fishsticksart
“hang painting here”
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goose loves art // any pronouns // art credit: Pierre Bonnard // quote credit: @otrtbs
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fishsticksart · 11 days ago
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Hungarian swords, 14th century, at the Topkapi Palace Museum in Istanbul. The middle sword is 8ft long
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fishsticksart · 1 month ago
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fishsticksart · 3 months ago
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Enniscoe, Co. Mayo
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fishsticksart · 3 months ago
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Dante and Virgil (detail) — 1850 oil on canvas William-Adolphe Bouguereau
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fishsticksart · 3 months ago
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the assumption of the virgin (palma il vecchio, ca. 1513) // charles leclerc (bryn lennon, 2024)
(charles x art, 42/?)
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fishsticksart · 4 months ago
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Styling The Secret History: Camilla Macaulay
(Styling the Secret History: 1/10)
“And then there were a pair, boy and girl. I saw them together a great deal, and at first I thought they were boyfriend and girlfriend, until one day I saw them up close and realized they had to be siblings. Later I learned they were twins. They looked very much alike, with heavy dark-blond hair and epicene faces as clear, as cheerful and grave, as a couple of Flemish angels. And perhaps most unusual in the context of Hampden--where pseudo-intellects and teenage decadents abounded, and where black clothing was de regueur-- they liked to wear pale clothes, particularly white. In this swarm of cigarettes and dark sophistication they appeared here and there like figures from an allegory, or long-dead celebrants from some forgotten garden party.” - The Secret History (by Donna Tartt)
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Key Styling Details:
white, tan and khaki
soft, flowing materials (silk, lace, satin, linens, etc.)
mix of very androgynous and hyper feminine silhouettes
angel/doll-like
minimal details (that men can project onto)
vintage and/or antique items
“light academia” aesthetic
high quality materials (designer items)
sharper, black clothes post Bunny’s death
clothing gives illusion of freedom from expectation
Bonus// Fancast: Anya Taylor-Joy
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fishsticksart · 10 months ago
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Stag with Herb Branch Mounted as a Ring, 1567, Art Institute of Chicago: Arms, Armor, Medieval, and Renaissance
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fishsticksart · 10 months ago
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WORDS: ‘The Deer’ by Terrance Hayes / ‘I’m Not Calling You a Liar’ (Florence + the Machine) / Aaron O’Hanlon /  The Killing of a Sacred Deer (2017) dir. Yorgos Lanthimos / ‘The Stag and the Quiver’ by Richard Siken / mine / ‘Salvage’ by Hedgie Choi / ‘A Letter to My Mother That She Will Never Read’ by Ocean Vuong / ‘Little Deer’ (SPELLLING) / ‘Grendel’ by Roger Reeves / ‘Herd of ‘panicked’ deer filmed jumping to their deaths from motorway’ by Tanveer Mann (Metro UK) / ‘Kinder Than Man’ by Althea Davis / ‘Anecdote of the Pig’ by T. Adkisson / ‘Ferrari Drivers Charles Leclerc and Carlos Sainz Are Racing Back to the Top of F1’ by Tom Lamont (GQ Sports) / Deuteronomy 12:23 / ‘‘It’s a kind of religion’ - Ferrari’s popularity and following in Italy dissected’ by Akshat Kabra (Sportskeeda) / ‘Abstract (Psychopomp)’ (Hozier) / ‘Not Strong Enough’ (boygenius) / The Favourite (2018) dir. Yorgos Lanthimos / Enzo Ferrari / ‘Killer’ (Phoebe Bridgers) / CL for ‘Charles Leclerc talks about his “Red Passion”’ by Roberto Croci (L’Officiel Ibiza) / ‘The fragility of a predestined | FormulaPassion.it’ by admin_l6ma5gus (Pledge Times) / ‘Kinder Than Man’ by Althea Davis / Carmen Maria Machado, In the Dream House / ‘Rabbit Heart (Raise It Up)’ (Florence + the Machine) / ‘Ferrari Needs to Sign Charles Leclerc for the 2018 Formula One Season’ by Gabriel Loewenberg (The Drive) IMAGERY: Styrian GP (2020) / ? (antlers) / ? (crown of thorns) / Scuderia Ferrari Press Office (2023) / @velvetbambi (x) / Saint Maud (2019) dir. Rose Glass / white-tailed buck shedding its antlers (via Deer & Deer Hunting) / Azerbaijan GP (Baku, 2019) / post-French GP (2022) / Jules Bianchi (via F1 TV) / George Shiras III for National Geographic (1906) / ? (young CL) / ‘Driver-Deer Collisions On The Rise: State Farm’ (WSLM RADIO) / Male Red Deer (antlers) / post-Bahrain GP (2019) (CL looking up from hands) / ‘roadkill’ by Loso (via Flickr) (x) / Saturn Devouring His Son (1819-23) Francisco Goya / post-Belgian GP (Spa, 2019) (CL pointing upwards) / The Banshees of Inisherin (2022) dir. Martin McDonagh / Italian GP (Monza, 2020) / Nathan Sandwell @cuchulainn-4 (x) / ? (camcorder) / ‘Deer Caught Gnawing on Human Bones’ by Jason Daley (Smithsonian Magazine) / A Fragment of Ourselves Returning (2018) Beatrice Wanjiku / @nightcorp-archive (x) / Brazilian GP (2023) (CL figure walking) / Singapore GP (2022) / post-Qatar GP (2021) / The Deer Hunter (1978) Michael Cimino / ? (dogmouth doe) / Brazilian GP (2023) / French GP (2022)
Deer Theory
~ I saw a stag carcass on the side of the highway yesterday; this is how I’m coping.
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fishsticksart · 11 months ago
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Crochet Your Next Big Catch with Free Patterns from the National Park Service
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fishsticksart · 11 months ago
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fishsticksart · 11 months ago
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‘I dream. Sometimes I think that’s the only right thing to do.’
Quotes: Maggie Stiefvater, Fyodor Dostoyevsky, Haruki Murakami, V.E. Schwab, Fernando Pessoa, Clarice Lispector, N.M. Sanchez |  Artwork by Holly Warburton
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fishsticksart · 11 months ago
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art + lemony snicket
x x x x x
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fishsticksart · 11 months ago
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fishsticksart · 11 months ago
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Are your lights on? Are your lights still on? I’ll keep you safe. You keep me strong. © Charles Coates | @victoriaverstappen Instagram | Max Verstappen: The Inside Track on a Formula One Star | x | Ross Gay | Anne Carson | © Bas Kaligis | Steven Berkoff | Victoria Verstappen, Vriendin Magazine 2021 | Victoria Verstappen, Whatever It Takes Documentary 2020 | Anne Carson | Lindsey Drager | Malaysian Grand Prix 2017 | Victoria Verstappen, AD.nl 2017 | Max Verstappen, Daily Mail 2017 | Sophie Kumpen, x | Max Verstappen, Sky Sports 2015 | @Max33Verstappen Twitter | Victoria Verstappen, Whatever It Takes Documentary 2020 | Max Verstappen, F1 Official Interview With Will Buxton 2021 | J.D. Salinger | Max Verstappen: The Next Generation | Anna Akhmatova
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fishsticksart · 11 months ago
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Au lit, le baiser by Henri de Toulous Lautrec but make it Aziracrow
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fishsticksart · 11 months ago
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Zimmermann
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fishsticksart · 11 months ago
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Pages from a scrapbook made around 1883 by Minnie C. Woodbury Goodwin
From the collection of Mandy (Paper of the Past), who posts all sorts of delicious scrapbooks and ephemera on Instagram and here
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