#foreign cinema

[goryhorroor]

viy (1967) directed by kostantin ershov & georgiy kropachyov

"By the shades of night, may he go blind, turn his hair white. Bewitch him. Cover him with snow."

[shattereddteacup]

Passages (2023)

Dir. Ira Sachs

Language: English, French

[labyrinthofstreams]

Margit Carstensen in Martha (1974) | dir. Rainer Werner Fassbinder

[classichollywoodarchive]

SOPHIA LOREN IN MARRIAGE ITALIAN STYLE (1964)

images from imdb

[mask131]

You know how there is a tendency by the USA industries to copy famous British shows? The Office. Ghosts. Skins. Being Human. Shameless. Queer as Folk. Men Behaving Badly. All these shows have a UK vs US version. And everybody keeps talking about the differences and comparisons. It is such a well-known and documented phenomenon that Wikipedia has a FRIGGIN' LIST of American shows based on English ones (here it is if you want to check it out). They even tried to do an American Absolutely Fabulous! Can you believe that? There is an unpicked pilot out there for an American "AbFab" show! Crazy...

There is however a very similar phenomenon nobody talks about (probably because it does not involve English-speaking media, hence why people are less interested in this).

Turns out there is quite a handful of American movies "based" (cough cough) on French movies! Ranging from straight-up remakes to rip-offs "inspired by".

Recently, as I was looking at a video dissecting some American comedies that failed at the box-office, I discovered this movie:

"Dinner for Schmucks". Released in 2010. Just by looking at the movie's title and poster I already knew what it was about and could tell you all about it. No, not because I watched it - but because this is actually an American copy of one of the most famous French comedies of the 90s: "Le dîner de cons"

Jay Roach, "Dinner for Schmucks" director, denied any claim that his movie was a remake of the French one. He said it was merely "inspired" by Le dîner de cons. But it is pretty HEAVILY influenced if you ask me.

You must understand that Le dîner de cons is still to this day considered one of the great classics of French comedy. It was a movie adaptation of a theater play of the same name. The same guy did the theater play and the movie (Francis Veber), and the same guy played the titular "Schmuck" in both media: Jacques Villeret. Jacques Villeret whose role in Le dîner de cons stays his most memorable and iconic character to date. To tell you how big this movie was, when it was released in France it was the second most-watched movie of the year, right behind... Titanic.

So when you compare that to this American movie. An American movie that bombed and was deemed a failure. And when you take into account the fact none of the fans of the American movie seem to even know the existence of the French one, despite this being a movie EVERYBODY in France knows at least by name... Argh.

Now... this discovery did surprise me, but it did not surprise me THAT much. Because I was aware of something similar that had happened before.

I am a big fan of another great classic of French comedy. Le Père Noël est une ordure (Santa Claus is an asshole).

This 1982 movie (again, based on a previous theater play and reusing most of the same actors as on the stage version) is still considered to this day a classic in many ways. A classic of dark French comedy ; a classic of Christmas movies in France ; and one of the master-pieces of the comedy group Le Splendid, right behind their movies Les Bronzés. Just like with Un dîner de cons, most French people can recognize its visuals or quote you a line, even if they didn't actually see the movie. [If you ask me... I am much more of a fan of the stage play. The movie is the most famous of the two, but I saw the theater play first, and the two pieces differ mostly with their endings. The movie's ending is dark but happy/optimistic ; while the play's ending is hilarious grim and devastating. But that's mostly a question of tastes.]

Anyway, since I was a fan I bought the official companion book about the movie, and that's in there that I discovered the existence of 1994's Mixed Nuts.

An American comedy movie that was a re... Oh sorry, just like for "Dinner for Schmucks", the people behind this movie refused to say it was a "remake". They said it was merely "based on" the French movie. And just like "Dinner for Schmucks", it was a big failure.

I distinctively remember how the person who wrote for the French companion book was not kind AT ALL on this American movie. Notably they pointed out that one of the reason it failed in the USA, and nobody wanted to see it in France, was because it took this dark comedy about suicide and couple abuse and murder (it is still hilarious fun, trust me), and tried to turn it into a "politically correct" optimistic, all-family comedy a la "typical American comedy". Except the core story was designed to be about the dark side of Christmas, the hypocrisy of society (and of Christmas), and just a bunch of not-nice, not-good people getting stuck together on one Christmas night filled with blood, sex and despair (again, it is actually VERY FUN, I assure you). Something that was deemed not "palatable" enough for American audiences.

These two cases being brought up, I got curious and I went on Wikipedia to check if there were other American movies "inspired by", "remaking" or just "blatantly ripping-off" French movies. And I was NOT disappointed!

There's too many to list, but I will leave the most jarring, shocking or flabbergasting cases (at last for me, a French person) under the cut. I mean, I knew about the US vs UK tv shows battles, and I knew about the American remakes of J-Horror (The Grudge, The Ring), but I never thought they'd have done something similar with French cinema!

And you know what the worst thing is? Most of these American remakes were failures, right? And the French movies were much more successful and famous than them... Yet, most American people know only about their American movies, which failed, and don't know one piece of info about the French movies, despite them still being showed and talked to this day. This is honestly such a jarring cultural gap. [And also a confirmation that American movie industry would rather remake dozens and dozens of foreign movies rather than bother releasing them dubbed or subtitled. Crazy.] Hopefully things are changing a bit because today, due to how the Internet exists, the original French pieces are talked about much more. People know better the original Taxi movie or the Les Intouchables movie than their American remake... Still though...

Anyway here is the list of these cinematic crimes underneath the cut

2000's Under Suspicion. Created out of the classic French thriller Garde à vue, a greatly awarded movie that gathered two legends of French cinema, Lino Ventura and Michel Serrault (and which is Serrault's darkest role ever).

2017's The Upside. Created out of 2011's Intouchables, an international success of a comedy that notably turned small-career actor Omar Sy into one of the huge names of French cinema.

2004's Taxi. A failed remake attempting to cash on 1998's Taxi, the movie that started the immensely famous Taxi movie franchise.

1998's Pure Luck. Not many people know this movie is based on 1981's La Chèvre, one of the famous comedies of actor Pierre Richard. (And there's the... other guy. Better not talk of him for a while Xp)

2015's Martyrs. A remake of what is considered one of the most famous (and disturbing) French horror movies of the 2000s: 2008's Martyrs, one of the big names of the "New French Extremism". (Well it is Franco-Canadian... But still)

1991's Oscar. A remake of 1967's Oscar, one of the great comedies of the 60s featuring the comedy legend Louis de Funès.

1996's The Birdcage. Created out of 1978's La Cage aux Folles, the most iconic role of Michel Serrault (in the comedy genre) and a very influential piece of fiction when it comes to depictions of gay couples and drag queens in French cinema.

1988's And God Created Woman. An American remake of 1956's Et Dieu... créa la femme, aka the movie that turned Brigitte Bardot into an international star.

2021's CODA. An American remake of 2014's La Famille Bélier. I think it was the first big movie of Louane, and it was notoriously talked about for having a big representation of people with earing problems since it is about a talented singer born into a family of deaf people. (And it is not a comedy, it is a drama movie).

By all of the hells, even Some Like it Hot! Yes even Some Like it Hot was inspired by a French movie: 1935's Fanfare d'amour!

If you want to see more, just look at the Wikipedia category for "American remakes of French movies".

[shabanavdulaj]

Samkofa (1996)

dir. Haile Gerima

[arrayed-in-purple]

𝐖𝐡𝐞𝐧 𝐀𝐧𝐢𝐦𝐚𝐥𝐬 𝐃𝐫𝐞𝐚𝐦 (𝟐𝟎𝟏𝟒)

𝐃𝐢𝐫𝐞𝐜𝐭𝐨𝐫: 𝐉𝐨𝐧𝐚𝐬 𝐀𝐥𝐞𝐱𝐚𝐧𝐝𝐞𝐫 𝐀𝐫𝐧𝐛𝐲

(OC)

[doitinanotherlanguage]

Non-Anglo Movies You Should Watch 21/∞: Fanfik (2023; Fanfic), dir. Marta Karwowska

Country: Poland

Language: Polish

Genre: Romantic Teen Drama

Summary: Two high school students form an intense connection as they navigate the challenges of discovering and expressing their truest selves.

[bloodybosom]

[maysshortmoviereviews]

Escape from Mogadishu (2021)

In 1991 war-torn Somalia the personnel and the families of both the South Korean and the North Korean embassies have the same goal: to escape from Mogadishu.

A very good and thought provoking movie. If you enjoys films like 'Argo' and 'Black Hawk Down', then you will enjoy this. It is excellent filmmaking and the scenes of riots and anarchy were very well shot. I really enjoyed it. It is based on a true story and it feels very authentic. Your time will not be wasted.

[blk-orpheus]

Asia

Afghanistan Armenia Azerbaijan Bahrain Bangladesh Bhutan British Indian Ocean Territory Brunei Cambodia People's Republic of China Christmas Island Cocos (Keeling) Islands Cyprus Georgia Hong Kong India Indonesia Iran Iraq Israel Japan Jordan Kazakhstan North Korea South Korea Kuwait Kyrgyzstan Laos Lebanon Macau Malaysia Maldives Mongolia Burma Nepal Oman Pakistan Palestine Philippines Qatar Saudi Arabia Singapore Sri Lanka Syria Tajikistan Thailand East Timor Turkey Turkmenistan United Arab Emirates Uzbekistan Vietnam Yemen

[cinephile-inc]

last night i watched titane (2021) and why i thought it was a good idea to watch this not only at midnight but while on my period as well is beyond my comprehension

titane is weirdly tragic imo as well as uncomfortable and insane from start to finish

it's hysterical that both of the french "horror" movies i've watched recently have just been Nuts. like i don't know if this is just modern french cinema or if i have ?terrible? luck with my picks, both were from within the past five years as well i'm pretty sure

there's not a lot of body horror, but boy when it's there, it sure is Body Horror-ing. not recommended for people who find deep discomfort in any topic related to pregnancy (me... but i survived!)

fear of "pregnancy by car" is a new one for me

watching this movie was truly the embodiment of my favourite john waters quote; "Get more out of life, see a fucked up movie."

[labyrinthofstreams]

Jeanne Moreau and Monica Vitti in La Notte / The Night (1961) | dir. Michelangelo Antonioni.

[classichollywoodarchive]

MAX SCHRECK IN NOSFERATU (1922)

image from the bbc

[drawinggoose]

So true. People, please, watch more films made outside the US. You'll be amazed what gems you can find.

Why you should watch foreign films.

They're good. Bong Joon Ho (director of Parasite) says it best.

Movies are a great way to experience other perspectives and cultures. Foreign films are made differently from films you're used to. The style, the editing, the way plots unfold, it's all going to be different in interesting ways. Some examples:

Giallo films (Italian) might have nonsensical plots but they're more focused on emotion and spectacle. You're Vice is a Locked Room and Only I Have The Key might be a mess of a story but it's a wild ride of the type you don't find in America.

Japan has a lot of movies about the horrors of nuclear war and proliferation. Godzilla, Akira and Grave of the Fireflies could not have been made in America. When America makes a movie about nukes we get Oppenheimer, a movie about the people who made the bomb and not the people that suffered under it.

Korea has some amazing thrillers like Oldboy and Memoirs of a Murderer. America remade Oldboy and it was not nearly as good.

These are all broad strokes of course, but the point is that other countries have a lot to offer and you're missing out on so much if you're scared off by subtitles. The way I figure is that 95% of the world's population doesn't live in America, so why assume 100% of good movies come from there?