost (Sweet Music) situation into a Would that I situation, but failing and getting myself Francesca’d

[crimsonrrain]

The art hanging on the Devil Hunters' Bureau wall is one of the Doré Illustrations for Dante's Divine Comedy. The Illustrations by Gustave Dore (1832-1883) depict the passion and grandeur of Dante's masterpiece ― from the depths of Hell onto the mountain of Purgatory and up to the empyrean realms of Paradise.

As one critic wrote in 1861 upon publication of the illustrated Inferno: "we are inclined to believe that the conception and the interpretation come from the same source, that Dante and Gustave Doré are communicating by occult and solemn conversations the secret of this Hell plowed by their souls, traveled, explored by them in every sense."

[hetafice]

hi hi !! loveee your blog so far, it’s v nice to see more hetalia writers popping up again. if you’re interested in tackling this request, i’d like to see your take on how a yandere romano would deal with feelings of jealousy in regards to his darling getting a little too close than what his insecure brain’s comfortable with to his brother veneziano? 🫶💕

tysm! these are still yandere hcs, but i actually ended up also doing a small character study. i’ve been wanting to do those more recently so if you’re interested send in a request! bonus points if it’s not a super popular character. + this came out a lot longer than intended, so enjoy.

This is something Lovino would not be able to handle.

He has spent centuries trying to navigate the minefield that is the relationship with his brother--with varying degrees of success. One thing that has remained constant, however, is the fact that people overwhelmingly prefer his younger brother.

Romano has seemingly tried everything. Careful imitation, acting the complete opposite, sabotaging from the shadows, acting as right-hand man, you name it. Nothing has seemed to stick.

Even now, he’s invisible. Reduced to the lesser half a whole. Forever shackled to his brother, effectively prevented from exercising his own agency.

It’s never fun to be stuck in someone's shadow, but for the person whose shadow you're stuck in to be so unflinchingly blasé about it? For one to be as stuck as long as Lovino has? Being forcefully denied your own personhood like that often breeds contempt. Hatred like that can simmer under the surface for decades, even centuries before bubbling over and being noticed by others. Holding hatred like that for so long as he has? It’s almost enough to drive someone mad.

But when he gets you and has something of his own for once he relaxes a bit. There’s no need to be on edge, to constantly put on airs, because he has someone in his corner. Someone who has taken the time to know him on a deep, personal level. Someone, who despite his faults, is willing to love him, and in turn trusts him enough to love them back. That alone is enough to satiate him, to quiet his restless mind, and dull the sharp blade of self-hatred that’s been lingering within him for so long.

So when he discovers you calmly conversing with the man who has unknowingly tormented him for so long, he almost does not know what to do with himself.

It’s almost as if he’s on autopilot, mindlessly drifting over to where the two of you stand, immediately trying to assess the situation.

 In your eyes, the conversation with Veneziano was just much overdue. It was impolite to not introduce yourself to someone so close to your partner. Lovino would never say so, but sometimes the refusal to introduce you to his loved ones felt intentional. Whenever you would press the issue, he would hastily arrange a meeting to calm you down. It worked a few times; you got to meet a few of his friends, and even his pseudo-guardian/older brother/ mentor (you never were quite sure of the nature of their relationship), but you never got the chance to meet Veneziano. Occasions where you two were set to meet would mysteriously get canceled due to unforeseen circumstances. You also noticed that he would always get strangely cagey at the mention of his younger brother. 

At first, he would try to covertly sow discord between the two of you, in hopes that you would have a falling-out. In his mind, if he could manufacture situations to make you see his brother’s shortcomings, you wouldn’t want to be around him.

When he discovers, to his horror, that you have grown closer to his brother despite the careful machinations, he would spiral.

To you and Veneziano, your friendship is as right as rain, completely unforced, and a natural progression. After knowing each other peripherally for so long, making friends with you just makes sense.

But to Romano, this is yet another event point, in a seemingly infinite pattern of behavior. Time and time again, Romano finds something of his own, takes a liking to it, starts to cherish it, but only until Veneziano comes along and tries to take it. He always manages, because he is always successful in everything that he does. Afterwards, Romano is then left with nothing but more hatred to swallow and another large bruise on his ego. He can’t let it happen again, not this time, not after cultivating a relationship so pure, not like this, not-

He devises to stop it. Whatever it is between the two of you. Immediately.

Lovino, who has always been romantic, will up the ante. You suddenly find yourself whisked away on trips abroad more often than you are sat at home. How could you find the time to catch up with his brother when you have a date that night, another trip to pack for? To you, it seems as though you have entered a second honeymoon phase in your relationship. Unbeknownst to you, he’s tirelessly working to separate you. He shall get Veneziano away before he tries to take what is rightfully his for the umpteenth time.

Before your increased contact with Veneziano, your relationship was, by all accounts, normal.

You met Lovino by happenstance, and your romance blossomed at a pace that felt comfortable and right. He was nothing but loving and attentive, if a bit temperamental at times. But after you meet his brother, you notice a palpable shift in his attitude. He snaps at people more and always seems to be in deep thought. But he’s kinder in some ways as well. He’s now always concerned about your safety and likes to know where you’re going beforehand, not after the fact like you used to do. He figured out that you love the gifts he gets you, so you now receive way more of them. He’s more appreciative of everything you do as well. So much so that one day, after a particularly elaborate meal, he suggests you quit your job to take care of the home. To his delight, you eventually agree, but any joy is quickly stamped out when he hears you happily explaining your new living arrangement to his brother.

He can’t stand it really, as his mind sails through countless scenarios, unearthing trauma he thought had been resolved (or safely buried) since the early Renaissance. He doesn't know why his mind takes him in this direction, but then again he doesn't know a lot of things. He doesn't know why efforts to separate the two of you don't work, or why nothing he does ever seems to work. Why is it that he is never enough? Why, after so many attempts and failures, did Grandfather never really seem to grow fond of him? 

After yet another night of being forced to confront these long-dormant worries, he decides enough is enough. If you cannot take the hints he has so kindly given you, then he will separate the two of you by force.

Long gone are your days of exploring the city alone. No more impromptu cafe trips, walks around the park, or unsupervised trips to the post office. You are expected to stay at home, and at home you stay.

“Amore mio, it’s too dangerous out there,” he says. “There’s nothing nearby worth seeing, and you know how I feel about you driving.”

And you believe him because why wouldn’t you? He cares for you more than anyone! More than your coworkers, your friends who stopped visiting, or even your family who mysteriously don’t care enough to call anymore…

And just like that, you have been delegated to remain in the domicile. Showering him and only him with your seemingly infinite divine grace for as long as time permits it.

It’s so simple that he regrets not doing it sooner.

As for his ingrate brother, he will do anything to ensure he does not go sniffing anywhere he need not be. 

It takes nothing to ruin Veneziano’s reputation. To oust him as an incompetent womanizer. Someone whose words of concern should never be taken seriously.

To Lovino, it is well worth it. He’ll put an end to the madness, he must. Even if it means making you unhappy, or betraying his own blood, or dirtying his hands with sin, or being at the receiving end of your icy gaze for the rest of eternity.

But you aren’t unhappy, are you now? You’re over the moon, and why wouldn’t you be? You are given everything you need and more. Besides, Lovino doesn't like it when you frown.

“Look happy now. You have no reason not to,” he always says.

[boxmitl]

Arlecchino/Alichino of the Malebranche hes a devil and a jester

[dammarchy211]

It isn’t true!

I am not the ghost!

Without a soul!

come! Listen to my heart!

You here it beat…

(Preface for pronouns, Dart is transfem)

Introduction of both this au’s villains, and more Dart lore! This is for the au we’re Raz is 20 btw.

Firstly, Agatha was working on her reanimated dead in secret, her company makes toxin based weapons basically but they're still not Really doing anything illegal that people know about. The reason people started finding out is that she was dumping "unsuccessful" ones out of the drainage pipes in her factory and they began walking around and terrorizing people. Lili, Raz, Dogen, n Kitty were sent to the city her company's in (dubiously New York City) to sleuth out what was going on! They don't immediately figure out it's her, Dex gets wrapped up into it because of the zombies using C.R.I.M.E. tech. Agatha tried to be super friendly n sponsoring the psychonauts agents at first in order to lead them in the wrong direction ! Kinda a mix between Syndrome and Mirage from the Incredibles plot wise.

She eventually reanimates Dante, but noott very well. All of Agatha's zombies r basically puppeted around by mechanical parts and some psychic tech. Dante is only conscious after she reanimates him too bc he had his brain stored when he died! Agatha's reanimated dead are also reanimated a while after death, whereas Dart was reanimated almost immediately so Dante is practically falling apart compared to her. Dante is definitely not the main villain, and Really does care about Dart, especially since he went through so much effort to keep her alive after he died, but Agatha reanimates him so they can rediscover that same method that worked with dart. Which might become a conflict of interest between Agatha n Dante in the future.

When Dante was alive, he did actually Try to parent Dart, but so much of his time was iust devoted to his experiments and work and cult stuff and holing himself up in his office that they were distant regardless. I mean Dart was kind of just an experiment that he didn't even think would work and he got attached too- there were a good 3 or so years that Dante was sick and dying (probably harmful material exposure let's be honest) and they just Didn't talk about it. They both knew but they didn't discuss stuff like that. I mean they had heart to hearts sometimes but the last time Dart really saw him before he died was kinda 'you're dying and we both know it'. Even when Dante was alive, Dart was really trying to run away from anything ‘supernatural’ or ‘weird’ or dangerous and just live a normal life. That’s kind of why she started going to whispering rock, but after the brain snatching incident she just hid in the outhouse the whole time and then stopped going after.

[strawberri-draws]

Concept sketches for a horror comic I have in mind lol ✌️ based off the terrifying experience of having to wait/getting lost in a really big storage facility lol

[spark-circuit]

me at 3:22am watching the Buckshot Roulette ARG recap by Everberon that just released:

[shaylogic]

Transcription of the "Layers of Hell" from Edwin's notebook:

Title: Layers of Hell

Illustration of descending levels, to be described with each level transcribed.

Right side of page divides "Upper Hell" and "Lower Hell" (both roughly 4-5 floors)

Left side of page labeling the levels:

Vestibule: Endless(?) Staircase [illustration: spiralling stairs as the top level]

I. Limbo [stick figures stuck in hotel lobby]

II. Lust [stick figures writhing together in a butchershop, hooks and blood dripping down walls shown]

III. Gluttony [stick figures binging and purging food]

IV. Avarice [stick figures seemingly pushing boulders back and forth] Notes to the right: "heavy [workers/laborers(?)], everyone in your way"

V. Wrath [stick figures swept up in what look like currents] Personal note of transcriber: I looked up notes on Dante's version to get a better idea of this, and I quote "Note how the two groups suffer different punishments appropriate to their type of anger--the wrathful ruthlessly attacking one another and the sullen stewing below the surface of the muddy swamp (Inf. 7.109-26)". Link to source.

VI. Heresy [stick figures that appear to be seated around office tables, or perhaps are laying on sacrificial tables? Possibly graves/tombs. I'm afraid this one seems unclear to me.] Personal note of transcriber: I looked up more notes from the same source website as before, and I quote "Dante opts for the most generic conception of heresy--the denial of the soul's immortality (Inf. 10.15)--perhaps in deference to spiritual and philosophical positions of specific characters he wishes to feature here, or perhaps for the opportunity to present an especially effective form of contrapasso: heretical souls eternally tormented in fiery tombs." Link to new source page.

VII. Violence (8-10 subsections are listed for this level, but they are small and illegible) [figures in a flood of blood or being impaled on the sides of the level illustration] Edwin's notes to the right: "trapped, impaled, submerged in blood"

VIII. Fraud [large level depicting giant snakes, dripping blood that reflects Lust's illustration, figures, and something else I can't make out (jutting outcroppings of stone, wings, hands? I am unsure.)] Edwin's notes to the right: "snake pit, gain human form by biting other humans"

IX. Treachery [figures submerged with only head above surface] Edwin's notes to the right: "frozen + stuck + chewed on"

At the very bottom of the page and levels of hell is an enormous creature that appears to be something like a dragon emerging from a dark pit.

[whiteshipnightjar]

“I could not undo that desire.” Joanna Newsom and Hozier tearing my heart apart

[defenestrationtactics]

crying, if only i had $400 in loose change.