#could be any pairing really

[winterspiderpurrs]

Okay okay but aged up Peter who revealed his identity to the avengers. He has been coming to the tower/compound for several months before he was invited to work out/train.

At some point he takes his shirt off to wipe his face.

And maybe someone asked about the scars on his chest since they don't see even the old gunshot or stabwounds, so this had to have been a bad one.

And Peter has to awkwardly explain those are his top surgery scars from before his spider bite.

And that is how he came out as trans.

[swiftiefirefighters]

okay listen never been kissed is a mess of issues in the year of our lord 2024 but my brain just went ‘never been kissed au?’ and well.

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[bibuckeroo]

Is this that scene from ?parks and rec where april is allergic to bees and andy puts them under their t-shirt to protect them?? Also I could see this being a hilarious thing any of the couples could do

out of all the characters buck definitely has a bee allergy which will be hilarious watching eddie angrily scowl at bees when they get too close to buck like he can somehow fight them off with his huge muscles

[flymmsy]

I really love Durge's new default armor.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[mollysunder]

I know Heimerdinger's Christian Linke's favorite character, and I sort of tolerated it in s1, but now it feels like things are a little too indulgent. Heimerdinger gets to team up with Ekko to launder his reputation through Ekko and the Firelights. Heimerdinger gets the first narrative game and second character teaser in the promotional cycl. Heimerdinger gets to SING A SONG that's included on the s2 Arcane soundtrack (Spin the Wheel).

Maybe I'd be less annoyed if the show at least did more to acknowledge Heimerdinger's failings as a leader, but his character description can't even do that. This is how the official Arcane website describes Heimerdinger:

"Heimerdinger warned the Piltover Council about the dangers of using magic without tangible solutions for safeguarding its use. Learning from his mistakes with Jayce, Heimerdinger inspires Ekko to keep looking for a solution and works with him to solve the problem, instead of just offering advice."

That's not Heimerdinger's main problem! The problem is the fact he's the person most singularly responsible for the state of Zaun and Piltover. It feels like the show and the cast are just dancing around the fact that Heimerdinger technically has the highest body count in the show (Day of Ash, pollution, extreme poverty, etc). The one time someone puts him to task (Jayce), the show makes it seem like Jayce is wrong or overstepped, and yeah he did do it for Viktor's sake, but Jayce was right! Heimerdinger's bad at his job, he shouldn't be in a leadership position if he's a bad leader.

[winterspiderpurrs]

Class President Steve at a Tony Stark Party

Or Young Professor on campus at a Tony Stark Party

[babblingbonnabel]

🥁 | hurray for Imp and Skizz!!

Other Hermitcraft x Soul Eater designs: Stress + Iskall

[drrav3nb]

CHYNA & EDDIE GUERRERO + being playful/goofing around

(cred to FullWithDivas for the videos, such great finds!)

[groven4]

"I don't ship securitywaiter" I say as I continue to fall deeper and deeper down the "crackship" rabbit hole.

[winterspiderpurrs]

Okay but either nurse Peter or volunteer Peter at the hospital. He sees someone bringing flowers to one of the private rooms.

Him stopping the person and says" not allowed." The guy threatened him he got permission to bring flowers. He is adamant he needs to get his friend these flowers and plants.

They cause a big commotion. These guys in suits come out of the room to see what's going on.

And basicly said let the guy through they know him.

" Sure okay. But when the patient dies it's on you then"

" What?"

" Those flowers? They are toxic poison basicly. Gonna cause respiratory failure the whole plant is poisonious. "

The guy holding the flowers tries to say he didn't know, just thought they were nice.

Before the guys in suits can say anything Peter pipes up.

" Yeah? Then why are you wearing gloves when it's 90 degrees outside?"

Peter never found out what happened after the flowers got thrown away. Or who was supposed to receive them.

Until he comes home late one night to find a man on his couch.

[posletsvet]

Was anyone going to point out to me that the reason why curses were swarming the streets and filling every empty nook and cranny in the summer of Geto's spiral was actually Gojo Satoru?

The narrative already bears witness to how Satoru's mere birth tips the balance of the world. As the first Gojo to be born with both the Limitless and the Six Eyes in what is almost a half-millenium, he holds unparalled power. Him simply existing is enough for curses to spring into action and start growing in strength as well.

When he suffers a crushing defeat by the hands of Toji and subsequently thrusts himself vigorously into perfecting his technique, this rapid increase in his strength puts into motion a similar process. He becomes stronger, and so cursed spirits follow suit. He breaks the fragile equilibrium, and cursed energy seeks means to restore it.

First time Satoru Gojo changes the world, he is named the strongest. Second time Satoru Gojo changes the world, he becomes the strongest.

Now, this might be a bit of a stretch on my part, but what if Geto's defection and everything in its aftermath is how the world responds to Gojo being the strongest? After all, you cannot balance the scales by putting too much weight on just one side.

Suguru's abilities as a sorcerer are inherently deeply tied to Satoru's, and intentionally so. The stronger he is, the more potent the curses are -- and therefore the more potential there is for Geto's technique. I have said it before and I'll say it again: they are a perfect counterbalance to each other. The equilibrium is broken by Gojo twice. Each time, Geto is there to restore it: first by being born with the ability to manipulate curses, then by creating the opposition to jujutsu society, which Gojo has become the centrepiece of.

Ever since Suguru Geto entered the narrative, he has been the one to keep Gojo's powers in check -- hence preserving the balance. That's why the narrative brings him back: in order to be well-balanced, it needs both of them to be present.

[babybells123]

There is something so beautifully anvilicious about these quotes;

" I am a bastard too now, just like him. Oh, it would be so sweet, to see him once again. But of course that could never be. Alayne Stone had no brothers, baseborn or otherwise." (AFFC, Alayne II)

"The dream was sweet . . . but Winterfell would never be his to show. It belonged to his brother, the King in the North. He was a Snow, not a Stark. Bastard, oathbreaker, and turncloak . . ." (ASOS, Jon V)

Both Jon and Sansa are yearning for Winterfell and the feelings/memories/family associated -but both are intrinsically restricting themselves based off of their bastard status. The notion of Sansa being the only Stark (and character) to transition from a high-born noble lady to a baseborn bastard cannot be overlooked. (And then of course, the notion of Jon being the only Stark (and character) to transition from baseborn bastard to lord commander, cannot be overlooked.) Jon has risen to the top whilst Sansa has lowered to the bottom.

She (GRRM) makes the comparison to Jon herself, meaning that GRRM makes the comparison himself. this isn't something interpreted by fans - it is right there, explicitly within the text.

Sansa's desire to reunite with Jon is "sweet," it'd be almost like a dream come true. Jon's "dream was sweet" as well. But "Winterfell could never be his" and seeing her brother once again "of course, could never be" (possible).

And then later on in the text, Jon is offered the chance to become Jon Stark, and have Winterfell in name. Thus his decidedly unsubtle desire (that he dismisses as an entirely impossible dream) is fulfilled by Stannis' offer, even though he eventually rejects it in truth "Winterfell belongs to my sister Sansa."

There is also the quote that precedes Jon's "sweet dream," where he fantasises about a beautiful little romance with Ygritte; showing her a flower from the glass gardens, feasting her in the great hall, bathing in the hot pools, and loving beneath the heart tree. This dream is directly connected to Winterfell and is obviously sexually + romantically charged.

So whilst Jon's desire is partially fulfilled (even if he doesn't accept it) can we possibly assume that Sansa's simultaneously unsubtle "that could never be" may also be fulfilled? Since GRRM seems to really be beating us over the head with how 'that could never happen' from Sansa's internal monologue "no one will ever marry me for love" is reiterated multiple times (just you wait sweet one!) and Sansa desiring to reunite with her brother who she has modelled her bastardry after, who is supposedly the only brother left to her, is immediately dismissed by Sansa because she's accepted the fact that she'll never be with her family again, (and that she shall never encounter true love).

The connections only keep connecting!

So to summarise:

Jon & Sansa both have "sweet" dreams/desires that connect to Winterfell/family.

Jon's dream is sexually/romantically charged, involves a red-headed girl, and establishes Jon's suppressed desires as actually romantic.

Both Jon and Sansa are bastards in these contexts.

Both Jon and Sansa woefully dismiss these dreams/desires as impossible as "that could never be" and "it could never be his to show."

Jon's desire however is later offered on a silver platter by Stannis Baratheon, to which he mulls over and states that he "has always wanted it" (to be his). Though he later refuses Stannis' offer on the basis that "Winterfell belongs to Sansa" - twice over he says this.

Jon 'giving' Winterfell to Sansa is in direct contrast to Robb (Sansa's image of an honourably idealistic older brother) flat out rejecting Sansa's claim on the basis of her marriage to Tyrion.

Jon thus establishes himself as the only character who respects and protects Sansa's claim. Who does not abuse or exploit it. (Even though he was given the opportunity for it and it's been his innermost desire since childhood.)

In a way, this further conveys Jon as Sansa's unspoken, subconscious hero who is protecting her interests and instilling all those heroic ideals (such as the Janos Slynt situation) - though she does not realise it and has accepted that "there are no heroes" at all. But Jon is the true hero, hiding in plain sight.

So, whilst Sansa believes there are no heroes, Jon fulfils those ideals. Whilst Sansa believes no one will marry her for love, Jon exists as the embodiment of all the chivalric, romantic ideals that she's so desperately wanted.

Can we now assume that Sansa believing that she will essentially never see Jon again as entirely anvilicious as she will in fact see Jon again?

GEORGE I'M IN YOUR WALLS.

[teddy-bear-d]

Okay maybe the Coral Isles brainrot has got to me already…

[winged-bat]

werewolf bernard x witch tim