#cut from the Final Product

[bonefall]

Is there beef with the Holstein cows and you or what was that joke lol

It's kind of wild It's just never come up on this blog before, but I HATE holsteins. Bottom 10 cow breeds for me. I hate how they're so common they account for the majority of milk produced. I hate that they're the "default" cow to the point where some don't even know cattle HAVE other colors. I hate their tiny horns (IF THEY EVEN HAVE THAT. LOSER ASS HORNLESS COW) and their painfully massive udders.

Legit I'm trying so hard to not launch into a No Mouth Must Scream style AM speech-- shoot my hand slipped.

(AM speech about why i dont like holsteins below the cut)

For starters, I have to give a brief lesson on what these terms mean; the "Holstein" is the American strain of the "Frisian" breed. Frisians are an ancient breed from Frisia, in the north of what we now consider the Netherlands. Crosses between the breeds are "Holstein-Frisians."

(There’s even more to this but im keeping it as simple as possible. Also one of my friends is Frisian and she is probably going to kill me for describing it like that.)

Historically, livestock was adapted to the environment they lived in. Frisians were bred by the Frisii people for hundreds of years in extremely grass-rich, lush, flat environments. The "polders" of the northern parts of the Netherlands. They're huge and eat a LOT of food.

Traditional Frisians were developed to produce as much meat and milk from a single individual as possible, without compromising the health of the cattle with constant inbreeding to get quick gains. We are talking about a breed that is over 2000 years old. They had the perfect environment to make The Ultimate Food Cow and by god they did it. I can respect that.

So, take that, drag it across an ocean to a place that does NOT have polders, and add the rapid enshittification of capitalism to it. BAM you've got a fucking holstein.

There is ONE goal for "improving" the holstein. Make More Milk. As long as the black and white milkbag leaks enough, nothing else matters. Health? Fertility? Feed ratio? Ability to not die of infection? WHO CARES. MILK LINE GO UP.

Over 90% of holsteins are inbred to start with, because Milk Line Go Up. To the tune of having an average COI of 8%-- where extreme negative effects (think Hapsburgs) start to crop up around 10%

Holstein bulls are aggressive bastards (many dairy bulls are), so no one wants to keep intact males in their herds, meaning most cows are artificially inseminated

Not being limited by the natural lifespan of a living bull means that the same stud can keep having direct offspring for decades after his death

Toystory the bull had 500,000 calves before he died, and hit over 1 million offspring in 2015. That's ONE animal and to put this in perspective, there are 9 million holsteins in the US.

DON'T WORRY IT GETS WORSE

Not only can 99% of holsteins be traced back to just two bulls-- 99% of male holsteins share one of two exact Y chromosomes with those two bulls.

The gene pool is so small that it's equivalent to about 60 individuals. Warrior Cat allegiances are larger than that. That's barely bigger than modern ThunderClan.

"Massive lack of genetic diversity" does not begin to capture the existential dread of this situation. Mark my words, WATCH, when the Bird Flu finally mutates a strain that rips through a mammalian population, it's gonna be in the USA and it's going to be through our dairy cattle.

This is not prophecy or me laying a curse on the land, this is the natural consequence of basing the stability of US milk production on the equivalent of 9 million clones of two classrooms worth of individuals, and then packing them in close quarters

And we don't have to wait for doomsday for the impacts to be apparent on the cattle themelves

Holstein fertility has also dropped by half since the 1960s when the intensive inbreeding really kicked into high gear

Because their whole body is dedicating all of their resources to milk production, they have a notoriously "bony" frame.

Show judges, however, like this because they think that's a very "feminine" look for a 1600 pound ruminant. Very normal thing to think.

Like. I don't know if i can communicate this to people who don't look at cows a lot (it's not quite as obviously dramatic as a pug skull) but here is a comparison of an "ideal" show holstein and an "unselected" holstein from a herd that's been established as a sort of "control group" for what they looked like back in the 1960s;

The way that the artery on the "modern" cow's belly runs to the udder like a big pink worm freaks me out the most ngl

The udder also bulges out from between the back legs

The show cow is so thin

And then compare these both to a Holstein-Frisian cross who leans more on the Frisian side;

Proper weight, developed legs. Its biggest "problem" is actually just the udder shape-- deep udders, which "hang" low like that, aren't optimal for milk-focused breeds because the higher away from the ground the less chance there is of infection. In that department, the "unselected" holstein clearly outclasses the holstein-frisian.

But it probably won't be surprising to hear that the "show holstein," with its massive, swollen udder, is SUPER prone to infections such as mastitis.

But it is also just more prone to getting sick generally

And, to keep up with these insane demands, holsteins need a TON of food. You aren't going to just turn these things out into a pasture and be done with it. Even its ancestor the Frisian needed premium Dutch polder grass to be such a good cow-- crank that up to 11 with these Monuments to Humanity's Hubrice

The Texas Longhorn developed in semi-feral conditions and can eat a bush to become the best thing in a 10 mile radius. The Scottish Highland was iron-forged in upland moors with a steady diet of turf and rain.

Meanwhile if a Holstein has less than 5 homemade meals a day without poland spring bottled water it will die to death.

And the WORST part? You have to use these if you want to make money in dairy farming. It's WAAY too expensive to just run a suboptimal farm. Their milk isn't great, but they sure do make a lot of it.

...so Holsteins and Holstein-Frisians (and other "super efficient" breeds) have absolutely decimated heritage cattle. The American Milking Devon is a deep reddish brown with gorgeous horns and low maintenance; rare. Randall Linebacks are painted with lines of white speckles down the back and can be used for any purpose; critically endangered. The Niata was a pug-faced cow who could fight jaguars; extinct.

And THAT'S what makes me hate them most of all. I LOVE cows, but whenever I see a reference to one, it's a holstein. It's always boring black and white splotches with big pink udders. They're practically synonymous with "cow" when their homogeniety is actually hiding much cooler breeds from you.

Did you know cows can be tiger-striped?

And that England has its own type of longhorn?

Or that cow horns can twist upwards like an antelope?

And that they can have REALLY LONG ears?

And that they can be blue?

And that's not even getting into some of the cows that have gotten a small crumb of attention lately, such as Highlands, Ankole-Watusi, and Texas Longhorns. There's so many cool cows out there! And they're all really different from holsteins! MOST of them are also a lot healthier and produce tastier milk and meat!

TL;DR yeah i don't like holsteins and I like sniping at them. For reasons both legit and petty.

[webism]

pornstar!toji who is known for being easy with his scenes. he's there for a good fuck and an even better paycheck: it doesn't matter who, or where, or how... if he's being paid he will do it. he doesn't mind getting nasty, and so he's often booked for more exotic scenes. he fucks good, and he fucks a lot.

pornstar!toji who is strapped for cash one week after an unfortunate loss on the horses, and takes the first scene offered to him. a vanilla fuck with a new-to-the-scene pornstar with potential... at least that's what his agent, shiu, tells him. he's confused on what potential he's hinting at until he rocks up ten minutes late to the shoot and lays eyes on you, already naked and on the stage bed. you have a look to you that makes a man like toji feel obliged to drop to his knees.

pornstar!toji who is already harder than he has been in a long time when shiu clarifies that when he called you 'new to the scene' he meant it: this is your first porn shoot. and though you're not a virgin, toji has the honour of taking your first time on camera... and god does he love the thought.

pornstar!toji who is greeted with a small smile and a soft 'hello' from you, shy beneath his gaze as if you aren't naked and soon to be stuffed full of his cock. he watches your eyes shift, from his piercing eyes to his beautifully scarred lip to the gorgeous tone of his body, all the way down to his awfully large cock. he can tell you're nervous, worried about taking all of him on film.

pornstar!toji who isnt good with gentle comforts, but still wants you to feel at ease with him. so, despite his instructions for a simple fuck scene, toji attacks you with deep kisses first, gets you used to the burning heat of his body against yours. and when you're melted enough against his skin he trails down and eats you out for a long twenty minutes. production would try and stop him, but he's already tipsy on your taste and the moans leaving your lips are, frankly, made for porn.

pornstar!toji who revels in the way your back arches off the mattress—he'd accuse you of putting on a show for the cameras if your hips weren't bucking up against his face in an almost primal need. he can taste it on you, the genuine lust, the way you drip wet on his tongue and still grab at his hair for more. and when he gives you more—when he finally slips his cock into you—he can't help himself from groaning out something needy. he's the silent type, letting his costar take center stage, but god can he not keep quiet feeling your walls wrapped around him.

pornstar!toji who has never had an issue with porn before, but with your legs wrapped around his waist, your eyes locked onto his as he pumps in and out of you with white hot need, he finds he hates the thought of anyone else seeing you like this. he's not a possessive man, he shouldn't feel this way, but he does. even the watchful stares of the cameramen piss him off, and he finds his hips moving faster and his cock nestling deeper inside of you just to show them that he's the one pleasing you.

pornstar!toji who can't help but kiss you as you both cum in unison. he ruins the shot, the cameras cant see your orgasm face when he's swallowing your moans like they're sweet wine. he's surprised his pay doesn't get cut for it.

when pornstar!toji does get paid, it's the first cheque in a very long time that he doesn't blow the same night it comes through. because he doesn't have time to go out and waste his money: he's at home fucking his fist to the film you made together and mentally degrading himself for being so pussy whipped. he strokes himself in time with his own thrusts in the video, and tries so desperately to recall your taste on his tongue, but its fruitless. he's agitated and sexually frustrated and keeps reloading your personal pages to see if you've filmed with anyone since him.

pornstar!toji who becomes so lost in his own mind that he starts turning down shoots with other actors—shoots with good pay. he's done everything under the sun, done all the hardcore porn and weird fetish content but now that he's gotten a fresh taste of plain passion sex with you, he can't stomach anything else. he'd say your name, he knows it—and it doesn't help that he hasn't been able to reach orgasm for a week without thinking of you.

pornstar!toji who, after three weeks of pure misery, decides to make a move. he doesn't do dates or romantic nights on the town. he doesn't do flowers or sweet nothings or eye contact even, but he finds himself contacting shiu and threatening the poor man in hopes of your real name, your address, anything.

and you, late one evening fucking yourself on your fingers to the brink of frustrated tears because they're not his cock. even more disgruntled when theres a pounding knock at your front door, and after cleaning yourself up a little you swing it open to find pornstar!toji stood in the rain outside. and you can only take him in—his heavy build and desperate eyes—before he's crashing his lips against yours, walking you into your own home and kicking the door shut behind him.

[foldingfittedsheets]

The mattress company I worked for the first time no longer exists. It was long ago eaten and assimilated by a bigger company. But when I started it was an incredibly intense five weeks of training. I was told I was extremely lucky to be selected, and I was. From a pool of a hundred applicants only fifteen of us made the cut to entering the training program.

The course covered how to talk to customers, how to ask open ended questions, how to close a sale, and product knowledge. I learned a lot, and truthfully my greatest takeaway was a lot of social scripts that I could use in other areas of my life.

We also had a midterm exam and a final. Both included a roleplay element with a trainer and a written portion. They told us when we started that the course was challenging but it was still a shock to come in after the midterm and realize half the class had failed.

I was named valedictorian of training- a dubious honor as it meant I’d done the best in the class, but popular lore had it that valedictorians struggled the most on the sales floor. Lo, I struggled.

Not because I wasn’t good. I was. But because my manager set out to systematically destroy my self esteem. Every sale, every interaction I had was scrutinized and criticized.

If I sold a bed with protectors, moveable base, and pillows he’d ask why I hadn’t managed to sell pillow protectors too. His first trainee had thrived on being challenged and he’d never bothered to learn a different way to coach.

It was wretched. My performance started strong but nosedived after a few weeks with him. My trainer, a man I loathed for stonewalling me in my interview, came in to inform me I was on new hire probation. If I couldn’t get my sales numbers up I’d be let go.

His actual phrasing was, “When you have a bandaid do you like to rip it off or pull it slowly?”

Since it was eminently obvious why he was visiting and because I thought it was condescending I sweetly informed him that I liked to soak my bandaids in hot water so they come off on their own.

He was briefly startled at this derailing but then got on with the bad news. I signed some forms stating that I understood my job was in peril.

I went home furious. I thought long and hard about why I wasn’t succeeding and how frustrated I was with my manager. I came in the next day and my anger had crystallized into a cold sharp edge.

My manager opened his mouth to address the probation and I snapped, “Just leave me alone. Go in the back if I have a sale. If you must address a serious issue then you will give me praise on two things I did right and present it as a compliment sandwich. Otherwise just say good job and shut up. Your constant nitpicking just makes me anxious and I do worse. Back off.” Belated and begrudging I added, “Please.”

He raised his eyebrows in dim surprise but I’d gauged him well. He backed off. Dutifully he’d meander into the back when I had a sale and praised me when I closed it. I resented knowing it was only because I’d demanded complimented but they still boosted me up. My numbers skyrocketed, I landed my first split king sale, and I exited probation with flying colors.

The trainer came back in to congratulate my manager for turning things around. To my gratification he gave me credit for setting him straight and said I’d taught him a different way to lead. My manager would often genuinely praise that moment when I’d stood up to him, impressed with my stubborn refusal to fail and my insight into what would help.

My biggest takeaway from the whole thing was just that people need positive reinforcement to succeed. Praise people for doing a good job. If you’re ever in a position where you need to criticize someone put it in a compliment sandwich instead of just saying the negative.

[felassan]

Jason Schreier for Bloomberg reports: 'Inside the ‘Dragon Age’ Debacle That Gutted EA’s BioWare Studio'

The latest game in BioWare’s fantasy role-playing series went through ten years of development turmoil. The failure of Dragon Age: The Veilguard, released in October, led EA to gut BioWare

[note: article is below cut after these tweets]

Jason Schreier: "NEW: What went wrong with Dragon Age: The Veilguard? Why was the writing so tonally inconsistent? Why did it feel so shallow? Why were there so few choices? Really, after ten years of turbulence, it was a miracle that anything came out at all. This is the story [link]:" [source]

Jason Schreier: "The fatal flaw for Dragon Age: The Veilguard wasn't just that it pivoted from single-player to multiplayer and back again. It was that after the second pivot, the team was forced to keep going rather than hit the reset button and take the time to create a new plan." [source]

Jason Schreier re: this old tweet from Casey Hudson: "Fun fact: when I first reported at Kotaku in 2018 that Dragon Age 4 was rebooted to become a live-service game, BioWare studio head Casey Hudson wrote this on Twitter. But it was not entirely truthful. In reality, the game was being designed around cooperative multiplayer, replayable missions, etc" [source] Casey Hudson's old tweet from 2018: "Reading lots of feedback regarding Dragon Age, and I think you'll be relieved to see what the team is working on. Story & character focused. Too early to talk details, but when we talk about "live" it just means designing a game for continued storytelling after the main story."

Rest of post/article under cut due to length.

(bold in the text below is mine for emphasis)

"In early November, on the eve of the crucial holiday shopping season, staffers at the video-game studio BioWare were feeling optimistic. After an excruciating development cycle, they had finally released their latest game, Dragon Age: The Veilguard, and the early reception was largely positive. The role-playing game was topping sales charts on Steam, and solid, if not spectacular, reviews were rolling in. But in the weeks that followed, the early buzz cooled as players delved deeper into the fantasy world, and some BioWare employees grew anxious. For months, everyone at the subsidiary of the video-game publisher Electronic Arts Inc. had been under intense pressure. The studio’s previous two games, Mass Effect: Andromeda and Anthem, had flopped, and there were rumors that if Dragon Age underperformed, BioWare might become another of EA’s many casualties. Not long after Christmas, the bad news surfaced. EA announced in January that the new Dragon Age had only reached 1.5 million players, missing the company’s expectations by 50%. The holiday performance of another recently released title, EA Sports FC 2025, was also subpar, compounding the problem."

"As a result of the struggling titles, EA Chief Executive Officer Andrew Wilson explained, the company would be significantly lowering its sales forecast for the fiscal year ahead. EA’s share price promptly plunged 18%. “Dragon Age had a high-quality launch and was well-reviewed by critics and those who played,” Wilson later said on an earnings call. “However, it did not resonate with a broad enough audience in this highly competitive market.” Days after the sales revision, EA laid off a chunk of BioWare’s staff at the studio’s headquarters in Edmonton, Canada, and permanently transferred many of the remaining workers to other divisions. For the storied, 30-year-old game maker, it was a stunning fall that left many fans wondering how things had gone so haywire — and what might come next for the stricken studio. According to interviews with nearly two dozen people who worked on Dragon Age: The Veilguard, there were several reasons behind its failure, including marketing misfires, poor word of mouth and a 10-year gap since the previous title. Above all, sources point to the rebooting of the product from a single-player game to a multiplayer one — and then back again — a switcheroo that muddled development and inflated the title’s budget, they say, ultimately setting the stage for EA’s potentially unrealistic sales expectations. A spokesperson for EA declined to comment."

"The union between BioWare and EA started off with lofty aspirations. In 2007, EA executives announced they were acquiring BioWare and another gaming studio in a deal worth $860 million. The goal was to diversify their slate of games, which was heavy in sports titles, like Madden NFL, and light in the kind of adventure and role-playing games that BioWare was known for. Initially, it looked like a smart move thanks to a string of big hits. In 2014, BioWare released Dragon Age: Inquisition, the third installment in a popular action series dropping players in a semi-open world full of magic, elves and fire-spewing dragons. The fantasy title went on to win the much-coveted Game of the Year Award and sell 12 million copies, according to its executive producer Mark Darrah — a major validation of EA’s diversification strategy. Before long, Darrah and Mike Laidlaw, the creative director, began kicking around ideas for the next Dragon Age installment — code name: Joplin — aiming for a game that would be smaller in scope. But before much could get done, BioWare shifted the studio’s focus to more pressing titles coming down the pike. In 2017, BioWare released Mass Effect: Andromeda, the fourth installment in a big-budget action series set in space. Unlike its critically successful predecessors, the game received mediocre reviews and was widely mocked by fans. A few months after the disappointing release, the head of BioWare stepped down and was soon replaced by Microsoft Inc.’s Casey Hudson, an alumni of BioWare’s early, formative years."

"Like much of the industry, EA executives were growing increasingly enamored of so-called live-service games, such as Destiny and Overwatch, in which players continue to engage with and spend money on a title for months or even years after its initial release. With EA aiming to make a splash in the fast-growing category, BioWare poured resources into Anthem, a live-service shooter game that checked all the right boxes. One day in October 2017, Laidlaw summoned his colleagues into a conference room and pulled out a few pricey bottles of whisky. The next Dragon Age sequel, he told the room, would also be pivoting to an online, live-service game — a decision from above that he disagreed with. He was resigning from the studio. The assembled staff stayed late through the night, drinking and reminiscing about the franchise they loved. “I wish that pivot had never occurred,” Darrah would later recount on YouTube. “EA said, ‘Make this a live service.’ We said, ‘We don’t know how to do that. We should basically start the project over.’” Former art director Matt Goldman replaced Laidlaw as creative director, and with a tiny team began pushing ahead on a new multiplayer version of Dragon Age — code name: Morrison — while everyone else helped to finish Anthem, which was struggling to coalesce. Goldman pushed for a “pulpy,” more lighthearted tone than previous entries, which suited an online game but was a drastic departure from the dark, dynamic stories that fans loved in the fantasy series."

"In February 2019, BioWare released Anthem. Reviews were scathing, calling the game tedious and convoluted. Fans were similarly displeased. On social media, players demanded to know why a studio renowned for beloved stories and characters had made an online shooter with a scattershot narrative. In the wake of BioWare’s second consecutive flop, the multiplayer version of Dragon Age continued to take shape. While the previous games in the franchise had featured tactical combat, this one would be all action. Instead of quests that players would only experience once, it would be full of missions that could be replayed repeatedly with friends and strangers. Important characters couldn’t die because they had to persist for multiple players across never-ending gameplay. As the game evolved over the next two years, the failure of Anthem hovered over the studio. Were they making the same mistakes? Some BioWare employees scoffed that they were simply building “Anthem with dragons.” Throughout 2020, the pandemic disrupted the game’s already fraught development. In December, Hudson, the head of the studio, and Darrah, the head of the franchise, resigned. Shortly thereafter, Gary McKay, BioWare’s new studio head, revealed yet another shift in strategy. Moving forward, the next Dragon Age would no longer be multiplayer."

"“We were thinking, ‘Does this make sense, does this play into our strengths, or is this going to be another challenge we have to face?’” McKay later told Bloomberg News. “No, we need to get back to what we’re really great at.” In theory, the reversion back to Dragon Age’s tried-and-true, single-player format should have been welcome news inside BioWare. But there was a catch. Typically, this kind of pivot would be coupled with a reset and a period of pre-production allowing the designers to formulate a new vision for the game. Instead, the team was asked to change the game’s fundamental structure and recast the entire story on the fly, according to people familiar with the new marching orders. They were given a year and a half to finish and told to aim for as wide a market as possible. This strict deadline became a recurring problem. The development team would make decisions believing that they had less than a year to release the game, which severely limited the stories they could tell and the world they could build. Then the title would inevitably be delayed a few months, at which point they’d be stuck with those old decisions with no chance to stop and reevaluate what was working. At the end of 2022, amid continually dizzying leadership changes, the studio started distributing an “alpha” build of Dragon Age to get feedback internally and from outside playtesters. According to people familiar with the process, the reactions were concerning. The game’s biggest problem, early players agreed, was a lack of satisfying choices and consequences. Previous BioWare titles had presented players with gut-wrenching decisions. Which allies to save? Which factions to spare? Which enemies to slay? Such dilemmas made fans feel like they were shaping the narrative — historically, a big draw for many BioWare games."

"But Dragon Age’s multiplayer roots limited such choices, according to people familiar with the development. BioWare delayed the game’s release again while the team shoehorned in a few major decisions, such as which of two cities to save from a dragon attack. But because most of the parameters were already well established, the designers struggled to pair the newly retrofitted choices for players with meaningful consequences downstream. In 2023, to help finish Dragon Age, BioWare brought in a second, internal team, which was working on the next Mass Effect game. For decades there’d been tension between the two well-established camps, known for their starkly divergent ways of doing things. BioWare developers like to joke that the Dragon Age crew was like a pirate ship, meandering and sometimes traveling off course but eventually reaching the port. In contrast, the Mass Effect group was called the USS Enterprise, after the Star Trek ship, because commands were issued straight down from the top and executed zealously. As the Mass Effect directors took control, they scoffed that the Dragon Age squad had been doing a shoddy job and began excluding their leaders from pivotal meetings, according to people familiar with the internal friction. Over time, the Mass Effect team went on to overhaul parts of the game and design a number of additional scenes, including a rich, emotional finale that players loved. But even changes that appeared to improve the game stoked the simmering rancor inside BioWare, infuriating Dragon Age leaders who had been told they didn’t have the budget for such big, ambitious swings."

"“It always seemed that, when the Mass Effect team made its demands in meetings with EA regarding the resources it needed, it got its way,” said David Gaider, a former lead writer on the Dragon Age franchise who left before development of the new game started. “But Dragon Age always had to fight against headwinds.” Early testers and Mass Effect leads complained about the game’s snarky tone — a style of video-game storytelling, once ascendant, that was quickly falling out of fashion in pop culture but had been part of Goldman’s vision for the multiplayer game. Worried that Dragon Age could face the same outcome as Forspoken — a recent title that had been hammered over its impertinent banter — BioWare leaders ordered a belated rewrite of the game’s dialogue to make it sound more serious. (In the end, the resulting tonal inconsistencies would only add to the game’s poor reception with fans.) A mass layoff at BioWare and a mandate to work overtime depleted morale while a voice actors strike limited the writers’ ability to revise the dialogue and create new scenes. An initial trailer made the next Dragon Age seem more like Fortnite than a dark fantasy role-playing game, triggering concerns that EA didn’t know how to market the game. When Dragon Age: The Veilguard finally premiered on Halloween 2024 after many internal delays, some staff members thought there was a lot to like, including the game’s new combat system. But players were less impressed, and sales sputtered."

"“The reactions of the fan base are mixed, to put it gently,” said Caitie, a popular Dragon Age YouTuber. “Some, like myself, adore it for various reasons. Others feel utterly betrayed by certain design choices.” Following the layoffs and staff reassignments at BioWare earlier in the year, a small team of a few dozen employees is now working on the next Mass Effect. After three high-profile failures in a row, questions linger about EA’s commitment to the studio. In May, the company relabeled its Edmonton headquarters from a BioWare office to a hub for all EA staff in the area. Historically, BioWare has never been the most important studio at EA, which generates more than $7 billion in annual revenue largely from its sports games and shooters. Depending on the timing of its launches, BioWare typically accounts for just 5% of EA’s annual bookings, according to estimates by Colin Sebastian, an analyst with Robert W. Baird & Co. Even so, there may be strategic reasons for EA to keep supporting BioWare. Single-player role-playing games are expensive to make but can lead to huge windfalls when successful, as demonstrated by recent hits like Cyberpunk 2077, Elden Ring and Baldur’s Gate 3. In order to grow, EA needs more than just sports franchises, said TD Cowen analyst Doug Creutz. Trying to fix its fantasy-focused studio may be easier than starting something new. “That said, if they shuttered the doors tomorrow I wouldn’t be totally surprised,” Creutz added. “It has been over a decade since they produced a hit.”"

Article by Jason Schreier. [source]

[dilfosaur]

well i haven't spilled my guts on tumblr since i was in college but it's the platform that's felt The Most Mine thru the years, so

let's talk!

i've had a huge chip on my shoulder that i wanted off before the year ends. very bad professional experience to follow

so firstly to get ahead of the speculating, i'm not naming names or anything. some of you will puzzle out who i'm talking about, but please don't bother anyone especially not on my behalf. i've worked hard to distance myself from them the past few months. shit happens, especially when you're a dumb bitch (that's me!)

but also this person was someone i considered a close friend and it makes me uneasy to possibly direct backlash at them. "then why post about it" bc i did intermittent work for them for over a year. this is just about that. so hear me out

basically it started off fine. i initially did some commission work for good pay, then was invited to become more involved with their team. unfortunately as i became more involved with their operation it became more disorganized over time. projects started then forgotten, constantly shifting schedules, lapsing communication between roles, confusing financials, and often inconsistent if not late payments. during mid 2023 i was doing colorist work, sometimes on a one day turnaround (all while also preparing drawfee's summer merch launch). the payroll wasn't set up correctly so i wasn't paid for that work for over a year (more on that later), tho to be fair that was largely my own fault at first as i just didnt realize the payments didn't go thru lol

i always consider myself decently capable of separating friendship and coworker-ship; i run a company with 4 wonderful friends, going strong for almost 5 years. that didn't really work out in this case. by early this year our friendship was on the rocks; work issues fed into personal issues and vice versa. so as the rest of this shit plays out, we had just had our first "big fight" which i felt very bad about and added to all the upcoming tension

a huge point of friction was the fact that i really wanted to work with them to make a music video for one of their songs. i've always wanted a chance to make a music video, was confident in a concept i came up with, and even did some concept art for the idea. everyone insisted they loved the concept and that we should do it, but we kept pushing it back for various reasons. it ended up becoming a huge sticking point for my frustrations, which i tried to express productively. TLDR, we eventually got around to discussing it seriously around april.

i planned to ask for $4000 with negotiable add-on for the whole project, which was my Friend Discount price. i was offered a contract for $1000 flat rate, as they insisted that was the only budget they had for it.

don't ask me why i signed it lol. i didn't even counter offer

there was some girlmath to it: i wanted an extra 1k for a student scholarship i provide every spring and well, there it was. but if i had to guess, i saw it as something i just couldn't back down from any more. i caused these folks- my friends- a lot of problems bc i dug my heels in so deep to chase this project, so fuck it we ball

i had about 4 months to solo a 3 minute music video. they wanted it done in august so they could release it before summer ended, bc "it was a summer song". to be fair i was asked if i needed them to pay for anything extra like assistants (which i would have to find and manage) but i was so immediately overwhelmed that i didn't wanna slow down to wait on that process lol. there was very minimal communication other than brief progress check-ins every few weeks. i did everything for that project myself: the original concept, character designs, storyboards, layouts, backgrounds. i even did the editing/compositing for the final cut of the MV. the only favor i did myself was limiting the amount of it that was actually animated to simple loops and motions. hardly my best work but it was work still done

i did it all in between my full time job. i ended up having to take nearly a month away from most of my drawfee duties (with the support of the others) to make the august deadline. i only ever asked for a 3 day extension (notice given about a week in advance, around the same time i was given the final song file lol). i finished the music video at 6am on the final deadline and recorded drawfee the next day on 2 hours of sleep

but it was done, coolies. the team was very happy with the final product. honestly, without getting into it, those were a very emotionally taxing 4 months. on the professional side, i regretted agreeing to the project and especially for the dogshit rate they offered. i felt like a hypocrite- as someone who always wanted to advocate for younger artists demanding their worth in a world that's getting increasingly hostile toward creatives, i failed myself

so when i met with the manager to discuss the release plan, i told them to do whatever worked best for them as i only had one request: i wanted my credit removed from the project

tbh... like... lmao this dramatic bitch right!! but really, i decided that bad practices only breed worse business. friends or not, it was unprofessional of me to accept such a low paying job so i just didn't want my name used in association. everything felt so muddled to me and i was just really tired at this point

the manager was very understanding and then offered that i could be paid more. they said that their team "was surprised" i accepted their low rate and they would be happy to up the amount. this confused me as the initial budget seemed pretty set and at no point between april and august was i offered a better rate. i knew these guys weren't made of money. so, i declined. i didn't want to put anyone out of their means over work that was already done and agreed upon. but more importantly, i was over the whole thing and didn't want to prolong the project with a contract renegotiation. i just insisted my name be removed

they decided to use a pseudonym (which i was fine with) so they could create a story about a character who made the MV (this sounds really convoluted but i don't know how better to put it without getting specific, sorry). that way if people asked about the credit, they could speak comfortably about it without signaling that something went wrong behind the scenes. ok, kind of a silly narrative imo but whatevs. and maybe this is where i finally went truly wrong but. yolo i guess

i gave the name "D. Smithee", D as in dilfosaur and Smithee as in Alan Smithee. look it up for fun film trivia ig! was it passive aggressive of me to reference that in this context? yeah, honestly. but i thought it was kinda funny and really not that deep. if it was a problem, i have other real, non-cheeky pseudonyms i regularly use. the manager accepted it and all i had to do was wait for them to post the video and i could leave the whole experience behind me

a week later i received a message from the manager that my pseudonym had been denied by the rest of the team bc one of them got the reference. fair enough lol. however, they decided that rather than ask for a different name, the were going to make one up for me that they liked and would "fit the [story]", without asking me

and that! is when i finally snapped!

i was so tired of giving them concessions at this point and having a credit made up for me without any input from me felt genuinely violating and unethical. i started to Panic bc of how stressed i was, and asked for my overdue payments (aka the $500 still owed on the MV, and the colorist rate from a year prior that was never paid even tho i reported it in january) to be scheduled ASAP as i was leaving the work discord immediately

i finally told them off for exploiting me throughout the months while i kept trying to just be nice and finish my contact cleanly. in return i was told that it was unfair to say that as i agreed to everything- i accepted their cheap rate and denied further payment so that was all settled, and it was ok to change my credit without my consent bc i "said they could do whatever with the release". i called bullshit, ended the convo as kindly as i could, and cried lol. they agreed to ditch the pseudonym and just give no credit. that night was the last i heard from anyone on that team

and the real kicker?

august came and went. then september, october... and they never released the music video

and i don't know why, because i was never contacted about it. i've been removed from the picture entirely i guess. 4 months and boatloads of stress. just. up in smoke. i don't know what i expected honestly

it's hard to not take everything that happened personally and as done in bad faith. i really do, honestly. i've had plenty of shitty deals in my almost 10 year art career, but it hits different from people you saw as friends. but to the point of "why not keep it private", i have never felt so disrespected as a professional as i did this past year. i can toy with money and credits and other formalities all i want, but my work- my ideas, my labor, my effort- is still so important to me. i felt like the biggest idiot for doing so much work, pouring so much of myself into a piece for someone's use, for what has amounted to nothing

but more importantly i hated myself for undervaluing my work, even if initially i thought this person was a trusted friend. money is not really an issue for me- drawfee is my main job and i am fine and comfortable. it's so important to pay artists appropriately but i often undersell my own work bc i value the collaboration and passion between creatives more than the reward. i think a lot of artists tend to feel the same, and it often makes us easy to take advantage of. it's so difficult to find the balance between passion and making a fair living, and i think there's some shame within ourselves when artists choose to prioritize that passion

i wanted to finally get all this off my chest bc i was ashamed of every choice i made. things like this happen all the time i'm sure and hiding these mistakes only make it easier for it to happen to other people

tldr always value your work and protect your passion from people who just see it as a product. and don't give cheeky pseudonyms i guess lol

(and again pls don't bother anyone involved about this. a lot of chaos has left my life as i moved past all this, and this is me closing a door without opening new ones hopefully lol)

this shit was truly

so ass.

but i'm moving past it now

but on a nicer note. outside of all of this nonsense, i made lots of good memories this year. i'm truly so grateful to the many wonderful people in my life who keep me going even when i fuck up big time!

and thank you to all of you strangers who, despite everything, give me the time of day. especially if you read this whole thing. you're a real one :')

happy new year!

[reasonsforhope]

"Oil company Chevron must pay $744.6 million to restore damage it caused to southeast Louisiana’s coastal wetlands, a jury ruled on Friday [April 4, 2025] following a landmark trial more than a decade in the making.

The case was the first of dozens of pending lawsuits to reach trial in Louisiana against the world’s leading oil companies for their role in accelerating land loss along the state’s rapidly disappearing coast. The verdict – which Chevron says it will appeal – could set a precedent leaving other oil and gas firms on the hook for billions of dollars in damages tied to land loss and environmental degradation...

The jury awarded $575 million to compensate for land loss, $161 million to compensate for contamination and $8.6 million for abandoned equipment. The amount earmarked for restoration exceeds $1.1 billion when including interest, according to attorneys for Talbot, Carmouche & Marcello, the firm behind the lawsuit.

Plaquemines Parish, the southeast Louisiana district which brought the lawsuit, had asked for $2.6 billion in damages...

How are oil companies contributing to Louisiana’s land loss?

The lawsuit against Chevron was filed in 2013 by Plaquemines Parish, a rural district in Louisiana straddling the final leg of the Mississippi River heading into the Gulf of Mexico, also referred to as the Gulf of America as declared by President Donald Trump.

Louisiana’s coastal parishes have lost more than 2,000 square miles (5,180 square kilometers) of land over the past century, according to the U.S. Geological Survey, which has also identified oil and gas infrastructure as a significant cause. The state could lose another 3,000 square miles (7,770 square kilometers) in the coming decades, its coastal protection agency has warned...

Thousands of miles of canals cut through the wetlands by oil companies weakens them and exacerbates the impacts of sea level rise. Industrial wastewater from oil production degrades the surrounding soil and vegetation. The torn up wetlands leave South Louisiana – home to some of the nation’s biggest ports and key energy sector infrastructure -- more vulnerable to flooding and destruction from extreme weather events like hurricanes...

Attorney Jimmy Faircloth, Jr., who represented the state of Louisiana, which has backed Plaquemines and other local governments in their lawsuits against oil companies, told jurors from the parish that Chevron was telling them their community was not worth preserving.

“Our communities are built on coast, our families raised on coast, our children go to school on coast,” Faircloth said. “The state of Louisiana will not surrender the coast, it’s for the good of the state that the coast be maintained.”

What does this mean for future litigation against oil companies?

Louisiana’s economy has long been heavily dependent on the oil and gas industry and the industry holds significant political power. Even so, Louisiana’s staunchly pro-industry Gov. Jeff Landry has supported the lawsuits, including bringing the state on board during his tenure as Attorney General.

Oil companies have fought tooth and nail to quash the litigation, including unsuccessfully lobbying Louisiana’s Legislature to pass a law to invalidate the claims. Chevron and other firms also repeatedly tried to move the lawsuits into federal court where they believed they would find a more sympathetic audience.

But the heavy price Chevron is set to pay could hasten other firms to seek settlements in the dozens of other lawsuits across Louisiana. Plaquemines alone has 20 other cases pending against oil companies.

The state is running out of money to support its ambitious coastal restoration plans, which have been fueled by soon-expiring settlement funds from the Deepwater Horizon oil spill, and supporters of the litigation say payouts could provide a much-needed injection of funds...

Attorneys for the parish said they hope that big payout will prompt more oil companies to come to the table to negotiate and channel more funding towards coastal restoration.

“Our energy is focused on securing appropriate verdicts and awards for every parish involved in these actions,” Carmouche said in a statement. “If we continue to be successful in our efforts, these parishes, and Louisiana, will have sent a clear message that Louisiana’s future must be built around a new balance between our energy industry and environmental necessities.”"

-via AP News, April 4, 2025

[palestinianmina]

🚨🚨🚨 You can save a life! Act now‼️‼️🍉🍉🍉🍉🍉

My name is Mina, I'm 19 years old from Gaza. On October 7th, we woke up to the sounds of rockets, bombing, and destruction. By October 10th, we were forced to leave our home with nothing—(no clothes, no belongings, nothing)—because our area became a dangerous war zone. A week later, we received the devastating news that our home had been completely destroyed😔😔💔💔💔.We are now displaced, with no place to call home. We have been forced to move 10 times over the past eleven months of this genocidal war. We currently live in a place barely suitable for three people, while our family of eight struggles to fit. My aunt and her one-year-old daughter were killed by the occupation. My grandfather died due to the lack of medication and the closure of hospitals because of insufficient resources. He was a heart patient who needed regular treatment, but it was cut off due to the blockade and lack of medical supplies.I was in my first week of university, finally enrolling in my dream college (medical school) after achieving one of the highest grades in my city (98.6% in the scientific branch). Now, I lost this academic year, and it seems the second year will be lost as well, with no way to change this dire situation. My elder sister, (Salwa), was supposed to be in her third year of university. She was the top of her class and aspired to participate in student exchange programs and pursue a master's degree. Now, her university is destroyed, and she is unable to do anything. My younger sister, (Abeer), was supposed to be in her final year of school, excelling academically and aiming for a high grade. Unfortunately, her school was destroyed, and she cannot continue her education. My younger siblings, Adel (13), Jana (12), and Ammar (8), also cannot continue their education. They are in crucial stages for their development and future, but everything has been shattered.Basic necessities are almost nonexistent in Gaza: cleaning supplies are scarce, feminine hygiene products are nearly impossible to find and extremely expensive, and essentials like (shampoo, soap, and laundry detergent) are either unavailable or exorbitantly priced. Diseases are spreading alarmingly, particularly skin diseases and, more recently, polio. We are terrified of infection as the health situation deteriorates severely💔💔.We urgently need a safe, healthy, and fear-free life for me, my siblings, and my family. Please help us by donating through the link and sharing our campaign 🙏🏻🙏🏻❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹

[acid-ixx]

You mention in the first story that the Batfam finally realizes where we are because jon showed Damian our picture while calling us his parent- so I was wondering about how Damian reacted to that? Like did he realize we���d left at that point or did he just get hit in the face with that info?

— masterlist ! ; related post !

reblogs and interactions are encouraged and appreciated

a/n: y'all i have clogged nose and i hate it LMAO. anyways, i'm gonna write smth about this soon but damian's character for both the series again & again and this series is genuinely one of the more complicated to write because of how he's raised but it really goes like this—

"jon... what do you mean? that's my—"

he cuts himself off before he could continue running his mouth off. damian ignores the slight raise of jon's eyebrow, his thoughts running a mile every second.

his parent? no, never once in his life has damian considered you his parent, pushing you away whenever you try to bond with him. whatever gifts you gave him, no matter how small, or big, expensive, or inexpensive they are, he always makes a show of ripping them away right in front of you.

he told you himself. you are not his parent, never will be his parent, you'll never replace talia's standing, and there will never be a time where damian will see you as one. dick, jason, tim, literally anyone can consider you as theirs, but damian is a product of two genetically perfect individuals— you are imperfect, and it's not your business to coddle him just because you are merely married to his father in paper.

no matter how much you softly gaze at him with loving eyes, invite him with welcoming arms, praise his passion for drawing; all you'll do is weaken him and damian hates feeling weak, hates how you tempt him into melting into a puddle. that automatically makes you a burden in his book.

he hates you, and he should've been glad you disappeared off of the face of the manor.

yet the record stands still: why are you with jon? why do you hold him like he is the world in the picture? what does he mean by "sorry, damian, but me and my parents are gonna go to the carnival later!"? you, as in, bruce's spouse? why are you with them, of all people?

... why does jon get to have fun, with you? and he doesn't...?

and yet he couldn't reply to him, not when his friend babbles on for longer about his... parent. about how you, make him feel so complete. that you'll be the one helping him with his science fare project, how you two spent the night yesterday building a volcano, how you treat him with ice cream every time he achieves a good enough grade for a subject, how you, you, you always spoil jon, always comfort him, read him bedtime stories, matched bracelets, sung karaoke together, played board games with each other, picked him up from school, help him with assignments—

the more jon goes on, the more damian wants to rip his hair out. he doesn't know, doesn't know why he's suddenly pissed. is it because jon can never shut up, or because he couldn't shut up about you? about how perfect you are apparently? how you're the ideal parent he never once bat an eye on? the domestic life jon seems to brag about, it's something damian secretly wanted, and it's all ripped away from him.

it makes damian wonder, would you have done the same for him?

he knows it in himself, that if he hadn't pushed you away, he might've been in jon's place.

[rae-writes]

if you could do r trying on a new pheromone perfume and the brothers (separately) are js like 👁️👁️ and suddenly pounces on them and readers js so confused you’d literally be godsent😫

(my inspiration was that one Rafayel scene from lds-)

suggestive || bonus characters bc harem || whether or not Mc knew it was pheromone perfume is up for debate || 1.k wc

Lucifer pauses for a brief second while not faltering in what he was doing, subtly trying to detect the cause of the scent invading every sense of his. He's one of the quickest to figure it out, eyes darkening as he empties his hands before gripping your waist and pulling you as close as physically possible; his face is in your neck before you can even blink and you both stay like that for a moment before he's silently tugging you to wherever he can sit down with you on top of him

Mammon's head snaps up so fast it almost hurts, eyes zeroing in on you. He knows where the scent is coming from, but he just doesn't understand why you suddenly smell even better than usual...he ain't shy as he slides his fingers over your wrist, up your forearm, going until he's caressing the slope of your neck. His breathing is shaky and his voice cracks a little when he whispers how intoxicated you're making him feel. He's got you laid down against the closest flat surface so he can run his hands over you, nose buried against the underside of your jaw as he breathes you in until he's damn near drunk off it

Levi's tail acts faster than he does, curling around your thighs and yanking you closer before he catches up with the action. His embarrassment is cut off when he finally registers the smell, too, and suddenly his face is red for a different reason. He'll fire off a million questions, adding his own jumbled thoughts in between, subconsciously latching every possible limb around you; his face is buried against your chest, fangs accidentally brushing the skin as he stutters out apologies, but doesn't stop

Satan perks up much like a cat, intense blue-green hues staring you down like he's ready to actually pounce. He approaches slowly, trying to figure out the source of your new scent on the way over, but ultimately decides to bury himself against you— your neck, chest, shoulder, nape— breathily asking what you were doing to him. He feels like he's been drugged, almost like a feline with catnip, but it's so dizzily good that he can't complain. Drags you off to where no one will be able to find you, so that your scent won't find anyone but him

Asmo is giddy the second he catches a wiff, easily pinpointing the reason for your scent change, and the exact listing of the brand you used. He's shameless as he requests a thorough product review, rubbing his frame up against yours as he holds you from behind, eyes peering over your shoulder with a bright pink hue. Cheekily insists that you’re better off without so many clothes on, wanting your scent to rub off on him so you can match (and so he can smell it for the rest of the day).

Beel is confused when the food in his mouth isn’t tasting as good as it should. The scent invades his nose, making his eyes search for what has to be a delicious source, only to find you instead of something edible. He’s all over you, mumbling out apologies and that he doesn’t know what’s gotten into him, asking won’t you please let him just…be near you? He trails after you like a puppy, not really sure why you’re captivating his entire being with just your smell. His mouth eventually finds your neck, nibbling and sucking as he tries to get a ‘taste’ of that scent.

Belphie, while unwilling to get up out of his spot, is instantly at attention with eyes following you around the room. He’ll whine and complain until he’s got you at his side, trapping you in his arms and against his lounging form. He’s almost tense, as he inhales that new scent, like a ram waiting to charge. His tone is lazy and drawn out, but tinged with a need that he’s confused about, yet so willing to dive into. He’s surrounded by you, literally and figuratively, as he keeps you tight in his arms, not above begging to get his way.

Diavolo is so fucking clueless, wide eyes blinking up at you almost innocently as he asks if you were wearing a new perfume. He finds himself inching closer to you, gaze never leaving your figure for long— a gaze that get darker and more lidded as time passes. He’s still clueless as ever, yet doesn’t mind the mystery since he’s always willing for an excuse to be with you. His cheeks are flushed and his touch a tad hesitant, but it all flies out the window when you allow him to bury his face against your abdomen, kneeling on the floor, letting his mind swim.

Barbatos takes one glance at you after catching on to the scent and knows, but unlike the pudding incident when he fled the scene, he’s coiling you up with his tail and keeping you impossibly close, unwilling to let anyone have you this time. Unabashedly, his nose is trailing along the slope of your neck, lips brushing the skin as he places slow kisses over all the right spots. Whether or not he does or doesn’t have time to spare, he’s whisking you away and trapping you against his frame, almost begging you to let him be selfish and improper as he inhales your scent with an abandon that would usually make him pause; he can forgive himself, if it’s because of you, unwilling to let go of this opportunity at your eager answer of ‘yes’.

Mephisto almost trips as he passes you by in the hallways of RAD, whirling around to gape at you rather dumbly. Stubbornly fights the urge to follow you for all of thirty seconds before he’s trailing after you with urgency. Manages to simply walk alongside you and keep polite small talk just until you’re both out of eyesight, because then he’s pulling you towards him and groaning, asking what the hell you thought you were doing walking around other demons while smelling so good. It’s a struggle to keep a dignified facade when he’s rushing you down the corridor— but once he gets you in a room, it’s all crumbling as he latches his lips to your neck’s pulse point. The Newspaper Club’s office is closed until further notice.

Solomon doesn’t really register the smell at first, both because it’s more subtle for humans, and because he was playing around with various potions— but once he did catch the smell after you’d gotten closer, he’s swiping everything to the side and placing you on the table instead. He is allll over you, not even hiding the flush on his cheeks as he inhales your scent; practically panting in the crook of your neck. Apologizes if you had something planned later, because he’s keeping you for the rest of the day, wanting to experiment with your new perfume. He knows he’s being overly touchy and a…bit desperate, but just indulge in his whims, yeah?

Simeon’s pretty sure that his heart was going to beat straight out of his chest. He couldn’t understand why he felt so warm and fuzzy all the sudden, but had a feeling it was probably because of you (because only you could make him feel this way). Shyly asks if he could sit closer to you, pleasantly surprised when you tug his head to rest in your lap. His fingers lift your shirt up just enough for him to press his nose against a sliver of skin, face buried against your stomach as his hands grip and massage your thighs. Genuinely content to just lay there and let your scent consume him, though he won’t argue if you ask to help him out.

Raphael…thinks he’s sick. Which is odd, because he hasn’t been sick in a few centuries, but then again..you make him feel…odd. Which is why he walked straight up to you and flat out asked if you were doing it on purpose— why did you smell so good? Why was it making him like this?? He’ll have to be guided, your hand leading both of his to your hips, his head tucking into your neck. He’s still confused, but more than willing to investigate. You’re so..enchanting…he can make idle complaints all day long, but he refuses to let go of you now. He likes how it feels. And he likes the way you react to him.

[riddlesbunny]

the albatross

summary: Originally an unlikely match, you give birth to Aegon’s first child and his entire world changes.

pairing: Aegon x Strong!Reader

word count: 767

warnings: Description of pain & childbirth, brief mention of blood, guilt.

note: “Albatross” is used metaphorically as a psychological burden dealing with shame or guilt! (and shout out to Taylor Swift)

Aegon wanted to hate you. He wanted to hate your hair and your eyes. Your thick eyelashes, the freckles that dusted your cheeks, the way your nose scrunched when you laughed. Despite wanting to hate you in your entirety, he found himself physically incapable of doing so. As a young boy he refused to admit it, even going so far as to tease you for your features — but he thought you were beautiful. If anything, you could’ve resembled his mother more than a Targaryen.

It wasn’t your features that were wrong, but who you inherited them from; you and your brother’s served as living, breathing reminders of Rhaenyra’s infidelity.

Alicent Hightower had been sure to remind him and his siblings that you and your brothers were a product of their older sister's infidelity. An embarrassment to the family. An insult to the crown, to the realm. Abominations. Bastards.

Screams of pain shook the walls of the Red Keep.

“I can’t do this anymore, Aegon! Please make it stop, it hurts!” you rasped, clawing at the blood-soaked bedsheets. It had been almost 24 hours since your labors had begun. To everyone's surprise, Aegon had yet to leave your side.

“We’re almost there, my love. You’re doing a great job,” your husband encouraged as he placed a chaste kiss to your sweat-drenched forehead, which you only returned with a death glare.

“I cannot take it anymore! Just get it out! Cut it out if you have to!”

One of your handmaids tried to dab at your forehead with a cloth, but you gripped her hand forcefully.

Aegon gave her a sympathetic look as he got her out of your grasp, locking his fingers with yours.

“You know we can’t do that, my love. I will not risk losing you.”

You winced as your midwife slid a finger around the base of your opening. All day long you had been violated against your will. Childbirth was not only painful, but humiliating. For Aegon’s sake, you silently prayed the babe was a boy. You weren’t sure if you would be willing to go through this again.

“I can feel the head, your grace. Just a few more big pushes for me and the babe will be here.”

You groaned loudly, your teeth grinding together as another contraction wracked your frame. Pain radiated down your spine and into your groin. You felt like you were being ripped apart at the seams. Being eaten by Sunfyre seemed to be a more pleasant fate than this.

“You hear that? You’re almost done. You’re doing so good.”

You squeezed onto Aegon’s hand as hard as you could, pushing with all the strength in your body. The harder you pushed, the sooner it would be over. You needed it to be over. With a final push, your vision began to blur and your mind went blank.

Before you knew it, loud cries pulled you back to Earth, and coo’s from your handmaidens filled the room. You laid back with a sigh of relief.

Finally.

The handmaids quickly handed the babe to Aegon so you could get cleaned up.

“A girl,” she stated proudly, “and she looks just like you, my queen.”

“Like me?” You shot up.

“Lay back your grace, you need to relax,” she scolded you.

Throughout your pregnancy there was a fear in the back of your mind, that if the babe inherited your features that Aegon would be disappointed. Turns out, you couldn’t have been more wrong.

“Yes,” he chuckled, tears swelling in his eyes, “like you. She is absolutely beautiful.”

He placed the baby in your arms, smiling down at the two of you.

A wave of guilt had crashed over Aegon at the sight of his newborn daughter. As well as your initial reaction to her looks. Thinking about the torment you endured for those same features in a world full of violet eyes and snow-white hair. How could he have been so cruel to you for something so fickle?

He couldn’t help but think about Ser Harwin Strong. And the fact that he probably shared the same thoughts as him the first time he laid eyes on you as a babe. This baby was the most beautiful girl he had ever seen and the thought of anyone making her believe anything else made his blood boil. He would simply not allow it. Anyone who even dare whisper a word regarding your daughters features would lose their tongue for it.

Although the responsibility of sitting the Iron Throne loomed heavy over Aegon’s head it wasn’t until this very moment that he had true reason to be motivated to rule: his new family

[batboyblog]

Copy Right and Public Domain in 2024

Happy 2024 all! its also Public Domain Day! a magical holiday here in America where things enter the public domain. Works published in the year 1928 (or 95 years ago!) have entered the public domain, which means they belong to us, all of us, the public!

Mickey's Back!

Yes! I'm sure you've heard, but Mickey Mouse (and Minnie Mouse too) is entering the Public Domain today. This has been news for a few years and indeed Disney's lobbying in the late 1990s is why our copy right term is SO long. So what exactly is now public domain?

Most people know about Mickey's first appearance Steamboat Willie, but a second short film, Plane Crazy was also released in 1928 so will also be public domain. So what's public? well these two films first of all, you're allowed to play them, upload them to YouTube or whatever without paying Disney. In theory you'll be allowed to cut and sample them, have them playing in the background of your movie etc. Likewise in theory the image of Mickey and Minnie as they appear (thats important) in these films will be free to use as well as Mickey's character as he appears in these works will be free to use. Now Mickey's later and more famous appearance

will still be protected. Famously the Conan Doyle Estate claimed that Sherlock Holmes couldn't be nice, smile, or not hate women in works because they still held the copyright on the short stories where he first did those things even though 90% of Sherlock Holmes stories were public domain. It's very likely Disney will assert similar claims over Mickey, claiming much of his personality first appeared in works still copyrighted.

Finally there's copyright vs trademark. Copyright is total ownership of a piece of media and all the ideas that appear in it, copyright has a limited set term and expires. Trademark is more limited and only applies to things used to market and sell a product. You can have a Coke branded vending machine in your movie if you want, but it couldn't appear anywhere in the trailer for your movie as thats you marketing your movie.

Where trademark ends and copyright begins and how trademarked something in the public domain is allowed to be are all unsettled areas of law and clearly Disney in the last few years as been aggressively pushing its trademark not just to Mickey in general but Steamboat Willie Mickey in particular

Ultimately the legal rights and wrongs of this might not matter so much since few people have the money and legal resources of the Walt Disney corporation so they might manage to maintain a de facto copyright on Mickey through legal intimidation, but maybe not?

And Tigger Too!

All the talk about Mickey Mouse and Steamboat Willie has sadly overshadowed other MAJOR things entering the public domain today. Most people are aware Winnie the Pooh entered the public domain in 2022, but they might not realize his beloved friend Tigger didn't. Thats because Tigger didn't appear till A. A. Milne's second (and last) book of Pooh short stories, The House at Pooh Corner in 1928.

Much like Mickey Mouse only what appears in The House at Pooh Corner is public domain so the orange bouncy boy from the 1960s Disney cartoon is still on lock down. But the A. A. Milne original as illustrated by E. H. Shepard is free for you to use in fiction or art. His friend Winnie the Pooh has made a number of appearances since being freed, most notably in a horror movie, but also a Mint Mobile commercial so maybe Tigger too will have a lot of luck in the public domain.

Other works:

Peter Pan; or the Boy Who Wouldn't Grow Up

Peter Pan is a strange case, even though the play was first mounted in 1904, and the novelization (Peter and Wendy) was published in 1911, The script for the play was not published till 1928 (confusing!) meaning while the novel as been public domain for years the play (which came first) hasn't been, but now it is and people are welcome to mount productions of it.

Millions of Cats

The oldest picture book still in print, did you own a copy growing up? (I did)

Lady Chatterley's Lover

The iconic porn novel that was at the center of a number of groundbreaking obscenity cases in the 1960s and helped establish your right to free speech.

All Quiet on the Western Front and The Threepenny Opera in their original German (but you can translate them if you want), The Mystery of the Blue Train by Agatha Christie, and Orlando by Virginia Woolf will also be joining us in the public domain along with any and all plays, novels, and books published in 1928

for Films we have The Man Who Laughs who's iconic image inspired the Joker

Charlie Chaplin's The Circus, Buster Keaton's The Cameraman, Should Married Men Go Home? the first Laurel and Hardy movie, Lights of New York the first "all talking" movie, The Passion of Joan of Arc, The Wind, as well as The Last Command and Street Angel the first films to win Oscars for Best Actor and Best Actress respectively will all be entering public domain

For Musical Compositions (more on that in a moment) we've got

Mack the Knife by Bertolt Brecht, Let’s Do It (Let’s Fall in Love) by Cole Porter, Sonny Boy by George Gard DeSylva, Lew Brown & Ray Henderson, Empty Bed Blues by J. C. Johnson, and Makin’ Whoopee! by Gus Khan are some of the notables but any piece of music published in 1928 is covered

Any art work published in 1928, which might include works by Frida Kahlo, Georgia O'Keeffe, Alexej von Jawlensky, Edward Hopper, and André Kertész will enter the public domain, we are sure those that M. C. Escher's Tower of Babel will be in the public domain

Swan Song, Public Domain and recorded music

While most things are covered by the Copyright Act of 1976 as amended by the Digital Millennium Copyright Act, none of the copyright acts covered recordings you see when American copyright law was first written recordings did not exist and so through its many amendings no one fixed this problem, movies were treated like plays and artwork, but recorded sound wasn't covered by any federal law. So all sound recordings from before 1972 were governed by a confusing mess of state level laws making it basically impossible to say what was public and what was under copyright. In 2017 Congress managed to do something right and passed the Music Modernization Act. Under the act all recordings from 1922 and before would enter the public domain in 2022. After taking a break for 2023, all sound recordings made in 1923 have entered the public domain today on January 1st 2024, these include.

Charleston by James P. Johnson

Yes! We Have No Bananas (recorded by a lot artists that year)

Who’s Sorry Now by Lewis James

Down Hearted Blues by Bessie Smith

Lawdy, Lawdy Blues by Ida Cox

Southern Blues and Moonshine Blues by Ma Rainey

That American Boy of Mine and Parade of the Wooden Soldiers by Paul Whiteman and his Orchestra

Dipper Mouth Blues and Froggie More by King Oliver’s Creole Jazz Band, featuring Louis Armstrong

Bambalina by Ray Miller Orchestra

Swingin’ Down the Lane by Isham Jones Orchestra

Enjoy your public domain works!

[nsuyeula]

Rundown of the more interesting parts from the Necrits live stream with Christian Linke (Creative Director and Co-Creator of Arcane) :

There was a longer version of the Caitvi sex scene but they got bonked by the ratings people, and because it would have raised Leagues rating to mature, it got brought down to what we got.

The entire Caitvi sex scene was directed and animated by Fortiche with zero input by Riot. Christian says, "That was French people being French."

Riot making Arcane canon didn't change where they were taking characters or the story, it just made them more aware of how it would affect other Riot projects.

Christian refused to confirm exactly when the events of Arcane take place in the existing timeline.

The Arcane doesn't originate from Hextech. It is just one - in universe - interpretation of magic.

Christian doesn't view Viktor and Jayce's love as romantic, and that romance wasn't the intention when writing their relationship. However, by the way he talks, it doesn't seem he's against people shipping them romantically - just as a creative team, they were more interested in exploring a close, complex male friendship / brotherhood.

The 250-million dollar show budget number is not accurate as marketing is included in that fund. Fortiche's goal from the beginning was to bring the level of animation found in feature animated films to serialised content. While the show was very expensive for an animated series, it was way cheaper than an animated feature film because they try and work efficiently. As an example, Christian says how often in Hollywood, it's not uncommon for sometimes 40-50% of what is animated to end up on the cutting room floor while with Fortiche they try and keep it around 5%

Ekko's hair was changed from a mohawk to dreads because the artist who worked on him told them that black hair doesn't work like that (in reference to the mohwak), and here's how it would actually work.

Legends of Runterra affected Arcane in terms of giving the team inspiration for how the everyday street life is for people in the regions.

Caitlyn's LOR Tactical design (2021) and Warwicks VGU Voicelines (2017) were made to reflect what was going to happen in Arcane - production of Arcane just took a long amount of time.

They've said from the beginning that the only person who could ever defeat Viktor at the height of his power was Viktor himself. His story is about the glorious evolution, the pursuit of that, and what it actually means to remove these human elements until there is nothing left.

All projects Riot is working on - whether the MMO, Games, Written or Animated projects - are in talks with one another at all times.

Christian comments on how very few games have remain in service as long as League has, and because of its ever growing and evolving story, it's hard to bring everything together cohesively since everything was made at different times, in different era's, by a multitude of different people. So, while many things may be very cool creatively, it makes it impossible to successfully bring it all together more often than not. So for new projects, they are more focused on making something good and successful with the team and talent they have, even if it retcons or replaces content made in the past.

Christian pitched singing Heimerdinger.

Arcane's scripts for S2 were locked in before S1 was released, so they were not impacted by fandoms or online reactions. Christian thinks maybe some animation choices were influenced by things the animators saw online, but not the story.

When watching the premier of the final arcane episodes in LA - the entire 4000 seat theatre cheered when Maddie died.

The butterfly motif shared between Jayce and Viktor specifically was used to represent transformation.

Christian talked about how they don't think about really whether people will like something or not, but whether it's the right consequence for the story (this is in discussion to Caitlyn losing an eye). What makes a character likeable to an audience in his eyes is their decisions in the story; the choices that they make.

Continuing on from this, he comments on how the choices Caitlyn makes now are so different now compared to the beginning of the show. She is now willing to take risks and sacrifice parts of herself for people, for Piltover and for what is right.

When asked about Caitlyn's signature hat, Christian says that the team saw it as somthing that didn't really fit this version of Caitlyn they were writing and the person she becomes and that's why it was never incorporated into her designs.

Back in the beginning, when they were first working on Arcane, Christian would constantly going back to Jinx and Vi's original design artists & Riot August who was their champion designer to make sure they weren't messing anything up with these characters.

Christian goes on to tell an anecdote of when Paul 'Zeronis' Kwon was drawing the first concepts for Vi. This was back when Christian was in music. She didn't have a name at the time, but when Christian looked over Paul's shoulder at the art, he comments "she kinda looks like a Violet to me." They never spoke about it, but months later, when she became a serious character concept internally, she was gifted the name Vi. To this day, Christian doesn't know if his comment resulted in her name or if it was just a coincidence, but Violet became stuck in Christian's brain as Vi's true name. Riot August (who was in chat) then confirms that her name came from her tattoo, which came from one of her key design elements, being that she had the number 6 on her face. So, just a happy coincidence.

Talking about the tattoo. The tattoo was shrunken in size so, from a distance, it would look more like a beauty mark and the brain can more easily disregard it. One of the many things that they had to think about when translating the designs over as, is animation, you would be looking at a characters face a lot more than you do in league where the camera is situated top down.

As they were wrapping up the stream, Christian talks about how there always needs to be a bit of space between what content creators / content consumers do (pointing at Necrit) and what Riot does. He thinks it's good that there is space for criticism and a critical view of the things Riot does. In order to succeed, he believes they need to listen to their audience but also that they need to have their own vision, take risks, and be bold. It's a delicate balance in his eyes, and projects tend to fail when these two sides are too in cahoots.

He iterates that they are not trying to shove anything down anyone's throats. They are just trying to find what makes these characters cool, tell their stories, and be true to the regions they come from. With taking the characters from League to Arcane, it was important that they translate these stories and characters so they can hold up with the best storytelling in the world.

This circles back to the earlier point about retconning things and replacing past stories and content. He comments on how some characters are very outdated or too archetypal, but they still have an essence that people love about them.

Arcane was something Christian worked on for 9 years, and he was getting clearly emotional near the end. He also adds they're just getting started and he wants to make sure they do a good job with this IP and the characters we really love.

To those who are not happy with certain decisions, he's sorry they didn't hit what you personally wanted, but there is simply no way they can please everybody. While they are trying to make as many of the Riot / Arcane audience happy, they as the creators and artists need to follow their own compass, be the shepherds of this IP; that being creative is hard. They will keep doing that even if they sometimes have to ruffle some feathers.

He closes the stream by confirming that they are investing quite a bit in Noxas, Ionia, and Demacia for the next regions they explore.

[ducktracy]

"Go See The Day the Earth Blew Up" Masterpost

this isn't really anything new for anyone following me, but i wanted to make a comprehensive post covering my adamence on seeing this movie--i have a lot of different versions of a lot of different posts being spread around, and wanted to uncross the wires a bit. entering Tumblr PSA mode for a bit like it's 2013 all over again--bear with me!

before getting into the nitty gritty, though, this is a TIME SENSITIVE POST. most theaters were beginning to pull the film out as early as end of day TODAY--not even a full WEEK'S worth of a run. but, thanks to word of mouth, the film has mostly been extended to the end of the weekend. with continued word of mouth and support, the film has a chance to run even longer.

What the Heck is The Day the Earth Blew Up

The Day the Earth Blew Up is an all traditionally hand-drawn, 2D animated film starring Looney Tunes' own Porky Pig, Daffy Duck and Petunia Pig. initially announced in September of 2021, it's the very first all traditionally animated film in the franchise's entire 95 year run.

Why Haven't I Heard About The Day the Earth Blew Up

originally intended to be a direct to streaming release, this film's existence has been wrung through the wringer. for the benefit of tax cuts, Warner Bros. wrote the film off and just barely avoided axing it entirely--even during its production. the film was put up for sale and only just last summer finally was able to procure an independent distributor, Ketchup Entertainment. unfortunately, Ketchup Entertainment is a much smaller name than Warner Bros. is, and because WB isn't releasing it, it's Ketchup who is marketing and spreading the film--obviously, something incredibly difficult to do with a very small budget.

Why the Heck Should I See The Day the Earth Blew Up

hand-drawn, traditionally animated films are all but extinct in theaters, and by setting the film up for what could essentially be described as sabotage, a meager box office performance is the perfect excuse for the suits to claim that there's no more demand for traditionally animated movies anymore.

it's the first all-animated Looney Tunes film in the entire franchise's history.

you don't have to have any knowledge or attachment to the characters to enjoy the film--there are absolutely no prerequisites required (but there are plenty of loving nods to fellow fans of the film.) i dragged my best friend to see this with me who doesn't have the same LT brain parasite that i do and she absolutely loved it.

WB just axed the entire LT library of shorts off of HBO Max, as well as gutted all of the cartoons freely available on their YouTube channel--there seems to be a clear embarrassment for the franchise on their behalf, and seeing the film proves that notion dead wrong.

supporting the film spreads the message that there is a demand for the love and craft that goes into these films. you will genuinely be experiencing history in the making--when's the last time you've seen a brand new, all traditionally animated film in the theaters from the States?

crew members themselves are urging you to spread your support and mention how it empowers them to keep making more

the money goes to Ketchup, not Zaslav--you don't have to worry about boycotting the film. the absolute opposite is necessary.

supporting this film could potentially spawn similar films with similar opportunities. Eric Bauza himself has mentioned that suport and turnout for this film could see a potential revival in Coyote vs. ACME, another film victim to WB's tax writeoffs all in the name of the dollar

EDIT: Ketchup Entertainment is in talks with WB to distribute Coyote vs ACME!!! because of the word of mouth and positivist surrounding The Day the Earth Blew Up!! keep it coming!!

it's likely that the film will be completely overshadowed by the Snow White remake, with theaters initially beginning to pull screens to make way for early previews. what could be more poetic than supporting an all traditionally hand-drawn film over a cash-grab remake of the very first feature length traditionally hand-drawn film?

How Else Can I Support The Day the Earth Blew Up

GO SEE IT! go see it again! go see it with your siblings, your friends, your family! tell your coworkers! reblog this post! spread the news! keep the conversation going!

pre-orders for the Blu-ray, releasing May 27th, are already scheduled

there's a limited edition run of 1,000 copies for the film's soundtrack on vinyl!

said soundtrack is also available on YouTube, which you should likewise listen to! get those view counts up!

Why the Heck Should I Listen to You

i'm asking myself the same thing! but, i do want to put this out there: i get it. i usually do not like being a walking advertisement. i know this is full on shill-mode and you're surely asking "you're being paid, aren't you" (i wish!). i also share the Ferocious Contrarian Gene where seeing posts like these is an instant way for me to NOT want to see the film. i genuinely understand how pushy and obnoxious this can come off. especially since, clearly, i'm a little biased to the franchise and these characters. i also balk at the guilt trippy idea of "YOU'RE A MONSTER IF YOU DON'T SUPPORT THIS FILM YOU KILLED ANIMATION". i HATE that rhetoric with a passion, and that only is going to alienate people from wanting to see this further. please know that's not the intent of my messaging here at all.

but even beyond my personal biases, i really think this is a film worth supporting. movies like this are a once-in-a-lifetime event anymore, and that could only be exacerbated by how this film's fate is handled. i've been overjoyed with the amount of messages i've received from people who said they caught the film on a whim and enjoyed it--especially from those without a clear LT bias like myself. it's proven that this film is enjoyable for anyone.

also, just, spite. the reason you haven't heard about it is by design. this film has been set up to fail. and while the success shouldn't be the sole responsibility or burden of the consumers, but instead the higher-ups, you are making a difference by supporting and spreading word of mouth of this film. crew members themselves are saying so. the distributor themselves are saying so.

i'm not expecting a miracle for this film, as much as i'd love one. i will genuinely be surprised if it makes a profit (which it should at a measly $15 million, pennies compared to most features that look much worse than this). but that's all the more reason to TRY rather than give up and say there's nothing we can do. you all have been making such a wonderful difference. that energy needs to continue, not dwindle. every single person is able to make a difference.

there are a lot worse ways you could be spending your time than spending an hour and a half at the theaters enjoying some gorgeous traditionally hand-drawn animation on the big-screen, feeling good that you're helping to spread a message and supporting the hard, loving craft of the people who worked on it. imagine if all "good turn"s in the world could be as fun and easy as seeing an animated comedy!

[twistedpink]

I have like an unusual amount of dad!asks in my inbox rn, and they’re all sauve/responsible types, but what about your goofy guys? The ones that complain about “the ol’ ball n chain” at work only hours before worshipping you with a level of husbandry that can only be taught through backbreaking cuddle deprivation?? IM SO NORMAL ABOUT THEM SHUT UP (reader is implied afab- talk of “your” kids. Maybe he gets pregnant idk)

Husband!Ace HATES doing dishes with every fiber of his being, but he also likes getting fed.. Decisions, decisions,, Very into the “good cop/bad cop” routine. He’s good cop, obviously, but he sucks up after every tantrum you handle with the same puppy eyes he shares with your runt. It’s especially effective after he cuts out alcohol for fear of your kiddie getting high off of more than just life, and he gets hottttttttttt,,, Totally a neighborhood dilf- You’re guarding him like a particularly sexy discount, and he loves it <3 If you have more than one kid he makes a joke of “running out of options”. Naturally, he names the kid after Riddle for the bit. It backfires so completely that everyone’s calling him some kind of angel, and Riddle 1.0 contributes to the fucking college fund. His life couldn’t be worse if he tried.. At least his spouse’s still hot <3

Husband!Ruggie in two words. Grill. dad. And he looks good doing it! He’s literally living the dream,, Stable job, loving marriage, and just enough kids to keep him busy well enough into retirement- If you’re looking for anything productive being done on the weekend, you won’t find it at the Bucchi house. He’s done his time, but he’s always excited to ignore work emails! The fridge is fully stocked, and at your insistence he’s way too involved in HOA politics. The two of you are also totally couple goals- All your friends can agree the Bucchi’s are the people to call for birthdays. The only issue your kids ever have are overeating and toy theft.. Wonder where they got that from? (DAD BOD RUGGIE DAD BOD RUGGIE UGHHHHH)

Husband!Floyd’s just thankful you didn’t accept his proposal in Highschool,, He can admit he wouldn’t have been a good partner then, and that’s okay, because he makes up for it now. He works remote, always snacking and in range of his shrimpy for bad days- Plenty of cuddling, and so much clinging it’s rare to see either of you alone in public. He immediately attaches to your kids the same way- always sleeping in their rooms and kissing on their baby faces,, despite how hard he worked to get the big family he’s wanted, I imagine you probably had to go through IVF or surrogacy for any success on account of biological differences. This really shows in their childhood before it’s safe to take any transformation potions,, It’s torture to just observe the baby from outside their aquarium, but Floyd’s present enough for two until they’re old enough for a whole new world <3

¡Bonus!

Husband!Epel’s the only teenage dad on the list, and you guys got hitched QUICK after meemaw chewed him out for reckless sex- Even if it got her the perfect in-law. Gets all muscular after college, and keeps you whipped with those hip muscles that make a V. Ends up having more little girls than he knows what to do with. They all play winter sports at their dad’s behest, and he damn near shoots any boyfriends on the property. 7/10

Husband!Idia gets to live the housewife dream- Gaming pc next to your work computer, and a full 30 minutes of blissful silence when your little power naps after hours of Daddy plays! and Freakin’ bots!!,, He had to quit swearing when the baby started mumbling less than pg first words, but they fist bump when kiddie can avoid getting grounded by “the final boss”- So all thing’s considered, your player 3’s not so bad after all. (He’s still mourning the loss of his limited edition “Magic Rumimi- Sakura dreamscape” figurine, but give him a couple years and it’ll blow over.) 8/10

Husband!Lilia’s never been able to get this vulnerable with anyone. EVER. He’s working on it with his own kids, but it’s much harder to communicate with a toddler, especially when half-fae aging is SO sporadic. They’ll both have to watch you age, but your light never dims, and he’s getting all the pictures he can! Your baby/ies grow up in a home so full of love it’s embarrassing, and there’s always memories to look back on fondly of time well spent <3 10/10

@bju3c0re @kyokills @rinship

[sevikasbooyahh]

𝐒𝐞𝐯𝐢𝐤𝐚 𝐇𝐂'𝐬

Just random random headcannons about my wife <3

She makes lots of noises; grunts, sighs, groans. It’s basically a language that only you can understand at this point.

“Hmph,” she grunted with her usual grumpy expression. “You want cuddles?” She nods her head in response.

Snores but denies it. It’s like when you’re sharing a hotel room with your family and your dad’s snoring keeps you awake; staring at the ceiling. You’ve told her multiple times but she just doesn’t believe it.

“You kept me awake all night,” you said in disbelief as your utterly exhausted eyes met hers. “Uh-huh, how? Do NOT say because I was snoring.””You were snoring.”

But in all seriousness, she started sleeping on her side—the snoring was due to her sleeping on her back.

Doesn’t care for public affection, not that she won’t slip her arm around your waist or have her hand on your thigh once in a while—but it isn’t often.

(Saw someone else say this)—absolutely loves dad jokes. She won’t laugh at anything else but dad jokes.

“Hey babe,” you slid next to her on the couch. “Hm?””What days are the strongest?“ you asked. “I don’t know,” she shrugged. “Saturday and Sunday,” you started to smile. “Why?” She was slightly curious. “‘Cause the rest are weekdays,” she couldn’t even hold it before she burst out laughing.

Takes her mechanical arm off before she goes to bed because she doesn’t wanna hurt you.

Tough with everyone else but you, Jinx and Isha (they’re alive and well).

Isha made a cheerful noise as she raised her tea cup. Sevika sat across from her, hunched over the small table, teacup in hand. She pretended to drink from it, “Mm, nice.”

Perfers actions over words—for example, her version of an apology is by doing more of what she should’ve done in the past. If she wasn’t spending much time with you before, she’d immediately take it upon herself to fix her schedule.

VERY protective, especially when you’re at The Last Drop, nothing escapes her vision.

Once, this guy attempted to flirt with you but before he could get a word out, he was immediately met with a deadly glare from her. She pulled you closer towards her with a raised eyebrow, “You got something to say?” That sent him babbling in fear, “Uh-no, no, of course not!—“”Get out of my sight.”

Claims she’s not an animal person but will come home with a kitten she found on the street.

“It wouldn’t stop following me,” she said while avoiding eye contact with you. You knew she was lying.

Sometimes when she comes back from work she’ll just collapse on the couch. She’s a busy woman, alright?

Jinx cut her hair then made fun of her afterwards.

Jinx cackled after she looked at the final product, “Sweetcheeks ain’t gonna love you now, are they?” The older woman simply grumbled under breath, “You’re the one who cut it.””Yeah and I made it ugly on purpose.”

You ended up loving her hair anyway.

Secretly likes when you lay on top of her; loves seeing how comfortable you are

She’s always warm; your personal heater

Somehow gives the best hugs—bear hugs, but is so awkward with it

Takes the longest showers known to mankind; once she gets in, be prepared to wait about an hour. Meanwhile, half the time it’s just her staring at the wall.

Will let Isha climb her on rare occasions; sometimes the girl gets insanely hyper and is moving all over the place.

Says she’s “not fond of kids” but has a soft spot for them.

A little boy with blue-dyed hair walked up to her while she was outside one day. “H-hi, can you please sign this?” He asked in a soft-spoken manner, showing a drawing, offered with a crayon. She didn’t respond but took the paper and signed her name on the back. Internally, she was in disbelief that this boy looked up to her in some way. “Thank you!” He gave a big smile before running back to his group of friends, happily showing them the signature. A twitch edged at the end of her mouth.

[reyalvr]

SHE’S MINE | 00

CATCH ME, I’VE FALLEN IN LOVE FOR THE FIRST TIME.

synopsis ┊ thrust into the spotlight, ken sato had easily become the next big thing tokyo had seen in decades. alongside his fame came the inevitable string of rumors, of which sprung forth scandals and discrediting information against his image. of course the obvious and most rational solution would be to address them like every other celebrity, but this was ken sato; nothing would ever be rational with him, which is how you wound up with a ring on your finger and the sato name in your papers.

genre ┊ fake dating, fake marriage, idiots-to-lovers, friends-to-lovers, mild angst, chaotic fluff, smut

pairing ┊ ken sato x fem-PA!reader, ken sato x fake-wife!reader

warnings ┊ mild cursing, eventual smut, mentions of alcohol, all events in ultraman: rising take place a year after kenji moves back to japan, RUMORS isn’t related to anything that happens in this series

word count ┊ 798

author’s note ┊ YAY i finally wrote it! i really love the fake dating/marriage convenience trope and i’ve been itching to write it with kenji. this is highly inspired by one my favorite books of all time, terms & conditions by lauren asher! if you enjoy fake dating i highly recommend reading it. as mentioned at the top, this is only the prologue! i'll be putting out part one and the series masterlist asap hehe... as always, happy reading!

prev. | next

SOMETIMES YOU WONDERED IF ANYTHING YOU SAID EVER STUCK WITH KEN. For the past year and a half, you had the supposed “dream life” that every assistant yearned for. It confused you, really, as you tried to ponder on what part of your job was envious. Were the late nights drafting NDA breaches so desirable? What about the press statements after altercations, were those résumé worthy? You let out a deep sigh as you watched Ken from the TV in his dressing room, crossing your arms as you sunk deeper into the couch.

He was on a press tour for his latest collaboration, his overconfident persona charming everyone left and right. You had to physically stop yourself from rolling your eyes when he used his signature flair to charm the show’s host. At least he was sticking to the script… for the most part. He wore the product, threw in a few adlibs, and of course, flirted. Be it a talk show host or a random photographer on the street, Ken always found a way to leave people smitten with him- save except you. 

It’s not like you were actively trying to hate him, he just made it so easy. At first you thought it was just some awkward phase, like he was just trying to adjust to working with a new team. But then he just kept doing the same things over and over again. A brawl with an opposing team member? Just another Sunday night. A rumor about having a fling with yet another supermodel? Sounds just about right. 

“I mean of course I have to thank my team,” Ken’s voice cut through your train of thought. “It was a dream of mine to play for the Giants as a kid, now I actually get to do it.”

Tone it down, asshole. You thought to yourself, noting the sarcasm laced in his words. Of course the general public wouldn’t have caught on, but you had no doubt his coach and the other players would. Then again, he’d been relatively untouchable because of his rank in the sports world. You poked your tongue into your cheek, shaking your head as you sat through the rest of his interview. The clock on the wall counted down the remaining time, the bright red numbers casting a reflection on the screen. Two minutes left, and all he had to do was to keep the act up…

…Until he didn’t. Nothing could’ve prepared you for what was about to happen next. 

“Now I don’t want to hold here any longer, but you know I have to ask it,” The host teased, almost like an overexcited child ready to tattle. “Any special someone back home?” 

Ken chuckled, just like he usually did when asked the question. “Cheeky question,” He paused and grinned, his eyebrow raised slightly as he shrugged his shoulders. “What if there was?” 

“Well, is there?” The host pushed, his tone eager to have the Ken Sato answer such a juicy question. He gestured toward the crowd before he continued. “I mean there are a lot of fans here today who would love to know more…” 

“Yeah? And if I said yes, then what?” He replied, his smile growing brighter and his eyes shining. 

The crowd cheered even harder, itching to find out the truth. You shared the same sentiments, trying to figure out what the hell Ken was up to now. Did he have a girlfriend? If he did, why didn’t anyone know about it? You stood up straight now, your right hand deathly gripping the remote. What the hell do you have up your sleeve, Kenji Sato? Your inner voice seemed to yell as you waited for him to speak up. 

“I mean only time will tell, yeah?” The host replied, leaning back in his seat. “C’mon Ken, it’s not nice to keep secrets.”

Ken mimicked the host’s moves, leaning back into his sofa chair as well. He shrugged his shoulders, licking his lips as he fiddled with his fingers. He bit the inside of his cheek, and though it was brief you caught it. You knew that look; his look of contemplation. Your grip on the remote was still taut as your breathing seemed to quicken the longer he waited. Granted it was only a few seconds, but those seconds felt like hours. 

He tilted his head slightly then, his eyes staring directly at the camera. It slowly zoomed closer to focus entirely on him, and he let out a small laugh before he finally replied. His gaze was strong, and it almost felt like he was actually looking at you.

“Yeah, yeah I do.” He finally said, throwing in a lovesick smile for good measure. “And she’s the best damn thing in my life right now.”

reyalvr © 2024 … do not repost, alter, or steal my work.