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The X-Men by Brett Booth in a recreation of the cover of Classic X-Men #1 (1986) with inks by Corey King and colors by Steve Canon (2024)
#marvel comics#x-men#art adams#brett booth#corey king#steve canon#classic x-men#uncanny x-men#marvel 1980s#marvel 1986#marvel 2023#marvel 2024
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Classic X-Men by Brett Booth, Corey King and Steve Canon
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TAKUYA KURODA - Midnight Crisp listen here
(English / Español)
Midnight Crisp (2022) is Japanese trumpeter Takuya Kuroda's seventh album as a leader, which he has had to produce himself.
The result of this album is, in my opinion, their best to date, and 'Fly Moon Die Soon', their previous album, released in 2020, set the bar very high.
One conclusion can be drawn from this; Takuya Kuroda is one of the best jazz trumpet players on the jazz scene right now.
Midnight Crisp', consisting of six tracks, all originals by the Japanese but New York-based trumpeter, is an album that features an elegant hybridisation of soulful jazz, funk, post-bop, fusion and hip hop.
Of the six tracks that make up this album, it is worth highlighting 'Time coil', which shows evident influences of Afrobeat and Fela Kuti, all of this together with funky keyboards from the best period of the seventies, but neither should we underestimate 'Dead end dance', the most heterodox piece on the album as a whole.
For this project Kuroda has surrounded himself with old acquaintances who worked with him on 'Fly Moon Die Soon', such as trombonist Corey King who also provides vocals on 'Choy soda', the album's closing track, tenor player Craig Hill, bassist Rashaan Carter, keyboardist Takahiro Izumikawa, percussionist Keita Ogawa and drummer Adam Jackson. They are joined by Japanese guitarist Ryo Ogihara.
Although Takuya Kuroda displays a surprising creative vitality (he has seven albums in twelve years), this trumpeter became known thanks to his participation in the albums 'Blackmagic' and 'No Beginning No End' by singer José James.
The 32 minutes that 'Midnight Crisp' lasts are short and one is left with the desire to continue listening to more music by this man who, for sure, will continue to give us great moments of this jazz we love.
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Midnight Crisp (2022) es el séptimo disco como líder del trompetista japonés Takuya Kuroda y que ha tenido que autoproducirse.
El resultado de este disco es, a mi entender, el mejor hasta la fecha, y eso que ‘Fly Moon Die Soon’, su anterior disco, editado en 2020, dejó el listón muy alto.
De esto se puede sacar una conclusión; Takuya Kuroda es uno de los mejores trompetistas de jazz que hay ahora mismo en la escena jazzera.
‘Midnight Crisp’, compuesto por seis temas todos ellos originales del trompetista japonés aunque residente en Nueva York, es un disco en el que se puede escuchar una elegante hibridación de jazz soulful, funk, post-bop, fusión y hip hop.
De los seis temas que componen este álbum merece la pena destacar ‘Time coil’, que muestra unas evidentes influencias del afrobeat y de Fela Kuti, todo ello unido a unos teclados funky de la mejor etapa de los setenta, pero tampoco hay que desmerecer ‘Dead end dance’, la pieza más heterodoxa en el conjunto del disco.
Para sacar adelante este proyecto Kuroda se ha rodeado de viejos conocidos que trabajaron con él en ‘Fly Moon Die Soon’, como son el trombonista Corey King quien también pone la voz en ‘Choy soda’ el tema que cierra el álbum, el tenorista Craig Hill, el bajista Rashaan Carter, el teclista Takahiro Izumikawa, el percusionista Keita Ogawa y el baterista Adam Jackson. A todos ellos se les ha unido el guitarrista japonés Ryo Ogihara.
Aunque Takuya Kuroda despliega una vitalidad creativa sorprendente (lleva siete discos en doce años), este trompetista empezó a ser conocido gracias a su participación en los discos ‘Blackmagic’ y ‘No Beginning No End’ del cantante José James.
Los 32 minutos que dura ‘Midnight Crisp’ se hacen cortos y uno se queda con ganas de seguir escuchando más música de este hombre que, seguro, nos va a seguir dando grandes momentos de este jazz que nos gusta.
Fuente: DistritoJazz
#jazz#post bop#soulful jazz#funk#fusion#hip hop#takuya kuroda#craig hill#corey king#rashaan carter#takahiro izumikawa#keita ogawa#adam jackson#ryo ogihara
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GunSlinger #22 Script/Plot: Todd McFarlane Art: Brett Booth Inkers: Adelso Corna & Corey King Colors: Ivan Nunes Lettering: Tom Orzechowski Cover Artist: J.H Williams III & Jonathan Glapion
#image comics#todd mcfarlane#spawn#comics#comic books#horror comics#gunnslinger#brett booth#adelso corona#corey king#ivan nunes#tom orzechowski#j.h. williams iii#jonathan glapion
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I cried. I threw up. I shook. I climbed the walls. I cried some more. I tore my hair out. I saw the light. I was on the brink of death. And I cried even more. Charlotte and George were everything and then some. Like my brain chemistry has been permanently altered. I will never be the same. Every time I think about them I’m launched into a brand new mental breakdown. I don’t know how I will recover from this.
#it’s been a couple days since i finished the season and i’m still in quite a state#i haven’t had a reaction to a ship like this since kanthony#did anyone else throw up during the final scene#cause i did#shonda rhimes is so sick#like she needs to pay for her crimes#and my therapy#queen charlotte#king george#charlotte x george#george x charlotte#charlotte and george#george and charlotte#bridgerton#bridgerton queen charlotte#julia quinn#india amarteifio#corey mylchreest#golda rosheuvel#james fleet
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Love is not a thing one is able or not able to do based on some magic. Some chemistry. That is for plays. Love is determination. Love is a choice one makes. You take someone in marriage, and you choose to love them. You do not give yourself any other option. Because marriage is difficult. Full of pains. And the life of a royal... is lonely. So you grab someone, and you hang on. You love, and you love hard, because if you do not... you are lost.
YOUNG QUEEN CHARLOTTE and YOUNG KING GEORGE III Queen Charlotte: A Bridgerton Story (2023) cr. Shonda Rhimes, dir. Tom Verica
#queen charlotte#king george#queen charlotte a bridgerton story#bridgerton#india amarteifio#corey mylchreest#qcabsedit#bridgertonedit#netflixedit#perioddramaedit#tvedit#gifs#~
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I am a madman. I am a danger. In my mind, there are different worlds creeping in. The heavens and the Earth collide. I do not know where I am. You do not wish a life with me for yourself. No one wishes that.
QUEEN CHARLOTTE: A BRIDGERTON STORY Episode 6: Crown Jewels
#bridgertonedit#qcabsedit#periodedit#netflixedit#cinemapix#cinematv#dailybridgerton#filmtvcentral#perioddramasource#userperioddrama#usermina#usermorgan#userzil#queen charlotte#king george iii#queen charlotte: a bridgerton story#corey mylchreest#india amarteifio#~#qcabs spoilers#inspiration: romantic.#dynamic: fm.
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Here's one batch of kofi-sketches! ^^ ♥ Still have a bunch of others to get through ♥ :]
#dbd#my art#ghostface#jake park#david king#vittorio toscano#dbd legion#dbd joey#frank morrison#dbd hillbilly#max thompson jr#corey cunningham
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You and me.
Queen Charlotte: A Bridgerton Story
#charlotte x george#qcabsedit#king george#queen charlotte#queen charlotte a bridgerton story#bridgertonedit#period drama#perioddramaedit#bridgerton#bngifs#bnedit#♥️#george x charlotte#qcabs#india amarteifio#corey mylchreest#young queen charlotte#🐝👑#young king george#a year later and they are still everything 😭
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A Farmer's Friend. a Bridgerton fanfic <3
part one: A Chance Encounter
Summary: division brings unity. secrecy creates infatuation. a king's venture into the real world reveals desire.
Warnings: slow burn! strangers to friends to lovers! (Charlotte does not exist) smut! cold showers are on me.
Wordcount: 3.4K
The country side , to you, was heaven on earth. The far roaming hills, the deep valleys. The wide expanse of nothing but lush green fields. There was truly nothing more beautiful.
Your father's farm, to you, was the most beautiful of all. Located at the farthest edge of the county, miles and miles away from the city of London, it was a haven of tall grass, fruitful crops and rich orchards. That is where you spent most of your time, perched between the trunk and wide branches of a tall apple tree in the deepest part of your family's gardens. Far away from the bustling farm house, the uproar of live stock and the erratic, but loving, nature of your home.
From the moment the sun rose over the hills and danced across your face in the morning, to the moment it tucked itself into the valley at night, you were out in the fields. Tucked away indoors, you found yourself claustrophobic. Cased in, stir crazy and a tad hysterical. From a young age, your parents had to heard you inside at the end of a day much like the sheep dogs would heard the lambs back into their pens. It was no different, even as you approached adulthood.
You had your back to the trunk of a tree, a book clutched in one hand and an apple - freshly plucked from the branch above you- in the other, when you caught sight of one of the stable boys chasing after your father in the field ahead of you.
A man of great strength and pride, your father took his work in the fields very seriously. Even after the death of his own father, he was back shearing sheep after just two days. This is why it confused you ever so much , brows furrowed in a frown, to see your father drop his shears at once in front of the stable boy and clutch his chest. The pair raced down the field, sprinting in the direction of the house with the dogs trailing behind them in a flurry of brown and grey and white.
You took a pensive bite of the apple, crunching deliberately. 'Whatever is the matter?' you thought. 'What is the meaning of such fuss?' You tried desperately to get back to your book, the words of the author falling on distracted thoughts as your mind pondered such a reaction from your father. You snapped your book shut with a huff, annoyed and now positively rabid with curiosity.
John, an Orcher in his late fifties, was plucking apples from a tree just next to yours. You peered your head over to him. "John," you called, "have you any reason for father's fuss with the stable boy?"
John's face paled, almost frightfully white, at your question. He took his cap off with the type of remorse one shows with deep apology. "I'm terribly sorry, madam. I thought all the children were aware." You quirked a brow at his words, irritated that the farms people still saw you as one of the children despite being the eldest daughter in the house. His voice was gruff and gravely, years of shouting at yardsmen wearing on his vocal chords. "There is to be a royal visit, madam. Today."
Your eyebrows shot up so fast , you wondered for a moment if they were still on your face. "A royal visit? Here?" The Dowager Princess had not been out in the country since the passing of the late King. Your brows furrowed in deep confusion. "Whatever for?"
John shrugged his shoulders earnestly.
"Lord knows but I, madam. Some sort of review of the farmland, but that's between the King and his advisors."
"The King?" you squawked. You hiked your skirt up, throwing your legs over the branch and jumping down. You stalked to the bottom of the ladder John was standing on. "The King is coming here?"
In all your eighteen years, you'd only ever seen one monarch. Even so, it was a painting of His late Majesty. All you knew of the current King was that he made no visits to the towns, nor galas or balls. He had been labelled somewhat a recluse of a man. You wondered how that could be healthy for such an old person. At least, you assumed he was old. The previous king had died aged seventy and two, so this king must have been creeping into his late fifties now.
"Yes, madam." John said. "Your father has been called now, to prepare. He is due to arrive soon."
Your feet sprang into action, galloping down the aisle of the orchard at lightening speed as you raced toward the direction of the house. You never cared for pompous displays, or the royal family as a whole, very much at all. But today was different. The king himself was visiting your home. Your fields, your valleys and your hills. You felt oddly protective. As if this inspection was to be one with an insulting conclusion. You reassured yourself that they would see the beauty in your home. In the sway of the grassy hills in the wind.
Knowing your mother would not let you close enough to see even the Royal carriage make its way through the wooden gates of your home, you rounded the corner of the brown farm house and clambered your way up the large oak tree in the middle of the drive way. From high above in the branches, you would not be seen by your mother - as she so preferred. She yearned for a daughter more like the ones her sisters had. Lady like and proper and ones that smile at every pleasing farmer their mothers set them up with.
Your mother was disappointed in the lack of girlishness in you. She was displeased in your fascination with reading, and your taking to the outdoors. She was put off by the closeness between you and your father, finding it strange that the two of you could be friends as well as father and daughter. She found your desire to spend all day outdoors odd, and you found her desire to marry a farmer whilst hating farms to be odd in return.
You gripped on to the tallest branches, peering through leaves in the hopes of seeing the gleams of gold as the carriage approached. You saw your father and the farmer boys line up in front of the door below, and your mother and younger brothers waited just behind them. In the distance, you heard a low thrumming sound. It got louder, and seemingly closer, as more seconds ticked by. You realised, as you heard the clop clop clop noise, that it was the sound of horses' hooves on the dirt tracks as the carriage came into view.
The carriage halted in front of your door, and your father outstretched his hand to an older gentlemen in a plush blue suit. Though your fathers clothes- an old grey shirt and black trousers- were not as elegant, he looked just as regal as he shook hands with the stranger, who you assumed to be the King. He had greying hair, curled into ringlets by his side. There were several other men beside him, ranging from young to old to very old.
You craned your neck to hear their voices, a chorus of low hums and stiff lipped compliments from the old man you saw to be the king. Several minutes ticked by, boredom creeping in as you swung your legs back and forth over the branch, before the group of men finally split to tour the farm land with your father. You rejoiced, a grumble in your belly making any words they said inconsequential. You began your decent from the tree.
With scraped palms and knees, you made it to the ground with a thud. A successful spying , you thought as you wiped your hands on the skirt of your dress. Your monologing was interrupted by the stifled chuckle of a man behind you. You whipped round, narrowing your eyes at the man. Dressed in a simple white shirt and the same black field trousers as your father, he looked to be a fielder himself.
"Hello," he said, voice even and light. He stood with his hands behind his back, polite and effortlessly straight. He was young, younger than the rest of the group you assumed he had been standing with. He must have been no more than three years older than you, as his cheeks still had the faintest roundness to them.
"What are you doing?" he asked when you did not say anything.
You knew your eyes were wide, those of someone caught. There was no use in lying , nor excusing. This man had watched you climb down the tree, from where you had spied. You outstretched your hands, as if stating the obvious. "I was climbing down. From the tree."
"From the tree?"
"Yes, from the tree."
"From that tree?" the man asked, voice teasing and smile irritating as he pointed to the tall oak you had previously been perched in.
"Yes, that tree."
"Whatever for?" He placed his hands behind his back once more, slowly pacing around you in a circle.
"I was hungry, you see." You deadpanned.
"Ah," he affirmed, "and you did not bring food when you climbed up the tree." He was enjoying teasing you, as the smirk on his face grew larger at your squirming. "Or simply not enough."
"Well," you trailed off, waiting for the man to introduce himself to you.
"Forgive me," he said, outstretching a hand. "I am George."
"Well George," you continued. "Usually the trees I climb have some sort of fruit or such for me to eat while I climb, or lounge, or read. This is not my typical tree to climb." You explained.
"And I suppose you have a typical tree?" His face was oddly gleeful, as if this conversation with you - a stranger- was the best part of his day. His smile was wide, showing teeth.
"Yes, I do."
"Which is?" He asked, stepping closer toward you. His smirk was a teasing grin now.
"The apple tree," you stated, that protectiveness creeping back into your tone. "at the farthest end of the orchard."
"Now," he said, voice lilted with mock impress, "I must see this tree, that you so fondly and regularly climb." His voice was a stage whisper.
"Alas, I cannot." You teased back, some what enjoying the banter yourself. "I do not simply show my tree to strangers."
"Ah, but I am not a stranger," he said, closer again now. "I am just George." He stuck his hand out again, waiting for you to shake it. Hesitantly, you did. "I would be honoured to see your tree."
"Do you not have business to attend to?" You asked, gesturing in the direction the other men and the Royal herd had walked in. George shook his head, waving off your remark.
"They are fine themselves. They have no use for my agreements here and questions there." He said. "And even so, if I were to re-join them now," he took another small step closer to you, eyes searching in the distance, "my mind would think of nothing but this apple tree at the farthest end of the orchard."
You smiled at the man as he looked down at you, and felt the strangest urge to lead him by the hand to your sacred reading spot. Something about George made you trust him, utterly and completely, as if you'd known him your whole life. As if you'd run through the fields with him as children, and he knew where the tree was already.
"All right, just George."
A bright, down right contagious smile etched itself on to his face. You couldn't help but smile just as brightly.
The two of you strode side by side through the back field of the farm, chatting idly as you lead him to the orchard. George told you he was a keen farmer himself, but his family bound him to the city. "Why don't you just leave them?" you asked as you opened the large wooden field gate for him.
George paused, leaning on the gate with both arms crossed. "It is not that simple," he said, his face contort in a frown. "I am obliged to stay there. It is a duty, of sorts." He looked around at the tall grass, the wild flowers that bloomed in the field at his feet. "If it were up to me, I would spend all my time in the country."
You felt immensely sorry for him. The thought of being away from the country for more than a day put a nasty pit in your stomach. Gently, you placed your hand on his arm. He looked up at you with glum eyes. You gave him your best reassuring smile as you squeezed his arm lightly. He smiled back at you.
You fell back into stride with one another after that. George asked about your family, and you told him about your father and your three younger sisters. He asked where they were, and you let out a haughty laugh. "They cower at the sight of mud. They are cooped inside with my mother, embroidering or learning the pianoforte or some other nonsense."
"You see no value in these tasks, then?" George asked with a small smirk.
"I see no point, given where we live. What use have I for musical impress or intricate sewing when I spend my time outdoors?" You paused your walking, gesturing to the cows grazing near by. "Any man I encounter in these parts will be as impressed by my pianoforte as those cows."
"Ah, I see." George chuckled to himself. "You are to be a spinster then." You whipped round to face him, annoyance turning your brows into a tight v shape. George laughed again.
"For a stranger you are certainly bold."
"I do not hear a defence."
"No, I am not to be a spinster." You crossed your arms, uncrossing them when George cocked his head to the side slightly. You must have looked ridiculous, like an petulant, spoilt child. You huffed.
"I am not to be a spinster. At least not by intention." You both began walking again, rounding the corner to the long aisle of the orchard. "There," you said, pointing to your tree at the very end.
You turned when George remained silent. His mouth was agape slightly, brown eyes wide and almost honey in the mid day sun. "Beautiful," he sighed out.
It caught you off guard, the strange desire to lead him by the hand to your tree and show him the very best branches. The way he looked at your favourite spot with such awe made you near desperate to share it with him. You had to restrain yourself from reaching out and touching his hand that was inches from yours at your side. You shook your head slightly, as if a jitter would rid of of such peculiar feelings. "Come along, then."
George walked obediently at your side, keeping perfect pace with you. As you walked, he couldn't help but notice the sway of your hair in the light breeze, the way it framed your face so gently. Or the patches of freckles that spotted the bridge of your nose, or the subtle fullness of your bottom lip, how it was slightly larger than the top.
"You said you are not to be a spinster by choice," he began as you reached the foot of the tree. "Whatever do you mean?"
"What I mean is," you said as you reached up to a near branch, pulling yourself up with little struggle, "no man here is in need of a wife, and I am in no need for an elderly husband." You frowned when George laughed again. "You must stop that!" You cried.
"Stop what?" He smiled through his teeth again.
"Laughing at me!"
"I am not laughing at you, forgive me." He said, reaching up to the same branch and - just as you had- hauled him self up with ease. "I simply find it hard to believe no one here is in need of a wife."
"Everyone is already married, or too old, or far too young." You deadpanned. "I do not want to marry a frail old man."
"Let me rephrase," George began. He reached across you, and for a moment you thought he was going to touch your cheek. You sucked in a nervous breath. He plucked an apple that was hanging just above you ear. "I find it hard to believe no one here wants you for a wife."
You found it hard to form words, stuttering over a response. George bit into his apple , smugness radiating off of him in reams.
The two of you sat in peaceful silence for a moment, your backs leaning against the trunk of the tree while your legs stretched out next to each other. "Do you sit out here all day?" George asked softly, turning his head toward you. His breath fanned over your face slightly. You nodded.
"Most days," you sighed contently. "I am usually the one that goes into the towns if needed. Otherwise, I am left alone to sit here as I please." You looked out as the sheep roamed the field ahead of you.
George rested his head back against the trunk of the tree.
"I am envious of you, truly." He said, looking at you from the corner of his eye. You turned your head to face him. Your shoulders were brushing against each other with every breath.
"You are welcome to come here," you said, in an uncharacteristically soft voice. "You can bring a book, and you may sit here for as long as you like, whenever you please. Whenever your family allows you to be in the country."
This close to him, you noticed the flecks of gold in George's eyes. The small freckle above his eye brow. The rosiness of his cheeks. His words echoed in your head.
'I find it hard to believe no one wants you for a wife."
In the distance, you heard the ruckus of the men returning to the front of the house. George shot up. You shot up with him.
"I must go," he said hurriedly. He swung his legs over the branch and jumped off. As you moved to do the same, you saw him waiting on the ground with his hands outstretched. He was helping you down. You reached a hand out to him, and he pulled you down. Expecting a thud, you noticed he had steadied you with a hand on your waist. "I wish I could stay longer, I truly do. Alas, they will run like chickens without heads if I am not back soon."
You wished to find some poetic goodbye, but all you could muster was a soft sigh. "Will you be back?" His hand was still gripping yours.
George chuckled breathily.
"Of course," he said, as if it was obvious. "I must bring a book and see if this really is the best spot for reading."
The voices in the distance got louder, calling George's name now. He looked over his shoulder, then back to you. "I am back in the country in two weeks time. May I see you then?"
You smiled at his politeness, hoping your hasty nod came across as friendly and not desperate. "Of course."
"Splendid."
He brought your hand to his lips then, placing a gentle kiss on the top of your knuckles. "It has been a pleasure, madam." He said with a gentlemanly bow.
He turned to walk away then, and you felt as though the wind had been knocked right out of you. Your feet were glued to the ground, unable to move you from that same spot.
"Oh," George called from a distance. "The inspection went fantastically. Your farm shall have a wonderful review." He grinned, all boyish and joyful, before turning back and sprinting in the direction of the loud voices.
His words only sunk in after he'd rounded the corner gate, and you nearly collapsed onto a log.
Not only had you spent your afternoon with a total stranger, telling him your deepest thoughts and secrets, scandalously close should a gossiping eye see it.
You'd just spent your afternoon with the King of England.
#queen charlotte#bridgerton#bridgerton netflix#queen charlotte netflix#king george#king george x reader#king george bridgerton#corey mylchreest#bridgerton fanfiction#bridgerton x reader#period piece#slow burn#friends to lovers#strangers to lovers#strangers to friends#fluff#smut#fanfic#bridgerton queen charlotte
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QUEEN CHARLOTTE: A BRIDGERTON STORY (2023)
CHARLOTTE AND GEORGE
created by shonda rhimes
#queen charlotte: a bridgerton story#bridgerton#costume drama#period drama#perioddramaedit#perioddramagif#onlyperioddramas#bridgertonedit#dailybridgerton#perioddramasource#weloveperioddrama#bridgertonsource#young queen charlotte#young king george#india amarteifio#corey mylchreest#my gifs#mine
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Throwback to "Sword Sparring" an edit I did several months ago, in which I used the sound effects of Bridgerton as a musical instrument.
Watch the full thing below... 😊
youtube
#bridgerton#queen charlotte#luke newton#colin bridgerton#nicola coughlan#polin#anthony bridgerton#jonathan bailey#kate sharma#simone ashley#kanthony#luke thompson#benedict bridgerton#rege jean page#simon basset#phoebe dynevor#daphne bridgerton#saphne#claudia jessie#eloise bridgerton#india amarteifio#golda rosheuvel#corey mylchreest#king george#lady danbury#adjoa andoh#brimsley#reynolds#sam clemmett#freddie dennis
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Interview with the Vampire | 2.02 Queen Charlotte: A Bridgerton Story | 1.01
#iwtvedit#bridgertonedit#iwtv#interview with the vampire#bridgerton#queen charlotte: a bridgerton story#loumand#charlotte x george#*#armand#louis de pointe du lac#queen charlotte#king george#assad zaman#jacob anderson#india amarteifio#corey mylchreest#dailyflicks#tvedit#televisiongifs#long post
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“Heaven was a dance in the arms of one’s true love.”
Julia Quinn, On the Way to the Wedding (Bridgertons, #8)
#bridgerton#the feminine urge to settle for nothing less than a love on par with one right out of the pages of a dramatic period piece#oh they set the bar so high#saphne#kanthony#charlotte x george#simon hastings#daphne bridgerton#anthony bridgerton#kate sharma#queen charlotte#king george#queen charlotte a bridgerton story#the viscount who loved me#the duke and i#kathony#george x charlotte#simone ashley#jonathan bailey#india amarteifio#corey mylchreest#phoebe dynevor#regé jean page#julia quinn
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I’m waiting for certain fandoms to realize that these two men are based on the same historical person.
And that is this man.
Or is it known but just ignored?
AKA — One interpretation made him sexy. The other Jonathan Groffed him/Lin Manueled (Man-uel Handled???) him.
#queen charlotte: a bridgerton story#king george hamilton#king george iii#a bridgerton story#bridgerton#corey mylchreest#johnathan groff#jonathan groff#hamilton musical#Hamilton#alexander hamilton#shonda rhimes#shondaland#lin manuel miranda#Lin manuel#king george bridgerton#queen charlotte#charlotte of mecklenburg strelitz#netflix#disney#historical hamilton#american revolution#hamilton memes#george washington#history#charlotte x george#george iii#hamilton the musical#musical#hamilton broadway
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QUEEN CHARLOTTE: A BRIDGERTON STORY Episode 6: Crown Jewels
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