#dani is in LOVE with that man

[boasamishipper]

the way dani was looking at sam this episode........someone needs to take me out back and shoot me

[glow-in-the-dark-death]

Clone

~

Danny has heard about Superman's dislike for his clone,

Dead men do tell tales.

Danny grows angry with Superman,

There he was showing hate to his clone, his flesh, his blood,

Conner wasn't in the wrong,

He was just a child

He didn't ask to be created this way.

Danny hated Clark Kent

More and more with each story he heard from the ghosts around him, Danny knew what it was like to be cloned to feel that violation of his person, but he could never hate Ellie,

His clone

His cousin

His sister

His daughter

His family

She was precious to him and her being a clone would never lower the amount of love he held towards her.

So to see this hero, this adult, not give two shits about Conner?

Oh that burned

So he decided to do something about it, If Superman didn't want Conner then he would take him, show him the love and care that should have been his from the very beginning from what should have been his own family.

Danny could teach him more about Krypton than Superman could ever wish to know, show him his birthright.

~

Danny & Ellie on their way to surprise adopt Conner: "New family, new family~!"

Connor: "Why do I feel like something very important is going to happen?"

~

Superman feeling like he's being followed

The Krypton ghosts following him around being disappointed in him, and going back to the King to tell him all the things he's done.

~

The Justice League summoning King Phantom

Danny takes one look at Superman and is ready to give him the beating of his life

Danny: "You want a deal? Sure! In return for it I want 20 minutes alone with Supes over there, no reason why!

~

Danny seeing Superman after another ghost told him how bad he's been treating Conner:

~

Just an Idea

[gyareii]

➳ ♫ (｡•̀ᴗ-)✧ 📓 ╭ @miujo

[justablah56]

hi guys anyone else just thinking about Dani and VR LA . siblings of all time . like . just thinking about all the ways that Dani has rubbed off on VR LA . and them making fun of each other affectionately and also just how much they care about each other . just thinking about the end of s3 ep7 after vr la's told everyone that he used the wish and they've all ran their errands . and vr la brings dani the broken clock because he's so sorry that he didn't tell her and knows that fixing things is something that she *loves* and that giving her that will mean more to her than just saying it . and dani finishing her little mystery project she's been working on all season and says hey VR LA do you want to come see what ive been doing ? she wants him to know that she loves him regardless and that she wants to share things with him but she's not very good at just saying those kinds of things . THINKING ABOUT VR LA ASKING DANI IF THERES ANYTHING THEY COULD FIX TOGETHER !!!! that little thing just ,,, man ,,,, it gets me guys . anyways just thinking about how VR LA is probably the single most important person to Dani and she would do literally anything for him but it's so hard for her to put that into words but she loves him *so* much . and VR LA is about as bad as she is but she was the first person he knew after losing his memories and Dani doesn't ask for much but he'd do a million little worthless things that might make her light up because that's what he knows how to do . anyways . they're just important to me guys .

[scrombit]

the eternal yapper is back at it

[mumms-the-word]

if I ask you to reblog this and tell me why/how your Tav/Durge fell in love with their LI in BG3 would you? I’m fascinated by the differences

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[ikram1909]

Gavi with Pepe Conde ❤️

[elloras]

[fromtheseventhhell]

The Starklings trying to keep up with Arya after she returns to Westeros fluent in multiple languages

[biscuityskies]

the light, the heat

He feels utterly safe here, warmth encapsulating him in a gentle embrace, like arms wrapped around his midsection. He’s shielded from whatever perils this world might throw at him, protected and… Oh. That’s an actual arm thrown across his midsection. So it wasn��t all a dream. A slow grin crosses Cody’s face. “I can feel you looking at me, y’know.” “Banthashit,” comes the quiet reply borne on the voice he knows so well, deepened with sleep, “I’m still asleep.”

this was originally posted for a gift exchange in the codywan server, and i offer it now to the broader public lol pls enjoy (tagging @codyday2224 bc i love what ur doing <33)

[glow-in-the-dark-death]

The Night Security

Danny decides to tag along with Dani and travel around the world. With him now being in his late twenties he decided he could use a break from all the craziness back home, and he's been wanting to spend more time with Dani.

Dani despite it being years still looks the same, they had gone to Frostbite to make sure nothing was seriously wrong, Dani was completely healthy but it seems Vlad's messy attempts at cloning alongside her also being a halfa had made it so Dani would age a lot slower than a normal human would.

Danny until that point hadn't realized that he also looked very young for a man who was almost 30, but he could just get away with it by just saying he had a baby face.

To gain money for their travels Danny decided to start doing random jobs normally he would end up with being night security since those positions weren't very popular and always had a position open or where willing to have an extra pair of eyes on the job.

With that being said Dani and his sleep schedule were completely flipped over now being practically nocturnal. They would go out shopping or have fun while the moon was still high in the sky.

Now with that being said, he had no clue why there always was at least that one person at whatever job he would have that seemed to believe he was a vampire,

Yes a vampire, and he could brush it off if it had only happened once or twice but no! This has happened in the majority of his jobs.

And look he gets it, he only gets night jobs, he hangs out with Dani outside only when the sun is nowhere in sight, and yes both he and Dani were sensitive to the sun but that was normal for people with pale skin they would burn easily and considering that pale blue eyes tend to struggle seeing with too much sun clarity especially since they're not used to being around the sun as much as before.

See he gets all those can kinda be vampire things but they where also just very normal and common human things as well.

So yes he was out here fighting vampire allegations instead of ghost ones like when he was young.

~

" Mr.Kent sir you dropped this."

Clark turned around slightly spooked he hadn't heard the young man a moment ago, which should be impossible with his super hearing. Focusing on the man In front of him he realized that the heartbeat he was now hearing was... too slow, unhealthily so. If he had just been hearing the heartbeat he would have been sure it was from someone dying, but the man In front of him showed no struggle or weakness in spite of that.

"Sir?"

Clark snapped back into the present. "Oh! Right sorry about that, it's been a very long day usually I'm out of here long before the sun sets."

"No worries man I totally get that, I just saw that you dropped your glasses case near me and wanted to quickly return it."

"Well thank you Mr.?"

"Fenton, Danny Fenton I work the night shift here."

~

Danny doing his job

His coworkers spraying holy water to prove he's a vampire:

~

check my tags for some extra ideas I had on this

~

Just an Idea

[danieyells]

. . .the crushing potential reality is hitting me so hard i had to stop reading to make a post about it

Haku used to be in Frostheim and someone, a close friend of Jin's, also used to be in Frostheim before they "sold him out". . .Yuri hates Frostheim and Jin hates Mortkranken. . .and Yuri's a doctor so he would have known about Jin's mother too. . . .

I wonder if it's possible that Yuri was previously in Mortkranken and he's the one who was previously close to Jin and Tohma replaced him and it coincidentally also lining up with Haku is to throw us off

Because "associated with again" makes it sound like Yuri used to associate with them a lot. . . .

MAN IT'S GONNA THROW SOME THINGS OUT IF THAT'S THE CASE--

[danidoesathing]

Strange Trails + Titles Cards

[secretlythatsme]

*tw death*

actually,,, thinking of demon brothers au where danny is born first but dies during the birth,,, he was alive long enough for the pits to bring him back but ra's decided the death itself was a sign that danny was weak and wouldn't be fit as the heir so they plan to just get rid of him. something/someone interferes and Somehow baby danny finds his way to amity where the fentons adopt him. But twist is that talia doesn't know danny was rescued and raises damian fully believing that her first son was dead. talia doesn't need another reason to be overprotective of damian, but this Would be another reason.

she finds out somehow after damian is with bruce and she specifically goes to them for help so Boom now there's a big search for danny. i think it'd be better if danny's real/first name wasn't daniel/danyal so it's a Tad harder for them to find him. i feel like this au would also work well with the amity blocked off from world trope too

anyway, i feel like this would be a fun au to explore danny being half ghost in! like maybe him being a halfie is directly related to going into the pits so young or him dying before he got to Live. idk,,, so many interesting routes an au like this could go

[whoregaylorenzo]

Dani Pedrosa: From Spielberg with Love (1/?)