#danish cinema

[texaschainsawmascara]

Mads Mikkelsen, Retfærdighedens Ryttere (2020)

[habitual-sadness]

Falling Water, Keld Helmer-Petersen, 1971

[scandinaviancinema]

BASTARDEN / THE PROMISED LAND (2023) dir. Nikolaj Arcel

[russell-crowe]

en forelskelse (2008)

[throughaglassdarkly1961]

Pigen med nålen / The Girl With The Needle (dir. Magnus Von Horn, 2024, Denmark)

[celluloidrainbow]

NATTEN HAR ØJNE (2022) dir. Gabriel Bier Gislason Maja, a has-been actress in Denmark, who falls in love with Leah, a young, Jewish academic visiting from the UK. When Leah suffers a mysterious seizure, Maja fears their whirlwind romance might be cut short and decides to follow Leah back to her home in London. There, Maja meets her new downstairs neighbour: Leah’s mother, Chana. An overbearing and highly secretive woman, Chana seems resistant to all of Maja’s attempts to win her over. And as Maja notices strange occurrences in the building, she begins to suspect that Chana’s secrets could be much darker and necessary than first anticipated. (link in title)

[penelope-all-that-mads]

"I kind of go where the most interesting project is, but it’s become more and more important to me to do Danish or European films because it’s my home, my stories, my language, and, working with friends, I can go further than with people I don’t know".

Mads' interview on The Playlist

[victusinveritas]

An image from the 1917 silent Danish film PEACE ON EARTH (released in Denmark as “Pax Aeterna”).

[picturessnatcher]

Af elskovs naade (August Blom, 1914)

[arrayed-in-purple]

𝐖𝐡𝐞𝐧 𝐀𝐧𝐢𝐦𝐚𝐥𝐬 𝐃𝐫𝐞𝐚𝐦 (𝟐𝟎𝟏𝟒)

𝐃𝐢𝐫𝐞𝐜𝐭𝐨𝐫: 𝐉𝐨𝐧𝐚𝐬 𝐀𝐥𝐞𝐱𝐚𝐧𝐝𝐞𝐫 𝐀𝐫𝐧𝐛𝐲

(OC)

[variousqueerthings]

im watching a danish 1918 silent film called "himmelskibet" (the sky ship/spaceship) and it's interesting from several perspectives

for one, i enjoy the idea that these people have the notion of going to space and build a spaceship (an incredibly charming spaceship) in 2 years and it works! lifts ve-e-e-e-r-y slowly out of the atmosphere over the course of several days

for two, they're going to mars. which in 1918 reads differently im sure, than in 2024 and the rich colonialism wet dream -- also because in this movie mars is in fact populated, so it's actually not colonialist in the way it might have been x amount of years later in space-exploration cinema and the martians are depicted as being far more civilised (and also more... back-to-the-earth, we'll get to all of That) than earthlings, which is interesting

for three, they build the spaceship and point it towards mars, but don't have the tools to gauge how long it'll take to actually get there -- they calculate a presumed date before they leave, but whilst on the spaceship just have no idea where they are? this isn't deep, it's just funny to me

point the fourth. mars is populated. it's populated by a bunch of very human-looking aliens, because it's 1918 and the only difference between us and aliens is that the aliens are fruitarian hippies who all wear long robes (yeah, i can buy that) who have overcome everything bad that humanity currently is. the message is a hopeful one, with the lead martian saying "what we are, you will become"

the martian society is presented as a utopia. they're fruitarians, they've got no crime, no violence, and in what feels like some of the most long-lasting of political ideas, when the astronauts bring violence with them, they are made to think about it, but not punished (and there's some christian repent vibes to it, but it's not too egregious as to not work as concept -- the movie as a whole is very christian in feel though) and the protagonist considers how evil it is to throw people into prisons on earth. there's also a whole thing about embracing/celebrating death, rather than fearing it, which i wanna roll around in my head for a bit

but... the film tries very hard to juxtapose this utopian ideal with earth, however can't figure out how to make that work in imagery, or even put its finger on what is actually wrong with earth society that violence abounds in the first place (you'd think there might be some wwi imagery in there, but no, not a one -- its way of "showing violence" is random young well-dressed people on the street assaulting an elderly man and laughing, or smoking and dancing, or implied sex before marriage...)

all the scientists/leaders on mars are men, while the women... idk, frolic in beautiful dresses (there are a couple of interesting women in this, but they're not The Thinkers, they're The Feelers). they're all white and christian (if, danish christians rather than american christians). they're all thin and able-bodied and "beautiful." there's a scene where the women dance "a chastity dance." it begs the eternal question of "wait is this actually portraying a white supremacist eugenics cult?" WHICH is not what the movie wants to say, it very much wants to say something about anti-violence idealism as the future for humanity, it's like. got its heart in the right place, even if the final messaging is "we take this woman from a higher culture and within her lie the seeds for a superior earth," which hmm.. yeah. ive. ive heard things like that said before. not about a martian

it's interesting what kind of shorthand we have for storytelling. how the people making this movie undoubtedly were trying to think of the most visually effective way of conveying utopia, and how that imagery is mainly used today to make a viewer go "uh oh" to the extent that i almost briefly wondered if there was going to be another shoe about to drop, even though the movie hadn't been going in that direction at all

very much enjoyed it on the whole though. a moment in time. a very very early scifi film. ye olde danish text

And the most important thing.

Behold A Spaceship:

[filmografie]

Anna (2009), dir. Rúnar Rúnarsson

[tilbageidanmark]

MOVIES I WATCHED THIS WEEK #206:

9 MORE POST-DOGMA DANISH FILMS:

🍿 I probably seen RIDERS OF JUSTICE 12-15 times already, and I just can't get enough of Anders Thomas Jensen's 2020 brilliant thrill ride. It's an absolutely perfect movie, perfectly-told. The level of nuanced cinematic story-telling here is as good as any movie I've seen. It's about fate and chance, the power of coincidences and healing, about grief and mental health, and a fraught relationship between a father and daughter...

Watching it around now is even better, because it's actually a Christmas fairy tale (although a tale that include PTSD, sodomy, death of a mother, sale of a child (alleged), and intense bloodshed and gang violence.) 10/10 re-watch ♻️.

🍿 The new FAMILIES LIKE OURS which just premiered on Danish TV, is my 6th by Thomas Vinterberg, and his first miniseries. It has a terrific premise: Because of rising sea level, flatland Denmark [whose highest hilltop is 186 meter] is about to be completely flooded, and all its citizens must evacuate to other countries. So the nice, middle-class society which was used to life of civility and leisure, become climate refugees among other European countries, who may or may not be interested to have a new flood of immigrants among them.

Instead of creating over-dramatic situations, Vinterberg concentrates on the interpersonal travails of the members of one extended family, some more interesting than others. Eventually, the 7 hour-long saga becomes a bit too lengthy and kind of stodgy - a condensed 2 hour version would have been so much more effective. 4/10.

🍿 LAST ROUND (1993) was Vinterberg's film school graduation short. Young Thomas Bo Larsen has terminal leukemia, so he parties hard in his last night in town. But it's an unconvincing, nervous, childish effort.

🍿 THE IDIOTS WHO STARTED THE PARTY is a celebration of the Dogma 95 movement, on its 25th anniversary in 2020. Exciting recollections by members of the collective, as well as interviews with my old film professor from the University, Peter Schepelern! (Photos Above).

The 10 "Rules of Chastity" which they defined and enforced were gimmicky and off-putting, and out of the 35 movies made in this style, only a few are worth watching today. But it definitely built a highly-successful 'New Wave', it energised a whole generation of local filmmakers, and it re-established the Danish film-scene into an international powerhouse.

🍿 WHEN DANISH FILM CROSSES THE LINE (2020) is another Denmark Radio documentary about the most controversial Danish films, From Benjamin Christensen's 'Häxan' (which I haven't seen yet) and Asta Nielsen's 'The Abyss', to 'A stranger knocks' and Lars von Trier. Denmark was the first country to legalize pornography in 1969, so there's plenty of sex involved, but also violence, animal abuse, profanity and atheism, sometimes all at once. Among the talking heads, Peter Schepelern again puts things in prospective! [*Female Director*]

🍿 ØDELAND (WASTELAND) (2015), an unusual film school short - not from Copenhagen, but from the the town of Odense on Fyn . A live action doomsday dystopia, similar to 'The Road', very low-budget but fully accomplished. A father and his teenage daughter, among the last survivors, must use extreme caution when they run across a deaf, traumatized boy. Found at random on YouTube, and surprised that the director never broke through.

🍿 Susanne Bier directed 6 of Anders Thomas Jensen's manuscripts (including my all-time favorite 'After the wedding'). OPEN HEARTS (2002) is the only one I haven't seen until now. It's different from his usual fare, being a straight love melodrama with a strong, domestic plot; A driving mother causes an accident that paralyses a young man who's preparing to get married. Mixed-up doctor Mads Mikkelsen, the driver's husband, falls in love with the fiancé of the paralyzed man, and eventually leaves his family for her. It's a small mess.

There's a lot of fawning online, both gay and hetero, over sexy Mads Mikkelsen. This film surely created much of this fawning: he is playing here an ordinary guy, not a hero, who's just deliciously lovable. [*Female Director*]

🍿 Also, two of Mads Mikkelsen's earliest films: In his very first film, CAFÉ HECTOR, Mads has a small cameo, while the main character is played by his real-life brother, actor Lars Mikkelsen. An affected little make-believe story about a social outcast pretending to be Travis Bickle who actually gets to stop and kill a real psychopath with a gun. Surprisingly, this is also one of Anders Thomas Jensen's first works as a writer. 1/10. [*Female Director*]

🍿 THE CARETAKER (1997), a little nightmarish Noir about a man watching a woman with binoculars, sees a murder, maybe not. Some surrealist touches, cockroaches crawling in the ceiling, bloody hand - M'eh.

🍿 The "romantic" comedy ITALIAN FOR BEGINNERS (2000), my second by Lone Scherfig. But while 'An Education' was wonderful, this one was unpleasant all the way through. Not only the low-cost, indie, badly lit and noisy vibes, but none of the clumsy, meek and fumbling characters were endearing. There are two abusive parents (who fortunately and separately, die), and especially the main dude, Hal-Finn, is a real asshole but whom everybody tolerate. And they all want to learn Italian, for some reason. Pass! [*Female Director*]

🍿

ROSE HOBART was a 1936 experimental collage film, an early re-purposing of found footage. It comprised mostly from snippets of Rose Hobart, the main actress of 'East of Borneo' which Joseph Cornell, the shy avant-garde artist who made it was obsessed with, making it also an early 'fan-edit'. Salvador Dali disrupted in rage during the premier of this film which he attended, claiming that Cornell stole the idea "from Dali subconscious". Selected for the 'National Film Registry' in 2001.

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4 SHORTS BY GERMAN ANIMATOR VOLKER SCHLECHT:

🍿 THE WAITING: "Ecologist Karen Lips lived for several years in a tiny little shack in Costa Rica to observe frogs. When she left the cloud forest for a short time and returned, all the frogs were gone. She set out to find out what happened to them – and encountered a horrible truth. Mysterious deaths occur all over the planet and have a similar pattern. Why have so many species vanished? And what does it all have to do with us?"

This outstanding 2023 science animation of a real-life crime mystery won a bunch of awards at film festivals. 9/10.

🍿 In KAPUTT (2016), two women who were political prisoners in East Germany describe the horrific conditions of forced labor and abuse in the notorious central prison at Hoheneck. Hard watch. 10/10.

🍿 GERMANIA WURST (2008) is a semi-humorous rundown of Germanic history, from the Holy Roman Empire to the present day. He serves it sliced with bouts of sausage making and lively military march music. Terrific! 8/10.

🍿 NOTHING ELSE (2001), Schlecht's second film, more of a mood piece about tiny gestures on a train ride.

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MORE FROM FREAK OF NATURE RICHARD CONDIE:

🍿 Re-watch♻️: Isn't his 1985 THE BIG SNIT the best Canadian movie ever made? Yes, it is. And why is there a giant Goodyear Tire in one of the rooms? 10/10.

🍿 "Moments ago I had everything - Now there's a cow in my nose - Because I opened the stupid door!"

In LA SALLA (1996) a wacky Italian inventor literally loses his head. So much drugs were used during the creations of this film!

🍿 OH, SURE (1977), a very short short about how to make a fool of yourself, even at your old age. Perfect for me.

🍿 In PIGBIRD (1981), a man smuggles a hybrid animal into the country, only to discover too late that it is covered with some nasty ticks. It was actually a PSA for Canadian Customs. 9/10.

🍿 THE APPRENTICE (1991) is another weird, incomprehensible story set in medieval times. Wordless, it's told only through guttural, cacophonous sound effects.

🍿

THE ONLY GIRL IN THE ORCHESTRA is a new documentary about the first woman whom Leonard Bernstein allowed to play with the all-male New York Philarmonic in 1966, and her illustrious career as a double-bass musician. It features some beautiful music, but the old-time sexist theme is told in the typically pedestrian Netflix style, devoid of air and life. [*Female Director*]

🍿

2 WITH ELEANORA PIENTA:

In PLAISIR (2021) she's a young American seeker who doesn't speak French, but nevertheless comes to the south of France to stay in an art/work commune. It's about the inability to communicate, and not being exactly sure what you know and what you want. Female-focused with a distinct female gaze. [*Female Director*]

🍿 LITTLE CABBAGE is a Southern Gothic of a kind. In 1959 Alabama, a young female composer falls for a black man and goes insane. 1/10. [*Female Director*]

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A BUNCH OF SHORTS:

🍿 My first Popeye cartoon, the 1934 A DREAM WALKING. What a terrific piece of art! Popeye and Bluto fight each other to see who will get to save the sleepwalking Olive from the beams of a high-rise construction site. Absolutely thrilling - 10/10.

🍿 "Shag me kindly...?"

LADY PARTS (2018) is the pilot for the series about this all-girl Muslim punk band in Camden. The musicians are one Halal butcher, one Uber driver, one illustrator who sells her art at the open market, and their Niqāb-clad manager working at cheap ladies' lingerie booth. [*Female Director*]

🍿 "Give the kid a bagel!"

A miracle in Brooklyn, and a holiday classic: In 2007 Ken Russell's was challenged to make a film so offensive that even he would want it banned, so he made the absurdist A KITTEN FOR HITLER, with an Oompa-Lumpa playing a little Jewish boy with a swastika tattoo. As much as I hated 'Jo Jo Rabbit'...

🍿 MERMAID (1997), my 5th Pagan/Christian Russian fairy-tale by animator Aleksandr Petrov, done in his recognized style: Pastel oils applied by hand unto glass plates, like moving paintings, making his films seem like blurred dreams.

🍿 When I lived in Norway in 1974, there was a little toddler in the farm, and her favorite TV-characters were the classic KARIUS OG BAKTUS. These two puppets were tooth bacteria that lived in some boy's mouth, and destroyed his teeth. I can see how traumatic was this 1955 horror cartoon for little kids.

🍿 I only watched the Israeli love story SASSI KESHET NEVER EATS FALAFEL (2013) because it had 'Falafel' in its title. It's a stupid reason - just like this film. 1/10.

🍿 "Do not lose time on daily trivialities. Do not dwell on petty details." Don Herzfeldt's WORLD OF TOMORROW, my second favorite movie of all times. I should start watching it every week... 11/10.

🍿

When I saw the first episode of STONER CATS, I wrote: "I like cats and I like 'stones, so (this) was exactly for me. 5 cats gets stoned when their old lady shares her medicinal delivery stuff with them." But now that I saw the whole first season, I say: Screw that! It was a one joke stretched into an unwatchable lame, thin slop soup. 1/10.  

🍿

(ALL MY FILM REVIEWS - HERE).

[lairreparablefugadeltiempo]

De fire djævle (Alexander Christian, Robert Dinesen, Alfred Lind, Carl Rosenbaum, 1911)

[iwannapushthebutton]

Festen (1998) dir.: Thomas Vinterberg dop.: Anthony Dod Mantle