#dalia reed

[help-an-alter]

Hi first off this blog is awesome and I think this is such a cool idea. Secondly we just found out about a new subsystem of fragments and we need some help with their names and such.

It’s a Kpop/Idol group each one based on different colours of the rainbow. (Including light and dark of each colour) would it be okay to ask this all in the one ask or would you prefer separate asks for each? They’re still undecided on gender so any for names and pronouns would be fine.

Sorry if this is a lot.

Also could we claim 📼🌌 if possible?

Hi anon ! mod firefly here ,, you can totally claim that :3 thanks for giving the blog compliments !!! We'll separate it by the colours !

names ,,,

Red themed ,,

Rouge , Red , Scarlett / Scarlet , Poppy , Rory , Reed , Ruby , Flynn , Garnet , Jasper , Opal , Rhodonite , Carnelian , Flame , Fire / Fyre , Blaze / Blaise , Poppy

Orange themed ,,

Topaz , Opal , Amber / Ambre , Clementine , Coral , Saffron , Alani , Ginger , Blaine , Ember / Embre , Peaches , Nerenxa , Aurelia , Blaine , Azahaur , Cyrus , Garfield , Daisy

Yellow themed ,,

Helio / Helios , Sol , Apollo , Xanthe , Marigold , Citrine , Elio , Casper , Sunny / Sunney / Sunni / Sunnie , Flavia , Goldie , Gildie , Gilderoy , Sunday , Erica / Erika , Aura , Zahava , Ziva / Ziv , Apolline / Apollina , Eleanor , Dahlia / Dalia , Zinnia / Zinnie , Camille / Camylle / Camyle / Cam , Clara

Green themed ,,

Shiloh , ShamRock / ShamRoc / ShamRok , Laurel , Em / Emerald , Ivy , Midori , Myrthe , Meadow , Thyme , Spring , Celadon , Hunter / Huntre , Kelly / Kelli / Kelley , Ciara

Blue themed ,,

Emily , Azure , Seafoam , Blu , Marina , River / Rivre , Cyan , Sapphire , Indigo , Marlais , Carolina , Iris , Maya , Capri , Marian / Maryan , Yves , Sini

Purple themed ,,

Cecil / Cecilia / Cecyl / Cecylia / Cecylya , Violet , Prince / Prynce , Rain , King , Heath , Heather , Martin / Martyn , Dexter , Gefen / Gefyn , Gethen / Gethyn , Jacinto , Vincio , Vincius / Vincyus / Vyncius / Vyncyus , Jasper / Jaspre , Harold , Harry / Harri , Harriet / Harryet / Harriett / Harryett / Hariette / Harryette , Louis , George , Leroy , Roye / Roy , Rex / Rexx / Rexe / Rexxe , Rey / Ray / Reye / Raye / Reyes / Rayes , Indigo / Indygo , Indi / Indy , Indiana , Lavendar / Lavender , Vander / Vender , Evander / Evandyr / Evender / Evendyr , Perry / Perri , Periwinkle / Periwynkle , Mage / Mayge , Magenta / Magynta , Jack / Jac , Jacaranda , Pru , Prunella

Pink themed ,,

Rose , Roisin , Rosa , Rosalind / Rosalynd , Rosalina / Rosalyna , Rosalynne / Rosalynn / Rosalyn / Rosalinne / Rosalinn / Rosalin , Barbie / Barbye / Barbara , Ken , Adrienne / Adryenne , Penelope , Cordelia , Coral , Elle , Woody / Woodi / Woodey / Woodie , Priscilla / Priscylla / Pryscilla / Pryscylla , Cadillac / Cadyllac ,

Pronouns ,,,

Red themed ,,

red/reds , cer/ise , cer/cerise , crim/son , crim/crimson , scar/let , scar/scarlet , burg/burgundy , burg/undy , fi/fire , py/pyro ,

Orange themed ,,

or/ange , orange/oranges , sun/rise , sunrise/sunrises , mari/gold , mari/marigold , aura/auras

Yellow themed ,,

yell/ow , yell/yellow , yellow/yellows , sun/rise , sunrise/sunrises , mari/gold , mari/marigold , au/ra , aura/auras , sun/flower , sunflower/sunflowers , fi/fire , pyr/pyro , sun/suns , sun/shine , suns/sunshine , sunshine/sunshines , sun/sunshine , bri/bright

Green themed ,,

gree/green , green/greens , li/lime , sprout/sprouts , plant/planty , grow/grows , tree/trees , for/est , forest/forests

Blue themed ,,

blu/blue , blue/blues , teal/teals , cy/an , cy/cyans , rain/rainy , snow/snows , ice/ices , sky/blue , sky/skies ,

Purple themed ,,

ind/igo , indigo / indigos , pur/ple , purp/le , purple/purples , pur/purp , vio/let , vio/violet , violet/violets , lil/ac , li/lac , lila/lilac , lilac/lilacs , orch/orchid , orchid/orchids , lav/endar , lav/ender , lavendar/lavendars , lavender/lavenders

Pink themed ,,

pink/pinks , tul/ip , tulip/tulips , ro/rose , rose/roses , pea/peach , peach/peaches , sal/mon , sal/salmon , salmon/salmons , carn/ation , carnation/carnations

I hope these help all of them !! :3

[bardic-tales]

Good morning! I hope that you have a wonderful Thursday. As I mentioned in my taglist post, the Creators’ Club is to foster a community between like-minded individuals.

Every day, there will be a theme: such as Blorbo Blursday where it is encouraged you go into each other’s ask boxes or even a post on your blog asking about each others’ weekly project or muse.

This project is not to promote your work – even though that will happen organically – but to support the other Tumblr members. It’s to foster a community. You don’t need to participate every day, as I know how it’s important to focus on your health, but please try to interact with each other.

Also, please remember to be kind to everyone and their characters / WIPs. No drama in the creative pool.

Our Thursdays are on rotation. We have two events: Thirsty Thursday (which is a self-promo event) and Blorbo Blursday.

How to participate: Send an ask to a fellow member starting with 'Happy Tender Tuesday' and the member questions about their OC and OCs in their WIPs.

Remember to tag @bardic-tales in all of your responses, as well as posts, so I can share it on this post.

Please refer to our ’Meet the Character / Project’ post we did yesterday. There is a list of everyone’s desired talking point this week under Creators.

If you have your asks open, you will receive an ask by @bardic-tales today. However, I know some of you don’t for various reasons. You are welcome to use one or all three of the following questions and tag me, so I can reblog it.

Daily Questions:

What is your character’s current conflict? What steps are they taking to address this conflict?

What is a defining part of your character's backstory? Why does this affect your character so much? What does your character think about this facet of their backstory?

Is it easy for this character to tell someone "no" when they don't want to do something? If so, have they ever regretted saying no? If not, have they ever regretted saying yes?

If your character could have one object, what would it be? Why would they choose this object? What would they do with it?

Member's Answers

@bardic-tales: final fantasy 7: bianca moore

@bardic-tales: final fantasy 7: bianca moore

@megandaisy9: 13 Reasons Why. Dying Light: libby mason

@megandaisy9: 13 Reasons Why. Dying Light: libby mason

@nightingaleflowlibrary: naruto: holly reed

@nightingaleflowlibrary: naruto: holly reed

@nightingaleflowlibrary: naruto: holly reed

@themaradwrites: marvel: andie and cass

@sliceoflifeshepard: original work: chaos and gordon

@watermeezer: original work: dania and dalia

@pinkevilwriter: original work: shine

@kricketbee: avatar-last air bender: princess dai yu

@asirensrage: stranger things: kate thompson

he following are the current members of our club:

@watermeezer @nightingaleflowlibrary @megandaisy9 @sliceoflifeshepard @themaradwrites

@serenofroses @kricketbee @pinkevilwriter @asirensrage

To sign up for the Creators’ Club, please see this post on @bardic-tales’ blog about it:

Creators’ Club Tag List

Thank you for your interest, and we look forward in getting to know you and your works.

[ao3feed-ncishawaii]

Off-season

by freamine In a wrestling ring, the first thing you learn how to do is fall. Alternatively: What do: A stranger A wrestling ring A robbery and the most beautiful woman that Lucy's ever seen have in common? She's got no clue. Good thing it's her job to find out. Kinda. AU Words: 6313, Chapters: 2/?, Language: English Fandoms: NCIS: Hawai'i Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Categories: F/F Characters: Lucy Tara, Kate Whistler, Jane Tennant, Kai Holman, Ernie Malik, Jesse Boone, Dalia Reed, Carla Chase, Charlie 1 (NCIS), Norman "Boom Boom" Gates, Hina, lots of characters who appeared on the show tbh Relationships: Lucy Tara/Kate Whistler Additional Tags: Alternate Universe, Lucy is a PI via https://ift.tt/FT0xRQr

[taylorkellyreporting]

i hope no one minds if i inconsistently liveblog this bitch: ncis: hawai’i edition from 1x04

one thing about paramount+ the quality for eps are gonna suck in the beginning

oh my gosh???

i don’t think i’ve said it yet but seeing vanessa as a lead in her own show has been so satisfying

hmm i’m not buying this man’s story… like there’s deffo more going on than what he’s saying

aaand he’s lying

he’s not gonna be at the hospital is he?

but whyyyy would he be lying? someone tried to kill him multiple times so you’d think he’s be eager to get help from jane and co

“why’d you run?” “you reminded me of my ex wife.” JESSE’S FACE WAS PRICELESS 😭

WOAHHH METH?!

plsss ernie looked at kai like “if you don’t get your hand off of me…”

WAIT maybe the kid is selling drugs and the dad found out, tried to help and got shot bc of it?

i love when lucy gets to kick ass

he was gonna call lucy his friend 🥺

“…ew.” 😭

jesse: i’m cool! *proceeds to be uncool*

“he always takes too long on the wind up.” “don’t remember hearing a lot of complaints.” DKFJGJFJS

jane and the other guy getting off their horses in sync then boom there’s jesse still sitting down 😭

ohhh shit the rest are on the mountain aren’t they?

awww jane’s little cowboy hat

not a total eclipse of the heart oh wow 😭

wait what if the inspector killed the boyfriend in order to frame the roommate?

“she was my friend.” ☹️

“it’s just dinner.” oh we all know it isn’t

oh lucy’s terrible 😭

AVOID THEM LIKE THE CLAP KFJGJGJFJD

“i don’t know who you are…” “that’s not-“ PLEASE

“i take no pleasure-“ “oh you take all the pleasure.” “well i take very little pleasure.” lmaooo

“hope the metaphor wasn’t triggering.” he’s so 😭

“a date! as friends! i really don’t care at this point.” pls

“sounds like water.” “on an island? go figure.” the look lucy gave kate 😭

i love EVERYTHING about the kacy scene like from the convo to the kiss it was all just so soft 🥺

wonder if the person kate was talking to was cara…

the writers are sick for having kate being ready to go public just to break them up in the very next episode

this kacy scene 🥺

“that doesn’t spell-“ “i like the name chad.” 😭

this poker guy is an asshole but he’s hilarious

oh gosh lucy is at kate’s apartment…😟

“yes!” my jaw DROPPED whyyyy would the writers put that in? did they think it was funny? it’s just ooc

the pizza guys face sends me every time 😭

so lucy deffo took so long in the bathroom because she was crying

jesse and lucy 🥺

lmaooo jane’s face!!! she knows kate loves lucy

NOBODY PUTS BABY IN THE CORNER 😭😭😭

whew that “you!” will haunt me for a while

kate’s little hopeful smile turning into devastation once lucy finishes her sentence is killing me ☹️

aww that jane and lucy scene 🥺

i really hope maggie isn’t evil cause i rlly like her

kate has lucy so fucked up she’s yelling at little old ladies like it’s her job 😭

“lucy, he was jogging.” pls

a body????

oh shit maggie

“maybe he left a thoughtful letter on your desk.” 😭

so disappointed in maggie ☹️

total fangirl moment for the shows first “previously…”

THE WIGS ARE SENDING ME

everyone’s eyes immediately snapping to lucy once kate walks in 😭 she deffo got the kids in the divorce

i love sola sm i need him to stay forever

MY GOD

maggie seems so unbothered

is he maggie’s son?

“i understand…more than you know.” BEWM

“you broke my heart, maggie.” “i know.” GOD

LMAO of course sola is on the ship

“you’re the type of woman she should grow up to be.” I HATE IT HERE

JANE CRYING IN ALEX’S ARMS I CANT DO THIS

@ maggie

i’m so excited for the rest of the season but ugh i can’t believe we have to wait til march 😩

[oreganosbaby]

the reason the lou reed exhibition is at the nypl is because he has a BA in english

[petpackss]

Namor movie fancast

Tenoch Huerta as Namor

Mabel Cadena as Namora

Alex Livinalli as Attuma

Fátima Molina as Dorma

Regis Myrupu as Karthon the Quester

Alex Castillo as Byrrah

Dalia Hernández as Llyra

Danny Trejo as Vyrra

Óscar Jaenada as Leonard McKenzie

María Mercedes Coroy as Fen

Frida Tavera as Tamara Rahn

Mark Consuelos as Paul Destine 

Estanislao Marín as Suma-Ket

Aura Garrido as Betty Dean

Raoul Trujillo as Krang

Dagoberto Gama as as Thakorr

Sofia Engberg as Andromeda

Jorge Antonio Guerrero as Orka

David Zepeda as Tiger Shark

Luis Tosar as Lemuel Dorcas

Letitia Wright as Black Panther

Tess Romero as Namorita

Gabriela Cartol as Echidna

Sonia Couoh as Mara

John Krasinski as Reed Richards

Elizabeth Lail as Susan Storm

Rudy Pankow as Johnny Storm

Drew Powell as Ben Grimm

[cinemalerta]

93rd Academy Awards Nominees

BEST PICTURE

The Father – David Parfitt, Jean-Louis Livi, and Philippe Carcassonne

Judas and the Black Messiah – Shaka King, Charles D. King, and Ryan Coogler

Mank – Ceán Chaffin, Eric Roth, and Douglas Urbanski

Minari – Christina Oh

Nomadland – Frances McDormand, Peter Spears, Mollye Asher, Dan Javey, and Chloé Zhao

Promising Young Woman – Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara

Sound of Metal – Bert Hamelinick and Sacha Ben Harroche

The Trial of the Chicago 7 – Marc Platt and Stuart Besser

BEST DIRECTOR

Lee Isaac Chung – Minari

Emerald Fennell – Promising Young Woman

David Fincher – Mank

Thomas Vinterberg – Another Round

Chloé Zhao – Nomadland

BEST ACTOR

Riz Ahmed – Sound of Metal as Ruben Stone

Chadwick Boseman (posthumous nominee) – Ma Rainey's Black Bottom as Levee Green

Anthony Hopkins – The Father as Anthony

Gary Oldman – Mank as Herman J. Mankiewicz

Steven Yeun – Minari as Jacob Yi

BEST ACTRESS

Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

Andra Day – The United States vs. Billie Holiday as Billie Holiday

Vanessa Kirby – Pieces of a Woman as Martha Weiss

Frances McDormand – Nomadland as Fern

Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas

BEST SUPPORTING ACTOR

Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

Leslie Odom Jr. – One Night in Miami... as Sam Cooke

Paul Raci – Sound of Metal as Joe

Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

BEST SUPPORTING ACTRESS

Maria Bakalova – Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan as Tutar Sagdiyev

Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

Olivia Colman – The Father as Anne

Amanda Seyfried – Mank as Marion Davies

Youn Yuh-jung – Minari as Soon-ja

BEST ORIGINAL SCREENPLAY

Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Will Berson, Shaka King, Keith Lucas, and Kenny Lucas

Minari – Lee Isaac Chung

Promising Young Woman – Emerald Fennell

Sound of Metal – Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder and Derek Cianfrance

The Trial of the Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY

Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan – Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, and Lee Kern; Story by Baron Cohen, Hines, Swimer, and Nina Pedrad; Based on the character Borat Sagdiyev by Baron Cohen

The Father – Christopher Hampton & Florian Zeller, based on the play by Zeller

Nomadland – Chloé Zhao, based on the book by Jessica Bruder

One Night in Miami... – Kemp Powers, based on his play

The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

BEST INTERNATIONAL FEATURE FILM

Another Round (Denmark) in Danish – directed by Thomas Vinterberg

Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

Collective (Romania) in Romanian – directed by Alexander Nanau

The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

BEST ANIMATED FEATURE FILM

Onward – Dan Scanlon and Kori Rae

Over the Moon – Glen Keane, Gennie Rin, and Peilin Chou

A Shaun the Sheep Movie: Farmageddon – Richard Phelan, Will Becher, and Paul Kewley

Soul – Pete Docter and Dana Murray

Wolfwalkers – Tomm Moore, Ross Stewart, Paul Young, and Stéphan Roelants

BEST DOCUMENTARY FEATURE

Collective – Alexander Nanau and Bianca Oana

Crip Camp – Nicole Newnham, Jim LeBrecht and Sara Bolder

The Mole Agent – Maite Alberdi and Marcela Santibáñez

My Octopus Teacher – Pippa Ehrlich, James Reed, and Craig Foster

Time – Garrett Bradley, Lauren Domino, and Kellen Quinn

BEST CINEMATOGRAPHY

Judas and the Black Messiah – Sean Bobbitt

Mank – Erik Messerschmidt

News of the World – Dariusz Wolski

Nomadland – Joshua James Richards

The Trial of the Chicago 7 – Phedon Papamichael

BEST FILM EDITING

The Father – Yorgos Lamprinos

Nomadland – Chloé Zhao

Promising Young Woman – Frédéric Thoraval

Sound of Metal – Mikkel E.G. Nielsen

The Trial of the Chicago 7 – Alan Baumgarten

BEST PRODUCTION DESIGN

The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Sroughton

Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

BEST COSTUME DESIGN

Emma – Alexandra Byrne

Ma Rainey’s Black Bottom – Ann Roth

Mank – Trish Summerville

Mulan – Bina Daigeler

Pinocchio – Massimo Cantini Parrini

BEST MAKEUP AND HAIRSTYLING

Emma – Marese Langan, Laura Allen, and Claudia Stolze

Hillbilly Elegy – Eryn Krueger Mekash, Patricia Dehaney, and Matthew Mungle

Ma Rainey's Black Bottom – Matiki Anoff, Mia Neal, and Larry M. Cherry

Mank – Kimberley Spiteri, Gigi Williams

Pinocchio – Dalia Colli, Mark Coulier, and Francesco Pegoretti

BEST VISUAL EFFECTS

Love and Monsters – Matt Sloan, Genevieve Camailleri, Matt Everitt, and Brian Cox

The Midnight Sky – Matthew Kasmir, Christopher Lawren, Max Solomon, and David Watkins

Mulan – Sean Faden, Anders Langlands, Seth Maury, and Steven Ingram

The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones, and Santiago Colomo Martinez

Tenet – Andrew Jackson, David Lee, Andrew Lockley and

BEST ORIGINAL SCORE

Da 5 Bloods – Terence Blanchard

Mank – Trent Reznor and Atticus Ross

Minari – Emile Mosseri

News of the World – James Newton Howard

Soul – Trent Reznor, Atticus Ross, and Jon Batiste

BEST ORIGINAL SONG

"Fight for You" from Judas and the Black Messiah – Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

"Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

"Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and Lyric by Savan Kotecha, Fat Max Gsus, and Rickard Göransson

"Io Sì (Seen)" from The Life Ahead – Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

"Speak Now" from One Night in Miami... – Music and Lyric by Leslie Odom Jr. and Sam Ashworth

BEST SOUND

Greyhound – Warren Shaw, Michael Minkler, Beau Borders, and David Wyman

Mank – Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, and Drew Kunin

News of the World – Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett

Soul – Ren Klyce, Coya Elliot, and David Parker

Sound of Metal – Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortes, and Philip Bladh

BEST LIVE ACTION SHORT FILM

Feeling Through – Doug Roland and Susan Ruzenski

The Letter Room – Elvira Lind and Sofia Sondervan

The Present – Farah Nabulsi

Two Distant Strangers – Travon Free and Martin Desmond Roe

White Eye – Tomer Shushan and Shira Hochman

BEST ANIMATED SHORT FILM

Burrow – Madeline Sharafian and Michael Capbarat

Genius Loci – Adrien Mérigeau and Amaury Ovise

If Anything Happens I Love You – Will McCormack and Michael Govier

Opera – Eric Oh

Yes-People – Gísli Darri Halldórsson and Arnar Gunnarsson

BEST DOCUMENTARY SHORT SUBJECT

Colette – Anthony Giacchino and Alice Doyard

A Concerto Is a Conversation – Ben Proudfoot and Kris Bowers

Do Not Split – Anders Hammer and Charlotte Cook

Hunger Ward – Skye Fitzgerald and Michael Shueuerman

A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

[elementalphq]

Episode 1.11 Press Release

NCIS: Hawaii - Episode 1.11 - The Game - Press Release

Posted by SpoilerTV at January 06, 2022

No Comments

NCIS: Hawaii

Press Release WHEN EVIDENCE TO PUT AWAY A DRUG KINGPIN IS STOLEN, LUCY GOES UNDERCOVER AT AN UNDERGROUND POKER TOURNAMENT TO FIND OUT WHICH HIGH-ROLLER IS BEHIND THE CRIME, ON “NCIS: HAWAI`I,” MONDAY, JAN. 17

“The Game” – When evidence to put away a drug kingpin is stolen, Lucy goes undercover at an underground poker tournament to find out which high-roller is behind the crime. Also, Lucy’s feelings are in turmoil when Whistler’s ex-girlfriend arrives in town, on the CBS Original series NCIS: HAWAI`I, Monday, Jan. 17 (10:00-11:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*.

REGULAR CAST:

Vanessa Lachey (Special Agent in Charge Jane Tennant)

Alex Tarrant (Kai Holman)

Noah Mills (Jesse Boone)

Yasmine Al-Bustami (Lucy Tara)

Jason Antoon (Ernie Malik)

Tori Anderson (Kate Whistler)

Kian Talan (Alex Tennant)

GUEST CAST:

Lauren Cook (Det. Dalia Reed)

Nick Gracer (Trey Santos)

Scott Lawrence (Judge Malcolm Keen)

Bruce Altman (Ike Diamond)

Omar Bustamante (Ray Carr)

Juliana Folk (Cara)

Mike Cabrera (Stanley Zhao)

Herman Hyman Stern (Maury Chauvin)

Justin Scott (Big Rick the Dealer)

Tanoai Reed (Bodyguard 1)

David Anthony Buglione (Bodyguard 2)

WRITTEN BY: Noah Evslin & Amy Rutberg

DIRECTED BY: James Hayman

Source:

CBS

[littlesolo]

NCIS Hawaii 1x04 - Paniolo

Even though this episode didn't have any Kate in it, I still had a few thoughts about her and Lucy.

I love that Lucy knows the history between Ernie and Detective Dalia Reed.

Ernie knows how the interaction with Dalia will go, so he's probably glad to have Lucy along. I can't help but wonder if Lucy thought of herself and Kate a little. The whole on again off again situation means that there's a strong draw between them. With Ernie and Dalia, Ernie knew there had to be certain rules in place to even meet out of work or they'd be sleeping together again.

Then there was the knife fight.

Lucy lost her gun, but she held her own until Kai got there and even got a good blow in, despite being caught off guard more or less! She got like a seconds warning.

I like how the team is getting closer to Kai. Lucy offers him advice and he helps her out too.

Later at the party, she teases him about texting each other about their problems and he takes it well. I love that Ernie and Kai are sort of siblings to her. Lucy will help them out if and when she can, but isn't above teasing them either. She's the only one on the team who will ever call Ernie a stealth baller in a loving way.

Like Kai said, Lucy was going to crash when she got home after the adrenaline and the rest of the day wore off. I can't help but wonder if that involved a text to Kate. One that she might have regretted until Kate responded and asked if she was okay? Maybe it turned into a phone call? One where she either talked about the fight with Kate or maybe just had Kate talk to her about anything and Kate gives the whole "I could cook something for dinner, but that would involve more effort than I'm capable of right now. So that leaves a choice of four different frozen dinners. Ones I'm noticing are all mixtures of chicken and noodles in some fashion. No wait, this one is chicken and rice..."

Yeah, that last bit is going to be a scene or detail mentioned in an upcoming fic, I just know it.

[saaam09]

The signs as NCIS: Hawai’i characters

Aries: Jane Tennant

Taurus: Jesse Boone

Gemini:  Maggie Shaw

Cancer: Joe Milius

Leo: Alex Tennant

Virgo:  Dalia Reed

Libra:  Lucy Tara

Scorpio: Cara

Sagittarius: Kai Holman

Capricorn: Julie Tennant

Aquarius: Kate Whistler

Pisces:  Ernie Malik

[hatchetation]

Just an observation, next episode does not have a part two, that will be ep 12 and 13: Spies, part I and II

my bad!!! sorry ):

Still, I’m very much excited about it and already trying to figure out weather Cara or Det. Dalia Reed from the GUEST CAST is Kate‘s girlfriend…

If anyone finds out, please, tell us!!! I know there are a lot of IG’s detectives on the fandom 🕵🏻‍♀️

Ooohhh thanks for this update! @this-url-was-not-yet-taken this might be of interest. If anyone knows or has ideas on this…let us know 🕵️‍♀️

[ncisfranchise-source]

WHEN EVIDENCE TO PUT AWAY A DRUG KINGPIN IS STOLEN, LUCY GOES UNDERCOVER AT AN UNDERGROUND POKER TOURNAMENT TO FIND OUT WHICH HIGH-ROLLER IS BEHIND THE CRIME, ON “NCIS: HAWAI`I,” MONDAY, JAN. 17

“The Game” – When evidence to put away a drug kingpin is stolen, Lucy goes undercover at an underground poker tournament to find out which high-roller is behind the crime. Also, Lucy’s feelings are in turmoil when Whistler’s ex-girlfriend arrives in town, on the CBS Original series NCIS: HAWAI`I, Monday, Jan. 17 (10:00-11:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*.

REGULAR CAST:

Vanessa Lachey

(Special Agent in Charge Jane Tennant)

Alex Tarrant

(Kai Holman)

Noah Mills

(Jesse Boone)

Yasmine Al-Bustami

(Lucy Tara)

Jason Antoon

(Ernie Malik)

Tori Anderson

(Kate Whistler)

Kian Talan

(Alex Tennant)

GUEST CAST:

Lauren Cook

(Det. Dalia Reed)

Nick Gracer

(Trey Santos)

Scott Lawrence

(Judge Malcolm Keen)

Bruce Altman

(Ike Diamond)

Omar Bustamante

(Ray Carr)

Juliana Folk

(Cara)

Mike Cabrera

Herman Hyman Stern

Justin Scott

Tanoai Reed

David Anthony Buglione

(Stanley Zhao)

(Maury Chauvin)

(Big Rick the Dealer)

(Bodyguard 1)

(Bodyguard 2)

WRITTEN BY: Noah Evslin & Amy Rutberg

DIRECTED BY: James Hayman

[rosebudblog]

¿POR QUÉ CINE NEGRO?

¿FUE ESTA LA PRIMERA?

¿O FUE ESTA?

EL HALCÓN MALTÉS

PERDICIÓN

EL SUEÑO ETERNO

EL TERCER HOMBRE

LA JUNGLA DEL ASFALTO

LAUREN

HUMPHREY

LAURA

SED DE MAL

FORAJIDOS

RETORNO AL PASADO

ATRACO PERFECTO

 A veces los nombres de los movimientos artísticos tienen un origen no muy bien definido. En el caso del cine, el término CINE NEGRO tiene un origen dudoso como ocurre con términos artísticos como RENACIMIENTO o BARROCO.

La palabra Renacimiento no tiene un origen claro. Por una parte, hay quien responsabiliza al artista Giorgio Vasari en pleno siglo XVI la alusión al renacer de la cultura clásica tras la Edad Media por lo que utilizó la palabra Rinascita. (En arquitectura, en pleno siglo XVI se denominaba a las construcciones renacentistas como de estilo “a la romana”). Sin embargo, la mayoría de los autores opinan que fue Balzac quien utilizó la palabra Renacimiento por primera vez en su novela Le Bal de Sceau en 1829 y que ya era un término que se usaba en los círculos intelectuales. Por su parte la palabra Barroco también es de dudoso origen, aunque existe cierto consenso en por atribuirla al idioma portugués, más exactamente a la palabra Barocco que significa “perla irregular con deformaciones”.

En el caso del cine nos encontramos con un género cinematográfico denominado Cine Negro cuyo origen también se ha señalado como dudoso. Está claro que tiene un origen literario: la novela policial, pero sin embargo nadie ha calificado al género cinematográfico como Cine Policial. Es cierto que en los años 20 del siglo pasado aparecieron una serie de novelas con el calificativo de Serie Negra; de ahí al cine solo había un paso y pronto a las películas que podían encuadrarse en este género se les comenzó a etiquetar como Cine Negro.

Pero ¿quién usó por primera vez este término?: tampoco hay un acuerdo unánime, aunque parece que fue el crítico italiano Nino Frank el que utilizó el nombre film noire. El éxito de la denominación fue absoluto hasta el punto de que ese nombre fue asumido por Hollywood tras la II Guerra Mundial. Pero para ello el género literario adquirió una gran calidad en base a unos talentos creativos que han perdurado con el tiempo no ya como guionistas cinematográficos sino como auténticos maestros de este tipo de literatura. Así tenemos que citar entre los más conocidos a Dashiel Hammett, Raymond Chandler, William Riley Burnett, Jim Thompson, John Hadley Chase, Steve Fisher y especialmente para mí, a James M. Cain.

Por lo tanto y por extraño que nos parezca, el término procede de la literatura y no propiamente del cine y además tiene su origen, no en el lugar donde se desarrolló con más éxito y calidad artística este género, sino en la vieja Europa (aunque sería injusto no señalar la gran aportación europea al género con películas de grandes directores, especialmente franceses, como Claude Chabrol, Jean Pierre Melville, Louis Malle o Jean Luc Godard).

 Pero ¿cuáles son las características esenciales que identifican el cine negro? Pues de nuevo no se puede hablar en términos absolutos, pero si hay acuerdo en algunos elementos técnicos y argumentales que pueden definirse como propios de este género:

1.      Hay consenso generalizado en que el origen cinematográfico se debe buscar en el expresionismo alemán, un movimiento caracterizado por la existencia de luces y sombras y posiciones de la cámara (picados, contrapicados y angulaciones) que otorgan una atmósfera de dramatismo a la historia. Este movimiento surgió alrededor de 1920 y debemos citar El gabinete del doctor Caligari, Metrópolis o El Golem como algunas de sus películas esenciales. Un elemento destaca por encima de todo en estas películas: están realizadas lógicamente por su fecha de producción en Blanco y Negro (B/N). Esta va a ser también una característica del cine negro, al menos esencialmente en su época dorada: desde los años 30 hasta finales de los 50 del siglo pasado. No obstante, en años posteriores aparecieron numerosas películas de calidad que se pueden integrar en este género y realizadas ya en color. (De todas formas, es curioso cómo grandes creadores, cuando han abordado el cine negro en años recientes recuperan el B/N para su producción: es el caso de los Hermanos Coen cuando realizaron El hombre que nunca estuvo allí).

2.      Otra característica más o menos general es el rol que asumen los personajes masculinos y femeninos en este género. Los masculinos se dividen entre los propios criminales y esencialmente los protagonistas, que conforman un perfil de “perdedores” con moral algo ambigua. Los máximos representantes de estos antihéroes son Sam Spade y Phil Marlowe, creaciones de dos de los grandes autores de este género: Dashiel Hammett y Raymond Chandler y que curiosamente fueron interpretados por un mismo y mítico actor: Humphrey Bogart.                                                                                                                                El cine negro supuso también la aparición de la mujer en un nuevo rol. Se pasó de una mujer débil e indefensa salvada por el héroe, a una mujer independiente y capaz de convertirse en asesina; en definitiva, aparece en el cine la representación de la femme fatale con ejemplos en personajes de Lana Turner, Lauren Bacall o Barbara Stanwick

3.      La tercera característica es que el argumento incluya la denuncia, la crítica social, señalando la corrupción policial o el mal funcionamiento del sistema (este aspecto argumental estaba más claramente expresado en sus orígenes literarios, mientras que en el cine las críticas al sistema se dulcificaron en parte por miedo a la censura).

4.      Por último, un elemento esencial de estas historias es la violencia. Evidentemente remarcar la violencia en el cine negro de sus años dorados puede resultar un inocente ejercicio cuando en las últimas décadas la violencia explicita ocupa en gran parte toda película que se precie de contar una historia criminal (Tarantino nos presentó una violencia cínica y explicita cercana al gore y Lars Von Trier en La casa de Jack muestra una violencia extrema y provocadora). De cualquier forma, sigo pensando que, como decía Wilder respecto a su maestro en relación al sexo: “Lubisth enseña más con una puerta medio cerrada que los directores de hoy día con una bragueta abierta” o ¿es que la presencia de abundantísima sangre y larga escenas de tortura y crueldad puede superar a la violencia final de M, la violenta angustia de La noche del cazador o a la de La dama de Sanghai?

De forma más o menos general todos los críticos e historiadores coinciden en que el Cine Negro es un género que tuvo su mayor desarrollo en Estados Unidos entre 1930 y 1950. Pero todo es relativo en términos artísticos y hay quien considera que ya en 1903 se realizó la primera película de ese género: Asalto y robo al tren de Edwin S. Porter. Pero ¿qué película podemos citar como realmente la primera de ese género? Tampoco existe un acuerdo. Algunos historiadores sostienen que hay varias películas anteriores a la IIGM que pueden ostentar ese título de ser la primera ya que, sí por otra parte, varios creadores de ese género eran de origen alemán y huyeron a Estados Unidos cuando los nazis llegaron al poder, es normal que se identifiquen varias películas de su obra europea como cine negro. Se suele citar El desconocido del tercer piso (1940) de un también desconocido Boris Ingster como la primera, pero asimismo pueden ostentar ese galardón tres films anteriores de Fritz Lang: M (1931), Furia (1936) o Solo se vive una vez (1937).

¿Y cuando puede deducirse que tiene su finalización el género?: en un sentido estricto podríamos decir que no ha finalizado, aunque se tiene a Sed de mal de 1958 como la película que cierra brillantemente este género. ¿No hay cine negro posterior a estas fechas? Para la gran mayoría de críticos no, en todo caso hay un cine que podríamos denominar como policial, pero con alusiones de algún tipo al cine negro. De esta forma tendríamos que incluir a películas como Taxi Driver o A quemarropa en esta clasificación y directores como los Coen, Tarantino o De Palma como realizadores de películas con estas características mixtas. Personalmente creo que es una discusión gratuita pues el tiempo ha ido enmarcando cada obra en su correspondiente clasificación de género.

Derivada de la palabra thrill (emoción, estremecimiento) se ha generalizado el término thriller para designar un tipo de cine policial muy amplio, desde películas de suspense, hasta terror psicológico. Creo que se podrían etiquetar como THRILLER a las películas que se pudieran incluir como encasilladas en el cine negro pero que han sido producidas posteriormente a 1958 y generalmente en color, mientras que el término CINE NEGRO lo podríamos restringir a las realizadas en el periodo clásico de ese género, desde la década de los 30 hasta finales de los 50 del siglo pasado.

 Por último, voy a señalar las que, bajo mi criterio, pueden ocupar los puestos más destacados en una supuesta lista de LAS MEJORES PELÍCULAS DE CINE NEGRO (lógicamente me olvido de algunas y entre otras, muchas de aquella modesta serie B que nos dejó grandes películas):

-M (Fritz Lang, 1931)

-Furia (Fritz Lang, 1936)

-Solo se vive una vez (Fritz Lang, 1937)

-El halcón maltés (John Huston, 1941)

-Perdición (Billy Wilder, 1944)

-Laura (Otto Preminger, 1944)

-La mujer del cuadro (Fritz Lang, 1944)

-Historia de un detective (Edward Dmytryk, 1944)

-Perversidad (Fritz Lang, 1945)

-Alma en suplicio (Michael Curtiz, 1945)

-El sueño eterno (Howard Hawks, 1946)

-El cartero siempre llama dos veces (Tay Garnett, 1946)

-Gilda (Charles Vidor, 1946)

-La dalia azul (George Marshall, 1946)

-Forajidos (Robert Siodmak, 1946)

-Retorno al pasado (Jacques Tourneur, 1946)

-La senda tenebrosa (Delmer Daves, 1946)

-Cayo Largo (John Huston, 1948)

- La dama de Sanghai (Orson Welles, 1948)

-El abrazo de la muerte (Robert Siodmak, 1949)

-Al rojo vivo (Raoul Walsh, 1949)

-El tercer hombre (Carol Reed, 1949)

-El crepúsculo de los dioses (Billy Wilder, 1950)

-La jungla del asfalto (John Huston, 1950)

-Extraños en un tren (Alfred Hitchcock, 1951)

-Cara de ángel (Otto Preminger, 1951)

-Los sobornados (Fritz Lang, 1951)

-La noche del cazador (Charles Laughton, 1951)

-Atraco perfecto (Stanley Kubrick, 1951)

-Sed de mal (Orson Welles, 1958)

-Vértigo (Alfred Hitchcock, 1958)

 Volver a ver cualquiera de ellas supone una auténtica delicia cinematográfica.

17/1/2021

[ao3feed-ncishawaii]

Enemies Are At Your Door I'll Carry You Away From War

by CatDcruz23 Kate becomes the center of attention with a scary group of individuals when she finds herself tangled up with a messy case. The case, Project Blackstone, threatens not just Kate's livelihood but her life. And Lucy will do all she can to protect her. Words: 10148, Chapters: 1/?, Language: English Fandoms: NCIS: Hawai'i Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Categories: F/F Characters: Kate Whistler, Lucy Tara, Jane Tennant, Kai Holman, Jesse Boone, Ernie Malik, Dalia Reed, Carla Chase, Michael Curtis Relationships: Lucy Tara/Kate Whistler, Lucy Tara & Kate Whistler Additional Tags: Angst, Fluff and Angst, Hurt/Comfort, Smut via https://ift.tt/UEQq3BN

[extrabeurre]

MANK part en tête d’une course aux Oscars bien bizarre

Je me suis réveillé tantôt, j'ai parti la cafetière, puis en checkant Twitter, je me suis dit: "Ah oui, c'est vrai, les nominations des Oscars ont été dévoilées." 

 C’est la première année depuis une éternité où je ne suis pas au poste au moment où les nominations des Oscars sont annoncées. Je l’ai déjà dit, mais je suis assez désinteressé cette année par cette course aux remises de prix où sont honorés des films que presque personne n’a pu voir sur grand écran, pandémie oblige. 

Oui, il y a d’excellents films en lice, comme Nomadland, Sound of Metal et Promising Young Woman. Il y en a aussi que je vais essayer de voir prochainement, Minari notamment. Mais je n’ai pas l’impression qu’il y ait de gros titres qui ont enflammé la planète cinéma comme par exemple Parasite, Once Upon a Time... in Hollywood ou même le divisif Joker l’an dernier.

J’ai vu Mank de David Fincher sur Netflix, j’ai trouvé ça correct, mais c’est loin d’être un film marquant pour moi. Je reviens quand même sur Nomadland, un de mes préférés de 2020 (même s’il ne sortira techniquement pas en salle au Québec avant avril 2021) - ce sera un bon moment de voir Chloé Zhao probablement remporter l’Oscar de la Meilleure réalisation. Il y a plein d’actrices et d’acteurs talentueux qui sont en nomination. Je serais content que Trent Reznor & Atticus Ross soient récompensés pour la musique de Soul. Je trouve ça plate que TENET de Christopher Nolan ait presque été complètement ignoré.

Mais dans l’ensemble, je suis assez indifférent face à tout ça. Je vais sûrement regarder le gala quand même, en espérant que ce ne soit pas un désastre avec des fenêtres Zoom comme les Golden Globes...

Best motion picture of the year

“The Father” David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers

“Judas and the Black Messiah” Shaka King, Charles D. King and Ryan Coogler, Producers

“Mank” Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers

“Minari” Christina Oh, Producer

“Nomadland” Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers

“Promising Young Woman” Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers

“Sound of Metal” Bert Hamelinck and Sacha Ben Harroche, Producers

“The Trial of the Chicago 7” Marc Platt and Stuart Besser, Producers

Achievement in directing

“Another Round” Thomas Vinterberg

“Mank” David Fincher

“Minari” Lee Isaac Chung

“Nomadland” Chloé Zhao

“Promising Young Woman” Emerald Fennell

Performance by an actor in a leading role

Riz Ahmed in “Sound of Metal”

Chadwick Boseman in “Ma Rainey’s Black Bottom”

Anthony Hopkins in “The Father”

Gary Oldman in “Mank”

Steven Yeun in “Minari”

Performance by an actor in a supporting role

Sacha Baron Cohen in “The Trial of the Chicago 7”

Daniel Kaluuya in “Judas and the Black Messiah”

Leslie Odom, Jr. in “One Night in Miami…”

Paul Raci in “Sound of Metal”

Lakeith Stanfield in “Judas and the Black Messiah”

Performance by an actress in a leading role

Viola Davis in “Ma Rainey’s Black Bottom”

Andra Day in “The United States vs. Billie Holiday”

Vanessa Kirby in “Pieces of a Woman”

Frances McDormand in “Nomadland”

Carey Mulligan in “Promising Young Woman”

Performance by an actress in a supporting role

Maria Bakalova in “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”

Glenn Close in “Hillbilly Elegy”

Olivia Colman in “The Father”

Amanda Seyfried in “Mank”

Yuh-Jung Youn in “Minari”

Adapted screenplay

“Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan” Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad

“The Father” Screenplay by Christopher Hampton and Florian Zeller

“Nomadland” Written for the screen by Chloé Zhao

“One Night in Miami…” Screenplay by Kemp Powers

“The White Tigers” Written for the screen by Ramin Bahrani

Original screenplay

“Judas and the Black Messiah” Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas

“Minari” Written by Lee Isaac Chung

“Promising Young Woman” Written by Emerald Fennell

“Sound of Metal” Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance

“The Trial of the Chicago 7” Written by Aaron Sorkin

Best international feature film of the year

“Another Round” Denmark

“Better Days” Hong Kong

“Collective” Romania

“The Man Who Sold His Skin” Tunisia

“Quo Vadis, Aida?” Bosnia and Herzegovina

Best animated feature film of the year

“Onward” Dan Scanlon and Kori Rae

“Over the Moon” Glen Keane, Gennie Rim and Peilin Chou

“A Shaun the Sheep Movie: Farmageddon” Richard Phelan, Will Becher and Paul Kewley

“Soul” Pete Docter and Dana Murray

“Wolfwalkers” Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Best documentary feature

“Collective” Alexander Nanau and Bianca Oana

“Crip Camp” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher” Pippa Ehrlich, James Reed and Craig Foster

“Time” Garrett Bradley, Lauren Domino and Kellen Quinn

Achievement in cinematography

“Judas and the Black Messiah” Sean Bobbitt

“Mank” Erik Messerschmidt

“News of the World” Dariusz Wolski

“Nomadland” Joshua James Richards

“The Trial of the Chicago 7” Phedon Papamichael

Achievement in film editing

“The Father” Yorgos Lamprinos

“Nomadland” Chloé Zhao

“Promising Young Woman” Frédéric Thoraval

“Sound of Metal” Mikkel E. G. Nielsen

“The Trial of the Chicago 7” Alan Baumgarten

Achievement in music written for motion pictures (Original score)

“Da 5 Bloods” Terence Blanchard

“Mank” Trent Reznor and Atticus Ross

“Minari” Emile Mosseri

“News of the World” James Newton Howard

“Soul” Trent Reznor, Atticus Ross and Jon Batiste

Achievement in production design

“The Father” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Achievement in costume design

“Emma” Alexandra Byrne

“Ma Rainey’s Black Bottom” Ann Roth

“Mank” Trish Summerville

“Mulan” Bina Daigeler

“Pinocchio” Massimo Cantini Parrini

Achievement in sound

“Greyhound” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Achievement in makeup and hairstyling

“Emma” Marese Langan, Laura Allen and Claudia Stolze

“Hillbilly Elegy” Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney

“Ma Rainey’s Black Bottom” Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

“Mank” Gigi Williams, Kimberley Spiteri and Colleen LaBaff

“Pinocchio” Mark Coulier, Dalia Colli and Francesco Pegoretti

Achievement in visual effects

“Love and Monsters” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Best documentary short film

“Colette” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation” Ben Proudfoot and Kris Bowers

“Do Not Split” Anders Hammer and Charlotte Cook

“Hunger Ward” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha” Sophia Nahli Allison and Janice Duncan

Best animated short film

“Burrow” Madeline Sharafian and Michael Capbarat

“Genius Loci” Adrien Mérigeau and Amaury Ovise

“If Anything Happens I Love You” Will McCormack and Michael Govier

“Opera” Erick Oh

“Yes-People” Gísli Darri Halldórsson and Arnar Gunnarsson

Best live action short film

“Feeling Through” Doug Roland and Susan Ruzenski

“The Letter Room” Elvira Lind and Sofia Sondervan

“The Present” Farah Nabulsi

“Two Distant Strangers” Travon Free and Martin Desmond Roe

“White Eye” Tomer Shushan and Shira Hochman

Achievement in music written for motion pictures (Original song)

“Fight For You” from “Judas and the Black Messiah” Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice” from “The Trial of the Chicago 7” Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Husavik” from “Eurovision Song Contest: The Story of Fire Saga” Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)” Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now” from “One Night in Miami…” Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

[bongaboi]

93rd Academy Awards: The List.

Best Picture

· Nomadland – Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears and Chloé Zhao

o The Father – Philippe Carcassonne, Jean-Louis Livi and David Parfitt

o Judas and the Black Messiah – Ryan Coogler, Charles D. King and Shaka King

o Mank – Ceán Chaffin, Eric Roth and Douglas Urbanski

o Minari – Christina Oh

o Promising Young Woman – Ben Browning, Emerald Fennell, Ashley Fox and Josey McNamara

o Sound of Metal – Bert Hamelinck and Sacha Ben Harroche

o The Trial of the Chicago 7 – Stuart M. Besser and Marc Platt

Best Director

· Chloé Zhao – Nomadland

o Thomas Vinterberg – Another Round

o David Fincher – Mank

o Lee Isaac Chung – Minari

o Emerald Fennell – Promising Young Woman

Best Actor

· Anthony Hopkins – The Father as Anthony

· Riz Ahmed – Sound of Metal as Ruben Stone

· Chadwick Boseman (posthumous) – Ma Rainey's Black Bottom as Levee Green

Gary Oldman – Mank as Herman J. Mankiewicz

· Steven Yeun – Minari as Jacob Yi

Best Actress

· Frances McDormand – Nomadland as Fern

o Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

o Andra Day – The United States vs. Billie Holiday as Billie Holiday

o Vanessa Kirby – Pieces of a Woman as Martha Weiss

o Carey Mulligan – Promising Young Woman as Cassandra "Cassie" Thomas

Best Supporting Actor

· Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

o Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

o Leslie Odom Jr. – One Night in Miami... as Sam Cooke

o Paul Raci – Sound of Metal as Joe

o Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

Best Supporting Actress

· Youn Yuh-jung – Minari as Soon-ja

o Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev

o Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

o Olivia Colman – The Father as Anne

o Amanda Seyfried – Mank as Marion Davies

Best Original Screenplay

· Promising Young Woman – Emerald Fennell

o Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Berson, King, Keith Lucas and Kenny Lucas

o Minari – Lee Isaac Chung

o Sound of Metal – Screenplay by Abraham Marder and Darius Marder; Story by Derek Cianfrance and D. Marder

o The Trial of the Chicago 7 – Aaron Sorkin

Best Adapted Screenplay

· The Father – Christopher Hampton and Florian Zeller, based on the play by Zeller

o Borat Subsequent Moviefilm – Screenplay by Sacha Baron Cohen, Peter Baynham, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja and Dan Swimer; Story by Baron Cohen, Hines, Nina Pedrad and Swimer; Based on the character by Baron Cohen

o Nomadland – Chloé Zhao, based on the book by Jessica Bruder

o One Night in Miami... – Kemp Powers, based on his play

o The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

Best Animated Feature Film

· Soul – Pete Docter and Dana Murray

o Onward – Dan Scanlon and Kori Rae

o Over the Moon – Peilin Chou, Glen Keane, and Gennie Rin

o A Shaun the Sheep Movie: Farmageddon – Will Becher, Paul Kewley, and Richard Phelan

o Wolfwalkers – Tomm Moore, Stéphan Roelants, Ross Stewart and Paul Young

Best International Feature Film

· Another Round (Denmark) in Danish – directed by Thomas Vinterberg

o Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

o Collective (Romania) in Romanian – directed by Alexander Nanau

o The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

o Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

Best Documentary Feature

· My Octopus Teacher – Pippa Ehrlich, Craig Foster and James Reed

o Collective – Alexander Nanau and Bianca Oana

o Crip Camp – Sara Bolder, Jim LeBrecht and Nicole Newnham

o The Mole Agent – Maite Alberdi and Marcela Santibáñez

o Time – Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject

· Colette – Alice Doyard and Anthony Giacchino

o A Concerto Is a Conversation – Kris Bowers and Ben Proudfoot

o Do Not Split – Charlotte Cook and Anders Hammer

o Hunger Ward – Skye Fitzgerald and Michael Shueuerman

o A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

Best Live Action Short Film

· Two Distant Strangers – Travon Free and Martin Desmond Roe

o Feeling Through – Doug Roland and Susan Ruzenski

o The Letter Room – Elvira Lind and Sofia Sondervan

o The Present – Ossama Bawardi and Farah Nabulsi

o White Eye – Shira Hochman and Tomer Shushan

Best Animated Short Film

· If Anything Happens I Love You – Michael Govier and Will McCormack

o Burrow – Michael Capbarat and Madeline Sharafian

o Genius Loci – Adrien Mérigeau and Amaury Ovise

o Opera – Erick Oh

o Yes-People – Arnar Gunnarsson and Gísli Darri Halldórsson

Best Original Score

· Soul – Trent Reznor, Atticus Ross and Jon Batiste

o Da 5 Bloods – Terence Blanchard

o Mank – Trent Reznor and Atticus Ross

o Minari – Emile Mosseri

o News of the World – James Newton Howard

Best Original Song

· "Fight for You" from Judas and the Black Messiah – Music by D'Mile and H.E.R.; lyric by H.E.R. and Tiara Thomas

o "Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; lyric by Celeste and Pemberton

o "Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and lyric by Rickard Göransson, Fat Max Gsus and Savan Kotecha

o "Io sì (Seen)" from The Life Ahead – Music by Diane Warren; lyric by Laura Pausini and Warren

o "Speak Now" from One Night in Miami... – Music and lyric by Sam Ashworth and Leslie Odom Jr.

Best Sound

· Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés and Michelle Couttolenc

o Greyhound – Beau Borders, Michael Minkler, Warren Shaw and David Wyman

o Mank – Ren Klyce, Drew Kunin, Jeremy Molod, Nathan Nance and David Parker

o News of the World – William Miller, John Pritchett, Mike Prestwood Smith and Oliver Tarney

o Soul – Coya Elliot, Ren Klyce and David Parker

Best Production Design

· Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

o The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

o Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton

o News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

o Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Cinematography

· Mank – Erik Messerschmidt

o Judas and the Black Messiah – Sean Bobbitt

o News of the World – Dariusz Wolski

o Nomadland – Joshua James Richards

o The Trial of the Chicago 7 – Phedon Papamichael

Best Makeup and Hairstyling

· Ma Rainey's Black Bottom – Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

o Emma. – Laura Allen, Marese Langan and Claudia Stolze

o Hillbilly Elegy – Patricia Dehaney, Eryn Krueger Mekash and Matthew W. Mungle

o Mank – Colleen LaBaff, Kimberley Spiteri and Gigi Williams

o Pinocchio – Dalia Colli, Mark Coulier and Francesco Pegoretti

Best Costume Design

· Ma Rainey's Black Bottom – Ann Roth

o Emma. – Alexandra Byrne

o Mank – Trish Summerville

o Mulan – Bina Daigeler

o Pinocchio – Massimo Cantini Parrini

Best Film Editing

· Sound of Metal – Mikkel E.G. Nielsen

o The Father – Yorgos Lamprinos

o Nomadland – Chloé Zhao

o Promising Young Woman – Frédéric Thoraval

o The Trial of the Chicago 7 – Alan Baumgarten

Best Visual Effects

· Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley

o Love and Monsters – Genevieve Camailleri, Brian Cox, Matt Everitt and Matt Sloan

o The Midnight Sky – Matthew Kasmir, Chris Lawrence, Max Solomon and David Watkins

o Mulan – Sean Andrew Faden, Steve Ingram, Anders Langlands and Seth Maury

o The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez