#context in general is very important here

[brotherofbagels]

There needs to be more nuance in how people view the situation but the internet doesn't allow for that.

[courfee]

just went through all my ao3 fics and edited all the tags because i feel like i overtag a lot and it always bothered me. tbf the most overtagging happens in my relationship/character tags but i find it super difficult to judge who/which relationship is important. like friendships are So Important in my fics i dont feel like i cant tag less there? especially my longer fics. amtc james&sirius and black brothers are in my mind at least if not more important than literally amtc jegulus. i know its a jegulus fic but also jegulus is just the catalyst for other relationship dynamics. how do you tag that stuff

[commsroom]

Happy belated birthday! Just wanted to hop in again saying I love your posts about Wolf 359. They’re all so good.

I’m on a relisten again and am at the end of season 3. And I’m thinking about how fascinating it is that Hera remembered the Thanksgiving with her at the table physically. And in a post if yours I read recently or you posted recently you talked about Hera getting a human body and I think that scene kinda hints at maybe wanting to be physically there? Idk.

If you’re up for it you can share your thoughts on this. I just wanted to wish you a happy birthday and leave you with some of my Wolf 359 thoughts.

Sending you good vibes over the internet.

thank you; you're always so sweet!! 💙

we're absolutely on the same wavelength here, too!! that scene in particular is a big reason why i feel like hera would want a body - what it says about her self-perception, sense of physicality (even without experience to contextualize it), and... as a result, that she experiences physical loneliness. and, notably, that all of those things are subconscious framing in what she misremembers. i've posted about that scene before here, and in my... way too long essay about hera here, which i'll try to paraphrase a bit. and in other places, too, probably! i think about it a lot.

so: i think there's a big difference between existing differently (which can be isolating in itself, but... through lack of understanding) and feeling like she's always being kept away from the others - somewhere else, physically. she clearly conceptualizes herself in that space as within the hephaestus, separate from it and the systems she runs, the same as everyone else. that's the difference between "other people need to change their attitudes" and... well, other people still need to change their attitudes, but there is also something fundamental about her circumstances that she's unhappy with and needs to change.

(and, obviously, like... because you know i see hera as a trans woman, i think some of the parallels you could make to medical transition are pretty clear in that framing, too.)

minkowski says “you weren’t here with us [...] we were over here, and you were over there” but minkowski would never actually say that - from her perspective, hera was as there with them as she's ever been. but if hera doesn't feel that way - if - like the sound design suggests - she's always hearing their voices the way they hear hers... if she's always felt that she's somewhere else... then it's hard for me to imagine there's a way to resolve that without giving her the autonomy to physically interact with the others, to be seen the way she sees herself - and that's something i think is really highlighted in the finale, too.

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[arolesbianism]

Sigh. Thinking abt isat eg au again. Head in hands comic Frin taking on King's name after the third universe reboot erases him in an attempt to hold onto what was previously the last remnant of their original version of the universe only to have that memory fade with the rest by the time isat Siffrin starts doing king quest stuff leaving them left with a name that isn't their own nor the person it originally belonged to with none of the meaning left behind

[wren-of-the-woods]

Yes!! This! And I love that they have such dramatic names, too — the Oxygen Catastrophe is great, and the End-Permian Mass Extinctions is colloquially known as the Great Dying.

end permian mass extinction...at least we don't have to deal with "Lava sea the size of Saudi Arabia"

[inbarfink]

When talking about the distinction between Simon Petrikov and the Ice King,  it’s important to remember that originally, the Crown wasn’t trying to turn Simon into Ice King -

It was trying to turn him into this guy.

At the time, the Ice Crown - or rather the Wishing Crown - was programmed with Gunther’s wish to become Evergreen. So everything related to making the current wearer like Evergreen is a very direct result of the Crown’s Magic. The physical changes -

And the obsession with the name ‘Gunther’ -

And maybe some of the irritability and anger issues -

That is something the Crown is very directly forcing unto its current wielder. 

But everything else?

Ice King, personality-wise, was not much like Evergreen at all, or even like Gunther's view of him. And Ice Finn of the Farmworld Universe was also pretty different from the both of them.

At the time, I remember people assumed Ice Finn’s behavior is more indicative of what the Crown is actually trying to do with its wielders. That Ice King is so different because of Simon’s subconscious resistance against the Crown - while Finn’s much younger and dumber brain is a lot susceptible to the Curse’s influence to become some sort of mad world-conquering emperor of ice and snow. 

But, with the context of the Crown’s actual backstory. That doesn’t seem very likely anymore. I think what’s actually happening there is that the Crown is just trying to make its wielder an Ice Wizard on par with Evergreen (who was the Actual Goddam Ice Elemental) and that means pumping the wielder’s brain so full of Magic, Madness and Sadness to a level that is bound to overwhelm anyone.

And Simon’s and Farmworld Finn’s very different behaviors after putting on the crown is indicative, more than anything, of how their psyche reacts to Madness and Sadness in general. You know, Finn has a very proactive and kinda aggressive personality - and you add Crown-induced-Madness-and-Sadness and a compulsion to use Ice Magic as much as possible and you get all of…. this 

Meanwhile, for Simon, the compulsions of the Crown originally filtered exclusively via the language of protection 

As his madness always manifested as romantic obsession 

And using goofy humor to try and deny the pain he’s going through 

Because that’s how Simon’s mind specifically reacts to being flooded with so much Madness and Sadness.

That’s why there’s so many parallels between Ice King and the sort of mistakes and screwed-up stuff Simon does right now! He’s even kidnapping people again!

Because the Madness and Sadness of Ice King might’ve been induced by the Crown, but now Simon has plenty of personal home-grown Madness and Sadness inside him - and it’s no surprise that Curse-Induced or not, his mind reacts to it in a sorta-similar way. (Although obviously not as intensely, again, there was a LOT of MMS in the Ice Crown).

Now as for Ice Thing, and the fact that he seems to be actually rather well-adjusted under effects of his version of the Wishing Crown. I mean... not by the time of the 1000+ Era, but that’s literally eons in the future and also maybe more Gibbon’s fault. Even if the Crown will eventually take some sort of toll on him, for now he seems to be doing pretty well considering his wish. I mean, there's still some sort of Loss of Identity stuff going on

But everything we've seen of Ice Thing (in the present day, at least) shows him as a friendly and cheerful individual that gets along well with others. A far cry from how maladjusted every single wielder of the Ice Crown acted.

At the very least, if there's any notable amount of Sadness in him, we really haven't seen it yet.

There might be several factors here:

First things first, I should acknowledge the possibility that it’s just that Orgalorg’s eldritch brain is better at intaking all that MMS juice. That could play a part, but I think it’s probably more important, at least thematically, to look at the distinction between ‘I wish to be Evergreen’ and ‘I wish to be Ice King’. 

First in the sense that while Ice King was occasionally mean to Gunter at times - he was generally much kinder than Evergreen ever was for ‘his’ Gunther. So, like, pretty much the one Personality Flaw of Ice King that you can directly link to the Ice Crown’s attempt to mimic Evergreen is the occasional anger issues.

And how they relate to Gunther’s view of Evergreen, so grumpy and controlling and constantly saying ‘NO!’

(Both Finn and Simon’s demonstrable not-crown-induced trauma responses can make them pretty short-tempered as well. So I’m not going to say this is purely the effects of the Crown. It still probably plays some sort of factor at why the wielder of the Ice Crown is Like That).

And that is not a factor in how Gunter views Ice King. For him, Ice King was a doting and loving father figure - so if the Crown was ever trying to implement any sort of specific negative personality traits, this is absolutely no longer a factor. Because the original Ice Crown was a reflection of Evergreen’s abuse, and now Ice Thing is a reflection of Ice King’s fatherly love.

Which is, itself, probably an echo or remnant of Simon’s own strong parental instincts. 

Secondly, while the Crown was trying to make the Ice King just as powerful as Evergreen…. Ice King was obviously not as powerful as Evergreen. Because he was already a second-rate copy of the Ice Elemental’s power, and because Ice King was often just too doofy to use his powers correctly and probably because some remnant of Simon’s original sensible self is subconsciously holding his powers back.

Either way, being ‘like Ice King’ as Gunter sees him requires less Magic than being ‘like Evergreen’ as Gunther saw him - and therefore less Madness and Sadness. Leading to the wearer or, um, the eater being a lot more well-adjusted from the get-go.

And I think that the implication that Ice Thing has fused with the Crown, so there's never going to be another poor sap who puts on the Crown and gets Ice King'd. But if there is one somehow... at least the process is going to be less mentally detrimental that time around?

Maybe one day Simon could look back and appreciate how much he (or Ice King, or both of them, or however you want to look at the situation) is responsible for basically neutralizing the Crown that ruined his life in the first place.

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[mypoisonedvine]

𝗹𝗼𝘃𝗲 𝗶𝗻 𝗮𝗻 𝗲𝗹𝗲𝘃𝗮𝘁𝗼𝗿 | eddie munson x reader

𝘀𝘂𝗺𝗺𝗮𝗿𝘆 | based on a request from the lovely @ultraintrovertedgryffindor ; getting stuck in an elevator with his best friend (and secret crush) was absolutely not on eddie's morning agenda, but it leads to one of his most wild fantasies coming to life.

𝘄𝗼𝗿𝗱 𝗰𝗼𝘂𝗻𝘁 | 3.8k

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 | SMUT (18+ only!! semi-public sex, oral m receiving, kinda pervy eddie but also slightly pervy reader with a balls fixation gee I wonder where that idea came from), best friends to lovers (but very very limited plot haha), pretty much exactly what it says on the tin y'all not sure what to say

Eddie laughed as he pressed his hands to the elevator doors, but it wasn't a laugh of amusement— it was exasperation, frustration, an is this really happening? laugh.

"Soonest we can get a crew out there is uhh... noon?" the voice on the emergency phone informed you.

"Noon?!" you yelped. "It's not even half past eight!"

"What did I tell ya?" Eddie recalled, hanging his head in defeat for a second. "Nothing good happens before ten."

"Just try to stay calm and we'll be there when we can," the operator suggested, like it was so simple.

You didn't even reply to that, just scoffed and hung up.

It wasn't like he'd been looking forward to his GED exam, in fact he'd almost been hoping for a way to put it off or get out of it... but this was definitely not what he was imagining. Of all the elevators to get stuck in, this generic government building where he was supposed to have his big test proctored was probably the most boring option.

He glanced over at you, and stopped himself from making a dirty joke: you heard that Aerosmith single, right? Love In An Elevator?

That probably wouldn't have gone over well. He used to say stuff like that when you were both a little younger, but he'd since given up hope of it ever actually... inspiring anything.  You two were probably better off as friends anyways; or, that’s what he told himself to make it sting a little less.

“Looks like we’ll be stuck in here for a while…” he mumbled instead.  “Did they say what the issue is?”

“Some kind of power failure?” you recalled with a shrug.  “It’s gonna take a while to fix, that’s the important thing.  Do you think they’ll call the fire department?”

“Who knows,” Eddie sighed, leaning against the wall as you sank onto the floor and dropped your head back against the wall.  “I guess we should just try to get comfortable.”

Which was easier said than done, but at least he was stuck here with you— you were generally pretty fun to talk to.  Of course, you weren’t exactly in your best mood due to the circumstances…

At 8:32, Eddie checked his watch.  “I’m officially late for my exam,” he noticed.

At 9, you checked your own; “And I’m officially late for work.  We'll see if I even still have a job when we get out of here," you groaned. "I was on pretty thin ice already."

By 9:14, the stuffiness of the elevator was becoming harder to ignore.  Eddie slipped off his jacket and vest in response to the heat, but resisted the urge to take off his Ozzy shirt. You'd seen him shirtless before, of course, but he figured out would be weirder without the right context.

"Fuck, it's hot in here," you whined quietly.

"I guess the power issue affects the A/C, huh," Eddie noticed.

"You think?" you scoffed, reaching up to unbutton the top of your shirt.

For some reason, he kinda liked when you were condescending like that; of course he loved it when you were sweet like usual, but when you got frustrated and sarcastic and looked at him like he was crazy... for whatever reason, it worked for him. And it was definitely working like never before when combined with your hasty efforts to open your shirt.

He expected you to stop after a couple buttons, but you just kept going, exposing more and more of your chest glistening with sweat. His eyes were glued to it, until you got low enough for him to see a glimpse of your bra, and he coughed as he turned his head quickly.

"Woah, hey, uh--" he stammered out awkwardly.

"Oh whatever, you've seen me in a bikini, it's the same thing," you rolled your eyes.

But it's not the same thing, because you were stripping, untucking the button-up from your tight skirt, fanning your flushed skin...

And he was tugging the crotch of his jeans down a bit when you weren't looking, trying to keep his oncoming boner from being too obvious. 

Leaving your shirt open, you sighed and sat down on the floor, splaying your legs out on the ground.  He could see how uncomfortable you were, and it made him press his lips together while he sighed through his nose.  Though he was a little afraid you weren’t in the mood for any friendly behavior as your frustration and stir-craziness increased, he walked across the elevator and sat down next to you.  “I was probably gonna flunk the test,” he decided.

“What?  No you weren’t,” you scoffed.  “You studied so hard!  I’m really proud of you, you know.”

“Just ‘cause we’re stuck in here doesn’t mean you should get all sappy with me—” he started.

“No— ‘cause we’re stuck in here I’m not gonna put up with you trying to be down on yourself,” you decided sternly with a little glare at him.  “You were gonna fucking ace it, I know you were.  You worked your ass off.  I know you wanted to act like you didn’t care, but you actually got your shit together and did it.”

“You… you helped me a lot,” he mumbled sheepishly.

“Please, I hardly did anything— mostly just kept you from getting too distracted,” you denied, blissfully unaware that he actually found you more distracting sometimes, but never minded it.  “Can you stop being a pussy and just admit you’re actually smart, and dedicated, and more than capable of nailing this?”

He blinked quickly and looked down into his lap, feeling his face warm up— not just from the heat.  How could you be so mean and nice at the same time?  

“And now it’s gonna go to waste, ‘cause of this godforsaken elevator,” you sighed, dropping your head back; a pessimistic end to a pep talk, but he couldn’t blame you.

"Think of it this way: it couldn't get any worse!" Eddie offered with a faux-upbeat tone.

Right then, the lights in the elevator flickered and turned off, plunging you both into darkness. "I fucking hate you," you announced after a short silence.

He heard a whirring sound from somewhere else in the shaft, and a dimmer orange lighting came on inside the elevator; some kind of emergency back-up generator thing, probably. It was enough to see decently well, especially as his eyes started to adjust, but still made it feel like you were both in an even more perilous situation.

“I didn’t sleep enough last night,” you admitted, “I might try to catch up on that.  Maybe if I can sleep this will go by faster…”

“I like that plan,” he decided, even though he was pretty sure he wouldn’t be able to do the same.  Eddie had a hard time keeping still and quiet, but he managed to do it so you could get your rest.

He suspected you had fallen asleep when your breathing seemed to slow down a bit— but he knew you had when you limply slumped to the side, your head gently landing on his shoulder.  This happened every once in a while, a sign of how comfortable you were with him. He supposed he should be thankful for it, but sometimes it just made him furious. Because what cruel punishment was this, to have you lay on him like this when he can't put his arm around you and kiss your head and tell you how perfect you are?

The half-boner he’d wound up with earlier when you unbuttoned your shirt had never really gone away, and it noticed your proximity with renewed interest.  Maybe it was just because he was so bored with literally nothing to do but think about you, but his mind kept coming up with all these fucked up ideas based on the eyeful he’d gotten.  

What if you’d taken off your bra as well and let him see the tits he’d been fantasizing about for longer than he cared to admit?  What if this had happened in winter instead and the elevator was brutally cold and you two had to hold your naked bodies together for warmth?  What if that guy on the phone said this thing was airtight and two only had an hour to live and you decided you wanted to go out with a bang, literally?  

He wondered if he’d be brave enough to tell you how he felt about you, if either or both of you only had an hour left.  For better or for worse, this elevator shaft had airflow, so you were more likely to die of boredom than anything.

He shifted slightly, stuck in a somewhat awkward position, but it didn't help much— though thankfully it didn't wake you up, either.  He just wished he could get some relief, somehow.

Obviously, he knew it was a bad idea. But the thing about his dick is it usually talked him into some pretty bad ideas…

He tested the waters with a whisper of your name, but you just kept breathing slowly— you were out cold. Maybe you were even more nervous for him than you'd let on, if you were that underslept.

Reaching up with his free hand, all he had to do was grip himself through his jeans to get some relief; he sighed through his nose, shutting his eyes.

His cock flexed impatiently as he unzipped the jeans as slowly as possible to avoid making too much sound. But god was it worth the wait— as soon as he slipped his hand into his boxers he had to bite his lip, it was so good just to get some attention for his poor, lonely dick.

This was far from the first time Eddie had jerked off to the thought of you. But he was sure he'd never done it while you were this close.

He did it once or twice in your bathroom while you were on the other side of the wall, that was probably the closest he'd come to this before. And that was chump change compared to this-- this was so risky it made his heart race and his hands shake with adrenaline, but it only made him more desperate for whatever reason.

He wouldn't have swiped his thumb through the precum at his slit if he had known how good it would feel— or maybe if he'd known how good it would feel, he would've been able to prepare himself for it. But the anxiety of getting caught had made him even more sensitive, so he hadn't really seen it coming, and when he did it he let out a little moan through his teeth that he couldn't stop.

You stirred again and he froze; when you lifted your head off of his shoulder, he hastily shoved himself back into his jeans, trying to cover up the open fly with the bottom of his shirt.

“Were you… jerking off?” you realized, and he felt sick with fear as his heart raced like never before.

“W-what?” he scoffed incredulously.  “I— are you crazy?”

“Ed,” you warned firmly.

“Sorry,” he mumbled, “I— sorry—”

“Are you that bored?” you mocked with a snort, and he felt even more flushed; it made his cock flex under the mediocre covering of his shirt when you degraded him like that.

“N-no— well, yeah, I just— you put your head on me and I—”

“It was because of me?” you realized, and his mouth fell open.  He hadn’t realized that you hadn’t actually put that together yet; of course he’d ended up just digging himself deeper.

“W-well, uh— I mean, no, no I— well.  Kind of?”

“Kind of, as in…”

“Completely,” he blurted out.

You were quiet for a long time, and he couldn’t see your face well enough to even try to guess what you were thinking.  Although you probably could’ve given him a thousand guesses and he never would’ve guessed what you ended up saying: “You want some help with that?” you offered.

But before he could even answer— not that he really could, he was too busy having a short circuit in his brain— you were reaching for his lap.  And even if his mind was blown, his body knew to just lift his hands up and out of the way and let you do whatever you wanted to him.

You pulled up the bottom of his shirt and sighed a little when you saw his cock, still hard and leaking and curled up against his stomach.  You carefully wrapped your hand around it, and he swallowed thickly, wondering if he was dreaming or something— you were so… soft.

“Like this?” you asked gently, making his hips twitch up into your hand for a second.

“Y-yeah,” he nodded, eyes glued to the way your hand looked wrapped around him.  If only the lights weren’t out, he wanted to see it even better.

He looked at your face, moving your hair a little to make sure he could see you, but from what he could tell your eyes were trained on his lap.

“Fuuuck,” he whispered when you stroked him a bit more confidently.  He wanted to shut his eyes from how good it felt, but he didn’t want to look away from a moment of this in case you, you know, came to your senses and stopped.

“S’really thick,” you said, under your breath, a little bit shyly.  He groaned and ran his hand over your back, trying not to do too much in case it startled you but also totally helpless to how badly he needed you.  “I wonder if I can…”

You trailed off, and before he could decide if he should ask what you were going to say, you 

As soon as you leaned down and put your mouth around him, his back arched and his legs kicked a bit.  “Fuck, baby,” he choked out, melting into the warm feeling of your lips, your tongue— god, he couldn’t believe you were doing this to him.  He actually had to fight the urge to tell you so, to admit how much he’d imagined this; he settled for whining out your name and running a hand over your hair encouragingly.  “S’fucking warm, oh my god—”

You hummed around him, sucking a bit harder, swirling your tongue around the tip; who the fuck taught you that?  It made his chest burn with some targetless jealousy even while it made his cock flex proudly. 

Your hand still gripping the base, you took him a little bit deeper, moaning a little bit once again while you did it.  No way you actually enjoyed this, right?

You pulled your head up a bit— he took his hand away quickly, not trying to hold you down or anything— and just when he wondered if you might stop, you dropped down lower so you could run your tongue up from the very bottom all the way to his leaking slit—

“Jesus,” he laughed thinly, “what are you doing to me, baby?”

“Whatever I wanna do,” you replied— if he was a little braver, he would’ve asked what made you want this, how long you wanted this— but he was more than content to let you do whatever you wanted, so far you had some pretty fucking good ideas.

Your head sank even a little bit lower, and he pushed his jeans down just a bit in case they were getting in your way.  Boy, was he glad he did.  “Fuck,” he gasped, watching in shock as you looked up at him while your tongue ran over his balls.  “Sorry, they’re, uh, kinda sweaty…”

“Even better,” you purred; what the fuck were you doing acting so dirty like that?

“Baby,” he laughed thinly, “is this some kind of claustrophobia-induced psychosis or something?  Who are you and what have you done with my prude best friend?”

“Prude?  That’s unfair,” you laughed.  “Just ‘cause I don’t advertise every dirty thought that goes through my mind doesn’t mean I’m not as much of a freak as you…”

“Freak is an understatement,” he sighed, struggling to keep his voice even when he was literally watching you lick all over his balls like this.  “You’re a proper fucking slut.”

You hummed proudly, eyes getting a little heavier— when you looked up at him like that, he was totally helpless.  “It’s slutty to wanna taste your best friend’s balls?”

“F-fuck, of course it is,” he whined, cock flexing in your hand again when you licked a stripe up between then.

“Well then yeah, guess I’m a slut,” you agreed. 

“G-god, I— I’m gonna—” he tried to warn you, but it happened so fast— it happened the second you started to gently suck on his balls, in fact.  What was he supposed to do when you did that?!  How could he not shoot cum all over his now-definitely-ruined shirt?

“Oh shit,” you giggled— his cock was still flexing and you were already mocking him.

“What— what the fuck,” he began, trying to catch his breath, “made you wanna do that?”

But you were already straddling his lap, pulling up your skirt to your waist.

“F-fuck, baby, I— are you seriously—?”

He cut himself off and whimpered when he got a good look at your panties, the cute lacy kind— and pretty fucking soaked already.

“I-I don’t have a condom,” he warned you, cursing himself inside for finally throwing out the one in his wallet thinking he would never end up needing it.

“Don’t care,” you sighed, pulling your panties aside and guiding his tip right up to your entrance.

“Fuck, that’s—”

He was gonna say it was insanely hot, but you hardly noticed; you were already sliding down onto him, taking him in one motion right to the base.

“Oh fuck!” he nearly shouted, gripping hard onto your thighs.  “F-fuck, you’re so tight, fuck…”

You started moving right away, grinding on top of him for a second before lifting your hips and bouncing up and down.  “Fuck,” you sighed, “so deep…”

Was it wrong that he loved the way you were basically just using him?  You hadn’t even let him finish his sentence, you didn’t ask if he could handle it right after coming— you just started riding him, and far be it from him to complain about that.

“Take this off,” he pleaded, tugging at your unbuttoned shirt and trying to push it off your shoulders.

You helped him get it off, and before you’d even tossed it off to the side he was reaching behind you to unclasp your bra.  The gods of bra clasps smiled down upon him that day, because he was sure he’d never gotten one open so quickly, and if there was any time he really needed it, it was now.

“Fuck,” he groaned when he got a good look at them— not good enough in this dim orange lighting, but it would do— and instantly got a hold of your chest.  You didn’t seem to mind the clammy hands, considering the way you whimpered a little and clenched inside around him.  “God, baby, your tits…”

As much as he’d been waiting ages for a chance to see you naked, he couldn’t deny you looked way too good with the skirt, stockings, and heels still on.  He could already tell this was going to give him a complex.

He ran a hand up your leg as you moved just to feel the silky nylon; god, he hoped you didn’t get fired for the unexplained extreme lateness, if not just for your sake then so that you would keep dressing like this every day.  “So pretty,” he sighed, wondering if you could see in the dark how totally in awe he was of you.

“Oh my god,” you gasped, in that way he’d always imagined you would in a time like this.  Your head fell back and he couldn’t help but reach up and grab your neck— not applying much pressure, just holding you there, just admiring how goddamn perfect his hand looked wrapped around you.  

“You’re so fucking sexy,” Eddie sighed, “fuck, look at you go.”

You smiled a little, he could see it even with your head tilted back like that, and it was just amazing seeing you so… free?  So relaxed and totally shameless, giving in to your pleasure.  But it wasn’t enough: he wanted to see you lose all your composure, he wanted to hear you scream his name, he wanted to make you shake and cry and beg— that was why he grabbed a tight hold of your hips and pulled you down onto him, bucking his hips up to meet you halfway.  It forced his cock even deeper and you yelped a little.

“Not too big for you, is it?” he taunted.

“No, fuck, s’perfect,” you moaned, your voice deep and rough and so fucking beautiful like this.  “Fuckin’ perfect, Ed, o-oh god—”

“Keep saying my name,” he ordered.

“Eddie,” you said, again, but this time all needy and cute; it just made him fuck you harder, biting down on his lip to muffle some of his own noises— he just wanted to hear you.  He pulled you down and hugged you close, keeping you still so he could fuck up into you exactly how he wanted; you moaned right by his ear, fuck it was too precious.  

“I’m already close again,” he admitted with a thin laugh.  “Fuck, look what you do to me.”

You whined louder, clenching on his cock— he seriously did not know how much more of this he could take.

“Wanted you so bad,” he blurted out, unable to stop himself, “wanted this for so long.  Wanted to fuck you— I wanna make you come, fuck, please, please come.”

He felt you nod against his shoulder as you gasped, and he shut his eyes tight, just focusing on his movements and trying his best not to speed up too much just to chase his own high.  He needed you to come more than he needed his own pleasure, even if everything in his body was screaming for a chance to come inside you. “So close,” you panted, “fuck, Eddie, don’t stop— please don’t stop— yes!”

The lights turning back on suddenly startled you both, making him freeze and look around (and squint a little from the brightness), but that was nothing compared to the shock of the doors opening.  Behind them was mostly just concrete, the space between floors, but up top was about two feet of the eighth level, where a crew of firefighters could be seen peering in.

“Are they alright?” someone from the building asked as Eddie scrambled to grab his jacket from the corner and cover you up with it.

“Yeah, looks like they’re doing just fine,” one of the men announced as they broke out in surprised laughter.

[stephobrien]

Is your pro-Palestine activism hurting innocent people? Here's how to avoid that.

Note: If you prefer plain text, you can read the plain text version here.

Over the last few days, I’ve had conversations with several Jewish people who told me how hurt and scared they are right now.

To my great regret, some of that pain came from a poorly-thought-out post of mine, which – while not ill-intentioned – WAS hurtful.

And a lot of it came from cruelty they’d experienced at the hands of people who claim to be advocating for Palestine, but are using the very real plight of innocent Palestinians to harm equally innocent Jewish people.

Y’all, we need to do better. (Yes, “we” definitely includes me; this is in no small part a “learn from my fail” post, and also a “making amends” post. Some of these are mistakes I’ve made in the past.)

So if you’re an advocate for Palestine who wants to make sure that your defense of one group of vulnerable people doesn’t harm another, here are some important things to do or keep in mind:

Ask yourself if you’re applying a standard to one group that you aren’t applying to another.

Would you want all white Americans or Canadians to be expelled from America or Canada?

Do you want all Jewish people to be expelled from Israel, as opposed to finding a way to live alongside Palestinian Arabs in peace?

If the answer to those two questions is different, ask yourself WHY.

Do you want to be held responsible for the actions of your nation’s army or government? No? Then don’t hold innocent Jewish people, or Israelis in general (whether Jewish or otherwise), responsible for the actions of the Israeli army and government.

On that subject, be wary of condemning all Israeli people for the actions of the IDF. Large-scale tactical decisions are made by the top brass. Service is compulsory, and very few can reasonably get out of service.

Blaming all Israelis for the military’s actions is like blaming all Vietnam vets for the horrors in Vietnam. They’re not calling the shots. They aren’t Nazis running concentration camps. They are carrying out military operations that SHOULD be criticized.

And do not compare them or ANY JEWISH PERSON to Nazis in general. It is Jewish cultural trauma and not outsiders’ to use against them.

Don’t infuse legitimate criticism with antisemitism.

By all means, spread the word about the crimes committed by the Israeli army and government, and the complicity of their allies. Criticize the people responsible for committing and enabling atrocities.

But if you imply that they’re committing those crimes because they’re Jewish, or because Jewish people have special privileges, then you’re straying into antisemitic territory.

Criticize the crime, not the group. If you believe that collective punishment is wrong, don’t do it yourself.

And do your best to use words that apply directly to the situation, rather than the historical terms for situations with similar features. For example, use “segregation,” “oppression,” or “subjugation,” not “Holocaust” or “Jim Crow.” These other historical events are not the cultural property of Jews OR Palestinians, but also have their own nuances and struggles and historical contexts.

Also, blaming other world events on Jewish people or making Jewish people associated with them (for instance, some people falsely blame Jewish people for the African slave trade) is a key feature of how antisemitism functions.

Please, by all means, be specific and detailed in your critiques. But keep them focused on the current political actors – not other peoples’ or nations’ political or cultural histories and traumas.

Be prepared to accept criticism.

You probably already know that society is infused with a wide array of bigotries, and that people growing up in that environment tend to absorb those beliefs without even realizing it. Antisemitism is no exception.

What that means is, there’s a very real chance that you will screw up, and get called out on it, as I so recently did.

If that happens, please be willing to learn and adapt. If you can educate yourself about the suffering and needs of Palestinians, you can do the same for Jewish people.

Understand that the people you hurt aren’t obligated to baby you. Give them room to be angry.

After I made a post that inadvertently hurt people, some were nice about it, and others weren’t. Some outright insulted my morals and intelligence.

And I had to accept that I’d earned that from them.

I’d hurt them, and they weren’t obligated to be more careful with my feelings than I had been with theirs.

They weren’t obligated to forgive me, trust me, or stop being mad at me right away.

I’ll admit, there were moments when I got defensive. I shouldn’t have. And I encourage you to try not to, if you screw up and hurt people.

I know that’s hard, but it’s important. Getting defensive only tells people you care more about doubling down on your mistake than you do about healing the hurt it caused.

Instead, acknowledge that they have a right to be angry, apologize for the way you hurt them, and try to make amends, while understanding that they don’t owe you trust or forgiveness.

Be aware that some antisemites are using legitimate complaints to “Trojan horse” antisemitism into leftist spaces.

This is a really easy stumbling block to trip over, because most people probably don’t look at every post a creator makes before sharing the one they’re looking at right now.

I recently shared a video that called out some of the Likud and IDF’s atrocities and hypocrisy, and that also noted that many Jewish people are wonderful members of their communities.

I was later informed that, while that video in particular seemed reasonable, the creator behind it is frequently antisemitic.

I deleted the post, and blocked the creator. I encourage you to do the same if it’s brought to your attention that you’ve been ‘Trojan horse’d.

EDIT: Important note about antisemitism in leftist spaces:

While it's true that some blatant antisemites are using seemingly reasonable posts to get their foot in the door of leftist spaces, it's also true that a lot of antisemitism already exists inside those spaces.

This antisemitism is often dressed up in progressive-sounding language, but nonetheless singles Jewish people and places out in ways that aren't applied equally to other groups, or that label Jewish people in ways that portray them as acceptable targets.

If you want to see some specific examples, so you can have a better idea of what to keep an eye out for, I suggest reading this excellent reblog of this post.

Fact-check your doubts about antisemitism.

Depending on which parts of the internet you look at, you’ve probably seen people accused of antisemitism because they complained about the Likud and/or IDF’s actions. So you might be primed to be wary, or feel unsure of how to tell what counts as real antisemitism.

But that doesn’t mean antisemitism isn’t a very real, widespread, and harmful problem. And it doesn’t mean many or even most Jewish people are lying to you or being overly sensitive.

So if someone says something is antisemitic, and you aren’t sure, I encourage you to:

A. Look up the action or thing in question, including its history. Is there an antisemitic history or connotation you aren’t aware of? For best results, include “antisemitic” in your search query, in quotes.

B. Understand that some things, while not inherently antisemitic, have been used by antisemites often enough that Jewish people are understandably wary of them. Schrodinger’s antisemitism, if you will.

C. Ask Jewish people WHO HAVE OFFERED TO HELP EDUCATE YOU. Emphasis on WHO HAVE OFFERED. Random Jewish people aren’t obligated to give you their time and emotional energy, or to educate you – especially on subjects that are scary or painful for them.

@edenfenixblogs has kindly offered her inbox to those who are genuinely trying to learn and do better, and I’ve found her to be very kind, patient, reasonable, and fair-minded.

Understand that this is URGENTLY NEEDED.

In one of my conversations with a Jewish person who’d called me out, they said this was the most productive conversation they’d had with a person with a Palestinian flag in their profile.

THIS IS NOT OKAY.

I didn’t do anything special. All I did was listen, apologize for my mistakes, and learn.

Yes, it feels good to be acknowledged. But I feel like I’ve been praised for peeing IN the toilet, instead of beside it.

Apologizing, learning, and making amends after you hurt people shouldn’t be “the most reasonable thing I’ve heard from a person with a Palestinian flag pfp.”

It should be BASIC DECENCY.

And the fact that it’s apparently so uncommon should tell you how much unnecessary stress and fear Jewish people have been living with because of people who consider themselves defenders of human rights.

By all means, be angry at the Likud, the IDF, and the politicians, reporters, and specific media outlets who choose to enable and cover up for them.

But direct that anger toward the people who deserve it and are in a position to do something about it, not random people who simply happen to be Jewish, or who don’t want millions of people to be turned into refugees when less violent methods of achieving freedom and rights for Palestinians are available.

Stop peeing beside the toilet, people.

[followthebluebell]

hello! I was scrolling through your blog (delightful) and found the post about Beef and his whiskers position, and I'm ashamed to say that in all my near-thirty years of being around cats and thinking I understand them pretty well I never thought to pay attention to the 'circle shape'. could you please expound a bit on what to look for when it comes to whiskers position and how to interpret it? Beef is an absolute sweetheart but looking at a brachy cat as an example makes it a bit hard for me to generalize. thank you!

Thank you! And also thank you for your patience--- I wanted to give some really good examples and have been scouring my blog for the best circle whisker cats I could find.

Picture heavy post under this.

so this is the cat grimace scale. It's a sort of way to visually see if a cat is in pain/distress, and it gives a simplified view of the things I'm going to discuss. It's important to recognize that whisker shape/position is just ONE piece of communication and doesn't tell the whole story. A lot of this is also based on CONTEXT as well.

When you're looking at a cat face, here are the things you really want to pay attention to:

Ear position—Ears facing forward, ears slightly pulled apart, or ears flattened and rotated outward.

Orbital tightening—Eyes opened, eyes partially opened, or eyes squinted.

Muzzle tension—Muzzle relaxed (round), muzzle mildly tense, or muzzle tense (elliptical).

Whisker position—Whiskers loose and curved, whiskers slightly curved or straight, or whiskers straight and moving forward.

Head position—Head above the shoulder line, head aligned with the shoulder line, or head below the shoulder line or tilted.

Calypso's huge whiskers give a REALLY good visual on the 'circle shape' to look for. You can see her whiskers are pushed forward and are loose and curved. She's feeling playful and engaged! She really wants to know what I'm up to and what's in my hand (spoiler alert, it was treats)

Compare that to this later picture, taken after she heard a dog bark nearby:

Her muzzle is tighter. Her whiskers are pulled back a bit, and are straight. Her ears are set differently as well, one pulled back a bit. She's concerned, but not terribly worried about this strange sound.

You can also compare it to this handsome lad:

Again, his whiskers are fairly straight. They aren't pulled back as far, but he's still very tense. He was extremely tense and upset that I took his water dish away from him (because it needed to be cleaned and changed).

Milo is another great example of excited whiskers. They're pushed forward and curved, forming a sort of circle. Like Calypso, he's interested in what I'm doing and feeling playful. He was very interested in the toy I was throwing for him.

Gumdrop is a good example of a more relaxed whisker position. She's curious, but not feeling playful. Her whiskers are held very loosely rather than being pushed forward. Her tail nub is up, indicating friendliness and confidence.

[cinnamonest]

I'm not looking to start shit so I'm not linking it or anything, but you may have seen a recent anti-dark-content post circulating with a lot of notes making rounds in the x reader sphere and while I have nothing against people posting their feelings in their own private spaces, every time I see these kinds of posts there's a lot of misinformation that gets regurgitated in the reblogs/replies and I saw what looked like a battlezone in the replies, so.

I know posts like that can be very jarring and affects people like my readers, so to combat misinformation/shaming for anyone who saw it, I'm going to share some of my information on combatting fandom puritanism/misogyny/kinkshaming in its most common forms.

The most important fact, if you read nothing else, is this:

Most women have rape fantasies.

62% to be exact. I think the most pervasive myth on this content is that consumers are "weird" for it, when the numbers don't indicate that. You're in the majority!

The vast majority of people who have rape fantasies do not put them into practice in real life. A variety of factors can determine whether or not they do, particularly specific psychiatric disorders. (X)

To specifically address common harmful and pervasive myths:

the "go to therapy!" line

Generally any academic or professional resource will immediately tell you that consuming and engaging in "dark" fantasies is accepted and encouraged by mainstream psychiatry and part of the professional education for psychiatrists. (This also used to be pretty well-known until like the last 5 years or so, not sure why that changed.)

Here are some particularly insightful resources:

1) This article by Dr. David Wahl, in my opinion, hands-down does the best job of simply and thoroughly explaining why these fantasies occur and why couples practice CNC, as well as the fact that they are both harmless, psychologically beneficial to those with them, and not at all correlated to real-life rape.

2) Dr. Claudia Six has some of the best and most thorough material out there on the subject, specifically explaining why this is taught in mainstream academia psychology and how it is incredibly helpful to rape victims (X).

3) Lisa Diamond is a professional who focuses on this subject a lot, and was featured in the documentary "The Dilemma of Desire," in which she specifically focuses on how these fantasies are not correlated to real-life desires. (X)

4) Dr. Casey Lyle has specifically talked a lot on his socials about how fantasies, even in men/the perspective of the offender, do not correlate to actual risk of offending.

5) This article is not by a professional, but from the perspective of a survivor discussing how it is beneficial to survivors.

the "why would you want that?" line

The idea that fictional tastes = what you want to happen to you in real life is actually of misogynistic origin. I don't want to seek out or add links on this one, but if you're really curious, you can research about how the idea that "women read rape fiction, that means they secretly want rape!" was originally a classic "red pill"/MGTOW/4chan talking point that made its way into mainstream dialogue and thus the public mind in the last 15 years or so due to the incel epidemic popularizing those communities.

the "it's only valid for survivors then!" line

On one hand, yes it's very important to acknowledge that trauma victims use it to cope, however I feel that over-emphasizing that gives the impression that non-victims should be excluded from consumption of dark content, so to clarify, it's a very valid means for all women. Many women who have not personally experienced rape still fantasize about it, and that's fine.

The full explanation as to why this is true for many of them would be lengthy (and addressed in the aforementioned Dilemma of Desire documentary), but in the simplest terms, nonconsensual sex is the only context in which patriarchal society permits women to have sex at all without feeling guilt. For many women, particularly those in more heavily misogynistic or religious cultures, these fantasies are appealing because the idea of consensual sex may give them feelings of shame, guilt, "sin," etc. These fantasies allow them to experience the feeling of being desired without guilt of participation.

No society on earth is free of the psychological grip that cultural misogyny has on women, and shaming women for adapting to the conditions they are forced to exist under is as harmful as the misogyny that causes it itself.

ALL women experience a form of psychological trauma inherent to female childhood and female adolescence in a patriarchal world, and that is just as valid as coping with individual traumatic events.

Good resources on the subject of why women have these fantasies and how they are helpful in general:

(X) (X)

The "what you consume will make you do it in real life!" myth

Although the resources above already address this, it's important to establish why this myth is so prevalent and what its origins are.

The idea that consuming media with dark themes leads to or indicates desires to replicate those acts is a residual element of two major events:

1) Puritan revival culture, popularized in the US and UK in the 90s and 2000s (also known as "Satanic Panic"). A major facet of this movement was TV megachurch preachers making money off of exploiting well-meaning but paranoid parents into believing that your child playing Dungeons and Dragons or Pokemon would make them future serial killers and lure them into satanic cults. (X)

2) at the tail end of this, it was cemented in the public mind as a cultural ripple aftershock of the Columbine shooting, where this sentiment became popularized as the general public blamed violent video games like Doom and "dark" music like Marilyn Manson (whose life was temporarily completely upended by the events and took him years to recover/be safe from) for the 1999 shooting. This event had MASSIVE permanent and global effects in all sorts of ways that the public often underestimates the sheer scope of, notably that it solidified, prolonged, and, in the minds of many, "proved" the paranoias of the preexisting Satanic Panic. (X) This established a precedent, leading to virtually any major horrible event being blamed on the perpetrator's media consumption, including murder and sex crimes.

What this myth ignores in the cases it references (the slenderman stabbings, columbine, sasebo slashing, batman shooting, etc) is two crucial facts: that hundreds of millions of people consume the same media with no negative effects (helpful effects even), and that in every single case cited as "evidence" to the claim, the perpetrator had a preexisting psychiatric condition correlated to acts of violence (which usually went ignored, downplayed and even accelerated/worsened by those around them rather than the help they needed).

Sorry for the wall of text, but I feel an ethical obligation to combat this kind of misinformation, and I hope these resources are helpful for those who may be negatively affected by common misunderstandings.

You are not abnormal or wrong for the fictional content you consume or the fantasies you have!

[blacknailsandheartbreak]

Part 2 to how the group cannot fathom how you and Zuko are so close with your angel of a self and Zuko being... well, Zuko

AN: OKAY! Look at me go, coming out with a part two. I think I might do a part two to some previous pieces of mine but we will see.

SO this is a part two, so you can read the first one here, it will give some context clues into this second part of the story (but can probably be read solo) : Part 1

Any who, ~2300 word count, enjoy :)

KIDDIE FREE ZONE

Good Friends

That's all you guys were. Good Friends. Zuko kept telling himself he had no reason to be so bothered by that statement, but he was. He didn't want to be just good friends, but you had given a better answer then he would have in your position. But now the Gaang has been flying for the past couple days and has given him lots of time for thinking. Especially having you for the majority of the time sitting with him leaning against his arm, grazing legs, as you were not shy to the general touch. You always seemed to start up the conversations with him, your way of speech held him in interest, but as already known, he never said much back, but always was happy to listen.

But ever since that last night of camp a few days ago he cannot let the thought go. Good Friends. He knew that the talks you two have, the moments you both cherish, and the secrets you two shared was enough of a connection to be more than just good friends, or at least in his mind it was. You two were absolutely glued to the hip, and seemed to be together, just without the title. Zuko was fine with no title, he would rather the group didn't know but for you two to have that clarity is what he was craving. He knew there were other things that were more important at the moment but it couldn't calm down in his mind. He had to know, he wanted to be together. Even if that became another secret you both shared he would gladly add it to the pile.

As the afternoon began to fall fast on the fourth day of travel, the Gaang was running low on rations and decided to hit the next market in the upcoming town. Upon arrival, Aang and Sokka grabbed Zuko to tackle their list as Katara and Toph grabbed you to get the remaining items. Zuko was hoping to buddy up with you but it would have to wait. As the group divided and conquered, Sokka was getting very nosy with Zuko about a certain someone. Zuko ignored all of his questions or what felt like more accusations. Meanwhile the girls had finished with their tasks and Toph had somehow gotten into a gambling match with the remaining money they had and won every time. You stood back leaning against a nearby wall smiling, not wanting anything to do with the situation but you weren't going to interfere either. You feel a brush against your shoulder and look up to see Zuko, you smile and greet Aang and Sokka. You ask how their huntings went and they all agreed it had gone well. Zuko looked at you and asked if Toph and Katara were seriously gambling the little money they had left. You laughed and were about to answer but before you could Toph came over with a large bag and tossed it at Zuko. He caught it effortlessly, and it jingled heavily. All of the boys eyes widened, and Toph said "We will be sleeping well tonight thanks to yours truly."

The Gaang walked around the town as the night grew darker and the many street lamps glowed near and far, Zuko's mind still buzzing with the taunting thought of good friends. Maybe he was over thinking it and there was already an unspoken agreement you two were together? Or was he being weird and obsessive? Or maybe you had a completely different view on all of it? Or maybe-

His thoughts were cut off by you linking your arm through his and pointing out the beautiful lights, from the shops, to concessions, to the fountains, to the groups of lively people. He looked down at you and for the first time, he wasn't really listening to you. He just looked at you, looked at your smile as if you knew this moment was made just for you. He would forever be in awe at how effortlessly you spoke as if you had already rehearsed it one hundred times. He feels your genuine happiness and spirit in your eyes as you look up at him and he wonders how you hold such grace through everything. All his thoughts left his mind as he looked at you and thought, yeah, that is my girl.

Once the Gaang decided to call it a night, you all looked for an Inn to stay at for the night. There was not much of an option in the small town, so you all entered the closest place and the lady at the front desk greeted you all with a warm smile. Aang went to talk with the lady and brought back a handful of keys. Everyone was confused as he handed everyone their own key and explained that they only had single rooms left for the night. Nobody really complained as everyone seemed they could use some time to themselves. Everyone shuffled into their rooms with quick goodnights, but before Zuko walked through his door, he looked over his shoulder at your direction, and there you were. Walking into your room and almost as if you felt his eyes you looked over your shoulder and stopped for a moment, you smiled at Zuko and gave a small wave of goodnight before stepping into your room and closing the door. Zuko's eyes stayed on your room for a moment longer, before a small tap on his shoulder made him spin around. It was Katara. Zuko was lost for words. Katara smiled and whispered "I won't tell, not that is isn't already so obvious, but you should really talk to her." Before Zuko could respond to her she waved goodnight and walked into her room. He stood in the hallway like a man who was shot and was too afraid to move. He looked back at your door, he felt the longing in every part of his being to just go and knock on your door and say everything he has been thinking just like you do. How you so effortlessly say exactly what you're thinking, that is what he wanted to do. He wanted to tell you what it meant to him to have someone like you become so close to someone like him. He wanted to tell you that the secrets you both shared with each other meant the world to him and he would take them to his very grave if you wished so. He wanted to tell you that every time you smiled it felt like it was for him and him only. But he didn't. He walked back into his room and shut the door.

Zuko got ready for bed and laid down for a few minutes, he tossed and turned and his chest felt so heavy. He let out a sigh as he laid on his back and placed a hand on his chest with the other one behind his head. He stared up at the ceiling. Zuko let out a small grunt of frustration when he got up, deciding to go get some water. He grabbed the bucket from the small table in the room and walked towards the door. Zuko grabbed the bridge of his nose in exasperation and pulled his hand down his face, he went and opened the door and to his complete shock, there you stood. You looked almost as surprised as he did. You both stood in silence for a moment, and for the first time, Zuko spoke first. He asked if you were alright, because the last thing he expected was for you to be standing at his door in the middle of the night. You replied softly, saying you were ok, just had a lot on your mind. You noticed Zuko holding the bucket for water and offered to go with him to fetch some, he agreed. This time you both walked in silence to retrieve the water and walked in silence back to the rooms. You both came to stand outside Zuko's room and he asked if you were sure you were ok, and you replied that you were, probably just over tired. Zuko looked at you and asked you if you wanted to come into his room. You smiled softly and insisted you didn't want to intrude. He didn't respond and just motioned you inside, you accepted and walked in, Zuko shut the door behind you.

Zuko grabbed the ladle and poured you some water while you sat on the bed, he handed you the cup. You smiled and thanked him as you grabbed the cup and took a sip. Zuko sits next to you and rests his elbows on his thighs and looks down between his knees to the floor, he's not sure how he wants to go about tonight. He has no idea where to start, no idea how to talk or truly express his thoughts. He worries about sounding like a bumbling fool compared to your angelic soft spoken way of words. But before he could think further, the bed shifted and you were now directly beside Zuko with your head leaning on his shoulder. He looked up and he knew he wanted this, he wanted to be the one to call you his. He wanted to be by your side every step of the way and watch you regain the pride of being a fire bender. He wanted to have you by his side helping him with the path of change after the comet, and he didn't want to do it as good friends, he wanted to do it together. Zuko took in a deep breath, and asked "Do you really think we are just good friends?" and without a breath missed you replied "I knew your ears were on fire that night." you sat up with that comment, Zuko smirked and chuckled, you two were very close now, mere inches from each other's faces. "But no..." you replied, "I don't think we are just good friends, do you?" Zuko looked into your eyes, they seemed to shimmer the most beautiful shade of amber even with the liminal lighting in the room. "I don't think so either." He replied. Zuko saw your eyes dart to his lips and back to his eyes but the second your gaze connected back with his, he was already pulling you into a kiss. He put his hand just under your ear, along your jaw, pulling you in gently, as if giving you an option to back out. But you didn't, you leaned in and placed your hand on his arm and you kissed deep. Zuko lavished in this moment and if there was any way he could pull you in even closer he would. You pulled away first and looked at Zuko, he looked at you with so many emotions, "We are together." he stated. You smiled so wide and nodded, for the first time you were speechless and practically tackled Zuko to the bed, kissing him so deeply while he gladly reciprocated with the same action. You were straddling Zuko as he effortlessly flipped you over on the bed so he was now on top, you placed both your hands on his jaw and leaned up to give him a small kiss and then laid back down. "Would you stay with me tonight?" Zuko asked, you smiled, "Of course I will, I thought you'd never ask." Zuko rolls his eyes and leans down for a kiss but you halt his actions by asking, "What about the others, they will see me leaving your-" Zuko cuts you off with a soft kiss and after responds "I don't care, they can make their own assumptions." You smile so happily and nod your head, "But, they are going to ask questions-" you started but again Zuko cut you off before you can overthink, "So answer them however you want to, however you feel is right." He leans down and kisses you so romantically, and moves to your cheek, and down to your jaw, and making his way to your neck, you let out the smallest gasp. You could feel tingles all throughout your body, from your fingertips to your toes. This was the moment you were both waiting for, Zuko knew this is what he wanted, he wanted you now, tomorrow, the day after that, the months that follow and the years to come. You were his as much he was yours. He gave himself to you that night as you gave yourself to him. Both vulnerable to one another, savouring each movement, each touch, every breath you both shared. The night was exactly what you both wanted, it was what you both needed.

The next morning Zuko woke up with you laying on his chest and his arms wrapped around you. Both of you spent the morning getting ready and just smiling at each other, no lingering feeling or questions of what ifs. You could both just be together.

It was time to check out and continue the journey, so you both gathered all your belongings and walked to the door. You both stopped and you looked at Zuko, "They are going to ask." you stated, and Zuko looked right back at you, "Then answer." he replied. He opened the door and the Gaang was waiting in the hall. Katara was the first to see you both exit and she tried to hide her smile with a polite hand, the others turned to look and were caught a blank. Zuko shut the door with you standing by his side. You greeted everyone and you both walked towards the group, "What are you all staring at, let's head out." Zuko said so nonchalantly, everyone stood in silence for a second longer and proceeded on like nothing happened.

[just-a-ghost00]

FS series : the context of your meeting

Deck used : White Numen tarot.

Group 1 - White Numen, The Fool, The Star, 6 of swords

Okay this feels pretty clear and to the point! A travel is involved. An important one at that. The combination of The Fool and The Star tells me that this is something completely out of the blue, almost unseen. Like you've never done such a thing before in your life. Not only that but also where you're going is definitely abroad. Water is significant as well as mountains. So the place where you're going is known for either one or both of these two things. If we analyze this a bit further, I'm thinking of places such as Manhattan, Miami, London, Paris, Seoul, Tokyo and prefectures around Mt Fuji, Mt Rushmore, Niagara falls, islands in general and so on. It will be a period of your life when you're taking a new start, you're in an energy of being optimistic and open to what the future holds, trusting the Universe and your guiding star that somehow you are on the right path and will make the right decisions at the right time. Serendipity comes to mind. I did some research because I felt like sometimes we might misunderstand this concept and I found out the origin of this word and somehow I thought this was relevant to the reading. This word comes from an oriental tale entitled The Three Princes of Serendip. Serendip is another name for Sri Lanka or Ceylan island. It means golden island. In this story, three princes are sent abroad by their father and live a certain amount of adventures in which their education allows them to make astute assumptions and solve mysteries. They often times find themselves in trouble but each time a fortunate event that they did not ask for or provoke allows them to know a positive outcome. These findings that they make seem irrelevant to their purpuse in appearance but in realty they are of very important significance.

Getting back to your reading, what I mean is that this meeting with your FS feels very coincidental. You are not looking for them and expecting to find them at such a time, in such a place and yet, here they are. Also, this time of your life is going to be very unexpected and tiring for you. The reason I'm saying that is because my computer ran out of battery as I was doing your reading and I wasn't prepared for it lmao. So this travel or move will be something that you hadn't planned. For some of you, this could be something that you are somewhat "forced" to go to, like a business event or a family celebration. But for others this could just be something that you decide to do on a whim. The sign of Taurus could be significant. First quarter of the moon and full moon are also significant. So this could give us a time frame where this is happening. This feels like a very fated meeting. Your meeting could involve something creative. There are other people around you when you meet this person. I get a feeling of both of you writing a new chapter of your life and leaving behind a period of dissatisfaction. You and your FS are in similar energies when you meet. It's like both of you acted on a whim and decided to do something they would never have done before and boom magic happens. I really love this energy, this is so cute.

Group 2 - 10 of wands, ace of swords, 8 of wands, 6 of pentacles

Okay I feel the need to tell you this : if some of you knew me in my baby stages as a tarot reader, we already had a similar reading maybe you'll remember it. Yes, I this isn't my first tarot blog. I had tried one time but something didn't feel right so I deleted my blog and took a break from tarot. Now onto your reading. This feels work related. There's a lot of pressure surrounding this meeting. There are a lot of people around. Either you or they are in a rush. One of you needs to quickly communicate something or feels desperate to get a message across and the other will be helping in clearing the way so that this person gets the opportunity to state their truth and/or do their job. This is just one example among many but imagine someone working in a grocery store. And there are a lot of people in a certain area that are doing something that shouldn't be done or blocking the access to the staff room. Anyways, the employee is in a rush and needs to get these people to move but somehow the customers aren't listening or they don't care. I see someone else barging in and telling everyone to fuck off lmao. Another scenario is someone just doing their job and receiving a lot of hate or mockery for no reason whatsoever and someone steps in to defend them and restore balance. It could even be as far as someone being hurt and in need of medical attention and while everyone is panicking or like filming and stuff, one guy/girl just barges in and actually helps the person while yelling at others for being so dumb. I don't really sense a timing for this group so I guess it varies for people. But I have a hunch it could be happening sooner than you'd expect. I heard November for some reason. This person could have a dog or you could have a dog. (For some obscure reason I wrote god instead of dog the second time...lmao). That's also very specific but for some of you your person is very influential. Quite rich. Who's been asking for a sugar daddy/mommy? lmao.

Group 3 - ace of wands, Hermit, 8 of pentacles, king of pentacles

For this group I'm also getting a work related meeting. But the context is different. I'm getting more night time vibes, especially night clubs and such. One of you is partying, celebrating and very horny I must say. The other is working and not really in the mood for flirting. I see one person trying to get the other to break character or to get out of their comfort zone, while the other is not budging and doing their best to keep their cool. I sense power dynamics but also age and status differences. It's like one is afraid of being seen in a state of vulnerability while the other just doesn't care and is pretty much vibing. There might be alcohol involved. Also for some reason I'm picking up on medical shifts and police patrols. So maybe some of you will be hitting on very respectable people while you're drunk lmao. I see the more reserved person being very respectful and uptight. More than anything they want to make sure you are safe and their job is done correctly. This context doesn't feel like the best for them to meet their FS. If one will be definitely feeling the attraction right away the other might not because they're too busy working. They're not emotionally receptive because the other isn't in their usual state. Again I'm not getting any timing here except for night time so this could happen any time depending on the people. However the sign of Virgo is showing up as well as Taurus so it feels like it will take quite some time for you to meet this person. It will also take time for the relationship to progress. I guess you won't be meeting this person a lot in the beginning stages of your connection. Like maybe you could meet them once randomly at a party and then a lot of time passes before you see them again. Maybe through work connections can you get to know this person a lot more. I see some of you investigating lmao and coming back to this person's work place regularly until they finally let their guards down. This feels very funny. Kind of an ennemies to lovers vibe.

[redflagshipwriter]

Fast Car Four (of four)

masterpost

Jason swallowed down hysterical laughter. “No, I don't.” 

Major understatement. Jason did not want Danny to talk to Batman. There were a couple reasons! 

Most crucial to his mission was that he was pretty sure Danny would make him seem a lot less dangerous and intimidating. He needed Batman to think the Red Hood was a coldly calculating threat, not a nice guy who tipped well. Danny was weirdly blithe about hanging out with a man who was over the national news for mass murder and taking over a drug market. Now that he was mostly over the shock of Danny’s attempt to throttle him for endangering his academic ambitions, he kind of desperately wanted Danny to like him. But again, that was not conducive to the impression he needed to make on Gotham..

But also, Jason wasn't made of stone. Danny was wrong about being in danger from Batman. Whatever he was, he clearly wasn't a criminal. He was some kind of persecuted minority. The highest Batman-related-risk he had was adoption.

‘Pretty goddamn terrible risk,’ Jason thought, remembering Dickie's screaming fights with Bruce and his own catastrophic blowout. 

Alright. How to make this work in the context of his plan? 

“Lemme think for a bit,” Jason said aloud, just so that Danny would steam less. “Obviously, he isn't going to forget about you. He knows your name, where you live, alla that. The best way to get him off your ass is to make you irrelevant as a lead.” 

Emotionally compromising him really wouldn't hurt, either. It was really goddamn hard to make Batman sloppy. But Jason knew how to press his buttons. He thought it over and wordlessly led Danny into the safehouse to offer him bottled water from the fridge. 

“He's not going to find you here, by the way,” Jason absently reassured. “Do you have to go to class today?” 

Danny grimaced. “I can miss a day.” He cracked open the water bottle. “One day.” 

Jason suppressed a cackle. He had one day to do something that got Danny off of Batman's sonar. He loved a generous king. “Thanks, honey,” he said. And then he flatlined. 

They looked at each other. 

Neither one of them spoke. The air was very tense with… something.

Jason looked back at his phone and pretended to be very busy. 

‘I wish I wasn't a dumbass,’ he mourned. Jason took a moment to be wistful for a better world. ‘Fuck. I need to solve this. How do I- would dramatically escalating my timeline work? If I skip all the chess moves and just confront Bruce…’

He cleared his throat. “What are, uh, your thoughts on using your powers to commit a major crime for me just once, so that I can get the Batman off your case?” 

Danny's lips thinned. “I'll hear you out.” 

Jason's mind raced. “So, uh, you stay here today, where he definitely can't see you. I have to go out for an errand or two, but you can just camp out here.” He frowned. “Actually, Batman won't go out in the day.” Bruce had work. “You can go to your classes. You probably should. School is important.”

“And Batman isn't going to like, track my car by traffic cameras and see that I came from here?” Danny raised an eyebrow.

‘He is going to do exactly that to see that you came here, and it’ll take him all day.’

He felt a vindictive spark of joy over how Bruce’s old man neck was going to hurt after hours spent squinting at his monitors. He’d used to microwave rice packs and hand them over periodically so the big dope didn’t wind up laid up in bed the next day.

‘Wonder if the new kid does that.’

Jason snorted and hopped up on the kitchen counter. “No, he's definitely going to do that. But it'll take him a while and I'll burn this location anyway…” He trailed off as an idea hit. “D’you know anything about cars?” 

It turned out that Danny knew enough. 

So Jason made them breakfast, sent Danny off to school, and then went out to intimidate the minions he'd had for literally one friggin day.

That turned out to be completely unnecessary. Apparently the Joker got the news channel in Arkham and he was pissy about someone making a major news story under his old alias. 

In another world, Jason would have flipped off the TV and hunkered down, let this chance pass him by because the stars were not aligned. But right here and now, there was a hot boy depending on him. So Jason was just going to make it work. 

Danny came back to the safehouse after classes. “Are you sure Batman is gonna come here?” Jason watched with eagle eyes as Danny absently picked at the pot roast he'd had going all day. Danny liked potatoes. Noted. 

“Yeah, for sure.” He cleared his throat. “And he’ll follow me if he hears word I’m out.”

“Leaving me to actually do this.” Danny looked kind of disgruntled about it.

Jason opened his mouth to point out that drawing Batman away on foot was a lot more demanding than what he wanted from Danny, but then he made eye contact and felt a chill up his spine. Danny’s stare looked positively dangerous. He was gripping his eating utensils with what was obviously way too much force and leaning ever so slightly towards Jason.

‘I think he’ll attack me with his spoon if I say that,’ Jason thought with admiration. ‘This man feels no fucking fear.’

“I’m sure that you can pull it off,” he said instead. “It won’t take too long with density shifting.”

Danny made a sound deep in the back of his throat that conveyed a deep and enduring skepticism. Jason took a big bite of his own food to move the interaction along. 

There was a huge sigh.

Some latent instinct cued Jason in that eye contact was required. He put down his food and focused on Danny. He conveyed his full attention as much as he possibly could while wearing a mask. He momentarily wondered if he should take it off but no, that was nuts. 

“Tell me that you’re sure this will work,” Danny said. He blinked at Jason, looking weary. “Personally, I think that this sounds like it will just piss him off beyond belief and it’ll point to me. I can see the benefit in sabotaging his transportation, don’t get me wrong, it’ll slow him down. But why this? Are you sure that I wouldn’t be better off just going to him and telling him I don’t really know you and I ran because I was afraid of him?”

Jason swallowed. “Danny.” He radiated his sincerity, willing Danny to feel it. “You don’t have to open up to him. Taking three tires off of his car is going to be psychological warfare because I did that to him when I was a kid. It’s going to make him think of me and put him way off balance. When I confront him, he will not be thinking about a gig driver.”

Danny nodded slowly through that bit of personal information. He licked his lips. Jason tried not to imagine that he was doing the licking.

He cleared his throat but his voice still came out hoarse. “I know you don’t know me very well.” Fuck it, it was clearly time for a big swing. Jason unpeeled the domino and did his level best not to let on that it hurt like a fucking BITCH to remove without using the right solution. 

It was the right move. Danny was riveted at the show of trust, gaze darting over his exposed features before blinking and settling into intense eye contact. “I have your back. Okay?” He pulled his hand under the table to hide that it was trembling. “If Batman doesn’t put me in jail tonight, I will do whatever it takes to keep you off the radar. Alright?”

There was a nonzero chance that he was going off to die. Jason fervently hoped that his shitty fucking father pulled through for once in his miserable life and shot the Joker in his evil head. If he tried to find some clever solution, Jason was going to have to kill the fucker himself and then try to avoid getting the shit beaten out of him by his dad.

He felt a moment of painful regret that he was doing this. But he had to. It was his whole reason for being. He had to give Bruce this one last chance to show that he cared Jason had suffered and died.

It was like Danny looked right into his soul. “Alright.” Danny nodded slowly and then his face underwent a whole transformation. He didn’t look like a tired college kid. He looked capable and determined. Jason felt his chest seize. “I believe you. And-” he hesitated before barrelling on. “If Batman tosses you in jail, I guess I’ll get you out. I owe you dinner.” He indicated the table.

Jason felt himself smile. “Yeah,” he echoed. “Yeah, dinner.” 

He probably should have wondered how Danny thought he’d pull that off. But in that moment, he had no doubt. They were going to go out, at least once, and see if they could be something.

He was going to come back and he was going to take Danny out to a real dinner. He felt it in his bones.

They finished eating in silence. Then Danny silently watched Jason get ready for war, putting on his armor and rechecking his equipment. At the door, Danny handed him his gloves. It felt like a benediction. It felt like he was sending Jason off to battle with his favor.

“Four hours,” Danny said. There was no arguing with him. He reached out and wrapped his cool hand around Jason’s wrist. Maybe he was feeling Jason’s pulse. “I’ll find you if you don’t come back.”

Jason reversed the grip. He brought Danny’s hand up slowly enough that there was plenty of time for him to pull away. Instead of a rejection, he saw Danny’s pupils dilate. He pressed a kiss to the back of Danny’s hand. “Four hours,” he agreed. Then he put on his helmet and went out to face the night.