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an under-appreciated view.

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charles leclerc (scuderia ferrari, 2025) // pygmalion and galatea (jean-léon gérôme, ca. 1890)

(charles x art, 46/?)

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timothée chalamet, 2024.

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Hungarian swords, 14th century, at the Topkapi Palace Museum in Istanbul. The middle sword is 8ft long

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Enniscoe, Co. Mayo

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Dante and Virgil (detail) — 1850 oil on canvas William-Adolphe Bouguereau

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the assumption of the virgin (palma il vecchio, ca. 1513) // charles leclerc (bryn lennon, 2024)

(charles x art, 42/?)

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Styling The Secret History: Camilla Macaulay

(Styling the Secret History: 1/10)

“And then there were a pair, boy and girl. I saw them together a great deal, and at first I thought they were boyfriend and girlfriend, until one day I saw them up close and realized they had to be siblings. Later I learned they were twins. They looked very much alike, with heavy dark-blond hair and epicene faces as clear, as cheerful and grave, as a couple of Flemish angels. And perhaps most unusual in the context of Hampden--where pseudo-intellects and teenage decadents abounded, and where black clothing was de regueur-- they liked to wear pale clothes, particularly white. In this swarm of cigarettes and dark sophistication they appeared here and there like figures from an allegory, or long-dead celebrants from some forgotten garden party.” - The Secret History (by Donna Tartt)

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Key Styling Details:

white, tan and khaki

soft, flowing materials (silk, lace, satin, linens, etc.)

mix of very androgynous and hyper feminine silhouettes

angel/doll-like

minimal details (that men can project onto)

vintage and/or antique items

“light academia” aesthetic

high quality materials (designer items)

sharper, black clothes post Bunny’s death

clothing gives illusion of freedom from expectation

Bonus// Fancast: Anya Taylor-Joy

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Stag with Herb Branch Mounted as a Ring, 1567, Art Institute of Chicago: Arms, Armor, Medieval, and Renaissance

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WORDS: ‘The Deer’ by Terrance Hayes / ‘I’m Not Calling You a Liar’ (Florence + the Machine) / Aaron O’Hanlon /  The Killing of a Sacred Deer (2017) dir. Yorgos Lanthimos / ‘The Stag and the Quiver’ by Richard Siken / mine / ‘Salvage’ by Hedgie Choi / ‘A Letter to My Mother That She Will Never Read’ by Ocean Vuong / ‘Little Deer’ (SPELLLING) / ‘Grendel’ by Roger Reeves / ‘Herd of ‘panicked’ deer filmed jumping to their deaths from motorway’ by Tanveer Mann (Metro UK) / ‘Kinder Than Man’ by Althea Davis / ‘Anecdote of the Pig’ by T. Adkisson / ‘Ferrari Drivers Charles Leclerc and Carlos Sainz Are Racing Back to the Top of F1’ by Tom Lamont (GQ Sports) / Deuteronomy 12:23 / ‘‘It’s a kind of religion’ - Ferrari’s popularity and following in Italy dissected’ by Akshat Kabra (Sportskeeda) / ‘Abstract (Psychopomp)’ (Hozier) / ‘Not Strong Enough’ (boygenius) / The Favourite (2018) dir. Yorgos Lanthimos / Enzo Ferrari / ‘Killer’ (Phoebe Bridgers) / CL for ‘Charles Leclerc talks about his “Red Passion”’ by Roberto Croci (L’Officiel Ibiza) / ‘The fragility of a predestined | FormulaPassion.it’ by admin_l6ma5gus (Pledge Times) / ‘Kinder Than Man’ by Althea Davis / Carmen Maria Machado, In the Dream House / ‘Rabbit Heart (Raise It Up)’ (Florence + the Machine) / ‘Ferrari Needs to Sign Charles Leclerc for the 2018 Formula One Season’ by Gabriel Loewenberg (The Drive) IMAGERY: Styrian GP (2020) / ? (antlers) / ? (crown of thorns) / Scuderia Ferrari Press Office (2023) / @velvetbambi (x) / Saint Maud (2019) dir. Rose Glass / white-tailed buck shedding its antlers (via Deer & Deer Hunting) / Azerbaijan GP (Baku, 2019) / post-French GP (2022) / Jules Bianchi (via F1 TV) / George Shiras III for National Geographic (1906) / ? (young CL) / ‘Driver-Deer Collisions On The Rise: State Farm’ (WSLM RADIO) / Male Red Deer (antlers) / post-Bahrain GP (2019) (CL looking up from hands) / ‘roadkill’ by Loso (via Flickr) (x) / Saturn Devouring His Son (1819-23) Francisco Goya / post-Belgian GP (Spa, 2019) (CL pointing upwards) / The Banshees of Inisherin (2022) dir. Martin McDonagh / Italian GP (Monza, 2020) / Nathan Sandwell @cuchulainn-4 (x) / ? (camcorder) / ‘Deer Caught Gnawing on Human Bones’ by Jason Daley (Smithsonian Magazine) / A Fragment of Ourselves Returning (2018) Beatrice Wanjiku / @nightcorp-archive (x) / Brazilian GP (2023) (CL figure walking) / Singapore GP (2022) / post-Qatar GP (2021) / The Deer Hunter (1978) Michael Cimino / ? (dogmouth doe) / Brazilian GP (2023) / French GP (2022)

Deer Theory

~ I saw a stag carcass on the side of the highway yesterday; this is how I’m coping.

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Crochet Your Next Big Catch with Free Patterns from the National Park Service

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‘I dream. Sometimes I think that’s the only right thing to do.’

Quotes: Maggie Stiefvater, Fyodor Dostoyevsky, Haruki Murakami, V.E. Schwab, Fernando Pessoa, Clarice Lispector, N.M. Sanchez |  Artwork by Holly Warburton

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art + lemony snicket

x x x x x

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