#dangerous eyes

[renn-aissance]

Of course when I’m not even trying for an Astarion romance I’m SWIMMING in getting his romance scenes. Honestly, I don’t think I had two of them on my first run!

I love Astarion, he’ll forever be my bbg and the loml but I’m trying to do a Gale romance and I find myself going ‘WHAT DO YOU WANT’ whenever Astarion needs to tell me something lol

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[justlikeheavenfest]

register now for access to passes, on sale this friday at 11am PT. May awaits with arms outstretched. 🫶 $49.99 down payment plans available. www.justlikeheavenfest.com

[dreamweaverai]

[thenameisgul]

okay but ‘where’s the angel’ has got to be THE most romantic thing Dean has said about Cas and it wasn’t even said to Cas

imagine being in a land of monsters where every monster you ever killed is, they’re all stronger than you, all more ruthless and more vengeful than you

the news has reached everyone that there’s a human in purgatory, that that human is Dean fucking Winchester so they’re all gunning for you and yet,

and yet, they all know not to fuck with you even on their own turf because the monsters found out pretty early on that Dean Winchester has lost his angel and he’s pissed and he is not to be fucked with

so now the monsters are running from you, instead of the other way around

it’s the most romantic shit ever!

[psin314]

poor Spite deserves some love too ❤️ (also love ur art sm its sososo good)

of course he does hehe. so here's a little kiss on the cheek. and... candles eating. 🗿never do this guys okay

also some thoughts on my spite x rook (ppffffhhhtffpf spook). im sorry my fellow horny spite enjoyers but it's not my cup of tea. spite's just a little very supportive guy. i dont think he really understands all the things rook and lucanis do to each other but he feels and sees that it makes them both happier so he's like nice👍👍. rook likes to give him forehead and cheek kisses tho.

[jasminebythebay]

hehe i love sonic's olympic outfits

[lilislegacy]

*percy controlling akhlys’ poison to use it against her and choking her on her own tears and saliva*

annabeth: never do it again. never do anything like it again. i’m begging you

many years later

*percy and annabeth’s teenage children being held at knifepoint by enemies, seconds away from being killed*

annabeth: percy, do it

[poolboyvampirism]

i pledge allegiance to the flag...... 🫡🫡🫡🫡

picture if anyone wants it

[lucyllawless]

#rio protecting her wife

[turtleblogatlast]

It’s a good thing that the boys had cute little button eyes when they were babies, because imagine if they had big ol eyes instead, like

[theghooligan]

rhaenys, the realest bitch that ever breathed air to her punk ass nephews aemond and aegon:

[justlikeheavenfest]

register now for access to passes, on sale this friday at 11am PT. May awaits with arms outstretched. 🫶 $49.99 down payment plans available. www.justlikeheavenfest.com

[nartothelar]

angel on guard duty

[help-alaas-family]

🚨URGENT DISTRESS CALL

400 Days Of WAR On Gaza, Palestine

My Account Was Verified & Listed #99

I'm Alaa Khateeb from Gaza, Palestine with 8 of my family among us 4 young Children under 10 years we lives a Dangerous WAR from 400 Days Ago feels like 400 years.

Please Read Our Story

Displaced From Our Home 7 Times & Now Living In A Tent That Lacks Of Life. We Lost Our Jobs, Salaries & Everything.

Pictures & Words Fail To Describe Our Situation🥹

Please Don't Leave Us Alone. Help Us Even With A Little, Because it's A Lot For Us.

Please Click & Donate🙏

Your Donation Will Save Our Lives & Fix It🙏🏻

Direct Donation Link 🔗

[ryllen]

🌾 . 🍚

[samskiwi]

happy birthday to the album that changed my brain so bad that I still have not and will not ever recover from-

DANGER DAYS NATION RISE ‼️🗣️

[justlikeheavenfest]

register now for access to passes, on sale this friday at 11am PT. May awaits with arms outstretched. 🫶 $49.99 down payment plans available. www.justlikeheavenfest.com

[polychromaic]

🌸 when the Hindriarch banished Eskhind and her kin from Bey Lah, Neelahind would follow her heart into voluntary exile. To abandon a surefooted life, as well as a coveted spot among the Fellowship, is nearly unheard of among both hindren and Wardens, but Neelahind was glowing when she took her leave. I hear the pair are quite happy together, practicing arconautics in the ruins to the west—at least, that's what the kendren bring news of when they come back to trade.

back at it again w more caves of qud deer gals 😏✨ i'm kind of enamored with the ending to the Bey Lah quest where Esk and Neela both take off, so i wanted to see what they'd look like as a matched set of lesbian pariah-arconauts. geez, i can’t believe it’s been almost two years since i drew them last

image descriptions under break!

img desc: A drawing of a hindren deerfolk girl from "Caves of Qud". On the left a title card reads "Pariah Neelahind (she/her)". Some of the details are labeled. Her fur is a rich cedar red, with a lighter heartwood underbelly curling under her arms and on the inside of her legs down to her hooves; her curly hair is dark mahogany, tied back in a ponytail with a sky-blue bandana; her antlers are a pale heartswood, deepening to a rich velvet at the tines. She’s smiling, looking up and off to her right; she's poised upright, her arms spread to either side of her as she grips the haft of her war-scythe Yal, which is laying across her shoulders. She’s wearing shining steel platemail—a breastplate over a nanoweave surcoat patterned with pale lemon slices over pink (called "Pink Lemonade"); her armor is incomplete, but well taken care of. She’s wearing leather braces, a steel gauntlet on her left hand only, and a woven blue sash and bedroll across her back.

img desc: A drawing of a hindren deerfolk girl from "Caves of Qud". On the right a title card reads "Pariah Eskhind (she/it)". Some of the details are labeled. Her fur is ashen, with her pale undercoat spotting through on her forearms and flanks. Her messy hair is a greenish bleach-blonde, and one of her ears has a hole in it; her antlers are pale and their velvet is darker grey, and they're covered in little tied-on charms and brass tine hornaments. She has an eyepatch over her left eye, and a gap between her front teeth. She's grinning, slouching in a relaxed fashion, pulling back her hood with one hand and flashing a rock-on with the other; her front two legs are crossed, while the back two are spread like she's posing for a picture. She's wearing a well-worn chainmail hauberk, which extends down over her back; a ragged cowl, with buttoned slots along the hem of the hood for her antlers to fit through; a leather bracer on her left wrist, a steel pauldron on her right shoulder, a fingerless elastyne glove on her right hand, and two pairs of croccasins on her hooves. A pocketed saddle is slung over her back, along with a backpack and bedroll; on either side, the pockets are full of tools and bits. Tucked into her swordbelt is a sheathed folding carbide longsword and a gaslight kris; slung across her chest is a bolt-action rifle called "Peashooter" (it has a lesbian flag on its stock). Around her legs are several beaded bracelets and charms; one of them is the rightfully reclaimed Kindrish, complete with its carved deer charm.