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yamujiburo · 1 year ago

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POKEMON SERIES RANKED (IMO)

I get this question a lot and haven't made an updated list with Journeys

Original Series (S1-S5)

Sun & Moon (S20-S22)

Chronicles (S0)

Diamond and Pearl (S10-S13)

Advanced (S6-S9)

Journeys (S23-S25)

Black & White (S14-S16)

XY (S17-S19)

Original Series (S1-S5)

OS had that first season charm. Very unpolished, still finding its footing but super enjoyable for those reasons

Probably the strongest series comedy-wise

That GORGEOUS 90s anime style

Main character dynamics were REALLY strong

Ash's personality felt much more like a shitty little 10 year old which was entertaining

Dub writing was also the best hands down

Sun & Moon (S20-S22)

Honestly tied for first with OS for me

REALLY fun ensemble cast! They do a fantastic job giving each character enough time for you to get to know and care about

Excellent modern anime style that perfectly fit the vibe of the season and allowed for some of the best character animation of the show's run

Finally figured out how to write Ash like a 10 year old again (but in a kind/sweet 10 year old way as opposed to OS)

Very different from previous series in terms of the formula they'd follow. Doing a school series instead of another "8 badges to championship" plot felt new and fresh!

This series genuinely made me cry the most (MEMORIES IN THE MIST!!!!! LIKE ARE YOU KIDDING ME)

Chronicles (S0)

Fun concept! It was really nice to see more of the side characters without Ash there. We get to see more of Misty, Tracey, Daisy, Brock, Ritchie, Oak, Delia, Butch, Cassidy, Jessie, James and Meowth!

Stylistically really nice. Just solid drawings all around and it retained the 90s anime style in digital form more successfully than other digitally done series imo

BUTCH AND CASSIDY!!! Team Rocket centric episodes!!! Training Daze!!!!!!!

Idk how possible it would have been (seems like a TON of work) but it made me want one of these in between each season, where we'd follow the characters that Ash had just said goodbye to for the next region.

Diamond and Pearl (S10-S13)

Series I grew up with! Honestly I was kinda a hater as a kid but having watched it back, I love the series

Love that Ash and Dawn were bros. They had a really fun dynamic.

Debatably peak Team Rocket. They had some of the best Team Rocket centric episodes this series.

Contests were really fun and a bit more figured out compared to the Advanced series

Fun, memorable rivals for Ash (Paul and Barry) as well as Dawn (Zoey, Kenny and Jessilina sometimes)

This is unfortunately where I stopped caring about Ash as much. He feels kinda watered down for the next couple series.

Advanced (S6-S9)

Pretty tied up with DP for me

Really fun series! Still had some of that early Pokémon charm

I appreciated that they put Ash in more of a mentor role for May (but he still had a lot to learn himself).

Ash and May constantly butting heads was really fun

May was a very compelling character to me, being very clumsy, kinda lazy, directionless, not really into Pokémon, etc. But then over time, she comes around and finds something she's interested in!

Journeys (S23-S25)

I love the episodic take as well as the way they let the characters jump around from region to region at random

Goh was a GREAT travel companion to Ash. They contrast each other nicely, have moments where they get on each others' nerves but still get along and have a mutual admiration for one another.

It was fun that they made Goh's thing catching every Pokémon (the motto of the entire series) so they could focus on Ash just training and prepping for Worlds.

Amaaaazing style. Took the great parts of classic Pokémon, roundness of SM and blended em together for a really fun look.

Black & White (S14-S16)

I don't think it's that controversial to have BW this low haha

I did enjoy Iris and Cilan but it felt like the writers didn't reaaally know what to do with them? Also this was their first time in a while not having Brock and it shows. I feel like Brock was successful because he was grounded and lower energy compared to the rest of the kids. Having 3 pretty eccentric characters is kind of a lot. No hate to the characters in the slightest, there was just not as much balance.

I think maybe they leaned on Cilan and Iris for more comedic relief because they killed the comedic relief that was Team Rocket this series. I appreciate them trying something new with Jessie, James and Meowth but I don't think it worked very well lol

XY (S17-S19)

I've ranted about this series a lot LOL. I get the appeal of it, but it just wasn't for me. I felt like it was the weakest comedy-wise and took itself a bit too seriously for my taste

My main gripe is that Serena, Clemont and Bonnie all like,,, worship Ash. By doing so, Ash begins to feel like a side character because we're constantly looking at Ash through their eyes. There's so little conflict within the group so their dynamics feel really flat. I think this dynamic could have worked if they leaned waaay more into Ash being a mentor and maybe feeling the pressure of having to be a role model for the people around him.

Team Rocket very much feels like an afterthought in this series. They did in Journeys as well, but at least in Journeys they were doing something silly and also had a handful of episodes dedicated to em.

Outside of that, the episodes weren't super memorable for me

I think it's just frustrating because there was sooooo much potential character-wise

#long post #ranking

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dysfunctionalupsidedown · 7 months ago

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An Analysis Of "STurn": My Turn

Hello, everyone! This is my first real post/analysis of anything Stranger Things related, so please keep that in mind while reading. I'm sure there are quite a few analyses about this playlist already (I'm definitely late to the party,) but I still wanted to add my two cents.

Feel free to let me know if any information I've provided is incorrect. My main source is Genius.com, which isn't at all the most reliable; even still, it'll help to give a clearer picture of each track's meaning and how the general public (which includes Finn) interprets them. I'm attempting to go by what I think Finn's intentions were.

Also, don't forget that this analysis was done under the assumption that the "STurn" playlist is a somewhat play-by-play outline of how specifically Mike Wheeler's S5 arcs might happen. The playlist could be entirely unrelated to ST5. It could be related to all the characters and arcs in ST5. It could be out of order, or based on vibes -- We really have no way of knowing until the full season comes out.

Finally, I tried my best to keep the analysis somewhat objective and reasonable, and I hope I've at least partly succeeded. This is all in good fun, in the end. Now that I've finished housekeeping, please enjoy my thoughts and feel free to chime in with your ideas in the comments! I'm always open to changing my perspective.

1. Ballad of the Texas King

Let's begin! This song starts with the lyrics, "No one saw / Nothing at all, no law was there to fight / All dressed down / Walkin' out in the California night". I believe this is a more surface-level vibe-setting song, considering where Mike ended in S4. It may also imply that the start of S5 begins where S4 left off. A lot of car imagery is also present throughout, which was a big part of Mike's S4 journey.

There are ideas of being separated as well, with lyrics like "My heart won't beat / 'Til we meet again together". This may allude to Mike's feelings towards the end of S4, having been separated from Hawkins/his family.

2. What You're Doing - Remastered 2009

Genius.com claims this song was written about Paul McCartney's then-rocky relationship at the time. The lyrics make this very clear, so there's really no alternate angle from which I can read. Let me know in the comments if you interpreted it differently.

In specific, the lyrics "You got me running / And there's no fun in it / Why should it be so much to ask of you / What you're doing to me?", "Please stop your lying / You got me crying, girl", and "I've been waiting here for you / Wondering what you're gonna do / And should you need a love that's true / It's me" really intrigue me. This could refer to Mike's relationship.

The song suggests that the partner may be withdrawing in multiple ways, with the singer grieving over it and attempting to prove their love. El may be starting to distance herself, and Mike could be struggling with it. At the end of S4, El was understandably focused on her failure, to the point where she hadn't really spoken to Mike in the days following it.

I don't think it would be surprising if everything was too much and she ends up pushing herself away from him. I wouldn't say it's implying a break-up, but maybe distancing issues.

3. After The Earthquake

Again, it's pretty surface-level in the beginning. There was a devastating earthquake in-universe, which supports the theory that "STurn" connects to ST5 in some way. The song tells a story, though, and I recommend looking up it's inspiration.

Despite the choice seeming surface-level at first, After The Earthquake may be implying more for Mike in ST5. Genius.com's contributors interpret the song's narrative as, "[Molly Rankin applying the] concept of post-catastrophe clarity to a couple that got into a major disagreement before one of them falls into a coma from a car crash... In a metaphorical sense, [the song] could describe a more mild situation in which Rankin must put their conflict on hold because something more important turns up." I don't think it's too far-fetched to say that Finn picked up on this. The idea of a disagreeing couple and coma is also prevalent in ST, but like I said in the beginning, I'm going to try to connect these songs to Mike Wheeler specifically.

Although this may be me reading too deeply into it, the metaphorical meaning of the track pairs pretty well with the implications of What You're Doing. It also fits in well narratively, considering that more important things are happening aside from the drama -- the earthquake being one of them. Mike could be putting all of his current issues (internal-conflict-related, relationship, or otherwise) on hold for the moment. He continues to struggle with suppressing his problems later on in the playlist, as well.

4. Promises I've Made

This song is about mourning a lost or ex-lover. The opening lyrics, "Ever since you have gone, the days don't seem so bright / And I wish I could forget you but I can't / Ever since you have gone, I haven't felt quite right / And I promised I'd forget all that you meant" address this quite directly.

At this point, it's possible that Mike has either been broken up with or the pair have gone their separate ways for some reason. It wouldn't be too crazy to say something like that will occur and he'll grieve it, keeping in mind that one of Mike's main fears is losing El. I just don't know why they'd continue to make it the subject of conflict in S5 (unless it hasn't been fully resolved yet.)

Physical distance between the two also makes sense when considering that Mike is, supposedly, teaming up with other characters next season. Personally, I'm leaning slightly more towards a break-up because of what the previous songs have set up, but, ultimately, it's up to interpretation. It's possible they've just been physically distanced while in a bad spot.

5. Angst In My Pants

This song is about a person attempting to be someone they're not, suppressing who they really are, and it ultimately leading to dissatisfaction. The lyrics, "You can dress nautical / Learn to tie knots / Take lots of Dramamine / Out on your yacht" describe a faux lifestyle one lives that only serves to hurt them in the end: The idea of putting on a self-harming persona. This could be what Mike is going through in S5, and his teased wardrobe change from S4 supports this.

The lyrics, "I hope it doesn't show / It'll go away / It's just a passing phase / It'll go away" and, "I hope it doesn't show / It'll go 'way / Give it a hundred years / It won't go 'way" are particularly fascinating and can have multiple interpretations.

For one, it could be Mike trying to hide his real personality following Eddie's death and the collective panic by acting out a more "normal" and "idealized" life -- painfully repressing his true self in the process. This is supported by the lyrics I first discussed. Hiding and embracing differences is a theme in Stranger Things, and I wouldn't be surprised if this is where they take Mike in S5.

Another interpretation involves the previous lyrics, as well as, "But when you think you made it disappear / It comes again, 'Hello, I'm here'". This sounds more like someone trying and failing to suppress a thought. Coupled with "It's just a passing phase", it appears to be a feeling or belief instead of someone's true personality, although I do believe that's a big part of it, too.

Whatever it may be, Mike is definitely struggling with something at this point. He's pushing it down, hiding it, and hoping "..it doesn't show" and that "It'll go away".

6. The Better Side - Audiotree Live Version

Half way through! This one gave me more of a challenge because there aren't any written lyrics to analyze. From what I can gather, the track is about a person yearning for someone who is a better fit(?) The lyrics that best support this interpretation are, "You're on the better side / You're always the better one for me" and "Don't make me do the falling when I'm drinking of you". Again, if you have any alternate interpretations, please let me know. I'd like to take all ideas into account.

The final lyrics are interesting, "And you're all that I need / I'm not gonna miss you anymore". This can be read as the narrator longing to accept a person into their life and bring them closer. I'm especially interested in the final line because it implies there was something to miss, as if an emotional rift or gap was there.

Mike has come to a realization about something, as shown in Angst In My Pants, and it might partly be about a new thought he's trying to push down, "It'll go away". It's possible the "thought" is about newly developing feelings he isn't ready to accept(?) I don't want to say for certain, though. Nonetheless, it seems like he recognizes this person's importance and "better fit" for him, despite trying to repress it. A fairly surface-level read, but it's the only conclusion I'm able to come to.

Alternatively, it might be about El. The distance apart could be what gets him to solidify how he feels about her. However, Angst In My Pants and multiple songs establishing a separation precede The Better Side. The track is about a better option, as well. Those facts alone make me think of this interpretation as unlikely, so it's not one I personally hold.

7. Don't Ask Me to Explain

Don't Ask Me to Explain is about two people who are afraid to confess their true feelings to one another, so instead they hide them; with one of the two seemingly more uncertain. It's also, from what I've researched, supposedly about two people of the same gender. There's a possibility that this is irrelevant to the track's purpose in the playlist, but I kept it in mind considering the other songs and my personal interpretation. It's also important to note that these "true feelings" could be about a multitude of things.

The lyrics, "How will I ever know you enough to love you / If you're hiding who you are?", "How am I supposed to let it show / When I don't even know?", and, "Besides, I don't want to be the one who's coming out first / I'd really like to but I'm just too shy" support this reading.

I interpreted the last line, "It's so easy to laugh to myself / And pretend that I could love you but I can't" in two different ways. Either it's the narrator doubting their feelings for someone else, or it's the narrator recognizing that they can't let themselves embrace their love for someone, for one reason or another.

As for Mike, his progression makes the most sense to me in the following interpretation. There are multiple and, again, please let me know your ideas in the comments. I narrowed it down to just the one so I don't start nit-picking.

Mike went from a realization, "It's just a passing phase / It'll go away" (Angst In My Pants) to a sort of acceptance, "You're always the better one for me" (The Better Side) to struggling to admit it out loud, "How am I supposed to let it show / When I don't even know?"

An LGBTQ+ or "new love interest" interpretation is what I'm able to gather from this. It could describe Mike falling for 'someone' and not knowing how to be open about it due to fear and doubt; with the other person feeling the same way. It may be a surface-level reading, and I'm sure there are several other ways to interpret the track, but that's what I've been able to conclude thus far.

8. What Do You Want Me To Do?

This one might be the most difficult for me to figure out, but I'm going to try.

The song and the lyrics, "You walked out, took your chance / You turned your back on our romance / You said you found somebody new / You said the change'd do you good" and "You never even gave me a thought / You figured that would be all right / I nevеr had a chance to persuade you / You nеver let me put up a fight" remind me a lot of What You're Doing.

One way to look at it is that it might have the same purpose as What You're Doing -- adding a sort of angsty frustration vibe. I don't know if it would be used to set up a "come crawling back" moment because I don't think that would make sense (especially in Stranger Things), but it's a random possibility I'm throwing out there.

Alternatively, the 'person' that Mike has feelings for could have rejected him for someone else(?) Again, I don't think this would make much narrative sense in Stranger Things, but we don't know what the next season's going to look like.

I'm personally reading it as the former because there are other songs in the playlist used to set the tone. Keeping What You're Doing and Promises I've Made in mind, an additional break-up song is on theme. There's still the possibility of another conflict, though. If anyone else has different thoughts on what the song could be implying, I'd appreciate the input.

9. Substitute - Live

This track is about an idealized version of someone being put in place of their true self. The narrator describes a scenario in which their partner sees a version of them, "I'm a substitute for another guy / I look pretty tall but my heels are high / The simple things you see are all complicated / I look bloody young, but I'm just back-dated, yeah", that is unrealistic and put on, as seen in the lyrics "Substitute your lies for fact / I see right through your plastic mac / I look all white, but my dad was black / My fine-looking suit is really made out of sack" The couple also seem to be having issues with this, or in general, that they're not addressing, "It's a genuine problem, you won't try / To work it out at all, just pass it by, pass it by"

The concept of a guise applies well to Mike, as referenced in Angst In My Pants. A recurring theme of hiding oneself really makes me think Mike is going to completely abandon his interests for a different lifestyle. I believe Finn has also mentioned that Mike wants to be as "normal" as possible, so I can't wait to see where they take that idea. It could also be him realizing how he's been acting, and admitting that this "romanticized" version isn't true to him. I have hope that Mike will eventually learn to embrace his differences and what he enjoys.

While this part is a bit nit-picky, I feel it's fun to mention that the song was inspired by a lyric in The Tracks of My Tears by Smokey Robinson; the lyric being, "Although she may be cute / She's just a substitute". The line following this (which is also referenced in Substitute's Genius.com entry) is, "Because you're the permanent one". Funnily enough, these lyrics also fit into the narrative the playlist is laying out. They remind me a lot of what The Better Side represents.

Out of context, the lines from The Tracks of My Tears may imply that someone is either using another person as a substitute for an ex, or that someone is realizing they've been using their previous partner as a substitute for someone better. Both routes have the potential to happen in ST5. Although, I don't know if the idea of a literal substitute fits with what The Who was going for. The Tracks of My Tears is also not on "STurn", so take this part as a fun fact with a grain of salt on the side.

At the end of the day, we don't know Finn's motivation for adding Substitute, so this is what we'll have to go off of for now. I feel as though the former interpretation, a less literal "substitute," holds the most merit considering the theme of personas.

10. The Rebel Kind

Like The Better Side, I couldn't find any lyrics, so I'm doing it by ear. Though, I'm happy to say that this song is about a desire to embrace differences and rebellion. "We'll be free to run with the rebel kind" and "It's not easy, but I don't mind / I just want to run with the rebel kind" establish that. The track appears to tie into Mike's insecurity struggles throughout the playlist.

The lyric "They call us the rebel kind" hints to the panic brewing at the end of S4. Mike might start to embrace and stand behind his true self at whatever point this is in the season. The line following, "But they don't understand / The things a man must do to prove that he's a man", can be taken in different ways depending on how the lyrics are read.

It could be the narrator's struggle to keep up with societal norms before finally giving in to their truth instead of trying to conform, read as "they call us rebels but don't get how hard it is to for us to keep up." On the other hand, it could be the narrator commenting on how society doesn't understand people like them, and, by embracing their true self, it proves more about who they are than conforming ever would; read as, "you think we're the rebellious ones, but you don't understand that we're more self-secure and strong than you'll ever be."

I can see both of these interpretations working for Mike and his connection to the Party. The progression of insecurity in Angst In My Pants and potential realization of this guise in Substitute is wrapped up by Mike's self-acceptance here. I really hope this is how it plays out in S5.

11. Block Rockin' Beats

There's not much to analyze because this track has one repeated line of lyrics, but it's definitely here to set a tone. The song may have a similar vibe-setting purpose as What Do You Want Me To Do? and Ballad of the Texas King. That's just my theory, though. (A ST5 theoryyy!)

Perhaps this is a climax of sorts where the cast fight the "big bad." The music's tone is intense and sort of aggressive. It's definitely a fun addition to the playlist, whatever the song's purpose in it may be.

12. Just What I Needed

Finally, we have Just What I Needed. I read this song in two different ways.

The first way I interpreted it was as a love song about the narrator not caring about who this person is, and realizing they need them in spite of it all. The lyrics, "It's not the perfume that you wear / It's not the ribbons in your hair / And I don't mind you comin' here / And wastin' all my time", "Cause when you're standin' oh so near / I kinda lose my mind, yeah", and "I needed someone to bleed / Yeah, yeah, so bleed me" support this.

The second possible reading is that the narrator realizes they were/are in a codependent relationship and they still love the person. The lyrics, "I guess you're just what I needed / I needed someone to feed / I guess you're just what I needed / I needed someone to bleed" and "I don't mind you hangin' out / And talkin' in your sleep / It doesn't matter where you've been / As long as it was deep, yeah", could be read as more of a "you're what I needed at the time, but I still love you and want you in my life." With this reading, it's unclear whether or not the love is romantic or platonic. Maybe I'm looking too far into it, but this is what some Genius.com contributors brought up, and it would feel wrong to not include this understanding of the song.

I'm just assuming, since The Rebel Kind seemed to tie up Mike's self-security problem, that this track is supposed to imply a resolution with his romantic issues. Under that impression, there are a few ways we can look at it.

It could be an acceptance for who he has feelings for. He went from mourning a loss in Promises I've Made, noticing something and hoping it goes away in Angst In My Pants, potentially coming to terms with the fact that this person is his "better" choice in The Better Side, wanting to admit a truth but feeling doubtful in Don't Ask Me to Explain, comprehending that he's able to embrace his authentic self in The Rebel Kind, to now admitting, possibly out loud, that this person was "just what [he] needed". That could be far-fetched, but it's just what I picked up on throughout the playlist.

However, it may also pertain to his self-identity struggle that's hinted at throughout (can you tell that I love this part of Mike?) while also tying into his romance issues. He went through a difficult separation with someone in What You're Doing and Promises I've Made, put on a persona and suppressed his true self in Angst In My Pants, realized he couldn't keep it going and needed to address it in Substitute, embraced himself in The Rebel Kind, and now recognizes that the relationship may have been codependent and holding him back from fully dropping the facade: "I guess you're just what I needed" -- in the moment. I don't know if that's too in-depth of a read, but it's a possibility.

While not relevant to the playlist in it's context, it's fun to bring up the fact that Just What I Needed was apparently also the final track listed on the 'official' "Will's Castle Byers Classics" playlist created by Spotify. It's not available anymore, so I can't really say it as a fact. Although, recreations of the playlist have been made long before "STurn" was a thing, and the song was added as the last track as far back as 2018. I suppose that's proof enough that it was at least on the playlist.

Finn listing it as the final track may be a reference to "Will's Castle Byers Classics", but it's also likely that there's no association. That's why I gave the song an equal amount of analysis instead of writing it off as a reference. As to how canon those playlists are, I don't think it particularly matters. It's true that Finn could've seen Just What I Needed in the Will playlist and put it on "STurn", thinking of it as a fun easter egg. There could or could not be implications for that and I'd be remiss to ignore it. I don't know if this rings true for any of the other songs on "STurn" as well -- if they're connected to any other character playlists. Feel free to let me know if they are!

TL;DR

This was really hefty post, and I apologize for that, so here's a summary/recap of what I think S5 may have in store for Mike Wheeler.

Summary:

The season likely starts off at the end of S4, with us seeing Mike react to everything that's happened in Hawkins and reuniting with his family. Tension or unresolved conflicts may be arising in his relationship(s) as well, but he puts it aside to focus on the more important tasks at hand. Either his relationship is put aside with this, or there's an eventual separation that occurs, and he mourns it. After, he tries to maintain normalcy and puts on a guise to appease others. During this time, he may start to have a realization about something that he attempts to repress. He eventually comes to terms with it, though, recognizing that there's someone (maybe something?) better for him. He wants to admit to these true feelings, but he'll struggle with hiding, doubting, and fearing them; thinking he can't allow himself to fully love this person or, at least, admit to whatever feelings or "truth" he possesses. Mike will most likely continue to struggle with mixed feelings and hiding his true personality after this, eventually admitting to not being fully authentic. He'll then accept his true self for what it is. This will lead into a climax, where the main conflict of the show will be resolved. Finally, he'll accept and admit his true feelings, realizing that all he needed to do in the end was be entirely honest with (and about) himself.

In Conclusion

I really want this to be where they take Mike in ST5. It would be such a satisfying thing to watch, especially with how he's acted the past two seasons. I think he deserves to have a self-love/acceptance arc because the show has made it clear he's insecure and inauthentic.

Thank you so much for reading, and I hope you enjoyed! Please let me know your thoughts and interpretations in the comments, as well as if there's anything you think I should add/fix. I'd love to hear what others have to say about "STurn" and it's connections to ST :)!

#Mike Wheeler let me into your head challenge #stranger things #stranger things analysis #stranger things speculation #stranger things 5 #st5 #st5 spoilers #mike wheeler #el hopper #eleven stranger things #will byers #byler #<- target audience #byler analysis #STurn

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boredclarinet · 1 month ago

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oh how quickly my brain ruins my good choices. anyways, because sleep is off the table for a good while, lets make another list, shall we? Technically, i should finish the killers. but they have a lot of albums. so, I DONT KNOW HOW BUT THEY FOUND ME time.

tma spoilers

RAZZMATAZZ

Leave Me Alone - Peter Lukasssssss omggggg so peter lukass. or martin abt peter lol. but so much peter.

Mad IQ - would be web coded if it wasnt MAJORLY ELIAS FUCKING BOUCHARD. bitch.

Nobody Likes The Opening Band - grifters bone lol.

New Invention - Lol jonelias. i swear theres always one.

Sugar Pills - Another “jons statement addiction” one. its a concept i quite like.

Kiss Goodnight - timsasha

Lights Go Down - so s3 circus coded. that finale? yeah. hell yeah. woo.

Need You Here - Tim. about Danny and Sasha. poor guy.

Door - micheal and helen. no, i didnt just see door and go to the distortion. (i saw door and went straight to the distortion. BUT THERES JUSTIFICATION IM JUST REALLY BAD AT IT)

Boys Dont Cry - timmmmmmm fuck.

GLOOM DIVISION

DOWNSIDE - timsasha.

SATANIC PANIC - okay mass hysteria. slay ya know? erm. yeah that spiral. yall theres was a thought here… OH YEAH THAT ONE FUCKED UP VILLAGE IN S5 WITH THE FUCKIN MOLD IN THEIR BONES AND MAYPOLES AND SHIT. yeahhhhh. slay.

SPKOTHDVL - Elias fucking bouchard. Eliass Bitcharse, if you will.

A LETTER - jmart or timsasha. ya know. slay.

SIXFT - timsasha.

iDIOTS OF Oz - literally all the other avatars about the institute/eyevatars. elias is the wizard of oz.

i realize i had the album on shuffle. im mad. its fine.

OTHER

Modern Day Cain - can i say elias? idk like. please? its elias. fuck off.

Do It All The Time - Elias.

Bleed Magic - Jane prentiss.

Social Climb - dunno how to explain it. but it is. oh archives btw. yeah.

Absinthe - OHHH MY GOD 9kay. Archvies. oohhh mu god . AAAAAA . okay im fine

anyways that was slay. im tired but yeah. probably obvious. lots of elias. idkhow is very elias. dunno why. vut yeah.

#chats tma song shit.#idkhow but they found me #razzmatazz #gloomtown #tma #the magnus archives #tim stoker #jonathan sims #martin blackwood #sasha james #elias bouchard #peter lukas

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uptoolateart · 4 months ago

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Thanks to @hailqiqi for tagging me about ten thousand years ago. I just have so much to do 😩 Anyway! The original post said:

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers (except me because obvs I have done it). Spread the self-love ❤

Here we go!

Breaking Free - the whole series

I'm cheating here, because I'm listing a multi-book series, but I can't help it. I'm super proud of it. It started as a one-shot of Adrien and Marinette finding Gabriel's basement, and then it spiralled hard. It begins right after Strike Back. From there, it's a complicated, twisted and very bumpy ride.

'How did you think this up?' my BF beta has asked me many times. I don't know, guys. It just seemed obvious at the time 😆

This was my 'getting back into writing' book, after a lengthy creative hiatus / identity crisis. I churned out chapters because I needed to get back in the game and rediscover myself artistically. Then I went back and edited the whole thing a couple years later, to make it better (and expand it by about 20k words).

It became a series because I had requests for sequel scenes. Again, a couple one-shot ideas spiralled, and I merged them with another premise that had been kicking around in my head - Adrien, years later, trying to heal from everything as an adult and find himself as a father with his own teenage son.

That then spiralled again, and I ended up exploring Felix in depth, too, and pushing all the sentibeing stuff to extremes. The whole concept for Book 4 intimidated the hell out of me as soon as I thought of it. I was so worried I wouldn't be able to do it justice. Writing it was sometimes physical torture. But in the end, I think Book 4 contains what might be the best chapter I've ever written for anything in my life.

Still, the saga continues! Book 5 starts posting in 4 weeks. I've set myself another crazy challenge with that one, but I am determined to pull it off. I also have ideas for a few one-shots to collect in a volume I'm calling Book 6. The series is going to be like 700k words by the time I'm done. Maybe more. Will I ever truly finish this thing? I don't know. I fell so hard into the universe I created, and it's going to be hard to let it go. I fully expect to cry when I post the epilogue to Book 5.

Book 1 was also how I really got into this fandom and started making friends. Honestly, that book changed my life. Yeah...I'm gonna cry.

Dreaming Wide Awake

This was my follow-up to the S5 finale. The show is now going its own way, but I'm still so proud of how all the tension and emotions turned out in this fic. Again, the story is complex. It's also really surreal, and I think the battle scenes are some of my best. I was soooo nervous about the reader response to one of the big moments in it, but the unanimous reaction was everything I'd hoped for.

How the Heart Learns to Beat Again

A backstory from Nathalie's POV. It starts with her at age 25, as the sole survivor of an old magical order, going on extraordinary adventures seeking legendary artefacts. Then she meets the Agrestes, loses her magic, and gets roped into a new crazy world.

The story also explores Gabriel and Emilie, Colt and Amelie, and Adrien and Felix's creation / infancy. Book 2 (covering Emilie's death and how Gabriel and Nathalie start using the butterfly and peacock) starts posting on Monday. I think these fics are possibly the most mature writing I've ever done. There's a certain 'voice' to them that stands out from my other writing.

Finding a Way (Jurassic Park AU)

This is my most successful fic, so far. It's half goofy / romantic and half tense / action - with a lot of gore. I thought it would be total crack, but it took on a life of its own and became much more serious. There was something magical about how it all came together. I'm planning a sequel, but I need to get through a few other big fics first.

Voyage! Tales of the USS Miraculous (Star Trek Crossover)

This is so far from finished, but I'm having a blast writing it. It's basically all planned out and going to be mammoth when it's done. There's a little of everything in it, and you don't need to know Star Trek to understand it. I'm loving the reader speculations over what might be going on.

Okay! That's my list. Tagging @raspberrycatapult @kuromori4 @cardiac-agreste @mysticraven20 @trinketsinthesun @hamsteriffic @jigglypuff1994 @fandomofone

#fics #ml fan fic #fan fic writing #ml fic recs #miraculous ladybug #mlb #ml fandom #ml fic rec

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mooni · 7 months ago

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hedging a major bet for tdp's future seasons:

callum will use dark magic again.

now, there's some part of me that's only saying this because i want it to happen. i'm a major callum person, but me being a fan of a character means i want said character to suffer as much as possible before their happy ending. however, i do think that not only would such an event be interesting, it also would explain some stuff we've been getting as of s5 and s6.

though there's some things in s4 that contribute to this theory, s5's final episodes specifically take us back to dark magic as it relates to callum. he's assumed to be a dark mage, admits to thinking about and studying it (which, though that doesn't really mean much as studying is really just studying, is still something to point out), is pressured into doing a dark magic spell, actually DOES a dark magic spell.. there's a lot. i'd say that final point points out callum's fatal flaw fantastically: excessive personal loyalty. (do you hear that? all pjo fans collectively screamed.) to save a friend, callum would sacrifice himself, or a greater cause.

this ties well into the next season. in s6, in return for callum promising to choose the greater good's safety over rayla's (there's that theme of personal loyalty again), rayla finally promises that if callum is possessed by aaravos again, she'll kill him. this is immediately followed by the audience being informed that using dark magic gives aaravos a way to posses you, which is THEN followed up by callum being warned that if he uses it again after the cleansing thing, "the darkness and corruption will overwhelm you." idk, but the whole thing to me seems like it's setting up a lot of potential for callum to use dark magic in the future, only to fall victim to both this aforementioned corruption and aaravos.

in summary, i think it's quite likely callum will use dark magic again to save someone he loves, losing himself in the process. i do personally hope for ezran, solely because i like testing the limits of brotherly love and consider their dynamic to have been somewhat neglected as of late, but rayla would make the most sense given what's been shown so far. "oh no!" you cry out at this theory. or maybe you hate him and you cheer, idk. but do not fret (or do not celebrate for you haters /lh). if this route is taken, there's three things i can see happening:

"you broke your promise, i'll break mine." rayla ignores what she said, saving callum over killing him. would probably be yet another l/i reaches out to m/c whilst they're being possessed "yada yada yada i love you this isn't you blah blah blah." though it is something of a tired concept at this point, it would still be fun to see.

the extra quasar diamond. c'mon, they wouldn't leave one free one out there for no reason, we know this. rayla keeps her promise and kills him, but callum is revived.

some combination of both.

i also have related hopes for claudia, but i think i've said what i need to. anyone agree with me?

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demadogs · 20 days ago

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what dynamics are you most excited about seeing in s5? 2. what's your ideal way for byler to play out?

im most excited for nancy and mikes dynamic!! theyve been so long overdue for a heart to heart and i really hope that shot we saw in this s5 video is mike coming out to her. potentially a hot take, but id so much rather mike come out to nancy than karen. i also think itd just make more sense because of all the stancy parallels to mlvn and just the fact that karens not as big of a character. honestly id rather mike come out to JOYCE than to karen. i feel nothing about the concept of him coming out to karen im sorry dont cancel me.

i have written a LONG ass post about how i want byler to play out. i just reread it and most of what i wrote still holds true. i have a few updates and changes and i definitely want him to come out to nancy. i posted it in 2023 and i think im gonna rb it with an updated version. i was going to answer how i want byler to playout here in a concise way but i cannot be concise about byler to save my life. every time i tried to answer, it was long as hell so i think im gonna save the hella long answer for when i rb the original post with my updated s5 vision cuz itll take me weeks.

that being said, i dont wanna leave you with nothing so im gonna tell you what is most important to me with how byler plays out.

mike and el's breakup being the same scene as mikes first time coming out to someone. it should be a BEAUTIFUL scene. ive said it before and i'll say it again, i HATE when people brush off the breakup and hope it'll be a quick meaningless scene in the first episode just to skip right to byler. its important and it has the potential to be one of the best scenes in the entire show. i want it to make me cry. it should be heartwarming and show that they do care about each other and love each other so much, just not romantically. i want el to tell him that she also didn't love him, she just thought she did. they both were just trying to be normal instead of doing what they wanted.

i want the painting lie to be a symbol of HOPE for mike!!! not something that triggers a massive fight. i want mike to ask about the painting once el admits she never loved him either and once she asks "what painting" mike realizes everything will said in the van was a lie, and INSTEAD OF BEING MAD ABOUT THAT IT GIVES HIM HOPE THAT HE MAY FEEL THE SAME WAY!!!!!!!! I AM A PAINTING-INDUCED FIGHT HATER!!!!!!! I WANT IT TO BE A SYMBOL OF HIS LOVE BECAUSE IT LITERALLY IS!!!!!

i want mike to accidentally see robin and vickie together as a happy queer couple and this completely rocks his world (inspired by the book i'll give you the sun, my beloved). i imagine this happening after his first kiss with will. i think it happened in the upsidedown and once they were back in hawkins he started shutting him out again. he still has so much shame and internalized homophobia. and then he happens to look through the window of a room and sees robin and vickie kissing and smiling and laughing. i see a lot of people talking about what can be done with robin and vickies characters in regards to byler. robin clocking mikes feelings, mike asking robin about vickie, stuff like that but honestly this is what i want the most. i want mike to just see queer happiness right in front of him. i want him to start crying and not be able to look away from them. i want this to completely change everything inside him that hates himself. i want this alone to be enough for him to allow himself to be who he really is. or at least start to try. i really really hope this scene happens it would probably be my favorite scene in the whole show.

#eden answers #byler #byler predictions

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klm-zoflorr · 10 months ago

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"remember when I said I didn't have anything interesting to add" at the end of a goddamn tag essay is funny as shit. anyway I'm mentally rotating the concept of elias inserting himself into Jon's s5 statements now. oughgh

Sometimes the spirit of the blorbos possesses me to write tag essays... These are the good days. You don't want to be near me on the bad days

Okay because this is. This is a great concept. Right??? That poor unsuspecting victim turns the corner and then. Boom. ELIAS. Maybe at first it's just descriptions. Then he starts talking, oh god, and what he's saying become longer and longer and more personal. Then it starts becoming JUST Elias. He's SO invasive. He's watching. Uhhh i think he knows we're coming martin.

Oh, fuck this. You know what i said about worse days? Thats one. I'm having a blast. Writoing be upon ye.

***

It wasn't much, at first. A familiar face in the crowd, someone out of place, blink and you miss it.

Jon doesn't think he was in the cabin. But then again, it wasn't really a statement, was it? Wasn't a piece of the terror he and his God feed upon now. But maybe he was. Ever Watching that he is.

He does remember the first time he noticed, because something struck him as odd. Something that wasn't quite... Right. Someone that shouldn't be there, did not have any purpose there.

Alexei feels his knees start to buckle as he sees his comrades stagger out of the cloud. Their melting teeth flow down their faces like tears, and their limbs begin to fold and collapse as the bones within them liquefy. Among them, there is a man standing there like a mirage, tall and smiling, untouched by any of the slaughter. But then there is a bright light swallowing all, and the loudest sound he will ever hear, and Alexei turns and starts to flee.

***

She's sitting, nailed to an incomfortable wooden chair. But her pins aren't metal, oh no, far worse. They're eyes, all sorts of colors and shapes and sizes and textures and wetness, peering at her from above and sideways and below. She wants to screw her eyes shut just to pretend that's not happening, but she finds with horror that she does not have lids anymore.

There is a strange man sitting in the other chair.

"Oh God, where am I, who are you?"

"I'm Jonah Magnus."

He's smiling, and it's all kinds of wrongs. She gets the feeling he is so, so pleased to be able to say this, although she doesn't understand why -how could she? Just a cog in the machine, and ignorant creature driven to her slaughter.

"What have you done to me, where am I, how do I make this stop?" She cries, because it hurts, being stared at, pierced by this otherworldly gaze that never ceases.

He wipes a tear from her face almost gently, almost paternally. His touch leaves pupils blossoming in its wake, a blessing from someone that does not wish her good.

"Don't cry, it won't stop your nightmare. Nothing can, because that's what your life is now."

#jonathan sims #martin blackwood #elias bouchard #jonah magnus #tma spoilers #tma #the magnus archives #magpod #writing #fanfiction #klm-zoflorr #asks #jon sims

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eneiryu · 3 months ago

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You know the way kids sometimes google themselves?? Think about the Puppy Pack googling various members of the pack and only getting things like their social media accounts or Stiles and Lydia's achievements at work/uni or the local news boasting about the lacrosse team or other things that have happened that the pack has been apart of, except maybe the Hale fire and Malia's disappearance/reappearance and then they google Theo and it's totally different.

It's a report of how Theo went missing the same day Tara died and how whoever killed Tara was probably the same person who kidnapped Theo when the two of them were out late one night. It's the Sheriff asking anyone with information to call the station because it's a high priority and a young boy's life is in danger, looking especially heartbroken because he knew Theo personally. It's an interview with Theo's parents crying over losing both their children at Tara's funeral, dressed in black, mourning two kids at the same time. It's a true crime podcast on "what happened to the Raeken siblings of Beacon Hills?" and authors taking inspiration from their story for their novels. It's newspaper reports on the anniversary and a blog of people claiming to have spotted Theo over the years in different states, with different features than when he was a child as if he had work done but they're so sure that it's him and like a cryptid there are debates about whether any of these sightings were real.

Theo thinks that the whole thing is endlessly funny, but the pack, especially the Puppy Pack and probably Scott, just think it's horrible and tragic. Theo laughs his ass off but the rest of the pack just can't look away.

It’s an interesting thought. I will say my understanding from canon (which, Teen Wolf canon: let’s not give it too much credit for trying to make any sense whatsoever) was that there was probably some kind of memory manipulation thing going on, since when Theo showed back up in BH in S5, it wasn’t a freaked out, “wait but you were dead and/or missing for almost a decade,” and more someone returning who’d moved away. So the way I’ve made that make sense in my head, because sometimes you really do have to impose your own reality on things to stay sane, is that Theo never had his memories manipulated (start with something pure evil, blah blah blah, he didn’t need it even if that concept is bananas), but his parents probably did.

Anyway, long story long at this point, Theo probably would think something like this was hilarious, or at least not worrying about, while the rest of the pack would be fully horrified, I agree.

#eneiryu ask

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raayllum · 1 year ago

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I keep seeing people calling Callum Snake boi what does that MEAN

Little slice of fandom history and also because it's my fault (TLDR at the bottom in bold):

Years ago, a few days after S1 came out and when JK Rowling wasn't an outspoken bloody TERF there were discussions of what Harry Potter houses the characters would fit into. The general consensus for Callum seemed to be that he'd be a Ravenclaw because he's clever and artistic, but I argued for Slytherin (whose symbol is a snake) because I saw him more so as ambitious than just curious and more selectively loyal when it comes to his motivations, etc etc.

If you've been following me for any period of time you might know that I tag Very Meticulously, so as a trans person and a trans ally I was like I don't wanna use the TERF's terminology anymore, but having a tag to talk about a specific aspect of Callum's characterization (his wonderfully harsh temper, his intense selective loyalty, his obsessive ambition, etc etc) was still a useful prospect to me. Thus Snake Boi Callum as a tag was born, mostly as a joke? And so I could find metas that talked about his characterization (specifically) as I don't think I had a characterization tag almost at all for a while?

It started to pick up steam in my tags specifically when there was starting to be a little bit of - pushback isn't the right word cause everyone's entitled to their own interpretation and characterization of a character, nor does everyone have to engage with every part of a character's canon personality or actions in their fandom stuff if they don't want to.

But there'd be stuff of people forgetting that he can be pretty mean when he gets angry or not seeing him as selectively loyal to Ezran and Rayla? People would also be surprised but accepting, or resistant, to his growing and consistent parallels in characterization with Viren and Claudia (even if they are all still, ultimately, different from one another).

I saw a fair bit of sentiment during the hiatus of "oh he'd Never ever do dark magic again" (which I never believed even immediately post-s2) or in discussions of how he'd respond to Rayla after she left in Through the Moon graphic novel (set shortly after S3). Some people thought understandably that he'd care a lot about the lie (that he'd get to go with her) and the abandonment, understandably so - they're both shitty things to do, but I also sympathize/cry over why Rayla thought she had to do them, but I never thought he'd think the lie was that important, and focus more on the abandonment aspect as a source of hurt.

Snake Boi Callum as a concept also got some mileage in the development of my Cube Hostage Exchange Theory as well, an ongoing theory since November 2020-ish that Callum will help Aaravos / give him the Key of Aaravos in order to save Rayla's life if she was injured / taken hostage. I don't know if they'll do that scenario now because S5 basically delivered the exact thing, just with Finnegrin instead of Aaravos, but there was some more legitimate pushback to said theory/scenario during the hiatus because people thought Callum would never help a villain like that or take such a big risk for someone he loves. I'm not gonna say that I was wholly right (because I wasn't) and again people can interpret his actions in S5 in whatever way they want, but I will say that all of S5 was one of the most validating experiences of vindication I've ever had in my whole life, so that probably speaks for itself

But yeah, it's a term that's kinda caught on (I would say 60-80% of the fandom sees Callum as someone who would risk the world for Ezran and/or Rayla, with 20-30% - maybe less? - seeing otherwise, hence why I think it's caught on; but again, having an 'unpopular' opinion in fandom doesn't necessarily make it wrong, god knows I've had plenty) and then in the discords I'm in, a few people thought a week based around those traits would be fun and boom. Snake Boi Callum Week was born.

TLDR; Snake Boi Callum is a fanon catch-all / shorthand for the 'darker' / more emotional and torn side of Callum's personality (his ambition, his temper, particularly his fierce protectiveness and selective loyalty) that is being explored by whoever wants to in a fun fandom week. His bio in official series material does read that he values "those close to [him] more than anyone or anything" after all (which again, was very validating after years and seasons of seeing and writing him with that exact sentiment)

The tagging also means that for people who don't agree with this characterization for whatever reason, or whom dislike the emphasis on it, can blacklist it easily (as is the intended purpose with all tags on my blog)

He's a goofy nurturing guy who will Cut You and verbally eviscerate you without question if you hurt his loved ones or piss him off enough, and I love that for him. He's a little snake boi and we think he should have lots of angst (or sometimes not enough when it comes to killing/threatening people) over how far he'll go to protect the people he loves, as a Treat

#snake boi callum #has breached containment i see #fandom history #snake boi callum week #thanks for asking #anonymous #he's our goofy lil guy and if he's coerced into committing atrocities then we still love him #tdp #the dragon prince #fandom events

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castlebyersafterdark · 7 months ago

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I find the way they both interact with the concept of byler to be very interesting,sometimes eye brow raising, and even complicated in Noah’s case since he said playing Will essentially made him realize/accept (however he framed it) his own sexuality…

Wholeheartedly agree with vinny's response here as the mature and practical way to look at the strange vocation of acting. Its a very strange mix of professional AND personal - and this, i think, is what creates tension in the is RPF morally acceptable? debate. because if we're talking literal speculation about whether two people have the hots for each other... name a less groundbreaking pastime lmao. imagine the saucy gossip that would have been spreading through the roman baths in like... 78 BC lol. human love and connection have ALWAYS interested people.

but for some reason there is disapproval about discussing chemistry and potential attraction when it comes to actors who also portray fictional characters. you don't see frowns when people pair actors together in regular celeb gossip columns; it's only through the lens of 'fandom shipping', where fictional blends with real, that it gets hate. perhapss most see it as an extrapolation with no grounds, a crossing of boundaries? but for me, its a question of your emotional intelligence as an audience member: can you separate fiction from reality in a mature way while also acknowledging that you see something sparkling in the reality? it's not NOT possible. but are you being honest with yourself about the origin of the chemistry? for me, noah and finn have it in spades, and i dont need them to officially start a relationship to prove it, because that, for me, is not the only sign of two people having true feelings for each other.

and even though professionalism should be top priority on a film set - on s5 of ST - let's not discount the fact that actors are human first and foremost, and not only that, but creatives, storytellers, performers, who are most likely more sensitive and emotionally affected than most 'regular' non-creative folk. sure, noah and finn started acting as kids, so perhaps they're not passionate about the craft like someone who chose the career later in life might be. but in a way, that's MORE telling? because their authentic selves would have been spilling out accidentally on red carpets and in interviews as they grew, no matter how much media training they had. there are unique circumstances that mirror their real lives and the show; growing up together, noah's queerness. it's not like two middle aged actors who barely know each other, portraying a totally fictive romance where their chemistry is the only similarity.

anyway, no amount of professionalism is going to prevent real feelings potentially arising. having feelings is not unprofessional; it's about how you deal with those feelings. and their behaviour is very, very interesting.

Noah is very intense, and candid about his intensity, especially re: byler. I think his tweets are certainly marketing in some ways, but you can't deny that he's not exactly, to put it bluntly... cool about it haha! He's not a nerd like finn is a nerd, but he's not cool and collected, you know? He is clearly comfortable having a public image (whether fabricated or not) of being someone who wears his heart on his sleeve. He and his team have clearly chosen to go down the route of: 'this actor is a bubbly young man who has no filter'. Even without the many times he's accidentally spoiled the show (lmao), it seems to me like Noah's passion IS authentic precisely BECAUSE being a young male actor these days often IS about being too cool for school, and Noah exhibits many traits that do not fit our society's idea of a cool young guy.

He's clumsy. He says things that could be seen as cringe. He is passionate and open. He admits to crying a lot. He makes tiktok lives naked shirtless from his bed. He gushes about Harry Styles. He does silly dances on social media. He gushes about byler. None of these things are objectively uncool - that's not a thing - and tiktok dances are popular, sure, but it's the WAY he does them. If he and his team wanted to craft a different persona that might have launched him into higher echelons of the A-List cool list, they could have. But I personally love how authentic noah feels. He is living life for himself, going to college, speaking honestly, being totally real. I respect that a lot.

And I think Finn does too, even though they might have clashed as younger teens, because he speaks highly of noah's coming out especially, and Finn also lives life for himself. My eyebrows have raised many many times seeing how Noah handles byler, and quite honestly, I wonder if Finn was/is more than a little intimidated playing opposite this rambunctious, passionate guy who is most likely going to kiss him within an inch of his life when they finally get to the s5 byler scenes lmao.

Then we have Mr Wolfhard. Finn, Finn, Finn. This year during filming, he seems... calm. Happy, glowing. My instincts tell me that he's, at the very least, enjoying this season and getting artistic satiation from it, whether that's reuniting a final time with the gang, pure nostalgia, gratitude, or enjoying filming byler. Probably all of the above. Viewing his behaviour through the lens of his disgruntlement with mileven in prior seasons' press, however, is hilarious - because whereas at one time it could have seemed like he was a teen boy who was embarrassed to talk romance, it's now looking more and more Mike Wheeler-esque. He was a young guy who was sick to death of hearing 'mileven mileven mileven' non-stop, perhaps without really knowing why. Honestly, if Finn's life ends up echoing Mike's in the way Noah's has with Will's, it'd be so coincidental that it's almost ludicrous, yet so so beautiful; and no wonder they'd both be reeling from it for a very long time. We're only just in the midst of filming - perhaps the most telling events have yet to come?

I will agree that Finn's s4 interviews were very telling re: whether byler will happen - the giggling, as you mentioned, because eyes and smiles don't lie, even on actors when they're off the clock. Finn's responses, if will's romance storyline was going to be tragic, were nonsensical. As for a kiss, I think they have already filmed one. If not, their giggles were certainly anticipatory, and there's definitely a similarity between finn's gigglyness and noah's glee at byler, isn't there? Whether that's thrill at good storytelling, or a hint to Finn's queerness, or both... you decide! Because being passionate about a story is one thing, but being reduced to self-conscious giggles, especially at age 19 or so? When portraying a romance at a younger age did NOT make you giggly during press...??? Very interesting.

For me, it's the other aspects of Finn's personality that prevent people from seeing foah as a possibility. Finn is too cool for school, reserved and private. Half of his press responses to byler HAVE mirrored his one's for mileven - 'why would I ship my own show?' etc. But there's that cheeky other half of the time, where he giggles or looks discreetly right down the camera, as if he's trying to silently tell us something. Even if he just adores byler, I find that very endearing.

And let's not forget that they're both totally adorable. At the very least I expect s5 press where they respond to questions portraying this romance. Noah laughing and saying "I wasn't exactly complaining" on Jimmy Fallon or something. "I mean, look at him" as Finn points to a magazine cover with Noah splashed on the front for s5 promo.

Lastly, noah's storyline/real life convergence is impactful. There's no way that this isn't something that influences the rest of his life. And, seeing as he was a teenager growing up with Will, I can't see how he could have entirely separated finn from mike, will's love from his own feelings, whether they were an actual crush, or simply the love and trust that comes from a genuine transformative friendship. The crazy thing is that noah has admitted in interviews that he looks at finn and sees Mike - so, with regard to what I said about about noah having no filter, take that as you will. If this is what he is saying publicly, what on earth is going on inside that head of his?

They are both endlessly fascinating and for me, this doesn't simply feel like RPF but studying the human condition, love and connection itself. Ha! I have nothing but love and respect for the two of them, so I dont feel like my 'shipping' is a bad thing. I think vinny would agree, being the romantic sap he is <3

Posting this one because this says it all, what a thorough read and reflection on these two. Thank you for sharing, I have very little to add, right on right on. So I'll let this one stand alone as a good read!! ❤️❤️❤️

#asks #queued #fwns #answering old asks

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