#creative while stoned
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cannabrer · 1 year ago
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The Myth of the lazy stoner artist: De-stigmatizing Art and artists who consume cannabis
The Myth of the lazy stoner artist Have you ever heard of the stereotype of the lazy stoner artist? It’s been around for years and has shaped the way society perceives cannabis use in the artistic community. But what if this stereotype is just a myth? What if cannabis actually enhances creativity, motivation, and focus? In this article, we’ll explore the power of cannabis on creative output, how…
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estrel · 5 months ago
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fideidefenswhore · 1 year ago
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badbraincake · 1 year ago
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Writer Rants
I started a new writing project and I'm already beginning to feel the dread of writing. I love writing, don't get me wrong. Sometimes when i get it right and something works, then I feel joy. But there almost always comes a time where I'm writing, that every single thing I write sounds atrocious and I get in my own head. I begin to think, "wow, these ideas are really bad." And I start to hate my own writing on more than a technical scale. I begin to hate it on a personal scale as it targets my creativity as a person. That's where I draw the line so I end up stopping (indefinitely)
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the-busy-ghost · 2 years ago
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Being a very unfit and moderately small person trying to build bad quality flatpack furniture is like do I take the lower back pain from trying to bend myself into bizarre positions or ask for someone else to help, bearing in mind that it will end in a lot of shouting
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gardenofgods · 2 years ago
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Diancie’s manager for everything relating to her music is actually a Carbink by the name of Dace. They’ve been glamoured so that they can work alongside her, undetected in their role.
It was their idea that they be her manager, and Dace has fulfilled the role spectacularly, spending countless sleepless nights researching the ins and outs of music production, concerts, etc. With Diancie’s help, the two of them set up the concerts and book the venue all on their own. All of the staff at Diancie’s concerts as well, are actually her Carbink in disguise, utilizing glamour and fae magic to give themselves human guises.
Two other Carbink, Bort and Merrick, tend to work as security and act as her bodyguards for her events, while Allotrope tends to run concessions and merchandise stands with their bubbly and jovial personality.
All of her four main Carbink are Carbink that have been with her for countless centuries. In the past, Dace was her personal servant, helping dress her, do her makeup, along with bringing her food. Bort and Merrick were her personal knights, escorting her places when needed and protecting her in moments of danger. Allotrope acted as her secondary servant towards nighttime, when Dace was resting, and was responsible for bringing Diancie her food and getting her into her sleepwear when it was time for bed.
Nowadays, their roles are a bit different. They do still sometimes take on their servant and knight roles of the past, but it isn’t as necessary anymore. When Diancie is in the fae realm, they will still tend to her like in the past, but things are much more lax as far as dressing/protecting her goes unless there’s an important meeting or gathering.
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angstitty · 20 days ago
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Music is music to my ears
Fanfictions are a ballad to my heart
Books are an ode to my brain
Pens and journals are a bridge to my senses
Sometimes even
The world is a choral in my body and the birds are metal screaming in the mic
I wish to hear the pond and the rain
Pounder my brain but all keeps ringing, a beat
With the noise of being
you feel
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starlooove · 7 months ago
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Bedtime
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silhouettecrow · 1 year ago
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365 Days of Writing Prompts: Day 282
Adjective: Whispering
Noun: Branches
Definitions for those who need/want them:
Whispering: speaking very softly using one's breath without one's vocal cords, especially for the sake of privacy; rumored; (literary) (of leaves, wind, or water) rustling or murmuring softly
Branches: a part of a tree which grows out from the trunk or from a bough; a lateral extension or subdivision extending from the main part of something, typically one extending from a river, road, or railway; a division or office of a large business or organization, operating locally or having a particular function; a conceptual subdivision of something, especially a family, group of languages, or a subject; (computing) a control structure in which one of several alternative sets of program statements is selected for execution
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renthony · 6 months ago
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Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship
by Ren Basel renbasel.com
The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.
The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)
On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)
Then the Walt Disney Company made a huge mess.
On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)
The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.
The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)
While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?
It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)
Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.
While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)
When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)
Nimona, however, is hard to kill.
While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)
Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.
Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)
When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)
Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.
Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.
Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.
The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.
There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)
The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.
To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.
The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.
Enter Nimona.
The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.
“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.
It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.
A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)
Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.
When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”
Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.
In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.
The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.
Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)
When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.
About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.
Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.
When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.
Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.
Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.
Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)
The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.
Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.
During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.
After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.
When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)
Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)
In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.
Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.
Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.
Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.
After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.
When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.
Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.
But she isn’t safe from the Director.
In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.
When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.
Nimona, however, is hard to kill.
Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.
The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.
The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.
In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.
In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)
The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)
Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.
Long live Nimona, and long live the transgender community she represents.
_ This piece was commissioned using the prompt "the Nimona movie."
Updated 6/16/24 to revise an inaccurate statement regarding the original comic.
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Notes:
1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.
2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.
3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.
4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌
5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.
6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.
7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.
8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.
10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.
11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.
12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.
13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.
14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.
15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.
16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.
17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.
18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.
19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.
20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.
21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200
22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.
24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.
25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.
26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/
27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos
28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.
29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.
31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.
32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.
33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.
34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.
37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.
38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.
39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.
40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.
41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.
42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.
43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.
44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.
45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.
46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.
47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.
49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
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cannabrer · 2 years ago
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How to Stay Creative While Stoned: A blog about staying creative when stoned
Hi. We all know cannabis is an excellent tool for creating art and music, at least it was for me (and many others). I’m writing this in order to show you how I use cannabis to expand my creativity when I’m drawing or making music (I’m not smoking right now). Because smoking weed alone won’t do anything for you, you must do things to make the most out of it and expand your creativity. Photo by…
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easy-there-leftovers · 5 months ago
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A Question Unasked
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Written with season 1 Spencer in mind
Summary: In which your ambitious, workaholic nature makes Spencer wonder if you've got a crush on Hotch. This slight hitch in his plan causes him to miss a few signs.
[A/N]: Can be seen as a filler from Spencer's perspective of certain scenarios from "Mixed Messages" and a prequel to "As Cool As I Think I Am", but can also just be a standalone
Pairing: Spencer Reid x fem! (mentored by Hotch!) reader | cw: slight spoilers for s1e04, allusion to inappropriate workplace dynamics (it's not true, relax lol), slight description of canon-typical violence, mildly inaccurate timeframe | word count: 4k
Spencer looks up from his endless stacks of files on his desk to look at the girl on the other side of his desk. Only a single carpeted walkway really separating them.
He could easily just get up and walk right to her. Ask the burning question that's been on his mind since the Arizona case, but he can't.
Why is that?
He's been your friend for a while, and he's known you for a while longer.
With his eidetic memory, he remembers so clearly when you first started working together. He remembers your starched blazer and pressed blouse, a stark contrast to his swimming-in-sweaters look, and how that alone let anyone know that you were serious about uniform and protocol.
You were, without a shadow of a doubt, one of the prettiest girls he had ever seen, and a fresh graduate just like him.
You were smart, beautiful, and started working at the BAU as early as he did.
And because you were new and young, one of the senior agents had been assigned to supervise your progress. So much like how he was mentored by Gideon, you had been mentored by the unit chief himself; Aaron Hotchner.
He'd like to think that he learned a lot from Gideon. He wasn't the type to hold his hand throughout a case, which he is thankful for, but he had been there to encourage him to think more outside the box. To let his mind be more flexible and creative. To see things from every conceivable angle. Leaving no stone unturned.
He supposed you learned a lot from Hotch as well. With your calm exterior, polite demeanor, and calculating mind that occasionally colored your less polite vocabulary-- He didn't know what Aaron must've been like in his junior years, but he supposed that having you as his colleague was essentially the same experience.
What he does know, however, is how close you are to your boss. Or is it your work?
Either way, you being glued to your work almost always meant that you were glued to him by proxy. You two being the first ones in and the last ones out showed that you spent three-percent more of your time with each other than the rest of the team, and two-percent more than with him.
Granted that had changed as of late, but still!
That didn't leave him a lot of time to ask you if---
"Dr. Reid, if you keep staring at me, I don't think you'll be able to finish your action reports on time." You had said without lifting your eyes from your folder.
Having been caught, he cleared his throat with a small 'sorry,' and directed his head back down to his still endless stack of files. The action earning a couple of chuckles from the bullpen where the rest of your colleagues had certainly seen, or at least heard, the exchange.
Not long after however, he saw Hotch from the corner of his eye lean over the railing outside his office. Calling for you both to meet him inside with his usual stern expression.
Spencer noticed how you got up, eyes still zeroed in on one of your files, and continued on your way up and into the unit chief's open door.
A clear sign that you had been invited there often enough that you didn't need to see where you were going.
You expected it.
He sighs and makes his way into the office as well. Dreading what the meeting could even be for, though he's confident he hasn't done anything wrong.
***
"As you might have noticed in our previous cases, I've paired you two to work on the more analytical aspects of it together. With these changes, we've been able to work twice as fast, and we’re thankful for the help."
Whatever Spencer had been expecting, it was not this. His raised eyebrows evidently agreed with him.
It wasn't everyday that Hotch complimented someone like this, much less in the proper environment. And if your respectful posture, but shining eyes in slight pride were anything to go off of, this was something new for you too.
As he was about to voice his thoughts, you had spoken up.
"Sir, Dr. Reid's knowledge in a wide array of subjects has certainly helped with our investigations. Though I'm afraid I haven't done much aside from ensuring it's accuracy and-"
"No! I mean--," He looked to see you already looking at him in slight confusion before continuing.
"She's been a huge help so far and has allowed me to exchange ideas with her to build a more accurate profile. Not to mention that her ability to mediate between departments has been beneficial to gaining access to pertinent information! So I think she's done plenty for the investigations as well." His voice dwindles as he realizes he's rambling on praises and he suddenly feels warm under the scrutiny of both his boss and his colleague.
He just didn't want anyone thinking you weren't doing anything by being humble. Especially since you're both so young.
Thankfully, it's Hotch who speaks up again after a beat.
"So what I'm hearing is that you're both satisfied with this arrangement?"
You both nod carefully and he smiles a small smile at that.
"Then we'll be carrying on with this pairing into the foreseeable future. Should there be any concerns about this arrangement, see to it that it goes through me. We can't afford to lose either of you." He says it with a finality that prompts both Spencer and you to leave with a nod, but the thought is instantly corrected when he speaks again.
"Oh and agent?" He looks only at you, but Spencer looks back as well out of instinct. "A private word, if you please."
Spencer sees you nod without a second thought and he takes it as his cue to hurriedly leave.
***
It hasn't been that long, Spencer argues with himself, since he left the unit chief's office. The blinds aren't drawn, he would know since he'd been looking at them periodically, so he also knows that nothing untoward is happening.
Yet something is bothering him about it.
From his position on his desk, he can see you and Hotch discussing something on his table very seriously, but he also sees how your eyes rarely leave the face of your superior. He can't quite see your expression due to the distance and the light, but he has this sinking feeling that it's a lot like the one from earlier.
He scoffs at the thought. If he wasn't thinking so rationally, he would've thought-
"Does she like Hotch?"
"Who likes Hotch?"
The new voice makes him whip his head back so fast to see Morgan with a confused face. Upon further examination, he sees him holding something that was definitely supposed to be flicked at him if he hadn't been caught so off guard.
He internally debates to voice his opinion, but he does anyway.
"Do you think that she likes Hotch?" He gestures with his eyes to their supervisor's office.
"You're asking me if I think 'little miss perfect' has a crush on a man that's hitched?" Derek echoes back with the use of your nickname. One that he coined as a playful jab at your no-frills behavior.
Spencer cringes when he hears it back though. He didn't ask this to get you in trouble, but it might come across that way now.
"Who has a crush on married man?" Elle joins in, and he only shrinks into his seat more.
"I'm not asking if she has a crush on him! I just want to know if she might like him and--what it is that she likes about him..."
The two exchange looks before looking back at him. Fully knowing that that's not the reason why he's asking, but they humor him anyway.
"Reid, what makes you think she likes him and not literally anyone else?"
"Well. there's her preference for prolonged eye-contact, a common indicator of interest for one. Her being in constant proximity to him, a sign that shows comfort in certain contexts, and then there's the amount of time they spend together."
The last one might be a bit of a reach, considering how you all work in the same area, but at this point he just wanted someone to tell him that he was either absolutely right, or crazy.
"Kid, that's crazy."
Duly noted.
"I'll say.” Elle chuckles out her response. “I haven't thought about it all, but those signs don't really mean anything. It just sounds like she has a habit of looking at whoever's talking to her." She notes, sharing her experience of being on the receiving end of your rather intense gaze.
His other friend adds onto that.
"And the whole closeness thing? You've seen her, she's like a computer with the way she works. She's a workaholic. And Hotch is another. It's just math, Reid."
Spencer furrows his eyes at the man's statement but before he can ask further, he sees you coming out of the office and staring at the small crowd that has now formed at his desk.
"Is something going on here?" You ask with tense brows. Eyes flickering to and fro.
He couldn't really think of something on the spot, but thankfully Derek had one at the ready. "Was just caught trying add my stack on to pretty boy's plate."
He sees you let out a small 'hm,' and you eventually turn your back to them to reach your desk.
He sighs in relief as he feels a firm pat on his back from Morgan.
"Next time, try looking at what she does when you're the one talking." He says before leaving to go to his own desk as well.
Spencer doesn't know what good that would do, especially now that he's worried one of his colleagues have caught wind of him liking you, but he at least takes note of it.
--------
He does not, in fact, take note of it until very later.
The team had been called to San Diego to deal with someone they had been calling, "The Tommy Killer." An unsub that had a preference for gluing his victims' eyes open.
As they were reviewing the scene in the jet, they had noticed a few stanzas of a literary work had been left behind at the scene.
"It's a ballad from the late 1600s. A Dialogue Betwixt Death and a Lady." Spencer had mentioned from where he stood.
"A 17th Century ballad?" Morgan had asked him incredulously from his seat, but it’s you who answers.
"One where a woman tries to bribe Death with all that she has in exchange for a little more time to live. Naturally, he doesn't allow it. Claiming that she was undeserving of an exception that even kings were denied of."
Spencer looks up from his own copy to see you still looking at your own from beside Hotch. With your brows furrowing in thought, he almost sees the actual gears in your brain turning.
"So what, are we looking at a literature professor of some kind?" Elle asks which immediately perks him right up.
"Well, actually anyone with access to the internet today. You should see what comes up when you type in the word, "Death" into a search engine." He laughed absentmindedly.
"Reid, no wonder you can't get a date."
Morgan's words made him frown, but he brushes it off.
Hotch, as previously discussed, then called on for the both of you to look deeper into the messages. To see if there was anything new that could be inferred.
He nods at him, and looks up. Expecting you to still be looking at Hotch as well.
Instead, your eyes meet his, but you quickly look back onto your file.
Reid thinks it's just a coincidence.
***
"Creepy, huh?" JJ had asked you two as she approached where transcripts of the written messages were tacked onto a board.
Spencer had been focusing so hard that he was caught off gaurd by her sudden appearance. Fully expecting the area to just be for you and him so he told her what first came to mind.
"Actually, conversations between Death and his victims was a fairly popular literary and artistic theme throughout the Renaissance."
Though perhaps the delivery wasn't as as good as he thought it was as JJ only stared back at him with an unreadable expression.
He thought it was interesting, really, but he supposed his slight stutter and breathy laugh at the end must have distracted her from his point.
He turned to look at you for help, but you too had been focusing on the messages and wouldn't be available to do that. So he just agreed with JJ’s sentiment, which seemed to be enough for her to leave.
He sighed out in relief.
"The lady never answers. Have you noticed it yet, Dr. Reid?" You turn to him as you ask.
He immediately refocuses on to the case and tries his best to reply after his prior blunder. "Oh uh-- Right, the dialogue in the ballad seems to be fractured. Well, it's more of a monologue than a dialogue seeing that there is no exchange of information."
A small smile graces your lips at that, and you gesture with a nod to go report your findings.
"So it is. Let's get going."
He follows you to where Hotch and Elle were discussing the sexual aspect of the crime and sees you take your place next to your mentor. The same position you were in when he was blowing out his birthday candles, as he also inserts himself into the discussion.
"Sir, we believe what the unsub has written at the scenes are most of the first three verses of the same ballad." You deliver, prompting your mentor to raise his brow at that.
"Most of?"
"Yeah, it's only one side of the conversation." Spencer adds. "There's no betwixt." He takes pride in your shared effort, which makes itself known by the smile that adorns his face.
Unfortunately, his satisfaction, isn't met with a positive reaction either as he sees Elle desperately trying not to make eye-contact, and your supervisor staring at him very pointedly.
He's thankful though at the little chuckle that you quickly try to hide behind a cough and a cover of your mouth to appear more professional. Quickly looking down at the ground.
He's happy that at least someone thought his joke was well-placed.
He continues to explain your theory about how the Lady in the narrative never answers, and that's enough for both Hotch and Elle to at least think about it.
Their attention is quickly stolen away however at an incoming call about a failed attempt nearby the precinct.
Quickly excusing themselves to get onto the scene as soon as possible, you see them call Gideon on their way out. Watching them as they leave the department doors.
But Spencer keeps his eyes on you as the thought just dawns on him.
You were the first one on the team to laugh at his jokes.
***
The more cases he works for the BAU, the more he realizes how much of his work isn't theoretical anymore. He feels it in the weariness in his eyes, the weight on his chest, and the shake of his hands.
Or maybe the shake is from the cold.
After all, he had dressed for the warm, California air. So now that he was in the cool, air-conditioned jet, he was seriously regretting not packing a sweater, at the very least.
He makes his way to the back of the aircraft after another successful investigation, and that's where sees you.
You had opted to shed your typically structured blazer on the seat beside you, leaving you in a softer blouse, both in color and form, that made everyone around you know that you were officially off duty.
It's a nice look on you, he thinks. A slight departure from your usually stern and hardened exterior. He wouldn't mind seeing a more relaxed version of you every once in a while.
A version of you that looked more your age and not constantly under the pressure of doing well.
He momentarily wonders if that's part of your mentor's influence as well.
He freezes a bit, as if catching himself in some depraved daydream, and takes a few steps back to return to the more vacant areas of the craft.
Before he can get any further though, you see him and beckon for him to come over with a tired wave of your hand.
"How's the flight treating you, Dr. Reid?" You ask, drowsiness lacing your tone as he sits on the seat opposite of you.
"Oh, it's the same as always, I guess. A little colder than usual, but that's to be expected. By the way, we’re actually lucky that we haven't experienced some semblance of turbulence yet on our flights, considering that the likelihood of it has increased by seventeen-percent in the last decade."
You laugh at that. "You really know just what to say, huh?"
He doesn't see it as funny as you do, so it seems. "I'm sorry. I didn't mean to scare you or--" "There's no need to apologize, sir. I find everything you have to say interesting, whether you mean it to or not."
He stays silent at that, suddenly nervous, and tries to make himself comfortable. He does so in the hopes that he can finally steel himself to ask you that question.
He talked to Elle earlier when they were waiting for the unsub's call. Asked her if she thought it was weird that he knew what he knew, and if it had anything to do with his inability to get a date. She had reasoned with him that it was because he didn't ask, but it couldn't be that simple, could it?
He mulls it over in his head before sighing. Opting to give up and just wait for a more opportune time.
Besides, jury’s still out that you could very well be pining over his boss.
The action, however, seems to remind you of something.
"Before I forget," You look into your baggage, rummaging around before finally finding what it was you were looking for.
You ask him to close his eyes, which he obediently does, and you place a thick rectangular box into his awaiting lap.
The sudden shift in weight causes his eyes to open, and he is certainly surprised to see what was on there.
"What is this?"
"It's your birthday. There wasn't a good time to give it to you, so might as well."
He takes the box into his hands and shakes it a little.
From the sound alone, or near lack thereof, there could be a multitude of things inside it. He looks at you questioningly and you only smile and gesture for him to open it.
He takes his time in doing so, and he doesn't know how or why, but he finds your reactions to his movements much more amusing than whatever could be in the box. As if you were more excited for him.
He finally peers into the now open box to see some sort of purple cloth. A ribbon of geometric designs cutting through its middle and he stares at it in wonder.
"It's a scarf!"
You smile at him, and he was thankful that the rest of the team were either asleep or just not paying attention as it allowed the both of you to savor the moment with at least some semblance of privacy.
"I've noticed that you had a tendency to wear a lot of layers. I wasn't sure if it was because you were cold, or you just liked dressing that way, so I made an educated guess and got you something practical."
And just like that, he's over the moon.
He immediately goes to put it on with a wide smile, paying no mind that it paired so badly with the short sleeves of his button up.
Not that he would know, nor care.
And just when he had been feeling cold earlier too! "Thank you so much. This means a lot to me, especially since you don't usually give gifts."
You shake your head. "I don't, but it's not everyday one spends their twenty-fourth at the BAU."
He continues to observe the cloth that now hung around him. Smoothing his hands over it as he does with an expression unreadable to you.
You worry a bit and hurriedly mention, "I'm sorry if it isn't your color. I see purple show up on your mismatched socks more than any other color, so I just assumed. If it's any consolation, purple is a great color to contrast the warmer hues in brown eyes?"
He flushes at your admission, but matches your urgency to set you straight. "No! Please, I actually really like it-- It's beautiful."
You breathe out a sigh in relief and nod slowly at that.
"Speaking of the color, did you know the origin of purple dye is actually quite fascinating?" His voice filled with enthusiasm. With his eyes, bright, and filled with a child-like fascination that makes your chest feel warm at the sight.
"Historically, purple dye was incredibly rare and valuable, which is why it became associated with royalty and nobility. The earliest known purple dye, known as Tyrian purple, was produced by the ancient Phoenicians around 1200 BC. It was derived from the secretions of a particular type of sea snail, the bolinus brandaris, found in the Mediterranean Sea."
He paused for a moment, wondering if he was boring you, but sees that you're still very much paying attention to him.
"The process to obtain this dye was incredibly labor-intensive and complex. It required thousands of these sea snails to produce just a small amount of dye. The snails would then be collected and left to decompose in large vats. After several days, a gland from the snail was extracted and crushed to produce a purple mucus. This mucus would then be exposed to sunlight, undergoing a chemical reaction that transformed it into the deep, rich purple dye we commonly associate with our modern day equivalent."
As he kept going, he suddenly remembered what Morgan had told him all those weeks ago.
"Next time, try looking at what she does when you're the one talking."
So he does just that.
He observes the way that your shoulders are more relaxed, how your eyes never stray from him, and how the small upturned curve of your lip makes itself known as you rest your cheek onto your propped up fist.
How he has your undivided attention and yet you don't even look the least bit bored of what he has to say. Only silently appreciating and subtly nodding along with the slow blink of your eyelids.
All clear signs of unguarded comfort, and or interest, in his presence.
Had you really been looking at him like that all this time?
Now the idea of you liking your boss seems silly. Especially when you’re looking at him the way he imagines himself looking at you.
"I did know that, actually, Dr. Reid. At the time, Tyrian purple wasn't only desirable for its rarity, people said it was also incredibly lightfast. That it was resistant to fading under the sun and the weather. Not to mention all that hard work that just to get a single gram of it. Then again, modern studies do claim that its lightfastness was, in fact, not an accurate feature as it's color diminished when it was exposed to light and UV radiation."
You laughed a little again, as if remembering some anecdote, and that sound was steadily becoming one of his favorite sounds. Following only after your speaking voice.
"Fortunately for you, doctor, I could only afford a synthetically purple-dyed scarf. Though that means that you won't ever have to worry about it fading under the sun."
Hands up in faux surrender, you give him a tired smile that he returns with one of his own.
A calming silence enveloped the both of you as you continue to bask in each other's presence.
At some point you doze off, draping your blazer on top of yourself to shield yourself from the cold, and that's when he starts considering Elle's words again.
"Do you ever ask anyone out?"
"No,"
"That's why you can't get a date."
He nods to himself, and reclines a little more into his seat. Snuggling into his new scarf that still has the faintest smell of you.
Maybe he will ask you out on a a date later.
_____________________________
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tarotwithavi · 18 days ago
Text
Your moon sign and the best manifestation techniques for you
In astrology, your Moon sign represents your inner self: your emotions, intuition, and natural instincts. Unlike your Sun sign, which shows how you present yourself to the world, your Moon sign is all about how you feel and connect to your deeper desires.
Because manifestation is about aligning your thoughts, emotions, and actions to bring your dreams into reality, understanding your Moon sign can help you pick a manifestation method that works best for you.
This can also apply to what house your moon is in.
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1. Aries Moon
Action-Based Manifestation
If your Moon is in Aries, you’re driven by passion, enthusiasm, and a need for action. Aries Moons often feel things intensely and have a “go-getter” attitude.
Best Method: Physical Action Manifestation
- Set a clear, strong intention for what you want, and then take immediate action toward it.
- Make a vision board or list, but focus more on doing things that bring you closer to your goals.
- Try “energy-boosting rituals,” like lighting a red candle or working out while thinking about your goals.
*⁠.⁠✧ 🦢
2. Taurus Moon
Visualization and Sensory Manifestation
Taurus Moons value stability, comfort, and pleasure. You connect best through physical senses, so you need to feel your manifestation in a tangible way.
Best Method : Sensory Visualization
- Sit in a comfortable space and imagine your dream life with all five senses. Picture the colors, sounds, scents, textures, and even tastes of your goal.
- Use physical objects, like stones, candles, or money, as manifestation symbols.
- Write affirmations about your desires in a journal, and keep them somewhere you see every day.
*⁠.⁠✧ 🦢
3. Gemini Moon
Verbal and Written Manifestation
With a Gemini Moon, you’re naturally communicative, curious, and mentally active. You connect easily with words, making verbal or written manifestation very effective.
Best Method : Journaling and Scripting
- Write about your dreams as if they’re already happening. Describe them in detail, as if telling a story.
- Practice “affirmation speaking,” where you say what you want out loud as if it’s already true.
- Keep a manifestation journal and revisit it daily to keep your thoughts and energy aligned.
*⁠.⁠✧ 🦢
4. Cancer Moon
Emotional and Intuitive Manifestation
Cancer Moons are deeply sensitive and intuitive, meaning you manifest best when you connect to your feelings. You need to feel your desire deeply to believe in it.
Best Method: Emotion-Focused Visualization
- Picture yourself experiencing your goal and focus on how it makes you feel.
- Use moon rituals or water-based activities, like writing your goal on paper and setting it under moonlight.
- Connect with your heart, imagining the joy, peace, and comfort you’ll feel once your dream is real.
*⁠.⁠✧ 🦢
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5. Leo Moon
Creative Visualization and Affirmations
If you have a Leo Moon, you’re naturally expressive, confident, and full of warmth. Leo Moons thrive when they bring creativity into manifestation.
Best Method : Creative Visualization with Affirmations
- Use mirror affirmations: say your desires out loud while looking at yourself in the mirror to boost self-confidence.
- Create a vision board with bright, inspiring images and colors that match your goals.
- Visualize yourself shining and receiving praise for achieving your goals, like watching yourself on a stage.
*⁠.⁠✧ 🦢
6. Virgo Moon
Practical Planning and Daily Affirmations
Virgo Moons are detail-oriented, analytical, and practical. You feel best when things are organized and clear, so a structured approach works wonders for you.
Best Method: Goal Setting with Step-by-Step Plans
- Write a detailed plan for each goal, breaking it down into small, achievable steps.
- Use daily affirmations that keep you focused on steady progress.
- Dedicate a “manifestation notebook” where you track your progress and reflect on what’s working.
*⁠.⁠✧ 🦢
7. Libra Moon
Balance, Visualization, and Partnership
Libra Moons value harmony, balance, and connection with others. You manifest best in environments where you feel calm, and often benefit from working with someone else.
Best Method : harmonised Visualization and Partnership Manifestation
- Visualize your goal in a peaceful setting. Think of a serene scene that represents your dream life.
- Use positive affirmations for balance and harmony, like “I attract peaceful, joyful experiences.”
- Consider finding a “manifestation buddy” to set goals together and support each other.
*⁠.⁠✧ 🦢
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8. Scorpio Moon
Deep, Intuitive, and Transformation Rituals
Scorpio Moons feel emotions intensely and are highly intuitive. You connect deeply with transformative and spiritual practices, so you manifest best through focused, powerful rituals.
Best Method : Intense Visualization and Transformation Rituals
- Use candle rituals, incense, or crystals to amplify your manifestation energy.
- Practice “shadow work” — explore hidden desires and be honest about what you truly want.
- Use visualization, imagining yourself completely transformed and in your ideal reality.
*⁠.⁠✧ 🦢
9. Sagittarius Moon
Adventure and Abundance Manifestation
Sagittarius Moons are optimistic, freedom-loving, and drawn to adventure. You need a manifestation method that feels fun, big, and open-minded.
Best Method : Future Vision and Gratitude Practices
- Imagine your goal as an adventure waiting to unfold, feeling the excitement it brings.
- Use gratitude journaling: write down everything you’re grateful for daily, especially things that relate to your dream life.
- Dream big — don’t be afraid to visualize goals that may seem “out of reach” and trust the process.
*⁠.⁠✧ 🦢
10. Capricorn Moon
Goal Setting with a Focused Plan
Capricorn Moons are practical, determined, and ambitious. You manifest best with structured goals and long-term focus, often preferring realistic methods over “magical” approaches.
Best Method : Structured Goal Setting and Visualization
- Set a clear, realistic goal and create a plan of action with deadlines.
- Visualize yourself achieving each milestone and feel the sense of accomplishment.
- Create a “success board” where you note each step you complete, keeping you motivated and focused.
*⁠.⁠✧ 🦢
11. Aquarius Moon
Unique Visualization and Group Manifestation
Aquarius Moons are original thinkers, independent, and open-minded. You thrive with unique, forward-thinking methods, and may enjoy manifesting in a group setting.
Best Method : Creative Visualization and Group Manifesting
- Try out-of-the-box visualization techniques, like drawing or making abstract art that represents your goals.
- Write affirmations on sticky notes around your room, or visualize your dream while listening to uplifting music.
- Manifest with like-minded friends or groups, as shared energy aligns with Aquarius’ love for community.
*⁠.⁠✧ 🦢
12. Pisces Moon
Spiritual and Dream-Based Manifestation
Pisces Moons are dreamy, intuitive, and deeply spiritual. You connect best with manifestation methods that feel magical, gentle, and imaginative.
Best Method : Dream Journaling and Meditation
- Before sleeping, visualize your dreams as if they’re happening right now, letting your imagination flow.
- Keep a dream journal by your bed and write down any insights you get upon waking.
- Use guided meditations or spend time by water (like a lake or river) while focusing on your dreams to enhance your natural intuition
*⁠.⁠✧ 🦢
Manifestation is most powerful when it feels like an authentic extension of you.
*⁠.⁠✧ 🦢
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© tarotwithavi,2024. All rights reserved.
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leovenuslatina · 4 months ago
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𝓓𝓞 𝓜𝓔(18+) ୧ ‧₊˚ ☁️⋅♡ PT.1
。゚•┈୨♡୧┈•
tips appreciated
this is all about what your FS thinks while doing you
(as always this reading is 18+) MDNI
ᯓ ᡣ𐭩
✧˖°. IM so so so sorry for being MIA so i decide to make this reading a three parter 💘 AND it was my bday month in June so turn up for me yall and after that i just took a small hiatus 🤭 also i wanna say thank you all for checking on me 🥲 it warm my heart so much knowing you guys care about me 🥹!!i may also be redoing some old PACS of mine so stay tuned !! ✧˖°.
₊˚⊹ ᰔ౨ৎ₊this is just a reminder that tarot isn’t permanent or set in stone YOU decide how your life goes no one or nothing else now take a deep breath and choose the pile that calls to you ₊˚⊹ ᰔ౨ৎ₊˚⊹
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pile one - knight of cups, the sun, two of wands, ten of pentacles
⁺˚⋆。°✩₊✩°。⋆˚⁺
pile one when having sex your FS thoughts are “don’t finish too quick” and “i hope i last” lmaooo they’re literally laser focused on lasting as long as possible. they literally want to just pound into you and fill you up as quick and as fast as possible but they restrain because ultimately your pleasure is theirs. your FS main thoughts are all about being close to you and how much they love it they adore having sex with you because it means they get to be as close to you as possible: skin to skin limbs intertwined with one another. they also want so badly to be good enough for you your FS wants badly to pleasure you and they worry deeply about how they’re performing for you they take pride in making you feel good and communication is key with this person they loveeeeee when you tell them just how good you feel 🥹 or if you don’t like something they also love that because at least they will know how to better understand your needs. when having sex with you your FS has spent so much time thinking about this special moment they literally always fantasize about sharing really hot intimate moments like this and making you moan all night long. your FS thinks about all the different things he’d like to try and what type of kinks you two may share together your FS seriously is willing to do literally what you want to try they love to make you happy. while inside you pile one all your FS can think about is how you must be too good to be true you’re just too beautiful too gorgeous to be true. Your FS views you as their dream girl and all they think about is how they are so nervous and they hope that you can’t tell just how scared they are to let you down.
⁺˚⋆。°✩₊✩°。⋆˚⁺
extra messages - creative, charming, dreamer, joy , success, anxiety, gain, goals,
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pile two - five of pentacles, ace of wands, page of swords, knight of pentacles
⁺˚⋆。°✩₊✩°。⋆˚⁺
Similar to pile one your FS worries about them making you feel good your FS feels like they’re putting on a performance for you. they may even hold off on sex for a while in your relationship just because of how nervous w make them 🤭but eventually their love for you will overcome any negative thoughts they may have because their feelings are wayyyy stronger than anything. i’m also seeing that they have a huge fear of getting you pregnant so they will make sure to have hella protection on hand like always. i’m seeing you and your FS will have lots of conversations about his fears pertaining to intimacy and the bedroom which may sound like a scary thing but i’m seeing one or both of you could have major issues when it comes to being so intimate and vulnerable but it will make you so much more stronger as a couple therefore making your sex life ten times better. when the two of you are making love they will overcompensate in some ways like they have hella toys i’m seeing vibrators and d!ldxs and also getting they’ll get some pleasure from overstimulating you watching you squirm and jerk around it really gets him going like nothing else.
⁺˚⋆。°✩₊✩°。⋆˚⁺
extra messages- new beginnings, intelligent, challenging, ambitious, dependable, honorable
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pile three - the emperor, knight of wands , four of swords, queen of cups,
⁺˚⋆。°✩₊✩°。⋆˚⁺
right off the bat pile three your FS is very confident in their size i see him almost presenting himself to you. you know that snl sketch “d!ck in a box” it’s like that bc he’s like really proud of how big he is. Your FS is very confident in how well he can please and you know what he can most definitely back it tf up. he knows exactly how to walk that walk and talk the talk 👏🏾. i’m also seeing he’s like about to put it in and you’re all like “it won’t fit” and he kisses you and smirks and he’s like “i’ll make it fit.” Your FS feels like having sex with you as the most addictive drug he’s every done. literally even one single day without your body your kisses your touch and he’s itching for another hit of you. When having s3x with you pile three your FS thinks about how it feels like being intimate with you heals parts of them that you may not have broken but you play the biggest part in putting them back together again 💞 so even though the two of you are horny freaks in the bedroom your s3x is extremely healing ❤️‍🩹. Your FS thinks about how compatible the two of you are and how good it feels to be with you not just having sxx but outside of the bedroom. Your FS thinks about how luck ly he is to be with you how he truly feels spoiled by the universe to have found their perfect match 🥹
⁺˚⋆。°✩₊✩°。⋆˚⁺
extra messages- passionate, masculine,determination, impulsive, rest, spouse
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felassan · 4 months ago
Text
Compilation of snippets from the DA:TV acting talent panel at SDCC (Dragon Age: Meet the Heroic Companions of Thedas) today (July 26th). DA:TV spoilers under cut.
Huge props and tysm to the users who live-tweeted and clipped this panel, you are heroes 🙏💜!!
The panel was moderated. In attendance were John Epler, creative performance director Ashley Barlow, and the actors of Lucanis, Neve, Emmrich, and Harding - Zach Mendez, Jessica Clark, Nick Boraine, and Ali Hillis respectively.
The panel ended with a Q&A session.
(BioWare have stated that a recording of the panel will be made available at a later date.)
Edit/update: I've now been through this post and tidied it up :)
---
Here are some pictures from the panel [source]
Here are some more pictures from the panel [source]
In this Twitter thread there are also some video clips of parts of the panel [source]
BioWare tried to avoid spoilers in the panel [source]
Key points/summary of DA:TV: hunting Solas, found family companions, stop the elven gods [source]
When auditioning the companions, BW were specifically looking for character chemistry [source]
BW used motion capture for the game [source]. Mo-cap was mentioned a lot in the panel [source]
Lucanis sees assassination as a job. His mind is as dangerous as his knives and he is also "kinda hilarious" [source]
There was mention of other Crows [source]
Zach Mendez read Tevinter Nights like three times [source]
A clip of the actors doing mo-cap was shown [source]. Photos of Zach mo-capping for other characters was shown [source]
BioWare said that Zach brought a certain darkness to Lucanis [source]
Zach is excited for the romance and is looking forward to the stats [source]
Zach mentioned that he used his own relationship with his brother in his portrayal of Lucanis [source] (surely this means ILLARIO.. ?👀)
Zach played a lot of darkspawn originally while auditioning [source]
Ali Hillis really welcomed Zach into the DA family [source]
Neve is from Minrathous. She has fun banter and is a cynical detective with a heart of gold. They want to show a rebellious side of Tevinter [source]
Jessica Clark loves Neve's loyalty, dedication, and different vision of Tevinter
Neve is fighting for the people [source]. Jessica: "She is really really fighting for those people, and she loves those people. So, yes, she's cynical, and yes she's kind of tough and brusque and all these other things, but when they say there's a heart of gold, there really, like, to have that kind of a passion and dedicate your life to something like that, I think that's definitely my favorite part about her" [source]
Jessica loves how much Neve loves Docktown and its people [source]
Neve sees a different vision for Tevinter than what has previously been depicted in the series [source]
The actors were separate from one another while recording lines but still bonded really well and organically [source]
There are several Veilguard gc [source] (groupchats?)
Ali is an angel and very supportive of the new cast [source]
Emmrich is a "stone cold silver fox" (this is a quote from the panel moderator) [source]
BioWare knew the reaction they would get about Emmrich from the fandom [source]
Nick Boraine feels like he's been preparing for Emmrich all his life. He's obsessed with death (as a comfort and not scary) and enabling people to transition into death. He is attracted to this aspect of the character [source]
"You're gonna need a dictionary for Emmrich" for all the magic spells [source]
"Interesting how this character caught fire compared to the other sexy characters" [source] (I think this was said wrt Emmrich?)
BW had a great time recording with Nick, he is a very consistent actor [source]
Nick and Matt Mercer have never met [source]
Manfred plays off of Emmrich. "I set the tone" [source]
What has Harding been doing in-between DA:I and DA:TV? She's been working closely with Varric and the Inquisition remnants. She and Neve already met in the comics [source]
Ali vividly remembers the beginning of voicing Harding, she says it's brilliant writing. She really thought of Harding's personality and traits. She's so happy to be back [source]
wrt the Covid-19 pandemic and the year 2020, BW had to pivot with working remotely and were able to push through their projects. [source]
"[Harding] chasing Solas for a decade..." "that was a great relationship that [you] developed... and now I'll stop talking now". Ali was excited [source]
John Epler talked about how companions may but heads, and won't be predictable [source]
There are thousands and thousands of lines and so many characters to meet [source]
Zach "unfortunately has been around the DA Reddit before recording as Lucanis" [source]. He feels inspired by all the fans and cannot wait for us to play it [source]
[new textblock due to character limit!]
John Epler on Emmrich: "I mean honestly, I will say, like, we expected a great reaction to Emmrich. Went beyond what we expected for sure. But it’s been fascinating to see, because again, Emmrich is this character, he’s more of the professorial, more, he brings a wisdom and kind of a calmness to the group, so even when things are at their worst, there’s that one person in the group who is kinda like, ‘okay, y’know, we've got, let's figure it out, let’s take a deep breath’. And just his journey through his character arc, and his interactions with the others, it’s been fantastic to see. Even just finding opportunities for him to bounce off the other characters, you know, the way he talks to Bellara, the way he talks to Neve, it’s all so different, but it’s also just, again, based around this core of this warm, kind-hearted, professorial necromancer. Which, again, is not something you see a lot of in media. I mean, usually, necromancers are depicted in a very specific way. But it’s been, it's awesome to see how Emmrich has grown and just, really one of the most, one of my favorite experiences has been just working with Emmrich’s writer, working with Emmrich as a character." [source]
All the actors are excited about the dialogue and narrative, and for us to explore DA:TV [source]
Ali says that we will really find ourselves in this game [source]
During the recording process, the actors all hear the previous person's recording and react or respond to it [source]
Due to Covid-related lockdown, a lot of recording was done over Zoom, and the writers besides Ashley Barlow (creative performance director) would jump in on the call to talk about the previous person’s lines [source]
A question was asked about the background factions. "Characters not causes". [source]
You can work with the Grey Wardens in the game (for example) [source]
The actors all met this weekend. They are an "un-chosen" family [source]
Zach stood in for multiple characters for mo-cap, for example he was Assan [source]
Lucanis has a heart but is stubborn and stuck in his ways. Zach is excited for fans to help his character open up as the story progresses [source]
Jessica is incredibly honored to join the DA universe. She is new to voice acting for video games. “This is play pretend. Playing Neve allowed her to step into her power.” [source]
A question was asked on what their first exposure to fantasy was, and do they implement this into the acting? John talked about Lord of the Rings and how every media you experience will seep out into your work [source]
Ashley didn't want the dialogue to sound modern [source]
Zach loves Theseus and talked about the symbolism in DA [source]
Jessica loves Greek mythology and lore [source]
Nick talked about The Hobbit and how he would dress up in big boots and a cape when his mother would read to him [source]
Ali recently went to Greece and felt like she saw DA everywhere [source]
A question was asked - "From your companion's perspective, which previous companion would you romance?" Zach kind of has a thing for The Iron Bull, saying "oh that awakened something inside of me". He also likes Dorian. Jessica was too overwhelmed to answer. Nick was also overwhelmed by the question, but thinks Solas is sexy [source] [source]
Ali fangirled over Lucanis and Emmrich [source], prefers Emmrich [source]
A question was asked - "Is DA:TV and DA:I streamlined together?" [paraphrased]. Answer: DA games are not as streamlined as Mass Effect and act almost as standalones [source]
The cast were asked about which aspect of their character is their favorite. Ali loves the little quirks about Harding. "Lucanis is a good cook!?" ** Neve is very dry and pretty closed off about it. For Emmrich, it's the "exploration of the idea of death and necromancy" [source] (** FINALLY CITATION for this? :D)
A question was asked: "How do you decide to introduce the lore in each game?" BioWare answered that it depends as they build each game. They always know the base lore, and see opportunities through game mechanics and characters. They try not to infodump [source]
A question was asked: "Any favorite party banter?" Ashley Barlow said to listen for "hand to bone combat" [source]
The game takes place approximately 10 years after the end of DA:I. You start the game hunting for Solas. The game is built on some core principles: be who you want to be in a world worth saving and with characters that matter. The companions are always at the heart of DA and they are at the heart of this game too. [source]
The moderator asked John Epler about what is bringing this party of people ("this rogues' gallery") together. John: "I mean, it's the end of the world, and each character that you bring into your party understands that the world is ending, that they need to stop that, and you're really building, what I would say is, more of a found family. These are characters who may not start off liking each other, may not even start off liking you, but over time they grow to understand the importance of what they're doing and just, how critical it is to stop the elven gods" [source]
"He is kind and has some spectacular lines. He is a natural nerdy scientist. He loves learning." [source] (Emmrich? ^^)
Ali didn't realize that Harding was such a beloved character. She thanked fans for bringing this character back [source]
Ali is super excited that the game is releasing. She said that there has been an evolution to Harding's character and that she's been chasing Solas for like a decade at this point [source]
Jessica loves the writing in the game [source]
Nick loves its narrative [source]
Ali said that this game is going to take you into a world that will blow your minds [source]
On Manfred: Nick was asked what it was like having another character to bounce off of. He said "Oh man! I mean, that is such a hard question, because Matt and I have never met, and we worked completely separately, and, I, I mean I know that the rapport is really great, but it's in the ether, I mean it is just, the magic that these guys create, telling us how to respond, how to do that, but it's, I can't wait to meet Matt" [source]
BW still said that the game's release window is Fall 2024 [source]. Nothing more specific was given [source]
There are also more snippets here in this Tumblr post, go check it out!
[source, two]
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fishnapple · 4 months ago
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FUTURE SPOUSE : WHAT YOU LOVE ABOUT THEM
(can also apply to long-term committed partner)
This is a general reading meant for multiple people. Take only what resonates and leave out the rest.
Your feedback is much appreciated. If you find the reading resonated with you, leave a comment, I’d love to know 🎐
About me | Masterpost
Book a reading with me - KO-FI (→ personal reading)
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1. Carnelian
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The Carnelian stone, which represents this group, looks like a heart with The Moon stone right above it, open, its dark side is exposed, making the impression of a heart broadcasting something. I can see that this person has an open heart. They put their vulnerability on an open platter for you to see. They had been hurt in the past, their heart is full of scars, but they don't hide it. It takes great bravery to do that, and you will love them for it.
They know how to move on from past hurt, from pains, especially in relationships. They didn't become pessimistic because of it. They have learnt the lessons and are ready to do better in the future. You won't see bitterness in them, they're probably the kind that don't talk bad about their ex, even if that ex had hurt them badly. This trait will also be clearly felt when you two have arguments or in conflicts. They may be angry, you may shout at each other, but they will cool down and think rationally about the problem and ready to solve it together with you, no passive-aggressive actions. After that, they won't bring it up again in the future just to make you feel bad.
Part of the reason why they can bravely face the conflict and move on is because they can detach their mind from the conflict, able to see it from many viewpoints. They are fully aware of their emotions, but they don't let them run amok and cloud their mind. They give equal respect to both emotion and rationality. At times, they can even appear a little cold or detached, too logical, but you will still admire that about them or even find it attractive.
They could have a very unique beauty or what is considered classic beauty but put a creative spin to it. The kind that stands out, or at least in your eyes, you will always be able to find them in a crowd. Not exactly because it's so exceptional but because it shows individuality.
I don't think they are a conventional person, something about them is going against the grain of society. They are a free thinker, the way they think and speak is unique and beautiful. It's full of wisdom and maturity. You can learn a lot from them. Their advice is kind and considerate and you will feel their love through it.
Above all, you love their compassion for life. They are a humble person, despite their talents and wisdom, they don't go around lecturing and ordering people. They understand that everyone has their own problems and fears, so even in conflict, they won't go out of their way to demolish the other person. They have the mindset of 'Live and let live'.
Being with them will make you feel peaceful, understood, and free. At times, it will feel like a gentle breeze blowing through your hair in the middle of a field, at other times, it will feel like sinking yourself into the tub, warm water washing away all of your fatigue.
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2. Tiger's eye
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I get a feel that this person spoils you a lot. They would try to fulfil your every wish, as long as it's in their ability. It could be buying you gifts, cooking your favourite dishes, helping around the house etc. They just know how to make you feel safe and satisfied.
They are generous and dependable. A part of them is very adventurous while another part of them is more traditional and liking structure. This traditional part is likely shown only in close relationships. You can feel that they treat you more specially, more preciously, they put serious intention into the relationship with you.
They could be a little clingy? wanting to be with you at every moment, somehow the old song 'I don't want to miss a thing' by Aerosmith comes to mind. You may complain about it sometimes but I think secretly, you do enjoy that kind of behaviour. It shows loyalty.
They would like to take the more dominant role in the relationship, wanting to lead and plan ahead for both of you. If you are someone more on the passive side, this will make you more at ease. Beware of the tendency for 'laziness' and 'dependency' though, since they take on the more active role and like to do things more.
The way they talk, it's smooth and has a sway to it. They could give you lots of compliments, not the shallow, generic kind but the kind that unique only to you, makes you feel that they pay attention to every small detail about you. They sure know how to flatter your ego a bit and make you feel more confident in yourself.
Whatever darkness is hiding in your closet, they will pull it out for you, gently, persuasively, do a spring cleaning and give you a better perspective on those issues. You may feel resistant at first, but gradually, with time, you will come to appreciate their doing this for you. They could buy you a house but they'd rather help you build your own house.
Another thing you love about them is their passion, it's spontaneous and out of the blue, like electricity. Things are planned in such an unplanned way that you will be surprised every time. Being with them will feel safe but never boring.
You guys may also communicate a lot through dreams or other psychic means. The connection has a strong spiritual side to it. You and them both intuitively know what the other person is thinking without many words spoken. It's a silent understanding, a link between two spirits.
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3. Aventurine
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I get a sense of candidness from this person. They have a style of expression that is both soft, childlike yet wise and mature at the same time.
They have a dry or wacky sense of humour that you love. It touches other's insecurities in such an odd way that make others feel at ease and safe with them. For example, you guys have to go somewhere dark but you have a fear of the darkness, instead of making fun of you for it, they will act all scared and jumpy and insist on holding your hand to calm them down, even if they don't actually scare of the dark. They can make fun of themselves and bring themselves down a bit to elevate the other person. You would have your fears gradually banished by being with them. They help you to be more courageous.
Even though they act like that, they don't seem to be someone that people can mess with. Maybe they have a very intimidating air about them. The way they deliver the jokes could be very deadpan. But it will make you laugh and make you feel protected.
This person doesn't have a big ego. They're self confident, as in being sure of themselves and that's for them is enough, they don't feel the need to go around imposing their will on other people, advertising their brilliance to get praise. In fact, this person is very down-to-earth, praise actually come naturally to them. Because of their sureness in themselves, they know where they stand in a relationship, what they want from a relationship, where the relationship is going, so they are decisive. They will tell you straightforwardly how they feel and what they want for the relationship. If there's a problem in the relationship, they will address it clearly to you and expect both of you to solve it together. You will love them for their honesty and their way of approaching everything.
They could be the best hugger. You love being hugged by them. Something feels soft and warm, yet sturdy. They may not be a big person but their energy is big. Even if their physique is smaller than you, hugging them will feel like hugging a big tree or a big teddy bear.
They are also very giving. They will share their time, their resources with you without second thought, or for some hidden motives. There could be a boundary issue though, you may sometimes feel that you guys have fused with each other, the boundary of what is yours, and what is theirs will be blurred. Maybe you're someone who likes to be one with your partner, then you could find this to be of no issue.
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4. Clear quartz
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This person seems like someone who is very good with words. They could be in the publishing, writing, or journalism. Or singing.
They are like a magician, there's magic in their work. They have an expansive inner world. When you get closer to them and take a peek inside their world, you will see its marvels, like a large reservoir, an inner creative power generator. They can translate that power into their works, works that can move many people. It comes with rigorous hard work, though. They are dedicated to whatever they're doing. They want perfection, mastery over it, whatever hard work is needed, they don't mind putting all in. That attitude is what makes dreams come true. And I think you can't help but fall in love with that.
They could seduce you with just words or their voice. The way they talk or sing can speak deep into your soul, pull out your hidden feeling. They could have a healing effect on you that you love. It makes you feel like being cocooned in a velvet blanket.
This person has a sensitive and intense soul. They don't love lightly. Once they are committed to someone, they will be there with that person through thick and thin, always preparing to face the storm together. You will love being loved by them. It's not a common experience. Love is not a common experience, of course. But being in love with them will have a depth that is hard to find with other people. They could make your past relationships feel pale in comparison. This person could show their love for you through physical touch and intimacy. It's when their love will find its rawest expression.
You will love them for for being a humanitarian. They care about the world, society, and people. What they're doing is not just a form of self-expression but also directed towards a bigger goal. They want to contribute to the greater good, to make changes and make people's life better. It may sound like some kind of lofty ideals, but actually they do believe in it. And their faith will be their power. You have fallen in love with a magician, so expect magic and miracles coming out of their hat.
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