#creative energy is a pyramid scheme

[leidensygdom]

Generative AI is such a dystopian concept in ways I can't even really fully comprehend. It would make for a fantastic premise for a sci fi novel I think, and yet, it is sadly not just fiction.

Like, let me explain. It was initially a sort of novelty toy. Many people had seen these sites that could create abstract pictures out of few words, but it never amounted to much. It didn't take long before these tools were quickly repurposed to serve the new cryptocurrency fad, the latest pyramid scheme to enrich a few while catering to these more technologically-inclined people who were delighted at the idea of getting involved with investing. Investing in a new way, away from a government's scrutiny. And before we all knew, the Internet was filled with them pretending that what was a major scale scam, was actually the future. The initial generative AI served them as a replacement to artists, which mostly saw through the truth of NFTs as a scam and did not wish to get involved with that.

Now, we could also talk about cryptocurrencies being dystopian on their own. A fabricated idea of virtual money obtained through what I had seen described "the pollution machine that produces metaphorical money". You turn on an infinite amount of computers to do a senseless talk that does not benefit society in any way, but in turn, it does contaminate more than small countries. But generative AI isn't just that.

NFTs did not last long and many tech bros, who had invested in them largely, found their pockets much emptier. But generative AI was still there, and people saw a new use to it. And then, with technological investors desperate to find the new thing to shove money in, after years of nothing being particularly profitable for them, generative AI started to really evolve. It went from an useless novelty toy to what we have today. And the way it got there is simply horrifying.

It is a machine that, essentially, feeds on an amalgamation of millions of creative and artistic work, chopped down and inserted into a dataset with no consent from its creators, which is then regurgitated into a soulless porridge. It is a machine powered by art, used to ultimately, remove actual art from the equation. The generated sludge can only barely manage to repeat the same bias and tropes already present in what was it fed, and they only become more and more reinforced with each update to the dataset. Suddenly, a sea of smooth, childish anime girls became the main ideation of what a woman is, amidst other things. It is a machine built on prejudices, incapable of critical thinking, repeating the same mistakes humanity already made, over and over.

And the process of blending people's entire life of work also happens to be polluting. So much more than cryptos ever managed to be. Soon enough, major companies also got involved and collectively decided to trash any sort of sustainability goal in order to invest in the new fad. When asked, some of them even mentioned that they were fully aware it was unsustainable, but that they believed that generative AI could simply give them a solution to the ever-growing energy needs. Surely it will be generative AI that will find the long-awaited answer to nuclear fusion. It has to. The power grid cannot handle it as it is.

And now, these same tech bros, maybe vindicated by how artists refused to collaborate in their latest crypto scam, or maybe just eager to have a few extra bucks, decided to put their new technology into use. Replace the same artists whose work they had stolen with generative AI. Take the artist out of the equation, remove the humanity out of creativity. It is late capitalism and massified consumerism at its worse. People do love their media, everyone enjoys a show or a videogame every now and then. But what if we could now remove any sort of actual human touch in there? What if we managed to, instead, make a machine churn out content over and over, to keep the audiences fed, to keep money rolling in, at the simple cost of removing humankind from artistic creation?

We have now these same artists that provided us with our childhood favorites unemployed, striking, making noise, as a last attempt to recover the jobs they are quickly losing. We have artists that devoted their entire careers into honing their craft seeing how people replicated it by stealing every single piece of art they had created. We have mocking echoes replicating the art of people already gone, their life's work taken and reproduced long after their death.

Science fiction has covered a lot, and there are plenty of stories about robots being made in order to replace human labor. Many of these stories humanize the robots, who develop dredges of sentience and revolve against their forced labor. But generative AI is a different story. It is a completely insentient program, owned and developed by large corporations, that is here to steal and replace what is one of the most important human virtues. Creativity is one of the major aspects of humanity. We have dug out pieces from millenia ago, small decorated pottery and painted caves, that evidence that we already had that in common with our oldest ancestors. We have been drawing and telling each other stories ever since we could paint with our fingers and communicate with each other.

And now we have developed a machine that takes that from us. It isn't here to help us carry groceries, take out the trash or do any of these mundane tasks. It is here to take away our hobbies and creative jobs, take away our amusement, and replace whatever art we once consumed with whatever slop it managed to vomit. And it is such a deeply disturbing concept that directly competes with some of the most horrifying dystopian ideations ever written.

[seat-safety-switch]

Sometimes, when I finish explaining the series of mishaps, half-haps, and no-haps which led to the successful conclusion of a technical project, something strange will happen. A young person in the area will announce that this meandering, quasi-hallucinated story has inspired them to go into a technical field for education. This, as they say in France, is a bad idea.

It’s not that there is no inherent merit to a scientific or engineering pursuit. There is, and that’s the problem. You’d do all of this crazy shit for free if not for the fact that you need to afford food, water, tools, and ultrasonic cleaning solution. Science has inherit merit out the yin-yang. The problem, as always, lies in social status. While you’re busy working in your basement, trying to figure out how to better humanity, your nemesis across town is doing cocaine, arranging enormous business deals, and writing cheques much larger than his or her bank account balance.

Where this becomes bad is: eventually, because of the nature of bureaucratic pyramid-scheme management and mandatory employment, this person will become your boss. And then their problems will become your problems. You’ll spend all of that wonderful creative energy and technical skillset chasing down ideas like “zeppelins for dirigibles” and “where does the sun go at night?” They’ll harvest the vast majority of the value of your work, and reward you with a pittance that’s just enough to keep you from quitting your job and moving into a decrepit suburban home with forty to sixty broken Mopars on the lawn.

If I could say just one message to the kids of tomorrow: skip that whole part. Just go right to the part where you have a lot of broken Mopars. They create an infinite number of mind-bending puzzles, and the lack of parts provides ample opportunities to make your own. Plus, the build quality is so poor that literally anything you can do to fix the car while not drunk or high is superior to the original article. My only request is that you skip the 1975-1981 period, because I don’t need more competition.

[ailogomakerr]

The Psychology Behind Effective Logo Designs: More Than Meets the Eye

A logo may seem small at glance. It holds significant importance, as a visual representation. It could consist of colors, shapes or a few words yet its impact is profound. Creating a logo can be done independently using tools, like Ailogomakerr, which offers a wide range of design options in a user friendly interface.

It’s essential to understand that a crafted logo has the power to evoke emotions define brand identity and leave a lasting impression. The effectiveness of a logo lies in the fusion of artistry and psychology. Fortunately free AI logo maker platforms are supported by designers who add that touch to every design created. It’s crucial to consider the aspects and design principles when utilizing these logo generator sites.

When designing a logo there are factors to keep in mind that serve as your guiding principles. Give thought to each element to ensure they reflect your brand identity accurately.

Exploring the Basics; Shapes, Colors and Fonts

Lets delve into the core components of logo design and delve into the messages they convey;

The shape of your logo is often the point of contact, for viewers so it’s essential that your logos form aligns with your brand identity. To delve deeper into this concept lets examine shapes.

Shapes; The Language of Symbols

Circles; Circular shapes symbolize unity, community and completeness. Consider examples like the Olympic rings or the Target logo — they embody inclusivity and global appeal.

Squares and Rectangles; These four sided shapes represent stability order and dependability. Industries such as banking, software development and other establishments aiming for trustworthiness frequently opt for these shapes.

Triangles; Depending on their orientation and proportions triangles can suggest strength, vigor and direction (picture a play button) or equilibrium and solidity (imagine pyramids).

Organic Shapes; Curved natural forms evoke creativity, growth and a connection to nature. They are ideal, for brands emphasizing well being or environmental sustainability.

Colors serve as another element that catches everyones attention when viewing your logo — mastering color selection can be quite challenging! Color psychology can differ across cultures. There are some common emotions associated with various colors.

Emotions;

Red; Often linked to passion, excitement and a sense of urgency. It’s no surprise that red is commonly used in fast food logos and sale promotions.

Blue; Represents trust, calmness and intelligence. Tech companies, healthcare providers and brands focusing on reliability often opt for blue in their branding.

Green; Symbolizes nature, growth and balance. Companies, with a focus on sustainability or promoting health frequently choose color schemes.

Yellow; Known for its optimistic and youthful vibes. Yellow is used to attract attention and convey a sense of energy.

Black and White; Signify sophistication and simplicity. High end fashion labels, minimalist design companies and those aiming for an image often use black and white in their logos.

Artistry isn’t limited to colors and shapes; words can also evoke feelings, like chicness, assertiveness or trustworthiness when paired with the right typography. Typography; The Artistry of Words

Serif Fonts; These fonts feature feet” on the letters exuding a sense of tradition, sophistication and credibility. Think of newspapers, like The New York Times or prestigious brands like Tiffany & Co.

Sans Serif Fonts; Representing a contemporary look that is approachable to all sans serif fonts are favored by tech giants such as Google and Apple for their broad appeal.

Script Fonts; With their flowing and intricate designs script fonts bring a touch and artisanal charm to text. They are particularly effective for brands targeting an audience or emphasizing handcrafted qualities.

Bold Fonts; Bold and impactful fonts command attention and convey confidence. They are well suited for brands, in industries or those aiming to attract a demographic.

When it comes to space you have the freedom to utilize it creatively to enhance your brand identity. Here are some guiding principles to consider when filling these spaces!

Going Beyond the Basics; Harnessing Psychological Principles

Logo design goes beyond aesthetics; it delves into psychological principles that shape how we perceive visual elements;

The Gestalt Principles; Our brains naturally seek patterns in visual stimuli. The Gestalt principles elucidate these tendencies; Items that are similar are often grouped together like a row of dots, in the color. When objects are close to each other our minds tend to perceive them as related. Our brains also have a tendency to fill in missing pieces in order to see an image, such as the circle in the WWF panda logo.

Symbols play a role in communication as certain images carry cultural meanings. For example a heart symbolizes love and a dove represents peace. Choosing symbols wisely can add a layer of meaning and significance to your logo design.

The Golden Ratio, a proportion found abundantly in nature is believed to be inherently pleasing to the eye. Many designers incorporate this ratio into logos to create balance and harmony.

Creating a logo can be quite laborious especially if you lack experience in design. This is why platforms like Ailogomakerr have become popular for creating logos efficiently. While hiring a designer is advantageous it comes with drawbacks such as time consuming drafts and revisions along, with high costs associated with professional services. Looking for an option? Of just working with one designer you can team up with an AI platform supported by a group of designers to create top notch logos for your brand. It’s a deal. The logos are just as iconic! Visit Ailogomakerr.com now to give your business that touch.This blog is from Ailogomakerr.com

[beetatissues1]

Enhance Your Table Setting with Vibrant Color Paper Napkins

Introduction: Adding a Splash of Color to Your Dining Experience

Color paper napkins offer a simple yet effective way to inject personality and flair into your table setting. Whether you're hosting a casual brunch with friends or a formal dinner party, choosing the right color napkins can instantly elevate the ambiance and create a memorable dining experience. In this comprehensive guide, we'll explore the myriad benefits of incorporating color paper napkins into your table decor and provide expert tips on selecting the perfect hues for any occasion.

The Power of Color: Setting the Mood for Your Event

The color scheme of your table setting plays a crucial role in establishing the mood and atmosphere of your event. Bright, vibrant colors like bold reds, sunny yellows, and vibrant blues can add energy and excitement to a casual gathering, while soft pastels like subtle pinks, gentle greens, and light blues create a sense of tranquility and sophistication for more formal affairs.

Choosing the Right Color Palette

When selecting colored paper napkins for your event, consider the overall theme and ambiance you wish to create. Warm tones like red, orange, and yellow are perfect for festive occasions and outdoor gatherings, while cool tones like blue, green, and purple lend a touch of elegance and refinement to indoor dinner parties and cocktail soirees.

Mixing and Matching

Don't be afraid to get creative with your color combinations! Mixing and matching different hues can add visual interest and depth to your table setting. Consider pairing complementary colors like purple and yellow or blue and orange for a dynamic and eye-catching look, or stick to a monochromatic scheme for a sleek and sophisticated aesthetic.

Tips for Using Color Paper Napkins Effectively

1. Coordinate with Your Tableware

Ensure that your color paper napkins complement the rest of your tableware, including plates, glasses, and cutlery. Choose napkin colors that harmonize with the overall color palette of your table setting for a cohesive and polished look.

2. Add Contrast with Table Linens

For added visual impact, layer your color paper napkins atop contrasting table linens. Pair bold, brightly colored napkins with crisp white tablecloths or neutral placemats to make them pop, or opt for subtle, muted napkins against a backdrop of richly colored linens for a sophisticated touch.

3. Experiment with Folding Techniques

Get creative with your napkin folding techniques to showcase your color paper napkins in unique and inventive ways. From simple folds like the classic pyramid to more intricate designs like the lotus flower or fan fold, there are endless possibilities to explore. Choose folds that complement the theme and style of your event for maximum impact.

Conclusion: Elevate Your Table Decor with Color Paper Napkins

Color paper napkins offer a versatile and affordable way to enhance the visual appeal of your table setting and create a memorable dining experience for you and your guests. By selecting the right hues, coordinating with your tableware, and experimenting with folding techniques, you can elevate your table decor to new heights of style and sophistication. So go ahead, unleash your creativity, and add a splash of color to your next event with vibrant color paper napkins!

[deepinmummymatters]

Unlock Career Success with Feng Shui

By applying the principles of Feng Shui in different ways to your workspace, you can enhance positive energy flow, boost your productivity, and pave the way for career success. By tapping into the power of Feng Shui, individuals can unlock new opportunities for growth and advancement in their working life. From simple adjustments like rearranging furniture to more complex considerations like the right colors and element placement, implementing Feng Shui practices can transform a stagnant work atmosphere into a dynamic supportive environment that promotes creativity and prosperity.  Whether you're an entrepreneur seeking business luck and expansion or a professional aiming for career advancement within a company, understanding how the art of Feng Shui can influence career success could be the key to reaching new heights in your professional journey. Feng Shui Career Direction  When it comes to maximizing career success through the ancient Chinese practice of Feng shui, the south direction of your home is believed to be the most supportive direction. The south represents the element of fire and is associated with fame, recognition, and reputation. By energizing this area of your own homes, you can harness its fiery energy to fuel your professional ambitions. To activate the south-specific areas for career success, consider adding elements such as red decor, candles, or artwork that symbolize passion and excitement. This will help ignite your motivation and drive to pursue your career goals. Additionally, incorporating triangular or pyramid shapes in this career area can further enhance its positive influence on your professional life.  Clear the Clutter Clearing the clutter in this specific area of your home and environment can have a significant impact on your career success. In Feng Shui, clutter is viewed as stagnant energy that can block the flow of positive energy and opportunities. By decluttering your workspace and home, you create space for new ideas and opportunities to flow into your life. This can lead to increased productivity, clarity of mind, and enhanced focus, all of which are essential for career advancement. A clutter-free environment can positively impact your mindset and overall well-being. It can reduce feelings of overwhelm and stress, allowing you to approach work tasks with an open mind and a clearer perspective. Additionally, an organized space conveys professionalism, mental clarity, and attention to detail, traits that are highly valued in the workplace and office spaces.  Position Your Desk Strategically Positioning your desk strategically can have a profound impact on your work environment and ultimately, on your career success. The placement of your desk is crucial to optimizing productivity and fostering positive energy and better results. By placing your desk in the command position, with a clear view of the entrance and ample space behind you, you can create a sense of control and authority in your workspace. Considering natural light when positioning your desk can significantly impact both mood and productivity. Placing your desk near a window or incorporating full-spectrum lighting can enhance focus and reduce eye strain, leading to increased efficiency. Taking into account ergonomic considerations such as comfortable seating and proper alignment with computer screens can contribute to overall well-being and sustained performance throughout the workday. Five Elements Utilizing the five elements in Feng Shui can significantly enhance career success.  Incorporating wood, fire, earth, metal, and water element into your office environment can promote balance, productivity, and positive energy flow.  Wood: Wood elements such as plants or wooden furniture foster growth and creativity.  Fire: The fiery energy of red accents can ignite passion and motivation within your work. Metal: Metal elements like metallic decor or white color schemes can promote mental clarity and precision in decision-making.  Water: Implementing a water feature or the color blue creates a sense of peace and tranquility while symbolizing growth and abundance.  By carefully balancing these elements within your workspace, you can cultivate an environment that supports your professional aspirations and career luck while also fostering overall well-being. Balance Yin and Yang The concept of Yin and Yang represents the balance between feminine (Yin) and masculine (Yang) energies. When it comes to career opportunities and positive changes, finding this equilibrium can enhance productivity, creativity, and overall well-being in the workplace. Embracing Yin energy in the form of softness, receptivity, and intuition can bring a sense of calm and nurturing to our work environments. This can help foster better relationships with colleagues and clients while promoting a more collaborative and cooperative atmosphere.  Integrating Yang energy through assertiveness, ambition, and action can propel us toward achieving our career goals with vigor and determination. By recognizing the interplay between these opposing yet complementary forces, we can harness their power to navigate challenges effectively while unlocking new opportunities for growth and fulfillment in our professional lives.  Optimize Lighting In the principle of Feng Shui, proper lighting is essential for maintaining a harmonious atmosphere that encourages creativity, productivity, and positivity. Natural light is particularly important, as it improves mood and energy levels. Use a combination of natural and artificial lighting in the home office or living space to create a well-lit environment. Position your desk so that you receive ample natural light during the day, and incorporate adjustable lighting fixtures to control the intensity based on your tasks. When setting up your work environment, consider incorporating adjustable lighting options to accommodate different areas, tasks, and mood throughout the day. Soft, diffused lighting as a first step can create a calm and soothing atmosphere for focused work, while brighter task lights can enhance alertness during demanding projects. By strategically optimizing your work desk and lighting setup you can create an environment that supports your professional growth and nurtures a positive mindset. Choose Inspirational Artwork When selecting inspirational artwork to enhance the Feng Shui of your workspace and promote career success, consider pieces that evoke a sense of ambition and determination. Look for art that features strong, vibrant colors such as red, which symbolizes energy and vitality, or gold, which represents wealth and abundance. Abstract paintings with bold shapes and dynamic movement can also inspire a sense of forward momentum and progression in your career journey. The goal is to select images that resonate with your career goals and aspirations. Whether it's a vision board or artwork depicting success, these visuals can serve as powerful reminders of your objectives. Surround yourself with art that uplifts your spirits and reinforces a positive mindset in relation to your professional endeavors.  By strategically incorporating inspiring artwork into your workspace according to Feng Shui principles, you can create an environment conducive to unlocking your full career potential. A powerful tool such as a landscape painting depicting mountains can convey stability, resilience, and reaching new heights—a perfect representation of your career aspirations. Add Plants for Vitality Incorporating vibrant and flourishing greenery to your office desk or into your workspace not only brings a natural touch but also supports the flow of energy, mental clarity, and emotional balance. Certain plants such as lucky bamboo or jade plant are believed to attract career success and financial abundance when placed strategically in profound ways within an office or work area. The introduction of plants into our surroundings connects us with nature, promoting a sense of grounding and rejuvenation essential for career path and sustained productivity. Their presence purifies the air, reducing indoor pollutants while also bringing positive energy flow, and can effectively revitalize any space. Keep the plants well-maintained and ensure they are placed in areas that receive adequate natural light. Colour for Success Color plays a crucial role in career success, according to Feng Shui principles. The use of specific colors in your workplace can have a profound impact on your energy levels, productivity, and overall well-being. Incorporating splashes of vibrant red can stimulate passion and motivation, while shades of blue enhance focus and clarity. By strategically infusing these colors into your work environment, you can create a harmonious atmosphere that fosters abundance and achievement. Understanding the psychological effects of color is essential for maximizing career potential. Research suggests that warm hues like yellow and orange promote creativity and optimism, which are vital qualities for professional growth. Conversely, cooler tones such as green can evoke feelings of balance and stability, contributing to a sense of confidence and control in the workplace. By leveraging the power of color psychology to curate a visually stimulating workspace, individuals can harness their full potential for career success. Conclusion By incorporating Feng Shui enhancements into your workspace, you can create a harmonious and energizing environment that supports your career prospects and success. The key is to align your physical surroundings with your professional goals, fostering a positive and conducive atmosphere for growth and achievement. Read the full article

[oldjoker233]

3D modeling techniques

I have found some techniques that might able to help me in the future works.

A little summary :

Primitive modeling: Primitive modeling is a basic 3D modeling technique that uses primitive shapes like spheres, boxes, pyramids, toruses, and cylinders as building blocks to create complex objects. It uses basic Boolean operators to create layouts and shapes, and is used by architects to visualize building layouts, increasing speed and saving time.

Polygonal modeling: A 3D modeling technique that uses X, Y, and Z coordinates to represent an object and its surface. It is faster, allows for motion data, and is preferred for real-time computer graphics and scan line rendering.

Non-uniform rational B-spline modeling (NURBS): NURBS is a mathematical model tool that creates 3D geometry through curves and surfaces, representing both standard and free-form geometric objects. It is mainly used in CAD, manufacturing, and CAE, offering accuracy and flexibility. NURBS is accessible with computer programs and is used in illustration, animation, and manufacturing processes.

3D CAD modeling: 3D CAD Modeling creates virtual reality objects with physical properties, converting 2D drawings into 3D models using complex mathematical calculations. This process evaluates model behavior in real environments, aiding architects in visualization of building projects and 3D exterior design.

BIM modeling: BIM is a 3D digital representation of a facility's physical and functional characteristics, used by AEC professionals for efficient planning, design, construction, and maintenance. It improves decision-making, collaboration, and communication, while offering better visualization, energy-efficient design, cost optimization, and productivity.

Wireframe CAD modeling: Wireframe CAD modeling is a 3D computer graphics process that visually represents physical objects using lines and curves. It is used for construction, solids, and surfaces, providing high-quality solid representation. It is suitable for high screen frame rates and is convenient for creating simple building models and real estate projects.

3D interior modeling: 3D interior modeling, based on interior design, sketches, and digital drawing, defines floor plans, spacious layouts, and features like color scheme, lighting, and furniture. It helps recommend changes and select the best model, used in real estate and product modeling.

eLogicTech can help to leverage 3D modeling technology to the fullest: eLogicTech, an architectural 3D modeling service provider, has significantly impacted the construction industry by managing challenges and providing innovative designs. They offer BIM modeling, MEP, and 3D visualization services, assisting architects, contractors, and clients in creating creative and innovative projects.

Not as I think, this is not that useful but somehow have something to use for.

[cosmicangel888]

Healing Abuse in even the most Subtle Ways ~ Arise 5D ~ Be the One that Speaks

What would happen, if instead of being petty, getting one over on another; you tap into the abuse wounding, the rejection wounding, the degrading wounding, and show yourself the love, attention, forgiveness, that those have not showed you?

When you show yourself love, the body heals, the mind sharpens, the world around you opens up; love and patience, inner softening clears the outer ~

None have any right to abuse you - if you feel like you have to walk on egg shells to keep the peace, it is destroying who you are as a creative expression on the inside~ disease, imbalance, mental, emotional disorders, for there is only so long a natural divine spirit being can be in such darkness and degrading imprints, and words before it breaks;

Self Mastery is that which is what you are shown, intuitive surity, clarity, and speaking on it, so that you can make a difference, for if you are being mistreated, then others are - your life story is exactly what you will use to help others, help a new path for earth, and those that are using our spirited gifts to live in new realms and new ways; of self love, self honour, self value, and self importance ~

All will know, see, and the truth will be unravelled, and how, in what ways systems and those within it abuse the public to run their own corrupt manners and thwarting innocent people - corrupt souls, spirits, disconnected and not feeding their own inner realm; will create, meet with others, cults, groups that set up pyramids, schemes, scams to take and confuse others - masked churches, and businesses and spirituality, fooling impressionable minds, souls, and taking light, energy, choice, and sway the collective energies - by mind-scraping, spirit veiling, breaking confidence and self confidence of the inner self; narcism and corruption of the inner self of the balanced ones by falsifying all that is involved;

Pulling others in, gang-stalking, systematic deceit, manipulations, and the mind, emotional, spiritual games get more subtle and payoffs to those in systems; and it is seen, brought forth by the year; so be the one that speaks, be the one that stands up and speaks for what is unfair and unjust and know there are innocent people that do not have a voice and you are the one that will ~ we are our new systems and we are the new earth ways of all are valued, all life is sacred; be the one that speaks and acts in peace and commitment to knowing life is sacred; outer false value, taking, scheming, and gang-stalking bullying while they steal your ideas, content, make money and residual off of your work, and you are blamed, targeted, blasphemed, and sent spell work daily to cease and give up ~

Looking into my own past city, where all the issues began of bullying for speaking truth, using my own human and spiritual rights, I recently read the government pledging $53M to help the city fight gang and corruption. While I have been speaking, helping other women, innocent, people that are merely being truthful and those with titles, power, and knowing who to call on, who and how to pay, so that whatever documents are tried to falsify and misleading and false information on the innocent will be brought down and truth will be prevailing - Truth will prevail -

Every person in their community deserves safety and liberation of expression and when we are bringing information forth; to have all parties look into it with equal eyes, equal due diligence; women's voices matter, psychic and mediumship and those that speak in truthful sacred tongue truly matter - deceit and wrongful abuse of occult gifts, tools, and offerings that harm, confuse, and how those that choose to use their gifts and help cities bring corrupt to healing and bring those abused to their justice; will be our 5D earth and I will not stand down.

Those on the inside of the game, will fall and break their paid off false bonds, and promises made to falsely bring down the innocent, because remember, every day, guides, teams, God, spirit, is all working on awakening with light, and when you awaken, you remember who you are and no amount of money, to sell your soul, your life away to cover for someone that is corrupt in their greed, and selfishness that will be your next partner in your next life, or your mother or father -

All that belongs to such groups, are also awakening; you understand the cycles of abuse and how it will return; and how your own free will that will be affected and the torment you participate in, will be enough to break free of the fear bondage and bring truth to the innocent being abused; that is clearing your karma and making way for what is right;

The constant inhumane punishment simply because someone will not stand down, someone continues to seek divorce and liberation from the toxic, corrupt, shady and selfish lack of self that will do anything to take, bring down, and harm the innocent only because they feel that someone is so different and pure and that triggers their darkness and then behave and act in bullying and haste because their own sense of self is being questioned; then go in and heal = you are worthy to carry yourself in anew; never surrender to lesser; hold a higher standard for your life and how others treat you -

Spirit sees and knows all - nothing, and not one will escape the choices, the slight of hand, the payments, and the deceit; none will be missed; and every time you bring falseness and pain, suffering to the innocent; all will return and receive - why such underground and corrupt groups will eventually impale and break inward; there is no where for darkness to go ~ someone will break and someone will know that spirit, light, love and their own knowing of what their next month, year will look like and how their own health, mental awareness, and all that is will show them a new level of worthiness ~ pure heart mind body and soul - life is sacred.

All life is affected by the environment, not solely becoming it, for you affect the environment, period; but most are simply not self masters to shift, uplift, and turn-upside down what is abusive and devaluing overnight -

Know that the Universal beings, Gods legions, and your spirit guides will match you - hold yourself most high; speak, act, never give up and know your inner peace, stand in your power, and your light, with integrity and know all is a vibration to know we are worthy of all living in peace, living in our creative expression, living in our heights and peace, love and grace; we have our rights to bring light, love, clarity to what is soaked in corruption;

Never surrender to a lesser story, or making of you - Stand in your light and show yourself, show your higher self, spirit, that your body, mind, spirit and soul matters; all your chakra's are there to help you inspire and infuse the power within to without - stand up for your perfect child, love yourself when others do not and know that is all that is needed before you see Source, God place synchronicities before you to move out and beyond darkness ~ ©

You do not have to surrender to the darkness - stand daily and spell love into your life, your body, your environment - not forcing an outcome, or others, but spell the light, the playfulness, the creative expression - none have rights over your expression and if you are around those that choose to think, and behave in such; that is their wounding of not enough, and insecurity that you are brighter, more solid, sure, clear about you - which they, all compare who they are in reflection of you -

We have been taught from the earliest of ages to reflect and observe outer to assure we fit, we get along, or belong, and most are not aware enough to know it is only a reflection and acceptance of how unique we are; not to be robotic and be like any - but to simply accept; all is the all - and you can act, love, express, explore, experience yourself as all - ©

The soul growth, and soul fulfillment, your destiny is......

You are here to explore all that you within the all

You are here to express all that you are within the All

You are here to experience all that you are within the all and you get to choose in all moments that creates your reality and health, what is manifested

This is your reflection with Spirit, Angelics when you pass over - 3 days of review and life reflection at the moment you pass; to offer, review, observe a life review of the above to take in the life's lessons for your soul;

did you practice patiences, tolerance, honouring all, releasing judgment, honouring of land, seeing all life as new and sacred, wakening to oneness and choosing in oneness, was I a master of me, or did I surrender my value, importance to follow, did I speak and live in my truth, did I value and honour others, did I build and create in my alignment - did I love more, did I forgive quickly

Did I hold all life with compassion - how can I create, be the art of my life so that all moments, I am soft, honouring, yet standing firm in who I am; because I love my uniqueness - my light, my offering, my creative spark is just for me of me - that is why I was here, am here - ©

Blessings be for your life review in all moments - live deeply, richly, and spirit will show you the way,

Joanna

#5Dleadership #5DNewEarth

JoannaCosmicAngel@yahoo.com

#ascension #awakening #God #source #CreationalReality #ascensionbooks #healinghumanity #healingourchildren #healingtoxicity #BeyondtheBeyond #5Dearth #5Dbooks #PTSD #healingtrauma #healingabuse #healingbullying #selfconfidence #healingpsychicattacks #healingblackmagic #5Dconsciousness #Consciousness #soulgrowth #destiny #fate #soulpurpose #divinity #creation #calgarycorruption #calgarycrime

[hermitreunited]

For the fic Q’s— 2, 12, 16, 18, 19, 22, 26, 34, 38, 42 & 45 I’ll look forward to your response 👀

2. What’s your most recent fic and how far do you think you’ve come? Legwarmers is a Klaus and Dave ballet au wip, and just the fact that I’m saying that is kind of a huge departure from form for me. That it’s fluffy and ballet, of all things?? That it’s unfinished and I’m just kind of posting it on the fly - it’s very much just doing this hobby for fun, whereas normally I’d be worried somehow about conserving my ‘writing energy’ for ‘important stuff’ or some kind of garbage. I’m glad I’m doing it!

12. Have you ever written a fic and decided never to publish it? Why? because I’m worried somehow about conserving my ‘writing energy’ for ‘important stuff’ or some kind of garbage. I spend a lot of time usually trying to wait out my ideas and not write them down, and I’m starting to think that’s a pretty dumb plan, because creative energy is not a finite resource, and in fact I’m starting to see that it might be one of those things where the more you use, the more you get.

16. Have you ever stopped writing a fic/for a fandom because it wasn’t receiving enough attention? Not really, it’s mainly about my interest in the thing, and even if readers were invested, I don’t think I could keep writing something that I’m just not interested in anymore. Although it is likely that the interest of others can keep my interest up longer? So not exactly, but it’s hard to say? Not consciously.

18. What’s your most underrated fic? Alright no one is following me for Dirk Gently anymore because it was always a tiny fandom and now that it’s canceled it’s even tinier - an absolute tragedy - but I’m really proud and pleased with Important Stuff to Do in the Woods, my singular dghda fic. It’s got less than 100 hits but I think it’s really cute, dangit! and it was my first foray towards anything approaching ‘cute.’ And it feels very in-line with the spirit of the show to me and the show is my actual favorite thing ever and I think it’s a turning point towards my fics being less drowning in angst and being angst with a hopeful bent and that means a lot to me.

19. If you had to pick one fic/scene/chapter of your work to describe your entire portfolio to a stranger, which would you pick? 😬😬I.. I wouldn’t want to do that, yipes. (#the mortifying ordeal of being known) buuut okay a mix of aspirationally what I’d like my work to be and what it actually is probably is reflected in the scene in second chapter of Everyone Gets Here Eventually, the family dinner scene when (spoiler alert I guess?) Klaus meets Dave’s family and Dave finds out about the book. It’s definitely angsty, which is the realistic view of my writing, but I think it’s got some complicated sweetness in there which is what I hope for my writing to be. And it’s a lot of dialogue, which is very on brand for my un-descriptive self.

22. Has there ever been anyone who’s made you freak out because they read your work and followed/favorited/reviewed? siriuspiggyback reading and commenting on my stuff was,,, pretty cooooool and I was a normal amount of cool about it. and when daemons said nice thing about my fic I think it’s likely that I threw my phone across the room. There’s no question that screaming was involved, but that’s the case with every comment.

26. What aspect of your writing do you most enjoy to see praised? Usually there is some kind of thing I’m focusing on, some kind of growth point I’m trying to nurture? and so if someone comments on whatever that was for that fic it’s really exciting, like on Bad Stuff in a Bad Place people have commented on the visual quality of it and that’s what I was trying really hard on so it thrills my heart to hear when I succeed! In general though good characterization and voice is so important so it’s always gratifying to hear when that works for people!

34. Was there any fic that you wrote that really surprised you in the fandom reaction? Was it just by the numbers or did they take it an entirely different way? I mainly don’t even expect to get a reaction, so just getting comments is a lovely surprise. A few readers had a different take on the ending of eghe that I really didn’t expect…

38. Have you ever purposefully written something you know your readers would find uncomfortable/would not enjoy? If yes, why? The throughline of this ask game answer is that I never think of the fact that I have readers, like ever, so no. When I write I leave little comments as I go as though I am myself a reader and I just write stuff that I enjoy, and I’m only ever writing what I like.

42. How many views has your most popular fic gotten? Bad Stuff has 4086! Which has finally thankfully surpassed my old old Teen Wolf fanfiction that previously held that distinction.

45. If you had to call yourself an author of a single genre (besides fanfic) what label would you give yourself? I mean, angst isn’t really a genre outside of fanfiction, is it? I really write fanfiction though, like even my original stuff is very much in line with the norms of fanfic. My original stuff is ya, does that count? I feel like mainstream fiction doesn’t have nearly as specific terms and so it’d just be called ‘drama’ which is crazy because I would never pick up a book that termed itself that way.

Ahhh these were really great questions, thanks Courtney!! It was pretty fun to get to do this here at the end of a really productive year of fanfic writing and look back at what I’ve done.

[astrology-with-charu]

Saturn Square Uranus & Cryptocurrencies

We have spoken in detail on Saturn Uranus square and I have drawn parallels to Napster of 1999/2000 to crypto’s of current times. Napster which was born and litigated during the last Saturn Square Uranus transit which happens every 22 years, was also litigated in the same transit. I wanted to get very clear on this as there are so many people from our own community misrepresenting for financial reason this information and atleast to my readers I would like to be clear. Full disclosure - this is not financial advice, this is astrological aspects and their interpretation. I personally do not own any crypto currency though I dont have anything against those who do. And no I am not taking the opportunity of kicking the one already down by taking this as opportunity to go “I told you so”. Rather to explain my thinking. I love investing and I am fascinated by the workings of crypto and remain an eternal student of the financial markets as they fascinate me. And I do astrologically strongly believe that digital currency would be one of the big shifts which will come from Uranus in Taurus transit to 2025. Pls make your own financial investment decision, this is not financial advice and these are my personal views - not linked to any affiliated institutions. So having disclosures out of the way, we can get into planetary aspects and why I have been stating this repeatedly.

First thing to understand is that Saturn is the stronger planet and the dispositor of Saturn square Uranus transit which is meant to bring innovation and restrictions. Saturn - the regulations is the stronger. While Uranus in Taurus which is essentially everything and everyone who wants to create financial independence - the whole concept of FIRE, digital currency, independent sources of income, innovation in wealth, innovation in food, shifts in earth - so this planet yes is key and it clearly represents rise of digital currencies. Saturn in Aquarius is structured innovation - they both do have a common ground of innovation but Saturn wants to do it through official channels like digital dollar. While Uranus in Taurus believes thats where the trouble started - centralised structures do not work and they do have a point in an Aquarius world. So I do believe decentralised currency structures would come to life and they would become mainstream along with digital sovereign currencies like dollar, renminbi is already digital now and so forth.

But but but...

So thats where Astrology and past transits I think help give clarity and I am very focused on how this panned out in last Saturn Square Uranus when Napster came into existence and this whole peer to peer file transfer and music being made available online at no cost models started. Napster was killed through litigations but these models did evolve into Apple Music and all such forms of official channel of cheaper access to music online. Uranus was in its own sign Aquarius so the disruption made art (Saturn in Taurus) available to all. So the model did change the world but the thing that inspired the model didn’t make it cause that was not the form it was supposed to exist in and to some extend it was downright unfair to the creatives who made those arts / songs and it was illegal. It was against the Saturn principles. A lot of crypto traders will jump on my case and they do whenever I have a discussion on this cause crypto is traceable even though the miners of cryptocurrencies continues to be found in Iran, in meth raids in UK and ofcourse in China where loss of electricity for few hours resulted in massive drop of bitcoin. China has officially banned crypto - “officially”.

Uranus is in its fall in Taurus. Innovation happens but they are simple versus complex and tough to understand. Uranus in Taurus also has capacity to create a financial crisis due to disruptive financial innovations like a stock market rout due to a crypto issue and we might see if that is indeed the case or not when we experience the second square on 14 June and last square end of the year.

Uranus in Taurus still has inertia, tries to flog the same old technology to make it work for future and many of the cryptos have existed for many years with zero evolution in their technology and they have become like art of a dead artist (Taurus). Cause there are no more to be made, scarcity of it and uniqueness of it (Uranus) is driving its value (Taurus) but Saturn(government, regulations) in Aquarius will never accept anything as norm which is not available to all and cannot be practically used by everyone by the collective (Aquarius). It will accept the ones that can be used by the collective though as I said they both have a common ground - Saturn in Aquarius and Uranus in Taurus both want innovation but one wants practical one and the one that it can regulate versus being mined through a marijuana raid in a meth farm in West Midlands in UK. Uranus in Taurus is at its fall, innovation comes through too many downfalls and there are some forced innovations and they look like a beautiful Taurus curves being fit into a geeky Aquarius space suit. In fall Uranus becomes a pyramid scheme. One person on twitter exciting another one to buy a “rare” asset - call them NFT or call them crypto we loose the sense of value of things but Taurus always tries to bring in itself the balance back to the real value of an asset through an equally disruptive opposite force. This is forced innovation not a real one. Innovation would be if there was technological advancement linked to it. There are many cryptos which do that but most of the people right now buying these currencies in retail have no knowledge of the tech behind any of these currencies. Though North Node in Gemini has accelerated their learning but in Gemini learning is with the attention of a goldfish, a meme is being used for financial decision making more than picking up a detailed description or an annual report of a company. On top of that a fraudulent Bitcoin astrology chart is doing rounds for many astrologers to claim its “unknown” source of gain all to their predictions. Gemini spreads gossip and its shadow side is internet fibs and thats what is the Webster dictionary’s meaning of a tweet most of the time.

I am not claiming to know it all, just expressing what I see. I have held back for long to go into details of it cause I think everyone has right to choose what they believe in and what they spend their money on and they still do. But I thought I will say my piece before its too late for a few. I hope to be grossly wrong so many innocent don’t loose their savings and we don’t see a stock market route causing many to loose their investments. And I have hoped since I first talked of this Napster parallel in my May 2020 video on the aspect and the fact that all innovations would be judged against ecological soundness e.g. why would a currency claimed to be powered by green energy fall down by 14% due to coal mine flooding shutting down power plants in Xinjiang China.

Why are most of the crypto’s not purchased through dollar directly but through a made up currency with no audits called Tether which has been under multiple investigations and whose market cap went up from $8bn to $60bn without any real assets backing. For the uninitiated Tether is like those coins they issue in video game alleys for our real money which we can then use to buy crypto so we can play those video games. Except here its being called investment so you expect them to hold the money you give them but they don’t and we dont know where that money is going as they aren’t regulated or audited. Majority of cryptos are being bought as such. Again this is not financial advice and you should do you own research.

I apologise for adding financial details in an astrological discourse but when my hairdresser starting talking of hash rates of cryptos I thought it was ok to bring this element in.

I love going to Vegas but the one in United States not the one in Iran or Xinjiang or in a meth farm in UK. Neptune is rampant, choose wisely. I have done my part.

======

~ Kassandra (thinking of changing my channel name to this let me know what you think)

Why ?

Kassandra was a Trojan priestess of Apollo in Greek mythology cursed to utter true prophecies, but never to be believed.

======

#bitcoin #cryptocurrency #astrology #horoscope #Saturn #Uranus #Aries #Taurus #Gemini #Cancer #Leo #Virgo #Libra #Scorpio #Sagittarius #Capricorn #Aquarius #Pisces

[maddalenafragnito]

ART FOR UBI (MANIFESTO) 

Happy to join forces with this movement and create a network that strongly demands the introduction of a Universal Basic Income as the main response to the systemic crisis that is affecting not only the art and cultural production sector but the whole ecosystem in which we move every day!

The ART FOR UBI campaign promoted by the Institute of Radical Imagination.

1/ Universal and Unconditional Basic Income is the best measure for the arts and cultural sector. Art workers claim a basic income, not for themselves, but for everyone.

2/ Do not call UBI any measures that do not equal a living wage: UBI has to be above the poverty threshold. To eliminate poverty, UBI must correspond to a region’s minimum wage.

3/ UBI frees up time, liberating us from the blackmail of precarious labor and from exploitative working conditions.

4/ UBI is given unconditionally and without caveats, regardless of social status, job performance, or ability. It goes against the meritocratic falsehoods that cover for class privilege.  

5/ UBI is not a social safety net, nor is it welfare unemployment reform. It is the minimal recognition of the invisible labor that is essential to the reproduction of life, largely unacknowledged but essential, as society’s growing need for care proves.

6/ UBI states that waged labor is no longer the sole means for wealth redistribution. Time and time again, this model proves unsustainable.Wage is just another name for exploitation of workers, who always earn less than they give. 

7/ Trans-feminist and decolonizing perspectives teach us to say NO to all the invisible and extractive modes of exploitation, especially within the precarious working conditions created by the art market.

8/ UBI affirms the right to intermittence, privacy and autonomy, the right to stay off-line and not to be available 24/7.

9/ UBI rejects the pyramid scheme of grants and of the nonprofit industrial complex, redistributing wealth equally and without unnecessary bureaucratic burdens. Bureaucracy is the vampire of art workers’ energies and time turning them into managers of themselves.

10/ By demanding UBI, art workers do not defend a guild or a category and depreciate the role that class and privilege play in current perceptions of art. UBI is universal because it is for everyone and makes creative agency available to everyone.

11/ Art’s health is directly connected to a healthy social fabric. To claim for UBI, being grounded in the ethics of mutual care, is art workers’ most powerful gesture of care towards society.

12/ Because UBI disrupts the logic of overproduction, it frees us from the current modes of capital production that are exploiting the planet. UBI is a cosmogenetic technique and a means to achieve climate justice.

13/ Where to find the money for the UBI? In and of itself UBI questions the actual tax systems in Europe and elsewhere. UBI empowers us to reimagine financial transactions, the extractivism of digital platforms, liquidity, and debt. No public service should be cut in order to finance UBI.

14/ UBI inspires many art collectives and communities to test various tools for more equal redistribution of resources and wealth. From self-managed mutual aid systems based on collettivising incomes, to solutions temporarily freeing cognitive workers from public and private constraints. We aim to join them.

FIRST SIGNATURES: 

Individuals

Emanuele Braga / Macao, Milan; Institute of Radical Imagination

Marco Bravalle / Sale Docks, Venice; Institute of Radical Imagination

Gabriella Riccio / L’Asilo, Naples ; Institute of Radical Imagination

Ilenia Caleo / Campo Innocente; Incommon – Università IUAV Venezia

Anna Rispoli / Artist

Maddalena Fragnito / Macao, Milan; Phd at Coventry University

Andrea Fumagalli / Effimera; University of Pavia

Nicola Capone / Philosopher; L’Asilo, Naples

Luigi Coppola / Artist

Giuseppe Micciarelli / L’Asilo, Naples, University of Salerno

Julio Linares / Economist and Anthropologist; JoinCircles.net

Dena Beard / The Lab, San Francisco

Manuel Borja-Villel / Museum Director, Madrid

Salvo Torre / Professor, member of POE Politics, Ontologies, Ecologies

Sara Buraya Boned / L’Internationale; Institute Of Radical Imagination

Kuba Szreder / Curator and theorist, Warsaw

Dmitry Vilensky / Chto Delat

Charles Esche / Director of Van Abbemuseum, Eindhoven

Franco Bifo Berardi / Philosopher

Gregory Sholette / Artist

Zeyno Pekunlu / Artist, Institute of Radical Imagination

Anna Daneri / Forum dell’arte contemporanea italiana

Massimo Mollona / Goldsmiths’ University of London, Institute of Radical Imagination

Jerszy Seymour / Artist and Designer; Sandberg Institute

Marco Assennato / Maître de conférences in filosofia, Ecole Nationale Supérieure d’Architecture, Paris-Malaquais

Roberto Ciccarelli / Philosopher and journalist

Sandro Mezzadra / Philosopher

Geert Lovink / Institute of Network Cultures, Amsterdam

Alisa Del Re / senior professor Ateneo Patavino

Andrea Gropplero / Film Director

Giuseppe Allegri / Activist

Elena Lasala Palomar / Institute of Radical Imagination

Nicolas Martino / Philosopher

Ilaria Bussoni / Editor and curator

Danilo Correale / Artist

Annalisa Sacchi / Incommon – Università IUAV Venezia

Giada Cipollone / Incommon – Università IUAV Venezia

Stefano Tomassini / Incommon – Università IUAV Venezia

Piersandra Di Matteo / Incommon – Università IUAV Venezia

Elena Blesa Cabéz / Researcher, Barcelona; Institute of Radical Imagination

Jesús Carrillo / Senior Lecturer at the Department of History and Theory of Art Universidad Autónoma de Madrid; Institute of Radical Imagination

Pablo García Bachiller / Arquitecto; Institute of Radical Imagination

Theo Prodromidis / Artist; Institute of Radical Imagination

Mabel Tapia / Art Researcher Madrid-Paris

Chiara Colasurdo / Labour Lawyer

Organizations

Institute of Radical Imagination

Il Campo Innocente

Macao

Sale Docks

Chto Delat

L’Asilo

Euronomade

Dirty Art Department Gerrit Rietveld Academie and Dirty Art Foundation

Effimera

OperaViva Magazine

Basic Income Network – Italia

Community and Research for Circles UBI

Forum d’arte contemporanea

Global Project

Dinamopress

Sherwood

AWI Art Workers Italy

Maestranze dello Spettacolo Veneto

Autonomedia New York City

#ARTforUBImanifesto

You can sign ART FOR UBI (Manifesto) on change.org

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe

[binaryproblem]

I haven’t written one of these in quite some time. That’s mostly because my mind has been muddled with so much shit that I actually haven’t had the energy to attempt to convey my thoughts in any way.

Between being laid off from my job to COVID-19 to seeing the amount of my people killed over the past several weeks...my heart is heavy.

But out of all of that, the things that bothers me most is the idea that in about a months time, a little girl will be welcomed into this world with my blood coursing through her veins.

This was all sudden. And it happened at a time that I would rather it not have, but here we are.

I don’t regret anything. I love this child who has yet to breath on the outside yet. I love her mother who supports me and tries her best to understand me. I love her brother who, despite being a headache and a half, is a sweet child who always wants to be helpful.

I just wish I could find a clear way to dig myself out of the situation I am currently in.

Job hunting has been garbage. My former co-workers still haven’t found work as well. COVID-19 hasn’t helped with this situation. The jobs I have gotten interviews for have been “marketing” schemes and Pyramid situations. Either that, or they were paying next to nothing to a point where I would have money for pretty much anything outside of eating and traveling to and from work.

Creatively? I don’t know how long it has been since I created a mix via my DJ Controller. My DDJ-SB3 has been looking me in the eyes wanting to be touched and I can’t bring myself to sit before it longer than a few minutes.

I have barely been in the mood to stream video games. Despite having a week where I seemed like I was getting some traction, I ended up falling back into the same creative hole with no end in sight. It was a bottomless pit and I didn’t have the energy to climb out of it.

Right now? I’m frustrated. I’m frustrated at my failures, some not my fault. Others? Completely my fault. I’m grasping at air trying to find a ladder that doesn’t exist.

My best hope right now...is that I find something that can center my thoughts.

I wish that Grams was still here. She always knew what to say to get me back on the path. Or Uncle Sonny, who always seemed to have the right analogy at the right time to put things in perspective.

This...these things I’m fighting for...I need to find something...anything...to reel me back in...to being that person that Grams said I was.

I just don’t know if he’s long gone or not.

[gypsywombman]

This dam ain't no pyramid scheme either!!!! This is You Setting Yourself Up For SUCCESS!!!!! What if you could defy the odds? What if you could wake up every morning and pour some your creativity, energy and time into building your own dreams — not just slaving away at somebody else’s? It's true we have to work to survive, start making the transitions to doing what will Benefit YOU, Doing What You Love, Self-Sufficiency, Entrepreneurship, Building an Empire. Join Our Own Online Magickal Market Place/Spiritual Swap Meet a Place to showcase Your Work and vibe with Like-Minded Folk Go on over and sign up for updates. If you are interested in becoming a vendor/crafter/reader/small business owner and having your own store in the market place you can shoot us an email to: MarketofGypsies@Gmail.Com For more info Link Up With @marketofgypsies www.MarketofGypsies.Com A platform created for Esoteric, Magickal, Spiritual, Occult Sales & Shopping Join Today! Our very own Amazon/Etsy/eBay catering to the Spiritual Community #vendors #boho #esoteric #witch #Spiritual #newage #beadedjewelry #crystals #candlemagic #craft #artisan #artist #writers #hoodoo #voodoo #Santeria #art #entrepreneurship #selfemployed #SUCCESS (at GypsyWombman) https://www.instagram.com/p/BtJomyWnfnH/?utm_source=ig_tumblr_share&igshid=hokx5eaqxy4o

[imogencovingtonblog-blog]

Realistic Programs Of Software For MLM - The Best Routes

Usually do not go that course. Rather, understand the trips that will help you become effective. Keep reading for info that can help.

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[xtruss]

The Empty Blockbuster Music of DJ Khaled

His latest album, “Khaled Khaled,” seems to exist solely for the pursuit of clout.

— By Sheldon Pearce | The New Yorker | May 4, 2021

The use of the hip-hop personality’s full name in the album’s title is supposed to signify maturation.

At the 1995 Source Awards, Suge Knight, the thug mogul of Death Row Records, took to the stage to criticize his rival, Sean (Puffy) Combs, the founder of Bad Boy Records. “Any artist out there that want to be an artist and want to stay a star, and don’t want to have to worry about the executive producer trying to be all in the videos, all on the record, dancing—come to Death Row,” he howled. He was drawing a line between being “real” and being “commercial,” and between the backstage impresario and the on-air talent. Combs, he implied, disrupted the balance, and took the spotlight off actual entertainers; he was standing where he shouldn’t be, in a place reserved for creators.

The desire to be “all on the record, dancing” is DJ Khaled’s entire ethos. He studied Combs carefully and sought to make being “commercial” a personality. He is not a performer; he is a presenter. His superpower is networking—as a d.j. in Miami, he amassed considerable connections. His creative philosophy is exemplified by a quote that he gave to The Fader, in 2013: “If you can’t find it, you gotta go make it. If you can’t make it, you gotta go find it.” He leans heavily toward the latter. He can’t rap and, until recently, he rarely produced, so “finding it” was often pegged as his sole talent. His lack of involvement in the creative process became a running gag. “What Does DJ Khaled Do and Is He Good for Hip-Hop?” a Complex story from 2012 asked. “Solving the Mystery of What DJ Khaled Actually Does,” posited another, from 2016, in the Houston Press. Khaled aspired to fill a position that Combs once gave himself: “vibe giver.”

Khaled’s megamix cuts, filled with boldface artists, once had a certain novelty. When he started, he was assembling rappers in his orbit for low-stakes rap-offs. The music had a clear precursor: the promotional mixtapes used by rap d.j.s to cement their statuses as masters of the airwaves. The albums followed a formula marked out by DJ Clue’s “The Professional” and Kid Capri’s “Soundtrack to the Streets.” But Khaled had far larger aspirations: he wanted to be seen as a hitmaker in his own right. By his second album, he’d cracked the code. “We Takin’ Over,” with Akon, T.I., Rick Ross, Fat Joe, Birdman, and Lil Wayne, scored him his first platinum record. “I’m So Hood,” with T-Pain, Trick Daddy, Rick Ross, and Plies, scored him his first outright hit—and the official remix of the song, which added more than twice as many new verses, became a mark of his growing reach.

In recent years, Khaled has used his influence to transform himself into a sort of rap Tony Robbins. He preaches a positivity gospel so empty that it borders on satire, or even performance art. He has even become a cartoon character, using an animated self-help persona to sell the everyman on the keys to success. In 2016, he wrote a book of affirmations literally called “The Keys.” The following year, he released an album called “Grateful.” He sold thrones and gold lions as part of a furniture line. He promoted a cryptocurrency (and was subsequently charged by the S.E.C. for failing to disclose payments that he received for the promotion). He played a motivational coach in a Geico ad. Everything he did came to feel like marketing, most of all his music.

DJ Khaled albums now seem to exist solely for the pursuit of clout. The songs are high-profile mashups devised as heat-seeking missiles for the Billboard charts. The choices of artists are tailored to burnish his personal brand, the music equivalent of bathing in the residual glow of a string of celebrity name drops—accomplishment by association. The music isn’t a success if it’s good; it’s a success if it reinforces Khaled’s self-perpetuating myth of the A-list hitmaker.

That myth threatened to unravel, in 2019, when Khaled and his album “Father of Asahd” lost a chart race to Tyler, the Creator’s “IGOR.” In a shameless (but not uncommon) attempt to boost sales by using bundled purchases, Khaled sold the album with energy drinks through an e-commerce site, Shop.com. According to the Times, Billboard disqualified most of Khaled’s bundles for encouraging unauthorized bulk sales and awarded the No. 1 slot to Tyler. After working transparently in pursuit of the top spot, the proponent of the “All I Do Is Win” ideology finished second.

By that point, Khaled’s all-star collaborations were losing juice. In 2017, the Scottish d.j. and producer Calvin Harris released an album called “Funk Wav Bounces Vol. 1,” which he produced himself. The songs were sleeker and more organized, and they had far more interesting groupings. The singer-songwriter Ed Sheeran, with his “No.6 Collaborations Project,” turned the format into a truly creative exercise. As time has gone on, the type of collaborations that it seemed only Khaled could orchestrate have started to come about naturally. Last month, the rappers Young Thug and Gunna released “Slime Language 2,” a label compilation full of unusual pairings.

Khaled has been forced to adapt, and his new album, “Khaled Khaled,” tweaks the model. The use of his full name is supposed to signify maturation. “If you look at some of your favourite icons, there’s a point when people start calling them by their real name,” he told the U.K edition of GQ. “You know Khaled as a mogul, as a hustler, but I am a father. And a winner. And I am God’s child.” In keeping with that symbolic evolution, he plays the auteur this time. After a Michael Bay-like run of big set pieces with explosive combinations, Khaled wants to become the Steven Spielberg of the rap blockbuster.

A few of the biggest artists of the moment—Drake, Cardi B, and Justin Timberlake, who have at least fourteen No. 1 songs between them—get solo showcases. (Drake gets two.) One of rap’s most promising risers, Lil Baby; the cult phenomenon Bryson Tiller; and the egot contender H.E.R. all appear multiple times. Khaled shuffles the matchups around a bit. Beneath these cosmetic adjustments, though, it all feels familiar. Most of the performers on this album were on his previous one, and the music yearns to reach new heights without taking any risks. The shortcomings of “Khaled Khaled” are twofold: it is a failure of imagination and a failure of spectacle. Even when previous Khaled singles started to feel as if they were product tested before a group of Spotify data analysts, there was at least a curatorial sensibility at work. Now Khaled is producing full-on paeans to prosperity, and the music makes no attempt to entertain.

When Khaled brought the bona-fide pop star Justin Bieber into the fold, on “I’m the One,” from 2017, it felt like a huge get. But the move only seems like pandering by now, the third time around. There is no thrill in the return of the Migos or the oddball union of Post Malone and Megan Thee Stallion. And there is no refuge to be found in the beats, which rely heavily on classic rap samples and the nostalgia they induce. The album’s aspiration-over-inspiration approach is made clear by “This Is My Year,” which features Rick Ross, Big Sean, A Boogie Wit da Hoodie, and Combs ad-libbing as Puff Daddy. The verses get more and more rigid and colorless as they go on. Big Sean is “going over blueprints” in the boardroom, and Rick Ross has Forbes on his mind, rapping, “305 the code if you wanna get a block / You can send in Bitcoins, time to triple it with stocks.” Making money in rap used to be fun, but in the uber-capitalist realm of nonstop advancement that dominates Khaled’s mind, it’s all work.

Blame some of that on contemporary rap’s forebears, who, in middle age, have turned to old-money methods as a sign of maturity—none more so than New York City’s hip-hop kingpins Jay-Z and Nas. The two team up on “Khaled Khaled” to take venture-capitalist raps to new lows on “Sorry Not Sorry,” a celebratory toast that appropriates the language of the sarcastic non-apology for one-percenter consumption. The pair have rarely sounded so bored or so didactic, rapping about cryptocurrencies, Silicon Valley, and angel investments with the smugness of a late-night infomercial pushing a pyramid scheme. In these verses, settling into the lap of luxury isn’t glamorous; it’s a cold, lifeless calculus. The same is true of the single “Popstar,” Drake’s lamest-possible engagement with his celebrity profile. In what is among the most listless performances of his career, the Toronto idol reels off the stats accumulated by his mounting success with a shrug. “Crown in my hand and I’m really playin’ keep-away / Shit don’t even usually get this big without a Bieber face,” he raps.

Drake embodies the effortless, ceaseless hitmaking of Khaled’s “another one” slogan. He has had throwaways top the charts before, but not even his singles tallied a No. 1 song for Khaled this cycle. According to current projections, “Khaled Khaled” will go No. 1, but with a dramatic decrease in streams and sales from his previous album—a pyrrhic victory. No one knows how to spin better than Khaled, and he’ll likely use the top-of-the-charts tanking to shout “We the best” through a megaphone. But if he isn’t an artist, an entertainer, or a booster, what’s left?

— Sheldon Pearce is the music writer and editor for Goings On About Town.

[benwillismedia]

Week 10

Alrighty, this week was getting back into the swing of things. I spent a lot of time finessing “The Way Back” in hopes of creating better synchresis between the visuals and the audio. I was happy with the timing and the overall structure of the current soundtrack, but it needed to have little distorted elements that sync up to the flow of Chloe’s video. I basically rendered out my entire draft, creating a new session and cutting and distorting the existing audio whilst referencing with Chloe’s video. I ended up playing with the formants of the original score and automating stereo separation, reverb and distortion to better sync up elements of the score and the video, making it more cohesive and a more wholistic piece that feels ‘baked’ together I guess, rather than just video slapped on audio. For the parts where the video cuts to black, I stretched out the audio, pitched it down, distorted the poop out of it and then added a lowpass EQ just to represent that darkness with the low booming, distorted rumble. Visual noise was literally represented with white noise that automates in volume, following the intensity of the visual noise. But yeah basically it’s just a matter of refining the flow of these new edits so it doesn’t sound TOO jarring. I want it to be jarring, but in a stylistic way that flows well, I guess.

https://youtu.be/AEDQ4sNLPIE

For “The Two Foxes” I went into creating more sounds. As Margaret liked a couple of the jump sounds from the last pack I sent, I created a suite of new sounds that use attributes and timbre to the sounds she originally liked. I also recorded myself grunting twice and layered these 2 different grunts with the jump sounds so that player 1 and player 2 could have a different sound for the same action. This would cut down on confusion, making each player unique in a way that helps level out the chaos. I also did the same thing with the hurt sound effect, layering my voice with the damage sound effect to differentiate the characters. The grunts give the fox some personality in my opinion, giving weight to the players actions when they steal and shoot each other, or just doing a simple jump. Seeing this emotion would give a player, even if they pick up and play for the first time, a sense of empathy which would on some sort of cognitive level, give the cute lil pixel fox some steaks, something to lose I guess (Making the player actually care, and want to collect the coins, rather than relying on the consequences of a countdown timer). ALSO, the fact that you can make you opponent make the grunt in pain is satisfying on a sadistic primal level, where we want to see our opponent suffer when we attack them, stealing their coins + hear the satisfying ding of the coin pickup.

I also created a menu score, using similar elements from the main ‘in-game’ score. This will just make her game more ‘complete’ rather than reusing the game soundtrack for the menu. It just gives the game some flow, where the title/menu features a happy, upbeat tune -> transitions into high energy battle music -> will eventually transition into a slower more accomplished victory piece (when I make it, that’s my next job). Also, I created sounds for pretty much all the sounds she wants, ticking off that list, just need to get a response in regard to if they are actually any good from Margaret.

https://drive.google.com/drive/folders/1VBx7mzBBAW2vKRbNF9WSQ7LQYLln4358?usp=sharing

As for “Indoctrination”, I played with added some more string instrumentation and just reworking melodies and just everything about the 2nd half of the score, just to give it some sort of emotional weight compared to its current neutral, grey coloured sounding music that sounds very soulless at the moment. Also, It sounds trash at the moment, so I don’t really wanna show it yet.

As for the obligatory “what did I learn this week from the Dr Duo, Shaun and Darrin?”, we were learning about the 3 types of skills (Learning, Literacy and Life), where we were advised to consider how each of these skills can help us with our future and career. I mostly reflected on the need for collaboration skills as a part of learning skills. Networking seems to be that glass ceiling to break through, where you may have the skills, talent, work ethic and all that, but if you can’t get working with others and put yourself out there, this stuff is pointless. Even the advice finding someone with complimentary skills to help each other Vs. finding someone that lacks in certain areas where you can help fill their missing gaps and vice versa. Where it would be beneficial to find people in each of these categories so that you have flexibility and support and just the best chance at creating work with less headaches.

We also went though Malcolm Gladwell’s 10 rules of success, but I was sceptical, because after doing a little bit of research questioned his 10 000-hour theory (the dude is also a pop-psychology writer and gives me same vibes as like a dude selling like time shares and pyramid schemes). But like I found a study that disputed this 10 000-hour rule where it really depends on the field for this rule to actually work. Areas with stable and well-grounded established structures in how they operate benefit from the rule, yeah which is pretty obvious because you can just keep remembering and practising how they work and eventually master it because they have a defined ‘end’ point that doesn’t change I guess. Something more open ended like business, and more creative open ended fields that are still evolving, are more hard to apply this rule as there isn’t really a set way of doing things, and these things can change at any point, ruling out the point of mastery at a certain point eg. 10 000 hours. I would rather say practice, and keep practicing, and not set myself within the bounds of trying to achieve mastery, rather achieve a point where I am competent enough to expand, evolve and grow with my field as a creative, as the field expands. This way if something changes and evolves in the field, my world view isn’t shattered because I am stuck in my ways and refuse to learn, but I continue to push myself. This is a big long spiel where basically instead of mastering my field, I wanna master learning.

https://journals.sagepub.com/doi/abs/10.1177/0956797614535810

[crimethinc]

Borders: The Global Caste System – A New Poster Illustrating Why People Migrate, the Risks They Face, and Who Benefits

We’ve worked with some of our favorite artists to produce a new full-color poster in the same series as our classic “Capitalism Is a Pyramid Scheme” design. “Borders: The Global Caste System” illustrates all the different elements that make up the border, from the extraction of resources on one side to wage disparities on the other—and all the brutality and injustice in between. In visual narrative, the poster depicts the reasons people migrate, the forces ranged against them, and the ones who benefit from this state of affairs.

Just as the pyramid poster accompanied our earlier book, Work, this poster functions as a companion to our new book, No Wall They Can Build: A Guide to Borders & Migration Across North America. This poster illuminates the ideas set forth in that book, presenting them in a form that can appear on the walls of your town to stimulate conversation and show solidarity with everyone who is affected by borders.

Click above for a downloadable PDF.

This poster is 14 x 23 inches, full-color, double-sided, and printed on white book paper. It is equally suitable for hanging in a classroom and for wheatpasting downtown.

The border does not divide one world from another. There is only one world, and the border is tearing it apart.

Borders: The Global Caste System

The border is not just a wall or a line on a map. It’s a power structure, a system of control. The border is everywhere that people live in fear of deportation, everywhere migrants are denied the rights accorded citizens, everywhere human beings are segregated into included and excluded.

The border divides the whole world into gated communities and prisons, one within the other in concentric circles of privilege and control. At one end of the continuum, there are billionaires who can fly anywhere in private jets; at the other end, inmates in solitary confinement. As long as there is a border between you and those less fortunate than you, you can be sure there will be a border above you, too, keeping you from the things you need. And who will tear down that second border with you, if not the people separated from you by the first?

Defying Global Apartheid

Speak of freedom all you like—we live in a world of walls.

There used to be few enough that we could keep up with them—Hadrian’s Wall, the Great Wall of China, the Berlin Wall. Now they’re everywhere. The walls of the old days have gone viral, penetrating every level of society. Wall Street, named after a stockade built by African slaves to protect European colonists, exemplifies this transformation: it’s no longer a question of fencing out the natives, but of a market economy that imposes divisions throughout the entire world.

These divisions take many forms. There are physical boundaries—the walls of detention centers, the fences of concrete and barbed wire, the perimeters that enclose private campuses and gated communities. There are boundaries controlling the flow of information: security clearances, classified databases, internet firewalls that cordon off entire countries. There are social boundaries—the privileges of citizenship, the barriers of racism, all the ways that money calibrates what each person can and cannot do.

All of these divisions are predicated on ceaseless violence. For some, this means imprisonment, deportation, torture, solitary confinement, vigilante attacks, state-sanctioned murder. For others, it means police patrols, security checkpoints, traffic stops, background checks, street harassment, surveillance, bureaucracy, propaganda.

Borders don’t just divide countries: they exist wherever people live in fear of immigration raids, wherever people have to accept lower wages because they have no documents. The world isn’t just divided horizontally into different jurisdictions—it is divided socially into different zones of privilege, of access. The US-Mexico border is part of the same structure as the chain-link fence that keeps homeless people out of an empty parking lot and the price bracket that keeps day laborers from buying the “organic” option at the grocery store even if they were the ones who picked the vegetables.

The purpose of the border is not to regulate migration. It is to control communities on both sides of the wall. The border regime enables the authorities to force down wages, suppress dissent, and channel resentment towards those who have the least power in society rather than those who have the most.

We’re told that borders protect us from outsiders. But how did they become outside in the first place? We are all joined in a single worldwide economy, in which resources are extracted from one country and sent to another, in which profits made in one country are hoarded in another. This isn’t new—it’s been going on since the colonization of the Americas.

So who is invading whom? The corporations that plunder the south, or the migrants who go north, following the resources and opportunities that have been taken away? If anyone has a right to cross these lands, isn’t it the descendants of the peoples who lived here before European settlement?

There are 11 million undocumented people living in the United States today. They are essential to the functioning of the economy; without their cheap labor, agriculture and construction work would grind to a halt. Many of them have lived in the US for many years or decades. Of those who cross from Mexico without papers, fully half of them are deportees attempting to return to their families in the US.

The border is not intended to keep undocumented people out. The goal is to make sure that entering the United States without papers is dangerous, traumatizing, and expensive—but possible. The point of deportations is not to empty the US of undocumented people. It is to terrorize those who live in the US with the threat of deportation. This serves to maintain a caste system by blackmailing a captive population.

So long as a massive part of the US population lives in constant danger and without any rights, employers have access to a vast pool of disposable labor that is easy to exploit. This drives down wages for workers with US citizenship, too. But it’s not undocumented immigrants who are “stealing their jobs”—it’s the border itself.

Accusing migrants of stealing jobs from US citizens is blaming the victim. If everyone were accorded the same rights, if national boundaries did not artificially create impoverished populations in countries that are stripped of natural resources and treated as garbage dumps, migrant labor could not undercut anyone else’s job opportunities. If not for all the risks and pressures undocumented workers face, they would be able to obtain the same price for their labor as everyone else. Time and again, undocumented workers have demonstrated their courage in struggles for higher wages, despite having to overcome obstacles other workers do not face. But border enforcement drives down wages across the board. That’s the point of it.

In deporting people who have lived in the US for decades, the US government is using Mexico as a concentration camp to conceal unemployment and other problems. The desperation and the firearms produced in the US reappear in Mexico in a brutal illegal economy driven by the appetite of US consumers for narcotics. This is a way of exporting the violence that is essential to maintaining such tremendous imbalances of power. And as it has become more difficult and therefore more expensive to enter the United States without documents, the cartels have been drawn into the business, creating a feedback loop of brutality that the US authorities use to justify further the clampdowns.

The cycle repeats and intensifies.

The border sends resources and profits one way, and human beings the other. This is how the rich amass great concentrations of wealth: not just by accumulating resources in one place, but also by excluding people from them.

If a prisoner is a person contained by walls, what does that make us? Prisons don’t just contain the people inside them. When the border is everywhere, everyone is transformed into a prisoner or prison guard.

It’s easy to be bribed by the advantages of citizenship: being able to travel more freely, being allowed to participate legally in the labor market, being able to access what is left of government assistance, being acknowledged as a part of society. Yet these privileges come at a terrible cost, for the documents one person holds only have value because others are without them. Their value is based on artificial scarcity.

As long as there is a border between you and those less fortunate than you, you can be sure there will also be borders above you, keeping you from things that you need. Some people are deported, others are evicted, but the fundamental mechanisms are the same. And who will help you tear down the borders above you, if not the people separated from you by the borders below?

Borders are just social constructs—they are imaginary frameworks imposed on the real world. There is nothing necessary or inevitable about them. Were it not for the violence of the believers, they would cease to exist.

Crossing the border without documents is a way of resisting. So is getting to know people who are affected by the border in ways that you are not, setting out to understand and share their struggles. Together, we can make the border unenforceable—a step towards creating a world in which everyone will be free to travel wherever they desire, to use their creative energy however they see fit, to fulfill their potential on their own terms.

To learn more, order or download No Wall They Can Build: A Guide to Borders & Migration Across North America.

To get involved in solidarity work, consider volunteering with a group like No More Deaths.